Canyon Country Quotes

I love my country, by which I mean I am indebted joyfully to all the people throughout its history, who have fought the government to make right. Where so many cunning sons and daughters, our foremothers and forefathers came singing through slaughter, came through hell and high water so that we could stand here, and behold breathlessly the sight; how a raging river of tears cut a grand canyon of light. Why can't all decent men and women call themselves feminists, out of respect for those that fought for this?

It was a queer, sultry summer, the summer they executed the Rosenbergs, and I didn't know what I was doing in New York. I'm stupid about executions. The idea of being electrocuted makes me sick, and that's all there was to read about in the papers -- goggle-eyed headlines staring up at me at every street corner and at the fusty, peanut-smelling mouth of every subway. It had nothing to do with me, but I couldn't help wondering what it would be like, being burned alive all along your nerves. I thought it must be the worst thing in the world. New York was bad enough. By nine in the morning the fake, country-wet freshness that somehow seeped in overnight evaporated like the tail end of a sweet dream. Mirage-gray at the bottom of their granite canyons, the hot streets wavered in the sun, the car tops sizzled and glittered, and the dry, cindery dust blew into my eyes and down my throat.

Standing there, gaping at this monstrous and inhumane spectacle of rock and cloud and sky and space, I feel a ridiculous greed and possessiveness come over me. I want to know it all, posess it all, embrace the entire scene intimately, deeply, totally...

Is it possible to make a living by simply watching light? Monet did. Vermeer did. I believe Vincent did too. They painted light in order to witness the dance between revelation and concealment, exposure and darkness. Perhaps this is what I desire most, to sit and watch the shifting shadows cross the cliff face of sandstone or simply to walk parallel with a path of liquid light called the Colorado River. In the canyon country of southern Utah, these acts of attention are not merely the pastimes of artists, but daily work, work that matters to the whole community. This living would include becoming a caretaker of silence, a connoisseur of stillness, a listener of wind where each dialect is not only heard but understood.

From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers. Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box. Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York.

As I swam toward a bend in the canyon, the river became increasingly shallow. In a patch of sunlight, two longnose gars, relics of the Paleozoic era, hovered in the silted waters. I stood to walk along the adjacent shorelines, crossing the river time and again as each bank came to an end, until finally, for one brief moment, I forgot in which country I stood. All around me the landscape trembled and breathed as one.

Light. Space. Light and space without time, I think, for this is a country with only the slightest traces of human history. In the doctrine of the geologists with their scheme of ages, eons and epochs all is flux, as Heraclitus taught, but from the mortally human point of view the landscape of the Colorado is like a section of eternity- timeless. In all my years in the canyon country I have yet see a rock fall, of its own volition, so to speak, aside from floods. To convince myself of the reality of change and therefore time I will sometimes push a stone over the edge of a cliff and watch it descend and wait- lighting my pipe- for the report of its impact and disintegration to return. Doing my bit to help, of course, aiding natural processes and verifying the hypotheses of geological morphology. But am not entirely convinced.

You can make a successful run for political office in this country without an especially thick résumé, any exceptional talent for expressing yourself, a noteworthy education or, for that matter, a basic grasp of science. But you better have religion. You better be ready to profess your faith in and fealty to God — the Judeo-Christian one, of course. And you better be convincing. A dust-up last week in the 2014 race for a United States Senate seat from Arkansas provided a sad reminder of this, showing once again that our ballyhooed separation of church and state is less canyon than itty-bitty crack.

A year ago, I was at a dinner in Amsterdam when the question came up of whether each of us loved his or her country. The German shuddered, the Dutch were equivocal, the Brit said he was "comfortable" with Britain, the expatriate American said no. And I said yes. Driving across the arid lands, the red lands, I wondered what it was I loved. the places, the sagebrush basins, the rivers digging themselves deep canyons through arid lands, the incomparable cloud formations of summer monsoons, the way the underside of clouds turns the same blue as the underside of a great blue heron's wings when the storm is about to break. Beyond that, for anything you can say about the United States, you can also say the opposite: we're rootless except we're also the Hopi, who haven't moved in several centuries; we're violent except we're also the Franciscans nonviolently resisting nucelar weapons out here; we're consumers except the West is studded with visionary environmentalists...and the landscape of the West seems like the stage on which such dramas are played out, a space without boundaries, in which anything can be realized, a moral ground, out here where your shadow can stretch hundreds of feet just before sunset, where you loom large, and lonely.

but she felt as though whatever she’d been given in the Devil’s Country it was affecting her mind, not her body, and it was not doing anything remotely healing. Quite the reverse.

You think I’m finished, so you’re leaving me to be crucified by every piece of shit journalist in the fucking country.

The canyon is a ladder to the plain. The valley is pale in the end of July, when the corn and melons come of age and slowly the fields are made ready for the yield, and a faint, false air of autumn—an illusion still in the land—rises somewhere away in the high north country, a vague suspicion of red and yellow on the farthest summits. And the town lies out like a scattering of bones in the heart of the land, low in the valley, where the earth is a kiln and the soil is carried here and there in the wind and all harvests are a poor survival of the seed. It is a remote place, and divided from the rest of the world by a great forked range of mountains on the north and west; by wasteland on the south and east, a region of dunes and thorns and burning columns of air; and more than these by time and silence.

No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

Thoreau was a victim of the Optimism Gap (the “I’m OK, They’re Not” illusion), which for happiness is more like a canyon. People in every country underestimate the proportion of their compatriots who say they are happy, by an average of 42 percentage points.19

LAUREL CANYON PERCHED DIRECTLY ABOVE LOS ANGELES, one of the most expensive collections of winding hills and valleys in the country. Luckily, there were roads that twisted up and down the tortured ridges, or the only things that would have been there were hippies, backpackers, prairie dogs, and the occasional mountain lion dining on the aforementioned hippies, backpackers, and prairie dogs. Unfortunately, because of those roads and the billion-dollar real estate, the most common life-forms were douche bags, plastic surgeons, fading film producers, and labradoodles.

Do not jump into your automobile next June and rush out to the canyon country hoping to see some of that which I have attempted to evoke in these pages. In the first place you can’t see anything from a car; you’ve got to get out of the goddamned contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbush and cactus. When traces of blood begin to mark your trail you’ll see something, maybe. Probably not. In the second place most of what I write about in this book is already gone or going under fast. This is not a travel guide but an elegy. A memorial.

I was just a little buckaroo when they first invited me to Marlboro Country. I loved being a cowboy; and smoking seemed to fit right in with riding, roping and wrangling. But once I got to where the Flavor was, it would take me four decades to find a trail out of Nicotine Canyon. I finally ran out of reasons to smoke...when I ran out of air...

In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your home-own. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. “No surprises” is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.

The arches themselves, strange, impressive, grotesque, form but a small and inessential part of the general beauty of this country. When we think of rock we usually think of stones, broken rock, buried under soil and plant life, but here all is exposed and naked, dominated by the monolithic formations of sandstone which stand above the surface of the ground and extend for miles, sometimes level, sometimes tilted or warped by pressures from below, carved by erosion and weathering into an intricate maze of glens, grottoes, fissures, passageways, and deep narrow canyons.

That was just one curious shift that occurred in the local music scene. The folk-rock movement, as it turns out, didn’t really last very long in its original incarnation. To the contrary, it quickly splintered into three distinct new genres: country-rock, psychedelic rock, and the ‘introspective singer-songwriter’ school of folk-rock most closely associated with former mental patient James Taylor. None of those musical genres, notably, posed much of a threat to the ‘establishment.’ The navel-gazers eschewed social concerns in favor of focusing on tales of personal anguish, the acid rockers largely preached the mantra of ‘turn on, tune in, drop out,’ and the country-rockers largely stuck to traditional—which is to say, quite conservative—country music themes. Following

The fire petered out so Foucault suggested that he chop some wood. As he walked to the woodpile we could see him from the porch. David warned him about the large rattlesnakes that were around, but this did not deter Foucault in the slightest. After selecting some choice pieces, Foucault chopped the wood with great alacrity. Everybody unabashedly gawked in astonishment, as if to say, How is it that an esteemed Parisian intellectual can learn to chop wood with such dexterity? One could not imagine a Voltaire or Sartre accomplishing such as task so readily. 'But I am just an ordinary man,' I heard Michel say to John, who had gone out to help him. Subsequently, the Bear Canyon bad called him Country Joe Foucault, referring, I suppose, to his down-to-earth manner and skills.

Yosemite is so large that you can think of it as five parks. Yosemite Valley, famous for waterfalls and cliffs, and Wawona, where the giant sequoias stand, are open all year. Hetch Hetchy, home of less-used backcountry trails, closes after the first big snow and reopens in May or June. The subalpine high country, Tuolumne Meadows, is open for summer hiking and camping; in winter it’s accessible only via cross-country skis or snowshoes. Badger Pass Ski Area is open in winter only. Most visitors spend their time along the park’s southwestern border, between Wawona and Big Oak Flat Entrance; a bit farther east in Yosemite Valley and Badger Pass Ski Area; and along the east–west corridor of Tioga Road, which spans the park north of Yosemite Valley and bisects Tuolumne Meadows.

From every direction, the place is under assault—and unlike in the past, the adversary is not concentrated in a single force, such as the Bureau of Reclamation, but takes the form of separate outfits conducting smaller attacks that are, in many ways, far more insidious. From directly above, the air-tour industry has succeeded in scuttling all efforts to dial it back, most recently through the intervention of Arizona’s senators, John Kyl and John McCain, and is continuing to destroy one of the canyon’s greatest treasures, which is its silence. From the east has come a dramatic increase in uranium-mining claims, while the once remote and untrammeled country of the North Rim now suffers from an ever-growing influx of recreational ATVs. On the South Rim, an Italian real estate company recently secured approval for a massive development whose water demands are all but guaranteed to compromise many of the canyon’s springs, along with the oases that they nourish. Worst of all, the Navajo tribe is currently planning to cooperate in constructing a monstrous tramway to the bottom of the canyon, complete with a restaurant and a resort, at the confluence of the Little Colorado and the Colorado, the very spot where John Wesley Powell made his famous journal entry in the summer of 1869 about venturing “down the Great Unknown.” As vexing as all these things are, what Litton finds even more disheartening is the country’s failure to rally to the canyon’s defense—or for that matter, to the defense of its other imperiled natural wonders. The movement that he and David Brower helped build is not only in retreat but finds itself the target of bottomless contempt. On talk radio and cable TV, environmentalists are derided as “wackos” and “extremists.” The country has swung decisively toward something smaller and more selfish than what it once was, and in addition to ushering in a disdain for the notion that wilderness might have a value that extends beyond the metrics of economics or business, much of the nation ignorantly embraces the benefits of engineering and technology while simultaneously rejecting basic science.

I have been thinking more and more that I shall always be a lone wanderer of the wilderness. God, how the trail lures me. You cannot comprehend its resistless fascination for me. After all the lone trail is the best. . . . I’ll never stop wandering. And when the time comes to die, I’ll find the wildest, loneliest, most desolate spot there is. The beauty of this country is becoming part of me. I feel more detached from life and somehow gentler. . . . I have some good friends here, but no one who really understands why I am here or what I do. I don’t know of anyone, though, who would have more than a partial understanding; I have gone too far alone. I have always been unsatisfied with life as most people live it. Always I want to live more intensely and richly. In my wanderings this year I have taken more chances and had more wild adventures than ever before. And what magnificent country I have seen—wild, tremendous wasteland stretches, lost mesas, blue mountains rearing upward from the vermilion sands of the desert, canyons five feet wide at the bottom and hundreds of feet deep, cloudbursts roaring down unnamed canyons, and hundreds of houses of the cliff dwellers, abandoned a thousand years ago.

Even when you're keeping score, golf is all about focusing on the shot at hand, the total score being a sum of those shots. On magic mushrooms, each shot was an act of self-expression - a karate kick, a pirouette, a paintbrush stroke. The course was an aren, a stage, and a canvas. That's the way it felt playing in the backcountry, too. Going beyond the simple visual appreciation of a landscape and interacting with it beyond the reach of the physical body. Launching shots across canyons and rivers and down mountainsides and beaches. The motion of the body determining the motion of the ball - its flight an extension of the body like a spider riding the wind on a silken thread or a perfectly cast fly arcing down onto the surface of the water. This is the part of the game that is hard for nongolfers to see. You have to play to feel it. It isn't visible through the TV screen or from outside the picket fences and privet hedges. The forest gets lost in tress of tartan and argyle, visors and V-necks. Golf seems to be one thing but is very much another, and backcountry golf and mushroom night golf are as true to the nature of the game as any stuffy country club championship or Saturday Nassau or fourball.

The sight of the canyon down there as we renegotiated the mountain road made me bite my lip with marvel and sadness. It's as familiar as an old face in an old photograph as tho I'm gone a million years from all that sun shaded brush on rocks and that heartless blue of the sea washing white on yellow sand, those rills of yellow arroyo running down mighty cliff shoulders, those distant blue meadows, that whole ponderous groaning upheaval so strange to see after the last several days of just looking at little faces and mouths of people -- As tho nature had a Gargantuan leprous face of its own with broad nostrils and huge bags under its eyes and a mouth big enough to swallow five thousand jeepster stationwagons and ten thousand Dave Wains and Cody Pomerays without a sigh of reminiscence or regret -- There it is, every sad contour of my valley, the gaps, the Mien Mo captop mountain again, the dreaming woods below our high shelved road, suddenly indeed the sight of poor Alf again far way grazing in the mid afternoon by the corral fence -- And there's the creek bouncing along as tho nothing had ever happened elsewhere and even in the daytime somehow dark and hungry looking in its deeper tangled grass. Cody's never seen this country before altho he's an old Californian by now, I can see he's very impressed and even glad he's come out on a little jaunt with the boys and with me and is seeing a grand sight.

To Anita Pollitzer Canyon, Texas 11 September 1916 Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it. But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking — The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon — Well I just sat there and had a great time all by myself — Not even many night noises — just the wind — I wondered what you are doing — It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home — I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful — Pat.

In scale and audacity, the dam was astonishing; engineers were going to anchor a mile-long wall of concrete in bedrock at the bottom of a steep canyon in the Columbia. They would excavate 45 million cubic yards of dirt and rock, and pour 24 million tons of concrete. Among the few dams in the Northwest not built by the Corps of Engineers, the Grand Coulee was the work of the Bureau of Reclamation. When completed, it was a mile across at the top, forty-six stories high, and heralded as the biggest thing ever built by man. The dam backed up the river for 151 miles, creating a lake with 600 miles of shoreline. At the dam’s dedication in 1941, Roosevelt said Grand Coulee would open the world to people who had been beat up by the elements, abused by the rich and plagued by poor luck. But a few months after it opened, Grand Coulee became the instrument of war. Suddenly, the country needed to build sixty thousand planes a year, made of aluminum, smelted by power from Columbia River water, and it needed to build ships—big ones—from the same power source. Near the end of the war, America needed to build an atomic bomb, whose plutonium was manufactured on the banks of the Columbia. Power from the Grand Coulee was used to break uranium into radioactive subelements to produce that plutonium. By war’s end, only a handful of farms were drawing water from the Columbia’s greatest dam. True, toasters in desert homes were warming bread with Grand Coulee juice, and Washington had the cheapest electrical rates of any state in the country, but most of that power for the people was being used by Reynolds Aluminum in Longview and Alcoa in Vancouver and Kaiser Aluminum in Spokane and Tacoma.

The franchise and the virus work on the same principle: what thrives in one place will thrive in another. You just have to find a sufficiently virulent business plan, condense it into a three-ring binder -- its DNA -- Xerox(tm) it, and embed it in the fertile lining of a well-traveled highway, preferably one with a left-turn lane. Then the growth will expand until it runs up against its property lines. In olden times, you'd wander down to Mom's Cafe for a bite to eat and a cup of joe, and you would feel right at home. It worked just fine if you never left your hometown. But if you went to the next town over, everyone would look up and stare at you when you came in the door, and the Blue Plate Special would be something you didn't recognize. If you did enough traveling, you'd never feel at home anywhere. But when a businessman from New Jersey goes to Dubuque, he knows he can walk into a McDonald's and no one will stare at him. He can order without having to look at the menu, and the food will always taste the same. McDonald's is Home, condensed into a three-ring binder and xeroxed. "No surprises" is the motto of the franchise ghetto, its Good Housekeeping seal, subliminally blazoned on every sign and logo that make up the curves and grids of light that outline the Basin. The people of America, who live in the world's most surprising and terrible country, take comfort in that motto. Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles, Sherman's March, gridlock, motorcycle gangs, and bun-gee jumping. They have parallelparked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture. The only ones left in the city are street people, feeding off debris; immigrants, thrown out like shrapnel from the destruction of the Asian powers; young bohos; and the technomedia priesthood of Mr. Lee's Greater Hong Kong. Young smart people like Da5id and Hiro, who take the risk of living in the city because they like stimulation and they know they can handle it.

...I've noticed there are overnight camping trips that are reenactments of that arrival. In the promotional photos advertising the trip, entire families wear costumes and indeed pull a handcart over the granite rocks and creek beds of the nearby canyons and back country. The kids learns how very little actually can be brought in one of these carts--no television, for instance--and the parents learn a lot more than they bargain for, I expect; how shallow our own civilizing is, and the iron grip you have to keep on the instinct to wheedle and blame and shove, and how tender our feet will always be.

It is hardly surprising that the initial stage of most mountain journeys involves laborious uphill hiking. Coming at a time when the typical hiker is out of shape, unacclimated, and transporting the heaviest load of the entire trip, the seemingly endless hillsides can elicit rumblings from even the hardiest backpackers. The first section of the High Route qualifies as a splendid example of such unremitting travel, for the hiker must toil up 6,000 feet to the first major pass, a disheartening prospect. Weathered dead pine at timberline Optimistic hikers who seek the brighter side of unpleasant situations, however, will quickly discover mitigating factors on this interminable slope. The well-manicured trail zigzags up the north wall of Kings Canyon with such a gentle gradient that the traveler can slip into a rhythmic pace where the miles pass far more quickly than would be possible on a steeper, rockier path. Thus freed from scrutinizing the terrain immediately ahead, the hiker can better appreciate the two striking formations on the opposite side of the canyon. Directly across the way towers the enormous facade of Grand Sentinel, rising 3,500 feet above the meadows lining the valley floor. Several miles to the east lies the sculpted oddity known as the Sphinx, a delicate pinnacle capping a sweeping apron of granite. These two landmarks, visible for much of the ascent to the Monarch Divide, offer travelers a convenient means of gauging their progress; for instance, when one is finally level with the top of the Sphinx, the upward journey is two-thirds complete. Hikers able to identify common Sierra trees

A strange terrain, that: the dark continent. No man's land and no one woman's: a lush wilderness to be explored jointly by comrades, no barbed wire, no land mines, but a dangerous place all the same, a hot jungle where only desire could be quenched. If you did not burn, you could not go there. A small region — perhaps no larger than the fleshy plains between the hip bones. Perhaps no bigger than a bed: the sheeted moors, pillows mounded into mountain passes, quilts scooped into canyons, woman-and-man-made lakes, perilous passages only lovers could navigate. A country, but not a nation. A trackless peninsula, perpetually discovered, recovered, a land you could return to and yet remain forever lost.

a metaphor, visiting the Sistine chapel does more than conceptually advance your knowledge of Michaelango’s view of final judgment, as visiting the Grand Canyon does more than provide you information about the history of the Colorado River. There are sensibilities and emotions that are shaped by the whole experience. So also patristic and medieval theology can function to shape theological values and inclinations we will likely lack so long as we work narrowly within Reformation and modern theology alongside the Bible. It is an enriching, formative experience, comparable to traveling to a foreign country and being immersed in the culture and geography.

American should read the signs of the times, realize the crisis, and meet it in an American way. Otherwise we are done as a race. Money is God in the older countries. But it should never become God in America. If it does we will make the fall of Rome pale into insignificance.

Unlike forest or seashore, mountain or city, plain or swamp, the desert, any desert, suggests always the promise of something unforeseeable, unknown but desirable, waiting around the next turn in the canyon wall, over the next ridge or mesa, somewhere within the wrinkled hills.

My curiosity about this country intensified…and so I went. I discovered that, like all canyons, they have a powerful sense of direction and this becomes imprinted upon one’s way of thinking: there are upcanyon and downcanyon, and one adjusts to that simple fact. More than anywhere else I sensed that here one must fit into the landscape, must know what is there and where, in order to survive. These canyons, like the ocean and the air, are unforgiving.

Travel Bucket List 1. Have a torrid affair with a foreigner. Country: TBD. 2. Stay for a night in Le Grotte della Civita. Matera, Italy. 3. Go scuba diving in the Great Barrier Reef. Queensland, Australia. 4. Watch a burlesque show. Paris, France. 5. Toss a coin and make an epic wish at the Trevi Fountain. Rome, Italy. 6. Get a selfie with a guard at Buckingham Palace. London, England. 7. Go horseback riding in the mountains. Banff, Alberta, Canada. 8. Spend a day in the Grand Bazaar. Istanbul, Turkey. 9. Kiss the Blarney Stone. Cork, Ireland. 10. Tour vineyards on a bicycle. Bordeaux, France. 11. Sleep on a beach. Phuket, Thailand. 12. Take a picture of a Laundromat. Country: All. 13. Stare into Medusa’s eyes in the Basilica Cistern. Istanbul, Turkey. 14. Do NOT get eaten by a lion. The Serengeti, Tanzania. 15. Take a train through the Canadian Rockies. British Columbia, Canada. 16. Dress like a Bond Girl and play a round of poker at a casino. Montreal, Quebec, Canada. 17. Make a wish on a floating lantern. Thailand. 18. Cuddle a koala at Currumbin Wildlife Sanctuary. Queensland, Australia. 19. Float through the grottos. Capri, Italy. 20. Pose with a stranger in front of the Eiffel Tower. Paris, France. 21. Buy Alex a bracelet. Country: All. 22. Pick sprigs of lavender from a lavender field. Provence, France. 23. Have afternoon tea in the real Downton Abbey. Newberry, England. 24. Spend a day on a nude beach. Athens, Greece. 25. Go to the opera. Prague, Czech Republic. 26. Skinny dip in the Rhine River. Cologne, Germany. 27. Take a selfie with sheep. Cotswolds, England. 28. Take a selfie in the Bone Church. Sedlec, Czech Republic. 29. Have a pint of beer in Dublin’s oldest bar. Dublin, Ireland. 30. Take a picture from the tallest building. Country: All. 31. Climb Mount Fuji. Japan. 32. Listen to an Irish storyteller. Ireland. 33. Hike through the Bohemian Paradise. Czech Republic. 34. Take a selfie with the snow monkeys. Yamanouchi, Japan. 35. Find the penis. Pompeii, Italy. 36. Walk through the war tunnels. Ho Chi Minh, Vietnam. 37. Sail around Ha long Bay on a junk boat. Vietnam. 38. Stay overnight in a trulli. Alberobello, Italy. 39. Take a Tai Chi lesson at Hoan Kiem Lake. Hanoi, Vietnam. 40. Zip line over Eagle Canyon. Thunderbay, Ontario, Canada.

beyond the confluence lies the wilderness of the Needles country, known to only a few cowboys and uranium prospectors; on the west side of the junction is another labyrinth of canyons, pinnacles and fins of naked stone, known to even fewer, closer than anything else in the forty-eight United States to being genuine terra incognita—The Maze.

Three generations later, viewed from the standpoint of the digital age, a structure such as Hoover can appear to suffer from a kind of vulgarity of size—a thing so enormous and monolithic as to seem preindustrial, almost primitive. Like fascist architecture, that soaring wall of concrete, for all its Art Deco adornments, can strike the postmodern eye as embarrassingly elephantine and childishly simplistic. Yet one only need page through the dam’s elegant blueprints to realize that this is a machine that, in its own way, is as sophisticated as a Boeing 747—a marvel of engineering, of mathematics, of human thinking, of vision, and, yes, of art. For all these reasons, Hoover is regarded by many civil engineers as one of America’s most impressive achievements. It may not be much of an overstatement to say that, along with splitting the atom and sending the Voyager spacecraft beyond the solar system, Hoover is the most remarkable thing this country has ever pulled off. Unlike

Im my native country I successfully avoided seeing the Grand Canyon; I avoided the Painted Desert, my nurse did not manage to drag me to Niagara. With all respect to Alexander von Humboldt, I will not get myself off this contraption to look at a tree however interesting.

TRAIL DESCRIPTION Begin Segment 8 on the west side of CO Hwy 91 (no parking) at mile 0.0 (9,820). Camping is prohibited the next 4 miles. The trail enters the forest southwest and follows a few switchbacks uphill as it skirts the golf course, crosses a bridge, and passes under a power line. The CT then heads northwest and traverses ski runs, goes under a ski lift, and passes nearest the Copper Mountain Resort at mile 1.6 (9,768). There are restaurants, sporting goods shops, and some grocery shopping at the base of the ski hill. The trail passes underneath the American Eagle Ski Lift and then becomes single-track at mile 2.1 (9,988), following a few roundabout switchbacks up the hill. There are two streams ahead, followed by great views of the Tenmile Range. At mile 3.4 (10,345), bear sharply to the right and leave the horse trail the CT was following. A cross-country ski trail merges from the left at mile 5.0 (10,519), but the CT continues straight ahead. At mile 5.2 (10,480), pass Jacque Creek, immediately followed by Guller Creek. There is a campsite just up the hill between the two. Continue upstream along Guller Creek following an elongated meadow to mile 6.2 (10,854) for additional camping and water. Janet’s Cabin, a popular ski hut, comes into view as the trail climbs out of the canyon.

The land scrunched like a dry blanket, where the flatness of the prairie gave way to badlands, to canyons cut by seasonal creeks.

Eve looked at Greta and wondered if she was seeing her future, moving halfway across the country and spending her days cleaning up after death. Then again, wasn’t that what she was doing now, only without the soap and sponge?

》Insidious《 "Why are you so cold hearted", she asks. Words of wise say 'There is a pagoda inside every human being'. I want to see. She drops a destination pin twisted at end. In his silence, she sinks into abyss inside him, travelling canyons, caverns and reaches a red dead barren land like amidst of kangaroo country. The only things one see here are Zigzag paths created by Horned vipers, young barrel cactus and corpus of human emotions. "Come under the shelter of this Uluru hill", a thunderous voice she hears. This is blood which trickles like sand in hour glass. The lightning in anonymity is the veins where it flows. That dark clot moving towards mind is sudden anger, spreading in entire body and generates uncontrolled hypertension. Deceit, dishonesty, falsity and hypocrisy of travellers from ages has evolved this place. "But.. but where is that heart soft as fairyfloss? Let me go inside that rock" she urges. You don't need to go there. Purify your heart as of a child in cradle. You will inhale the fumes of fragrance approaching you like incense stick. Then again visit and observe this place, no less than Garden of Eden.

What if each American landowner made it a goal to convert half of his or her lawn to productive native plant communities? Even moderate success could collectively restore some semblance of ecosystem function to more than twenty million acres of what is now ecological wasteland. How big is twenty million acres? It’s bigger than the combined areas of the Everglades, Yellowstone, Yosemite, Grand Teton, Canyonlands, Mount Rainier, North Cascades, Badlands, Olympic, Sequoia, Grand Canyon, Denali, and the Great Smoky Mountains National Parks. If we restore the ecosystem function of these twenty million acres, we can create this country’s largest park system. It gives me the shivers just to write about it. Because so much of this park will be created at our homes, I suggest we call it Homegrown National Park.

You don’t need to visit a foreign country or hike a desert canyon or go out on a cloudless, moonless night and get drunk on star champagne.

When my dog picked up scent he immediately left the main wash and took off up one of the 40’ ravine walls to head cross country. He had been working just ahead of us as we went northerly up the wash. He was not ranging any distance at all before he got scent. When my partner and I followed him and got to the top of the ridge, my dog was already at the bottom of the ravine and starting to climb up the next ridge. He paused to look back and see we were coming and then disappeared out of sight over the next ridge as we were working our way down. He repeated his behavior as we negotiated at least three ravines and ridges in this fashion. When he came again to the main wash he waited only long enough to make eye contact again before entering the narrow slot canyon where the subject was found.” – Susan Williams

entered this place . . . obliged to continue my rout untill sometime after dark before I found a place sufficiently large to encamp my small party; at length such an one occurred on the lard. side. . . . from the singular appearance of this place I called it the gates of the rocky mountains.” In the morning, as the flotilla paddled its way out of the canyon, the mountains receded and a beautiful intermountain valley presented itself. But about 10:00 a.m., a distressing, worry-making sight appeared in the sky: a column of smoke, coming out of a creek drainage some seven miles west, big enough to have been deliberately set. It had to have been done by Indians, all but certainly Shoshone, and almost surely because a single Indian or a small party had heard the discharge of a rifle and set fire to the grass to warn the rest of the tribe to retreat into the interior of the mountains. That was about as bad as anything that could happen, but there was nothing to do but press on. The following day, the flotilla entered “a beautifull and extensive plain country of about 10 or 12 miles wide which extended upwards further than the eye could reach this valley is bounded by two nearly parallel ranges of high mountains which have their summits partially covered with snow.” • Lewis was within a couple of hours’ march from one of the great gold deposits, at Last Chance Gulch,

The exodus of this whole people from the land of their fathers is not only an interesting but a touching sight. They have fought us gallantly for years on years; they have defended their mountains and their stupendous canyons with a heroism which any people might be proud to emulate; but when, at length, they found it was their destiny, too, as it had been that of their brethren, tribe after tribe, away back toward the rising of the sun, to give way to the insatiable progress of our race, they threw down their arms, and, as brave men entitled to our admiration and respect, have come to us with confidence in our magnanimity, and feeling that we are too powerful and too just a people to repay that confidence with meanness or neglect—feeling that having sacrificed to us their beautiful country, their homes, the associations of their lives, the scenes rendered classic in their traditions, we will not dole out to them a miser’s pittance in return for what they know to be and what we know to be a princely realm.

He’d never been on a train before, although he’d flown many times. It was one thing to be admired by the tourists at the show, those families wearing the straw cowboy hats with colored bands reading Colorado, Texas, Wyoming, or Montana, but it was another thing to be stared at by people on the train. When one well-dressed man came up to Lyle and handed him a five-euro note and said something in French about “exploitation by the Americans” and “cultural imperialism” and something nasty about the past president, Lyle nodded solemnly and took the money. After the man left, Lyle winked at Jimmy and grinned. “George Booosh,” Lyle mocked. “He’s still money.” They emerged from the train at the station on Rue de Rivoli, the Tuileries Garden on their left and beyond them the Seine, behind them the Louvre. Ornate canyon walls of magnificent

After graduating from art school, Miranda had taken off herself, traveling the country in her old RAV4, sleeping in the back, gobsmacked by the glowing spires of Bryce Canyon, the giant skies of Montana. Her journal held no words, only colors, water-softened palettes that could bring back an entire world with a flick of a page.

When the last living thing has died on account of us, how poetical it would be if Earth could say, in a voice floating up perhaps from the floor of the Grand Canyon, 'It is done.' People did not like it here.

The route led through the enchanted chaos of the Arizona deserts, a country mostly of naked rock in mesas, peaks, and gashed canyons, painted tremendous colors with brushes of comet’s hair. Frequently it was a giant-cactus country — saguaro by designers of modern decoration, cholla by medieval torturers — or a country of yuccas and the yucca’s weirdest form, the Joshua tree. Sometimes it was even a grass country. And through most of the route it was a country where occasionally you could find the characteristic oasis of the Southwest, a little, hidden arroyo with something of a stream in it, choked with cottonwoods, green plants blooming only a rifle shot from desolation.

The vultures came in shifts, sentinels to the requiem. The topmost ridges were first to welcome the daylight. A falcon swooped through the valley, scattering its benediction. I was mesmerized by the sentry duty of the carrion birds. They watched to see that all was well on earth: that death took its allotted share of animals and in return left provisions. Below, on the steep slopes that chamfered the gorge, the yaks grazed. Lying in the long grasses, cold, calm and watchful, Léo studied every crag through his binoculars. I was less conscientious. Patience has its limits, and I had come to the end of mine when we reached the canyon. I was busy assigning each animal a rung on the social ladder of the kingdom. The snow leopard was the regent; her status reinforced by her invisibility. She reigned, and therefore had no need to show herself. The prowling wolves were knavish princes; the yaks, richer burghers, warmly attired; the lynxes were musketeers; the foxes country squires; the blue sheep and the wild donkeys were the general populace. The raptors represented the priests, hieratic masters of the heavens and of death. These clerics in plumed livery were not against the idea that things might bode ill for us.

Wall pink like sliced watermelon, right-angled verticality, rising one hundred feet above the graygreen talus of broken rock, scrub juniper, blackbrush, scarlet gilia, purple penstemon, golden prince’s plume. It is the season of spring in the mile-high tablelands of the canyon country. In America the still Beautiful.

Relatively late in life, Brower had discovered the sublime emptiness of the plateau and red canyon country of the Colorado River Basin. It was the same terrain that had enchanted John Wesley Powell eighty years before, and it was almost as unpeopled and unspoiled as it had been then. Brower loved everything about it: the bottomless dry wind-sculpted canyons, beginning suddenly and leading nowhere; the rainbow arches, overhangs, and huge stately monoliths (an expert rock climber, Brower had pioneered the route up the most impressive of them, Shiprock in New Mexico); the amphitheater basins ringed by great hanging rock walls; the

Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York.

I don’t know why I love the open spaces in the Southwest or Grand Central Terminal or the fading Atomic Age Googie architecture you see sometimes when driving. I don’t know why merely glimpsing the Statue of Liberty brings tears to my eyes, or why a single phrase on an Etta James or Patsy Cline record does what it does to me. It just does. I have spoken to other immigrants about this, and I have noticed that there is generally a satisfactory explanation — religious freedom, the chance at self-expression, the country’s size — and then there is the wistful stuff that moistens the eyes. Show me a picture of two canyons, and the fact that one of them is American will make all the difference. Just because it is American. Is this so peculiar? Perhaps.

Thus he was old enough to remember the freedom that had prevailed in the canyon country before the hordes of tourists had started pouring in, back when a man could launch a boat and disappear downriver without having to ask for permission or wait in line, devoid of any constraints other than those imposed by the water and the rocks, an adventure in the best sense of the word. And as those days receded ever further into the rearview mirror, there were moments—right now being one of them—when Thomas was forced to wonder about it all. In truth, no one who had tasted those liberties could look back on that time with anything other than a deep sense of longing. Like everyone else who had known the river during that era of innocence, Thomas mourned its passing and privately grieved that it would never return. Which is why part of him sometimes rebelled at the very restrictions he sought to enforce, if only because rules—even rules that were universally accepted as necessary and good—seemed to cut so directly against the spirit that the river had once embodied. This sense of loss now prompted Thomas to ponder a notion that was not merely unorthodox but, when viewed from a certain angle, downright subversive. Was it possible, he wondered, that a measure of what had been lost—the thing that had once defined the essence of this place, the thing that was now in the process of disappearing forever—was that very thing perhaps being offered a chance to express itself one more time, fleetingly, irresponsibly, nobly, right here before him?

By looking at you he meant he welcomes you. He showed you that you need a spirit catcher and a pouch, but not from this area; his bag was from another part of the country. You have three stumbling blocks in your way that make you stop; those were the boulders. And you definitely are going to get your best powers in water canyons and gullies; the ally pointed out the gully to you. The rest of the scene was meant to help you locate the exact place to find him.

The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!

Over a 20-year period, methane is estimated to have a warming effect on Earth’s atmosphere 84 times that of carbon dioxide. By that metric, the Aliso Canyon leak produced the same amount of global warming as 1,735,404 cars in a full year. During the four months the leak lasted—25 days longer than the BP oil spill in the Gulf of Mexico—the leak contributed roughly the same amount of warming as the greenhouse-gas emissions produced by the entire country of Lebanon.

As they rode into the Lucky Star ranch yard an hour later, Liv wished she hadn’t mentioned Temo to Dayna. She’s going to tease him about me, for sure, Liv thought and he’ll be embarrassed and think I’m a dumb little kid. Liv remembered the first time she had seen Temo. He was more handsome than Shane, she decided, with chiseled lips, a straight nose and flashing dark eyes full of laughter. Where Shane was thin as a desert fence post, Temo was solid--strong, but tender underneath. She remembered how he had risked his job at the Silver Spur to help them save their grandparents’ horses, how he had brought them blankets and food when they were hiding on the ranch, how he smiled when he called her muchacha, little girl, how he rode like the wind on his black-and-white paint horse, so at home in this big wild country. She wondered about his life--why he stayed on working for Sam Regis when he didn’t like or respect him. His family worked there; that was part of the reason, she knew. She had been hoping to find out more about him at lunch today. “I’m glad we didn’t have to stay for lunch.” Sophie slipped from Cisco’s saddle in front of the low wooden barn. “I didn’t want to face Dayna’s father again.” Liv dismounted with a sigh. As usual, she and Sophie had been thinking about the same thing in totally different ways. Sophie hated the thought of lunch at the Silver Spur, while Liv was longing for the chance to see Temo and his family. It was as if she and Sophie were two sides of the same coin.

We came to see you,” Cheyenne was speaking only to Shane. “I want you to come back to town with me. I’m sure you’d be more comfortable with your own family. Can’t these here twins look after Navajo?” Shane shook his head. “Can’t discuss it right now,” he muttered. “Have to look for a lost colt out in Wild Horse Creek canyon.” “Oh! Is that why you’re all saddled up? We could help,” Cheyenne said. “Couldn’t we, Dayna? We’re very experienced ridin’ in this country.” For a second, Dayna looked unsure of what to say. Then she tossed back her pigtails. “I guess we could. For an hour or two. I’d have to be home before dark.” But we don’t want you, Liv wanted to shriek. She knew Dayna didn’t care about the little colt. She was just volunteering to look for Bando to please Cheyenne.

It was a year-round, full-service lodge nestled away in one of the southside canyons, with snowmobiling, cross-country skiing, horseback riding, trout fishing, and hunting in season.