Candle Holders Quotes

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I wanted to buy a candle holder, but the store didn't have one. So I got a cake.
Mitch Hedberg
Where there was Shizun, there was light. Where there was Chu Wanning, there was a flame. He looked up evenly at Mo Ran from where he stood by the candle holder with his long eyelashes downcast, and gave him a small, serene smile. He said, "Go back to sleep, Mo Ran. See, the light is lit now. Don't be afraid
Meatbun Doesn't Eat Meat (二哈和他的白猫师尊)
Here's to the bridge-builders, the hand-holders, the light-bringers, those extraordinary souls wrapped in ordinary lives who quietly weave threads of humanity into an inhumane world. They are the unsung heroes in a world at war with itself. They are the whisperers of hope that peace is possible. Look for them in this present darkness. Light your candle with their flame. And then go. Build bridges. Hold hands. Bring light to a dark and desperate world. Be the hero you are looking for. Peace is possible. It begins with us.
L.R. Knost
Tell me, as a pagan, who do you worship?' 'Worship?' 'That's right. I imagine you must have a pretty wide open field. So to whom do you set up your household altar? To whom do you bow down? To whom do you pray to at dawn and at dusk?' 'The female principle. It's an empowerment thing. You know.' 'Indeed. And this female principle of yours. Does she have a name?' 'She's the goddess within us all. She doesn't need a name.' 'Ah,' said Wednesday, with a wide monkey grin, 'so do you hold mighty bacchanals in her honour? Do you drink blood wine under the full moon, while scarlet candles burn in silver candle holders? Do you step naked into the seafoam, chanting ecstactically to your nameless goddess while the waves lick at your legs, lapping your thighs like the tongues of a thousand leopards?
Neil Gaiman (American Gods (American Gods, #1))
Ah, the Hand of Glory!” said Mr. Borgin, abandoning Mr. Malfoy’s list and scurrying over to Draco. “Insert a candle and it gives light only to the holder! Best friend of thieves and plunderers! Your son has fine taste, sir.” “I hope my son will amount to more than a thief or a plunderer, Borgin,” said Mr. Malfoy coldly, and Mr. Borgin said quickly, “No offense, sir, no offense meant —” “Though if his grades don’t pick up,” said Mr. Malfoy, more coldly still, “that may indeed be all he is fit for —” “It’s not my fault,” retorted Draco. “The teachers all have favorites, that Hermione Granger —” “I would have thought you’d be ashamed that a girl of no wizard family beat you in every exam,” snapped Mr. Malfoy. “Ha!” said Harry under his breath, pleased to see Draco looking both abashed and angry.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I decided to drop it since he liked it so much. But I glanced at it first, and then I couldn't. I held a porcelain castle no bigger than my two fists, with six wee towers, each ending in a miniature candle holder. And oh! Strung between a window in each of two towers was a gossamer thread of china from which hung-laundry! A man's hose, a robe, a baby's pinafore, all thin as a spider's web. And, painted in a window downstairs, a smiling maiden waved a silken scarf.
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
A torch for me: let wantons light of heart Tickle the senseless rushes with their heels, For I am proverb’d with a grandsire phrase; I’ll be a candle-holder, and look on. The game was ne’er so fair, and I am done. MERCUTIO: Tut, dun’s the mouse, the constable’s own word: If thou art dun, we’ll draw thee from the mire Of this sir-reverence love, wherein thou stick’st Up to the ears. Come, we burn daylight, ho! ROMEO: Nay, that’s not so. MERCUTIO: I mean, sir, in delay We waste our lights in vain, like lamps by day. Take our good meaning, for our judgement sits Five times in that ere once in our five wits. ROMEO: And we mean well in going to this mask; But ’tis no wit to go. MERCUTIO: Why, may one ask? ROMEO: I dream’d a dream to-night. MERCUTIO: And so did I. ROMEO: Well, what was yours? MERCUTIO: That dreamers often lie. ROMEO: In bed asleep, while they do dream things true. MERCUTIO: O, then, I see Queen Mab hath been with you. She is the fairies’ midwife, and she comes.
William Shakespeare (Romeo and Juliet)
We're buying curtains, babe, that activity hardly requires a cart," he noted. "We're in a home store, Tate," I replied, thinking my answer said all. "And?" he returned, stating plainly my answer did not say all. "A mega home store," I added. "And?" "And, I came here a few days ago to buy you sheets. I ended up buying you two sets of sheets, six new pillows, a down comforter, a comforter cover and shams. That happens in a home store," I educated him. "You come in needing a spatula and you go out with a spatula, new kitchen towels, candles, candle holders, cool things to seal open chip bags, a variety of frames, a soap dispenser and a new vacuum cleaner.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
There were books everywhere. There were pens, and a blue glass vase, an ash tray from the Dolder Grand in Zürich, the rusted arrow of a weather vane, a little brass hourglass, sand dollars on the windowsill, a pair of binoculars, and empty wine bottle that served as a candle holder, wax melted down the neck. I touch this thing and that. At the end, all that's left of you are your possessions.
Nicole Krauss (The History of Love)
I came here a few days ago to buy you sheets. I ended up buying you two sets of sheets, six new pillows, a down comforter, a comforter cover and shams. That happens in a home store,” I educated him. “You come in needing a spatula and you go out with a spatula, new kitchen towels, candles, candle holders, cool things to seal open chip bags, a variety of frames, a soap dispenser and a new vacuum cleaner.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
They followed through the double doors and along the narrow corridor beyond, which was lined with more portraits of famous Healers and lit by crystal bubbles full of candles that floated up on the ceiling, looking like giant soapsuds. More witches and wizards in lime-green robes walked in and out of the doors they passed; a foul-smelling yellow gas wafted into the passageway as they passed one door, and every now and then they heard distant wailing. They climbed a flight of stairs and entered the “Creature-Induced Injuries” corridor, where the second door on the right bore the words “DANGEROUS” DAI LLEWELLYN WARD: SERIOUS BITES. Underneath this was a card in a brass holder on which had been handwritten Healer-in-Charge: Hippocrates Smethwyck, Trainee Healer: Augustus Pye.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
He couldn’t bear to live, but he couldn’t bear to die. He couldn’t bear the thought of her making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn’t bear to keep it, but he couldn’t bear to destroy it either. So he tried to lose it. He left it by the wax-weeping candle holders, placed it between matzos every Passover, dropped it without regard among rumpled papers on his cluttered desk, hoping it wouldn’t be there when he returned. But it was always there. He tried to massage it out of his pocket while sitting on the bench in front of the fountain of the prostrate mermaid, but when he inserted his hand for his hanky, it was there. He hid it like a bookmark in one of the novels he most hated, but the note would appear several days later between the pages of one of the Western books that he alone in the shtetl read, one of the books that the note had now spoiled for him forever. But like his life, he couldn’t for the life of him lose the note. It kept returning to him. It stayed with him, like a part of him, like a birthmark, like a limb, it was on him, in him, him, his hymn: I had to do it for myself.
Jonathan Safran Foer (Everything is Illuminated)
In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous [dead looking] and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once. But undoubtedly the grimmest part of him was his iron claw.
J.M. Barrie (Peter Pan)
How do men think of such wickedness?” Anna asked as wax dripped down the candle and pooled about the holder. “Don’t they fear for their souls?” Pino thought about Rauff and the Black Shirts wearing the hoods. “I don’t think men like that care about their souls,” Pino said, finishing the veal. “It’s like they’ve already gone to evil, and going a little deeper won’t matter.
Mark T. Sullivan (Beneath a Scarlet Sky)
Then I wanted to take a bath so I ran water into the big sunken tub and poured in some bath salts and lit the candles in the square glass holders around the rim of the tub. There were big windows overlooking the garden. I opened them and smelled the jasmine and the wet earth. There was a little warm breeze and the garden tinkled and chimed like stars falling. I called you. I wanted a refill on my wine. I wanted to give you the jasmine and the wind chime stars. I’m sorry.
Francesca Lia Block (Wasteland)
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
In the midst of them, the blackest and largest in that dark setting, reclined James Hook, or as he wrote himself, Jas. Hook, of whom it is said he was the only man that the Sea-Cook feared. He lay at his ease in a rough chariot drawn and propelled by his men, and instead of a right hand he had the iron hook with which ever and anon he encouraged them to increase their pace. As dogs this terrible man treated and addressed them, and as dogs they obeyed him. In person he was cadaverous and blackavized, and his hair was dressed in long curls, which at a little distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were of the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the grand seigneur still clung to him, so that he even ripped you up with an air, and I have been told that he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding; and the elegance of his diction, even when he was swearing, no less than the distinction of his demeanour, showed him one of a different cast from his crew. A man of indomitable courage, it was said that the only thing he shied at was the sight of his own blood, which was thick and of an unusual colour. In dress he somewhat aped the attire associated with the name of Charles II, having heard it said in some earlier period of his career that he bore a strange resemblance to the ill-fated Stuarts; and in his mouth he had a holder of his own contrivance which enabled him to smoke two cigars at once.
J.M. Barrie (Peter Pan)
Lights like stars whirled past me from out of the darkness, and when I opened my eyes, I was lying on a bed covered in rich tapestry and piled high with pillows. The room was lit by candles in colossal iron holders that flickered on the walls. A great fire was ablaze in the hearth. I recognized the triptych of slender, arched windows, though I was seeing them for the first time from the inside. No longer empty, they were fitted with glass through which I could make out some of the stars that hovered over Whitby on a clear night. We were inside the abbey, though apparently outside time. The room was warm and the roof intact, and he was lying beside me. 'Every moment that has ever existed in time is still here, Mina- every thought, every memory, and every experience.' Now that I saw him in the candlelight, he was more beautiful than I had imagined. Skin marble white, paler than mine and glowing, and hair like the night sea's glossy waves. His face was long and angular with a strong brow, like the artist's renderings I had of the Arthurian knights. With his midnight blue wolf eyes, he stared at me, taking me in. "Who are you?" I asked, my voice timid and feeble. 'You and I have gone by many names. It does not matter what we call each other. What matters is that you remember. Do you remember, Mina?' His lips did not move, and yet I heard every word that he said, I wanted to ask a thousand questions, but one long and slender finger reached out and touched my lips. Locking eyes with me, he slid my nightdress from my shoulder. Shock waves rippled through my body as his finger followed the curve under my neck, dusting my chin, and slowly sliding to the other ear. Surely just one finger could not create this bedlam inside me. 'Ah, so you do remember.' My heart palpitated wildly, but I was not afraid. Something familiar about him prevented me from fearing him, though I had witnessed how dangerous he could be on the banks of the Thames when he had thrashed my attacker. "Yes, yes, I remember," I said. I would have said anything to keep his hand on me, to wallow in the wild energy he brought to my body, and to stare into the infinite violet blue of his eyes. Though I said nothing else, every nerve in my body begged him to keep touching me. 'What is your desire?' I did not have the audacity to say the words aloud, but this being knew me and knew my thoughts. Our eyes were locked, and our minds were linked. I felt connected to him in a way that I had not known with another person. We were not one, but we were in harmony, as if we were both parts of the same symphony.
Karen Essex (Dracula in Love)
Find your huge selection of online Wedding decoration for sale include Kissing Balls, Ring Holders, Dessert Stands, Candle Holders and any more at World of Weddings.
World of Weddings
On the Overture of the Rossini opera "Il SIgnor Bruschino" - The sound of the second violins striking the backs of their bows against the metal candle holders shortly after the start of the overture was judged 'incomprehensible' by the Giornale. Rossini feared as much. 'Dio ti salvi l'anima' (God save your soul), he wrote on the manuscript at the end of the overture).
Richard Osborne
Candles and waterproof matches.” “Check.” “Weather radio, flashlight, batteries…” “Check, check, check…” “Hurricane-tracking chart, potable water, freeze-dried food, can opener, organic toilet paper, sensible clothes, upbeat reading material, baseball gloves, compass, whistle, signal mirror, first-aid kit, snake-bite kit, mess kit, malaria tablets, smelling salts, flints, splints, solar survival blanket, edible-wild-plant field almanac, trenching tool, semaphores, gas masks, Geiger counter, executive defibrillator, railroad flares, lemons in case of scurvy, Austrian gold coins in case paper money becomes scoffed at, laminated sixteen-language universal hostage-negotiation ‘Kwik-Guide’ (Miami-Dade edition), extra film, extra ammunition, firecrackers, handcuffs, Taser, pepper spray, throwing stars, Flipper lunch box, Eden Roc ashtray, Cypress Gardens felt pennant, alligator snow globe, miniature wooden crate of orange gumballs, acrylic seashell thermometer and pen holder, can of Florida sunshine…” “Check, check, check…. What about my inflatable woman?
Tim Dorsey (Hurricane Punch (Serge Storms, #9))
The Candle Holder Beauty is in the eye of the beholder, Your light I wish to see. I am the candle holder, reveal yourself to me. -Reed Abbitt Moore-
Reed Abbitt Moore
reached for one of Ariadne’s many candles, standing in a holder next to the bed. There was a matchbook
Sophie Cleverly (The Lights Under the Lake (Scarlet and Ivy, #4))
………………………………………….. Taylor was keenly aware of his vulnerability as he entered the cottage. He had no weapons, no friends, and no idea why he was there. If they wanted his head, it was theirs, and there was little he could do about it. And yet, he did not feel unsafe. He felt kept. Inside was a small, dimly lit room with just four or five candles planted here and there around it, including one in a long silver holder that stood atop a small, elegantly carved table in the center. Before the table was a stool, also beautifully carved, with another, similar one opposite. There was a stool in the corner as well, and two more next to a hardwood desk on the right. The walls were rough with the texture of the clay, and looked peach in the candlelight. There were arched doorways leading off to unlit corridors, and one large doorway behind the table, covered by a red velvet curtain. If it was going to be a sneak attack, Taylor would be an easy target. “Sit here,” the stout man said, motioning to the stool before the table. “And wait.” He did so, and the stout man walked off through the velvet curtain with his staff. A moment later Taylor could hear mutterings between him and another, but he could not make out what they were saying. For a few seconds there was silence, and Taylor became suddenly worried. Then, to his relief, the stout man reemerged and took his seat in the corner, his eyes set on the room from whence he had just come. Taylor, too, set his eyes on the curtain, unsure whether there would emerge a man or a wild beast, but curious nonetheless. His curiosity was answered when the
Ross Rosenfeld (The Stolen Kingdom)
I have given, but not taken.
Petra Hermans (Voor een betere wereld)
Those who can truly love, they’re like candles; they don’t mind sacrificing themselves for the sake of love. But the rest of us are candle holders. We love and appreciate the light of love, but are too afraid to burn ourselves down to light up someone else’s life.
Uday Mukerji (Love, Life, and Logic)
Our candle holders are perfect for creating a sense of calm in any room and generating a lovely soft light. Visit our store in Atlanta or call at 770-790-1207
Stone candle holders
The candle-end had been guttering for some time in the crooked holder, shedding a dull light, in this beggarly room, on the murderer and the harlot, who’d come together so strangely to read the eternal book.
Fyodor Dostoevsky (Crime and Punishment)
A glue sets my porcelain Ear in a tiny Cup of Tea.
Petra Hermans
We dine in Gion---the geisha district, Kyoto's heart and spiritual center. There are rickety teahouses, master sword makers, and women dressed in kimonos. The restaurant is by invitation only and seats seven, but the chef prefers to keep the guest count under five. His name is Komura, and like the bamboo farmer Shirasu and his son, his two daughters assist him. The sisters light candles in bronze holders and place them around the room. The restaurant is a converted home, the walls a deep ebony stained from years of smoke from the open hearth----it's called kurobikari, black luster. It's a hidden gem nestled between a pachinko parlor and an antiques shop. The table we kneel at is made of thick wood, its surface weathered, worn, and polished, honed by years of hands and plates and cups of tea.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
It was about here,” said Ron, recovering himself to walk a few paces past Filch’s chair and pointing. “Level with this door.” He reached for the brass doorknob but suddenly withdrew his hand as though he’d been burned. “What’s the matter?” said Harry. “Can’t go in there,” said Ron gruffly. “That’s a girls’ toilet.” “Oh, Ron, there won’t be anyone in there,” said Hermione, standing up and coming over. “That’s Moaning Myrtle’s place. Come on, let’s have a look.” And ignoring the large OUT OF ORDER sign, she opened the door. It was the gloomiest, most depressing bathroom Harry had ever set foot in. Under a large, cracked, and spotted mirror were a row of chipped sinks. The floor was damp and reflected the dull light given off by the stubs of a few candles, burning low in their holders; the wooden doors to the stalls were flaking and scratched and one of them was dangling off its hinges. Hermione put her fingers to her lips and set off toward the end stall. When she reached it she said, “Hello, Myrtle, how are you?” Harry and Ron went to look. Moaning Myrtle was floating above the tank of the toilet, picking a spot on her chin. “This is a girls’ bathroom,” she said, eyeing Ron and Harry suspiciously. “They’re not girls.” “No,” Hermione agreed. “I just wanted to show them how — er — nice it is in here.” She waved vaguely at the dirty old mirror and the damp floor. “Ask her if she saw anything,” Harry mouthed at Hermione. “What are you whispering?” said
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
That’s what it all comes down to in the end,” he said. “A person spends his life saying good-bye to other people. How does he say good-bye to himself?” I threw away picture-frame wire, metal bookends, cork coasters, plastic key tags, dusty bottles of Mercurochrome and Vaseline, crusted paintbrushes, caked shoe brushes, clotted correction fluid. I threw away candle stubs, laminated placemats, frayed pot holders. I went after the padded clothes hangers, the magnetic memo clipboards. I was in a vengeful and near savage state. I bore a personal grudge against these things. Somehow they’d put me in this fix. They’d dragged me down, made escape impossible.
Don DeLillo (White Noise)
The candle in the wall holder guttered to darkness, only the one between them survived to cast dancing light across his feminine features.
John Varley (Titan (Gaea, #1))
He was in a room filled with people, and it was warm, with firelight glowing on a hearth. He could see through a window that outside it was night, and snowing. There were colored lights: red and green and yellow, twinkling from a tree which was, oddly, inside the room. On a table, lighted candles stood in a polished golden holder and cast a soft, flickering glow. He could smell things cooking, and he heard soft laughter. A golden-haired dog lay sleeping on the floor. On the floor there were packages wrapped in brightly colored paper and tied with gleaming ribbons. As Jonas watched, a small child began to pick up the packages and pass them around the room: to other children, to adults who were obviously parents, and to an older, quiet couple, man and woman, who sat smiling together on a couch. While Jonas watched, the people began one by one to untie the ribbons on the packages, to unwrap the bright papers, open the boxes and reveal toys and clothing and books. There were cries of delight. They hugged one another. The small child went and sat on the lap of the old woman, and she rocked him and rubbed her cheek against his. Jonas opened his eyes and lay contentedly on the bed, still luxuriating in the warm and comforting memory. It had all been there, all the things he had learned to treasure. “What did you perceive?” The Giver asked. “Warmth,” Jonas replied, “and happiness. And—let me think. Family. That it was a celebration of some sort, a holiday. And something else—I can’t quite get the word for
Lois Lowry (The Giver (The Giver, #1))
The silence during my night opened a new day, besides all the dreams I had, the darkest night guarded closed eyes while my three feet are the blue foggy candle holder I wrote in a second nowhere silver field in one star!
Petra Hermans
The indoor rules were simple: don’t touch anything that wasn’t in your book bag. Did you come home from school, grab a glass, pour yourself some juice, and camp out in front of the TV watching cartoons? Congratulations, Anne of Green Gables, your childhood was fucking rad. We weren’t allowed to touch the glasses anymore after I broke the Hamburglar tumbler from our set of McDonald’s fine china. We didn’t have juice boxes because we were on welfare, and I would rather have chewed tinfoil than recreationally drink powdered milk. We tried to watch TV once, turning it off as soon as we heard Mom’s footsteps on the landing, but technology in the eighties was intent on destroying our flimsy excuses. “Were you watching TV?” Cory and I would give each other the knowing glance of liars everywhere and say, “No.” Mom would then go over, touch the TV, and, feeling the warmth emanating from the screen, rip our story apart in three seconds flat. Disobeying her wasn’t the worst offense—we were wasting electricity, and no parent in the country could abide using electricity for the intended purpose if they were not the ones flipping the switch. When Mom was home, you could fire up every light in the house, leave an empty blender running full speed, and overload every outlet until the fuses popped like fireworks. But children alone were unworthy of electricity, so I guess the expectation was we could spend our time weaving brooms out of hay and banging out candle holders on a tin press. We had to make our own fun, so we invented Spiderweb City.
Danielle Henderson (The Ugly Cry: How I Became a Person (Despite My Grandmother's Horrible Advice))
I understood now that you could be as soft as the silken draperies, shine like the copper candle holders, and have something tick quietly inside you and never miss a beat, even if you lived in a rude sod hut in the wilderness.
Ann Rinaldi (The Fifth of March: A Story of the Boston Massacre)
The dining table had been decorated with jars full of flowers of varying colors, heights, scents. Caladium, salvia, violas, snapdragons, or "snaps" as Glory called them. I'd learned their names---and forgotten half a dozen others as Glory and I had strolled through the garden earlier. Votive candles set into pale-pink glass holders flickered along the table runner. The glass- and silverware sparkled in the early evening sunlight, while dust motes floated lazily through the air. The roast chicken and whipped potatoes, pull-apart rolls, green bean salad, and cucumbers and onions soaked in Italian dressing had been consumed.
Heather Webber (In the Middle of Hickory Lane)
I threw away picture-frame wire, metal bookends, cork coasters, plastic key tags, dusty bottles of Mercurochrome and Vaseline, crusted paintbrushes, caked shoe brushes, clotted correction fluid. I threw away candle stubs, laminated placemats, frayed pot holders. I went after the padded clothes hangers, the magnetic memo clipboards. I was in a vengeful and near savage state. I bore a personal grudge against these things. Somehow they’d put me in this fix. They’d dragged me down, made escape impossible. The two girls followed me around, observing a respectful silence. I threw away my battered khaki canteen, my ridiculous hip boots. I threw away diplomas, certificates, awards and citations. When the girls stopped me, I was working the bathrooms, discarding used bars of soap, damp towels, shampoo bottles with streaked labels and missing caps.
Don DeLillo (White Noise)
To Find Lost Items This is a very, very old “household spell” and one that most of us need to use on a frequent basis!  While a short chant may not seem exactly like a spell, it's actually one of the most powerful ways of focusing the mind and achieving results.  Use this to find household items that have been misplaced.  It's a great spell to learn just how effective chanting and spells can be.  You'll need a white candle and a little peace and quiet in the home.  Light the candle and place it in a suitable holder (you can carry it in your hand if required but a holder is safer and generally cleaner!).  Travel around the house, room by room and repeat the chant below as you do so; I need what I seek Give me peek Draw my eyes To my prize Repeat three, six or nine times in each room and allow your eyes to wander around the room as you do so.  Eventually you will feel drawn to an area in a specific room, continue to repeat the chant as you explore that area in more detail until the item reveals itself.
Mia Rose (Magical Chants: 30 Magical Chants, Spells And Rituals For Health, Wealth And Love)
She’d located the junk drawer and it bore fruit: a short candle stub, the remnant, no doubt, of some intimate dîner tête à tête. A little more exploring turned up a mostly empty matchbook and a squat, wax-encrusted glass candlestick. She crammed the candle in the holder and touched a lit match to the blackened wick.
Pamela Burford (In the Dark)
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))