“
You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it. That’s why my mother always said we memorialize our past. Everything seems better in a memory.
”
”
Renee Carlino (Before We Were Strangers)
“
I learned that love can end in one night, that great friends can become great strangers, that strangers can become best friends, that we never finish to know and understand someone completely, that the “never ever again” will happen again and that “forever” always ends, that the one that wants it can, will achieve it and get it, that the one that risks it never looses anything, that physique, figure and beauty attracts but personality makes one fall in love.
”
”
Tommy Tran
“
... it occurred to me that never again would he be seven years, one month and six days old, so we had better catch these moments while we can.
”
”
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
Origins and History of Consciousness
III.
It’s simple to wake from sleep with a stranger,
dress, go out, drink coffee,
enter a life again. It isn’t simple
to wake from sleep into the neighborhood
of one neither strange nor familiar
whom we have chosen to trust. Trusting, untrusting,
we lowered ourselves into this, let ourselves
downward hand over hand as on a rope that quivered
over the unsearched…. We did this. Conceived
of each other, conceived each other in a darkness
which I remember as drenched in light.
I want to call this, life.
But I can’t call it life until we start to move
beyond this secret circle of fire
where our bodies are giant shadows flung on a wall
where the night becomes our inner darkness, and sleeps
like a dumb beast, head on her paws, in the corner.
”
”
Adrienne Rich (The Dream of a Common Language)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
The Doors
The End
This is the end, beautiful friend
This is the end, my only friend
The end of our elaborate plans
The end of ev'rything that stands
The end
No safety or surprise
The end
I'll never look into your eyes again
Can you picture what will be
So limitless and free
Desperately in need of
some strangers hand
In a desperate land
Lost in a Roman wilderness of pain
And all the children are insane
All the children are insane
Waiting for the summer rain
There's danger on the edge of town
Ride the king's highway
Weird scenes inside the goldmine
Ride the highway West baby
Ride the snake
Ride the snake
To the lake
To the lake
The ancient lake baby
The snake is long
Seven miles
Ride the snake
He's old
And his skin is cold
The west is the best
The west is the best
Get here and we'll do the rest
The blue bus is calling us
The blue bus is calling us
Driver, where you taking us?
The killer awoke before dawn
He put his boots on
He took a face from the ancient gallery
And he walked on down the hall
He went into the room where his sister lived
And then he paid a visit to his brother
And then he walked on down the hall
And he came to a door
And he looked inside
Father?
Yes son
I want to kill you
Mother, I want to.............
Come on, baby, take a chance with us
Come on, baby, take a chance with us
Come on, baby, take a chance with us
And meet me at the back of the blue bus
This is the end, beautiful friend
This is the end, my only friend
The end
It hurts to set you free
But you'll never follow me
The end of laughter and soft lies
The end of nights we tried to die
This is the end
”
”
Jim Morrison (The Doors: The Complete Lyrics)
“
You may claim no affiliation with them, but perhaps some have crossed your path.And perhaps you'd like to help us find them."
"Oh,sure.You killed my mother. You can imagine I'm dying to help you out."
Thomas manages to ignore me again. He glances at the first photo projected on the wall. "Know this person?"
I shake my head. "Never seen him before."
Thomas clicks the remote. Another photo pops up. "How about this one?"
"Nope."
Another photo. "How about this?"
"Nope."
Yet another stranger pops up on the wall. "Seen this girl before?"
"Never seen her in my life."
More unfamiliar faces. Thomas goes through them without blinking an eye or questioning my responses. What a stupid puppet of the state. I watch him as we continue, wishing I weren't chained so I could beat this man to the ground.
”
”
Marie Lu (Legend (Legend, #1))
“
In seven years, thought Laurie, every cell in one's body has been replaced, even our memories live in a new brain. That is not the face I saw, and these are not the eyes I saw with. Even our selves are not the same, but only a consequence of the selves we had then. Yet I was there and I am here; and this man, who is sometimes what I remember and sometimes a stranger I met at a party the other day, is also to himself the I who was there: his mind in its different skull has travelled back to a place his living feet never visited; and the pain he felt then he can feel again.
”
”
Mary Renault (The Charioteer)
“
When parents say, ‘I wish my child did not have autism,’ what they’re really saying is, ‘I wish the autistic child I have did not exist, and I had a different (non-autistic) child instead.’ Read that again. This is what we hear when you mourn over our existence. This is what we hear when you pray for a cure. This is what we know, when you tell us of your fondest hopes and dreams for us: that your greatest wish is that one day we will cease to be, and strangers you can love will move in behind our faces.
”
”
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
“
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are.
A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.
Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily.
You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth.
You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later.
Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage.
Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything.
I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it.
You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it.
Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today?
We shall see.
”
”
Ryan O'Connell
“
Love” is more than a feeling. Love is a form of sweet labor: fierce, bloody, imperfect, and life-giving—a choice we make over and over again. If love is sweet labor, love can be taught, modeled, and practiced. This labor engages all our emotions. Joy is the gift of love. Grief is the price of love. Anger protects that which is loved. And when we think we have reached our limit, wonder is the act that returns us to love.
”
”
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
“
There are people who cannot say good-bye
They are born this way/this is how they die
They are the keepers of promises/what moves them does not wear out
Their loyalty will tear apart your clocks
These are the people who can hear the music in songs
They are the Vow carriers
The grandmothers who always leave the porchlight on
No one is lost to the one who sees
These are the women widowed by men they never married
These are the girls who wait even when you don't come
These are the mothers of orphans/They can turn a fake into an original
They will hear the prayer in your self-contempt
As distance is measured/people do not end
It is one of those stories that cannot be written down except across a lifetime of open doors
There is a holding on beyond the letting go
There is a reunion in everybody's chest
This is how we come to make a family from strangers
This is how we light candles
These are people who will remember you when you meet them
These are the people you can always call at night
They are humans turned angels by your asking
With each separation they go to seed again.
These are the men who carried you on their shoulders
This is the one your are lonely for
the one who begins and ends your hunger
This is the man who said "Always"
There is something that does not wear out
It is the third part of any two people who join
It opens and closes
There are people who are alone who are not apart
This is why we listen to the madman when he speaks
People change but they do not stop
This is how we learn "Forever"
There are people you can count on/They are the keepers of promises
They are candles lit from each other
They can teach us eternity
We can get what we can give/This is the instruction
There are people who do not say goodbye
As distance is measured
You are one of them
”
”
Merrit Malloy (The People Who Didn't Say Goodbye)
“
The time has come to realize that the interracial drama acted out on the American continent has not only created a new black man, it has created a new white man, too. No road whatever will lead Americans back to the simplicity of this European village where white men still have the luxury of looking on me as a stranger. I am not, really, a stranger any longer for any American alive. One of the things that distinguishes Americans from other people is that no other people has ever been so deeply involved in the lives of black men, and vice versa. This fact faced, with all its implications, it can be seen that the history of the American Negro problem is not merely shameful, it is also something of an achievement. For even when the worst has been said, it must also be added that the perpetual challenge posed by this problem was always, somehow, perpetually met. It is precisely this black-white experience which may prove of indispensable value to us in the world we face today. This world is white no longer, and it will never be white again.
”
”
James Baldwin (Notes of a Native Son)
“
When my parents passed on, and we read their wills, we discovered something we didn’t at all expect, especially from our devoutly Catholic mother: they had both left instructions that their bodies be donated to science. We were bewildered and we were pissed. They wanted their cadavers to be used by medical students, they wanted their flesh to be cut into and their cancerous organs examined. We were breathless. They wanted no elaborate funerals, no expense incurred for such stuff – they hated wasting money or time on ceremony, on appearances. When they died there was little left – the house, the cars. And their bodies, and they gave those away. To offer them to strangers was disgusting, wrong, embarrassing. And selfish to us, their children, who would have to live with the thought of their cold weight sinking on silver tables, surrounded by students chewing gum and making jokes about the location of freckles. But then again: Nothing can be preserved. It’s all on the way out, from the second it appears, and whatever you have always has one eye on the exit, and so screw it. As hideous and uncouth as it is, we have to give it all away, our bodies, our secrets, our money, everything we know: All must be given away, given away every day, because to be human means:
1. To be good
2. To save nothing
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
I desire you and love you, Cristina, and so does Mark. Stay with us.”
Cristina couldn’t move. She thought again of the first time she’d seen Mark and Kieran together. The desire she’d felt. She’d thought at the time she wanted something like what they had: that she wanted that passion for herself and some unnamed boy whose face she didn’t know.
But it had been a long time since any face in her dreams had not been either Mark’s or Kieran’s. Since she had imagined any eyes looking into hers that were both the same color. She had not wanted some vague approximation of what they had: She had wanted them.
She looked at Mark, who seemed pinned between hope and terror. “Kieran,” he said. His voice shook. “How can you ask her that? She’s not a faerie, she’ll never talk to us again—”
“But you will leave me,” she said, hearing her own voice as if it were a stranger’s. “You love each other and belong together. You will leave me and go back to Faerie.”
They looked at her with expressions of identical shock. “We will never leave you,” said Mark.
“We will stay as close to you as the tide to the shore,” said Kieran. “Neither of us wishes for anything else.” He reached out a hand. “Please believe us, Lady of Roses.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
My mother wasn’t a psychotic criminal. (Kiara)
No. I’m sure she was a wonderful lady who loved you dearly. That she held you when you cried, probably even baked you cookies and gave you hugs and kisses before she sent you off to bed at night, and it’s a damn shame a decent woman like her died so tragically. My mother, whore that she was, abandoned me and my sister to our father so that she could return to her cushy life and pretend we didn’t exist while she left us in that house with a man whose name, even though he’d been dead for decades, can still make an assassin wet his pants. And if you think his cruelty was reserved for strangers, think again. My sister and I were target practice for him. So don’t you dare talk to me about pain. My father wrote the book on it and he rammed it down my throat every day of my childhood until they killed him. And the real kicker is, my life under his demented fist was a lot better than Nykyrian’s. At least I was able to hide sometimes from the ones trying to kill me. You want me to call your daddy, baby? Go right ahead. I’ll be more than happy to take you to him. But know that Aksel will have his hands on you in a matter of hours. Then you’ll be able to talk to me about pain and you’ll finally have an idea of what we’ve endured. You won’t live long enough to apologize, but true clarity will be yours before you die. (Syn)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
Unscrewing the cap, Gabriel squeezed a bit of clear jelly onto his fingers and understood. Covering Joey’s body with his own, Gabriel kissed his lips. “But you said – something we haven’t tried …” “We haven’t.” Reaching up, Joey cupped Gabriel’s cheek. “What happened before was one stranger attacking another. What happens now is between you and me.” “Joey.” Gabriel kissed the other man’s earlobe, his jawline, the hollow of his throat. “I can’t hurt you again. I’ll kill myself first.
”
”
S.A. Reid (Protection)
“
Stranger still is how the very core issues we avoid return, sometimes with different faces, but still, we are brought full circle to them, again and again. Regardless of how we may try to skip over or sidestep what we need to face, we humbly discover that no other threshold is possible until we use our courage to open the door before us. Perhaps the oldest working truth of self-discovery is that the only way out is through. That we are returned repeatedly to the same circumstance is not always a sign of avoidance, but can mean our work around a certain issue is not done.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
I know, without knowing how I know, that everything we had is gone. We can be strangers again, and it's better that way.
”
”
Genevieve Novak (No Hard Feelings)
“
dear samantha
i’m sorry
we have to get a divorce
i know that seems like an odd way to start a love letter but let me explain:
it’s not you
it sure as hell isn’t me
it’s just human beings don’t love as well as insects do
i love you.. far too much to let what we have be ruined by the failings of our species
i saw the way you looked at the waiter last night
i know you would never DO anything, you never do but..
i saw the way you looked at the waiter last night
did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication.
after Elizabeth and i broke up we spent three days dividing everything we had bought together
like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away
this is not true
after two praying mantises mate, the nervous system of the male begins to shut down
while he still has control over his motor functions
he flops onto his back, exposing his soft underbelly up to his lover like a gift
she then proceeds to lovingly dice him into tiny cubes
spooning every morsel into her mouth
she wastes nothing
even the exoskeleton goes
she does this so that once their children are born she has something to regurgitate to feed them
now that.. is selflessness
i could never do that for you
so i have a new plan
i’m gonna leave you now
i’m gonna spend the rest of my life committing petty injustices
i hope you do the same
i will jay walk at every opportunity
i will steal things i could easily afford
i will be rude to strangers
i hope you do the same
i hope reincarnation is real
i hope our petty crimes are enough to cause us to be reborn as lesser creatures
i hope we are reborn as flies
so that we can love each other as hard as we were meant to.
”
”
Jared Singer
“
America needs to reconcile with itself and do the work of apology: To say to indigenous, black, and brown people, we take full ownership for what we did. To say, we owe you everything. To say, we see how harm runs through generations. To say, we own this legacy and will not harm you again. To promise the non-repetition of harm would require nothing less than transitioning the nation as a whole. It would mean retiring the old narrative about who we are—a city on a hill—and embracing a new narrative of an America longing to be born, a nation whose promise lies in the future, a nation we can only realize by doing the labor: reckoning with the past, reconciling with ourselves, restructuring our institutions, and letting those who have been most harmed be the ones to lead us through the transition.
”
”
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
“
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day.
I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him.
Options skim through my head like a flip book.
Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus.
Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious.
Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all.
For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands.
Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now.
I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic.
"Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest.
I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me.
"Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand.
"I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?"
He blinks, gives a slight nod.
Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.”
“Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away.
Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches.
He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel.
“Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted.
The color instantly returned to Evangeline’s cheeks. “We’re in a church.”
“What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps.
“Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.”
“And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
On vacation you can be anyone you want
Like a good book or an incredible outfit, being on vacation
transports you into another version of yourself.
In your day-to-day life, maybe you can’t even bob your head to the
radio without being embarrassed, but on the right twinkly-light-strung patio, with the right steel drum band, you’ll find yourself whirling and twirling with the best of them.
On vacation, your hair changes. The water is different, maybe the shampoo. Maybe you don’t bother to wash your hair at all, or brush it, because the salty ocean water curls it up in a way you love. You think, Maybe I could do this at home too. Maybe I could be this person who doesn’t brush her hair, who doesn’t mind being sweaty or having sand in all her crevices.
On vacation, you strike up conversations with strangers, and forget that there are any stakes. If it turns out impossibly awkward, who cares? You’ll never see them again!
”
”
Emily Henry (People We Meet on Vacation)
“
You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time.
”
”
Renee Carlino (Before We Were Strangers)
“
The only justice is love. Just let it go. You don't have to explain. This is not about being right. There is something true inside the song you can't stop listening to. You don't feel at home anywhere, but you feel at home when Aaron sings that song. Someone calling you a criminal does not make you a criminal, just as someone calling you a hero does not make you a hero. Nobody gets to name you. Find your identity in the one true place. If someone gives you something, and then takes it back - that's okay. If someone says something or sees something, and then they don't - that's okay. Do not be like some broken lawyer making the same argument over and over again, always reaching for rewind. Guilt and regret, those are awful places. You know that. So don't live there. Do not despair. Do not be afraid. Grace is the interesting thing. Hope.
And God must be a pretty big fan of today, because you keep waking up to it. You have made known your request for a hundred different yesterdays, but the sun keeps rising on this thing that has never been known. Yesterday is dead and over. Wrapped in grace. You are still alive, and today is the most interesting day. Today is the best place to live.
These things deserve your attention: your family, your friends, the people you will meet today, the strangers with their stories. They say 'We are all in this together.' It is absolutely true.
”
”
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
“
Hmmm. Odd. Okay.” He took Nick’s hand.
Nick pulled back. “Dude, don’t touch me.”
“Why not?”
Why not? Really? He had to explain stranger-danger and personal space? Where did this guy live that he didn’t understand grabbing another dude’s body parts without an invitation was a first class ticket to a major butt-whipping event.
“Look, I don’t know you, and we’re not dating. So keep your hands off me.”
Again with the annoyed noise. “Then how can I lead you if I can’t touch you when you can’t see?”
“How ’bout you don’t lead me anywhere?” Nick was beginning to like the darkness. Unlike Asmodeus, it was quiet and rather peaceful. And it definitely didn’t give him a headache.
“But you said you couldn’t see.”
Nick was aghast at the way this guy’s mind worked. “That doesn’t mean you can touch me.”
“I’m so confused.
”
”
Sherrilyn Kenyon (Infamous (Chronicles of Nick, #3))
“
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
”
”
Alexander Pushkin (Eugene Onegin)
“
It was their haughtiness that preserved them intact from all human sympathy, from arousing the least interest in the strangers seated round about them, among whom M. de Stermaria kept up the glacial, preoccupied, distant, stiff, touchy and ill-intentioned air that we assume in a railway refreshment-room in the midst of fellow-passengers whom we have never seen before and will never see again, and with whom we can conceive of no other relations than to defend from their onslaught our cold chicken and our corner seat in the train.
”
”
Marcel Proust (In Search of Lost Time, Volume II: Within a Budding Grove (A Modern Library E-Book))
“
On January 18, 1915, six months into the First World War, as all Europe was convulsed by killing and dying, Virginia Woolf wrote in her journal, 'The future is dark, which is on the whole, the best thing the future can be, I think.' Dark, she seems to be saying, as in inscrutable, not as in terrible. We often mistake the one for the other. Or we transform the future's unknowability into something certain, the fulfillment of all our dread, the place beyond which there is no way forward. Be again and again, far stranger things happen than the end of the world.
”
”
Rebecca Solnit (Hope in the Dark: The Untold History of People Power)
“
dear samantha
i’m sorry
we have to get a divorce
i know that seems like an odd way to start a love letter but let me explain:
it’s not you
it sure as hell isn’t me
it’s just human beings don’t love as well as insects do
i love you.. far too much to let what we have be ruined by the failings of our species
i saw the way you looked at the waiter last night
i know you would never DO anything, you never do but..
i saw the way you looked at the waiter last night
did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication.
after Elizabeth and i broke up we spent three days dividing everything we had bought together
like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away
this is not true
after two praying mantises mate, the nervous system of the male begins to shut down
while he still has control over his motor functions
he flops onto his back, exposing his soft underbelly up to his lover like a gift
she then proceeds to lovingly dice him into tiny cubes
spooning every morsel into her mouth
she wastes nothing
even the exoskeleton goes
she does this so that once their children are born she has something to regurgitate to feed them
now that.. is selflessness
i could never do that for you
so i have a new plan
i’m gonna leave you now
i’m gonna spend the rest of my life committing petty injustices
i hope you do the same
i will jay walk at every opportunity
i will steal things i could easily afford
i will be rude to strangers
i hope you do the same
i hope reincarnation is real
i hope our petty crimes are enough to cause us to be reborn as lesser creatures
i hope we are reborn as flies
so that we can love each other as hard as we were meant to
”
”
Jared Singer
“
I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.
”
”
Brianna Wiest (The Truth About Everything)
“
What was the golden motto embroidered on the hem of my baby's silk dress? We are kin to stars. I reach my hands toward them, spread my fingers and see those diamonds in the black V's between my fanning fingers. To think that I could gather them into my hands, stuff them in my pockets, is folly. But I can reach. It is I, myself, alive now, who reach into the night toward stars. Their light is on my hands. Their light is in my hands. I gasp in the crisp air of earth and know that I am made of what makes stars! Those atoms are burning bright--I lower my hands--why, they are here within me. I am as old as they and will continue as long as they, and after our demise, we will all be born again, eons from now. What atoms they have I cannot know. I cannot call their names, but they are not strangers to me. I know them in my being, and they know me. Little scrap, little morsel, the stars sing to me, we are the same.
”
”
Sena Jeter Naslund
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
And so this end in confusion, where when things stop I never get to know it, and this moving is the space, is that what is yet to be, which is for others to see filled wherever it may finally be in the frame when the last pieces are fitted and the others stop, and there will be the stopped pattern, the final array, but not even that, because that final finitude will itself be a bit of scrolling, a percent clump of tiles, which will generally stay together but move about within another whole and be mingled, with in endless ways of other people's memories, so that I will remain a set of impressions porous and open to combination with all of the other vitreous squares floating about in whoever else's frames, because there is always the space left in reserve for the rest of their downtime, and to my great-grandchildren, with more space than tiles, I will be no more than the smoky arrangement of a set of rumors, and to their great-grandchildren, I will be no more than a tint of some obscure color, and to their great grandchildren nothing they ever know about, and so what army of strangers and ghosts has shaped and colored me until back to Adam, until back to when ribs were blown from molten sand into the glass bits that took up the light of this world because they were made from this world, even though the fleeting tenants of those bits of colored glass have vacated them before they have had even the remotest understanding of what it is to inhabit them, and if they -- if we are fortunate (yes, I am lucky, lucky), and if we are fortunate, have fleeting instants when we are satisfied that the mystery is ours to ponder, if never to solve, or even just rife personal mysteries, never mind those outside-- are there even mysteries outside? a puzzle itself -- but anyway, personal mysteries, like where is my father, why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simple even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this.
”
”
Paul Harding
“
True belonging is the spiritual practice of believing in and belonging to yourself so deeply that you can share your most authentic self with the world and find sacredness in both being a part of something and standing alone in the wilderness. True belonging doesn’t require you to change who you are; it requires you to be who you are. And we feel the pull here again in our practices: People are hard to hate close up. Move in. Speak truth to bullshit. Be civil. Hold hands. With strangers. Strong back. Soft front. Wild heart.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
Not this time, Sam. I dreamed . . . in the black of night a man asks all the questions he dare not ask by daylight. For me, these past years, only one question has remained. Why would the gods take my eyes and my strength, yet condemn me to linger on so long, frozen and forgotten? What use could they have for an old done man like me?” Aemon’s fingers trembled, twigs sheathed in spotted skin. “I remember, Sam. I still remember.” He was not making sense. “Remember what?” “Dragons,” Aemon whispered. “The grief and glory of my House, they were.” “The last dragon died before you were born,” said Sam. “How could you remember them?” “I see them in my dreams, Sam. I see a red star bleeding in the sky. I still remember red. I see their shadows on the snow, hear the crack of leathern wings, feel their hot breath. My brothers dreamed of dragons too, and the dreams killed them, every one. Sam, we tremble on the cusp of half-remembered prophecies, of wonders and terrors that no man now living could hope to comprehend . . . or . . .” “Or?” said Sam. “. . . or not.” Aemon chuckled softly. “Or I am an old man, feverish and dying.” He closed his white eyes wearily, then forced them open once again. “I should not have left the Wall. Lord Snow could not have known, but I should have seen it. Fire consumes, but cold preserves. The Wall . . . but it is too late to go running back. The Stranger waits outside my door and will not be denied. Steward, you have served me faithfully. Do this one last brave thing for me. Go down to the ships, Sam. Learn all you can about these dragons.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire #4))
“
All social orders command their members to imbibe in pipe dreams of posterity, the mirage of immortality, to keep them ahead of the extinction that would ensue in a few generations if the species did not replenish itself. This is the implicit, and most pestiferous, rationale for propagation: to become fully integrated into a society, one must offer it fresh blood. Naturally, the average set of parents does not conceive of their conception as a sacrificial act. These are civilized human beings we are talking about, and thus they are quite able to fill their heads with a panoply of less barbaric rationales for reproduction, among them being the consolidation of a spousal relationship; the expectation of new and enjoyable experiences in the parental role; the hope that one will pass the test as a mother or father; the pleasing of one’s own parents, not to forget their parents and possibly a great-grandparent still loitering about; the serenity of taking one’s place in the seemingly deathless lineage of a familial enterprise; the creation of individuals who will care for their paternal and maternal selves in their dotage; the quelling of a sense of guilt or selfishness for not having done their duty as human beings; and the squelching of that faint pathos that is associated with the childless. Such are some of the overpowering pressures upon those who would fertilize the future. These pressures build up in people throughout their lifetimes and must be released, just as everyone must evacuate their bowels or fall victim to a fecal impaction. And who, if they could help it, would suffer a building, painful fecal impaction? So we make bowel movements to relieve this pressure. Quite a few people make gardens because they cannot stand the pressure of not making a garden. Others commit murder because they cannot stand the pressure building up to kill someone, either a person known to them or a total stranger. Everything is like that. Our whole lives consist of metaphorical as well as actual bowel movements, one after the other. Releasing these pressures can have greater or lesser consequences in the scheme of our lives. But they are all pressures, all bowel movements of some kind. At a certain age, children are praised for making a bowel movement in the approved manner. Later on, the praise of others dies down for this achievement and our bowel movements become our own business, although we may continue to praise ourselves for them. But overpowering pressures go on governing our lives, and the release of these essentially bowel-movement pressures may once again come up for praise, congratulations, and huzzahs of all kinds.
”
”
Thomas Ligotti (The Conspiracy Against the Human Race)
“
I know him, that man
walking- toward me up the crowded street
of the city, I have lived with him
seven years now, I know his fast stride,
his windy wheatfield hair, his hands thrust
deep in his jacket pockets, hands
that have known my body, touched
its softest part, caused its quick shudders
and slow releasings, I have seen his face
above my face, his mouth smiling, moaning
his eyes closed and opened, I have studied
his eyes, the brown turning gold at the centers,
I have silently watched him lying beside me
in the early morning, I know his loneliness,
like mine, human and sad,
but different, too, his private pain
and pleasure I can never enter even as he comes
closer, past trees and cars, trash and flowers,
steam rising from the manhole covers,
gutters running with rain, he lifts his head,
he sees me, we are strangers again,
and a rending music of desire and loss—
I don’t know him—courses through me,
and we kiss and say, It’s good to see you,
as if we haven’t seen each other in years
when it was just a few hours ago,
and we are shy, then, not knowing
what to say next.
”
”
Susan Browne
“
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over.
The door was locked.
“I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!”
Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
“Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back.
“You’re safe,” he told me, in his usual soft, rumbling voice.
“Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…”
“I know, I believe you.”
At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket.
“Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger.
Any hope I had felt bubbling up inside me burst into a thousand tiny pieces.
“Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?”
I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself.
“You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—”
I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!”
“You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.”
“No!” I shrieked. “No!”
He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door.
I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them.
But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room.
“—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Kiss me again.” “How dare you suggest—” “No one will know.” “You don't understand,” she whispered shakily. “This isn't like me…. I don't do these things.” “We're strangers in the darkness,” he whispered back. “We'll never be together like this again. No, don't pull away. Show me how an evening can be magical.” His lips brushed the rim of her ear, unexpectedly soft and entreating.
”
”
Lisa Kleypas (Where Dreams Begin)
“
There’s a pretty good old rowboat. I’ll take you out for a row after supper.”
“No, I will,” said Jesse. “Let me. I found her first, didn’t I, Winnie Foster? Listen, I’ll show you where the frogs are, and…”
“Hush,” Tuck interrupted. “Everyone hush. I’ll take Winnie rowing on the pond. There’s a good deal to be said and I think we better hurry up and say it. I got a feeling there ain’t a whole lot of time.”
Jesse laughed at this, and ran a hand roughly through his curls. “That’s funny, Pa. Seems to me like time’s the only thing we got a lot of.”
But Mae frowned. “You worried, Tuck? What’s got you? No one saw us on the way up. Well, now, wait a bit--yes, they did, come to think of it. There was a man on the road, just outside Treegap. But he didn’t say nothing.”
“He knows me, though,” said Winnie. She had forgotten, too, about the man in the yellow suit, and now, thinking of him, she felt a surge of relief. “He’ll tell my father he saw me.”
“He knows you?” said Mae, her frown deepening. “But you didn’t call out to him, child. Why not?”
“I was too scared to do anything ,” said Winnie honestly.
Tuck shook his head. “I never thought we’d come to the place where we’d be scaring children,” he said. “I guess there’s no way to make it up to you, Winnie, but I’m sure most awful sorry it had to happen like that. Who was this man you saw?”
“I don’t know his name,” said Winnie. “But he’s a pretty nice man, I guess.” In fact, he seemed supremely nice to her now, a kind of savior. And then she added, “He came to our house last night, but he didn’t go inside.”
“Well, that don’t sound too serious, Pa,” said Miles. “Just some stranger passing by.”
“Just the same, we got to get you home again, Winnie,” said Tuck, standing up decisively. “We got to get you home just as fast as we can. I got a feeling this whole thing is going to come apart like wet bread. But first we got to talk, and the pond’s the best place. The pond’s got answers. Come along, child. Let’s go out on the water.
”
”
Natalie Babbitt (Tuck Everlasting)
“
Alex, please.”
He balls his fists. “Stop saying my name. You don’t know me anymore.”
“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”
“Don’t,” he says. His voice breaks on the word.
“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—”
“Don’t.”
“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.
“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”
“Alex, please—”
“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”
“Alex!”
He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.”
The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak.
He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”
“Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.”
“Stop saying my name.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity.
My identity comes back fine and clean and boring.
Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so.
His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing?
I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud.
I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes.
He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
THIRD DEFINITIVE ARTICLE OF PERPETUAL PEACE
III. The rights of men, as citizens of the world, shall be limited to the conditions of universal hospitality.
We are speaking here, as in the previous articles, not of philanthropy, but of right; and in this sphere hospitality signifies the claim of a stranger entering foreign territory
to be treated by its owner without hostility. The latter may send him away again if this can be done without causing his death; but, so long as he conducts himself peaceably, he must not be treated as an enemy. It is not a right to be treated as a guest to which the stranger can lay claim-a special friendly compact on his behalf would be required to make him for a given time an actual inmate-but he has a right of visitation. This right to present themselves to society belongs to all mankind in virtue of our common right of possession of the surface of the earth on which, as it is a globe, we cannot be infinitely scattered, and must in the end reconcile ourselves to existence side by side: at the same time, originally no one individual had more right than another to live in any one particular spot.
”
”
Immanuel Kant (Perpetual Peace)
“
Hallie didn't believe she was invulnerable. She was never one of those daredevil types; she knew she could get hurt. What I think she meant was that she was lucky to be on her way to Nicaragua. It was the slowest thing to sink into my head, how happy she was. Happy to be leaving.
We'd had one time of perfect togetherness in our adult lives, the year when we were both in college in Tucson-her first year, my last-and living together for the first time away from Doc Homer. That winter I'd wanted to fail a subject just so I could hang back, stay there with her, the two of us walking around the drafty house in sweatshirts and wool socks and understanding each other precisely. Bringing each other cups of tea without having to ask. So I stayed on in Tucson for medical school, instead of going to Boston as I'd planned, and met Carlo in Parasitology. Hallie, around the same time, befriended some people who ran a safehouse for Central American refugees. After that we'd have strangers in our kitchen every time of night, kids scared senseless, people with all kinds of damage. Our life was never again idyllic.
I should have seen it coming. Once she and I had gone to see a documentary on the Abraham Lincoln Brigade, which was these Americans who volunteered without our government's blessing to fight against Franco and Hitler in the Spanish Civil War. At that point in U.S. history fascism was only maybe wrong, whereas communism was definitely. When we came home from the movie Hallie cried. Not because of the people who gave up life and limb only to lose Spain to Franco, and not for the ones who came back and were harassed for the rest of their lives for being Reds. The tragedy for Hallie was that there might never be a cause worth risking everything for in our lifetime. She was nineteen years old then, and as she lay blowing her nose and sobbing on my bed she told me this. That there were no real causes left.
Now she had one-she was off to Nicaragua, a revolution of co-op farms and literacy crusades-and so I guess she was lucky. Few people know so clearly what they want. Most people can't even think what to hope for when they throw a penny in a fountain. Almost no one really gets the chance to alter the course of human events on purpose, in the exact way they wish for it to be altered.
”
”
Barbara Kingsolver (Animal Dreams)
“
Jactricia," I snicker, before I even realize what I'm saying--- and then we're both red in the face, because it's the first time we've mutually acknowledged the extreme awkwardness that is strangers actually, legitimately shipping us online.
Pepper clears her throat. "Well, obviously, we need to petition for a better ship name."
Some of the awkwardness diffuses, but the tension is still there, tight like a coil between us.
"Jepper? Pack?"
"Pass," she says, nudging me with her elbow again---and then something shifts. The apartment is eerily still, with the same kind of quiet there was in the pool the other day, where you're not sure if it's actually quiet or if the rest of the world's sounds just don't apply to you anymore.
"Maybe just Jack and Pepper, then," I concede.
There's a ghost of a smirk on Pepper's face, but she's so close, I can hear it more than I can see it. "Pepper and Jack," she corrects me. Then her eyes light up. "Pepperjack."
It's ridiculous, but the word is like a key turning into a lock. And then impossibly, even though some part of me knew it would happen the moment I saw Pepper walk out of the subway, we lean in and our lips touch and we're kissing on my couch.
”
”
Emma Lord (Tweet Cute)
“
I do need to talk about books. Because talking about books allows me to talk about anything with anyone. With family, friends, and even with strangers who contacted me through my Web site (and became friends), when we discuss what we are reading, what we are really discussing is our own lives, our take on everything from sorrow to fidelity to responsibility, from money to religion, from worrying to inebriation, from sex to laundry, and back again. No topic is taboo, as long as we can tie it in to a book we’ve read, and all responses are allowed, couched in terms of characters and their situations.
”
”
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
“
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
”
”
Kaveh Akbar (Calling a Wolf a Wolf)
“
For as long as I can remember, every psychological evaluation and aptitude test agreed: The child appears to be dead inside.
There was something wrong with me, something broken, some meaningful reason why I never laughed the way other children did, never smiled at strangers. Why I never cried when they sliced me open over and over and over again, trying to feed my mind to a machine.
I would not be a scientist or a doctor. Not a mother or a soldier. I would grow up to be an efficient killer. An excellent asset to the regime. At the height of The Reestablishment’s power, I never imagined my skills would be so enthusiastically desired, but now that we lack the robust military of a bygone era, mercenaries are more important than ever. Spies, assassins, executioners. We’ve been forced to downsize our kill capacity, designing missions with surgical precision and efficiency.
This is all my life is worth. And I decided long ago to sacrifice my dead body so that Clara might live.
“By the way,” says James, interrupting my reverie. “If you’re going to pretend to go through the motions, you need to work on the details. You carry that notebook around but you never carry a pen. You're not fooling anyone."
I don't know what prompts me to say it. I'm not sure I'm thinking at all when I
say, softly-
"I've been fooling people all my life. You're the only one paying attention.
”
”
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
“
up for it, and I’m sorry. That’s not enough. You’re going to search until you find something, and you’re going to tell me. Right now. Sheri. Please. You do it now or we’re gone. You give me some way to have some sympathy for you as I stand in this nice house, all lovingly redone, and think about the broken house you left us in, with its leaky roof and no heat and no insulation and nothing. Tell your sob story about the fucking war, whatever it was that my mom thought you were so broken about. My grandfather closed his eyes. No story ever explains. But I’ll give you what you want. I think I know the moment you want, because I made a kind of decision. There was some change. But I can’t start the story at the beginning. I’ve never been able to do that. I have to start at the end and then go back, and it doesn’t finish, because you can go back forever. Do it, my mother said. I don’t think Caitlin should hear. She can hear. Okay. You’re her mother. That’s right. So I won’t give the awful details, but I was lying in a pile of bodies. My friends. The closest friends I’ve ever had. Not piled there on purpose, but just the way it ended up because I had been working on the axle, lying on the ground. And the thing is, the war was over. It had been over for days, and we were laughing and a bit drunk, telling jokes. There was something unbearable about the fact that we’d all be going our separate ways now. The truth is that we didn’t want to leave. We wanted the war over, but we didn’t want what we had together to be over. I think we all had some sense that this was the closest we’d ever be to anyone, and that our families might feel like strangers now. So that’s it? You couldn’t be a father and husband because you weren’t done being a buddy? No. No. It’s the way it happened, in a moment that was supposed to be safe. After every moment of every day in fear for years, we were finally safe, and that’s when the slugs came and I watched my friends torn apart and landing on me, dying. That’s the point. We were supposed to be safe. And with your mother, too, I was supposed to be safe. A wife, a family. The story doesn’t make any sense unless you know every moment before it, every time we thought we were going to die, all the times we weren’t safe. You can’t just be told about that. You have to feel it, how long one night can be, and then all of them put together, hundreds of nights and then more, and there’s a kind of deal that’s made, a deal with god. You do certain terrible things, you endure things, because there’s a bargain made. And then when god says the deal’s off later, after you’ve already paid, and you see your friends ripped through, yanked like puppets on a day that was safe, and you find out your wife is going to die young, and you get to watch her dying, something that again is going to be for years, hundreds of nights more, all deals are off.
”
”
David Vann (Aquarium)
“
The two strangers exchanged surprised glances. “The old language,” said the shimmering dragon, awkwardly and slowly, as if pulling the words from his memory bit by bit. “You do know it!” Clearsight said, hope darting through her veins. “Some little,” he said. “Much old.” He smiled again. The green dragon said something in their own language and nodded at the ocean. The other answered and they spoke for a few moments. If they had been a pair of NightWings, Clearsight would have guessed they were arguing, but their tone was so peaceful that she couldn’t really tell. “The old language” . . . I wonder if their continent and ours had more contact in the past. Maybe we will again in the future. I could teach them all Dragon, especially if some of them already know it. That way if any more Pyrrhians ever come this way, they could communicate. It was hard to imagine other dragons making the journey she’d just made, though. It was so far, and depended on finding those small islands in such a vast sea. But maybe she could help with that. Not soon, though. Not while I feel any temptation to wake Darkstalker. I can’t go back to Pyrrhia until I’ve forgotten him. So, probably never. “Whyer you here down?” the gold-pink dragon asked her. “There’s a really bad storm coming,” she said as clearly as she could. “Very bad.” He spread his wings and looked up, smiling into the raindrops. “See that,” he said with a shrug. “No.” She shook her head. “I see.” She pointed to her head. “I see the future. Tomorrow and tomorrow and the next day. I see all the days. This storm kills many dragons.” She waved her talons at the dripping forest around them. “Rips up many many trees.” Both dragons were frowning now. “Treeharm?” growled the green dragon. “Twigheartlots splinterfall?” “But you can save them,” Clearsight pressed on. The visions were crowding into her head; she was running out of time. She couldn’t be diplomatic and patient any longer. “We have to move everyone. All dragons, far far far inland, as far as they can fly, right now. And wait there until the storm is over.” She turned to the metallic dragon, her talons clasped together. “Please save them.” The moment teetered, two paths waveringly possible. Finally the shimmering dragon nodded. “Move all. We will do.” He said something in their language to the green dragon,
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
There is no God, and man is his prophet," replied Niels bitterly and rather sadly.
"Exactly," scoffed Hjerrild. "After all, atheism is unspeakably tame. Its end and aim is nothing but a disillusioned humanity. The belief in a God who rules everything and judges everything is humanity's last great illusion, and when that is gone, what then? Then you are wiser; but richer, happier? I can't see it."
"But don't you see," exclaimed Niels Lyhne, "that on the day when men are free to exult and say: 'There is no God!' on that day a new heaven and a new earth will be created as if by magic. Then and not till then will heaven be a free infinite space instead of a spying, threatening eye. Then the earth will be ours and we the earth's, when the dim world of bliss or damnation beyond has burst like a bubble. The earth will be our true mother country, the home of our hearts, where we dwell, not as strangers and wayfarers a short time, but all our time. Think what intensity it will give to life, when everything must be concentrated within it and nothing left for a hereafter. The immense stream of love that is now rising up to the God of men's faith will bend to earth again and flow lovingly among all those beautiful human virtues with which we have endowed and embellished the godhead in order to make it worthy of our love. Goodness, justice, wisdom--who can name them all? Don't you see what nobility it will give men when they are free to live their life and die their death, without fear of hell or hope of heaven, but fearing themselves, hoping for themselves? How their consciences will grow, and what a strength it will give them when inactive repentance and humility cannot atone any more, when no forgiveness is possible except to redeem with good what they sinned with evil.
”
”
Jens Peter Jacobsen (Niels Lyhne)
“
I spent so much time tormenting myself about how I was going to go on without him, but I don't have to. Neither does Marley. We don't have to leave people behind because they've moved on to another part of their story, they can continue in ours.
Grandpa, I miss you. I miss the parts I didn't even get to know. I'm still working out how to tell this story without you but I'm going to do it. I'm not like any of the things those people said. I'm like you said. You were right all along. I won't doubt it again. I think of my community here. A shield against those who seek chaos and division. The one you helped me to build, even from beyond.
I smile. I feel light. I feel free. I feel ready.
I wave my beret in the breeze of the river and hold it up to the sky. I may not remember the Stranger's face but I remember his words.
He is so proud of you.
I feel beloved and stylish all at once.
Glamorous.
”
”
Elle McNicoll (Like a Charm)
“
Some say that ignorance of the law is no excuse,” Gingivere answered without raising his voice. “Even so, it would be unjust to punish Martin; he is a stranger and could not be expected to know of us or our laws. Also, it would be too easy for us to slay him. He seems an honest creature to me. If it were my decision I would have him escorted from our territory, then given his weapon. He would know better than to come back again.”
Verdauga looked from son to daughter. “Now I will give you my decision. There are enough cowards in the world without killing a brave creature for so little reason. This Martin is a true warrior. On the other side of the scales, if we to allow him to roam free as the wind on our land, this be read as a sign of our weakness. It is my judgment he be put in the cells to cool his paws awhile. After a time he can be set free, provided he is never again so rash as to trespass in my domain.
”
”
Brian Jacques (Mossflower (Redwall, #2))
“
I can stop talking about it if that's what you want, he goes on, I can promise to never bring this up again. But I meant it when I said that I can be whatever you want me to be: whether that's an enemy for you to curse and hold a grudge against for the rest of your life; a friend you can trust to accompany you anywhere and drive you safely back home, the one you can call at any hour of the night and tell all your secrets to; or the person you fall for, who will always wear a jacket so you don't have to bring yours, who will be the first to find you when you're lostand alone, who will remind you how heart-wrenchingly, unfathomably beautiful you are even on days when you don't feel it. The only thing I ask is that we don't ever become strangers, because I really--He breaks off. Clenches his jaw, fighting against some ineffable emotion. I don't think I could bear it, Leah. I don't think my heart would be able to survive it.
”
”
Ann Liang (Never Thought I'd End Up Here)
“
Nicolas couldn’t stop looking at her with her head thrown back, her thick, black hair streaming in the wind, her body perfectly balanced as she guided the boat. With her head back, he could see her neck and the outline of her body beneath the shirt, almost as if she wore nothing at all. His body stirred, hardened. Nicolas didn’t bother to fight the reaction. Whatever was between them, the chemistry was apparent and it wasn’t going to go away. He could sit in the boat and admire the flawless perfection of her skin. Imagine the way it would feel beneath his fingertips, his palm.
Dahlia’s head suddenly turned and her eyes were on him. Hot Wild. Wary. “Stop touching my breasts.” She lifted her chin, faint color stealing under her skin.
He held up his hands in surrender. “I have no idea what you’re talking about.”
“You know exactly what I’m talking about.” Dahlia’s breasts ached, felt swollen and hot, and deep inside her, a ravenous appetite began to stir. Nicolas was sitting across from her, looking the epitome of the perfect male statue, his features expressionless and his eyes cool, but she felt his hands on her body. Long caresses, his palms cupping her breasts, thumbs stroking her nipples until she shivered in awareness and hunger.
“Oh, that.”
“Yes, that.” She couldn’t help seeing the rigid length bulging beneath his jeans, and he made no effort to hide it. His unashamed display sent her body into overtime reaction so that she felt a curious throbbing where no throbbing needed to be. She grit her teeth together. “I can still feel you touching me.”
He nodded thoughtfully. “I consider myself an innocent victim in this situation,” Nicolas said. “I’ve always had control, in fact I pride myself on self-discipline. You seem to have destroyed it. Permanently.” He wasn’t exactly lying to her. He couldn’t take his eyes or his mind from her body. It was an unexpected pleasure, a gift.
He was devouring her with his eyes. With his mind. A part of her, the truly insane part—and Dahlia was beginning to believe there really was one—loved the way he was looking at her. She’d never experienced a man’s complete attention centered on her in a sexual way before. And he wasn’t just any man. He was . . . extraordinary.
“Well, stop all the same,” she said, caught between embarrassment and pleasure.
“I don’t see why my having a few fantasies should bother you.”
“I’m feeling your fantasies. I think you’re projecting just a little too strongly.”
His eyebrows shot up. “You mean you can actually feel what I’m thinking? My hands on your body? I thought you were reading my mind.”
“I told you I could feel you touching me.”
“That’s amazing. Has that ever happened before?”
“No, and it better not happen again. Good grief, we’re strangers.”
“You slept with me last night,” he pointed out. “Do you sleep with many strangers?” He was teasing her, but the question sent a dark shadow skittering through him.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian.
”
”
Giannina Braschi
“
Souls are like stars. There are thousands upon thousands around us yet we only see a few hundred. We know the names of only a handful of them even though we see them every day. They are just there, they are constant. Some change over the years but some stay exactly the same. We can see that some are in pairs and their whole world revolves around each other. Yet there are stars that exist in solitude. They are alone in the big black vastness of space and they have no hope of reaching others in their lifetime. They burn bright; maybe brighter than most but they are alone. They might have a few things around them but those are insignificant and invisible to the outsider. Sometimes when two stars get closer to each other, they affect the other's course, they become brighter for each other but as time passes they get further and further from one another until they blend into the rest, they become strangers again. But the affect remains and their future will never be the same from then on.
”
”
Daniel Gyorki
“
Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.”
Not for the first time, Elizabeth found herself at a loss to understand him. Suddenly his presence was vaguely threatening again; whenever he stopped playing the amusing gallant he became a dark, mysterious stranger. Raking her hair off her forehead, she glanced out the window. “It must be after three already. I really must leave.” She surged to her feet, smoothing her skirts. “Thank you for a lovely afternoon. I don’t know why I remained. I shouldn’t have, but I am glad I did…”
She ran out of words and watched in wary alarm as he stood up. “Don’t you?” he asked softly.
“Don’t I what?”
“Know why you’re still here with me?”
“I don’t even know who you are?” she cried. “I know about places you’ve been, but not your family, your people. I know you gamble great sums of money at cards, and I disapprove of that-“
“I also gamble great sums of money on ships and cargo-will that improve my character in your eyes?”
“And I know,” she continued desperately, watching his gaze turn warm and sensual, “I absolutely know you make me excessively uneasy when you look at me the way you’re doing now!”
“Elizabeth,” he said in a tone of tender finality, “you’re here because we’re already half in love with each other.”
“Whaaat? she gasped.
“And as to needing to know who I am, that’s very simple to answer.” His hand lifted, grazing her pale cheek, then smoothing backward, cupping her head. Gently he explained, “I am the man you’re going to marry.”
“Oh, my God!”
“I think it’s too late to start praying,” he teased huskily.
“You-you must be mad,” she said, her voice quavering.
“My thoughts exactly,” he whispered, and, bending his head, he pressed his lips to her forehead, drawing her against his chest, holding her as if he knew she would struggle if he tried to do more than that. “You were not in my plans, Miss Cameron.”
“Oh, please,” Elizabeth implored helplessly, “don’t do this to me. I don’t understand any of this. I don’t know what you want.”
“I want you.” He took her chin between his thumb and forefinger and lifted it, forcing her to meet his steady gaze as he quietly added, “And you want me.”
Elizabeth’s entire body started to tremble as his lips began descending to hers, and she sought to forestall what her heart knew was inevitable by reasoning with him. “A gently bred Englishwomen,” she shakily quoted Lucinda’s lecture, “feels nothing stronger than affection. We do not fall in love.”
His warm lips covered hers. “I’m a Scot,” he murmured huskily. “We do.”
“A Scot!” she uttered when he lifted his mouth from hers.
He laughed at her appalled expression. “I said ‘Scot,’ not ‘ax murderer.”
A Scot who was a gambler to boot! Havenhurst would land on the auction block, the servants turned off, and the world would fall apart. “I cannot, cannot marry you.”
“Yes, Elizabeth,” he whispered as his lips trailed a hot path over her cheek to her ear, “you can.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes.
”
”
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
“
The deafening report of the next rocket to go up masked my squeak when his hand slipped into my lap.
“Oh, God.” I gasped, trying to pretend nothing was happening. Nope, absolutely nothing weird about cuddling with a near-stranger in the presence of my secret ex-lover. The pace of the detonations picked up, cloaking my gasps as the flat of his finger and then his palm rubbed up and down the crotch-seam of my jeans.
He brought me right to the quivering brink of blowing my load in my pants, then backed off, cupping his hand almost protectively over the bulge there, covering but not trying to stimulate.
“Here’s how it’s gonna be,” he growled in my ear between booms. “When this is over, we’re going back to my room and I’m going to fuck you until you can’t remember your own name. Then, when you can form words of more than one syllable again and string them reliably together into sentences, you’re going to tell me what the hell is going on here. But get this straight in your head: I. Don’t. Hide. Not from anyone, not for any reason. I don’t care what’s going on, if you expect me to be with you, don’t even think of asking me to pretend I’m not. Got it?
”
”
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))
“
Covenant Woman Covenant woman got a contract with the Lord Way up yonder, great will be her reward Covenant woman, shining like a morning star I know I can trust you to stay where you are And I just got to tell you I do intend To stay closer than any friend I just got to thank you Once again For making your prayers known Unto heaven for me And to you, always, so grateful I will forever be I’ve been broken, shattered like an empty cup I’m just waiting on the Lord to rebuild and fill me up And I know He will do it ’cause He’s faithful and He’s true He must have loved me so much to send me someone as fine as you And I just got to tell you I do intend To stay closer than any friend I just got to thank you Once again For making your prayers known Unto heaven for me And to you, always, so grateful I will forever be Covenant woman, intimate little girl Who knows those most secret things of me that are hidden from the world You know we are strangers in a land we’re passing through I’ll always be right by your side, I’ve got a covenant too And I just got to tell you I do intend To stay closer than any friend I just got to thank you Once again For making your prayers known Unto heaven for me And to you, always, so grateful I will forever be
”
”
Bob Dylan (Lyrics:1962-2012: 1961-2012)
“
A monk lived near the temple of Shiva. In the house opposite lived a prostitute. Noticing the large number of men who visited her, the monk decided to speak to her.
‘You are a great sinner,’ he said sternly. ‘You reveal your lack of respect for God every day and every night. Do you never stop to think about what will happen to you after your death?’
The poor woman was very shaken by what the monk said. She prayed to God out of genuine repentance, begging His forgiveness. She also asked the Almighty to help her to find another means of earning her living.
But she could find no other work and, after going hungry for a week, she returned to prostitution.
But each time she gave her body to a stranger, she would pray to the Lord for forgiveness.
Annoyed that his advice had had no effect, the monk thought to himself:
‘From now on, I’m going to keep a count of the number of men who go into that house, until the day the sinner dies.’
And from that moment on, he did nothing but watch the comings and goings at the prostitute’s house, and for each man who went in, he added a stone to a pile of stones by his side.
After some time, the monk again spoke to the prostitute and said:
‘You see that pile of stones? Each stone represents a mortal sin committed by you, despite all my warnings. I say to you once more: do not sin again!’
Seeing how her sins accumulated, the woman began to tremble. Returning home, she wept tears of real repentance and prayed to God:
‘O Lord, when will Your mercy free me from this wretched life?’
Her prayer was heard. That same day, the angel of death came to her house and carried her off. On God’s orders, the angel crossed the street and took the monk with him too.
The prostitute’s soul went straight up to Heaven, while the devils bore the monk down into Hell. They passed each other on the way, and when the monk saw what was happening, he cried out:
‘Is this Your justice, O Lord? I spent my whole life in devotion and poverty and now I am carried off into Hell, while that prostitute, who lived all her life steeped in sin, is borne aloft up to Heaven!’
Hearing this, one of the angels replied:
Angels are always just. You thought that God’s love meant judging the behaviour of your neighbour. While you filled your heart with the impurity of another’s sin, this woman prayed fervently day and night. Her soul is so light after all the tears she has shed that we can easily bear her up to Paradise. Your soul is so weighed down with stones it is too heavy to lift.
”
”
Paulo Coelho
“
You didn’t tell me,” he says. “Why not?”
“Because I didn’t…” I shake my head. “I didn’t know how to.”
He scowls. “It’s pretty easy, Tris--”
“Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?”
I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder.
“Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.”
I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine.
“I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?”
Just when I was about to apologize.
I wipe my cheeks hard with my fingertips and stare at him.
“Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.”
He takes his hand from my shoulder.
“Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.”
“I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?”
I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks.
“God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?”
“First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.”
“I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.”
“What are you talking about?”
“I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.”
“What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!”
“Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?”
Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before.
“Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away.
I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears.
I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war?
“I’m sorry,” I say, all my anger gone. “I should have been honest with you.”
“That’s it? That’s all you have to say?” He frowns.
“What else do you want me to say?”
He just shakes his head. “Nothing, Tris. Nothing.”
I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
You didn’t tell me,” he says. “Why not?”
“Because I didn’t…” I shake my head. “I didn’t know how to.”
He scowls. “It’s pretty easy, Tris--”
“Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?”
I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder.
“Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.”
I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine.
“I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?”
Just when I was about to apologize.
I wipe my cheeks hard with my fingertips and stare at him.
“Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.”
He takes his hand from my shoulder.
“Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.”
“I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?”
I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks.
“God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?”
“First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.”
“I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.”
“What are you talking about?”
“I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.”
“What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!”
“Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?”
Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before.
“Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away.
I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears.
I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war?
“I’m sorry,” I say, all my anger gone. “I should have been honest with you.”
“That’s it? That’s all you have to say?” He frowns.
“What else do you want me to say?”
He just shakes his head. “Nothing, Tris. Nothing.”
I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
A man approached me and asked if he could sit next to me on the dock. I shrugged my shoulders. Apparently, he had been at the bar the night before and was concerned by what he had witnessed. More importantly, this complete stranger took the time to say something. He remarked that I seemed lost. I simply nodded as the tears began to pour down my checks. It was the first time I had cried in many years. He spoke about how our lives are like the boats we could see on the water. That we all need to orient toward a point on the horizon or we will hopelessly drift. He suggested that it was time for me to realize that I was here for a purpose. I listened and felt a tender release of my pain. He continued to speak about finding a balance between risk and safety. Too much risk sets us back. Too much safety and we can’t progress forward. It is remarkable how one courageous conversation can save a life. I never found out who this man by the ocean was and never saw him again. However, he helped me to discover an inner compass that would eventually help me come back to my true north. With time, therapy helped me gain traction and create more stability. Although my path forward wasn’t completely straight and narrow, I slowly began to emerge with greater confidence and hope.
”
”
Arielle Schwartz (The Post-Traumatic Growth Guidebook: Practical Mind-Body Tools to Heal Trauma, Foster Resilience and Awaken Your Potential)
“
Ecclesiastes declares that life has no meaning, that evil will be rewarded, and goodness punished. He says that even the most honorable man can be left in town to die in the street, while the greediest fool gets a eulogy and a proper burial. But either people skip that part of the Old Testament, or they never read the Bible at all, and instead they follow their instinct to mythify a sequence of random events and the stream of strangers they encounter in life: Good things happen to them or people they like and they think, “justice.” Bad things happen to people they don’t like and once again they think, “justice.” This is part of why a cold bump can be so effective: Lucien believed that he summoned me into his life by heart alone, by fate. He believed he deserved to fall in love (everyone believes they deserve this) and, in his specific case, with someone like me. His satisfied desire was a reward, as if it were part of a grand design based on birthright, on being from a good family, and making good choices, moral choices, and aesthetic ones too. We took turns kissing and talking, lying on the grass of the Place des Vosges. Lucien was telling me about Victor Hugo, how Victor Hugo, exiled to the island of Guernsey in the English Channel, had heard voices in the waves, addressing him on the subject of the future of France.
”
”
Rachel Kushner (Creation Lake)
“
I've got the kids in my room," she explained, while Jubal strove to keep up with her, "so that Honey Bun can watch them."
Jubal was mildly startled to see, a moment later, what Patricia meant by that. The boa was arranged on one of twin double beds in squared-off loops that formed a nest - a twin nest, as one bight of the snake had been pulled across to bisect the square, making two crib-sized pockets, each padded with a baby blanket and each containing a baby.
The ophidian nursemaid raised her head inquiringly as they came in. Patty stroked it and said, "It's all right, dear. Father Jubal wants to see them. Pet her a little, and let her grok you, so that she will know you next time."
First Jubal coochey-cooed at his favorite girl friend when she gurgled at him and kicked, then petted the snake. He decided that it was the handsomest specimen of Bojdae he had ever seen, as well as the biggest - longer, he estimated, than any other boa constrictor in captivity. Its cross bars were sharply marked and the brighter colors of the tail quite showy. He envied Patty her blue-ribbon pet and regretted that he would not have more time in which to get friendly with it.
The snake rubbed her head against his hand like a cat. Patty picked up Abby and said, "Just as I thought. Honey Bun, why didn't you tell me?"- then explained, as she started to change diapers, "She tells me at once if one of them gets tangled up, or needs help, or anything, since she can't do much for them herself - no hands - except nudge them back if they try to crawl out and might fall. But she just can't seem to grok that a wet baby ought to be changed - Honey Bun doesn't see anything wrong about that. And neither does Abby."
"I know. We call her 'Old Faithful.' Who's the other cutie pie?"
"Huh? That's Fatima Michele, I thought you knew."
"Are they here? I thought they were in Beirut!"
"Why, I believe they did come from some one of those foreign parts. I don't know just where. Maybe Maryam told me but it wouldn't mean anything to me; I've never been anywhere. Not that it matters; I grok all places are alike - just people. There, do you want to hold Abigail Zenobia while I check Fatima?"
Jubal did so and assured her that she was the most beautiful girl in the world, then shortly thereafter assured Fatima of the same thing. He was completely sincere each time and the girls believed him - Jubal had said the same thing on countless occasions starting in the Harding administration, had always meant it and had always been believed. It was a Higher Truth, not bound by mundane logic.
Regretfully he left them, after again petting Honey Bun and telling her the same thing, and just as sincerely.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
He swore sharply, David Jones’s still-so-familiar voice coming out of that stranger’s body. “Do you have any idea how unbelievably hard it’s been to get you alone?”
Had she finally started hallucinating?
But he took off his glasses, and she could see his eyes more clearly and . . . “It’s you,” she breathed, tears welling. “It’s really you.” She reached for him, but he stepped back.
Sisters Helen and Grace were hurrying across the compound, coming to see what the ruckus was, shading their eyes and peering so they could see in through the screens.
“You can’t let on that you know me,” Jones told Molly quickly, his voice low, rough. “You can’t tell anyone—not even your friend the priest during confession, do you understand?”
“Are you in some kind of danger?” she asked him. Dear God, he was so thin. And was the cane necessary or just a prop? “Stand still, will you, so I can—”
“No. Don’t. We can’t . . .” He backed away again. “If you say anything, Mol, I swear, I’ll vanish, and I will not come back. Unless . . . if you don’t want me here—and I don’t blame you if you don’t—”
“No!” was all she managed to say before Sister Helen opened the door and looked from the mess on the floor to Molly’s stricken expression.
“Oh, dear.”
“I’m afraid it’s my fault,” Jones said in a British accent, in a voice that was completely different from his own, as Helen rushed to Molly’s side. “My fault entirely. I brought Miss Anderson some bad news. I didn’t realize just how devastating it would be.”
Molly started crying. It was more than just a good way to hide her laughter at that accent—those were real tears streaming down her face and she couldn’t stop them. Helen led her to one of the tables, helped her sit down.
“Oh, my dear,” the nun said, kneeling in front of her, concern on her round face, holding her hand. “What happened?”
“We have a mutual friend,” Jones answered for her. “Bill Bolten. He found out I was heading to Kenya, and he thought if I happened to run into Miss Anderson that she would want to know that a friend of theirs recently . . . well, passed. Cat’s out of the bag, right? Fellow name of Grady Morant, who went by the alias of Jones.”
“Oh, dear,” Helen said again, hand to her mouth in genuine sympathy.
Jones leaned closer to the nun, his voice low, but not low enough for Molly to miss hearing. “His plane went down—burned—gas tank exploded . . . Ghastly mess. Not a prayer that he survived.”
Molly buried her face in her hands, hardly able to think.
“Bill was worried that she might’ve heard it first from someone else,” he said. “But apparently she hadn’t.”
Molly shook her head, no. News did travel fast via the grapevine. Relief workers tended to know other relief workers and . . . She could well have heard about Jones’s death without him standing right in front of her.
Wouldn’t that have been awful?
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Tuesday.
When five o’clock Tuesday evening comes, I approach the apartment, carrying two large pizzas—a cheese pizza with only cheese, like Madison requested, the other a monstrosity made with ham and pineapple.
Hesitantly, I knock, hearing a flurry of footsteps inside before the door yanks open, the little ball of energy in front of me, grinning.
“Madison Jacqueline!” Kennedy shouts, popping up in my line of sight. “What did I say about answering the door like that?”
“Oh.” Her eyes widen, and before I can say a word, she swings the door shut, slamming it in my face. I stand here for a moment before the door cracks open again, her head peeking out as she whispers, “You gots to knock.”
As soon as it shuts again, I tap on the door.
“Who’s there?” she yells.
“Jonathan.”
“Jonathan who?”
I laugh, shifting the pizzas around when they start slipping from my grip. Before I can answer, the door opens once more, Kennedy standing there.
“Sorry,” she mumbles, motioning for me to come in as she grasps Madison by the shoulders, steering her along. “We’re working on this stranger danger thing. She’s way too trusting.”
“But I know it was him,” Madison protests.
“You can never be too sure,” Kennedy says. “It’s always best to double-check.”
I open my mouth to offer an opinion but stop myself, not sure if I’m at that place where my advice is welcome. I’m not trying to get kicked out before even eating any pizza
”
”
J.M. Darhower (Ghosted)
“
She points to the screen in my lap, where the light still glows around my mother’s words. “What’s that?”
“As it turns out,” I say, “my mother was from here. Well, she was from the world outside, but then she came here, and when she was fifteen, she was placed in Chicago as a Dauntless.”
Christina says, “Your mother was from here?”
I nod. “Yeah. Insane. Even weirder, she wrote this journal and left it with them. That’s what I was reading before you came in.”
“Wow,” Christina says softly. “That’s good, right? I mean, that you get to learn more about her.”
“Yeah, it’s good. And no, I’m not still upset, you can stop looking at me like that.” The look of concern that had been building on Uriah’s face disappears.
I sigh. “I just keep thinking…that in some way I belong here. Like maybe this place can be home.”
Christina pinches her eyebrows together.
“Maybe,” she says, and I feel like she doesn’t believe it, but it’s nice of her to say it anyway.
“I don’t know,” Uriah says, and he sounds serious now. “I’m not sure anywhere will feel like home again. Not even if we went back.”
Maybe that’s true. Maybe we’re strangers no matter where we go, whether it’s to the world outside the Bureau, or here in the Bureau, or back in the experiment. Everything has changed, and it won’t stop changing anytime soon.
Or maybe we’ll make a home somewhere inside ourselves, to carry with us wherever we go--which is the way I carry my mother now.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Growing up in a home of abuse, you struggle with the notion that you can love a person you hate, or hate a person you love. It’s a strange feeling. You want to live in a world where someone is good or bad, where you either hate them or love them, but that’s not how people are.
There was an undercurrent of terror that ran through the house, but the actual beatings themselves were not that frequent. I think if they had been, the situation would have ended sooner. Ironically, the good times in between were what allowed it to drag out and escalate as far as it did. He hit my mom once, then the next time was three years later, and it was just a little bit worse. Then it was two years later, and it was just a little bit worse. Then it was a year later, and it was just a little bit worse. It was sporadic enough to where you’d think it wouldn’t happen again, but it was frequent enough that you never forgot it was possible. There was a rhythm to it. I remember one time, after one terrible incident, nobody spoke to him for over a month. No words, no eye contact, no conversations, nothing. We moved through the house as strangers, at different times. Complete silent treatment. Then one morning you’re in the kitchen and there’s a nod. “Hey.” “Hey.” Then a week later it’s “Did you see the thing on the news?” “Yeah.” Then the next week there’s a joke and a laugh. Slowly, slowly, life goes back to how it was. Six months, a year later, you do it all again.
”
”
Trevor Noah (Born a Crime: Stories from a South African Childhood)
“
My Future Self
My future self and I become closer and closer as time goes by. I must admit that I neglected and ignored her until she punched me in the gut, grabbed me by the hair and turned my butt around to introduce herself.
Well, at least that’s what it felt like every time I left the convalescent hospital after doing skills training for a certification I needed to help me start my residential care business. I was going to be providing specialized, 24/7 residential care and supervising direct care staff for non-verbal, non-ambulatory adult men in diapers! I ran to the Red Cross and took the certified nurse assistant class so I would at least know something about the job I would soon be hiring people to do and to make sure my clients received the best care.
The training facility was a Medicaid hospital. I would drive home in tears after seeing what happens when people are not able to afford long-term medical care and the government has to provide that care. But it was seeing all the “young” patients that brought me to tears.
And I had thought that only the elderly lived like this in convalescent hospitals….
I am fortunate to have good health but this experience showed me that there is the unexpected.
So I drove home each day in tears, promising God out loud, over and over again, that I would take care of my health and take care of my finances. That is how I met my future self. She was like, don’t let this be us girlfriend and stop crying!
But, according to studies, we humans have a hard time empathizing with our future selves. Could you even imagine your 30 or 40 year old self when you were in elementary or even high school? It’s like picturing a stranger.
This difficulty explains why some people tend to favor short-term or immediate gratification over long-term planning and savings.
Take time to picture the life you want to live in 5 years, 10 years, and 40 years, and create an emotional connection to your future self. Visualize the things you enjoy doing now, and think of retirement saving and planning as a way to continue doing those things and even more.
However, research shows that people who interacted with their future selves were more willing to improve savings. Just hit me over the head, why don’t you!
I do understand that some people can’t even pay attention or aren’t even interested in putting money away for their financial future because they have so much going on and so little to work with that they feel like they can’t even listen to or have a conversation about money.
But there are things you’re doing that are not helping your financial position and could be trouble. You could be moving in the wrong direction.
The goal is to get out of debt, increase your collateral capacity, use your own money in the most efficient manner and make financial decisions that will move you forward instead of backwards.
Also make sure you are getting answers specific to your financial situation instead of blindly guessing! Contact us. We will be happy to help!
”
”
Annette Wise
“
If You Could Read My Mind"
If you could read my mind, love
What a tale my thoughts could tell
Just like an old-time movie
'Bout a ghost from a wishin' well
In a castle dark or a fortress strong
With chains upon my feet
You know that ghost is me
And I will never be set free
As long as I'm a ghost that you can't see
If I could read your mind, love
What a tale your thoughts could tell
Just like a paperback novel
The kind the drugstores sell
When you reach the part where the heartaches come
The hero would be me
But heroes often fail
And you won't read that book again
Because the ending's just too hard to take
I'd walk away like a movie star
Who gets burned in a three-way script
Enter number two
A movie queen to play the scene
Of bringing all the good things out in me
But for now love, let's be real
I never thought I could act this way
And I've got to say that I just don't get it
I don't know where we went wrong
But the feeling's gone and I just can't get it back
If you could read my mind, love
What a tale my thoughts could tell
Just like an old-time movie
'Bout a ghost from a wishin' well
In a castle dark or a fortress strong
With chains upon my feet
But stories always end
And if you read between the lines
You'll know that I'm just tryin' to understand
The feelings that you lack
I never thought I could feel this way
And I've got to say that I just don't get it
I don't know where we went wrong
But the feeling's gone and I just can't get it back
Gordon Lightfoot, Sit Down Young Stranger / If You Could Read My Mind (1970)
”
”
Gordon Lightfoot
“
Next morning, when Semyon woke up, the children were still asleep and his wife had gone over to the neighbour's to borrow some bread. Only the stranger was sitting on the bench, wearing the old trousers and shirt and looking up. His face was brighter than the evening before. Semyon said, 'Well, my friend. The belly needs food and the body clothes. We all have to earn a living, so what sort of work can you do?'
'I can't do anything.'
Semyon was amazed and replied, 'If a man has the will he can learn anything.'
'Yes, men work for their living, so I'll work too.'
'What's your name?'
'Mikhail.'
'Well, Mikhail, if you don't want to tell us about yourself that's your affair. But we have to earn our living. If you do as I tell you I'll see you have enough to eat.'
'God bless you! I'll learn how to work, just tell me what to do.'
Semyon took a piece of yarn, wound it round his fingers and twisted it.
'It's not hard, just watch...'
Mikhail watched and right away he caught the knack, winding the yarn and twisting it just like Semyon.
Then Semyon showed him how to wax it and Mikhail understood at once. Then he showed him how to draw it through and how to stitch. Again Mikhail immediately understood.
Whatever Semyon showed him he mastered right away and within three days was working as if he had been making shoes all his life. He would work without any let-up and ate very little. Only when one job was finished would he stop for a moment and silently look up. He never went out, only spoke when he really had to, and he never joked or laughed.
”
”
Leo Tolstoy (How Much Land Does a Man Need?)
“
Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?)
(You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.)
(Oh, this is all my fault?)
(Well, you were the one swimming in your underwear.)
(And you’re the one who took your shirt off!)
(You think the alternative would have been better?)
She shuttered at the thought of the Braetic stumbling across her in her underclothes.
“Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.”
The Braetic looked willing to consider a good excuse. “Such as?”
“Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him.
“Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!”
“Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?”
She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry.
“Dragons too, huh?” Cale snickered.
“It’s the truth!” she insisted.
(Eena, just forget it. You’re only making it worse.)
She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?”
Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.”
With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.”
“Dragons are immortals!” Eena snapped, as if any fool ought to know it.
Ian flashed her a harsh look. “We would greatly appreciate the help, sir.”
“Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.
”
”
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
“
No one will think anything, Alma. It’s an empty room, remember – you said so yourself.’ I began to sit cross-legged at his feet so as to listen to his operatic flourishes. Soon I was running to meet him when he came home, then crawling up onto his lap so I could see the words on the page. I still didn’t say much, and I was mute with all strangers and continued to hide my face in my grandmother’s skirts. We were sat this way one afternoon when there was a tap at the window that startled us both. We looked, but there was nothing there. It sounded like something had been thrown at it, so my grandfather told me to stay inside while he went out to investigate. When he came back, he was carrying a tiny bird in his hands. ‘It’s a little dunnock, Susannah. He must have got himself confused, or scared, chased by a sparrowhawk maybe, and flown into the glass. He’s only stunned himself. We’ll find him a box and keep him warm, see if he comes to.’ The bird looked dead to me, but my grandfather lined an old box with straw, placed the tiny bird inside and closed the lid. ‘We need to remove him from all the terrors of the world for a while, let his little body recover. You know, it’s a very good thing for an animal to hide if he’s injured or in danger. All the clever animals do it. He crawls into the tiniest space he can find and makes his world very small. It’s a natural thing, when you’re very scared, to make your world very small indeed. The trick is to understand when the danger is gone, to be very brave and let the world be big again, or else there may as well be no world at all.
”
”
Clare Whitfield (People of Abandoned Character)
“
The story of the prodigal son, one I’ve mentioned a few times in this book, is told again and again in the church as a triumphant story about a son who went astray, who degraded his father’s name, returning home to his father’s open arms and a celebration in his honor. Many Christians like to use this story to talk about those who have wandered away from the church, the ones they believe are on the outside and trying to get right with God again, the ones God welcomes back with open arms.
I don’t know what it means to waste a life, if that is even possible, and I don’t know that we can step so far outside the love of Mystery that we are not seen and known even in that distance. But there is always something important about returning. There is always something about the way a community welcomes us home. Young people who are forced out of their communities by traumatic events must return home and learn what it means to be part of their people again. I think about young Black men who are wrongfully imprisoned in the United States, who return home to reintegrate into society. I think about LGBTQ+ youth who are kicked out of their homes and communities and must find new homes with strangers who welcome them in. I think of Indigenous people separated from their communities through boarding schools, who must learn what it means to know themselves when their stories are riddled with trauma.
The work of returning is communal work, and we must all lead one another. When I sit down to write and tell my own story, I can feel the fire burn brighter again, and the work of returning leads me deeper into who I am and who God is.
”
”
Kaitlin B. Curtice (Native: Identity, Belonging, and Rediscovering God)
“
Come with me. Don’t look at me like that. I know it’s ridiculous and that’s why. We’re dead here. If you still want us, we’ll have to go find it, but it isn’t here. I know two certainties. I love you and good things take work. Life is that thing we create when we already have what we need. I don’t need another yesterday. What’s the point? It’s no coincidence the things that I worked for were the only things that ever made me happy. In trying, I feel like a human again. In that space before the reward. Finally, I am. The men I met before you are as good as dust. I don’t even remember their names. All it took was looking at each other for us to meet. Nothing needed to be earned. It’s why most relationships are secretly unhappy. They were built on a neutral convenience. They don’t know each other. But the sex will be nice and the arms of holding someone in the holidays and hating being lonely will make us stay forever. Perfectly tame. Whatever happened to walking up to a stranger on the street and slaying the dragon of Fear? Marriages built on endeavor. Giving someone your whole day. Identity from hermitting. Life is achievement, honey. Death is saying okay. The best fruit is the one you have to climb for. You have to march through the fire. Make the jump. Drive across the country. Effort in love. Effort in fashion. Food. Work. Give thought to how we chew. How we move. Even speak. To make day and night things our own. It’s our only job. Indecision is criminal. When we try, we exist again. And I have to exist. I have to, I have to. So I’m leaving. And you can come if you want. I’m going either way, but you’d be my favorite. Flight’s at 5
”
”
Kristian Ventura (The Goodbye Song)
“
O, Mary, conceived without sin, pray for us who turn to you. Amen.
.
When we meet someone and fall in love, we have a sense that the whole universe is on our side. I saw this happen today as the sun went down. And yet if something goes wrong, there is nothing left! No herons, no distant music, not even the taste of his lips. How is it possible for the beauty that was there only minutes before to vanish so quickly?
.
Life moves very fast. It rushes us from heaven to hell in a matter of seconds.
.
I smile and say nothing,
.
If I must be faithful to someone or something, then I have, first of all, to be faithful to myself.
.
Everything is an illusion - and that applies to material as well as spiritual things.
.
She had spent a lot of her life saying 'no' to things to which she would have liked to say 'yes',
.
My dear, it's better to be unhappy with a rich man than happy with a poor man, and over there you'll have far more chance of becoming an unhappy rich woman.
.
Love isn't that important. I didn't love your father at first, but money buys everything, even true love.
.
Hail Mary conceived without sin, pray for us who turn to you. Amen.
.
She would never find what she was looking for if she couldn't express herself.
.
At the moment, I'm far too lonely to think about love, but I have to believe that it will happen, that I will find a job and that I am here because I chose this fate.
.
Life always waits for some crisis to occur before revealing itself at its most brilliant.
.
A writer once said that it is not time that changes man, nor knowledge; the only thing that can change someone's mind is love. What nonsense! The person who wrote that clearly knew only one side of the coin. Love was undoubtedly one of the things capable of changing a person's whole life, from one moment to the next.
.
Again, she seemed like a stranger to herself.
.
I let fate choose which route I should take.
.
Some people were born to face life alone, and this is neither good nor bad, it is simply life.
.
I'm not a body with a soul, I'm a soul that has a visible part called the body.
.
She was doing it because she had nothing to lose, because her life was one of constant, day-to-day frustration.
.
Human beings can withstand a week without water, two weeks without food, many years of homelessness, but not loneliness. It is the worst of all tortures, the worst of all sufferings.
.
We are each of us responsible for our own feelings and cannot blame someone else for what we feel.
.
No one loses anyone, because no one owns anyone.
.
However tempted she was to continue, however prepared she was for the challenges she had met on her path, all these months living alone with herself had taught her that there is always a right moment to stop something.
.
He knew everything about her, although she knew nothing about him.
.
She had opened a door which she didn't know how to close.
.
Our experiences have been entirely different, but we are both desperate people.
.
Free yourself from something that cost your heart even more.
.
One moment, you have nothing, the next, you have more than you can cope with.
.
Does a soldier go to war in order to kill the enemy? No, he goes in order to die for his country.
.
What the eyes don't see, the heart doesn't grieve over.
.
Because we don't want to forget who we are - nor can we.
.
This was simply a place where people gathered to worship something they could not understand.
”
”
Paulo Coelho (Eleven Minutes)
“
1. Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create
you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.
For endless eons there was no you. Before you know it, you will cease to be again. And in between you have this wonderful opportunity to see and feel and think and do. Whatever else you do with your life,nothing will remotely compare with the incredible accomplishment of having managed to get yourself born.
Congratulations. Well done. You really are special.
2. But not that special. There are five billion other people on this planet, every one of them just as important, just as central to the great scheme of things, as you are. Don't ever make the horrible, unworthy mistake of thinking yourself more vital and significant than anyone else. Nearly all the people you encounter in life merit your consideration. Many of them will be there to help you-to deliver your pizza, bag your groceries, clean up the motel room you have made such a lavish mess of. If you are not in the habit of being extremely nice to these people, then get in the habit now.
Millions more people, most of whom you will never meet or even see, won't help you, indeed can't help you, may not even be able to help themselves. They deserve your compassion. We live in a sadly heartless age, when we seem to have less and less space in our consciences and our pocketbooks for the poor and lame and dispossessed, particularly those in far-off lands.
”
”
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After Twenty Years Away)
“
By becoming the aggressor in sharing the good news of Christ with everyone in earshot, I became the one doing the influencing for good rather than the one being influenced for evil. I deduced that my Christianity is not about me but about Christ living through me. Jesus Christ represents everything that is truly good about me.
Oddly enough, it started with a prank telephone call when I was seventeen.
As I was studying the Bible one night, I had just said a prayer in which I asked God for the strength to be more vocal about my faith. All of a sudden, the phone rang and I answered.
“Hello?” I asked.
No one answered.
“Hello?” I asked again.
There was still silence on the other end. I started to hang up the phone, but then it hit me.
“I’m glad you called,” I said. “You’re just the person I’m looking for.”
Much to my surprise, the person on the other end didn’t hang up.
“I want to share something with you that I’m really excited about,” I said. “It’s what I put my faith in. You’re the perfect person to hear it.”
So then I started sharing the Gospel, and whoever was on the other end never said a word. Every few minutes, I’d hear a little sound, so I knew the person was still listening. After several minutes, I told the person, “I’m going to ask you a few questions. Why don’t you do one beep for no and two beeps for yes? We can play that game.” The person on the other end didn’t say anything.
Undaunted by the person’s silence, I took out my Bible and started reading scripture. After a few minutes, I heard pages rustling on the other end of the phone. I knew the person was reading along with me! After a while, every noise I heard got me more excited! At one point, I heard a baby crying in the background. I guessed that the person on the phone was a mother or perhaps a babysitter. I asked her if she needed to go care for her child. She set the phone down and came back a few minutes later. I figured that once I started preaching, she would hang up the phone. But the fact that she didn’t got my adrenaline flowing. For three consecutive hours, I shared the message of God I’d heard from my little church in Luna, Louisiana, and what I’d learned by studying the Bible and listening to others talk about their faith over the last two years. By the time our telephone call ended, I was out of material!
“Hey, will you call back tomorrow night?” I asked her.
She didn’t say anything and hung up the phone. I wasn’t sure she would call me back the next night. But I hoped she would, and I prepared for what I was going to share with her next. I came across a medical account of Jesus’ death and decided to use it. It was a very graphic account of Jesus dying on a cross.
Around ten o’clock the next night, the phone rang. I answered it and there was silence on the other end. My blood and adrenaline started pumping once again! Our second conversation didn’t last as long because I came out firing bullets! I worried my account of Jesus’ death was too graphic and might offend her. But as I told her the story of Jesus’ crucifixion--how He was sentenced to death by Pontius Pilate, beaten with leather-thonged whips, required to strip naked, forced to wear a crown of thorns on His head, and then crucified with nails staked through His wrists and ankles--I started to hear sobs on the other end of the phone. Then I heard her cry and she hung up the phone. She never called back.
Although I never talked to the woman again or learned her identity, my conversations with her empowered me to share the Lord’s message with my friends and even strangers. I came to truly realize it was not about me but about the power in the message of Christ.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Fly! Fly! About with your ship and fly! Row, row, row for your lives away from this accursed shore.”
“Compose yourself,” said Reepicheep, “and tell us what the danger is. We are not used to flying.”
The stranger started horribly at the voice of the Mouse, which he had not noticed before.
“Nevertheless you will fly from here,” he gasped. “This is the Island where Dreams come true.”
“That’s the island I’ve been looking for this long time,” said one of the sailors. “I reckon I’d find I was married to Nancy if we landed here.”
“And I’d find Tom alive again,” said another.
“Fools!” said the man, stamping his foot with rage. “That is the sort of talk that brought me here, and I’d better have been drowned or never born. Do you hear what I say? This is where dreams--dreams, do you understand--come to life, come real. Not daydreams: dreams.”
There was about half a minute’s silence and then, with a great clatter of armor, the whole crew were tumbling down the main hatch as quick as they could and flinging themselves on the oars to row as they had never rowed before; and Drinian was swinging round the tiller, and the boatswain was giving out the quickest stroke that had ever been heard at sea. For it had taken everyone just that half-minute to remember certain dreams they had had--dreams that make you afraid of going to sleep again--and to realize what it would mean to land on a country where dreams come true.
Only Reepicheep remained unmoved.
“Your Majesty, your Majesty,” he said, “are you going to tolerate this mutiny, this poltroonery? This is a panic, this is a rout.”
“Row, row,” bellowed Caspian. “Pull for all our lives. Is her head right, Drinian? You can say what you like, Reepicheep. There are some things no man can face.”
“It is, then, my good fortune not to be a man,” replied Reepicheep with a very stiff bow.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal.
Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder.
"I saw him first," Nicky said.
"I thought you had Erik," Neil said.
"I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three."
Neil pretended to understand and changed the topic.
"How does anyone lose against the Foxes with Andrew in your goal?"
"He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze."
"Bribed?" Neil echoed.
"Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive."
"He can't play like that and not care."
"Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life."
"But why?" Neil asked. "Andrew hates Kevin's obsession with Exy."
"The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it [...]."
The stadium door slammed open as Andrew showed up at last. [...]
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later."
[...] "Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall.
[...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey.
[...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it.
[...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting."
[...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all [...].
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
I wanted to be alone.” “I see.” Except she didn’t, exactly. When had this child become a mystery to her own mother? “Why?” Sophie glanced at herself in the mirror, and Esther could only hope her daughter saw the truth: a lovely, poised woman—intelligent, caring, well dowered, and deserving of more than a stolen interlude with a convenient stranger and an inconvenient baby—Sophie’s brothers’ assurances notwithstanding. “I am lonely, that’s why.” Sophie’s posture relaxed with this pronouncement, but Esther’s consternation only increased. “How can you be lonely when you’re surrounded by loving family, for pity’s sake? Your father and I, your sisters, your brothers, even Uncle Tony and your cousins—we’re your family, Sophia.” She nodded, a sad smile playing around her lips that to Esther’s eyes made her daughter look positively beautiful. “You’re the family I was born with, and I love you too, but I’m still lonely, Your Grace. I’ve wished and wished for my own family, for children of my own, for a husband, not just a marital partner…” “You had many offers.” Esther spoke gently, because in Sophie’s words, in her calm, in her use of the present tense—“I am lonely”—there was an insight to be had. “Those offers weren’t from the right man.” “Was Baron Sindal the right man?” It was a chance arrow, but a woman who had raised ten children owned a store of maternal instinct. Sophie’s chin dropped, and she sighed. “I thought he was the right man, but it wasn’t the right offer, or perhaps it was, but I couldn’t hear it as such. And then there was the baby… It wouldn’t be the right marriage.” Esther took her courage in both hands and advanced on her daughter—her sensible daughter—and slipped an arm around Sophie’s waist. “Tell me about this baby. I’ve heard all manner of rumors about him, but you’ve said not one word.” She meant to walk Sophie over to the vanity, so she might drape Oma’s pearls around Sophie’s neck, but Sophie closed her eyes and stiffened. “He’s a good baby. He’s a wonderful baby, and I sent him away. Oh, Mama, I sent my baby away…” And then, for the first time in years, sensible Lady Sophia Windham cried on her mother’s shoulder as if she herself were once again a little, inconsolable baby. ***
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
There is some evidence that peer reports (Suzie’s friends’ ratings) predict people’s behavior better than their self-reports (Suzie’s own ratings). In one study, for example, college students were worse at predicting how nervous and talkative they would be when chatting with a new acquaintance than were peers who had just met them for the first time.21 Other studies have found that people are worse at making specific predictions about how they will behave than they are at predicting how other people will behave. When asked whether they would purchase a flower as part of a campus charity drive in the upcoming weeks, students made overly rosy predictions; 83 percent said they would, whereas in fact only 43 percent actually did. When asked how likely it was that other students would purchase a flower, people were more accurate; they predicted that 56 percent would, which was closer to the 43 percent figure. In another study, people predicted that they would donate an average of $2.44 of their earnings in an experiment to charity, whereas other people would donate only $1.83. Once again they were more accurate in their predictions about other people; the actual figure donated was $1.53. One reason people fail to predict their own behavior very accurately is that they believe that they are “holier than thou” and would be more likely than the average person to perform moral acts of kindness. Another is that people use different kinds of information when predicting their own versus other people’s behavior. When predicting other people’s actions, we rely mostly on our cumulative experience of how the average person would act, including our hunches about the kinds of situational constraints people will face (“Probably many people who intended to buy a flower will never walk past one of the people selling them”). When predicting our own actions, we rely more on our “inside information” about our own personalities (“I am a kind person who wants to help others”). This can be a problem for two reasons: relying only on inside information causes people to overlook situational constraints on their actions, such as the possibility that they, too, will fail to pass by someone selling the flowers; second, as we have seen, people’s inside information is not the full story about their personalities and might not be completely accurate.22
”
”
Timothy D. Wilson (Strangers to Ourselves: Discovering the Adaptive Unconscious)
“
Well, then, to put it in a nutshell,” said the Chief Voice, “we’ve been waiting for ever so long for a nice little girl from foreign parts, like it might be you, Missie--that would go upstairs and go to the magic book and find the spell that takes off the invisibleness, and say it. And we all swore that the first strangers as landed on this island (having a nice little girl with them, I mean, for if they hadn’t it’d be another matter) we wouldn’t let them go away alive unless they’d done the needful for us. And that’s why, gentlemen, if your little girl doesn’t come up to scratch, it will be our painful duty to cut all your throats. Merely in the way of business, as you might say, and no offense, I hope.”
“I don’t see all your weapons,” said Reepicheep. “Are they invisible too?” The words were scarcely out of his mouth before they heard a whizzing sound and next moment a spear had stuck, quivering, in one of the trees behind them.
“That’s a spear, that is,” said the Chief Voice.
“That it is, Chief, that it is,” said the others. “You couldn’t have put it better.”
“And it came from my hand,” the Chief Voice continued. “They get visible when they leave us.”
“But why do you want me to do this?” asked Lucy. “Why can’t one of your own people? Haven’t you got any girls?”
“We dursen’t, we dursen’t,” said all the Voices. “We’re not going upstairs again.”
“In other words,” said Caspian, “you are asking this lady to face some danger which you daren’t ask your own sisters and daughters to face!”
“That’s right, that’s right,” said all the Voices cheerfully. “You couldn’t have said it better. Eh, you’ve had some education, you have. Anyone can see that.”
“Well, of all the outrageous--” began Edmund, but Lucy interrupted.
“Would I have to go upstairs at night, or would it do in daylight?”
“Oh, daylight, daylight, to be sure,” said the Chief Voice. “Not at night. No one’s asking you to do that. Go upstairs in the dark? Ugh.”
“All right, then, I’ll do it,” said Lucy. “No,” she said, turning to the others, “don’t try to stop me. Can’t you see it’s no use? There are dozens of them there. We can’t fight them. And the other way there is a chance.”
“But a magician!” said Caspian.
“I know,” said Lucy. “But he mayn’t be as bad as they make out. Don’t you get the idea that these people are not very brave?”
“They’re certainly not very clever,” said Eustace.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.
”
”
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
“
OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phœbus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phœbus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phœbus, who had undone, should preserve me. Upon this Phœbus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenæ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.
”
”
Euripides (The Tragedies of Euripides, Volume I.)
“
Wife's Letter (excerpt)
It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence.
...
But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself?.. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there?
...
Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this.
...
At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either.
...
While you spoke of the face as being some kind of roadway between fellow human beings, you were like a snail that thinks only of its own doorway. You were showing off. Even though you had forced me into a compound where I had already been, you set up a fuss as if I had scaled a prison wall, as if I had absconded with money. And so, when you began to focus on my face you were flustered and confused, and without a word you at once nailed up the door of the mask. Indeed, as you said, perhaps death filled the world. I wonder if scattering the seeds of death is not the deed of men who think only of themselves, as you do.
You don’t need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself.
”
”
Kōbō Abe (The Face of Another)
“
Are you Hilary Westfield?” She sounded like she hoped it wasn’t the case. Hilary nodded. “Oh. Well, I’m Philomena. I have to show you to your room.” Hilary looked wildly at Miss Greyson. “I’m Miss Westfield’s governess,” Miss Greyson said, to Hilary’s relief. Maybe talking politely to people like Philomena was something you learned at Miss Pimm’s, or maybe getting past Philomena was a sort of entrance exam. “Is there any chance we could see Miss Pimm? We’re old acquaintances. I used to go to school here, you see.” Miss Greyson smiled for the second time that day—the world was getting stranger and stranger by the minute—but Philomena didn’t smile back. “I’m terribly sorry,” said Philomena, “but Miss Pimm doesn’t receive visitors. You can leave Miss Westfield with me, and the porter will collect Miss Westfield’s bags.” She raised her eyebrows as the carriage driver deposited the golden traveling trunk on the doorstep. “I hope you have another pair of stockings in there.” “I do.” Hilary met Philomena’s stare. “I have nineteen pairs, in fact. And a sword.” Miss Greyson groaned and put her hand to her forehead. “Excuse me?” said Philomena. “I’m afraid Miss Westfield is prone to fits of imagination,” Miss Greyson said quickly. Philomena’s eyebrows retreated. “I understand completely,” she said. “Well, you have nothing to worry about. Miss Pimm’s will cure her of that nasty habit soon enough. Now, Miss Westfield, please come along with me.” Hilary and Miss Greyson started to follow Philomena inside. “Only students and instructors are permitted inside the school building,” said Philomena to Miss Greyson. “With all the thefts breaking out in the kingdom these days, one really can’t be too careful. But you’re perfectly welcome to say your good-byes outside.” Miss Greyson agreed and knelt down in front of Hilary. “A sword?” she whispered. “I’m sorry, Miss Greyson.” “All I ask is that you take care not to carve up your classmates. If I were not a governess, however, I might mention that the lovely Philomena is in need of a haircut.” Hilary nearly laughed, but she suspected it might be against the rules to laugh on the grounds of Miss Pimm’s, so she gave Miss Greyson her most solemn nod instead. “Now,” said Miss Greyson, “you must promise to write. You must keep up with the news of the day and tell me all about it in your letters. And you’ll come and visit me in my bookshop at the end of the term, won’t you?” “Of course.” Hilary’s stomach was starting to feel very strange, and she didn’t trust herself to say more than a few words at a time. This couldn’t be right; pirates were hardly ever sentimental. Then again, neither was Miss Greyson. Yet here she was, leaning forward to hug Hilary, and Hilary found herself hugging Miss Greyson back. “Please don’t tell me to be a good little girl,” she said. Miss Greyson sniffed and stood up. “My dear,” she said, “I would never dream of it.” She gave Hilary’s canvas bag an affectionate pat, nodded politely to Philomena, and walked down the steps and through the gate, back to the waiting carriage. “Come along,” said Philomena, picking up the lightest of Hilary’s bags. “And please don’t dawdle. I have lessons to finish.” HILARY FOLLOWED PHILOMENA through a maze of dark stone walls and high archways. From the inside, the building seemed more like a fortress
”
”
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))
“
Motion in space can proceed in any direction and back again. Motion in time only proceeds in one direction in the everyday world, whatever seems to be going on at the particle level. It’s hard to visualize the four dimensions of spacetime, each at right angles to the other, but we can leave out one dimension and imagine what this strict rule would mean if it applied to one of the three dimensions we are used to. It’s as if we were allowed to move either up or down, either forward or back, but that sideways motion was restricted to shuffling to the left, say. Movement to the right is forbidden. If we made this the central rule in a children’s game, and then told a child to find a way of reaching a prize off to the right-hand side (“backward in time”) it wouldn’t take too long for the child to find a way out of the trap. Simply turn around to face the other way, swapping left for right, and then reach the prize by moving to the left. Alternatively, lie down on the floor so that the prize is in the “up” direction with reference to your head. Now you can move both “up” to grasp the prize and “down” to your original position, before standing up again and returning your personal space orientation to that of the bystanders.* The technique for time travel allowed by relativity theory is very similar. It involves distorting the fabric of space-time so that in a local region of space-time the time axis points in a direction equivalent to one of the three space directions in the undistorted region of space-time. One of the other space directions takes on the role of time, and by swapping space for time such a device would make true time travel, there and back again, possible. American mathematician Frank Tipler has made the calculations that prove such a trick is theoretically possible. Space-time can be distorted by strong gravitational fields,and Tipler’s imaginary time machine is a very massive cylinder, containing as much matter as our sun packed into a volume 100 km long and 10 km in radius, as dense as the nucleus of an atom, rotating twice every millisecond and dragging the fabric of space-time around with it. The surface of the cylinder would be moving at half the speed of light. This isn’t the sort of thing even the maddest of mad inventors is likely to build in his backyard, but the point is that it is allowed by all the laws of physics that we know. There is even an object in the universe that has the mass of our sun, the density of an atomic nucleus, and spins once every 1.5 milliseconds, only three times slower than Tipler’s time machine. This is the so-called “millisecond pulsar,” discovered in 1982. It is highly unlikely that this object is cylindrical—such extreme rotation has surely flattened it into a pancake shape. Even so, there must be some very peculiar distortions of space-time in its vicinity. “Real” time travel may not be impossible, just extremely difficult and very, very unlikely. That thin end of what might be a very large wedge may, however, make the normality of time travel at the quantum level seem a little more acceptable. Both quantum theory and relativity theory permit time travel, of one kind or another. And anything that is acceptable to both those theories, no matter how paradoxical that something may seem, has to be taken seriously. Time travel, indeed, is an integral part of some of the stranger features of the particle world, where you can even get something for nothing, if you are quick about it.
”
”
John Gribbin (In Search of Schrodinger's Cat: Quantum Physics And Reality)
“
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!”
Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.”
“I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.”
“Milord, please—”
He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!”
Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts.
“Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—”
“Stay the hell out of my way!”
“Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—”
Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain.
Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly.
“Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.”
“What have you done with her?”
“Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?”
“You met with her at Butterfly Court this morning.”
“I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat.
“Tell me where she is, or I’ll snap your neck like a wishbone!”
Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!”
Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice.
“Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.”
Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
The twanging of life
Thirteenth part : The essence of the beauty is unity in variety
We are only able to contempt and treat people in a bad way, when we forget that the other person belongs to us and to the society as well as we too, when we only forget that in the form of doing the action, there is a strong relationship between the subject and the object so avarice, violence, egoism, sadness and looking at others as pawns of market's chess to get money arise from losing their unity, from forgetting their spirit of cooperation and collaboration and then starting perceiving others in terms of their individual differences.
A humanitarian action that isn't intended to be done can make a huge storm of humanity, a single word can give people the feeling of unity, just like every time when a person passes by you and you say for him "السلام عليكم" both of you start to feel like there is a candle within both of you turning into clemency, the more love, the more mercy and the more salaam you show on your face the more light is reflected form that candle, you should start thinking that, greeting the people is proclamations of peace, every time you say "السلام عليكم" to a stranger your heart admits over and over again that we are all united, what I am trying to say is, in your heart's deepest place where the onus of your ego are fallen to pieces and the enigma of your soul is infiltrated, you find the awareness isn't different in any way from what all others may find, the mutuality of Sudanese people is appeared as the sun in the morning but only when our own humanness is surpassed our own dishumanness by accepting that we are all one in the fact that we are all made of diversified differences.
We are all equal in the fact that our own society is made by different tribes, we are all the same in the fact that we will never have the same colour, life, thinking, dreams, feelings and luxury, we are united by the reality that Sudan is able to combine all colours, all cultures, all tribes and all of us in the fact that every one believes his tribe and culture are distinguished and individual, we are compatible in the reality that we are all recaptured to this country by the same history, the same conditions of living and the longest river in the world that all of them together give us a light to shine the darkness that covers the sky to allow for us to walk as one hand in the right direction, we don't share the colours but we share the blood, we aren't equal in existence of happiness but we drink River Nile's water that keeps us alive, we are different in existence of tribes but we share the same air that is blended by our breath, so I am you as much as I am me and you are me as much as I am you.
Finally swingeing internal ructions and overmuch narcissism of a society devastate the tissue of its unity, not the differences of that society, Lord Robin said that unity begins at home within family is the strength to survive and win the fight of life.
”
”
Omer Mohamed
“
Once again, I’m hit with the urge to reach for Kieran’s hand, but this time the sensation is no joke. I want to hold onto him, want to make sure he doesn’t get lost in this crowd of strangers. Restraining myself, I wipe my sweaty palms on my track pants and choose instead to plow ahead down the crowded hallway, hoping he can keep up with me and we don’t get separated.
”
”
Amy Martin (In Your Dreams (In Your Dreams #1))
“
he asked them. “Too long. Don’t be such a stranger. Stop by if you’re in our neighborhood. We would love to sit and chat. We can talk about the good old days and we got lots of pictures and stories from Tuscany.” “Will do. Enjoy the evening.” Jack turned and was face to face with their daughter, Patti. “Hi, Jack,” she whispered. “Great to see you again,” she said and kissed him on the cheek. “It was so good to talk with you the other day. It meant a lot to see you.” He watched her as she started to walk away and turned to him and say, “I wanted to let you know that after we talked I gave my husband a phone call. Eric and I decided to get back together. We’ve shared a lot of history, and we’re at least going to give it one last try to see if we can make it work. Thanks for everything, Jack. Bye.” She kissed him on the cheek. Jack saw Hope walking across the floor. “She’s pretty. Who was that?” glancing at Patti walk away. “An old and dear friend. Both Charley and I had a crush on her when we were younger. I’ll introduce you to her and her mom and dad later. You’ll like her.” More people filed inside to an already full hall. Soon it was standing room only. Jack turned to Hope and whispered, “I can’t believe this. We’ve had over twenty businesses make donations to the veterans’ fund to help support job training and for overseas servicemen’s wives and families. We also got money from the Yankee Bookshop, the Woodstock Inn, the Billings Farm Museum, the bank, and Bentleys Restaurant. They all donated money.” “That’s great,” she said excitedly. “And we’ve received over thirty new membership requests for the Veterans Post and that’s just yesterday. This is better than I ever expected. And four companies have committed to hiring more vets locally, including King Arthur Flour Company. They’re planning to build a new distribution center just west of town. I can’t believe all of this is happening.” “You should,” Hope said. “I remember you sat down right over there at that table and laid out what you wanted to see happen and you kept working on it until it did. I’m so proud of you.” He hugged her close and kissed her. He never wanted to let her go. The distinct fragrance of fresh balsam, pine, and holly filled
”
”
Bryan Mooney (Christmas in Vermont: A Very White Christmas)
“
Sometimes I’m afraid to love other people. Everyone I care about eventually leaves me, whether it’s death or war or simply because they don’t want me. They go places I can’t find, places I can’t reach. And I’m not afraid to be alone, but I’m tired of being the one left behind. I’m tired of having to rearrange my life after the people within it depart, as if I’m a puzzle and I’m now missing pieces and I will never feel that pure sense of completion again. I lost someone close to me, yesterday. It doesn’t feel real yet. And I’m not sure who you are, where you are. If you are breathing the same hour, the same minute as me, or if you are decades before or years to come. I don’t know what is connecting us—if it’s magical thresholds or conquered god bones or something else we’ve yet to discover. Most of all, I don’t know why I’m writing to you now. But here I am, reaching out to you. A stranger and yet a friend. All those letters of mine you received for several months … I thought I was writing to Forest. I wrote with the unfaltering, teeth-clenched hope that they would reach him despite the kilometers between us. That my brother would read my words, even if they were minced with pain and fury, and he would come home and fill the void I feel and fix the messiness of my life. But I realize that people are just people, and they carry their own set of fears, dreams, desires, pains, and mistakes. I can’t expect someone else to make me feel complete; I must find it on my own. And I think I was always writing for myself, to sort through my loss and worry and tangled ambitions. Even now, I think about how effortless it is to lose oneself in words, and yet also find who you are. I hope I’m making sense. I’m probably not, because I’m writing to you but I’m also writing for me. And I don’t expect you to respond, but it helps to know someone is hearing me. Someone is reading what I pour onto a page. It helps to know that I’m not alone tonight, even as I sit in quiet darkness.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it.
”
”
Renee Carlino (Before We Were Strangers)
“
You can’t re-create the first time you promise to love someone or the
first time you feel loved by another. You cannot relive the sensation of fear,
admiration, self-consciousness, passion, and desire all mixed into one
because it never happens twice. You chase it like the first high for the rest
of your life. It doesn’t mean you can’t love another or move on; it just
means that the one spontaneous moment, the split second that you took
the leap, when your heart was racing and your mind was muddled withWhat ifs?—that moment—will never happen the same way again. It will
never feel as intense as the first time. At least, that’s the way I remember it.
That’s why my mother always said we memorialize our past. Everything
seems better in a memory.
”
”
Renee Carlino (Before We Were Strangers)
“
A tray of dirty tea things sat forgotten about on the floor. There were more chairs than normal, all evidence of yesterday’s meeting. One teacup, I noticed, had lipstick on its rim, the same glossy red colour that Miss Carter wore. Ephraim had mentioned ‘the others’: it didn’t take much guessing to work out who they were. When it came to welcoming strangers to Budmouth Point, Miss Carter and Mrs. Henderson had experience.
First evacuees, now refugees. That was it, wasn’t it?
There were people in Europe, fleeing for their lives, who were escaping here, to Budmouth Point. These were the visitors Ephraim was expecting. The realisation made me dizzy.
It connected to Sukie didn’t it, because she’d cried trying to tell me how ‘heartbreaking’ it was not being able to help – yet in writing to Ephraim, maybe she’d found a way to. Perhaps their letters were actually full of plans of how they might get people away from the Nazis. It would certainly explain why Sukie wrote so much and so often. Bit by bit I could feel it coming together in my head.
That map with the foreign place names I’d found in her drawer at home – was this where the boat was coming from?
‘Are you all right?’ Queenie asked suddenly. Looking concerned, she offered me a chair.
‘I’m fine.’ I stayed standing.
‘No you’re not.’ Queenie pinched the bridge of her nose like she had a headache. ‘You’re a smart girl, Olive. I’d a feeling you’d guess what was going on. I didn’t think Ephraim could keep it from you for long.’
‘He told me about writing to Sukie, that’s all.’ I said, though it wasn’t strictly true. But I was unsure how much to say.
‘You’re learning that some things need to be secret.’ Queenie gave me a wry smile. ‘I trust you can keep this one?’
I hesitated. She hadn’t actually told me what the secret was, but I’d already petty much guessed. You’re expecting some people, from place that’s occupied by the Germans?’
‘Yes… from France.’ She sat back in her chair, raking her fingers through her hair. ‘We’re bringing them here for a few days, giving them false papers, then helping them on their way again.’
‘Where will they go?’
‘To countries that aren’t as strict as ours about Jewish refugees: America, Canada, Australia maybe.’
I thought for a moment. ‘Is what you’re doing against the law?’
‘Probably. If we keep a low profile, we might just get away with it.’ She sighed heavily. ‘They’ve got to get here first, though. It’s such a risky mission. They were smuggled out of Austria all the way to the French coast, and quite frankly they’ve been lucky to make it that far. We were expecting the boat ten days ago…’
I nodded, my mind whizzing. Day 9. The only part of Sukie’s notes I understood.
‘Do you know why Ephraim and my sister wrote to each other?’ I asked suddenly.
‘What? Oh, Gloria mentioned Sukie was looking for a penpal – it was a new “thing” apparently.’ She rolled her eyes rather dismissively. ‘Ephraim was so lonely, we both thought it might cheer him up. It certainly worked – he’s quite taken with your Sukie.’
‘There’s more to it than that,’ I ventured. ‘My sister’s involved in this mission, isn’t she?’
Queenie frowned. ‘Your sister? Why would she be?’
‘You don’t know what she’s like,’ I replied, for it was very clear now that Queenie’d never written to Sukie, nor probably ever met her. If she had she’d realise how much my sister hated the Nazis, how upset the news coming out of Europe made her, how headstrong and brave she was.
Doing something to try and help people threatened by Hitler was exactly the sort of thing my sister would want to be part of. I couldn’t understand why Queenie was so certain she wasn’t.
”
”
Emma Carroll (Letters from the Lighthouse)
“
Where is Abu Fadi,” she wailed.
“Who will bring me my loved one?”
—The New York Times, 9/20/1982
I do not wish to speak about the bulldozer and the
red dirt
not quite covering all of the arms and legs
Nor do I wish to speak about the nightlong screams
that reached
the observation posts where soldiers lounged about
Nor do I wish to speak about the woman who shoved
her baby
into the stranger’s hands before she was led away
Nor do I wish to speak about the father whose sons
were shot
through the head while they slit his own throat before
the eyes
of his wife
Nor do I wish to speak about the army that lit continuous
flares into the darkness so that the others could see
the backs of their victims lined against the wall
Nor do I wish to speak about the piled up bodies and
the stench
that will not float
Nor do I wish to speak about the nurse again and
again raped
before they murdered her on the hospital floor
Nor do I wish to speak about the rattling bullets that
did not
halt on that keening trajectory
Nor do I wish to speak about the pounding on the
doors and
the breaking of windows and the hauling of families into
the world of the dead
I do not wish to speak about the bulldozer and the
red dirt
not quite covering all of the arms and legs
because I do not wish to speak about unspeakable events
that must follow from those who dare
“to purify” a people
those who dare
“to exterminate” a people
those who dare
to describe human beings as “beasts with two legs”
those who dare
“to mop up”
“to tighten the noose”
“to step up the military pressure”
“to ring around” civilian streets with tanks
those who dare
to close the universities
to abolish the press
to kill the elected representatives
of the people who refuse to be purified
those are the ones from whom we must redeem
the words of our beginning
because I need to speak about home
I need to speak about living room
where the land is not bullied and beaten to
a tombstone
I need to speak about living room
where the talk will take place in my language
I need to speak about living room
where my children will grow without horror
I need to speak about living room where the men
of my family between the ages of six and sixty-five
are not
marched into a roundup that leads to the grave
I need to talk about living room
where I can sit without grief without wailing aloud
for my loved ones
where I must not ask where is Abu Fadi
because he will be there beside me
I need to talk about living room
because I need to talk about home
I was born a Black woman
and now
I am become a Palestinian
against the relentless laughter of evil
there is less and less living room
and where are my loved ones?
It is time to make our way home.
”
”
June Jordan (MOVING TOWARDS HOME)
“
I was struck again by a big difference—between standing in a group of strangers singing with them, and interacting with groups of strangers through screens. The first dissolves your sense of ego; the second jabs and pokes at it. The last song we sang was “A Whole New World.
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
“
**Verse 1:**
The chair's still empty where you used to sit,
The silence loud, I can't get used to it.
Your laugh's a memory that haunts these halls,
Without you here, it's just four lonely walls.
**Chorus:**
I miss you more than words can say,
In every sunset, in the break of day.
You were my rock, my steady flame,
Now I whisper your name, and it's not the same.
**Verse 2:**
I see your face in strangers on the street,
Hear your voice in every song's heartbeat.
They say time heals, but it just feels so wrong,
'Cause every day without you is just too long.
**Chorus:**
I miss you more with each passing night,
In the stars above, in the morning light.
You were my everything, my home,
Now I'm here, feeling so alone.
**Bridge:**
But I know you're watching from up above,
Sending down your everlasting love.
I'll hold on to the memories we've spun,
Until my time comes, and our hearts beat as one.
**Chorus:**
I miss you more, and it cuts so deep,
In the dreams I have, in the tears I weep.
You were my heart, my soul's refrain,
Now I'm singing this song, 'cause I miss you, again.
**Outro:**
So I'll carry on, with you in my heart,
Though we're worlds apart, we're never truly apart.
I miss you, love, and until my end,
I'll keep loving you, my lost friend. May this song bring comfort to those who are grieving, reminding them that love endures beyond separation.
”
”
James Hilton-Cowboy
“
What’s your name? Blanche DuBois?’ he said to me as we were waiting. ‘Sorry, you said it in the infirmary but you seem like you could be a Blanche.’ I just stared. ‘Blanche DuBois,’ he said again. I didn’t understand. ‘I’ve always relied on the kindness of strangers,’ he said. I still didn’t get it. ‘That’s what Blanche DuBois says. Sorry, it’s a Tennessee Williams character. You remind me of her.’ ‘It’s true, you’re being very kind, yes,’ I said and I thought that maybe it had been his kindness and not his cologne that had penetrated the shield I’d put up around myself. ‘You’re very kind,’ I said again. ‘I’m not talking about me, I’m talking about you,’ he said. ‘Every time I read or see A Streetcar Named Desire in the theatre, when Blanche says those lines, I think that a person who has to rely on the kindness of strangers must be all alone in the world. Even if they’re surrounded by people. If someone has to rely on the kindness of strangers it’s because the people around them aren’t people they can count on.’ His words described me so perfectly that I shuddered.
”
”
Claudia Piñeiro (A Little Luck)
“
Magnolia. Her hair is down, and she’s wearing a little sundress. She’s so beautiful, she takes my breath away. But her cheeks look hollow, like she’s lost weight recently. Is she having money trouble again? Is she not getting the groceries she needs? Why the hell haven’t I grilled Sienna more? She’s been strangely silent on the topic of her bestie. She and Sienna hug, but the two of them look somber for some reason. Next week, Ben and Sienna will be moving to Houston. The girls are probably sad to be separated. I feel like a thirsty man dying in the desert, steps away from a drink of water. But Ben and Sienna’s party doesn’t seem like the appropriate place to break the ice with Maggie. For all I know, she’ll toss her drink in my face. After a bit, I see her head toward the bathrooms. This is my chance. I follow her and wait in the hall. She’s in there for a while. Then I hear it. The puking. Is that Maggie? I pace outside the bathrooms, wondering if I should go in there, when I spot Ben’s aunt Teresa. “Tía,” I say, because we all call her Tía. “Can you check on Maggie for me? She’s in there, and it sounds like she’s getting sick.” Teresa and Maggie have spent a lot of time together at Ben’s taking care of his daughter, so she isn’t a stranger. After a moment, Teresa sticks her head back out. “Come help me.” I follow her in and find Maggie sprawled on the floor next to the toilet, dry-heaving. “Jesus, Maggie. What’s wrong?” I scoop her hair back and get a good look at her face. She’s pale. Really pale. And covered in sweat. This close, I can see dark circles under her eyes. “I’m fine,” she says, but when she wipes her mouth, her hands tremble hard. She starts retching again. “Did you get food poisoning or something?” Her eyes fill with tears. “I don’t know. I’ve had this bug I can’t seem to kick.” Teresa scoots in behind me and hands me a wad of damp paper towels. “Wipe her face.
”
”
Lex Martin (The Baby Blitz (Varsity Dads #3))
“
Let’s get to your first assignment,” Lucky says. “Character. What I’d like you to do is venture out into the world somewhere, could be your local farmers’ market, your office building—Nancy, I see you work at the RMV, that’s a fertile environment—and choose two individuals to observe. Then I’d like you to dramatize a scene between the two with an eye toward developing this scene into a story. The late great novelist John Gardner famously said that there are only two plots: One, a person goes on a journey, and two, a stranger comes to town.” Lucky pauses and Sharon furiously scribbles on her legal pad. Sharon is hopelessly old-school; both Nancy and Willow type on their laptops. “Go forth and observe, then, my friends. We’ll meet again next week and you can share what you’ve written with the group.
”
”
Elin Hilderbrand (Swan Song (Nantucket, #4))
“
The ‘magic’ of Lothlórien has many roots (some of them to be discussed later on), but there is one thing about it which is again highly traditional, but also in a way a strong re-interpretation and rationalization of tradition. There are many references to elves in Old English and Old Norse and Middle English, and indeed in modern English – belief in them seems to have lasted longer than is the case with any of the other non-human races of early native mythology – but one story which remains strongly consistent is the story about the mortal going into Elfland, best known, perhaps, from the ballads of ‘Thomas the Rhymer’. The mortal enters, spends what seems to be a night, or three nights, in music and dancing. But when he comes out and returns home he is a stranger, everyone he once knew is dead, there is only a dim memory of the man once lost in Elf-hill. Elvish time, it seems, flows far slower than human time. Or is it far quicker? For there is another motif connected with elves, which is that when their music plays, everything outside stands still. In the Danish ballad of ‘Elf-hill’ (Elverhøj), when the elf-maiden sings: ‘The swift stream then stood still, that before had been running; the little fish that swam in it played their fins in time’. Tolkien did not at all mind deciding that ancient scribes had got a word wrong, and correcting it for them, but he was at the same time reluctant ever to think that they had got the whole story wrong, just because it did not seem to make sense: it was his job to make it make sense. Lothlórien in a way reconciles the two motifs of the ‘The Night that Lasts a Century’ and ‘The Stream that Stood Still’. The Fellowship ‘remained some days in Lothlórien, as far as they could tell or remember’. But when they come out Sam looks up at the moon, and is puzzled:
‘The Moon’s the same in the Shire and in Wilderland, or it ought to be. But either
it’s out of its running, or I’m all wrong in my reckoning.’
He concludes, it is ‘as if we had never stayed no time in the Elvish country…Anyone would think that time did not count in there!’ Frodo agrees with him, and suggests that in Lothlórien they had entered a world beyond time. But Legolas the elf offers a deeper explanation, not from the human point of view but from the elvish (which no ancient text had ever tried to penetrate). For the elves, he says:
‘the world moves, and it moves both very swift and very slow. Swift, because they themselves change little, and all else fleets by: it is a grief to them. Slow, because they do not count the running years, not for themselves. The passing seasons are but ripples ever repeated in the long long stream.’
What Legolas says makes perfect sense, from the viewpoint of an immortal. It also explains how mortals are deceived when they enter into elvish time, and can interpret it as either fast or slow. All the stories about elves were correct. Their contradictions can be put together to create a deeper and more unpredictable image of Elfland, at once completely original and solidly traditional.
”
”
Tom Shippey (J.R.R. Tolkien: Author of the Century)
“
In a Burst of Oneness When wax and wick work best, light and heat are all that's left. Like a candle, our wick of spirit is encased in our humanity, and when our spirit is touched, we light up until all we know melts and changes shape for the burn of our experience. Repeatedly, our sweat and struggle burns our sense of self and world away, so that our Divine spark can be released, again and again. These moments of Spirit-Lighting-Up not only rearrange our lives, but they light and warm those who stay near. In such moments, we become one with what we see, and this sudden Oneness is what the faithful of all paths have called Love. And in the illumination of Oneness called Love, all that's left is a willingness toward birth, an urge to be touched by something timeless and fresh. All that's left is the want of deep parts in strangers. To relish the waking over being awake, the burning over being burned, the loving over being loved. When we can be—no matter how briefly—at one with what we have in common with all life, we are rewarded beyond attachment and ownership. This is the difference between becoming a singer and becoming the song. This is the best of ambition: that the dancer melts into the dance, and the lover melts into the act of love, and the builder melts into the thing being built, until in a burst of Oneness, dancer and lover and builder are one. Perhaps momentarily, when swimming with the stream, we are the stream; when moving with the music, we are the music; when rocking the wounded, we are the suffering. Perhaps momentarily, when thinking without masks, we are pure thought; when believing without doubt, we are God. Perhaps love is an instrument we play for all we're worth in an orchestra yet to be convened. Perhaps this is why, in the fullest moments of loving or knowing or being, we go nameless and timeless and breathless—everything about us used up, like a candle, burned over and over, just to light entire rooms with our flicker.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
There's something about being surrounded by strangers you'll never see again that can change your perspective of what's embarrassing. We
”
”
Amy Sparling (Summer Unplugged (Summer Unplugged, #1))
“
The others climbed into the back of the truck with the pitchforks and the pinestraw, leaving Stacy all alone in the front with the man. She sat as close to the door as she could and held the handle tight in case she had to jump out or something. Suspiciously, she looked at the big paper bag on the seat between them.
The man, still frowning, put the truck into gear. With a jolt, they started off. Before they had gone very far he slammed on the brakes, throwing them all forward.
He doesn’t even have seatbelts, Stacy thought. But how can you think of dumb things like that when you’re about to die?
“Sorry,” he said gruffly. “I forgot. I’ve got to make one stop before we go to the dairy barns.”
Throwing the truck into reverse, he backed up a few yards to a narrow road that led into the woods. A small sign that read “Private! Closed to the Public” was posted by the side of the road.
Oh dear, Stacy thought, we’re doomed now. How many times did Mom ever tell me never to get into a car with a stranger? And now I’ve gone and done that and here we are heading down an off-limits road into the woods. She had a cold chill, and this time it wasn’t from her wet clothes.
They bounced down the rutted road. In the mirror outside her window, she could see the kids hanging on to the side of the truck for dear life.
The arms of the low pines brushed the roof of the truck with a skeletal scraping down. At least they came to an opening. Before her Stacy could see rows and rows of vines. “Vineyards,” she whispered to herself.
Suddenly, the man slammed on his brakes. The truck jarred to a stop. Without a word he threw open the door and climbed out. Now we’re in for it, thought Stacy. I just know he’s coming around this side to get me.
She squeezed her eyes shut tight. Over the idling hum of the motor she could hear him walking. Then there was a squeal from the kids in the back of the truck. Oh, my goodness, she thought, squinching her eyes tighter and tighter until they hurt. What is he doing to them?
In a moment he slung the door of the truck open. In spite of herself she turned and looked at him. He had a big grin on his face. And his shirt was covered with a big purple stain. Blood!
“Your shirt,” she stuttered, pointing a quivery finger toward him.
He laughed. “Juice,” he said. “Juice from the grapes.”
Stacy sniffed. Sure enough it did smell like grape juice. She got up the nerve to look in the rearview mirror. The kid’s heads bobbed in the back.
Slowly she ungripped her hand from the door handle. The man waved an arm towards the vineyards. “We grow grapes for wine here. It’s just another way to use the land like Mr. Vanderbilt thought you should.”
Stacy just stared at his shirt again and said, “Oh.
”
”
Carole Marsh (The Mystery of the Biltmore House (Real Kids! Real Places! (Paperback)))
“
I weave through LA's famous Farmers Market, which is really more of an outdoor food court, and now I'm a few minutes late. And the place is packed and there's still the uncertainty about where to meet when I look down and realize I'm wearing yellow pants. Yellow pants. Really? Sometimes I don't know what I'm thinking. They're rolled at the cuff and paired with a navy polo and it looks like maybe I just yacht my yacht, and I'm certain to come off as an asshole.
I thin about canceling, or at least delaying so I can go home and change, but the effort that would require is unappealing, and this date is mostly for distraction. And when I round the last stall--someone selling enormous eggplants, more round than oblong, I see him, casually leaning against a wall, and something inside my body says there you are.
'There you are.'
I don't understand them, these words, because they seem too deep and too soulful to attach to the Farmers Market, this Starbucks or that, a frozen yogurt place, or confusion over where to meet a stranger. They're straining to define a feeling of stunning comfort that drips over me, as if a water balloon burst over my head on the hottest of summer days. My knees don't buckle, my heart doesn't skip, but I'm awash in the warmth of a valium-like hug. Except I haven't taken a Valium. Not since the night of Lily's death. Yet here is this warm hug that makes me feel safe with this person, this Byron the maybe-poet, and I want it to stop. This--whatever this feeling is--can't be a real feeling, this can't be a tangible connection. This is just a man leaning against a stall that sells giant eggplants. But I no longer have time to worry about what this feeling is, whether I should or shouldn't be her, or should or should't be wearing yellow pants, because there are only maybe three perfect seconds where I see him and he has yet to spot me. Three perfect seconds to enjoy the calm that has so long eluded me.
'There you are.'
And then he casually lifts his head and turns my way and uses one foot to push himself off the wall he is leaning agains. We lock eyes and he smiles with recognition and there's a disarming kindness to his face and suddenly I'm standing in front of him.
'There you are.' It comes out of my mouth before I can stop it and it's all I can do to steer the words in a more playfully casual direction so he isn't saddled with the importance I've placed on them. I think it comes off okay, but, as I know from my time at sea, sometimes big ships turn slowly.
Byron chuckles and gives a little pump of his fist. 'YES! IT'S! ALL! HAPPENING! FOR! US!'
I want to stop in my tracks, but I'm already leaning in for a hug, and he comes the rest of the way, and the warm embrace of seeing him standing there is now an actual embrace, and it is no less sincere. He must feel me gripping him tightly, because he asks, 'Is everything okay?'
No. 'Yes, everything is great, it's just...' I play it back in my head what he said, the way in which he said it, and the enthusiasm which only a month had gone silent.
'You reminded me of someone is all.'
'Hopefully in a good way.'
I smile but it takes just a minute to speak. 'In the best possible way.'
I don't break the hug first, but maybe at the same time, this is a step. jenny will be proud. I look in his eyes, which I expect to be brown like Lily's but instead are deep blue like the waters lapping calmly against the outboard sides of 'Fishful Thinking.'
'Is frozen yogurt okay?'
'Frozen yogurt is perfect.
”
”
Steven Rowley (Lily and the Octopus)
“
How many drinks have you had today, Livia?”
She shakes her head. “Nuh-uh. This is not about me being a tiny, miniscule amount of tipsy.” Her normally precise voice stumbles over the word miniscule. “This is about you lying about your super sperm!”
Well. Everyone is certainly staring at us now.
I take Liv’s elbow and guide her into a corner of the room, deciding that sober Liv probably wouldn’t want to rant about sperm in front of a room of strangers.
Once we get into the corner, Liv yanks her elbow out of my grasp with the unflappable dignity of the drunk. “You said you had super sperm,” she continues in a whispered hiss. “And you don’t. You have the opposite of super sperm! You have unsuper sperm, you have microsperm, you have…”
Her eyes glance around as she tries to think of something especially cutting. They land on my arm, where my tattoo peeks out from under my sleeve. “You have Hydra sperm. Captain America would hate your sperm.”
Whoa.
“Now, let’s not say things we’re going to regret in the heat of the moment.”
She growls again.
“And baby, you barely know my body at all if you think my sperm is unsuper, micro, Hydra sperm.”
“I do know your body, and I know about your giant, awesome cock—”
“Okay, well maybe you know my body a little bit—”
“—and you were supposed to get me pregnant and you didn’t.” Her eyes get glossy and her chin has the faintest tremble in it. And for some reason, seeing her chin quiver is like being punched in the chest. I can’t stand it.
I’m already pulling her into my arms when she manages in a teary whisper, “I got my period this morning. I’m not pregnant.
”
”
Laurelin Paige (Hot Cop)
“
Look around you,” the stranger said. “Can’t you see that we are living amongst the ruins of our civilisation?”
The words seemed to chime in with the deliberations already in Egremont’s mind, and he thought again of the disillusionment he felt over his own time spent in the corridors of power in the European Union. What good had come out of the project? A series of once great cities Americanised out of all recognition, streets thronged with homogenised consumerist outlets, a gulf between cultural and historical identity, blatant social engineering, obscenely wealthy masters of state and private enterprises, a celebrity-obsessed media, intellectual debates reduced to sound bites, a collective attention span that diminished year on year, aged people with plastic faces worshipping youth and an intelligentsia committed only to the self-destructive cause of fashionable cynicism.
”
”
Mark Samuels (Written In Darkness)
“
I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.
”
”
Brianna West, The Truth About Everything
“
Deciding she had not forgotten how to speak Ima Dean offered me this: "Those boys looked mean, like they'd start a fire or something like that. That's why I hollered at them like I did."
"I see. Ima Dean, can you hear me or have your ears gone bad on you again?"
"No'm, I can hear you. You're mad at me, aren't you?"
"Why, no. Why should I be? It's all right to holler at strangers. I always do. If they run up to you and stick a knife in your ribs, well, what does that matter? We're Christians. We know this is not the only life.
”
”
Vera Cleaver (Trial Valley)
“
But you might wonder to yourself: What if I never find love? After all, you can’t be held responsible if you’ve searched for love, risked in love, even fought for love, and yet have always found it unrequited. When love does not come to you, it breaks your heart, but when you do not give love away, it hardens your heart. One thing stranger than our need to be loved is our need to love, which again leads me to my conspiracy theory: We are designed for love.
”
”
Erwin Raphael McManus (Soul Cravings: An Exploration of the Human Spirit)
“
Star Struck
Our group visited the laser light show, an attraction mixing music and beams of bright colors as they formed constellations and abstract shapes. An awe-inspiring performance, but as it ended, I noticed the stranger, eyes still focused on me. I turned away quickly.
“Look--over by the door. There he is again.” I gestured for my friend to sneak a peek in the direction of the man.
“Where?” She squinted, her head pointed straight at him. “I don’t see him--maybe he left.”
Frustration tinged my voice. “He’s right there--hasn’t moved an inch. He’s almost smiling at me now. Please don’t try to say I’m imagining him.” Fear mounted in me. Was I being stalked? I tucked the thought away, determined to enjoy this time with my companions, to relax in the gentle warmth of the sun.
As our excursion neared its end, I glanced to the left, at the wall of a building, devoid of gates or doors of any sort. The man leaned against it, looking at me. This time I stared back, determined to show a bravery I didn’t feel. Hidden in pockets, my hands trembled.
A calm smile and deep compassion shone on his face as we locked eyes for what felt like minutes, but probably lasted only seconds. Then--I don’t know how to explain it--it was as though a burst of conversation swept from his mind to mine.
“Everything’s going to be all right.”
I felt an intense warmth head to toe, as though embraced in a spiritual hug from the inside out.
“There’s work ahead.”
I took a deep breath, maintaining the eye contact, listening.
He continued to smile with his eyes. “I’ll be watching.”
I nodded slowly, softly. I understood. And felt safe.
A friend tugged on my arm, pulling me toward another monument. I turned my head back for a glimpse of the man, but he was gone. I scanned the building once more, searching for openings he could have exited through. There were none.
I shook my head. I knew I’d seen him. And he’d seen me. I was certain he was real. I still felt his warmth.
We headed for home, my mind filled with questions about the man, and the message I’d somehow received. Reason fought against intuition. He was just an ordinary guy. Or was he?
In the months to come, I overcame my fears and visited the doctor. I underwent three cardiac catheterization operations, and a successful triple-bypass surgery. Through them all, I knew I’d be al right.
Years have passed since that day. But the peace he projected has remained with me. God sent me comfort in a way I needed, in a form I could understand and trust--an ordinary-looking man. He gave me the courage and the confidence to take care of my health problems.
My angel.
And even though I can’t see him, I know he’s still watching. I know things are going to be all right.
How can I be so sure?
Because there’s still work for me to do. He told me so.
-Nancy Zeider
”
”
Jack Canfield (Chicken Soup for the Soul: Angels Among Us: 101 Inspirational Stories of Miracles, Faith, and Answered Prayers)
“
Jeremiah’s Temple Message 7 This is the word that the LORD spoke to Jeremiah: 2“Stand at the gate of the Temple and preach this message there: “‘Hear the word of the LORD, all you people of the nation of Judah! All you who come through these gates to worship the LORD, listen to this message! 3This is what the LORD All-Powerful, the God of Israel, says: Change your lives and do what is right! Then I will let you live in this place. 4Don’t trust the lies of people who say, “This is the Temple of the LORD. This is the Temple of the LORD. This is the Temple of the LORD!” 5You must change your lives and do what is right. Be fair to each other. 6You must not be hard on strangers, orphans, and widows. Don’t kill innocent people in this place! Don’t follow other gods, or they will ruin your lives. 7If you do these things, I will let you live in this land that I gave to your ancestors to keep forever. 8“‘But look, you are trusting lies, which is useless. 9Will you steal and murder and be guilty of adultery? Will you falsely accuse other people? Will you burn incense to the god Baal and follow other gods you have not known? 10If you do that, do you think you can come before me and stand in this place where I have chosen to be worshiped? Do you think you can say, “We are safe!” when you do all these hateful things? 11This place where I have chosen to be worshiped is nothing more to you than a hideout for robbers. I have been watching you, says the LORD. 12“‘You people of Judah, go now to the town of Shiloh, where I first made a place to be worshiped. See what I did to it because of the evil things the people of Israel had done. 13You people of Judah have done all these evil things too, says the LORD. I spoke to you again and again, but you did not listen to me. I called you, but you did not answer. 14So I will destroy the place where I have chosen to be worshiped in Jerusalem. You trust in that place, which I gave to you and your ancestors, but I will destroy it just as I destroyed Shiloh. 15I will push you away from me just as I pushed away your relatives, the people of Israel!’ 16“As for you, Jeremiah, don’t pray for these people. Don’t cry out for them or ask anything for them or beg me to help them, because I will not listen to you. 17Don’t you see what they are doing in the towns of Judah and in the streets of Jerusalem? 18The children gather wood, and the fathers use the wood to make a fire. The women make the dough for cakes of bread, and they offer them to the Queen Goddess. They pour out drink offerings to other gods to make me angry. 19But I am not the one the people of Judah are really hurting, says the LORD. They are only hurting themselves and bringing shame upon themselves. 20“‘So this is what the Lord God says: I will pour out my anger on this place, on people and animals, on the trees in the field and the crops in the ground. My anger will be like a hot fire that no one can put out.
”
”
Max Lucado (NCV, Grace for the Moment Daily Bible: Spend 365 Days reading the Bible with Max Lucado)
“
Hi, Dale, it’s Gabby...Clay’s girlfriend.” It felt weird giving myself that title, but I pushed it aside. Bigger issues to deal with. “If he’s there, can I talk to him?” Dale chuckled. “Sure, but I don’t imagine it’d be much of a conversation.” I heard him call out to Clay. A moment later, a husky voice said, “Hello?” After not talking to me for so long, hearing his voice startled and annoyed me slightly. He would talk to a perfect stranger, but not me? I opened my mouth to say something about it, but the pain in my head insistently prodded me to get on with the important news. “Clay, I did it again. I’m at the diner where we had breakfast. I need you to come get me before it gets worse.” He didn’t say anything for so long that I looked at the phone to see if I still had a signal. The screen said disconnected. Would it have killed him to say “Okay” or maybe even “Bye” before hanging up? His hello had been too shocking to recall the sound of his voice. I sighed and put my cell away. With Sam’s frequent calls and Rachel’s occasional texts, my remaining minutes dipped into the double digits. I needed to adjust my budget to buy more airtime. Did life really need to throw me this many curveballs? And all at once? I forced myself to eat more of my mostly untouched meal so the waitress wouldn’t bother me as I waited. The last of the waves hit me. Only determination and a hand over my mouth kept me from whimpering. After about ten minutes, I settled the bill and watched out the window for Clay, barely checking the need to curl into a ball and lie down on the padded bench. The waitress kept a close eye on me, probably thinking she would need to clean up barf soon. She might. Dale’s huge tow truck pulled into the parking lot. Clay opened his door and leapt out while it still rolled to a stop. Through the window, he spotted me. His eyes never left me as he strode in and Dale pulled away. Clay still wore his greasy coveralls, and with his hair pulled back, he looked like an angel—a grimy one—coming to save me. Again. “Hi,
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
Rachel . . .” He ran a nervous hand through his hair and paused for a second, as if trying to figure out what to say. “The school year is about to end and you’ll be going back to Cali over the summer. I feel like I’m about to miss any chance with you I may have. And I don’t want to. I know you liked me when we were growing up. But, Rach, you were way too young back then.” “I’m still five years younger; that hasn’t changed.” He smirked. “You and I both know a relationship between a thirteen-year-old and eighteen-year-old, and a twenty-one- and twenty-six-year-old are completely different.” So? That doesn’t help my argument right now. “Well, you and I have both changed over the last eight years. Feelings change—” “Yes.” He cut me off and his blue eyes darkened as he gave me a once-over. “They do.” I hated that my body was responding to his look. But honestly, I think it’d have been impossible for anyone not to respond to him. Like I said. Adonis. “Uh, Blake. Up here.” He smiled wryly, and dear Lord, that smile was way too perfect. “Look, honestly? I have an issue with the fact that you’re constantly surrounded by very eager and willing females. It’s not like I’d put some claim on you if we went on a couple dates, but you ask me out while these girls are touching you and drooling all over you. It’s insulting that you would ask me out while your next lay is already practically stripping for you.” His expression darkened and he tilted his head to the side. “You think I’m fucking them like everyone else?” Ah, frick. Um, yes? “If you are, then that’s your business. I shouldn’t have said that, I’m sorry. But whether you are or not, you don’t even attempt to push them away. Since you moved here, I’ve never seen you with less than two women touching you. You don’t find that weird?” Was I really the only person who found this odd? Suddenly pushing off the wall he’d been leaning against, he took the two steps toward me and I tried to mold myself to the door. A heart-stopping smile and bright blue eyes now replaced his darkened features as he completely invaded my personal space. If he weren’t so damn beautiful I’d have karate-chopped him and reminded him of personal bubbles. Or gone all Stuart from MADtv on him and told him he was a stranger and to stay away from my danger. Instead, I tried to control my breathing and swallow through the dryness in my mouth. “No, Rachel. What I find weird is that you don’t seem to realize that I don’t even notice those other women or what they’re doing because all I see is you. I look forward to seeing you every day. I don’t think you realize you are the best part of my weekdays. I moved here for this job before I even knew you and Candice were going to school here, and seeing you again for the first time in years—God, Rachel, you were so beautiful and I had no idea that it was you. You literally stopped me in my tracks and I couldn’t do anything but watch you. “And you have this way about you that draws people to you . . . always have. It has nothing to do with how devastatingly beautiful you are—though that doesn’t hurt . . .” He smirked and searched my face. “But you have this personality that is rare. And it bursts from you. You’re sweet and caring, you’re genuinely happy, and it makes people around you happy. And you have a smile and laugh that is contagious.” Only men like Blake West could get away with saying things like that and still have my heart racing instead of making me laugh in their faces. “You’re not like other women. Even though these are the years for it, you don’t seem like the type of girl to just have flings, and I can assure you, that’s not what I’m into, nor what I’m looking for with you. So I don’t see those other women; all I’m seeing is you. Do you understand that now?” Holy shit. He was serious? “Rachel?” I nodded and he smiled. “So, will you please let me take you out this weekend?” For
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
Tell me who the guy is who did this to you.” Her head snapped up and her eyes widened before she could look away. “I don’t know what you’re talking about.” Her body started shaking again and she pulled her knees up to her chest like earlier. Oh fuck. No, Rach . . . God, no. Swallowing the lump in my throat, I kept going. “When did it happen?” “I don’t know what you’re talking about,” she repeated. “What’s his name?” “Whose?” “Do you know him, or was it a stranger?” She paused before answering. “I don’t know what you’re talking about, Kash.” “You know him. Does Candice know about this?” “Why are you doing this?” she whispered. God, baby, trust me, I don’t want to be. “When did it happen?” We continued to go in circles as I asked the same questions over and over, and then asked somewhat different variations of the same questions, every now and then throwing in an assumption, and after almost ten minutes, the tears started falling down her face. It killed me, but I couldn’t stop. I kept my voice monotone and forced myself to stay in my spot on the couch as her body tried hopelessly to curl in on itself while it vibrated almost forcefully. When I finally had her on the edge, I softened my voice and asked the question I didn’t want to know the answer to but needed to. “When were you raped, Rachel?” “I wasn’t raped!” she yelled, and her hands flew up to her face as a sob left her. Her shoulders began shaking harder with the sobs that were now coming, and I ground my jaw as I waited for her. “He didn’t—he wasn’t able to finish—Candice came back!” she cried. “He tried . . . he started to, but she came back. I tried to get him off me! He was choking me, I couldn’t breathe.” “So, Candice knows?” Her head shook furiously back and forth. “I tried—tried to tell her. She wouldn’t listen, and she won’t believe me. She . . . everyone thinks he can do no wrong. But he’s crazy, Logan.” She looked at me, her tear-streaked face breaking my heart as she willed me to understand. “He told me no one would believe me, he said I was his and he wouldn’t let anyone touch me. H-he’s crazy, I swear!” “What’s his name?” She shook her head again and I wanted to shake her. “I need to know his name, Rach. What’s his name?” “He works at the school. I have to see him every day because of my major. Candice too. But no one will believe you. Everyone loves him.” This sick fuck is a professor? “Name. What’s his name?” When she didn’t respond, I went back to my earlier questions. “Did this happen last night?” She jerked back and stared at me. “N-no! I haven’t seen him since that night. It was the week before school let out.” “This morning?” “I had another nightmare about him. He showed up at the door. This time—” She broke off on a sob. “No one was there to stop him before he finished this time.” Rachel. I wanted nothing more than to hold her, but with how she’d flinched away from us earlier, that would have been anything but helpful. My heart continued to break as she mumbled, “It felt so real,” over and over again. Giving
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
Paul tells us that, "The wages of sin is death." That's the bill. Our choice to sin has created a barrier between us and God, taken a toll on our relationship with Him that we can't fix, repair, or pay off on our own. Let's not minimize the situation. We've lived in offense to a holy, righteous God, who reigns in justice. We deserve death for what we've done. Like the Prodigal Son, we've robbed honor from our Father. We have scorned His provision and fled from His house. We have chosen wild living with strangers over a relationship with Him. Like the Prodigal Son, we've told God we'd be better off if He were dead. We've lived in ways that prove our distrust and disbelief in Him. We've chosen a path that leads to starvation and death, so that's what we deserve.
Despite all of this, God offers us a brand-new inheritance -- one that has been reclaimed and redeemed by His Son, Jesus Christ, who came to earth and died for our sins. The bill was totaled up, and Christ died to settle that bill. After being crucified, He rose to life again, and He now beckons us home, having prepared a place for us. In the fullness of our sin, God responded with the fullness of His grace through Jesus Christ.
”
”
Kyle Idleman
“
Two pairs of strangers performed. Jane watched them. Mr. Nobley watched her. Then it was her turn.
She curtsied to the audience, to Mr. Nobley, and faced him in the center of the floor. All eyes watched them. Jane looked for Martin in the crowd.
Maybe I really don’t want this, she thought. This is summer camp. This is a novel. This isn’t home. I need something real. Root beer and disposable umbrellas and bare feet real.
“I believe we must say something.”
It was Mr. Nobley who spoke.
“Sorry,” she said.
“Are you unwell tonight?”
“Do I look unwell?”
He smiled. “You are baiting me. It will not work tonight, Miss Erstwhile. I am completely at ease. I might even say, I am quite content.”
Jane pushed the air out of her lungs. Part of her very much wanted to banter and play, to twirl and laugh, to be Miss Erstwhile and fall in love with Mr. Nobley (fall back in love?), but she felt herself on that razor’s edge, talking toe to heel like a gymnast, and when she fell this time, she wanted to be on the real world side, away from heartless fantasy, into the tangible.
Then, with his hand on her waist to lead her through another figure, Mr. Nobley smiled at her again, and she clean forgot what she wanted.
Him, him, him! she thought. I want him and this and everything, every flower, every strain of music. And I don’t want it wrapped up in a box--I want it living, around me, real. Why can’t I have that? I’m not ready to give it up.
The first number ended, the group applauded the musicians. Mr. Nobley seemed to applaud Jane.
“You look flushed,” he said. “I will get you a drink.”
And he was gone.
Jane smiled at his back. She liked a man in tails. Something bumped her elbow.
“Excuse me…of, it is you, Jane, dear,” said Aunt Saffronia. She’d been watching Mr. Nobley as well, and her expression was still misty with contemplation. “Where is your partner off to?”
“He is fetching me a drink,” said Jane. “I’ve never seen him so attentive. Or so at ease.”
“Nor I, not in the four years I have known him. He is acting like a proper gentleman in love, is he not? I might almost say that he looks happy.” Aunt Saffronia was thoughtful, and while she stared, she idly bit her fingernail right through her glove.
“Is he in love?” asked Jane. She was feeling bold in her bridal gown.
“Hm, a question only hearts can answer.” She looked fully at Jane now and smiled approvingly. “Well, you are a confection tonight! And no wonder.”
Aunt Saffronia leaned in to touch cheeks and kiss, and Jane caught a trace of cigarette smoke. Could the dear lady be the unseen smoker? What a lot of secrets in this place, thought Jane. She’d never before considered that Austen didn’t just write romances and comedies, but mysteries as well.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
So Lisa as your matron of honor and Stephanie as bridesmaid,” Cat was saying. “Do you know who Sean wants as best man?”
“No. We haven’t gotten that far yet.” He didn’t hear any tension in Emma’s voice, but he guessed she was feeling it. Planning a wedding that wasn’t going to happen was weird, to say the least.
“Maybe we could ask Mike’s oldest son—Joey, right?—to be a groomsman so he can escort Stephanie.”
“I don’t know,” Emma said. “I don’t think it’s very fair to ask one of the boys and not the others.”
“True. Maybe they could be ushers and then join their parents once everybody’s seated.”
Sean had just decided to beat a fast retreat back to the living room, when he heard a chair scrape back.
“We can talk about that later, Gram. Right now I should go wake Sean so he’s not still groggy when we ask him to fire up the grill.”
He didn’t have time to escape, so he leaned against the counter and twisted the top of his beer. Emma paused when she saw him, and then grabbed his hand and dragged him down the hall to the living room.
“Where did you disappear to?” he asked.
“What? Oh, a client had an emergency. But—”
“There are gardening emergencies?”
She blew out an exasperated breath. “Yes. When you’re rich, everything’s an emergency. But did you hear what Gram was saying?”
“Yeah. How the hell are guys supposed to pick a best man, anyway? I’ve got three brothers and I like them all. And what about Mikey? Or Kevin or Joe? It seems easier to pick a stranger off the street so you don’t have to play favorites. I guess maybe I’d ask Mitch. He’s the oldest, so most of what the rest of us know about catching a woman we learned from him.”
“In case you’ve forgotten, you haven’t actually caught a woman yet. And it doesn’t really matter who you choose, because there is no wedding.”
She was wound up like an eight-day clock, so he didn’t dare laugh at her. Her cheeks were bright and she kept spinning her ring around and around on her finger. Since there was nothing he could say to make her feel better about Cat wanting to plan their fake wedding, he slid the hand not holding his beer around her waist and hauled her close.
“You worry too much,” he told her.
“And you—”
He kissed her to shut her up. And because all he’d been able to think about since the last time he’d had his hands on her was getting his hands on her again. And, most of all, because he liked kissing her. A lot. Maybe too much, if he thought about it.
So he didn’t think about it. Instead, he lost himself in the taste of her mouth and the softness of her lips and the way her hands slid over his lower back, holding him close.
“Oh,” Cat said from behind him. “I didn’t mean to interrupt.”
“No,” Emma said. “We were just…talking.”
“I can see that.
”
”
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
“
Unfortunately, this unexpected, internal condition has often been called “falling in love.” This reaction to attraction, which we could also describe as a “chemically induced crush,” is actually infatuation. Who among us has not walked into a room, made eye contact with a complete stranger, and felt an instant, unexpected rush of emotion and attraction? Who hasn’t had that sudden impulse to look again? Why these moments happen and what exactly triggers them— who knows? But the feelings are definitely a temporary condition. The attraction is neither irresistible nor dependable. You can easily experience infatuation with people who would turn out to be relational nightmares. That’s why it is so dangerous
”
”
Chip Ingram (Love, Sex, and Lasting Relationships)
“
You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston." The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...." And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be! You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
You’re blaming me?” “Of course not,” he said brusquely. “But the whole thing brought me to my senses. We’ve made a mistake, Emma. I want you to go back to Chloe’s and forget you ever knew me.” One of Emma’s hands rose to her mouth to hold back a cry that never came. “You don’t mean that,” she said after a moment of struggle. “You’re only trying to protect me.” He stared at her for a long moment, and she saw a stranger looking out of his eyes. “I’m not protecting you,” he said. “I’m trying to get rid of you. Damn it, do I have to come right out and say I shouldn’t have married you?” Emma rose from her chair with dignity. “You’re a liar, Steven Fairfax. And I won’t leave you. Nothing but death itself could make me do that!” Steven turned his back to her and went to stand at the window, gazing out. “I don’t love you,” he told her. “You’re a liar!” Emma said again, and this time her voice held a note of hysteria. “You’ve given up, and you think you can spare me by sending me away! Well, I won’t go, do you hear me? I won’t go!” He whirled and glared at her, and she wished for death at the look she saw in his eyes. “If you won’t go, then I will,” he spat.
”
”
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
“
Mr. Nobley was walking briskly from one room to the next, his eyes up as though trying to avoid eye contact. He looked scrumptious in his black jacket and white tie. Even better when he saw her and stopped. Really looked. Zing. Hello, Nobley.
“Mr. Nobley!” A stranger woman of retirement age waved a handkerchief gleefully and bustle-jogged toward him. Mr. Nobley fled.
And then, Martin was there, in tails, cravat, and all, and scanning the crowd.
For my face, she thought.
It was Martin’s turn to look up, to see her. His expression was--whoa, she knew now that she was looking pretty good. Others noticed his expression and turned as well. The murmuring hushed and music swirled from the other room. She was Cinderella entering alone. What, no trumpets?
Martin rushed up several steps to escort her down.
“I’m fine,” she whispered.
He took her arm anyway. “That’s a crackin’ dress, Jane. I mean…Miss Erstwhile. Might I have the pleasure of obtaining your hand for the next two dances?”
Ah, his smell! She was in his room again, static on the TV, a can of root beer so cold it was sweating, his hands touching her face. She wanted him close. She wanted to feel as real as she had those nights. Her sleeves pinched her shoulders, her dress felt heavy in the skirts.
“I can’t, Martin,” she said. “I already promised--”
“Miss Erstwhile,” Mr. Nobley was standing at her elbow. He bowed civilly. “The first dance is beginning, if you care to accompany me.”
Was there a look that passed between the two men? Some heated past? Or would they (wahoo!) have a jealous tussle over Jane’s attentions?
Nope. Mr. Nobley led her away. Martin stayed put, watching her go, something of a puppy dog in his eyes. She tried to say with her own, “I’m sorry I ignored you the night of the theatrical and I understand why you judged me for being the kind of woman to fall in love with this fantasy and I’ll be back and maybe we can talk then or just make out,” though she didn’t know how much of that she actually communicated. Maybe just a part, like “I’m sorry” or “you judged me” or “make out.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
For all our macho bravado and boastfulness about our conquests and our often glib, "give-a-damn" attitude, us man-folk are, at heart, needy, desperate, scared, confused and, just like women who dream of their fairytale wedding from a very young age, looking for love. Some of us are lucky enough to find it, the luckiest of us get to keep it, but at a price, for we know the awful fear that consumes our waking thoughts, the thought that this might end. If we are unfortunate enough to lose it then we deal with the pain in different ways. The man whose masculinity is his most treasured possession will try and shrug it off, begin looking around for some quick and easy way to make the pain seem trivial and little more than a drop in the water by embracing some stranger who is also looking to recapture that lost feeling of love. Some men, myself included, will languish in the pain, unable to let go of something wonderful that once existed, and dream of how it was and how it could be again. Others will be unable to cope with what has been done to them, unable to believe that what was once briefly so pure and right was anything less than a facade, a lie, a cruel trickery. This man's feelings can only be expressed as futile anger, desperation and helplessness.
rateyourmusic.com /music-review/ozzystylez/converge/jane-doe/4640948
”
”
Matthew Osborne
“
A house in the country to find out what’s true / a few linen shirts, some good art / and you.”
This is intimacy: the trading of stories in the dark.
Marriage has a bonsai energy: It’s a tree in a pot with trimmed roots and clipped limbs. Mind you, bonsai can live for centuries, and their unearthly beauty is a direct result of such constriction, but nobody would ever mistake a bonsai for a free-climbing vine.
Marriage as an institution has always been terrifically beneficial for men.
The really clever trick is this: Can you accept the flaws? Can you look at your partner’s faults honestly and say, ‘I can work around that. I can make something out of that.’? Because the good stuff is always going to be there, and it’s always going to be pretty and sparkly, but the crap underneath can ruin you.”
When you become infatuated with somebody, you’re not really looking at that person; you’re just captivated by your own reflection, intoxicated by a dream of completion that you have projected on a virtual stranger.
People are far more susceptible to infatuation when they are going through delicate or vulnerable times in their lives. The more unsettled and unbalanced we feel, the more quickly and recklessly we are likely fall in love.
Infatuation alters your brain chemistry, as though you were dousing yourself with opiates and stimulants.
And infatuation is the most perilous aspect of human desire. Infatuation leads to what psychologists call “intrusive thinking”—that famously distracted state in which you cannot concentrate on anything other than the object of your obsession.
An old Polish adage warns: “Before going to war, say one prayer. Before going to sea, say two prayers. Before getting married, say three.”
“Sometimes life is too hard to be alone, and sometimes life is too good to be alone.”
We derail our life’s journey again and again, backing up to try the doors we neglected on the first round, desperate to get it right this time.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
You can’t re-create the first time you promise to love someone or the first time you feel loved by another. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again.
”
”
Renee Carlino (Before We Were Strangers)
“
It sounds like you feel ashamed that you did not live up to your parents’ expectations,” she said. His eyes filled with tears. That was it. The need to belong. To be seen. To be loved. To succeed. To matter. His rage was a symptom of his pain. “Pain that is not transformed is transferred,” says Franciscan priest Richard Rohr. When we leave people alone with their pain, their alienation becomes the precondition for radicalization. But in listening to people’s pain, we can help them transform it. If you are like Sister Simone, you might be in a position to listen to disaffected white people in your family or community who are terrified by our nation’s demographic transition. You might be able to help them grieve the illusion that America ever belonged only to them. Maybe you can invite them to see that they do not need to fear or hate us. Maybe you can show them spaces where white people and people of color are congregating around common pain to push for change—in healthcare, criminal justice, and education. Then again, maybe you can’t move them at all. But what you learn can still help someone like me. I want to hold up a vision of an America that has a place for all of us—them, too.
”
”
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
“
He took in the curving outline of her small breasts and their hardened, dark tips before he thought to avert his gaze. She wrung water from her hair, still facing toward him, oblivious. He cleared his throat. “Kadaki, I can see through your shirt.” Out of the corner of his eye, he saw her giving him a half-lidded stare. She looked like she was questioning his intelligence. “I know. I can see you staring at my breasts, believe it or not.” He jerked to look up at her, and had to quickly look away again. He scoffed, offended. “That wasn’t staring. It was a mere brief glance, if anything.” She gave him a look that he couldn’t quite interpret, but she didn’t seem pleased with him. “I have no need to steal looks at women,” he said. “It’s not as if I have a shortage of breasts to look at.” “Yes, you can get any woman you want, of course,” she drawled. “Consider me very impressed.” “I’m not talking about people I’m romantically involved with.” She gave him another look. “You spend a lot of time leering at strangers’ breasts, do you?” “Yes—no.” He climbed out of the pool. Water from his sodden clothes splashed on the stone floor. “Not leering. But they’re… there, sometimes, obviously. I’m around women frequently, you know. There are plenty of women in the Ysuran military. It’s not like the Ardanian army. And there are times when we’re bathing, or changing, or what have you.” “So this is a story about how you stare at your subordinates’ tits while they’re changing?” He glared.
”
”
Nina K. Westra (Sun Elves of Ardani (Elves of Ardani #3))
“
I realised I had, for over twenty years now, been sending out and receiving signals with large numbers of people all throughout the day. Texts, Facebook messages, phone calls - they were all little ways in which the world seemed to say: I see you. I hear you. We need you. Signal back. Signal more. Now the signals were gone, and it felt like the world was saying - you don't matter. ...I would often start conversations with people - on the beach, in bookstores, in cafes - and they were often friendly, but the conversations seemed to have a low social temperature compared to the web-based ones I had lost. No stranger is going to flood you with hearts and tell you you're great. For years I had derived a large part of my meaning in life from the thin, insistent signals of the web. Now they were gone, and I could see how paltry and lacking in substance they were. But, still, I missed them.
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
“
This feeling of irritability and alienation meant I was malleable. Have you ever tried to argue with someone who doesn’t want anything from you? It’s hard. Have you ever noticed in a row with someone that no longer loves you that you have no recourse? No tools with which to bargain. If you stroll up to a stranger and tell them that unless they comply with your demands they’ll never see you again, it’s unlikely that they’ll fling themselves at your feet and beg you not to go. They’ll just wander off. When people are content, they are difficult to maneuver. We are perennially discontent and offered placebos as remedies. My intention in writing this book is to make you feel better, to offer you a solution to the way you feel. I am confident that this is necessary. When do you ever meet people that are happy? Genuinely happy? Only children, the mentally ill, and daytime television presenters. My belief is that it is possible to feel happier, because I feel better than I used to. I am beginning to understand where the solution lies, primarily because of an exhausting process of trial and mostly error. My qualification to write a book on how to change yourself and change the world is not that I’m better than you, it’s that I’m worse. Not that I’m smarter, but that I’m dumber: I bought the lie hook, line, and sinker. My only quality has been an unwitting momentum, a willingness to wade through the static dissatisfaction that has been piped into my mind from the moment I learned language. What if that feeling of inadequacy, isolation, and anxiety isn’t just me? What if it isn’t internally engineered but the result of concerted effort, the product of a transmission? An ongoing broadcast from the powerful that has colonized my mind? Who is it in here, inside your mind, reading these words, feeling that fear? Is there an awareness, an exempt presence, gleaming behind the waterfall of words that commentate on every event, label every object, judge everyone you come into contact with? And is there another way to feel? Is it possible to be in this world and feel another way? Can you conceive, even for a moment, of a species similar to us but a little more evolved, that have transcended the idea that solutions to the way we feel can be externally acquired? What would that look like? How would that feel—to be liberated from the bureaucracy of managing your recalcitrant mind. Is it possible that there is a conspiracy to make us feel this way? If we were cops right now, we’d look for a motive. If our peace of mind, our God-given right to live in harmony with our environment and one another, has been murdered, who are the prime suspects? Well, who has a motive?
”
”
Russell Brand (Revolution)
“
Daredevil: "You want to use what's on that drive just to avenge your husband? It's not worth it. You're special I get it. . .I mean it. The bad guys took somebody you love, and it hurt worse than anything you could ever have imagined. Me, too. They took my dad. Your buddy, Frank? They took his wife AND kids. Want to know who else has that story? Go to the Avengers mansion and throw a stick. Everyone I know has lost someone in that way. And it never stops aching. And I'm sorry, but that does not elevate you. What does make you special is that you have game. Obviously, and focus. I've seen you in action. You've got the stuff. Put it to good use."
Rachel Cole-Alves: "You know what give me strength? My loss. We're alike. Admit it: Nobody who's a stranger to that particular pain could EVER be as driven as us."
Daredevil: "NEVER! Don't ever say that to me ever again. That is a repellent statement. IT's a vomitous insult to every cop-- every Fireman-- Every soldier alive who steps up to fight for those who can't! I am Sorry for your Loss! But if you genuinely believe that only the Death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!
”
”
Mark Waid (Daredevil, Volume 2)
“
Daredevil: "You want to use what's on that drive just to avenge your husband? It's not worth it. You're special I get it. . .I mean it. The bad guys took somebody you love, and it hurt worse than anything you could ever have imagined. Me, too. They took my dad. Your buddy, Frank? They took his wife AND kids. Want to know who else has that story? Go to the Avengers mansion and throw a stick. Everyone I know has lost someone in that way. And it never stops aching. And I'm sorry, but that does not elevate you. What does make you special is that you have game. Obviously, and focus. I've seen you in action. You've got the stuff. Put it to good use."
Rachel Cole-Alves: "You know what gives me strength? My loss. We're alike. Admit it: Nobody who's a stranger to that particular pain could EVER be as driven as us."
Daredevil: "NEVER! Don't ever say that to me ever again. That is a repellent statement. It's a vomitous insult to every cop-- every Fireman-- Every soldier alive who steps up to fight for those who can't! I am Sorry for your Loss! But if you genuinely believe that only the Death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!
”
”
Mark Waid (Daredevil, Volume 2)
“
As spiritual beings, to some extent, we are ever a stranger to normal human life. We are in the world but not of it. When the humanness has diminished enough and the human karma worked through enough, the alone feeling evaporates, never to return. In fact, it becomes apparent that it would be impossible to ever feel alone again as one is intimately connected to a thriving life-force. We feel intrinsically related to everyone. We have a deep solitariness but we can never be lonely because there can no longer be any separation from God. We are more a part of humanity than ever before because we see all as of God. We are all here together, joined irrevocably in the evolution of humanity both individually and collectively.
”
”
Donna Goddard (The Love of Devotion (Love, Devotion, and Longing, #2))
“
In 2016 Brad returned from his third tour of duty in Afghanistan with a reasonable amount of economic security. But he felt like a stranger to both his wife and himself, and quickly alienated his children with his temper. His PTSD and the tension at home left him feeling like a burden. One day, after losing his temper again, Brad bought his wife her favorite flowers and their children the newest PlayStation, gave his wife and kids especially long and loving hugs and kisses, and took out the older of the family cars. He said he was going shopping; instead, he sped quickly down a curved road and “skidded” off a cliff.
”
”
Warren Farrell (The Boy Crisis: Why Our Boys Are Struggling and What We Can Do About It)
“
After the war, I was in a bad place. I still am, I suppose, but for more than a year after the war...' She couldn't look Gwyn in the eye. 'I did a lot of things I regret. Hurt people I regret harming. And I hurt myself. I drank day and night and I...' She didn't want to say the word to Gwyn- fucked- so she said, 'I took strangers to my bed. To punish myself, to drown myself.' She shrugged a shoulder. 'It's a long story, and not one worth telling, but through it all, I picked taverns and pleasure halls to frequent because of the music. I've always loved music.' She braced herself for the damning judgement. But only sorrow filled Gwyn's face.
'You've probably guessed that my residency in the House, my training, my work in the library is my sister's attempt to help me.' Her sister whom she had still not apologised to, whom she still didn't have the courage to face. 'And I... I think I might be glad Feyre did this for me. The drinking, the males- I don't miss any of it. But the music... that I miss.' Nesta waved a hand, as if she could banish the vulnerability she'd offered up. But she went on, 'And since I'm not particularly welcome in the city, I was hoping you meant it when you said I could come to one of your services. Just so I can hear some music again.'
Gwyn's eyes shone, like the sunlight on a warm sea. Nesta's heart thundered, waiting for her reply. But Gwyn said, 'Your story is worth telling, you know.'
Nesta began to object, but Gwyn insisted, 'It is. But yes- if you want music, then come to the services. We will be glad to have you. I will be glad to have you.'
Until Gwyn learned how horrible she'd been.
'No,' Gwyn said, apparently reading the thought on her face. She grabbed Nesta's hand. 'You... I understand.' Nesta heard Gwyn's own heart begin thundering. 'I understand,' Gwyn repeated, 'what it is to... fail the people who mean the most. To live in fear of people finding out. I dread you and Emerie learning my history. I know that once you do, you'll never look at me the same again.' Gwyn squeezed Nesta's hand.
Her story would come later. Nesta let her see it in her face, that when Gwyn was ready, nothing she could reveal would make her walk away.
'Come to the service this evening,' Gwyn said. 'Listen to the music.' She squeezed her hand again. 'You'll always be welcome to join me, Nesta.'
Nesta hadn't realised how badly she'd needed to hear it. She squeezed Gwyn's hand back.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
I can see you’re frustrated,” he said. “I’m sure it’s unsettling not to remember what happened, but medically speaking …” He glanced over at Sienna for confirmation and then continued. “I strongly recommend you not expend energy trying to recall specifics you can’t remember. With amnesia victims, it’s best just to let the forgotten past remain forgotten.” “Let it be?!” Langdon felt his anger rising. “The hell with that! I need some answers! Your organization brought me to Italy, where I was shot and lost several days of my life! I want to know how it happened!” “Robert,” Sienna intervened, speaking softly in a clear attempt to calm him down. “Dr. Ferris is right. It definitely would not be healthy for you to be overwhelmed by a deluge of information all at once. Think about the tiny snippets you do remember—the silver-haired woman, ‘seek and find,’ the writhing bodies from La Mappa—those images flooded into your mind in a series of jumbled, uncontrollable flashbacks that left you nearly incapacitated. If Dr. Ferris starts recounting the past few days, he will almost certainly dislodge other memories, and your hallucinations could start all over again. Retrograde amnesia is a serious condition. Triggering misplaced memories can be extremely disruptive to the psyche.” The thought had not occurred to Langdon. “You must feel quite disoriented,” Ferris added, “but at the moment we need your psyche intact so we can move forward. It’s imperative that we figure out what this mask is trying to tell us.” Sienna nodded. The doctors, Langdon noted silently, seemed to agree. Langdon sat quietly, trying to overcome his feelings of uncertainty. It was a strange sensation to meet a total stranger and realize you had actually known him for several days. Then again, Langdon thought, there is something vaguely familiar about his eyes. “Professor,” Ferris said sympathetically, “I can see that you’re not sure you trust me, and this is understandable considering all you’ve been through. One of the common side effects of amnesia is mild paranoia and distrust.” That makes sense, Langdon thought, considering I can’t even trust my own mind.
”
”
Dan Brown (Inferno (Robert Langdon, #4))
“
Yet biologists feel that animals are no strangers to aesthetic expression. The New Guinean bowerbird's nest decorations are as good an example as any. The thatched nests can be so large and well-constructed that they once were mistaken for the huts of timid people, who never showed up. The nests often have a doorway with carefully arranged colorful objects, such as berries, flowers, or iridescent beetle wings. The male who built the bower keeps flying in new ornaments, shifting everything around with a critical eye, fussing over the arrangement, moving back to look at the whole from a distant anglelike a human painter with his painting-and then continuing the rearrangement. He is very sensitive to the fading of his flowers, replacing them with fresh ones as soon as necessary. Young males build crude "practice" bowers, tearing them down, then starting over again, until the construction holds up as it should. They also frequently visit the completed bowers of adult males in the neighborhood and see how the ornaments are laid out. There are ample learning opportunities here, and it has been noted that bower decorations differ in color and arrangement from region to region, which suggests culturally transmitted styles.
Is this art? One could counter that it isn't: howerbird males are genetically programmed to engage in this activity just to attract females. Yet, while it is true that females select mates on nest quality and their equivalent of a stamp collection, the argument is not nearly as good as it sounds. To contrast these birds with our species requires that one demonstrates that human art does not rest on an inborn aesthetic sense and is produced purely for its own sake, not to impress anyone else. Both are unlikely. In fact, Geoffrey Miller argues in a recent book that impressing others, especially members of the opposite sex, may be the whole point of human art!
What if our artistic impulse is ancient, antedating modern humanity, and perhaps even our species? What if it rests on a delight in self-created visual effects and a penchant for certain color combinations, shapes, and visual equilibriums that we share with other animals? Would admission in any of these areas diminish the significance of and pleasure derived from human art? Isn't it possible that our basic distinctions in art, our musical scales, and our preference for symmetrical compositions, go deeper than culture, and relate to basic features of our perceptual systems?
”
”
Frans de Waal (The Ape and the Sushi Master: Reflections of a Primatologist)
“
Many sides of Cicero’s life other than the political are reflected in the letters. From them we can gather a picture of how an ambitious Roman gentleman of some inherited wealth took to the legal profession as the regular means of becoming a public figure; of how his fortune might be increased by fees, by legacies from friends, clients, and even complete strangers who thus sought to confer distinction on themselves; of how the governor of a province could become rich in a year; of how the sons of Roman men of wealth gave trouble to their tutors, were sent to Athens, as to a university in our day, and found an allowance of over $4,000 a year insufficient for their extravagances. Again, we see the greatest orator of Rome divorce his wife after thirty years, apparently because she had been indiscreet or unscrupulous in money matters, and marry at the age of sixty-three his own ward, a young girl whose fortune he admitted was the main attraction. The coldness of temper suggested by these transactions is contradicted in turn by Cicero’s romantic affection for his daughter Tullia, whom he is never tired of praising for her cleverness and charm, and whose death almost broke his heart.
”
”
Charles William Eliot (The Complete Harvard Classics)
“
You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it. That’s why my mother always said we memorialize our past. Everything seems better in a memory.
”
”
Renee Carlino (Before We Were Strangers)
“
But I learned from these new books that Southerners think we are really rather sad. They have an idea of a people dwelling on a mountain, inbred, lonely, mysterious; that we ritually climb and descend, and make sacrifices, and burn eternal flames, and send bridal parties from village to village in the spring so men like Daila can impregnate women like me, all in order to placate something implacable. They see our culture as rich, in the same way perhaps that a seam of ancient ore is rich — because of compression and repression. They imagine that we drink a lot, even more than we do (and it is a thing I learned from the bar, that they drink as much as we, that every culture that’s discovered alcohol drinks too much) and that we are poorer than we are because only a few of us sell anything to them.
A melancholy drunken land, a land of storytellers, a land of sly jokes, an Asam-hating land, and nothing like the land I remembered. It was as if someone had constructed a scaffolding around us, and then removed us and written only about the scaffolding. The more I read, the more the materials of the scaffolding — splintered wood, narrow pipes of metal — slid into the hollows of my bones. I knew that the next time I went to the mountain, I would have a stranger’s mind in mine. Though I walked in streets I had known since girlhood, I would never again be able to step upon them without an erudite word in my head and a bracing of metal in my marrow.
”
”
Isaac Fellman (The Breath of the Sun)
“
Scribbled and scratching,
Half finished pages at dawn
People that live here are wondering
Where all their strength's gone.
Moments of splendor
Wind up like ashes in rain,
One look you're smiling,
Another your face is in pain.
I wake up at night
With the sweat on my head.
A look in your eyes
That will haunt me til dead.
I just can't seem to shake it,
Something about what you said:
How love's like an orphan,
A motherless child gone unfed.
So we laugh with the joker
Hold back the tears til they're gone.
Drink and be merry
They'll find us all dead men at dawn.
We're so far away
From wherever we came
That sometimes I wonder
We'll see it again.
It's true what they say...
You can't always go home,
You can't always be warm inside.
That, in love, we're like orphans,
Strangers in paradise.
”
”
Terry Moore (Strangers in Paradise, Volume 2: I Dream of You)
“
A common agreement exists that the further back a religion can trace its roots, the more legitimate it must be. American nonbelievers like to bring up Mormonism’s relatively recent founding as reason to dismiss its doctrines. As if the angel Moroni guiding Joseph Smith to a box of divine gold plates buried in the ground were so much stranger than Jesus’ resurrection from his tomb. Or Muhammad’s ascension to heaven to speak to Allah. Then again, Joseph Smith’s revelation came in 1823, more than a thousand years later, making it easier for us to imagine the very human life of the prophet, to talk to his living descendants, only a few generations removed, and to judge them as we’d judge our contemporaries—to whom we don’t attribute miracles freely. In this way, the origin story of any younger belief system is sketchier (in both senses of the word), that much easier to brush aside as just another story written down and passed around by humans.
”
”
Alex Mar (Witches of America)
“
Nice hammer,” Harlow said from behind me.
“Hey,” I said, glancing around casually to see if Winnie was with her. “Nice shiner.”
“You should see the other chick,” she muttered. “Can we talk?”
Setting down my hammer, I followed her away from the other guys. Harlow seemed tense and I worried something was wrong with Winnie.
“This is awkward and I feel weird coming here like this,” she said, pushing her blonde hair behind her ears. “Are you dating anyone?”
My breath caught. A fear rose up in my chest at the thought of Harlow wanting to date me. What would that mean for me and Winnie? The look in Harlow’s eyes calmed my terror. I might as well have been a brick wall based on the lack of attraction she showed.
“No.”
“Some girl was hugging you outside a restaurant. Wasn’t that a date?”
Frowning, I scratched at my jaw where I forgot to shave that morning. “That was a girl from high school. She might have been into me, but we went out as friends. I’m not dating anyone.”
“Winnie saw you with that girl and she got really upset. I know she’s not ready to have a boyfriend, but she wants you. Do you want her?”
Playing it cool might be the stud move, but I didn’t want to be a player. I wanted Winnie. Besides, for the second time in twenty four hours, someone close to Winnie wanted to play matchmaker. “Yes.”
Harlow nodded. “She’s messed up. You know that, right?”
“I know she’s fragile, yeah.”
“Winnie has a lot of phobias. Not stupid shit for attention, but real chronic problems that won’t go away because you’re hot. She’s been in therapy for years and gotten stronger, but she’ll never be okay.”
“I understand.”
Harlow bit her lip then nodded again. “Do you want to take her out to dinner tomorrow?”
“Yes.”
Harlow smiled. “You better be chattier than that on the date or else no one will say anything. Winnie likely won’t say anything all night, but that doesn’t mean she doesn’t want to. She just takes a long time to warm up to people.”
I wasn’t sure what Harlow saw on my face, but she grinned. “She really wants to warm up to you, Dylan. Don’t fuck it up, okay?”
“I’ll do my best.”
When Harlow narrowed her eyes, I was pretty sure she might hit me. “I appreciate the way you tried to save us that day. You showed balls and I respect that. With that said, you better be taking this seriously, understand?”
Leaning closer, I stared right into those suspicious eyes. “No one makes me feel like Winnie. If she needs to take it slow, we’ll go slow. If she wants to rush into it, we’ll rush. If she needs me to stand on my fucking head and sing the National Anthem, I’ll do it. So yes, I’m taking this very seriously,” I said, running a hand where short dark stubble took the place of my mohawk. “I told Winnie I would wait and I meant it. What you think is me being passive is just patience.”
“Okay,” Harlow said softly. “You know when I came to Ellsberg, I was pretty messed up. My family was dead and I was in this new place with strangers. Winnie took care of me. She became my sister and best friend. I love her like she’s blood. Nothing personal, but if you hurt her, I’ll have to kill you.”
“Fair enough,” I said, grinning.
“Smile all you want, buddy, but I’ve got moves.”
Harlow faked a punch, but I didn’t flinch. My mind was already focused on tomorrow. I hadn’t talked to Winnie since the day Nick’s dad showed up. I hadn’t seen her close up in weeks. I needed to be close to her even if she couldn’t do more than hide behind her hair all night.
”
”
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
“
The Hours Of Darkness"
When there are words
waiting in line once more
I find myself looking
into the eyes of an old
man I have seen before
who is holding a long white cane
as he stares past my head
talking of poems and youth
after him a shadow
where I thought to see a face
asks have you considered
how often you return
to the subject of not seeing
to the state of blindness
whether you name it or not
do you intend to speak of that
as often as you do
do you mean anything by it
I look up into the year
that the black queen could still see
the year of the alien lights
appearing to her and then going
away with the others
the year of the well of darkness
overflowing with no
moon and no stars
it was there all the time
behind the eye of day
Rumphius saw it before
he had words for anything
long before he wrote
of the hermit crabs These
wanderers live in the houses
of strangers wondering
where they had come from
Vermeij in our time
never saw any creature
living or as a fossil
but can summon by touch
the story of a cowrie
four hundred million years old
scars ancestry and what
it knew in the dark sea
there Borges is talking
about Milton's sonnet
and Milton hears the words
of Samson to someone else
and Homer is telling
of a landscape without horizons
and the blind knight whom no one
ever could touch with a sword
says in my head there is
only darkness
so they never find me
but I know where they are
it is the light
that appears to change and be many
to be today
to flutter as leaves
to recognize the rings of the trees
to come again
one of the stars is from
the day of the cowrie
one is from a time in the garden
we see the youth of the light
in all its ages
we see it as bright
points of animals
made long ago out of night
how small the day is
the time of colors
the rush of brightness
Poetry Vol. 174, No. 3, JUNE 1999
”
”
W.S. Merwin
“
Change has brought new meaning to that old mission. We can never again stand aside, prideful in isolation. Terrific dangers and troubles that we once called "foreign" now constantly live among us. If American lives must end, and American treasure be spilled, in countries we barely know, that is the price that change has demanded of conviction and of our enduring covenant.
Think of our world as it looks from the rocket that is heading toward Mars. It is like a child's globe, hanging in space, the continents stuck to its side like colored maps. We are all fellow passengers on a dot of earth. And each of us, in the span of time, has really only a moment among our companions.
How incredible it is that in this fragile existence, we should hate and destroy one another. There are possibilities enough for all who will abandon mastery over others to pursue mastery over nature. There is world enough for all to seek their happiness in their own way.
Our Nation's course is abundantly clear. We aspire to nothing that belongs to others. We seek no dominion over our fellow man. but man's dominion over tyranny and misery.
But more is required. Men want to be a part of a common enterprise--a cause greater than themselves. Each of us must find a way to advance the purpose of the Nation, thus finding new purpose for ourselves. Without this, we shall become a nation of strangers.
”
”
Lyndon B. Johnson
“
That’s nice.” Nicole’s hands are trembling. She grips her coffee mug hard to make them stop. “That they’d do that for strangers.”
“Yes. Maybe. I mean, I don’t see it as people helping strangers.”
“What do you see it as?”
“I see it as people helping people who can’t help themselves at a particular moment in their lives. We all have times that we fall down and hit the dirt. Sometimes it’s just harder to get up than others. That’s where they come in. Helping hands I guess you could call it.”
Nicole nods, thinking about that. Agnes makes it sound so normal, to check out of life and give up, to stay in John’s house and suffer the abuse for another week, another month, another year. Just like falling down and having a hard time getting up. Yeah, right. Wouldn’t you like to believe that.
Nicole snorts in disgust at herself.
“What? You don’t agree?” Agnes turns to face her.
“No.” Nicole stares into her cup. “It’s one thing to fall down in the dirt. It’s another to lie down in it and refuse to get up.”
“The point is, you do get up. You got up. You’re up.” She smiles and nudges Nicole’s leg. “Right?”
Nicole wants to smile. She really does. But her face will only twitch. “I got up because someone picked me up, not because I did it on my own.”
“Pish posh. Up is up. Doesn’t matter how you got there. Besides, doesn’t it feel glorious to know that someone cares enough to do the heavy lifting?” She sighs loudly and dramatically. “Oh to be young again and have a strong, handsome Galahad to come by and sweep me off my feet.” She looks at Nicole and smiles. “You’re such a lucky girl.”
Lucky is the very last word in the English language Nicole would have used to describe herself a month ago, but now that Agnes mentions it, it’s impossible to deny how much it applies today. “Are you talking about Brian?”
“Of course I’m talking about Brian. Do you see any other Galahads around these parts?” She sweeps her arm out towards the yard.
The smile won’t stay away now. Nicole feels her face turning pink with it. “It’s not like that with him.”
“Fiddlesticks. That boy is ripe for the picking. What’s stopping you?”
Nicole’s smile fades. “I would think that’s fairly obvious.”
Agnes stands. “You know, there’s a reason why certain expressions never go away and endure the test of time. It’s because they’re as real today as they were a hundred years ago.”
“What expressions?” Nicole asks, confused.
“Love is blind.” Agnes reaches out a hand and strokes Nicole’s cheek. “Love sees inside the person. It doesn’t stop at the surface. That stuff is all just window dressing, anyway. It says nothing about what you’re really getting. If a man loves you when you look your worst, you know he’s a keeper. They’re a rare breed, too, so I don’t recommend walking away from it easily.”
”
”
Elle Casey (Don't Make Me Beautiful)
“
What is it, Cass?” Falco asked. “What just happened?”
Cass realized she was holding her breath. She exhaled slowly. “There’s something I need to tell you,” she said.
Falco twisted her around to face him. He tucked a lock of hair behind her ear. “You can tell me anything, Cassandra.”
“I’m, I have, when I was young, my parents--” She couldn’t figure out how to tell him the truth: that she was Luca’s, even though she didn’t want to be, that she and Falco could never be together the way they wanted. “I’m engaged,” she finally blurted out, feeling simultaneously terrified and relieved. “My fiancé is away, studying in France.”
Falco nodded. “Of course you are. You’re a beautiful woman from a noble family. I’d be shocked to find out that your aunt hadn’t secured your future.” He looked at her expectantly as if he were waiting to hear more.
“So you aren’t angry with me?” Cass buried her shaking hands in the folds of her skirts. How could he not be furious? She had lied to him. Well, practically. She had let him kiss her, even though she couldn’t be his bride. She had even kissed him back.
Falco smiled at her through the dark. “Is that what’s been worrying you? No, starling. I’m not angry.” He pulled her body close to his again, burying his face in her hair. “You smell amazing,” he said. “Like roses and butterflies and cool spring mornings.” He held her hand up to his mouth, his fingers untying one of her lacy cuffs.
Cass’s relief started to fade as Falco’s lips found the bare skin of her wrist. “Wait a minute.” She pulled away. “Why aren’t you angry with me? You and I, we kissed, we might have--” Cass couldn’t bring herself to finish the sentence. Exactly how far would she have let things go if she hadn’t been ripped from her moment of fantasy by the stranger on the bridge? When he had loosened her bodice and reached beneath her chemise to stroke the skin of her upper back, all she had wanted was for him to loosen the rest of the laces. She definitely hadn’t been thinking about telling him to stop.
Falco’s eyes gleamed in the night. “Go on. We might have what?
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
The guard can go to the Rialto and tell the rettori. The councilmen look into crimes such as this. They could send an avogadore to investigate.”
Falco spun around to face her again. “Who is she? You don’t know. Who killed her? You don’t know. Even if the guard stopped drinking and playing dice long enough to row over to tell the rettori, I doubt the magistrate will be concerned. They only care about crimes that upset the merchants or that scare away tourists. They won’t care about a robbed tomb out here on San Domenico, or about the murder of an unknown courtesan.”
“Maybe you’re afraid they’ll think you killed her.” Cass lifted her chin, forcing herself to meet Falco’s eyes, searching them for signs of evil. She saw none. And yet, there had to be a reason he was so opposed to reporting a murder.
Falco folded his arms. “And what will they think about you, trolling the graveyard, unchaperoned, with a stranger? A commoner, no less. What will your parents say when the soldiers drag you home? Won’t they be shocked to find out what late-night company their lovely daughter has been keeping?”
“My parents are dead,” Cass said simply. She didn’t say it to make him feel guilty. It just came out of her mouth instinctively. She’d probably said it a hundred times, so often that the words themselves felt dead to her, meaningless.
Falco softened. “Your guardians, then. They won’t believe that we weren’t…” He trailed off. “It’ll be the talk of the city by daybreak.” He reached out and stroked her hair. “Fun thought, though, eh? A girl like you with me?”
His soft touch made Cass warm and cold at the same time. He was right. Aunt Agnese would lock Cass inside the villa if she found out where Cass had spent the evening. And if she found out Cass was consorting with a commoner? Well, that would be very bad, possibly exiled-to-a-nunnery-in-Spain bad.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
I like the trees this way. Stripped bare." Before I could suspect him of innuendo, his voice lowered, gravely. "They're so exposed now that we can see their melancholy." ... the way the branches drooped under the weight of the ice....
......" But springtime will come, and they'll blossom again"....
"Yes , but then, they'll hide their true beauty behind a mask of showy
flowers and leaves. That's why I prefer them as they are now. You remind me of these trees...."
This man- this stranger, in truth- saw the darkness inside me and found it alluring.
... You can cry, Patsy.. But I couldn't give him the satisfaction. I couldn't open that well inside me or I'd never get it closed again..
”
”
Stephanie Dray
“
It was only when I finally gave up on life that I realised we don’t need ropes and chains to keep us tethered to the world — even the most insignificant acts can keep us bound o it. (…) And it was then that I realised that families might be the ones who pick us up time and again but strangers can also rescue us — even if they don’t know they’re doing so.
”
”
Martin Pistorius (Ghost Boy: My Miraculous Escape from a Life Locked Inside My Own Body)
“
It’s often the case that the first lessons we learn in life are the most important ones. “Look both ways before crossing the street.” “Don’t take candy from a stranger.” “Don’t play with matches.” Children hear these things from their parents again and again, for good reason; and yet, as important as these childhood lessons are, we always seem to forget them. Human beings, by nature, take risks. That’s how we learn. But some lessons can be deadly, while others can cause lasting pain. That’s why, even as adults, we have to repeat the lessons we learned as children, and pass them on to our own children. Certain lessons just bear repeating.
”
”
Yongey Mingyur (The Joy of Living: Unlocking the Secret and Science of Happiness)
“
You cannot relive the sensation of fear, admiration, self-consciousness, passion, and desire all mixed into one because it never happens twice. You chase it like the first high for the rest of your life. It doesn’t mean you can’t love another or move on; it just means that the one spontaneous moment, the split second that you took the leap, when your heart was racing and your mind was muddled with What ifs?—that moment—will never happen the same way again. It will never feel as intense as the first time. At least, that’s the way I remember it.
”
”
Renee Carlino (Before We Were Strangers)
“
I read somewhere that God sends us partners who are most likely to help us heal. This rings true to me. It’s just that sometimes the healing is so hard that one or both partners can’t take it, so somebody bails, or makes it impossible for the other partner to keep on loving. I understand this completely. Healing is so painful. Thankfully, when we turn away someone who would have helped us heal, God sends another. I don’t think he punishes us. He gives us lots and lots of tries. God is Forever Tries. I think He sends our healing partners in all different forms, not just spouses. He sends sisters, girlfriends, strangers, authors, artists, teachers, therapists, musicians, and puppies until one or several partners stick. But if we want redemption, we have to let one stick, eventually. We have to sit through the pain long enough to rise again.
”
”
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
“
I tried to read the menu, but I kept getting distracted. The aromas from the kitchen filled the room- melting butter, grilling meat, soft and sharp spices. All of them better than any of the restaurant smells I'd had to pass by during my time in the city. My mouth was watering, and my nose was so focused that I could barely skim the first few items.
Sablefish with miso glaze
Duck, dry-aged and served with pureed butternut squash
Wagyu New York strip
I had no idea what these things were, except for duck, which I couldn't help but feel sorry for. Dry-aged sounded like an especially bad death for a waterfowl.
The waiter returned. "Shall I order for us?" Victoria asked. I nodded, grateful. "Anything you don't eat? Allergies?"
I shook my head. Nobody had ever asked me that before. On the island, I'd eaten what I gathered. At the cove, I ate what came to the table. Now I'd eat anything that didn't involve the jar in my backpack.
"We'll start with the clam chowder," Victoria said. "We can order more later." The waiter nodded respectfully and disappeared again. "They make it with fresh clams," she told me. "It's exceptional."
A young woman with a fancy braid in her hair brought us a basket of French bread, still warm from the oven. I watched as Victoria spread one slice with butter that melted as she applied it, releasing the faintest scent of flowers.
"Here," she said, handing it to me. The crust gave way under my teeth with a delicate crunch, the butter soft on my tongue. It tasted even better than it smelled. After almost two weeks of hard mattresses and strangers and failure, I wanted to crawl inside the comfort of this bread and stay there forever.
”
”
Erica Bauermeister (The Scent Keeper)
“
I say that strangers are powerful. They can mark you in twenty seconds. They can rob you at gunpoint so you never feel safe again. They can mention you’re pretty at a party when no one else ever has, and then you don’t kill yourself that day or maybe any other day. It’s like a diamond tossed out a car window you were lucky enough to catch.
”
”
Julia Heaberlin (We Are All the Same in the Dark)
“
Although Tata was a very liberal father in some ways, he could also be stubbornly conservative. These attitudes were obvious when I was in Mysore. I wanted to join the extracurricular student paramilitary organisation, the National Cadet Corps (NCC), which had just been introduced. All my college friends had volunteered to participate. However, Tata flatly refused me permission with the diktat: ‘No! I don’t like the idea of girls wearing pants.’ I was very envious of my friends wearing pants in the NCC.
After completing my bachelor’s degree in psychology, Tata encouraged me to pursue my passion by enrolling in the master’s degree programme at the Manasa Gangothri campus of the University of Mysore. We were only two girls among eight students in that class. The famous Professor Kuppuswamy was my teacher. We had to conduct practical experiments on human subjects, forming smaller groups. Because we were only two girls, these groups were necessarily mixed.
A couple of months later, a professor of philosophy who was a friend of my uncle, K.R. Karanth, wrote to Tata that I was overly friendly with the boys in my class. Tata, with his usual penchant for sending cryptic telegrams, sent one that just said, ‘Come home immediately.’ I took the overnight bus from Mysore and reached Balavana in the morning. Tata confronted me with the offending letter, saying, ‘A professor has complained that you are talking to the boys in your class!’
I was furious. I retorted, saying, ‘We are two girls. We must conduct experiments in teams that include boys. I can’t participate in experiments without talking to the boys. Either you let me go back and study or stop my education. You cannot tell me that I can go back and study psychology without talking to boys in my class.’ My strong ultimatum made him realise how foolish he had been. He sheepishly said, ‘Go back, go back. Do whatever you want to do.’
There was a very strong, caring, trusting relationship between us. I had fought back with facts, and Tata respected that. He never brought up the subject of boys again.
In contrast, Amma had total faith in me. I could not do anything wrong. ‘Let Malu do what she wants,’ was her clear opinion. Tata’s judgement of people was much poorer than Amma’s. Even if a stranger wrote something nonsensical to him, he had this tendency to believe the worst first and ask questions later.
”
”
Malavika Kapur (Growing Up Karanth)
“
I hope screwing Anna was worth ruining whatever fucked-up relationship we had. You’ll never get near me again, Malachi.” I shake my head, my jaw jittering. “Never. I hate you. I h-h-hate you so fucking much.” I can hear him breathing heavily on the other end, a message coming through. Malachi: Where are you? “Fuck you,” I spit before hanging up.
”
”
Leigh Rivers (Little Stranger (The Web of Silence Duet, #1))
“
I say that strangers are powerful. They can mark you in twenty seconds. They can rob you at gunpoint so you never feel safe again. They can mention you're pretty at a party when no one else ever has, and then you don't kill yourself that day or maybe any other day. It's like a diamond tossed out a car window you were lucky enough to catch.
”
”
Julia Heaberlin (We Are All the Same in the Dark)
“
As soon as the show was over, we packed up the truck, moved to the next town, slept, unpacked at a new theater, and performed that night. Then the whole cycle started again. This is why a road man
longs for a steady booking. He wants a dressing room where he can hang his clothes and keep tins of stage makeup on his vanity. He wants his magic cronies stopping by his little apartment near the theater to play poker after the show, to sleep in till dusk, and sip a bowl of soup before showtime. A road man can never have that. Time and motion commands his being, blood, and bones. By the time he drives out of town his audiences will be home in bed. He lives on in dim, frosty memory and the dreamscape of strangers.
”
”
Katy Grabel (The Magician's Daughter: A Memoir)
“
LIFE
Opinions are always challenged
The great ocean of society with literature from all over the world, still brings us the challenge of where did we come from, how long has the human race been here?, is there life in space?, is there life after death?, was there life before birth?, we are born as children who cannot walk speak, we have no teeth, and yet we are the most beautiful thing in the world to family and friends and stranger alike, then the immortal question here dear friends is, why do people perceive old people as ugly in the form of a child they have returned to , is this not natural events of life and we should show greater compassion for the elderly for they live in fear not only being old but some of them loose the ability to even communicate, if an old men pees in the street automatically people looking on him as rude and uncultured and a tyke, yet if a mother brought a little child to the side of the road to pee all the onlookers say ohh look how cute he is, this is the paradox of life, just because there is middle section that gathers great knowledge and confidence of life, this fades as the years progress and finally we become like children again, and yet when we were children our parents looked after us fed us cloths us bathed us took us to the doctors, and made sure we were safe and secure at all times and as a bonus they you used to inspire us to thing positive and be something great in life so in return we can serve society, then when our parents become old we must not abandon them, even if they are able and active a simple phone call can make their day, a simple I love you can lift their spirits,a sudden surprise calling unexpectedly on them will make them feel loved and wanted, it is showing them they are loved when they least expect it, it is showing them that you care and without them you could not even be here, we must always honour our parents for all the sacrifices they have made for us, this sacrifice does not ask the status of the family you come from there is a law of nature that says mother is a mother and they sacrifice
give a kind word a hug to older people who cannot walk or they are struggling in life they are already broken do not break them even more with your looks that says many negative things, look upon them as love, look upon them as they have paid the price for all the sacrifices they have made to family and country and the world, it is true they were never perfect, and they have made many mistakes in their journey of life, and no doubt they have many regrets as well as tender memories, imagine for a second you are in their shoes and you are looking back on life through a broken body that is preparing itself for the great city in the sky, for surely this is what it is to be old especially very old
be gentle with old people they deserve our, love, compassion and respect
”
”
Kenan Hudaverdi
“
I can promise to never bring this up again. But I meant it when I said that I can be whatever you want me to be: whether that's an enemy for you to curse and hold a grudge against for the rest of your life; a friend you can trust to accompany you anywhere and drive you safely back home, the one you can call at any hour of the night and tell all your secrets to; or the person you fall for, who will always wear a jacket so you don't have to bring yours, who will be the first to find you when you're lost and alone, who will remind you how heart-wrenchingly, unfathomably beautiful you are even on days when you don't feel it. The only thing I ask is that we don't ever become strangers, because I really—" He breaks off. Clenches his jaw, fighting against some ineffable emotion. "I don't think I could bear it, Leah. I don't think my heart would be able to survive it.
”
”
Ann Liang (Never Thought I'd End Up Here)
“
I return to my cot early that morning, and Tobias is already awake. He turns and walks toward the elevators, and I follow him, because I know that’s what he wants. We stand in the elevator, side by side. I hear ringing in my ears.
The elevator sinks to the second floor, and I start to shake. It starts with my hands, but travels to my arms and my chest, until little shudders go through my entire body and I have no way to stop them. We stand between the elevators, right above another Candor symbol, the uneven scales. The symbol that is also drawn on the middle of his spine.
He doesn’t look at me for a long time. He stands with his arms crossed and his head down until I can’t stand it anymore, until I feel like I might scream. I should say something, but I don’t know what to say. I can’t apologize, because I only told the truth, and I can’t change the truth into a lie. I can’t give excuses.
“You didn’t tell me,” he says. “Why not?”
“Because I didn’t…” I shake my head. “I didn’t know how to.”
He scowls. “It’s pretty easy, Tris--”
“Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?”
I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder.
“Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.”
I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine.
“I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?”
Just when I was about to apologize.
I wipe my cheeks hard with my fingertips and stare at him.
“Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.”
He takes his hand from my shoulder.
“Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.”
“I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?”
I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks.
“God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?”
“First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.”
“I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.”
“What are you talking about?”
“I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.”
“What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!
”
”
Veronica Roth (Insurgent (Divergent, #2))