Can't Eat Quotes

We've searched our database for all the quotes and captions related to Can't Eat. Here they are! All 100 of them:

I can't eat and I can't sleep. I'm not doing well in terms of being a functional human, you know?
Ned Vizzini (It's Kind of a Funny Story)
You should eat a waffle! You can't be sad if you eat a waffle!
Lauren Myracle (ttfn (Internet Girls, #2))
You can't eat books, sweetheart.
Markus Zusak (The Book Thief)
Name one hero who was happy." I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back. "You can't." He was sitting up now, leaning forward. "I can't." "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret." "Tell me." I loved it when he was like this. "I'm going to be the first." He took my palm and held it to his. "Swear it." "Why me?" "Because you're the reason. Swear it." "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes. "I swear it," he echoed. We sat like that a moment, hands touching. He grinned. "I feel like I could eat the world raw.
Madeline Miller (The Song of Achilles)
You can't just eat good food. You've got to talk about it too. And you've got to talk about it to somebody who understands that kind of food.
Kurt Vonnegut Jr. (Jailbird)
What have you done to my cat?" Magnus demanded... "You drank his blood, didn't you? You said you weren't hungry!" Simon was indignant. "I did not drink his blood. He's fine!" He poked the Chairman in the stomach. The cat yawned. "Second, you asked me if I was hungry when you were ordering pizza, so I said no, because I can't eat pizza. I was being polite." "That doesn't get you the right to eat my cat." "Your cat is fine!" Simon reached to pick up the tabby, who jumped indignantly to his feet and stalked off the table. "See?" "Whatever.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Do you want a cookie? - What? - A cookie. Like an Oreo. Do you want one? - No. - How can you not want a cookie? - I just don't. - Okay, fine,let's say you did want a cookie. Let's say you were dying for a cookie, and there were cookies in the cupboard. What would you do? - I'd eat a cookie? - Exactly. That's all I'm saying. - What are you saying? - That if people want cookies, they should get a cookie. It's what people do. - Let me guess. Dad won't let you have a cookie? - No. Even though I'm practically starving to death, he won't even consider it. He says I have to have a sandwich first. - And you don't think that's fair. - You just said you'd get a cookie if you wanted one. So why can't I? I'm not a little kid. I can make my own decisions. - Hmm. I can see why this bothers you so much. - It's not fair. If he wants a cookie, he can have one. If you want a cookie, you can have one. But if I want a cookie, the rules don't count. Like you said, it's not fair. - So what are you going to do? - I'm going to eat a sandwich. Because I have to. Because the world isn't fair to ten-year-olds.
Nicholas Sparks (The Last Song)
There's no trouble in this world so serious that it can't be cured with a hot bath, a glass of whiskey, and the Book of Common Prayer.
Elizabeth Gilbert (Eat, Pray, Love)
Nobody will protect you from your suffering. You can't cry it away or eat it away or starve it away or walk it away or punch it away or even therapy it away. It's just there, and you have to survive it. You have to endure it. You have to live through it and love it and move on and be better for it and run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
It's a shame that the only thing a man can do for eight hours a day is work. He can't eat for eight hours; he can't drink for eight hours; he can't make love for eight hours. The only thing a man can do for eight hours is work.
William Faulkner
Prayer is a relationship; half the job is mine. If I want transformation, but can't even be bothered to articulate what, exactly, I'm aiming for, how will it ever occur? Half the benefit of prayer is in the asking itself, in the offering of a clearly posed and well-considered intention. If you don't have this, all your pleas and desires are boneless, floppy, inert; they swirl at your feet in a cold fog and never lift.
Elizabeth Gilbert (Eat, Pray, Love)
You can't eat hope,' the woman said. You can't eat it, but it sustains you,' the colonel replied.
Gabriel García Márquez (El coronel no tiene quien le escriba)
I can't count the times that upon telling someone I am vegetarian, he or she responded by pointing out an inconsistency in my lifestyle or trying to find a flaw in an argument I never made. (I have often felt that my vegetarianism matters more to such people than it does to me.)
Jonathan Safran Foer (Eating Animals)
I can't sleep, I can't eat, I can't do anything but think about him. At night I dream of him, all day I wait to see him, and when I do see him my heart turns over and I think I will faint with desire.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
You have been my friend. That in itself is a tremendous thing. I wove my webs for you because I liked you. After all, what's a life, anyway? We're born, we live a little while, we die. A spider's life can't help being something of a mess, with all this trapping and eating flies. By helping you, perhaps I was trying to lift up my life a trifle. Heaven knows anyone's life can stand a little of that.
E.B. White (Charlotte’s Web)
I lift my arm out of the water. It's a log. Put it back under and it blows up even bigger. People see the log and call it a twig. They yell at me because I can't see what they see. Nobody can explain to me why my eyes work different than theirs. Nobody can make it stop.
Laurie Halse Anderson (Wintergirls)
You can't eat the orange and throw the peel away - a man is not a piece of fruit.
Arthur Miller (Death of a Salesman: Text and Criticism)
How you can sit there, calmly eating muffins when we are in this horrible trouble, I can’t make out. You seem to me to be perfectly heartless." "Well, I can’t eat muffins in an agitated manner. The butter would probably get on my cuffs. One should always eat muffins quite calmly. It is the only way to eat them." "I say it’s perfectly heartless your eating muffins at all, under the circumstances.
Oscar Wilde (The Importance of Being Earnest)
Everyone keeps telling me that time heals all wounds, but no one can tell me what I’m supposed to do right now. Right now I can’t sleep. It’s right now that I can’t eat. Right now I still hear his voice and sense his presence even though I know he’s not here. Right now all I seem to do is cry. I know all about time and wounds healing, but even if I had all the time in the world, I still don’t know what to do with all this hurt right now.
Nina Guilbeau (Too Many Sisters)
Why can't I just eat my waffle?
Barack Obama
Life Lessons According to Camryn: One must handle stress like a dog; if you can't eat it or play with it, pee on it and walk away
Kelly Moran (The Dysfunctional Test)
I just look at her and she creeps me out. She looks like she would eat a baby. Not that she's fat. She just looks hungry in some dangerous way that can't be explained. She's always so nice and friendly. Exactly the disposition of a baby killer.
Augusten Burroughs (Running with Scissors)
We can't plead ignorance, only indifference. Those alive today are the generations that came to know better. We have the burden and the opportunity of living in the moment when the critique of factory farming broke into the popular consciousness. We are the ones of whom it will be fairly asked, What did you do when you learned the truth about eating animals?
Jonathan Safran Foer (Eating Animals)
I’ve often wondered why more science textbooks don’t tell teenagers that the only thing sharks like to eat more than fish, are dead prostitutes.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
Life Lessons According to Camryn: One must handle stress like a dog; if you can't eat is or play with it, pee on it and walk away
Kelly Moran (The Dysfunctional Test)
Falling in love is like getting hit by a truck and yet not being mortally wounded. just sick to your stomach, high one minute, low the next. Starving hungry but unable to eat. hot, cold, forever horny, full of hope and enthusiasm, with momentary depressions that wipe you out. It is also not being able to remove the smile from your face, loving life with a mad passionate intensity, and feeling ten years younger. Love does not appear with any warning signs. You fall into it as if pushed from a high diving board. No time to think about what's happening. It's inevitable. An event you can't control. A crazy, heart-stopping, roller-coaster ride that just has to take its course.
Jackie Collins (Lucky (Lucky Santangelo, #2))
Freedom from obsession is not about something you do; it's about knowing who you are. It's about recognizing what sustains you and what exhausts you. What you love and what you think you love because you believe you can't have it. (p. 163)
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
The depression belongs to all of us. I think of the family down the road whose mother was having a baby and they went around the neighborhood saying, "We're pregnant." I want to go around the neighborhood saying, "We're depressed." If my mum can't get out of bed in the morning, all of us feel the same. Her silence has become ours, and it's eating us alive.
Melina Marchetta (Saving Francesca)
You begin to forget what it means to live. You forget things. You forget that you used to feel all right. You forget what it means to feel all right because you feel like shit all the time, and you can't remember what it was like before. People take the feeling of full for granted. They take for granted the feeling of steadiness, of hands that do not shake, heads that do not ache, throats not raw with bile and small rips of fingernails forced to haste to the gag spot. Stomachs that do not begin to wake up in the night, calves and thighs knotting in muscles that are beginning to eat away at themselves. they may or may not be awakened at night by their own inexplicable sobs.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
You’re not weak because you can’t read. You’re weak because you’re afraid of people seeing your weakness. You’re letting shame decide who you are. […] It’s shame that lines my pockets, shame that keeps the Barrel teeming with fools ready to put on a mask just so they can have what they want with none the wiser about it. We can endure all kinds of pain. It’s shame that eats men whole.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Someday is someday, and maybe it will be or maybe it won't. This is a human thing, to worry about things that may or may not come to be. You can't eat meat until you've killed it.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
I wish to Heaven I was married," she said resentfully as she attacked the yams with loathing. "I'm tired of everlastingly being unnatural and never doing anything I want to do. I'm tired of acting like I don't eat more than a bird, and walking when I want to run and saying I feel faint after a waltz, when I could dance for two days and never get tired. I'm tired of saying, 'How wonderful you are!' to fool men who haven't got one-half the sense I've got, and I'm tired of pretending I don't know anything, so men can tell me things and feel important while they're doing it... I can't eat another bite.
Margaret Mitchell (Gone with the Wind)
What am I always going to do? I'm going to go home and freak out.I'm going to sit with my family and try not to talk about myself and what's wrong. Im going to try and eat. Then I'm going to try and sleep. I dread it. I can't eat and I can't sleep. I'm not doing well in terms of being a functional human, you know?
Ned Vizzini (It's Kind of a Funny Story)
Well, I can't eat muffins in an agitated manner. The butter would probably get on my cuffs.
Oscar Wilde (The Importance of Being Earnest)
If you sit down and think about it sensibly, you come up with some very funny ideas. Like: why make people inquisitive, and then put some forbidden fruit where they can see it with a big neon finger flashing on and off saying 'THIS IS IT!'? ... I mean, why do that if you really don't want them to eat it, eh? I mean, maybe you just want to see how it all turns out. Maybe it's all part of a great big ineffable plan. All of it. You, me, him, everything. Some great big test to see if what you've built all works properly, eh? You start thinking: it can't be a great cosmic game of chess, it has to be just very complicated Solitaire.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
Nick Hornby (A Long Way Down)
You can't eat straight A's.
Maxine Hong Kingston (The Woman Warrior)
You can be miserable before you have a cookie and you can be miserable after you eat a cookie but you can't be miserable while you are eating a cookie.
Ina Garten
I know the Goliath Fucking Bird-Eating Spider can't fly because if it could, it would have a different name entirely. We would call it "sir" because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Bird-Eating Spider said it was okay
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
I'm not going to work in a place where I can't eat donuts.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
When the last tree is cut and the last fish killed, the last river poisoned, then you will see that you can't eat money.
John May (The Greenpeace story (Greenpeace books))
A librarian can’t live by books alone, and I wouldn’t eat them if I could. Feel too much like cannibalism.
Mike Mullin (Ashfall (Ashfall, #1))
Why? You want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight. Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you. "Why?" is the wrong question. Ask "Why not?
Laurie Halse Anderson (Wintergirls)
I hate you. I hate you like the girl who hates cake because it makes her fat and she can’t stop eating it.
Coco J. Ginger
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
Groceries, you need to learn how to select your thoughts just the same way you select what clothes you're gonna wear every day. This is a power you can cultivate. If you want to control things in your life so bad, work on the mind. That's the only thing you should be trying to control. Drop everything else but that. Because if you can't learn to master your thinking, you're in deep trouble forever.
Elizabeth Gilbert (Eat, Pray, Love)
Use your head, Sep. Loads of wolverines. Hanging around waiting for super. Gtting excited. eating mint blasts. so what do you think they do?' it must be here. they can't have eaten that... i dunno, Nik, what do they do?' POO.
Angie Sage (Flyte (Septimus Heap, #2))
It takes energy to get angry. It eats you up inside. I can't waste my energy like that and expect to get ahead. When they left, it took everything I had in me just to survive. Now I have to stay focused. I've just gotta take care of it myself' Joe Rantz
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Simply put, dramatic irony is when a person makes a harmless remark, and someone else who hears it knows something that makes the remark have a different, and usually unpleasant, meaning. For instance, if you were in a restaurant and said out loud, "I can't wait to eat the veal marsala I ordered," and there were people around who knew that the veal marsala was poisoned and that you would die as soon as you took a bite, your situation would be one of dramatic irony.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
Oh, see then, the Simi is not in trouble. I just kill the Greek god and all’s fine. (Simi) You can’t kill a Greek god, Simi. It’s not allowed. (Acheron) There you go again, akri, saying no to the Simi. Don’t eat that, Simi. Don’t kill that, Simi. Stay here, Simi. Go to Katoteros, Simi, and wait for me to call you. I don’t like being told no, akri. (Simi)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
...compulsive eating is basically a refusal to be fully alive. No matter what we weigh, those of us who are compulsive eaters have anorexia of the soul. We refuse to take in what sustains us. We live lives of deprivation. And when we can't stand it any longer, we binge. The way we are able to accomplish all of this is by the simple act of bolting -- of leaving ourselves -- hundreds of times a day.
Geneen Roth (Women, Food and God: An Unexpected Path to Almost Everything)
Someone who eats pancakes and jam can’t be so awfully dangerous. You can talk to him.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
If you can’t let go of the past, the mistakes you’ve made will eat you alive.
Stephen King (The Outsider)
You're not eating anything," said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair?" I've never been in the depths of despair, so I can't say," responded Marilla. Weren't you? Well, did you ever try to IMAGINE you were in the depths of despair?" No, I didn't." Then I don't think you can understand what it's like. It's very uncomfortable a feeling indeed.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
The library smells like old books — a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
She liked anything orange: leaves; some moons; marigolds; chrysanthemums; cheese; pumpkin, both in pie and out; orange juice; marmalade. Orange is bright and demanding. You can't ignore orange things. She once saw an orange parrot in the pet store and had never wanted anything so much in her life. She would have named it Halloween and fed it butterscotch. Her mother said butterscotch would make a bird sick and, besides, the dog would certainly eat it up. September never spoke to the dog again — on principle.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Maybe you can't help him, darling. I know you love him so, so much. I'm sure he loves you too. And I know you feel like it's your job to "save him". I know it feels like you are both each other's whole world, but that dependency isn't healthy for either of you. Charlie needs helo from someone who isn't his sixteen-year-old boyfriend. He needs help from a doctor or a therapist, someone who knows about eating disorder and how to treat them. Love can't cure a mental illness. There are lots of ways to help him, you can just be there. To listen. To talk. To cheer him up if he's having a bad day. And on the bad days you can ask what to could do to make things easier. Stand by his side, even when things are hard. But also knowing that sometimes people need more support than just one person can give. That's love darling" - Sarah Nelson (Nick's mum)
Alice Oseman (Heartstopper: Volume Four (Heartstopper, #4))
Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.” “But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it.
Elizabeth Gilbert (Eat, Pray, Love)
Percy was eating a huge stack of blue pancakes (what was his deal with blue food?) while Annabeth chided him for pouring on too much syrup. “You’re drowning them!” she complained. “Hey, I’m a Poseidon kid,” he said. “I can’t drown. And neither can my pancakes.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven...Stories like this stopped people thinking properly, she was sure. She'd read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people's houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can't tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family.
Terry Pratchett
I love tables. And dancing. Oh, and I love table dancing, although Grandmother always says, "Wait until we're finished eating.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
You're beautiful, every part of you. I love your hair, the way it looks, the way it feels. I love touching it, smelling it. I love the way you wrinkle your nose when you laugh. It makes me laugh, too, every time. And I love watching you eat. Sometimes you can't shovel it in fast enough, but when you get interested in a conversation, you forget there's anything in front of you. God knows, I love making love with you. I can't even talk about that without wanting you. I love your pathetic attachment to those seniors. I love how hard you work.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
Why, Jon, why?" his mother asked. "Why is it so hard to be like the rest of the flock, Jon? Why can't you leave low flying to the pelicans, the alhatross? Why don't you eat? Son, you're bone and feathers!" "I don't mind being bone and feathers mom. I just want to know what I can do in the air and what I can't, that's all. I just want to know.
Richard Bach (Jonathan Livingston Seagull)
Percy and Hedge lay on the deck, looking exhausted. Hedge was missing his shoes. He grinned at the sky, muttering, “Awesome. Awesome.” Percy was covered in nicks and scratches, like he’d jumped through a window. He didn’t say anything but he grasped Annabeth’s hand weakly as if to say, Be right with you as soon as the world stops spinning. Leo, Piper, and Jason, who’d been eating in the mess hall, came rushing up the stairs. “What? What?” Leo cried, holding a half-eaten grilled cheese sandwich. “Can’t a guy even take a lunch break? What’s wrong?” “Followed!” Frank yelled again. “Followed by what? Jason asked. “I don’t know!” Frank panted. “Whales? Sea monsters? Maybe Kate and Porky!” Annabeth wanted to strangle the guy, but she wasn’t sure her hands would fit around his thick neck. “That makes absolutely no sense.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
It doesn't eat meat." I said. "It's a herbivore. It's like a big cow." Denna looked at me and started to laugh. Not hysterical laughter, but the helpless laughter of someone who's just heard something so funny they can't help but bubble over with it. She put her hands over her mouth and shook with it, the only sound was a low huffing that escaped through her fingers. There was another flash of blue fire from below. Denna froze midlaugh, then took her hands away from her mouth. She looked at me, her eyes wide, and spoke softly with a slight quaver in her voice, "Mooooo.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I mean, if your about to tell me something like I'm dead, that i need to start acquiring a taste for blood, and I can't even eat sushi, I wont be able to handle it. Or if you're going to tell me that I'm going to start howling at the moon, eating peoples cats, and will spend the rest of my life having to get waxed if I want to wear a bathing suit, then I don't think I can handle it, either. I like cats and I tried waxing once, and that hurt like a son of a gun." -Kylie
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
In any case, fire burns; that's its nature, and you can't expect to change that. You can use it to cook your meat or to burn down your neighbor's house. And is the fire you use for cooking any different from the one you use for burning? And does that mean you should eat your supper raw?" Maddy shook her head, still puzzled. "So what you're saying is . . . I shouldn't play with fire," she said at last. Of course you should," said One-Eye gently. "But don't be surprised if the fire plays back.
Joanne Harris (Runemarks (Runemarks, #1))
There's a wonderful old Italian joke about a poor man who goes to church every day and prays before the statue of a great saint, begging, "Dear saint-please, please, please...give me the grace to win the lottery." This lament goes on for months. Finally the exasperated staue comes to life, looks down at the begging man and says in weary disgust, "My son-please, please, please...buy a ticket." Prayer is a realtionship; half the job is mine. If I want transformation, but can't even be bothered to articulate what, exactly, I'm ainming for, how will it ever occur? Half the benefit of prayer is in the asking itself, in the offering of a clearly posed and well-considered intention. If you don't have this, all your pleas and desires are boneless, floppy, inert; they swirl at your feet in a cold fog and never lift.
Elizabeth Gilbert
Roarke: “Our engines don't run at the same speed.” Eve: “What the hell does that mean?” Roarke: “Just that.” Eve: “It sounds like something that ought to piss me off. But I can't figure out exactly why. When I do, I might have to pop you one.” Roarke: “I'll look forward to it. If you don't sleep, eat. You need something in your stomach. And what are you grinning at?” Eve: “You. You're such a wife.” Roarke: “Now, I'm pissed off.
J.D. Robb (Witness in Death (In Death, #10))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Hitch: making rules about drinking can be the sign of an alcoholic,' as Martin Amis once teasingly said to me. (Adorno would have savored that, as well.) Of course, watching the clock for the start-time is probably a bad sign, but here are some simple pieces of advice for the young. Don't drink on an empty stomach: the main point of the refreshment is the enhancement of food. Don't drink if you have the blues: it's a junk cure. Drink when you are in a good mood. Cheap booze is a false economy. It's not true that you shouldn't drink alone: these can be the happiest glasses you ever drain. Hangovers are another bad sign, and you should not expect to be believed if you take refuge in saying you can't properly remember last night. (If you really don't remember, that's an even worse sign.) Avoid all narcotics: these make you more boring rather than less and are not designed—as are the grape and the grain—to enliven company. Be careful about up-grading too far to single malt Scotch: when you are voyaging in rough countries it won't be easily available. Never even think about driving a car if you have taken a drop. It's much worse to see a woman drunk than a man: I don't know quite why this is true but it just is. Don't ever be responsible for it.
Christopher Hitchens (Hitch 22: A Memoir)
There’s always that one guy who gets a hold on you. Not like your best friend’s brother who gets you in a headlock kind of hold. Or the little kid you’re babysitting who attaches himself to your leg kind of hold. I’m talking epic. Life changing. The “can’t eat, can’t sleep, can’t do your homework, can’t stop giggling, can’t remember anything but his smile” kind of hold. Like, Wesley and Buttercup proportions. Harry and Sally. Elizabeth Bennet and Mr. Darcy. The kind of hold in all your favorite ’80s songs, like the “Must Have Been Love”s, the “Take My Breath Away”s, the “Eternal Flame”s—the ones you sing into a hairbrush-microphone at the top of your lungs with your best friends on a Saturday night.
Jess Rothenberg (The Catastrophic History of You and Me)
Simple,' Tummeler replied.' Blueberries is one of the great forces o'good in the world.' How do you figure that?' said Charles. Well,' said Tummeler, 'have you ever seen a troll, or a Wendigo, or,' he shuddered, 'a Shadow-Born ever eating a blueberry pie?' No,' Charles admitted. There y'go,' said Tummeler. It's cause they can't stand the goodness in it.' Can't argue with you there,' said Charles. Foods is good and evil, just like people, or badgers, or even scowlers.' Evil food?' said Charles. Parsnips,' said Tummeler, 'Them's as evil as they come.
James A. Owen (Here, There Be Dragons (Chronicles of the Imaginarium Geographica, #1))
What is he?” “I can’t puzzle it out. He doesn’t have horns, pointed ears—or apparently a need to eat. He does have small fangs, but he also sports a tan line.” “You checked? Natalya, you durrrty bitch.” “Hey, I had to determine if he was a blood sucker or not. Now I don’t know what to think.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
Wherever you look there’s meanness and corruption. This room, this bottle of grape wine, these fruits in the basket, are all products of profit and loss. A fellow can’t live without giving his passive acceptance to meanness. Somebody wears his tail to a frazzle for every mouthful we eat and every stitch we wear—and nobody seems to know. Everybody is blind, dumb, and blunt-headed—stupid and mean.
Carson McCullers (The Heart Is a Lonely Hunter)
Of course a lot of guys were ashamed. Somebody said let's go out and fight for liberty and so they went out and got killed without ever once thinking of liberty. And what kind of liberty were they fighting for anyway? How much liberty and whose kind of liberty? Were they fighting for the liberty of eating free ice cream cones all their lives or for the liberty of robbing anybody they pleased whenever they wanted to or what? You tell a man he can't rob and you take away some of his liberty. You've got to. What the hell does liberty mean anyhow? It's a word like house or table or any other word. Only it's a special kind of word. A guy says house and he can point to a house to prove it. But a guy says come on let's fight for liberty and he can't show you liberty. He can't prove the thing he's talking about so how in the hell can he be telling you to fight for it? No sir anybody who went out and got into the front line trenches to fight for liberty was a goddamn fool and the guy who got him there was a liar.
Dalton Trumbo (Johnny Got His Gun)
I beg young people to travel. If you don’t have a passport, get one. Take a summer, get a backpack and go to Delhi, go to Saigon, go to Bangkok, go to Kenya. Have your mind blown. Eat interesting food. Dig some interesting people. Have an adventure. Be careful. Come back and you’re going to see your country differently, you’re going to see your president differently, no matter who it is. Music, culture, food, water. Your showers will become shorter. You’re going to get a sense of what globalization looks like. It’s not what Tom Friedman writes about; I’m sorry. You’re going to see that global climate change is very real. And that for some people, their day consists of walking 12 miles for four buckets of water. And so there are lessons that you can’t get out of a book that are waiting for you at the other end of that flight. A lot of people—Americans and Europeans—come back and go, ohhhhh. And the light bulb goes on.
Henry Rollins
You want me to have feelings?" he said. "I already told you that I love you. What else should I say? That I long to be near you every second of every day? I see colors, only around you....I smell perfume, only around you. God, it's like...like I'm alive again. Sometimes I go crazy just wondering if I imagined it all, and I wait to see when it...you...will be taken away from me." "I feel all these things, Abbey," he continued on. "Rage that I can't run my fingers through your hair. Sorrow that I can't lay my face next to yours. Agony that I can't steal the breath from your lips. I can't eat or breathe or sleep for wanting to touch you, and yet I don't eat or breathe or sleep. I'm just here. Stuck in between.
Jessica Verday (The Haunted (The Hollow, #2))
The very least you can do in your life is to figure out what you hope for. And the most you can do is live inside that hope. Not admire it from a distance but live right in it, under its roof. What I want is so simple I almost can’t say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyers nor the destroyed. That’s about it. Right now I'm living in that hope, running down its hallway and touching the walls on both sides.
Barbara Kingsolver (Animal Dreams)
Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands. But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain." Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
Oh,you may not think I'm pretty, But don't judge on what you see, I'll eat myself if you can find A smarter hat than me. You can keep your bowlers black, Your tops hats sleek and tall, For I'm the Hogwarts Sorting Hat And I can cap them all. There's nothing hidden in your head The Sorting Hat can't see, So try me on and I will tell you Where you ought to be. Y ou might belong in Gryffindor, Where dwell brave of heart, Their daring, nerve, and chivalry Set Gryffindors apart; You might belong in Hufflepuff, Where they are just and loyal, Those patient Hufflepuffs are true And unafraid of toil; Or yet wise old Ravenclaw, If you've a ready mind, Where those of wit and learning, Will always find their kind; Or perhaps in Slytherin You'll make your real friends, Those cunning folk use any means To achive their ends. So put me on! Don't be afraid! And you won't get in a flap! You're safe in my hands(though I have none) For I'm a Thinking Cap!!
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I don’t know how they do it. I don’t know how anybody does it, waking up every morning and eating and moving from the bus to the assembly line, where the teacherbots inject us with Subject A and Subject B, and passing every test they give us. Our parents provide the list of ingredients and remind us to make healthy choices: one sport, two clubs, one artistic goal, community service, no grades below a B, because really, nobody’s average, not around here. It’s a dance with complicated footwork and a changing tempo. I’m the girl who trips on the dance floor and can’t find her way to the exit. All eyes on me.
Laurie Halse Anderson (Wintergirls)
How can I begin to tell you how much I miss you without using those three common words that can't even start to express the magnitude nor the depth of my emotions. How can I write in my own blood while wanting to revert its color. The color of blood is similar to "I miss you". It has been raped by writers and lovers constantly, ever since Cain and Abel. I want to be able to create a new alphabet that can simply stand in front of you without bowing. I want to use new metaphors that would erupt like volcanoes between the phrases of my readers' souls. Metaphors such as your absence is similar to eating salt straight from the shaker while thirst is devouring my tongue. Metaphors such as the lack of your presence is like being straddled behind the glass of my own senses.
Malak El Halabi
know this one great truth: you are in control of your own life. You get one and only one chance to live, and life is passing you by. Stop beating yourself up, and dang it, stop letting others do it too. Stop accepting less than you deserve. Stop buying things you can’t afford to impress people you don’t even really like. Stop eating your feelings instead of working through them. Stop buying your kids’ love with food, or toys, or friendship because it’s easier than parenting. Stop abusing your body and your mind. Stop! Just get off the never-ending track.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
I can’t tell you what to do. No one can. But as the mother of two children, I can tell you what most moms will: that mothering is absurdly hard and profoundly sweet. Like the best thing you ever did. Like if you think you want to have a baby, you probably should. I say this in spite of the fact that children are giant endless suck machines. They don’t give a whit if you need to sleep or eat or pee or get your work done or go out to a party naked and oiled up in a homemade Alice B. Toklas mask. They take everything. They will bring you the furthest edge of your personality and abso-fucking-lutely to your knees. They will also give you everything back. Not just all they take, but many of the things you lost before they came along as well.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
When I did show up next door, at 6:34, it sounded like World War III had erupted in the house. I’d let myself in since no one answered the damn door. “I can’t believe you ate all the ice cream, Daemon!” I cringed and stopped inside the dining room. There was no way I was going into that kitchen. “I didn’t eat all of it.” “Oh, so it ate itself?” Dee shrieked so loudly I thought I heard the rafters in the ceiling shake. “Did the spoon eat it? Oh wait, I know. The carton ate it.” “Actually, I think the freezer ate it,” Daemon responded dryly. I grinned when I heard what sounded like the empty container hitting what suspiciously sounded like flesh.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Shigure: Perhaps I can offer some advice? ...You know, Tohru-kun, when you get anxiety about the future it's better not to think about it. And let's not wipe our faces with dishtowels... For example let's say, Tohru-kun, that you are surrounded with a mountain of laundry piled so high around your feet that you can't move. Are you with me? Now, let's assume you don't have a washing machine, so you have to wash everything individually by hand. You would be at a loss for what to do, right? You'd worry about if you could ever wash everything, if you could get it all clean, if you'd ever have time for anything but laundry ever again! The more you'd think about it, the more anxious you'd get. But the time keeps passing, and the laundry doesn't wash itself. So what do you do, Tohru-kun? It might be a good idea to start washing the laundry right at your feet. Of course it's important to think about what lies ahead, too, but if you only look at what's down the road you'll get tangled in the laundry at your feet and you'll fall, won't you? You see, it's also important to think about what you can do now, what you can do today. And if you keep washing things one at a time, you'll be done before you know it. Because fortune is looking out for you. Sometimes the anxiety will start to well up, but when it does, take a little break. Read a book, watch TV, or eat soumen with everyone. Oh my, I'm shocked! Wow! What a wonderful analogy! I really must treat myself to some soumen as a reward... Oh! I'd like some tea, too! Kyo: Why you... You just wanted to eat soumen, didn't you?!
Natsuki Takaya (Fruits Basket, Vol. 8)
I tell you what when I see chocolate chip cookies I can’t just eat one. I’ve got to eat a dozen. I don’t have any self control. Well, come on! You’re just talking yourself right into the pit! You do have self control, and you need to start looking at those cookies and saying, “If I want you I’ll eat you, and if I don’t I won’t!” Come on! Talk to that plateful of food! I am born again and baptized in the Holy Ghost! I have the power of the universe on the inside of me, and if I do not want to eat you I will not eat you! I mean how do you expect to defeat the devil if you can’t even defeat a chocolate chip cookie!?!?
Joyce Meyer
Inej cleared her throat. “You do look a bit …” “Enchanting,” said Matthias. Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies. “You could be a maiden on the first day of Roennigsdjel.” “What is Roennigsdjel?” asked Kuwei. “Some festival,” replied Nina. “I can’t remember. But I’m pretty sure it involves eating a lot of elk. Let’s go, you big goon—and I’m supposed to be your sister, stop looking at me like that.” “Like what?” “Like I’m made of ice cream.” “I don’t care for ice cream.” “Matthias,” Nina said, “I’m not sure we can continue to spend time together.” But she couldn’t quite keep the satisfaction from her voice. Apparently she was going to have to stock up on ugly knitwear.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities. At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.
David Nicholls (Starter for Ten)
Are you okay with what we ordered?” Angeline asked him. “You didn’t pipe up with any requests.” Neil shook his head, face stoic. He kept his dark hair in a painfully short and efficient haircut. It was the kind of no-nonsense thing the Alchemists would’ve loved. “I can’t waste time quibbling over trivial things like pepperoni and mushrooms. If you’d gone to my school in Devonshire, you’d understand. For one of my sophomore classes, they left us alone on the moors to fend for ourselves and learn survival skills. Spend three days eating twigs and heather, and you’ll learn not to argue about any food coming your way.” Angeline and Jill cooed as though that was the most rugged, manly thing they’d ever heard. Eddie wore an expression that reflected what I felt, puzzling over whether this guy was as serious as he seemed or just some genius with swoon-worthy lines.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I invited Intuition to stay in my house when my roommates went North. I warned her that I am territorial and I keep the herb jars in alphabetical order. Intuition confessed that she has a ‘spotty employment record.’ She was fired from her last job for daydreaming. When Intuition moved in, she washed all the windows, cleaned out the fireplace, planted fruit trees, and lit purple candles. She doesn’t cook much. She eats beautiful foods, artichokes, avocadoes, persimmons and pomegranates, wild rice with wild mushrooms, chrysanthemum tea. She doesn’t have many possessions. Each thing is special. I wish you could see the way she arranged her treasures on the fireplace mantle. She has a splendid collection of cups, bowls, and baskets. Well, the herbs are still in alphabetical order, and I can’t complain about how the house looks. Since Intuition moved in, my life has been turned inside out.
J. Ruth Gendler (The Book of Qualities)
What’s your favorite flavor of shit sandwich?” What Manson means is that every single pursuit—no matter how wonderful and exciting and glamorous it may initially seem—comes with its own brand of shit sandwich, its own lousy side effects. As Manson writes with profound wisdom: “Everything sucks, some of the time.” You just have to decide what sort of suckage you’re willing to deal with. So the question is not so much “What are you passionate about?” The question is “What are you passionate enough about that you can endure the most disagreeable aspects of the work?” Manson explains it this way: “If you want to be a professional artist, but you aren’t willing to see your work rejected hundreds, if not thousands, of times, then you’re done before you start. If you want to be a hotshot court lawyer, but can’t stand the eighty-hour workweeks, then I’ve got bad news for you.” Because if you love and want something enough—whatever it is—then you don’t really mind eating the shit sandwich that comes with it.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
He had learned some of the things that every man must find out for himself, and he had found out about them as one has to find out--through error and through trial, through fantasy and illusion, through falsehood and his own damn foolishness, through being mistaken and wrong and an idiot and egotistical and aspiring and hopeful and believing and confused. Each thing he learned was so simple and obvious, once he grasped it, that he wondered why he had not always known it. And what had he learned? A philosopher would not think it much, perhaps, and yet in a simple human way it was a good deal. Just by living, my making the thousand little daily choices that his whole complex of heredity, environment, and conscious thought, and deep emotion had driven him to make, and by taking the consequences, he had learned that he could not eat his cake and have it, too. He had learned that in spite of his strange body, so much off scale that it had often made him think himself a creature set apart, he was still the son and brother of all men living. He had learned that he could not devour the earth, that he must know and accept his limitations. He realized that much of his torment of the years past had been self-inflicted, and an inevitable part of growing up. And, most important of all for one who had taken so long to grow up, he thought he had learned not to be the slave of his emotions.
Thomas Wolfe (You Can't Go Home Again)
For us, eating and being eaten belong to the terrible secret of love. We love only the person we can eat. The person we hate we ‘can’t swallow.’ That one makes us vomit. Even our friends are inedible. If we were asked to dig into our friend’s flesh we would be disgusted. The person we love we dream only of eating. That is, we slide down that razor’s edge of ambivalence. The story of torment itself is a very beautiful one. Because loving is wanting and being able to eat up and yet to stop at the boundary. And there, at the tiniest beat between springing and stopping, in rushes fear. The spring is already in mid-air. The heart stops. The heart takes off again. Everything in love is oriented towards this absorption. At the same time real love is a don’t-touch, yet still an almost-touching. Tact itself: a phantom touching. Eat me up, my love, or else I’m going to eat you up. Fear of eating, fear of the edible, fear on the part of the one of them who feels loved, desired, who wants to be loved, desired, who desires to be desired, who knows there is no greater proof of love than the other’s appetite, who is dying to be eaten up, who says or doesn’t say, but who signifies: I beg you, eat me up. Want me down to the marrow. And yet manage it so as to keep me alive. But I often turn about or compromise, because I know that you won’t eat me up, in the end, and I urge you: bite me. Sign my death with your teeth
Hélène Cixous (Stigmata: Escaping Texts)
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
they're good fighters, i think proudly as i watch them duke it out. But as the oldest male in the house, it's my duty to break it up. I grab the collar of Carlos's shirt but on Louis's leg and land on the floor with them. Before I can regain my balance, icy cold water is pored on my back. Turning quickly, I catch mi'ama dousing us all, a bucket poised in her fist abouve us while she is wearing her work uniform. She works as a checker for the local grocery store a couple blocks from our house. It doesn't pay a whole heck of a lot, but we don't need much. "Get up" she orders, her fiery attitude out in full force. "Shit, Ma" Carlos says, standing Mi'ama takes what's left in her bucket, sticks her fingers in the icy water, and flicks the liquid in Carlos's face. Luis laughs and before he knows it, he gets flicked with water as well. Will they ever learn? "Any More attitude, Lous?" She asks. "No, ma'am" Louis says, standing as straight as a soilder. "You have any more filthy words to come out of that boca of yours, Carlos?" She dips her hand in the water as a warning. "No, ma'am" echos soldier number two. "And what abot you, Alejandro?" her eyes narrow into slits as she focuses on me "What? I was try'in to break it up" I say innocently, giving her my you-can't-resist-me smile. She flicks water in my face. "That's for not breaking it up sooner. Now get dressed, all of you, and come eat breakfast before school." So much for my you-can't-resist-me smile
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
Hermann Hesse (Steppenwolf)
You know this girl. Her hair is neither long nor short nor light nor dark. She parts it precisely in the middle. She sits precisely in the middle of the classroom, and when she used to ride the school bus, she sat precisely in the middle of that, too. She joins clubs, but is never the president of them. Sometimes she is the secretary; usually, just a member. When asked, she has been known to paints sets for the school play. She always has a date to the dance, but is never anyone’s first choice. In point of fact, she’s nobody’s first choice for anything. Her best friend became her best friend when another girl moved away. She has a group of girls she eats lunch with every day, but God, how they bore her. Sometimes, when she can’t stand it anymore, she eats in the library instead. Truth be told, she prefers books to people, and the librarian always seems happy to see her. She knows there are other people who have it worse—she isn’t poor or ugly or friendless or teased. Of course, she’s also aware that the reason no one teases is because no one ever notices her. This isn’t to say she doesn’t have qualities. She is pretty, maybe, if anyone would bother to look. And she gets good enough grades. And she doesn’t drink and drive. And she says NO to drugs. And she is always where she says she will be. And she calls when she’s going to be late. And she feels a little, just a little, dead inside. She thinks, You think you know me, but you don’t. She thinks, None of you has any idea about all the things in my heart. She thinks, None of you has any idea how really and truly beautiful I am. She thinks, See me. See me. See me. Sometimes she thinks she will scream. Sometimes she imagines sticking her head in an oven. But she doesn’t. She just writes it all down in her journal and waits. She is waiting for someone to see.
Gabrielle Zevin (Love Is Hell)