Cannon Fire Quotes

We've searched our database for all the quotes and captions related to Cannon Fire. Here they are! All 100 of them:

I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
War is an ugly thing, but not the ugliest of things: the decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth a war, is much worse. When a people are used as mere human instruments for firing cannon or thrusting bayonets, in the service and for the selfish purposes of a master, such war degrades a people. A war to protect other human beings against tyrannical injustice; a war to give victory to their own ideas of right and good, and which is their own war, carried on for an honest purpose by their free choice, — is often the means of their regeneration. A man who has nothing which he is willing to fight for, nothing which he cares more about than he does about his personal safety, is a miserable creature who has no chance of being free, unless made and kept so by the exertions of better men than himself. As long as justice and injustice have not terminated their ever-renewing fight for ascendancy in the affairs of mankind, human beings must be willing, when need is, to do battle for the one against the other.
John Stuart Mill (Principles of Political Economy (Great Minds Series))
His name explodes inside of me like cannon fire.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Ronan, I think you need to tell them, too.” Ronan’s expression, if anything, was betrayed. This was wearying; Gansey could see precisely the argument that it was heaving towards. Adam would shoot something cool and truthful over the bow, Ronan would fire back a profanity cannon, Adam would drip gasoline in the path of the projectile, and then everything would be on fire for hours.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Lord Cutler Beckett: [Jack is about to light a cannon that's pointed at the mast] You're mad. Jack Sparrow: Thank goodness for that, 'cause if I wasn't this would probably never work. [fires the cannon, which catapults him onto his ship, landing safely on his feet behind his crew] Jack Sparrow: And that was without even a single drop of rum.
Captain Jack Sparrow
A perfect writer would make words sing, dance, kiss, do the male and female act, bear children, weep, bleed, rage, stab, steal, fire cannon, steer ships, sack cities, charge with cavalry or infantry, or do anything that man or woman or the natural powers can do.
Walt Whitman
You can't do that kind of thing normally, but normal dumped without a note nearly a month ago. These days, I'll happily set fire to a bridge the second after I've crossed it - I don't plan on being around for the consequences to catch up with me.
D.D. Barant (Dying Bites (The Bloodhound Files, #1))
Gansey could see precisely the argument that it was heaving toward. Adam would shoot something cool and truthful over the bow, Ronan would fire back a profanity cannon, Adam would drip gasoline in the path of the projectile, and then everything would be on fire for hours.
Maggie Stiefvater
The wizard broke out from his mountain grave As his red fire filled the cave The miners ran to escape their doom All in its path red fire would consume The fire would destroy Sparsholt Before cannons at the Alol melt On Tamin Plain the flax would burn And reveal a name… Arin The time of the wizard is here Destruction, death and fear Some say the world will end Others say a child is seeking revenge I am a minstrel and not a seer All I know is… The time of the wizard is here Destruction, death and fear Robert Reid – The Son
Robert Reid (The Son (The Emperor, the Son and the Thief, #2))
I'll smith for you," Gendry went to one knee before Lord Beric. "If you'll have me, m'lord, I could be of use. I've made tools and knives and once I made a helmet that wasn't so bad. One of the Mountain's men stole it from me when we was taken." Arya bit her lip. He means to leave me too.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
They'd listened to cannon fire so long that the quiet made them anxious, waiting for worse to come.
Afia Atakora (Conjure Women)
Nothing relieves stress like setting things on fire.
Chris Cannon (Going Down in Flames (Going Down in Flames, #1))
A lot of people don’t have fond memories of high school. It’s often a war of politics and personalities, set off by the cannon fire of hormones.
Nora Roberts (Vision in White (Bride Quartet, #1))
The good soldier swears to kill. Fire the cannon, mount the barricade, lock and load. Smell your brother's blood on your shirt. Wipe your sister's brains off your face. Die, if you have to, so they'll live. Kill to keep your people alive, live to kill some more.
Laurie Halse Anderson (The Impossible Knife of Memory)
But it seems to me that a man cannot and ought not to say that he loves, he said. Why not? I asked. Because it will always be a lie. As though it were a strange sort of discovery that someone is in love! Just as if, as soon as he said that, something went snap-bang - he loves. Just as if, when he utters that word, something extraordinary is bound to happen, with signs and portents, and all the cannons firing at once. It seems to me, he went on, that people who solemnly utter those words, 'I love you,' either deceive themselves, or what's still worse, deceive others.
Leo Tolstoy (The Death of Ivan Ilych and Other Stories)
Some of the men and older boys were trained in firing the cannon, but since there wasn’t any gun powder to spare for actually firing any more of the things, they made do with pushing wooden cartridges into the barrel and shouting, “Bang!” They got quite good at that, and were proud at the speed with which “Bang!” could be shouted. Daphne said she hoped the enemy would be trained to say “Aargh!
Terry Pratchett (Nation)
The farther removed you are from people actually shooting at you, the more you forget that cannons can do something to you other than fire salutes.
Jeff Mach ("I Hate Your Time Machine": A fiction-fueled guide to some of the worst tropes of Fantasy & Science Fiction)
rained for three days. Thunder rumbled like cannon fire, lightning cracked and spit in the darkness. Then, when the storm’s fury had weakened, the horizon lay
Lisa Bingham (Distant Thunder)
It is not that addresses at the opening of a battle make the soldiers brave. The old veterans scarcely hear them, and recruits forget them at the first boom of the cannon. Their usefulness lies in their effect on the course of the campaign, in neutralizing rumors and false reports, in maintaining a good spirit in the camp, and in furnishing matter for camp-fire talk. The printed order of the day should fulfill these different ends.
Napoléon Bonaparte
The buses drove to the Olympic stadium. Entering in a parade of nations and standing at attention, the athletes were treated to a thunderous show that culminated in the release of twenty thousand doves. As the birds circled in panicked confusion, cannons began firing, prompting the birds to relieve themselves over the athletes. With each report, the birds let fly. Louie stayed at attention, shaking with laughter.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
A lead is good not because it dances, fires cannons, or whistles like a train but because it is absolute to what follows.
John McPhee (Draft No. 4: On the Writing Process)
We are told to let our light shine, and if it does, we don’t need to tell anybody it does. Lighthouses don’t fire cannons to call attention to their shining; they just shine. —D. L. MOODY (1837–1899)
R.T. Kendall (Holy Fire: A Balanced, Biblical Look at the Holy Spirit's Work in Our Lives)
The V-2’s directional system was notoriously erratic. In May 1947, a V-2 launched from White Sands Proving Ground headed south instead of north, missing downtown Juarez, Mexico, by 3 miles. The Mexican government’s response to the American bombing was admirably laid back. General Enrique Diaz Gonzales and Consul General Raul Michel met with United States officials, who issued apologies and an invitation to come to “the next rocket shoot” at White Sands. The Mexican citizenry was similarly nonchalant. “Bomb Blast Fails to Halt Spring Fiesta,” said the El Paso Times headline, noting that “many thought the explosion was a cannon fired for the opening of the fiesta.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
For the Greeks, values existed a priori and marked out the exact limits of every action. Modern philosophy places its values at the completion of action. They are not, but they become, and we shall know them completely only at the end of history. When they disappear, limits vanish as well, and since ideas differ as to what these values will be, since there is no struggle which, unhindered by these same values, does not extend indefinitely, we are now witnessing the Messianic forces confronting one another, their clamors merging in the shock of empires. Excess is a fire, according to Heraclitus. The fire is gaining ground; Nietzsche has been overtaken. It is no longer with hammer blows but with cannon shots that Europe philosophizes.
Albert Camus (Lyrical and Critical Essays)
Take a soldier and put him right in front of a cannon in a battle and fire it at him, and he’ll go on hoping, but read out a certain death sentence to that same soldier, and he’ll go mad, or start to weep.
Fyodor Dostoevsky (The Idiot)
A Christian should carry the weapon of all prayer like a drawn sword in his hand. We should never sheathe our supplications. Never may our hearts be like an unlimbered gun, with everything to be done to it before it can thunder on the foe, but it should be like a piece of cannon, loaded and primed, only requiring the fire that it may be discharged. The soul should be not always in the exercise of prayer, but always in the energy of prayer; not always actually praying, but always intentionally praying.1
John F. MacArthur Jr. (Alone With God: Rediscovering the Power and Passion of Prayer)
With my people, what you see is what you get. We prefer blunt talk to diplomacy.” My family was much the same way. Phaelan’s idea of diplomacy involved firing cannon shot across your bow rather than through your waterline.
Lisa Shearin (Wedding Bells, Magic Spells (Raine Benares, #7))
To kill for murder is an immeasurably greater evil than the actual crime itself. Judicial murder is immeasurably more horrible than one committed by a robber. Someone killed by a robber, knifed at night in forest or somewhere, certainly keeps hoping for a rescue right up to the last second. There have been instances of people whose throats have been cut still hoping for rescue right up to the last second. There have been instances of people whose throats have been cut still hoping, or running away, or pleading for their lives. But all this final hope, which makes dying ten times easier is taken away by that certain; the sentence is pronounced and the whole agony resides in the fact that there’s no escape. There is no greater torture in the world than that. Fetch a soldier and stand him right in front of a cannon during a battle and fire at him, he’ll go on hoping; but read out a certain death sentence to that same soldier and he’ll go off his head or bust into tears. Who can say that human nature can bear such a thing like that without going mad? Why this disgusting pointless, unnecessary mockery? Perhaps there exists a man who has had his sentence read out to him and been allowed to suffer before being told: “Be off, you’ve been pardoned.” That man could tell you perhaps. Christ himself spoke of such agony and terror. No, a man should not be treated so!
Fyodor Dostoevsky (The Idiot)
the boy comes skeeting out of the pool as if buttered and fired from a buttered-child cannon.
N.K. Jemisin (The City We Became (Great Cities, #1))
Rue’s cannon fires.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
A faint acrid smell drifted in through the window, from the cannon fire. But through it all the walls of my prison cell never trembled. The walls of the Tower are the thickest in the land and they never, ever tremble
Nancy Bilyeau (The Crown (Joanna Stafford, #1))
I mean, it’s not like a great big gigantic ship is going to come out of nowhere and rescue us —” Batman’s tirade was interrupted by the sound of cannon fire. BLAM! It was Metal Beard and his awesome pirate ship, the Sea Cow.
Kate Howard (The LEGO Movie: Junior Novel)
Percy's enjoying work, then? said Harry, sitting down on one of the beds and watching the Chudley Cannons zooming in and out of the posters on the ceiling. 'Enjoying it?' said Ron darkly. 'I don't reckon he'd come home if Dad didn't make him. He's obsessed. Just don't get him onto the subject of his boss. "According to Mr Crouch" ... "as I was saying to Mr Crouch" ... "Mr Crouch is of the opinion" ... "Mr Crouch was telling" ... They'll announcing their engagement any day now.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Fenella Doorn watched the unfamiliar wreck of a ship ghosting into her bay. Crippled by cannon fire, she thought. What else could do such damage? The foremast was blown away, as well as half the mainmast where a jury rig clung to the jagged stump, and shot holes tattered the sails on the mizzen. And yet, to Fenella’s experienced eye the vessel had an air of defiance. Demi-cannons hulked in the shadowed gun ports. This ship was a fighter, battered but not beaten. With fight still in her, was she friend or foe?
Barbara Kyle (The Queen's Exiles (Thornleigh, #6))
IN THE GREAT DICTATOR’S CLOSING SCENES, CHARLIE CHAPLIN’S timid Jewish barber is, through a complicated plot twist, mistaken for the film’s Hitler-like character, also played by Chaplin. Clad in a German military uniform, he finds himself standing before a microphone, expected to address a mammoth party rally. Instead of the rapid-fire invective the crowd anticipates, Chaplin delivers a homily about the resilience of the human spirit in the face of evil. He asks soldiers not to give themselves to “men who despise you, enslave you . . . treat you like cattle, use you as cannon fodder . . . unnatural men—machine men with machine minds and machine hearts. You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts. “Even now my voice is reaching millions throughout the world,” the humble barber tells the crowd, “millions of despairing men, women, and little children—victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say—do not despair. . . . The hate of men will pass, and dictators die, and the power they took from the people will return to the people. . . . Liberty will never perish.” Chaplin’s words are sentimental, maudlin, and naïve. I cannot listen to them without wanting to cheer.
Madeleine K. Albright (Fascism: A Warning)
the athletes were treated to a thunderous show that culminated in the release of twenty thousand doves. As the birds circled in panicked confusion, cannons began firing, prompting the birds to relieve themselves over the athletes. With each report, the birds let fly.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
The youngest youngster vibrates with the shock of cannon firing, even though the sound may not be near enough to be heard," answered Coombe. "We're all vibrating unconsciously. We are shuddering consciously at the things we hear and are mad to put a stop to, before they go further.
Frances Hodgson Burnett (Robin)
To kill for murder is an immeasurably greater evil than the crime itself. Murder by legal process is immeasurably more dreadful than murder by a brigand. A man who is murdered by brigands is killed at night in a forest or somewhere else, and up to the last moment he still hopes that he will be saved. There have been instances when a man whose throat had already been cut, was still hoping, or running away or begging for his life to be spared. But here all this last hope, which makes it ten times easier to die, is taken away FOR CERTAIN; here you have been sentenced to death, and the whole terrible agony lies in the fact that you will most certainly not escape, and there is no agony greater than that. Take a soldier and put him in front of a cannon in battle and fire at him and he will still hope, but read the same soldier his death sentence FOR CERTAIN, and he will go mad or burst out crying. Who says that human nature is capable of bearing this without madness? Why this cruel, hideous, unnecessary, and useless mockery? Possibly there are men who have sentences of death read out to them and have been given time to go through this torture, and have then been told, You can go now, you've been reprieved. Such men could perhaps tell us. It was of agony like this and of such horror that Christ spoke. No, you can't treat a mean like that.
Fyodor Dostoevsky
When there is evil in someone, it grows, unattended by all and fielded by its harborer. I know this; I feel it each and every day, growing stronger inside of me till one day—snap—it will take control, and every logical thought process, every thought of survival and preservation, will disappear, and I will be a loose cannon, fired and on my path of destruction, with nothing but my own doom ahead of me and the demise of whoever lay in my final path.
Alessandra Torre (The Girl in 6E (Deanna Madden, #1))
Nicholas was received with cheers as he drove past dense crowds in the streets. While he stood on the Neva bank, a cannon employed in the ceremonial salute fired a live charge which landed near the Tsar and wounded a policeman, but investigation proved that the shot was an accident, not part of a plot.
Robert K. Massie (Nicholas and Alexandra)
If I die, fire my bones from a cannon.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
Peeta. My dying wish. My promise. To keep him alive. My heart lifts a bit when I realize he must be alive because no cannon has fired.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
PREPARE TO FIRE ALL CANNONS,” Bones says—his voice warping so that it has a strange, hard-angle accent to it. “COMMENTARY: I SAY WE BLAST THE MEATBAG AND SAVE YOU THE TROUBLE, MASTER.
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
A brick could be fired out of a cannon, in an attempt to bring down a brick wall, just as index fingers could be severed and flicked at politicians, to try to correctly redirect blame.

Jarod Kintz (Brick and Blanket)
You understand that the feeling which makes them work is not a feeling of pettiness, ambition, forgetfulness, which you have yourself experienced, but a different sentiment, one more powerful, and one which has made of them men who live with their ordinary composure under the fire of cannon, amid hundreds of chances of death, instead of the one to which all men are subject who live under these conditions amid incessant labor, poverty, and dirt. Men will not accept these frightful conditions for the sake of a cross or a title, nor because of threats ; there must be another lofty incentive as a cause, and this cause is the feeling which rarely appears, of which a Russian is ashamed, that which lies at the bottom of each man's soul — love for his country.
Leo Tolstoy (The Sebastopol Sketches (Penguin Classics))
Entranced. She lifts up a trembling hand and paints what I think might be a flower on Peeta’s cheek. “Thank you,” he whispers. “That looks beautiful.” For a moment, the morphling’s face lights up in a grin and she makes a small squeaking sound. Then her blood-dappled hand falls back onto her chest, she gives one last huff of air, and the cannon fires. The grip on my hand releases.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
When the men were all back in their places in line, the command to advance was given. As I looked down that long line of about three thousand armed men, advancing towards a larger force also armed, I thought what a fearful responsibility General Taylor must feel, commanding such a host and so far away from friends. The Mexicans immediately opened fire upon us, first with artillery and then with infantry. At first their shots did not reach us, and the advance was continued. As we got nearer, the cannon balls commenced going through the ranks. They hurt no one, however, during this advance, because they would strike the ground long before they reached our line, and ricochetted through the tall grass so slowly that the men would see them and open ranks and let them pass.
Ulysses S. Grant (Personal Memoirs)
Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy. I’ve got my fog lights on in a vain attempt to deter the other road users from turning me into a hood ornament, but the jet wash every time another executive panzer overtakes me keeps threatening to roll me right over onto my roof. And that’s before you factor in the deranged Serbian truck drivers driven mad with joy by exposure to a motorway that hasn’t been cluster-bombed and then resurfaced by the lowest bidder.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
How dare they label themselves the people of this city, as if they did not sail in with cannons and forced entry, as if they are not here now only because they come from those who lit the first fires.
Chloe Gong (Our Violent Ends (These Violent Delights #2))
I drove through the suburbs, where all the houses looked identical, one variation of another of the same thing. I said to myself, I’d rather fire myself from a cannon, pick up the shit of elephants and eat it, suffocate inside Houdini’s water tank, lie beneath the running horses, or sodomise a big cat in a cage and pay the consequences than get trapped in these suburbs of cardboard, gossip, and conformity.
Rawi Hage (Carnival)
I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Nowadays, men wear a fool's-cap, and call it a liberty-cap. I do not know but there are some who, if they were tied to a whipping-post, and could but get one hand free, would use it to ring the bells and fire the cannons to celebrate THEIR liberty. So some of my townsmen took the liberty to ring and fire. That was the extent of their freedom; and when the sound of the bells died away, their liberty died away also; when the powder was all expended, their liberty went off with the smoke.
Henry David Thoreau (Walden and Other Writings)
In an instant, the end would come with the most minute of gestures—the flick of the Zero pilot’s finger on his cannon trigger—and Super Man would carry ten men into the Pacific. Pillsbury could see the pilot who would end his life, the tropical sun illuminating his face, a white scarf coiled about his neck. Pillsbury thought: I have to kill this man. Pillsbury sucked in a sharp breath and fired. He watched the tracers skim away from his gun’s muzzle and punch through the cockpit of the Zero. The windshield blew apart and the pilot pitched forward. The fatal blow never came to Super Man. The Zero pilot, surely seeing the top turret smashed and the waist windows vacant, had probably assumed that the gunners were all dead. He had waited too long.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
All over Europe, all over the world, men were spying. While in government offices other men were tabulating the results of the spies' labours; thicknesses of armour-plating, elevation angles of guns, muzzles velocities, details of fire control mechanisms and range-finders, fuse efficiencies, details of fortifications, positions of ammunition stores, disposition of key factories, landmarks for bombers. The world was getting ready to go to war. For the cannon-makers and for the spies, business was good.
Eric Ambler (Epitaph for a Spy)
The next day, Magellan gave the order to weigh anchor. The ships fired a salvo of cannon that reverberated among the splendid dark green mountains, gray ravines, and azure glaciers of the strait, and the armada set sail once again, heading west, always west.
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
In October of 1973, when the Arab sneak attack almost drove us into the Mediterranean, we had all the intelligence in front of us, all the warning signs, and we had simply “dropped the ball.” We never considered the possibility of an all-out, coordinated, conventional assault from several nations, certainly not on our holiest of holidays. Call it stagnation, call it rigidity, call it an unforgivable herd mentality. Imagine a group of people all staring at writing on a wall, everyone congratulating one another on reading the words correctly. But behind that group is a mirror whose image shows the writing’s true message. No one looks at the mirror. No one thinks it’s necessary. Well, after almost allowing the Arabs to finish what Hitler started, we realized that not only was that mirror image necessary, but it must forever be our national policy. From 1973 onward, if nine intelligence analysts came to the same conclusion, it was the duty of the tenth to disagree. No matter how unlikely or far-fetched a possibility might be, one must always dig deeper. If a neighbor’s nuclear power plant might be used to make weapons-grade plutonium, you dig; if a dictator was rumored to be building a cannon so big it could fire anthrax shells across whole countries, you dig; and if there was even the slightest chance that dead bodies were being reanimated as ravenous killing machines, you dig and dig until you stike the absolute truth.
Max Brooks (World War Z: An Oral History of the Zombie War)
You don't even have a cross," he said. His beloved was silent. "You don't even have any candles, no face of Christ, no tears. What can I say?" Then she began to murmur and he was astonished. "I'm sorry. I will believe in the eternity of souls, I am bereaved. I will see those places where death talks solemnly to the years, where the breakers roll over their sins and their regrets, where the valley of Heaven lies before the crag of immortality, and I will believe my mother has gained peace. I have lost her. Has anyone felt such terrible grief, known that for all earthly time the eyes shall never see, the heart never beat except with her shadow? What an unhappy loss, the candles are gutted, and the face wanes for this immortality. I have lost my mother." This was her only glimpse of Heaven, and she wept so much that he was afraid. Finally she held his hand. The two brothers fired the cannon at the burial.
John Hawkes (The Cannibal)
Caroline leaned forward. “Now explain to me why this is perfectly normal and dressing up in Regency gear is not.” He blinked. “Finley, because the Civil War is history.” “So is Regency England.” She laughed, eyes bright. “Just because we’re not firing cannons or riding horses doesn’t mean it won’t be fun.
Mary Jane Hathaway (Emma, Mr. Knightley, and Chili-Slaw Dogs (Jane Austen Takes the South, #2))
Knox, who possessed a booming voice that could be heard throughout the camp, had never fired a cannon in his life when he became head of artillery in 1775. He was a local bookseller in Boston who was fascinated by weapons. He had read just about every book published on ordnance and convinced Washington to put him in charge of his artillery,
Bruce Chadwick (George Washington's War: The Forging of a Revolutionary Leader and the American Presidency)
Soldier’s heart, we called it after the war. I once had a bit of an episode because they had lined the street with flags, and the wind came up and they were all snapping … the sound wasn’t like cannon fire at all, but it still was, you know?” I nodded. I did indeed know. “Then one of the flags came loose and it blew toward me.” He snorted. “Found myself down a stairwell two streets over.” His voice had that light veneer of humor that we all get, because if we don’t pretend we’re laughing, we might have to admit just how broken we are. It’s like telling stories at the bar about the worst pain you’ve ever been in. You laugh and you brag about it, and it turns the pain into something that will buy you a drink.
T. Kingfisher (What Moves the Dead (Sworn Soldier, #1))
Sometimes a revolution turns into an actual government, or at the very least an actual way of life that contrasts with days past like blood on snow. Such was the case in France, where even as the guillotine released a steady river of gore, Royalist insurrections were suppressed by what had become a sophisticated military. In Toulon, the Royalist insurrection in 1793 led to an actual siege by republicans, spearheaded by none other than Napoleon Bonaparte. The Royalists in Toulon, supported by the British and Spanish, were feared by the republicans as an existential threat to every hope and promise of the revolution. For months there were bombardments, cannon fire that made the windows in the prison tremble.
Kelsey Brickl (Wolves and Urchins: The Early Life of Inspector Javert)
I believe that to execute a man for murder is to punish him immeasurably more dreadfully than is equivalent to his crime. A murder by sentence is far more dreadful than a murder committed by a criminal. The man who is attacked by robbers at night, in a dark wood, or anywhere, undoubtedly hopes and hopes that he may yet escape until the very moment of his death. There are plenty of instances of a man running away, or imploring for mercy—at all events hoping on in some degree—even after his throat was cut. But in the case of an execution, that last hope—having which it is so immeasurably less dreadful to die,—is taken away from the wretch and certainty substituted in its place! There is his sentence, and with it that terrible certainty that he cannot possibly escape death—which, I consider, must be the most dreadful anguish in the world. You may place a soldier before a cannon’s mouth in battle, and fire upon him—and he will still hope. But read to that same soldier his death-sentence, and he will either go mad or burst into tears. Who dares to say that any man can suffer this without going mad? No, no! it is an abuse, a shame, it is unnecessary—why should such a thing exist? Doubtless there may be men who have been sentenced, who have suffered this mental anguish for a while and then have been reprieved; perhaps such men may have been able to relate their feelings afterwards. Our Lord Christ spoke of this anguish and dread. No! no! no! No man should be treated so, no man, no man!
Fyodor Dostoevsky (The Idiot)
This poetry is utilitarian—heavy-duty, industrial strength poetry. It is meant to be read aloud and, even better, memorized and recited. It is best used in the natural world where there are starlit skies, the warmth of blazing fires, and sounds and sights of open expanse. This book is meant to be carried with you in the glove box of a pickup truck, the back pocket of a worn pair of pants, even a saddlebag. It is not made to take up space on a library shelf, squeezed between other unread volumes. Take it along; you never know when the opportunity will be just right. Nothing pleases more than to see copies of the book twice as thick as the original from continued page turning, with turned-down corners marking favorite poems, or the whole shape curved to match the owner’s posterior.
Hal Cannon (New Cowboy Poetry)
Shaw’s employment of the language proves no less self-sufficient in this uncostumed and unset “reading” of “Don Juan in Hell.” Yet there is a striking difference. Shaw has no interest in conjuring images to evoke a physical setting. He makes fun of Dante for having described hell as a place of mud, frost, filth, fire, and venomous serpents. He is equally contemptuous of Milton for having introduced cannon and gunpowder as a means of expelling the Devil from heaven. Shaw’s hell is visually nonexistent. In his own words “there is nothing; omnipresent nothing. No sky, no peaks, no light, no sound, no time nor space, utter void.” There is only somewhere the faint throbbing buzz of a Mozartian strain and a pallor which “reveals a man in the void, an incorporeal but visible man, seated, absurdly enough, on nothing.
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
Mags hauls herself up, plants a kiss on Finnick’s lips, and then hobbles straight into the fog. Immediately, her body is seized by wild contortions and she falls to the ground in a horrible dance. I want to scream, but my throat is on fire. I take one futile step in her direction when I hear the cannon blast, know her heart has stopped, that she is dead. “Finnick?” I call out hoarsely, but he has already turned
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Tabula Rasa can make you feel like you’ve taken a train to Bizarro world. I remember my very first night here—and this is goin’ on fifteen years ago—I was takin’ a walk downtown, tryin’ to get a feel for the place. And I’m walkin’ through a construction site—and it was all construction sites back then, you understand—and I come across this hole in the ground, ’bout ten feet in diameter. I look down and I can’t see a bottom, so I pull a quarter out of my pocket and toss it down, and listen for a clink or a splash. Nothin’. Coin just tumbles into the darkness and disappears. So now I’m real curious, and I look around for somethin’ else to throw down there. And teeterin’ right on the edge of the hole is an old refrigerator. So, I circle around and I give it a good kick and it tumbles down into the hole. I hear it bang off the side a few times but once again, there’s no crash, no splash, like it just kept fallin’ forever. It was the strangest thing. So I figure this is the first of this city’s many unknowable mysteries and I start to go on about my way. But then I see the second strange thing—this goat, it goes flying past me, in midair. Like it was fired from a cannon. And now I think I’m losin’ my mind, like maybe it’s not just tobacco in my cigar, if you know what I’m sayin’. So I walk along and I come across a guy sittin’ on the curb and I say, ‘Holy cow, partner, did you see that goat?’ And the fella says, ‘Well, that’s my goat.’ And I say, ‘Well, I hate to tell ya, but I think it’s gone. It took off flyin’.’ And the fella says, ‘That’s impossible. I had him chained to a refrigerator.’” Zoey stared for a moment, then snorted a laugh that almost caused her to choke on her sandwich.
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
I knew it was my duty to my own legend to survive this trial. But I was still crippled by my own devices. Imagine me as a great fully-rigged man-of-war. Four masts, great bulwarks of oak and five score cannon. All my life I have sailed smooth seas and waters that parted for me by virtue of my own splendor. Never tested. Never riled. A tragic existence, if ever there was one. “But at long last: a storm! And when I met it I found my hull . . . rotten. My planks leaking brine, my cannon brittle, powder wet. I foundered upon the storm. Upon you, Darrow of Lykos.” He sighs. “And it was my own fault.” I war between wanting to punch him in the mouth and surrendering into my curiosity by letting him continue. He’s a strange man with a seductive presence. Even as an enemy, his flamboyance fascinated me. Purple capes in battle. A horned Minotaur helmet. Trumpets blaring to signal his advance, as if welcoming all challengers. He even broadcast opera as his men bombarded cities. After so much isolation, he’s delighting in imposing his narrative upon us. “My peril is thus: I am, and always have been, a man of great tastes. In a world replete with temptation, I found my spirit wayward and easy to distract. The idea of prison, that naked, metal world, crushed me. The first year, I was tormented. But then I remembered the voice of a fallen angel. ‘The mind is its own place, and in itself can make a heaven of hell, or a hell of heaven.’ I sought to make the deep not just my heaven, but my womb of rebirth. “I dissected the underlying mistakes which led to my incarceration and set upon an internal odyssey to remake myself. But—and you would know this, Reaper—long is the road up out of hell! I made arrangements for supplies. I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm. “Now I see it is upon me and I sail before you the paragon of Apollonius au Valii-Rath. And I ask one question: for what purpose have you pulled me from the deep?” “Bloodyhell, did you memorize that?” Sevro mutters.
Pierce Brown (Iron Gold)
Mmm … you’re not exactly straining yourself, though, are you?’ said Hermione, looking at him over the top of her Potions notes. Ron was busy building a card castle out of his Exploding Snap pack – a much more interesting pastime than with Muggle cards, because of the chance that the whole thing would blow up at any second. ‘It’s Christmas, Hermione,’ said Harry lazily; he was rereading Flying with the Cannons for the tenth time in an armchair near the fire.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
On Easter Monday there was a great display of fireworks from the Castle of St. Angelo. We hired a room in an opposite house, and made our way, to our places, in good time, through a dense mob of people choking up the square in front, and all the avenues leading to it; and so loading the bridge by which the castle is approached, that it seemed ready to sink into the rapid Tiber below. There are statues on this bridge (execrable works), and, among them, great vessels full of burning tow were placed: glaring strangely on the faces of the crowd, and not less strangely on the stone counterfeits above them. The show began with a tremendous discharge of cannon; and then, for twenty minutes or half an hour, the whole castle was one incessant sheet of fire, and labyrinth of blazing wheels of every colour, size, and speed: while rockets streamed into the sky, not by ones or twos, or scores, but hundreds at a time. The concluding burst - the Girandola - was like the blowing up into the air of the whole massive castle, without smoke or dust. In half an hour afterwards, the immense concourse had dispersed; the moon was looking calmly down upon her wrinkled image in the river; and half - a - dozen men and boys with bits of lighted candle in their hands: moving here and there, in search of anything worth having, that might have been dropped in the press: had the whole scene to themselves.
Charles Dickens
Encouraging campaign crowds to join in lauding economic gains for minorities is quite a strange approach for a racist. For a quick refresher: racists order the National Guard to block entry to universities. They segregate federal facilities, and they order the police to fire water cannons at peaceful protesters seeking basic human rights. Please note, when you actively work to enrich and empower blacks, like Donald Trump has done for the last three and a half years, you are at odds with racists.
Horace Cooper (How Trump Is Making Black America Great Again: The Untold Story of Black Advancement in the Era of Trump)
Syria, the March 2011 arrest and torture of fifteen schoolboys who had sprayed anti-government graffiti on city walls set off major protests against the Alawite Shiite–dominated regime of President Bashar al-Assad in many of the country’s predominantly Sunni communities. After tear gas, water cannons, beatings, and mass arrests failed to quell the demonstrations, Assad’s security forces went on to launch full-scale military operations across several cities, complete with live fire, tanks, and house-to-house searches.
Barack Obama (A Promised Land)
They then said they would give me pork and lasses; and then inquired what execution some cannon had done, just before fired from the island, if they had not killed and wounded some of our men; and if we did not want help as our surgeons were a pack of ignormauses. I told them in reply, that they had done no other execution with their guns than wunding a dog,(which was the case,) and as they and their surgeons were of the same species of animals, I supposed the poor wunded dog would account it a particular favor to have some of his own kind ot assist him.
Joseph Plumb Martin
Fifteen minutes later I’m hunched over the steering wheel of a two-seater that looks like something you’d find in your corn flakes packet. The Smart is insanely cute and compact, does about seventy miles to a gallon, and is the ideal second car for nipping about town; but I’m not nipping about town. I’m going flat out at maybe a hundred and fifty kilometers per hour on the autobahn while some joker is shooting at me from behind with a cannon that fires Porsches and Mercedes. Meanwhile, I’m stuck driving something that handles like a turbocharged baby buggy.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good is doubly good when it is a case of two woolen socks in wintertime.
Pablo Neruda (Odes to Common Things)
What happens next is so fast, so senseless, I can’t even move to stop it. Mags hauls herself up, plants a kiss on Finnick’s lips, and then hobbles straight into the fog. Immediately, her body is seized by wild contortions and she falls to the ground in a horrible dance. I want to scream, but my throat is on fire. I take one futile step in her direction when I hear the cannon blast, know her heart has stopped, that she is dead. “Finnick?” I call out hoarsely, but he has already turned from the scene, already continued his retreat from the fog. Dragging my useless leg behind me, I stagger after him, having no idea what else to do.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
On Easter Sunday, Nash led a mob of several hundred whites, armed with rifles and a small cannon, who opened fire on the courthouse, setting it ablaze. Even though its black defenders ran up a white flag of surrender, begging for mercy, the mob butchered dozens of them. Black families were afraid to claim the many corpses that thickly littered the ground. When Longstreet sent Colonel T. W. DeKlyne to Colfax, the latter found heaps of dead black bodies being scavenged by dogs and buzzards. “We were unable to find the body of a single white man,” he reported. Many blacks “were shot in the back at the head and neck . . . almost all had from three to a dozen wounds.
Ron Chernow (Grant)
God wants people in his city: he tears down the walls to let everyone inside. But God’s very presence is a fire that protects the city. Like a father protecting his children from the bullies on the prowl. Like a chief protecting his village from hostile invasion. Like a husband protecting his wife from a would-be rapist. God protects his kingdom from the tyrannous onslaught that wants inside. God fights “fire with fire.” He does not need cannons or jets or armies to protect his city: it is protected by the very strength of his presence, indwelling in glory with all who would receive him. God’s holy love is experienced inside the city as redemptive glory. But to those ill-intentioned powers that want to invade, God’s holy love is experienced as protective fire.
Joshua Ryan Butler (The Skeletons in God's Closet: The Mercy of Hell, the Surprise of Judgment, the Hope of Holy War)
By half-past five Napoleon was on his way over to the village of Shevardino. It was getting light, and the sky had cleared. A solitary stormcloud lay in the eastern sky. The deserted camp-fires were going out in the pale light of morning. A single deep cannon-shot roared out on the right. The boom whooshed past and died away in the stillness. Several minutes passed. A second shot rang out, then a third, and the air shook. Then came the solemn boom of the fourth and a fifth, not far away on the right. The first shots had barely died away when another one came, then another and another, more and more, some blending into a single sound, others bursting in alone. Napoleon and his entourage continued their way to the Shevardino redoubt, where he got down from his horse. The game had begun.
Leo Tolstoy (War and Peace)
All were indiscriminately condemned to death; but one out of three only were really executed. Ten cannon were placed on the drilling-ground, a prisoner fastened to each of their mouths, and five times were the ten guns fired, covering the plain with mutilated remains, in the midst of air tainted with the smell of burning flesh.   These men, as M. de Valbezen says in his book called “Nouvelles Etudes sur les Anglais et l’lnde,” nearly all died with that heroic indifference which Indians know so well how to preserve even in the very face of death. “No need to bind me, captain,” said a fine young sepoy, twenty years of age, to one of the officers present at the execution; and as he spoke he carelessly stroked the instrument of death. “No need to bind me; I have no wish to run away.” Such was the first and horrible execution, which was to be followed by so many others.   At
Jules Verne (The Steam House)
Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good doubly good when it is a case of two woolen socks in wintertime.
Pablo Neruda (Odes to Common Things)
Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good is doubly good when it is a case of two woolen socks in wintertime.
Pablo Neruda (Odes to Common Things)
After a torrent of rapid knocking, Lucy swept past her in the hallway, threw her purse on the table, and landed her ass on the couch before turning expectantly toward Riley and patting the couch next to her. Her dark eyes examined every nuance of Riley’s appearance. “Okay, dish,” she demanded. “Every last detail.” Riley rolled her eyes and shook her head as she scooted across the floor in her sock feet. She didn’t feel great, but at least she wasn’t in full torture mode. She thought Lucy might have waited until afternoon instead of showing up at ten-thirty a.m. but what the hell. Her old sweatshirt hugged against her stomach as she pulled her arms together. “Well,” she feigned ignorance, “what do you want to talk about?” Lucy slammed her hand on the couch. “Oh, don’t you even. Right now.” She threw herself back against the couch, her face fixed in a not-to-be-toyed-with expression. Riley noted with mild interest how her breasts jiggled inside her white t-shirt. Maybe she was turning into some kind of sex fiend. “Okay, yes, he sets me on fire. I can’t help it. Blame my gender lineage.” “I could see he set you fire. Your eyes could hardly look at anything else.” She picked at a tear in her faded jeans then flared back at Riley with an expression of awe. “Of course, my eyes had a few spasms of their own in his direction. Shit, the man is a god. I can’t remember seeing a body that well put together. At least,” she arched her back, “not a male body.” Riley threw back her head and laughed. Lucy was good tonic, at the very least. “Oh my god, can you stand it?!” “No—but tell me you didn’t give in, before I pass out.” “No, we didn’t have sex. But he did kiss me and my panties nearly fell straight to my ankles,” she chuckled. “He stopped himself, thank god, or I would have had him right there on the floor.” “You were drunk.” “Oh, yeah, ridiculous drunk. He ordered steaks delivered while he drove me home, and then sliced the steak for me and practically put it in my mouth.” She couldn’t sit still, the memory forcing her up from the couch to pace. She’d spent the entire morning and half the night trying to forget everything about him, and of course the other half had been consumed with remembering everything about him. “Shit. Fire.” Lucy’s glance followed her. “I want some. Can we have him?
Lizzie Ashworth (His to Lose (Cannon Cousins, #4))
I was takin’ a walk downtown, tryin’ to get a feel for the place. And I’m walkin’ through a construction site—and it was all construction sites back then, you understand—and I come across this hole in the ground, ’bout ten feet in diameter. I look down and I can’t see a bottom, so I pull a quarter out of my pocket and toss it down, and listen for a clink or a splash. Nothin’. Coin just tumbles into the darkness and disappears. So now I’m real curious, and I look around for somethin’ else to throw down there. And teeterin’ right on the edge of the hole is an old refrigerator. So, I circle around and I give it a good kick and it tumbles down into the hole. I hear it bang off the side a few times but once again, there’s no crash, no splash, like it just kept fallin’ forever. It was the strangest thing. So I figure this is the first of this city’s many unknowable mysteries and I start to go on about my way. But then I see the second strange thing—this goat, it goes flying past me, in midair. Like it was fired from a cannon. And now I think I’m losin’ my mind, like maybe it’s not just tobacco in my cigar, if you know what I’m sayin’. So I walk along and I come across a guy sittin’ on the curb and I say, ‘Holy cow, partner, did you see that goat?’ And the fella says, ‘Well, that’s my goat.’ And I say, ‘Well, I hate to tell ya, but I think it’s gone. It took off flyin’.’ And the fella says, ‘That’s impossible. I had him chained to a refrigerator.
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
Six or seven minutes past 2 P.M. on September 11, 1973, an infiltration patrol of the San Bemardo Infantry School commanded by Captain Roberto Garrido burst into the second floor of the Chilean Presidential Palace, Santiago's Palacio de La Moneda. Charging up the main staircase and covering themselves with spurts from their FAL machine guns, the patrol advanced to the entrance of the Salon Rojo, the state reception hall. Inside, through dense smoke coming from fires elsewhere in the building and from the explosion of tear gas bombs, grenades, and shells from Sherman tank cannons, the patrol captain saw a band of civilians braced to defend themselves with submachine guns. In a reflex action, Captain Garrido loosed a short burst from his weapon. One of his three bullets struck a civilian in the stomach. A soldier in Garrido's patrol imitated his commander, wounding the same man in the abdomen. As the man writhed on the floor in agony, Garrido suddenly realized who he was: Salvador Allende. "We shit on the President!" he shouted. There was more machine-gun fire from Garrido's patrol. Allende was riddled with bullets. As he slumped back dead, a second group of civilian defenders broke into the Salon Rojo from a side door. Their gunfire drove back Garrido and his patrol, who fled down the main staircase to the safety of the first floor, which the rebel troops had occupied.
 Some of the civilians returned to the Salon Rojo to see what could be done. Among them was Dr. Enrique Paris, a psychiatrist and President Allende's personal doctor. He leaned over the body, which showed the points of impact of at least six shots in the abdomen and lower stomach region. After taking Allende's pulse, he signaled that the President was dead. Someone, out of nowhere, appeared with a Chilean flag, and Enrique Paris covered the body with it.
Robinson Rojas Sandford (The murder of Allende and the end of the Chilean way to socialism)
Grayson, I’m going to dance on the day that you swing.” “If he swings, I swing with him.” Joss rose to his feet. Gray drilled his brother with a glare. “Joss, no.” Sit down, damn you. Think of our sister. Think of your son. “I’m the captain of the Aphrodite.” Joss’s voice rang through the courtroom. “I’m responsible for the actions of her passengers and crew. If my brother is a pirate, then I’m a pirate, too.” Gray’s heart sank. They would both die now, he and his idiot of a brother. Joss walked to the center of the courtroom, the brass buttons of his captain’s coat gleaming as he strode through a shaft of sunlight. “But I demand a full trial. I will be heard, and evidence will be examined. Logbooks, the condition of the ships, the statements of my crew. If you mean to hang my brother, you’ll have to find cause to hang me.” Fitzhugh’s eyebrows rose to his wig. “Gladly.” “And me.” Gray groaned at the sound of that voice. He didn’t even have to look to know that Davy Linnet was on his feet. Brave, stupid fool of a boy. “If Gray’s a pirate, I’m a pirate, too,” Davy said. “I helped him aim and fire that cannon, that’s God’s truth. If you hang him, you have to hang me.” Another chair scraped the floorboards as its occupant rose to his feet. “And me.” Oh God. O’Shea now? “I boarded the Kestrel. I took control of her helm and helped bind that piece of shite.” The Irishman jutted his chin at Mallory. “Suppose that makes me a pirate, too.” “Very good.” Fitzhugh’s eyes lit with glee. “Anyone else?” Over by the window, Levi stood. His shadow blanketed most of the room. “Me,” he said. “Now, Levi?” Gray pulled at his hair. “Seven years in my employ, you don’t say a single goddamned word, and you decide to speak now?” Bloody hell, now they were all on their feet. Pumping fists, cursing Mallory, defending Gray, arguing over which one of them deserved the distinction of most bloodthirsty pirate. It would have been a heartwarming display of loyalty, if they weren’t all going to die.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
Exclamations arose from the personnel as they recognized the lifeless legs hanging in the air above them as having once belonged to Slaughter.  Derek swore and reached up to pull the body out, but it did not budge.  He looked closely and noted that the body and clothing had fused into the vessel’s own metallic material.  Everyone’s attention was so riveted above that they failed to notice the shadows in time.  Once the dark forms reached the squad’s rear, the screams began.  Laser fire erupted next, but it had no effect.  Bodies of the dead fell about the corridor.  Anne’s hands shook as she assembled the cannon.  Derek covered her as best as he was able, but his weapon seemed useless. The laser would cut through a shadowy figure, then it would simply re-materialize.  He dropped the rifle and went for his backup weapon, which was an old .45 caliber handgun in his belt pouch.  He jammed the magazine in and chambered the round and fired twice into the darkness, punctuated with flashes of white light and fire.
Karl Bjorn Erickson (Alcatraz Burning: Four Mind-Bending Short Stories)
Although not as virile as his father’s, Sean’s delivery was fuller.  He kept firing like a cum cannon, his stepsister was the battlefield.
J.D. Grayson (The Step-Doctors Series)
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will. She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips. Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence. “We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to know we outnumbered you.” He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness… “It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers. He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men. “I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman. “What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.” Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the Ruby Cross.” How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong. The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate. Bloody hell.
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
abandoned the weapon because of its propensity to shatter the shoulders of the men pulling its trigger, but in Patrick Harper the seven-barreled gun had found a soldier capable of taming its brute ferocity. The gun was a cluster of seven half-inch barrels which were fired by a single lock, and was, in its effect, like a small cannon loaded with grapeshot.
Bernard Cornwell (Sharpe's Devil (Sharpe, #22))
The hound leaned back in the booth, relaxed. "Take your time. You're not going anywhere. I didn't bring cannon fodder this time. I brought Bennie." The thin man carried a certain nonspecific lethal aspect about him. "Who's Bennie?" Sam asked. "Bennie's my gun. Say hello, Bennie." Bennie made a pistol with his thumb and forefinger.
Greg Van Eekhout (Pacific Fire (Daniel Blackland, #2))
Jasmine hurried along the Grand Canal, dodging a group of diehard revelers, glancing back over her shoulder for the hundredth time. She couldn't see Gabe Cannon anywhere. Her teenage fantasy man was hunting her brother. She sure hadn't seen that coming. Freaking surreal. He looked just as good as when she'd first met him at that airport and had fallen instantly in love over pizza and chips. One of those unavoidable pitfalls of life, really. He'd been more handsome than any of her pop idols, and her teenage emotions had been just begging for an outlet. She cringed in embarrassment when she thought of all the melodramatic drivel she'd written about him in her high school diary.
Dana Marton (Guardian Agent (Agents Under Fire #1))
strike or assault another.”23 Even though these definitions of “arms” signify weapons carried by hand, Webster added that “fire arms, are such as may be charged with powder, as cannon, muskets, mortars, & c.”24 However, elsewhere Webster states: “The larger species of guns are called cannon; and the smaller species are called muskets, carbines, fowling pieces, & c. But one species of fire-arms, the pistol, is never called a gun.”25 The Framers certainly had in mind the kinds of arms that General Gage confiscated from Boston’s civilians and that militia acts required: muskets. shotguns, pistols, bayonets, and swords. When the Constitution was being debated, Webster asserted that the people were sufficiently armed to c.efeat any standing army that could be raised, implying that they had similar arms.26 However, the words “keep and bear arms” suggest that the right includes such hand-held arms as a person could “bear,” such as muskets, fowling pieces, pistols, and swords, and not cannon and heavy ordnance that a person could not carry or wear.
Stephen P. Halbrook (The Founders' Second Amendment: Origins of the Right to Bear Arms (Independent Studies in Political Economy))
Figure 3.3 Newton’s drawing of a cannon on a mountain In Newton’s famous cannon-on-a-mountain sketch, the dropped cannonball falls straight downward, while those fired with larger
Bruce Rosenblum (Quantum Enigma: Physics Encounters Consciousness)
Derek turned back to Sheridan and pointed at the rock. “Do you know what that rock is?” “No,” Sheridan answered. “But I get the feeling you’re about to tell me.” He chuckled, and then grew serious. “That rock is from the landscaping at the Fire Hall—a part of the building—and part of the old world. That rock is what holds this new world to the old. Our reminder of what can go drastically wrong if we screw this up.” He licked his lips and finished. “It’s also a symbol of hope. There are probably more rocks there—more reminders and more people out there. We’re just one rock that makes up a whole.” Sheridan waited him out as this was actually a bit more complex than she was used to. “You brought up Rome, Sheridan. Rome was also a many headed beast of an empire when it was at full power. And then so was Britain… and then the US as well. All these, like Rome, fell. Out of them, like it was out of Rome, others rose. England, France—others—from Rome and even some of the Middle East. Britain founded Canada, Australia… held the USA for a time until the US also broke away. Nations came and went, but we always, always survived and the strongest always led us out of the darkest of times into better ones.” He closed her hands over the rock. “This rock represents what was Canada. It now represents what will be—I don’t know—whatever you end up calling your kingdom.” “If I take a kingdom,” she pointed out. He shook his head. “You will. And I honestly can’t think of anyone better. Terrence would be a tyrant. He knows that, you know that and, hell, even I know that. But he makes a great military commander—your military commander. I could be the leader of your scouts or rangers, whatever you feel we should call ourselves now. All the various teams formed are now beginning to think of themselves as Ministries. Whether you want to admit it a kingdom has already been born and you’re its Queen.” He stared right into her eyes, closing her hands over the rock. “Now lead it as a Queen should.
Kristan Cannon (After Oil (The Kingdom of Walden Series, #1))
Well,there's not much more to see," Bill said. "Just the usual routine of a building catching fire-smoke, walls of flame,people screaming and stampeding toward the exits,trampling the less fortunate underfoot-you get the picture.The Globe burned to the ground." "What?" she asked, feeling sick. "I started the fire at the Globe?" Surely burning down the most famous theater in English history would have repercussions across time. "Oh,don't get all self-important. It was going to happen anyway. If you hadn't burst into flames, the cannon onstage would have misfired and taken the whole place out." "This is so much bigger than me and Daniel. All those people-" "Look, Mother Teresa, no one died that night...besides you.No one else even got hurt. Remember that drunk leering at you from the third row? His pants catch on fire.That's the worst of it. Feel better?" "Not really.Not at all." "How about this: You're not here to add to your mountain of guilt. Or to change the past.There's a script,and you have your entrances and your exits." "I wasn't ready for my exit." "Why not? Henry the Eighth sucks, anyway." "I wanted to give Daniel hope. I wanted him to know that I would always choose him,always love him.But Lucinda died before I could be sure he understood." She closed her eyes. "His half of our curse is so much worse than mine." "That's good,Luce!" "What do you mean? That's horrible!" "I mean that little gem-that 'Wah, Daniel's agony is infinitely more horrible than mine'-that's what you learned here.The more you understand, the closer you'll get to knowing the root of the curse,and the more liekly it is that you'll eventually find your way out of it.Right?" "I-I don't know." "I do. Now come on, you've got bigger roles to play.
Lauren Kate (Passion (Fallen, #3))
♪ Go, Teen Titans, go Go, Teen Titans, go ♪ Go, Teen Titans, go Go, go, go, go, go ♪ T-double-E-N-T-I-T-A-N-S ♪ We the real heroes Takin' down the big menace ♪ Teen Titan flows ♪ Teen Titan knows ♪ Where there's real trouble, baby ♪ Teen Titans go ♪ Go, Teen Titans, go Go, Teen Titans, go Ugh. Morons. ♪ Beast Boy I can turn straight up into an animal ♪ Animal? ♪ Animal? ♪ Yes, any animal ♪ Boom, pow Yeah, I'm a kitten now Aw! ♪ Check out my kitten meow ♪ The star, the fire The live, the wire ♪ The alien princess in my alien attire ♪ The energy blasts The supersonic speed ♪ Is she down with the Titans? ♪ Oh, the yes indeed ♪ Booyah, booyah Go my cannon blaster ♪ Cyborg, whoo, baby Mr. High Tech Master ♪ What, what, what? ♪ Mr. Meatball Disaster ♪ What, what, what? ♪ Mr. Boom Boom Blaster ♪ Teen Teen Titans The Titans, the Teen Titans ♪ Teen Teen Titans The Titans, the Teen Titans ♪ Teen Teen Titans The Titans, the Teen Titans ♪ Teen Teen Titans The Titans, the Teen Titans ♪ Boom with the smoke bombs and birdarangs ♪ Bow staff hittin' steady Doin' my thang ♪ Robin, Robin, the leader Robin, Robin, in charge ♪ Show 'em your baby hands! ♪ No Robin, Robin's are large Nah, but for real, man. Those some super-small baby hands. No, they're not. Whatever. Just keep going, just keep going! ♪ Go, Teen Titans, go Go, Teen Titans, go ♪ Go, Teen Titans, go Go, Teen Titans, go ♪ Raven is here to drop it On you even harder ♪ There's no darker than me I'm as dark as can be ♪ Check it Azarath Metrion Zinthos ♪ Teleportin', magical powers We adios ♪ Teen Teen Titans The Titans, the Teen Titans ♪ Teen Teen Titans, the Titans The Teen Titans ♪ Teen Titans Go! ♪
Meredith Day (Teen Titans Go! To The Movies: Screenplay)
I do not seek to belittle these cannon of the French. Yet the French have a greater weapon than their cannon in your fears of it. Unless you can cast them out, you are lost before a shot is fired or an arrow fitted to a string. And,” he thundered, “you deserve to be lost. For the world is not a place for timid men, nor is liberty a birthright of those who fear to fight and speak for it come what may. Nor was this dukedom founded by men who hung back from the assault. If we lose Grand Fenwick now, let us admit that we lost it through fear and not through gunshot and let us admit that we deserve to lose it, for it is no place to be held by cowards. And let us admit that we were not men enough to hand this land of ours on to our sons.
Leonard Wibberley (The Mouse That Roared Boxed Set)
Because it will always be a lie. As though it were a strange sort of discovery that someone is in love! Just as if, as soon as he says that, something went snap-bang—he loves. Just as if, when he utters that word, something extraordinary is bound to happen, with signs and portents, and all the cannons firing at once. It seems to me, that people who solemnly utter those words, “I love you,” either deceive themselves or what’s still worse, deceive others.
Leo Tolstoy (The Death of Ivan Ilych & Other Stories)
I've been waiting for you to use your gavel all evening, Your Honor." God, please, no! Those were the last words on earth Vansh ever, ever, wanted to hear his oldest sister say to her judge husband. Ever. Yash, who was generally not the sort of guy who snorted with laughter, snorted with laughter so violently that Nisha and Neel jumped apart like someone had fired a cannon. Nisha's hands pressed into her face. "No. No. Nononono. What the hell are you all doing here?" "Not waiting for Neel to use his gavel, that's for sure," Yash said, still howling like a hyena. Which, to be fair, Vansh was doing as well. Nisha charged at Yash. Neel grabbed her around her waist. As a circuit court judge (with a gavel), Neel obviously saw enough crazy shit on a daily basis that he was entirely unfazed by any Raje family shenanigans. He held Nisha in check while laughing into her hair, and in the end she broke down and started laughing too, embarrassed though the laughter was. "If either one of you tells anyone, I'm going to chop you into little pieces and pass you through a mulch shredder," their sister threatened. "Who let her watch Fargo?" Vansh asked, and Neel looked heavenward.
Sonali Dev (The Emma Project (The Rajes, #4))