Can't Be Arsed Quotes

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I'm so bored I could do something, but can't be arsed. I'm unmotivated as well as bored. It's a killer combination.
Gillibran Brown (Fun With Dick and Shane (Memoirs of a Houseboy, #1))
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
Sarah Kane (Crave)
When people dis fantasy—mainstream readers and SF readers alike—they are almost always talking about one sub-genre of fantastic literature. They are talking about Tolkien, and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious—you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike—his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's clichés—elves 'n' dwarfs 'n' magic rings—have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps—via Mervyn Peake and Mikhael Bulgakov and Stefan Grabiński and Bruno Schulz and Michael Moorcock and M. John Harrison and I could go on—the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine—that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it—Michael Swanwick's superb Iron Dragon's Daughter gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. Chris Wooding, Michael Swanwick, Mary Gentle, Paul di Filippo, Jeff VanderMeer, and many others, are all producing works based on fantasy's radicalism. Where traditional fantasy has been rural and bucolic, this is often urban, and frequently brutal. Characters are more than cardboard cutouts, and they're not defined by race or sex. Things are gritty and tricky, just as in real life. This is fantasy not as comfort-food, but as challenge. The critic Gabe Chouinard has said that we're entering a new period, a renaissance in the creative radicalism of fantasy that hasn't been seen since the New Wave of the sixties and seventies, and in echo of which he has christened the Next Wave. I don't know if he's right, but I'm excited. This is a radical literature. It's the literature we most deserve.
China Miéville
All motivation derives from the primary fact of mortality. Take mortality away and motivation loses its...motivation. Thus vampires spend a lot of time lounging around and staring out of the window and finding they can't be arsed.
Glen Duncan (The Last Werewolf (The Last Werewolf, #1))
Baby steps for your nerdy girl, she writes. The girl clearly underestimates the power of her bum and a seductively minimal pose. Nerdy my arse, I type back. All the cold showers in the world can't cure what u've done to me. Cruel wife.
Wendy Higgins (Sweet Temptation (Sweet, #4))
I can't believe you're still mad at me," Ed says. "You grabbed my arse." "You broke my nose." "You broke his nose?" Jazz asks. "You grabbed her arse?" "It was two years ago-" "Two years, four months, and eight days," I tell him. "-and I was fifteen, and I slipped and she broke my nose." "Wait a minute. How do you slip onto someone's arse?" Jazz asks. "I meant slipped up. I slipped up and she broke my nose." "You're lucky that's all I broke," I say. "You're lucky I didn't call the police." Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks. Ed closes his eyes silently and bangs his head on the wall.
Cath Crowley (Graffiti Moon)
We ought to call it something,’ said Banokles thoughtfully. ‘We can’t just keep calling it “that big bastard horse”. It ought to have a name.’ ‘What do you suggest?’ - ‘Arse Face.
David Gemmell (Fall of Kings (Troy, #3))
He's going on and on, and I can't be bothered. I just can't be fuckin well arsed saying something like: Solaris shites all over 2001, and then listening to him arguing vehemently against it. Or, alternatively, waiting for him to say it, and then being expected to argue engingly, as if to agree, even if we do, is a sign that we're effete proofs. I can't be bothered with it and I can't even be bothered to tell him that I can'be be bothered.
Irvine Welsh (Porno (Mark Renton, #3))
Are you scared?" she purrs. "Been too long? Out of practice?" Her head cocks to the side, a bad-girl grin on her face. And then her words register. Too scared to shag her? I can't even dignify that with a response. I can't even sputter. And then she gives me a purple-nurple, twisting my nipple. "Oy!" I grab her wrist, the mad little cat. I should spank her arse for that. Suddenly my towel is gone and my body is announcing just how much I've enjoyed her naughty act, complete with the ripping-off-of-the-towel finale.
Wendy Higgins (Sweet Temptation (Sweet, #4))
I wondered if you wanted someone to help zip your dress up before a night out. I wondered if you wanted someone to call first in a crisis. I wondered if you wanted someone to text to bring you fish and chips when you can’t be arsed with a proper dinner. I wondered if you wanted someone in your corner when you visit your family, someone who will tell them how lucky they are to have you. I wondered if you wanted someone to fetch the Lucozade when you have the flu.
Mhairi McFarlane (Don't You Forget About Me)
We are medium-sized mammals who only prosper because we've developed a half-arsed ability to terraform the less suitable bits of the planet we evolved on, and we're conscious of our inevitable decay and death, and we can't live anywhere else. There is no invisible sky daddy to give us immortal life and a harp and wings when we die.
Charles Stross (The Rapture of the Nerds)
That's the strange thing about love. One minute you can have your tongue up someone's arse, and the next you can't even communicate.
Boy George
None taken, son. I'd love to see things from your point of view but I can't get my head that far up my arse.
Adrian McKinty (The Cold Cold Ground (Detective Sean Duffy #1))
I want you to remember that you can’t always smile your way around a fight. If someone pulls steel on you, I expect you to survive. Sometimes that means giving back in kind. Sometimes it means running like your arse is on fire. Always it means knowing which is the right choice.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
By the by,” Stephen said, “what is the difference between a viscount and a stallion?” Miss Marshall shook her head. “What is it?” Stephen gave her a broad smile. “The first is a horse’s arse. The second is an entire horse.” She buried her head in her hands. “No. You cannot distract me with terrible jokes. You are supposed to be looking up facts. Shoo!” But Stephen didn’t stop. “What’s the difference between a marquess and a paperweight?” “I’m sure you’ll tell me.” “One of them can’t do anything unless a servant helps it along. The other one holds down papers.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
I can't help but stir the pot. "We discussed books and body parts and their functionality. It was a most invigorating discussion. I wonder, though, who the breast of the organization are? Or perhaps the testicles? Personally, I would love to know who the arse is. Is that person the fool of the group?
Heather Lyons (The Collectors’ Society (The Collectors’ Society, #1))
Apparently I can't prove the chair I'm sitting on exists, because I only think it exists because my bum tells me it does and I can't empirically trust my bum to tell the truth...' 'That what it says?' 'Far as I can tell, one of the great philosophical minds of the eighteenth century thinks my arse is a liar.
Stuart MacBride (Close to the Bone (Logan McRae, #8))
Take what’s yours and get the fuck out. I can’t deal with this right now.” “Fine,” he bellowed back and rushed me. “I’ll take what’s mine and go.” For a second I had no idea what was happening, but then realisation hit me. This motherfucker was trying to lift my pregnant arse up. “Kane!” I screeched when he hooked his arm behind my knees and slid his arms around my waist and lifted me. My arms instinctively went up into the air then tightly wrapped around Kane’s neck. “What the hell do you think you’re doin’?” I asked on a gasp. He walked towards the door of our apartment. “You said to take what’s mine and get the fuck out. I’m doing exactly that.
L.A. Casey (Aideen (Slater Brothers, #3.5))
Our eyes finally meet—he’s still staring at me, lips parted. And I can’t get a read on his expression. As the moments stretch on, a bud of nervousness blooms in my stomach, its vine wrapping around my vocal chords. “I…I wasn’t sure what you had planned for tonight. You didn’t tell me.” Those long lashes blink, but he doesn’t say anything. I raise my hand toward the kitchen. “I can go change if this isn’t—” “No.” Nicholas steps forward, his hand up. “No, don’t change a thing. You’re…absolutely perfect.” And he’s looking at me like he never wants to stop. “I didn’t expect…I mean, you’re lovely…b-but…” “Wasn’t there a movie about a king who stuttered?” I tease him. “Was he a relative of yours?” He chuckles. And call me crazy, but I swear Nicholas’s cheeks go slightly pink. “No, stuttering doesn’t run in my family.” He shakes his head. “You just knocked me on my arse.” And now I’m beaming. “Thank you. You look pretty great too, Prince Charming.” “I actually know a Prince Charming. He’s first-class prick.” “Well. Now that you’ve tarnished a precious piece of my childhood, this better be some date,” I tease. “It will be.” He holds out his hand to me. “Shall we?
Emma Chase (Royally Screwed (Royally, #1))
Now I understand what you once said to me about all the people who depend on him--and I’ve become one of them. Damn him to hell. My brother can’t take arse-headed chances with his life again, or I swear I’ll kill him.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Pleasure died forty years ago in America, perhaps further back, in a wave of carbon monoxide, gasoline, cigarettes for dames, the belief in everything and everybody, tolerance for the intolerable, the hatred of being alone in silence for more than twenty seconds, the assurance that immortality was Americans eating all-cow franks, with speeded-up peristalsis while talking to a crowd of fifteen trillion other same-bodies eating sandwiches, gassing cokes, peristalsing, and talking, while baseball-sound-movie-TV tomorrow's trots off track betting howled roared farted choked gagged exploded reentered atmo honked bawled deafened pawed puked croaked shouted repeated repeated REPEATED, especially SAY IT AGAIN LOUDER SAY IT AGAIN, stick that product in every God-damned American's mouth and make him say I BOUGHT IT, GOD I BOUGHT IT AND IT'S GREAT IT's HOLLYWOOD IT'S MY ARSE GOING UP AND DOWN AGAIN, IT'S USA, GOD, and if you can't get it in his mouth and make him SWEAR IT SWEAR IT USA, stick it in his anal sphincter (look it up in the dictionary, college graduates, on account of you didn't have time to learn it in the College of Your Choice).
James Purdy
Charlemagne opened his mouth to protest, but immediately snapped it shut and slapped a hand over his nose, a look of disgust on his face. Primplepuss had struck again. Scrambling to his feet, Charlemagne hurried for the door and wrenched it open before glancing back at Maggie. The old man was struggling to escape from beneath the enormous cat's weight. "We can discuss this later, Maggie," he said. "Perhaps tonight, on the battlements, where our thoughts might be clearer." And he hurried off, ignoring Maggie's pleas for help to get the cat off him. "Sharley, wait! Give ma a hand! This cat's so heavy --oh, my God! No! How can you smell like that and live? Sharley, help!" An already distance voice floated back into his room. "Sorry, can't stop. I value my nostrils." "Prince Charlemagne, for the love of all that's decent! My God, cat, if we could harness your arse we could repel any invasion! How do you do it?" A small questioning meow was the only reply Maggie received as he flapped a handkerchief under his nose and tried to breath through his mouth without retching.
Stuart Hill (Blade of Fire)
Sophia!” He looks horrified. “I’m not suggesting that you shouldn’t eat dessert. You don’t need a spoon because I was going to feed you.” Oh. “I have an arse,” I blurt out. His grins. “I noticed. Officially, men love arses. And I think I can speak for all men—at least all the British ones—I am their future king, you know. Unofficially…I can’t wait to get my hands on that beautiful round bum of yours.
Terry Keys (Royal and Reckless)
It really is important you say these words out loud. “I AM A FEMINIST.” If you feel you cannot say it—not even standing on the ground—I would be alarmed. It’s probably one of the most important things a woman will ever say: the equal of “I love you,” Is it a boy or a girl?” or “No! I’ve changed my mind! I don’t want bangs!” Say it. SAY IT! SAY IT NOW! Because if you can’t, you’re basically bending over, saying, “Kick my arse and take my vote, please, patriarchy.” And
Caitlin Moran (How To Be A Woman)
Nobody ever started a fight because they thought they were wrong. Think about it. We're all so sure of ourselves that we can't even have an honest conversation. Instead, we babble bass-ackwards agendas and cling to ill-conceived notions. Our heads are so far up our own arses that we assume we are the hero of the story. Even when we are up to our necks in it, we never bother asking what the awful smell is. The thing is... everyone can't be right. That's not a thing. But nobody wants to back down. So instead, you get a line in the sand and people taking sides.
Brian Buccellato (Injustice: Gods Among Us: Year Three: The Complete Collection)
Then we’re kissing right there in front of everyone. And nothing else seems to matter. Certainly not etiquette, or what anyone else thinks. It’s only his lips on mine, the pressure gentle. It’s only us. And I can’t stop— Which is when Derrick arrives out of thin air and careens into my shoulder in a mess of wings and limbs. “Hellooooo! Don’t mind me, I’m just interrupting your brazen cuddle to steal the lady for a few minutes.” Oh, damnation, not now. I’m really regretting not giving Derrick that extra five minutes. “Derrick,” I say through clenched teeth. I step back from Kiaran and try to control the pixie’s wriggling body in my hair. “Not—” “My god.” Derrick collapses on my shoulder. “I am full of pie. I can barely even move my wings. I—” He squints over at Kiaran and smiles in delight. “Oh, hulloooooo, villainous wastrel!” Kiaran is clearly not impressed. “You’ve a bit of pastry on your jacket.” Derrick swipes at the morsel, snatches it, and eats it. “Was just saving a wee snack for later.” He giggles. For god’s sake. I look pleadingly at Kiaran. “Just . . . save that thought. Don’t go anywhere.” I’d like to resume the kissing. “I’ll be right back—” “Kiaraaaaaaaaaan.” Derrick giggles. “Or would you prefer I keep villainous wastrel? I never asked.” Kiaran arches an eyebrow. “I suppose that depends. Would you prefer pain in my arse?” Derrick bursts into laughter. “Arse! Aileana. He said arse.” “Hell,” I mutter. “Will you excuse me for a moment?” I don’t wait for Kiaran’s response. I take Derrick with me to the lift and don’t say anything until I reach the fourth floor. “Let me just say, if someone gave you honey, I’ll—” “No, no, no,” Derrick says, gliding off my shoulder. He now looks suspiciously lucid. “You said to save you after twenty-five minutes. So I did.” “I said to save me if I was around Daniel and in obvious distress.” Not when I’m kissing someone in obvious delight. “Firstly, I was the one in distress watching you kiss Kiaran because ughhhh.” Derrick wags a finger at me. “And secondly, you never said anything about distress, you said—” “Forget what I said.” I narrow my eyes. “Are you telling me that down there was all an act?” He grins. “I would have been perfect in the theater, wouldn’t you say?” “Good heavens,” I murmur. At least I don’t have to deal with a drunk pixie. “Let’s just check the wards, all right
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I had the most ridiculous dream.” I point at my brother. “You were there.” I point at Simon beside him. “And you.” Then Franny, all of them huddled on the floor around me. “And you too. You . . . abdicated the throne, Nicholas. And they all wanted to make me king.” A maniacal laugh passes my lips . . . until I turn to the right and see dark blue eyes, sweet lips. and black, swirling hair. Then I scream like a girl. “Ahhhh!” It’s Olivia. My brother’s wife. His very American wife. I turn back to Nicholas. “It wasn’t a dream, was it?” “No, Henry.” I lie back down on the floor. “Fuuuuuck.” Then I feel sort of bad. “Sorry, Olive. You know I think you’re top-notch.” She smiles kindly. “It’s okay, Henry. I’m sorry you’re having a hard time.” I scrub my hand over my face, trying to think clearly. “It’s all right. This is a better, new plan—I won’t have to live under the stage now.” “You were going to live under the stage?” Nicholas asks. I wave my hand. “Forget it. It was Potter’s stupid idea. Boy Wonder Wizard, my arse.” And now my brother looks really worried. I gesture to him. “But you’re here now. You can take me with you back to the States.” “Henry . . .” “Give me your tired, poor, huddled masses yearning to be free—that describes me perfectly! I’m a huddled mass, Nicholas!” He squeezes my arms, shaking just a bit. “Henry. You can’t move to America.” I grasp his shirt. And my voice morphs into an eight-year-old boy’s, confessing he sees dead people. “But she’s so mean, Nicholas. She’s. So. Mean.” He taps my back. “I know.” Nicholas and Simon drag me up, holding on so that I stay on my feet. “But we’ll figure it out,” Nicholas says. “It’s going to be all right.” I shake my head. “You keep saying that. I’m starting to think you don’t know what the hell you’re talking about.
Emma Chase (Royally Matched (Royally, #2))
I’m always talking about the internet and what’s happening now, so cancel culture is something I’m interested in as a phenomenon, but I don’t want it to come across like I’m butt-hurt about it because, honestly, I don’t really care. Because what is cancelling? People start a social media account and once they get more than 300 followers they can’t see their audience as anything but an audience, something to be performed to — which is why you get the weird thing of your mate who works in a brewery talking on Facebook like he’s talking to a packed convention centre. When you’re performing to an audience, the only human inclination is to be the benevolent protagonist. You’d never assume the role of the antagonist — that’s why trolls exist with anonymity. People who actually put themselves out there, online, their role is to be the good guy. We’re not aware of the solipsism of this behaviour because we’re all doing it. So once a week, culture generates a baddie so all the good guys can go: ‘Look how good I am in opposition to how bad he is.’ And the reason we forget about whatever morally [dubious] thing that person has done a week later is because we don’t care. It’s all literally a performance. There’s a purposeful removal of context in order to seem virtuous that happens so constantly that people can’t even be arsed.
Matty Healy
I wonder if all these bad things will change when I’m a high schooler…” “At the very least, they most certainly won’t change if you intend to remain the way you are.” Way to go, Yukinoshita-san! Not going easy on the young'un just after you finished apologizing to her! “But it’s enough if the people around you change,” I remarked. “There’s no need to force yourself to hang out with others.” “But things are hard on Rumi­-chan right now and if we don’t do something about it…” Yuigahama looked at Rumi with eyes full of concern. In response, Rumi winced slightly. “Hard, you say… I don’t like that. It makes me sound pathetic. It makes me feel inferior for being left out.” “Oh,” said Yuigahama. “I don’t like it, you know. But there’s nothing you can do about it.” “Why?” Yukinoshita questioned her. Rumi seemed to have some trouble speaking, but she still managed to form the right words. “I… got abandoned. I can’t get along with them anymore. Even if I did, I don’t know when it’ll start again. If the same thing were to happen, I guess I’m better off this way. I just­” She swallowed. “­don’t wanna be pathetic…” Oh. I get it. This girl was fed up. Of herself and of her surroundings. If you change yourself, your world will change, they say, but that’s a load of crap. When people already have an impression of you, it’s not easy to change your pre­existing relationships by adding something to the mix. When people evaluate each other, it’s not an addition or subtraction formula. They only perceive you through their preconceived notions. The truth is that people don’t see you as who you truly are. They only see what they want to see, the reality that they yearn for. If some disgusting guy on the low end of the caste works his arse off on something, the higher ones just snicker and say, “What’s he trying so hard for?” and that would be the end of it. If you stand out for the wrong reasons, you would just be fodder for criticism. That wouldn’t be the case in a perfect world, but for better or worse, that’s how things work with middle schoolers. Riajuu are sought for their actions as riajuu, loners are obligated to be loners, and otaku are forced to act like otaku. When the elites show their understanding of those beneath them, they are acknowledged for their open-mindedness and the depth of their benevolence, but the reverse is not tolerated. Those are the fetid rules of the Kingdom of Children. It truly is a sad state of affairs. "You can’t change the world, but you can change yourself". The hell was up with that? Adapting and conforming to a cruel and indifferent world you know you’ve already lost to – ultimately, that’s what a slave does. Wrapping it up in pretty words and deceiving even yourself is the highest form of falsehood.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Hey—we have a problem. You have some unexpected guests down at the gate. You should go check it out.” Guests? Who would come here to see me? I hop in the golf cart and drive down to the main gate. Just in time to hear Franny Barrister, the Countess of Ellington, tearing into a poor, clueless Matched security guard. “Don’t you tell me we can’t come in, you horse’s arse. Where’s Henry—what have you done with him?” Simon, my brother’s best friend, sees me approach, his sparkling blue eyes shining. “There he is.” I nod to security and open the gate. “Simon, Franny, what are you doing here?” “Nicholas said you didn’t sound right the last time he spoke to you. He asked us to peek in on you,” Simon explains. Franny’s shrewd gaze rakes me over. “He doesn’t look drunk. And he obviously hasn’t hung himself from the rafters—that’s better than I was expecting.” “Thanks for the vote of confidence.” Simon peers around the grounds, at the smattering of crew members and staging tents. “What the hell is going on, Henry?” I clear my throat. “So . . . the thing is . . . I’m sort of . . . filming a reality dating television show here at the castle and we started with twenty women and now we’re down to four, and when it’s over one of them will get the diamond tiara and become my betrothed. At least in theory.” It sounded so much better in my head. “Don’t tell Nicholas.” Simon scrubs his hand down his face. “Now I’m going to have to avoid his calls—I’m terrible with secrets.” And Franny lets loose a peal of tinkling laughter. “This is fabulous! You never disappoint, you naughty boy.” She pats my arm. “And don’t worry, when the Queen boots you out of the palace, Simon and I will adopt you. Won’t we, darling?” Simon nods. “Yes, like a rescue dog.” “Good to know.” Then I gesture back to their car. “Well . . . it was nice of you to stop by.” Simon shakes his head. “You’re not getting rid of us that easily, mate.” “Yes, we’re definitely staying.” Franny claps her hands. “I have to see this!” Fantastic.
Emma Chase (Royally Matched (Royally, #2))
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
The rock came loose, but Jake’s satisfied grunt turned into a howl of outraged pain as a set of huge teeth in the next stall clamped into Jake’s ample rear end. “You vicious bag of bones,” he shouted, jumping to his feet and throwing himself half over the rail in an attempt to land a punch on Attila’s body. As if the horse anticipated retribution, he sidled to the edge of his stall and regarded Jake from the corner of his eye with an expression that looked to Jake like complacent satisfaction. “I’ll get you for that,” Jake promised, and he started to shake his fist when he realized how absurd it was to threaten a dumb beast. Rubbing his offended backside, he turned to Mayhem and carefully put his own rump against the outside wall of the barn. He checked the hoof to make certain it was clean, but the moment his fingers touched the place where the rock had been lodged the chestnut jerked in pain. “Bruised you, did it?” Jake said sympathetically. “It’s not surprisin’, considering the size and shape of the rock. But you never gave a sign yesterday that you were hurtin’,” he continued. Raising his voice and infusing it with a wealth of exaggerated admiration, the patted the chestnut’s flank and glanced disdainfully at Attila while he spoke to Mayhem. “That’s because you’re a true aristocrat and a fine, brave animal-not a miserable, sneaky mule who’s not fit to be your stallmate!” If Attila cared one way or another for Jake’s opinion, he was disappointingly careful not to show it, which only made Jake’s mood more stormy when he stomped into the cottage. Ian was sitting at the table, a cup of steaming coffee cradled between his palms. “Good morning,” he said to Jake, studying the older man’s thunderous frown. “Mebbe you think so, but I can’t see it. Course, I’ve spent the night freezin’ out there, bedded down next to a horse that wants to make a meal of me, and who broke his fast with a bit of my arse already this mornin’. And,” he finished irately as he poured coffee from the tin pot into an earthenware mug and cast a quelling look at his amused friend, “your horse is lame!” Flinging himself into the chair beside Ian, he gulped down the scalding coffee without thinking what he was doing; his eyes bulged, and sweat popped out on his forehead. Ian’s grin faded. “He’s what?” “Picked up a rock, and he’s favoring his left foreleg.” Ian’s chair legs scraped against the wooden floor as he shoved his chair back and started to go to the barn. “There’s no need. It’s just a bruise.
Judith McNaught (Almost Heaven (Sequels, #3))
Is it true?” Kathleen asked. “The story you were telling about Devon?” After draining the tea in two gulps, West gave her a haunted glance. “All true. The son of a bitch almost succeeded in killing himself.” Kathleen took the cup from his lax fingers. “I don’t know how he did it,” West continued. “I was in the water for no more than two minutes, and my legs went numb to the bone. It was agony. By all accounts, Devon was in that river for at least twenty minutes, the reckless lackwit.” “Saving children,” Kathleen said, feigning scorn. “How dare he?” “Yes,” West said with no trace of humor. He stared at the leaping fire, brooding. “Now I understand what you once said to me about all the people who depend on him--and I’ve become one of them. Damn him to hell. My brother can’t take arse-headed chances with his life again, or I swear I’ll kill him.” “I understand,” she said, aware of the fear lurking beneath his caustic words. “No, you don’t. You weren’t there. My God, I almost didn’t reach him in time. Had I arrived just a few seconds later--” West took a shuddering breath and averted his face. “He wouldn’t have done this before, you know. He used to have more sense than to risk his neck for someone else. Especially strangers. The numbskull.” Kathleen smiled. Swallowing back the tightness in her throat, she reached out and smoothed his hair back. “My dear friend,” she whispered, “I’m sorry to have to say this…but you would have done the same thing.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Kell skimmed the spell and frowned. “An eternal flame?” Rhy absently plucked one of the lin from the floor and shrugged. “First thing I grabbed.” He tried to sound as if he didn’t care about the stupid spell, but his throat was tight, his eyes burning. “Doesn’t matter,” he said, skipping the coin across the ground as if it were a pebble on water. “I can’t make it work.” Kell shifted his weight, lips moving silently as he read over the priest’s scrawl. He held his hands above the paper, palms cupped as if cradling a flame that wasn’t even there yet, and began to recite the spell. When Rhy had tried, the words had fallen out like rocks, but on Kell’s lips, they were poetry, smooth and sibilant. The air around them warmed instantly, steam rising from the penned lines on the scroll before the ink drew in and up into a bead of oil, and lit. The flame hovered in the air between Kell’s hands, brilliant and white. He made it look so easy, and Rhy felt a flash of anger toward his brother, hot as a spark—but just as brief. It wasn’t Kell’s fault Rhy couldn’t do magic. Rhy started to rise when Kell caught his cuff. He guided Rhy’s hands to either side of the spell, pulling the prince into the fold of his magic. Warmth tickled Rhy’s palms, and he was torn between delight at the power and knowledge that it wasn’t his. “It isn’t right,” he murmured. “I’m the crown prince, the heir of Maxim Maresh. I should be able to light a blasted candle.” Kell chewed his lip—Mother never chided him for the habit—and then said, “There are different kinds of power.” “I would rather have magic than a crown,” sulked Rhy. Kell studied the small white flame between them. “A crown is a sort of magic, if you think about it. A magician rules an element. A king rules an empire.” “Only if the king is strong enough.” Kell looked up, then. “You’re going to be a good king, if you don’t get yourself killed first.” Rhy blew out a breath, shuddering the flame. “How do you know?” At that, Kell smiled. It was a rare thing, and Rhy wanted to hold fast to it—he was the only one who could make his brother smile, and he wore it like a badge—but then Kell said, “Magic,” and Rhy wanted to slug him instead. “You’re an arse,” he muttered
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
I’m telling you, you bastard, you’re going to pay for that rum. In gold or goods, I don’t care which.” “Captain Mallory.” Gray’s baritone was forbidding. “And I apply that title loosely, as you are no manner of captain in my estimation…I have no intention of compensating you for the loss of your cargo. I will, however, accept your thanks.” “My thanks? For what?” “For what?” Now O’Shea entered the mix. “For saving that heap of a ship and your worthless, rum-soaked arse, that’s what.” “I’ll thank you to go to hell,” the gravelly voice answered. Mallory, she presumed. “You can’t just board a man’s craft and pitch a hold full of spirits into the sea. Right knaves, you lot.” “Oh, now we’re the knaves, are we?” Gray asked. “I should have let that ship explode around your ears, you despicable sot. Knaves, indeed.” “Well, if you’re such virtuous, charitable gents, then how come I’m trussed like a pig?” Sophia craned her neck and pushed the hatch open a bit further. Across the deck, she saw a pair of split-toed boots tied together with rope. Gray answered, “We had to bind you last night because you were drunk out of your skull. And we’re keeping you bound now because you’re sober and still out of your skull.” The lashed boots shuffled across the deck, toward Gray. “Let me loose of these ropes, you blackguard, and I’ll pound you straight out of your skull into oblivion.” O’Shea responded with a stream of colorful profanity, which Captain Grayson cut short. “Captain Mallory,” he said, his own highly polished boots pacing slowly, deliberately to halt between Mallory’s and Gray’s. “I understand your concern over losing your cargo. But surely you or your investor can recoup the loss with an insurance claim. You could not have sailed without a policy against fire.” Gray gave an ironic laugh. “Joss, I’ll wager you anything, that rum wasn’t on any bill of lading or insurance policy. Can’t you see the man’s nothing but a smuggler? Probably wasn’t bound for any port at all. What was your destination, Mallory? A hidden cove off the coast of Cornwall, perhaps?” He clucked his tongue. “That ship was overloaded and undermanned, and it would have been a miracle if you’d made it as far as Portugal. As for the rum, take up your complaint with the Vice Admiralty court after you follow us to Tortola. I’d welcome it.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Perhaps I won’t tire of her,” Gray protested, just to be contrary. Because, apparently, that was how brothers behaved. “Perhaps a dolphin will fly out of your arse. And here’s an argument even you can’t refuse. Grayson Shipping doesn’t need a reputation for delivering damaged goods. You want me to hand George Waltham an impregnated governess?” “I wouldn’t get her with child. Give me that much credit, at least.” “I give you credit for nothing. Let’s try this one last time, shall we? You made me this ship’s captain. If I’m the captain, what I say goes. And I say you don’t touch her. If you can’t abide by my orders, take command of the ship yourself and let me go home.” “Go home and do what? Squander your fortune and talent on dirt farming?” “Go home and take care of my own family. Go home and do what I damn well please, for once.” Cursing, Gray leaned against the wall. He knew Joss would make good on that threat, too. It hadn’t been easy, coaxing his brother out of mourning. Gray had resorted to outright bullying just to convince him to take command of the Aphrodite, threatening to cut off his income unless he reported to London as agreed. But he needed Joss, if this shipping concern was to stay afloat. He’d worked too hard, sacrificed too much to see it fail. And if Joss didn’t become a willing partner, it all would have been in vain. “Stay away from the girl, Gray.” Gray sighed. “We’re on the same ship. I can’t help but be near her. I’ll not promise to refrain from touching her, because the girl seems to lose her footing whenever I’m around. But I give you my word I’ll not kiss her again. Satisfied?” Joss shook his head. “Give me your word you won’t bed her.” “What a legend you’re making me! Insinuating I could bed her without even kissing her first.” Gray worried the edge of his thumbnail as he considered. “That might prove an amusing challenge, now that you suggest it.” Joss shot him an incredulous look. “With some other lady, on some other ship.” Gray raised his hands in a defensive gesture. “I’ll not bed her. You have my word. And don’t think that’s not a great sacrifice, because it is. I’d have her in two, three days at the most, I tell you.” “Once again-not amusing.” “For God’s sake, Joss, it’s a joke. What do you want, an apology? I’m sorry for kissing Miss Turner’s hand, all right?” Joss shook his head and flipped open the logbook. “No, you’re not.” “Yes, I am.” The odd thing of it was, Gray was telling the truth. He knew he was being an ass, but the joking was easier than honesty. For all his teasing, he hadn’t kissed her hand with the intent to seduce, or to judge if she tasted as sweet as he’d dreamed. He’d kissed her fingers for one reason only. Because they were trembling, and he’d wanted them to stop. It was wholly unlike him, that kiss. It was not a gesture he thought it wise to repeat. That girl did something strange to him.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
That black horse we used for packin’ up here is the most cantankerous beast alive,” Jake grumbled, rubbing his arm. Ian lifted his gaze from the initials on the tabletop and turned to Jake, making no attempt to hide his amusement. “Bit you, did he?” “Damn right he bit me!” the older man said bitterly. “He’s been after a chuck of me since we left the coach at Hayborn and loaded those sacks on his back to bring up here.” “I warned you he bites anything he can reach. Keep your arm out of his way when you’re saddling him.” “It weren’t my arm he was after, it was my arse! Opened his mouth and went for it, only I saw him outter the corner of my eye and swung around, so he missed.” Jakes’s frown darkened when he saw the amusement in Ian’s expression. “Can’t see why you’ve bothered to feed him all these years. He doesn’t deserve to share a stable with your other horses-beauties they are, every one but him.” “Try slinging packs over the backs of one of those and you’ll see why I took him. He was suitable for using as a pack mule; none of my other cattle would have been,” ian said, frowning as he lifted his head and looked about at the months of accumulated dirt covering everything. “He’s slower’n a pack mule,” Jake replied. “Mean and stubborn and slow,” he concluded, but he, too, was frowning a little as he looked around at the thick layers of dust coating every surface. “Thought you said you’d arranged for some village wenches to come up here and clean and cook fer us. This place is a mess.” “I did. I dictated a message to Peters for the caretaker, asking him to stock the place with food and to have two women come up here to clean and cook. The food is here, and there are chickens out in the barn. He must be having difficulty finding two women to stay up here.” “Comely women, I hope,” Jake said. “Did you tell him to make the wenches comely?” Ian paused in his study of the spiderwebs strewn across the ceiling and cast him an amused look. “You wanted me to tell a seventy-year-old caretaker who’s half-blind to make certain the wenches were comely?” “Couldn’ta hurt ‘t mention it,” Jake grumbled, but he looked chastened. “The village is only twelve miles away. You can always stroll down there if you’ve urgent need of a woman while we’re here. Of course, the trip back up here may kill you,” he joked referring to the winding path up the cliff that seemed to be almost vertical. “Never mind women,” Jake said in an abrupt change of heart, his tanned, weathered face breaking into a broad grin. “I’m here for a fortnight of fishin’ and relaxin’, and that’s enough for any man. It’ll be like the old days, Ian-peace and quiet and naught else. No hoity-toity servants hearin’ every word what’s spoke, no carriages and barouches and matchmaking mamas arrivin’ at your house. I tell you, my boy, though I’ve not wanted to complain about the way you’ve been livin’ the past year, I don’t like these servents o’ yours above half. That’s why I didn’t come t’visit you very often. Yer butler at Montmayne holds his nose so far in t’air, it’s amazin’ he gets any oxhegen, and that French chef o’ yers practically threw me out of his kitchens. That what he called ‘em-his kitchens, and-“ The old seaman abruptly broke off, his expression going from irate to crestfallen, “Ian,” he said anxiously, “did you ever learn t’ cook while we was apart?” “No, did you?” “Hell and damnation, no!” Jake said, appalled at the prospect of having to eat anything he fixed himself.
Judith McNaught (Almost Heaven (Sequels, #3))
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
mean to me, you come across like a raging bull, and that fucking makes me want to cream in my pants. And when I think about the fact that your hard cock will be pounding my arse later tonight, I am instantly hard and horny. You make me want to drop my pants so you can take me right there in the middle of the room with all those posturing heteros looking on. That way they will know I belong to you and they’ll know you will protect me. Fucking hell. You’re so sexy and I can’t get enough of you. I want you to fuck me hard. I want to blow your brains. I want you to suck my dick. I want to stick my tongue in you. I want to ride your fingers.” By this time my cock was dripping and begging, and I didn’t know how I kept from coming, right then and there. I hauled Jay up against me, all pain forgotten, and locked my mouth to his. This man held my heart, and I couldn’t
Anonymous
Filming started in Hong Kong in the summer of 1974, and that’s when I met my two lovely Swedish leading ladies: Maud Adams and Britt Ekland, whom I affectionately christened Mud and Birt. Well, it’s easier to say, isn’t it? Dennis Sellinger – my agent as well as Britt’s – did a very good selling job on Britt. Cubby always liked his leading ladies to be rather ‘well-endowed’. He was, as we say in the trade, ‘a tits man’. Dennis sent Cubby a copy of Britt’s latest film, The Wicker Man, in which she appears nude and was, by the way, pregnant. She was also body-doubled for another nude sequence, or rather I should say ‘arse doubled’. Britt is the first to admit that this particular posterior double was much bigger than she was. Cubby, of course, knew nothing of all this and got rather excited on both fronts, so to say, and agreed to her casting. By the time we started filming – a year after she had given birth – Britt’s breasts were significantly reduced in size and her bum was nothing like the one he’d seen on screen. While I know Cubby loved Britt dearly, I can’t help but think he felt just a little deflated when he saw her on set that first day.
Roger Moore (My Word is My Bond: The Autobiography)
Ali McClelland. Too bad. I just can’t let you become my sugar daddy.” I put the notes back on the hall table. He shakes his head. “I’ll never be your sugar anything! You stubborn git.” He grabs me and kisses me with force, enough to make me see stars. When he lets me go, I give him a wide grin because I am giddy from his kisses. “Not everyone lives in a nice house in Islington. I only have my pride.” “And I love your pride.” Ali smiles. “But I’m not rich despite having this house. Emily’s parents gave it to her as a wedding present. And when she died, it was passed on to me. I’m grateful for it but it doesn’t define me.” I sigh. “I never said it did.” “And you’ll make me a very happy man if you come and share it with me. The house has three bedrooms. You can even have your own space.” He waves his hand as if to emphasise the point that there is plenty of room. I keep putting off the discussion of ‘our future’ as I know what it means. If I move in with him, I won’t need to be an escort anymore to pay rent and I can maybe get a low-paid or part-time job. I can even go back to study music at college. It is a big step. I am scared, properly frightened. What if it doesn’t work out? On the other hand, I’ve got nothing to lose except the newfound control of my life at the expense of selling my arse. I promise myself I’ll give it more thought
A. Zukowski (Liam for Hire (London Stories, #2))
This is Ugly,” said Geung. “He’s a different animal. He’s an animal called a dog. People call him a dumb animal because he can’t speak and because he licks his arse.” More laughter. “But he can rec . . . recognize hundreds of different scents and he can run fast. So in many ways, he’s better than us. People call me and Tukta dumb animals too. We speak and we don’t lick our arses, but most people think they’re better than us. They can be unkind. Our bodies are clumsy and we won’t live very long and our brains work more slowly than yours. We can’t be doctors and we can’t be prime ministers, but we work hard and we’re kind and funny and we say what we believe. So, my wish on this day, this happiest day of my life, is that we stop thinking we’re better than other animals and start to believe that we all con . . . contribute something different and wonderful to our planet. The tiger teaches us d-d-dignity and how to control our power. The pig gives us compost that grows our vegetables. The lizard eats mosquitoes that give us dengue fever. The fish cleans our rivers and gives up its life to feed our children. If I can have one one one . . . wish this day, it is that we all stop comparing the size of our brains and learn to see the size of each other’s hearts.” Even the evening cicadas had fallen silent.
Colin Cotterill (Don't Eat Me (Dr. Siri Paiboun #13))
Coughing from the smoke-glazed air, Devon ducked back into the carriage. He found Winterborne pulling shards of glass from his hair, his eyes still closed, his face scored with a mesh of bloody scratches. “I’m going to pull you outside and guide you to the river’s edge,” Devon said. “What’s your condition?” Winterborne asked, sounding remarkably lucid for a man who’d just been blinded and had his leg broken. “Better than yours.” “How far are we from solid ground?” “About twenty feet.” “And the current? How strong is it?” “It doesn’t bloody matter: We can’t stay here.” “Your odds are better without me,” came the calm observation. “I’m not going to leave you in here, you arse-witted bastard.” Devon gripped Winterborne’s wrist and pulled it across his shoulders. “If you’re afraid you’ll owe me a favor after saving your life…” With effort, he towed him toward the open doorway. “…you’re right. A huge favor.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Nobody ever started a fight because they thought they were wrong. Think about it. We're all so sure of ourselves that we can't even have an honest conversation. Instead, we babble bass-ackwards agendas and cling to ill-conceived notions. Our heads are so far down our own arses that we assume we are the hero of the story. Even when we are up to our necks, we never bother asking what that awful smell is. The thing is... everyone can't be right. That's not a thing. But nobody wants to back down.
John Constantine, Injustice
Jesus, Ellie, what’s crawled up your arse? You can’t take a joke all of a sudden?” Luke aimed for lighthearted bravado, fell short. Aaron could smell the alcohol in his sweat. “Did no one tell you?” Ellie snapped. “A joke’s supposed to be funny.
Jane Harper (The Dry (Aaron Falk, #1))
I'm serious, Kash. Not even the forgiving lies to save me from getting my feelings hurt. If I ask you if my butt looks big, you can't lie." "Woman, you barely even have an arse. That was the worst example you could have used.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
He wanted to say, oh, how he wanted to say: Craftsmen. D’you know what that means? It means men with some pride, who get fed up and leave when they’re told to do skimpy work in a rush, no matter what you pay them. So I’m employing people as “craftsmen” now who’re barely fit to sweep out a workshop. But you don’t care, because if they don’t polish a chair with their arse all day you think a man who’s done a seven-year apprenticeship is the same as some twerp who can’t be trusted to hold a hammer by the right end. He didn’t say this aloud, because although an elderly man probably has a lot less future than a man of twenty, he’s far more careful about it . . .
Terry Pratchett (Going Postal (Discworld, #33))
Yes. Oddly enough I am worried about budgets. You know why? Because if Larry thinks I’m taking the piss and can’t see a return on the company’s large investment, several things will happen: they’ll fire my arse, they’ll cancel the show, and more to the point they will dump me out here in wherever the hell we are today.
Russ Kane (The Gatekeeper)
Who knows. I think perhaps all narcissists are just men who can’t help being arses because they haven’t been taught how to process emotions.
Jane Green (When We Were Friends)
Unfortunately he opened his arse-aholic mouth first. Most people struggle to find this accurate medical term because it doesn't seem to make it into too many medical journals, nut all you need to know about arse-aholic mouths is that they can't stop themselves from spewing shit.
Renae Kaye (You Are the Reason (The Tav #2))
No man has ever caught a whale this far north in August,” he says. “Read the records if you doubt me. We’re wasting our time here at best, and if we enter the sound we’re putting ourselves at risk also.” “A man don’t profit unless he takes a little risk from time to time,” Cavendish says lightly. “You should show more boldness, Mr. Black.” “It is foolishness, not boldness, to enter Lancaster Sound this late in the season,” Black says. “Why Brownlee took us north again I can’t say, but I know if he were here, even he would not consider taking us into the sound.” “What Brownlee would or wouldn’t do is moot, I’d say, since he can’t speak or even raise his hand to wipe his arse. And since I’m the one in command now, not you or him”—he nods at Otto—“I guess what I say goes.” “This voyage is marked with enough calamity already. Do you really want to add yet more to the total?” “Let me tell you something about myself,” Cavendish says, leaning in a little and lowering his voice. “Unlike some, perhaps, I don’t come whaling for fresh air or for the fine sea views. I don’t even come for the pleasing company of men like you and Otto here. I come whaling to get my money, and I will get my money any way I can. If your opinions came in gold with the Queen’s head stamped upon ’em I might pay them a little mind, but since they don’t, you won’t be too offended, I hope, if I take no fucking notice of them at all.” When
Ian McGuire (The North Water)
Ellen.” Val’s smile disappeared. “I won’t hurt you.” Her gaze dipped to his groin then back up to his face, and he prayed he hadn’t lied. She’d been without a man for five damned years, and Val was… he was well endowed, and he knew this for a fact. Tagging along with Nick on this or that debauch, having four older brothers, spending a couple years at public school then several more at university… Val had seen enough to know his equipment was in proportion to the rest of him. “I won’t hurt you,” he said again, holding her gaze. “Because our first rule is you tell me if you don’t like something. Promise?” She nodded once, but her gaze drifted back to his groin. “If you can’t find your voice, then pinch me,” Val went on. “Pinch me hard, understand?” “Pinch you,” Ellen repeated. “Hard.” “Hard enough to bruise,” Val clarified. “And my arse doesn’t count, because when I’m in a certain mood, I like that.” “Dear heavens.” He smiled at her blush.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
The ball sack is supposed to be wrinkly; they’re not bloody worry lines! I can’t believe there’s a machine that fixes this. I don’t even own an iron. Balls don’t need ironing! They’re like a shellsuit, they’re meant to be crease-looking. And anyway, I’ve sat on them most of the time, so they’d only get creased again. As for getting your arse bleached, I don’t know what to make out that. I couldn’t tell you what mine looks like. If you showed five photos of various anuses, I couldn’t pick mine out from a line-up. I never understood why barbers used to show me the back of my head in a mirror after a quick trim, so I certainly wouldn’t worry about the colour of my anus. I’d say if you’re worrying about the colour of your anus, things must be good, as you can’t have proper worries in your life.
Karl Pilkington (The Moaning of Life: The Worldly Wisdom of Karl Pilkington)
Iss all regulated Simon, everything in this country is. Yow can't scratch yer arse without some cunt filling o form abaht it.
Wes Brown (Shark)
There's a funnel up his arse and a breeze between his ears. All the same I suppose his guess is as good as ours y'know? All he knows is 'shut up and keep going'. I mean, I for one, I can't make any philosophical advance on that. I mean, honestly - can you?
Ian Pattison (Rab C.Nesbitt)
Will winced. “In our last few months together, I have seen unbelievable things that appear to have been spat out of hell itself. And I can’t help but wonder just what exactly does the Carian Gate hold back from this world, if we haven’t seen it yet?” Fastening his cuff, Devyl met his worried stare with a knowing smirk. “The most corrupt, horrifying evil that ever gurgled up from the farting arse of the cosmos.” “Lucifer?” He snorted and clapped Will on the back. “We should be so lucky. Nay, Mr. Death … what’s coming up from the sea makes Lucifer look like a petulant, harmless child.
Sherrilyn Kenyon (Deadmen Walking (Deadman's Cross #1))
My arse is killing me; I can’t stand up for an hour. I fell off my niece’s scooter last night and I think I broke something inside my buttock.
Helen Phifer (Their Burning Graves (Detective Morgan Brookes, #8))
I can’t help it if I look great in a thong,” EJ did a shimmy, his floppy black hair falling across his face. “Your arse doesn’t need to be hanging out at rehearsal!
C.C. Gedling (Steel Protection (Steel Ventures #2))
We can’t all laze around with our arses hangin’ out.
C.C. Gedling (Steel Protection (Steel Ventures #2))
Get out there. Shout. Knock on doors and don’t take rejection like a kick in the teeth; take it as a kick up the arse and move on. There will always be people to put you down, always be people to tell you, ‘No, you can’t – you’re not good enough, you’re not thin enough, you’re not smart enough.’ Just prove them wrong.
Melanie Brown (Brutally Honest)
Sparks had grown up in New Orleans and gone to sea in his twenties. He was a teetotaler, unusual in an Irishman. “Ah, but I dream of this stuff,” he said, gazing into the cup of milk before downing it in a cascade of voluptuous gulps. “I’ll crawl across broken glass for a cup of milk like an opium addict for a pipe.” “You might like opium better.” Sparks snorted. “It’s bad enough needing food and sleep and cigarettes, having to drag this fucking leg around. I can’t afford a habit like that.” “I’ve seen cripples in opium dens.” “Sure you have—trying to forget they’re cripples! How’s that for smarts—you’ve got a brace on your fucking leg and a monkey on your fucking back, and you think you’ve solved your fucking problem when all you’ve really done is stuck your head up your arse.” As Sparks shook the cup to catch the last drops of milk, Eddie was stricken with sympathy. To be a deviant and a cripple, without good looks or fortune or physical strength—how had Sparks managed to endure such a life? Yet he’d more than endured; he was ever cheerful.
Jennifer Egan (Manhattan Beach)
Maa! I'm not a kid! I've spent every last minute in these past four days thinking through every single potential obstacle. I've predicted all the smart-arse comments people can throw at me. Nappy-head, tea-towel head, camel jockey. and all the rest. Yeah, I'm scared. OK, there, happy? I'm petrified. walked into my classroom and wanted to throw up from how nervous I was. But this decision, it's coming from my heart. I can't explain or rationalize it. OK, I'm doing it because I believe it's my duty and defines me as a Muslim female but it's not as . . . I don't know how to put it.. it's more than just that
Randa Abdel-Fattah
Don’t pretend to be my friend At the beginning of the pandemic, I got a flurry of emails from companies and stores who were all very keen to be my friend and help get me through these tough times. The CEO of Woolworths started emailing me personally and including a picture of himself. ‘Dear Kitty,’ he wrote, before going on to tell me all sorts of tales about the crazy capers the Woolies staff had been up to that I can’t quite remember (he did get on a bit, I think he might have been lonely). Furniture store West Elm also emailed to say they had my back. Thanks, guys! Specifically, they wrote: ‘Whether it’s keeping the kids entertained or getting creative in the kitchen, West Elm is here to help.’ I was delighted. I wrote back to let them know I didn’t have an kids but that I could sure use a new sofa given that I was doing a lot more sitting on my arse these days. Maybe my email went to their junk folder, I don’t know, but I never did hear back from them.
Kitty Flanagan (More Rules for Life: A special volume for enthusiasts)
We have gotten so caught up in our own selfish lives that we can’t even be arsed to care about anyone’s problems anymore
Cornelius Christopher (ONEO: Enlightenment of Eternal Life, The Acceptance of I, and One With Yourself.)
Once I'd cunt licked these assemblages to orgasm - mother, daughter, yoghurt - we began cock fucking. OK, so I can't prove that the yoghurt had an orgasm but it is equally impossible to state definitively that it didn't. Amid all that woman becoming dog moaning, who is to say there wasn't yoghurt becoming woman moaning? Dog, woman, yoghurt, tongue, cunt, all played innumerable polymorphously perverse roles in our oral fucking. I got on top of one woman becoming man assemblage and battered my way into his twat, as I did this the other woman becoming man assemblage stroked, squeezed and caressed me. We moved around, ground around, prick penetrated new cunt. At some point arse became cunt and finger became prick. Cunt arse, prick finger, orgasm.
Stewart Home (Cunt)
Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Manor. I can remember that vividly, but not what the house actually looked like. Kind of a small mansion. Pillars either side of the front door. Bay windows. Just don’t ask me to draw you a picture. It was on the outskirts of some village in Wiltshire, but I can’t recall much about that either. You know the type… small, quaint, olde worlde. Arse-end of nowhere. But I’ll tell you what I do
David Wailing (Bang (Memoirs of a Relationship Assassin))
You branded my virginity with the Union Jack, your English accent, your Welsh heritage. I look from your face to your genitals…..You look so ugly there! But can’t you make me come, like you do? Can’t I have that too? Words are hieroglyphics for much bigger events. I make light of my disappointment. “I don’t know. I was a virgin a minute ago and don’t know if I still am. What happened?” I caress your penis only to discover I am pulling on your Puritan horrors. I recall all your careers and wonder if you still want to be an oceanographer, journalist, radio-TV newsman, reporter, electrician, electronics specialist or a Star Trek crew member. It is as if I live on Joseph Conrad’s lifeboat and you on Fellini’s Romaluxury liner, insisting you do not need luxury, but find it comfortable. “Is that all you think about? Your precious baby-free sex?” I wonder that what you feel for me (is)… some nebulous middle-class sense of “This is okay for a while relationship but nothing serious.” Color is as necessary to the soul as food is to the body. “When will you learn we were all young then? We’ve grown up and changed. We all hurt each other, but we all loved each other.” “I tried to live how other people say life should be lived, but I tired of it too quickly. It drains the soul to live a conventional life.” “God, I love Americans! They have such damn awful energy! Canadians just sit back on their arses and bad-rap Americans because they’re so jealous.” “I walk around for years,” you say, “for years, a virgin! But now, I am not. And in lovely San Francisco with a beautiful, older American woman!” you say and kiss my mouth.
Zola Lawrence (Men as Virgins)
When you are a decade into a marriage, sex is a bit like making a risotto – it’s always nice, but a lot of the time you really can’t be arsed.
Romesh Ranganathan (As Good As It Gets: Life Lessons from a Reluctant Adult)
A police force is about political influence, and it always has been. If I can’t get up the home secretary’s arse and get you the funding that you’re pissing away, you won’t be in a position to solve your crimes, any of you.
Nicci French (Waiting for Wednesday (Frieda Klein, #3))
Because everyone thinks they’re on stage these days. The Show Of Me, mate. Facebook. Twitter. Twitter my arse. Mobile phones? Eh? They’re not for communicating, they’re for broadcasting. Broadcasting The Show Of Me. We are an audience to every shithead with an iPhone. I can’t turn on the telly without some silly bitch with big teeth showing off.
Adam L.G. Nevill (Last Days)