Candlelight Publications Quotes

Jack enjoyed watching Amanda's face in the candlelight, her expression by turns thoughtful, amused, and lively, those gray eyes gleaming more brightly than the polished silver. Unlike the other women present, who picked at their food with appropriately feminine disinterest, Amanda displayed a healthy appetite. Apparently it was one of the privileges of spinsterhood, that a woman could eat well in public. She was so natural and straightforward, a refreshing change from the other sophisticated women he had known.

One of the less apparent but most profound consequences of domestic electric lighting was the encouragement of reading at home. Increased reading broadened knowledge, stirred new interests, and created a more sophisticated society, especially away from centers of culture, which in turn increased demand for electricity. Persons who had trouble reading by dim fire- or candlelight, and especially young children who could not be left alone to regulate gaslights, could easily and safely read by electric light. Partly for this reason, the Muncie, Indiana, public library loaned out eight times as many books per inhabitant in 1925 as it had in 1890. The cartoon symbol of a light bulb being switched on over someone's head as they achieved new insight was firmly grounded in reality.

The Proposal The diamond industry has pulled a fast one over on us. It has convinced us that there is no way to make public a lifetime commitment to another person without a very large, sparkly rock on a very slim band. This is, of course, nonsense. Often wedding books have engagement chapters that read like diamond-buying guides. But the truth is, the way to get engaged is for the two of you to decide that you want to get married. So the next time someone tries to imply that you are not engaged because you don’t have a dramatic enough engagement story or a ring, firmly say, “You know, I like to think of my partner as my rock,” and slowly raise your eyebrow. The modern wedding industry—along with a fair share of romantic comedies—has set a pretty high bar for proposals. We think they need to be elaborate and surprising. But they don’t. A proposal should be: • A decision to get married • Romantic (because you decide to spend the rest of your lives together, not necessarily because of its elaborate nature) • Possibly mutual • Possibly discussed in advance • Possibly instigated by you • Not used to judge the state of your relationship • An event that may be followed by the not-at-all-romantic kind of sobbing, because you realize your life is changing forever It’s exciting to decide to get married. And scary. But the moment of proposal is just that: a moment. It moves you to the next step of the process; it’s not the be-all, end-all. So maybe you have a fancy candlelight dinner followed by parachutists delivering you a pear-shaped, seven-carat diamond. Or maybe you decide to get married one Sunday morning over the newspaper and a cup of coffee. Either way is fine. The point is that you decided to spend your life with someone you love.

Drake stood speechless. Admiration- and something else Serena could not quite identify, pride perhaps- showing from his eyes. "Turn around," his deep voice commanded softly. "I would see all of you." She turned slowly, holding back a delighted laugh. Her gown was gold, the color of the amber flecks in her eyes, with a green-and-gold-striped underskirt and matching puffed sleeves. Emeralds hung from her ears, swaying provocatively and catching the candlelight from the wall scones. A choker wrapped around her neck and tiny tear-shaped jewels sparkled from her hair. It had taken the combined urgings of her personal maid and the housekeeper to convince her it was acceptable to wear such a low-cut gown in public. Elegant gloves covered her arms to the elbows with an emerald and gold bracelet on one wrist and a Chinese fan dangling from the other. "I knew you would be beautiful dressed as my duchess, but Serena, I am speechless. The men will adore you and the women will envy you." He spoke the last in an underbreath, as though to himself.

A grassroots outpouring of sympathy for the victims of September 11 occurred on the streets in only two places in the Muslim world, both within days of the collapse of the twin towers and both among the Shia. The first was in Iran, where tens of thousands snubbed their government to go into the streets of Tehran and hold a candlelight vigil in solidarity with victims of the attacks. The second was in Karachi, where a local party that is closely associated with the city’s Shia33 broke with the public mood in Pakistan to gather thousands to denounce terrorism.34 What followed September 11 in Afghanistan and Iraq has only strengthened these feelings. The Shia in Afghanistan, between 20 and 25 percent of the population, were brutalized by the Taliban. The constitution adopted in that country in 2003 has broken with tradition to allow a Shia to become president and to recognize Shia law. The Shia have come out from the margins to join the government and take their place in public life. The violent face of Sunni militancy in Iraq underscores the divergent paths that Sunni and Shia politics are taking.

But he wasn’t procrastinating because he didn’t want to work on the friar’s painting. No. A masterpiece did not pop immediately to mind. He had to knead the problems like dough: how could the Virgin’s face fulfill classical expectations of beauty, yet surprise the viewer with the unexpected; how could each of the figures maintain their separate identities, yet intertwine into a single whole; how could he transform a few scratches of lines on paper into a living, breathing, complex organism? Creating new life took time. Now that his first year was almost up, Leonardo needed to convince the friars to let him stay. He had barely made any progress on human flight. Relocating now would interrupt his experiments. He had to prove that he was not only working on the altarpiece, but that a painting by him would be worth the wait. So, for the last two weeks, he had been displaying his design to the public, and now he had invited the friars up to witness the spectacle. As the song came to an end, Leonardo stepped onto a raised platform next to a large panel covered in a piece of black velvet. He raised his hand with a flourish, and Salaì yanked off the cloth. His cartoon, the life-sized preparatory drawing for the altarpiece, was displayed on a gilded pedestal. Candlelight illuminated the charcoal and chalk sketch on thin, tinted paper. The picture was of St. Anne, the Virgin Mary, John the Baptist, and baby Jesus, all interconnected in a surging, pyramidal composition. The four figures were vibrant, their faces the ideal of classical beauty. He’d spent months dreaming up that image before putting it down on paper, so when he’d finally started sketching, the lines seemed to appear in a flash. Like his performance that night, it was all part of his show. Let the people think the design had arrived complete and perfect, as if sent by God himself.

Jerry and Ruth will now light the Unity Candle.  In the wedding liturgy, candlelight symbolizes the commitment of the love these two people are declaring today.  Before you, you see three special candles.  The two smaller candles symbolize the lives of the bride and the groom. “Until today, both have allowed their light to shine as individuals. Now, they have come to publicly proclaim their love in the new union of marriage.

That trick shouldn’t be reserved for the movies or stage. I pass it on for any woman to use […]. For a romantic scene by candlelight, let your face and figure — and your expression — play the leading roles. Underdress. Play down the accessories. Leave the startling hat or jewel at home. For a public appearance, on the other hand, when I’m going to be mingling with hundreds of people, I try to give them something stunning to look at. I especially like to give them color.

Her shudder turned into a shiver as a urry of snowakes whirled past. She squinted upward, astonished to see that the sky, which had been blue just minutes ago, was now lling with soft winter clouds. White akes spiraled downward, spinning past the Royal Library’s dome, swirling around the bronze pegasus atop its spire, which she was convinced now reared in a slightly different position than before. Nathaniel had also stopped to take in the view. “Do you remember the last time it snowed in Hemlock Park?” “Of course.” Blood rushed to her cheeks at the look he was giving her. How could she forget? The frost and the candlelight, the way time had seemed to stop when they kissed, and how he had parted her dressing gown so carefully, with only one hand— She wasn’t sure which of them leaned in first. For a moment nothing existed outside the brush of their lips, tentative at rst, and then the heat of their mouths, all-consuming. “I seem to recall,” Nathaniel murmured as she twined a hand into his hair, “that this”—another kiss —“is a public street.” “The street wouldn’t exist without us,” she replied. “The public wouldn’t, either.” The kiss went on, blissful, until someone whistled nearby.