Camera Is My Best Friend Quotes

Imagine this: You’re driving. The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star. so smile for the camera, it’s your big scene, you know your lines. I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have. Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die in your best friend’s arms. And you play along because it’s funny, because it’s written down, you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along. Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily. I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath. 'Planet of Love

the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch

What happened next is perhaps one of my favorite Angela stories ever. Still a little stung by our Ivy experience, Angela was determined to salvage a “star” moment for us. She coyly said to the photographer, “Do you know who she is? She’s Pam from The Office.” He looked at us blankly. Angela then motioned to the group. “We are the ladies of The Office.” Still nothing. Angela pushed harder. “On NBC. The Office. On NBC.” Finally, the guy’s face lit up. “Are you serious?!” But he didn’t raise his camera. Instead, he reached into his pocket and produced a business card. He said, “Here’s my card. If you ever want to tip me off on when celebrities will be out and about, I’ll give you a finder’s fee.” It took us a minute until we all collectively realized that he thought we worked IN AN OFFICE at NBC. OMG. We died.

I don’t have a best friend to tell all my secrets to or call at two o’clock in the morning if I feel sad or anxious. I don’t have a group of friends to call about pulling together a last-minute gathering either. In fact, I’m a loner. I’ve always been that way and I’ve never had a problem with it. I like to go to the movies alone, exercise alone, and daydream on my towel at the beach alone. And, of course, I like to be alone with my camera.

Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that

Joan [Blondell] had always kept it real, always kept her priorities straight. “I wasn’t that ambitious. I enjoyed a home life more than a theatrical career. I just took what they gave me, because I wanted to get home quickly.” Joan, said one writer, personified everyone’s “good friend,” on- and off-camera. “Of all the stars I have interviewed,” wrote Charles Higham, “I have liked Joan Blondell the best. She is unique in my experience in being an actress who is devoid of ego, self-congratulation and self-pity, and would not dream of quoting a favorable review of herself. She is down-to-earth and human and real. This is almost unheard of in Saran-wrapped Hollywood.” Her accessibility, straightforwardness and her quick-with-a-comeback attitude was her appeal, and it never diminished as she got older.

   The sky’s bright. You look great. In a word, in a phrase, it’s a movie, you’re the star. So smile for the camera, it’s your big scene, you know your lines.   I’m the director. I’m in a helicopter. I have a megaphone and you play along, because you want to die for love, you always have.       Imagine this: You’re pulling the car over. Somebody’s waiting. You’re going to die in your best friend’s arms. And you play along because it’s funny, because it’s written down, you’ve memorized it, it’s all you know. I say the phrases that keep it all going, and everybody plays along.       Imagine: Someone’s pulling a gun, and you’re jumping into the middle of it. You didn’t think you’d feel this way. There’s a gun in your hand. It feels hot. It feels oily. I’m the director and i’m screaming at you, I’m waving my arms in the sky, and everyone’s watching, everyone’s curious, everyone’s holding their breath. - 'Planet of Love

Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.

When my father interviewed kids for Candid Camera, his favorite part of his work, he had a challenge. How could he quickly break through the intimidation felt by a little child toward a big unknown adult? He did so by lighting a match and feigning difficulty in blowing it out. Balanced on the edge of a preschool-size chair, he would huff and puff with theatrical overacting, turning finally to the youngster and saying, “Can you help me?” And they would. Moments later, my dad and his new friend would be chatting about guardian angels, the wonders of spaghetti, money, and a host of other delightful topics. The gap my father was closing is called the “power distance,” a concept developed by Professor Geert Hofstede. This phenomenon can cause people to avoid or defer to those they feel are more powerful and, in doing so, to shut down channels of honest communication. By asking for help, my father broke the power distance and opened a gateway to closeness with each and every match blower. If you lead at least a few people, this section is for you. And in order to develop the closeness needed to build a white space team, you’ll need to address the same lopsided dynamics as my father. You must ask for help, step out of having all the answers, and truly enlist a wide spectrum of input to move toward the changes you want. Speak to people about their needs, desires, and enthusiasms. And make it more than a gesture, authentically being open to using the ideas that spring from these conversations. The following steps will show you how.

two or ALL the puppies if I could’ve. But whatever, it was just cool to have puppies in the mall. My sister’s gonna FREAK when I tell her about it. Anyways, Fergus and Annie returned to our tournament table with the biggest plate of nachos I’d ever seen in my whole entire life, so me and Emma went and joined them. The four of us dug into the towering mountain of chips and cheese and chicken and onions and queso and tomatoes and salsa and sour cream and guac and jalapenos and O.M.CHEESE, it was SO good! I filled my belly with warm food and then sat back, watching all the people around the tournament having fun. What a great start to a weekend full of friends, puppies, and video games. I mean, seriously, everything was PERFECT, and there wasn’t a single thing that could change that… And immediately, Annie goes, “It was stolen,” but she didn’t know that! Isn’t it funny how some people go to the worst-case scenario first? That’s called “catastrophic thinking” and helps ABSOLUTELY NOBODY in times of stress. So, until we had more details, I thought it best to simply call the camera “missing.” I ran up to Callie, HOPING that maybe she had taken the camera to a Lost & Found box somewhere inside Hacktronics, but nope. Apparently, they didn’t have one. Not good. That meant somebody MIGHT have stolen it. I went to the other players in the tournament and asked if THEY saw anything suspicious, but nobody did! I just couldn’t believe it! How was it possible that NOBODY saw some fool GANK an $800 camera?? That doesn’t even make any sense! Fergus had completely shut down. Annie was angry at me. And Emma was just caught in the middle of it, sitting there, like, “Awkwaaaaaard.” Then, outta nowhere, Annie let me have it. She shouted a bunch of stuff at me that weren’t the kindest things ever, but I fixed all that through the MAGIC of editing…

Theodore,” Emmie breathes, taking over. She stares into my eyes as if we’re the only ones in the room. “Almost six years ago, you turned my life upside down. I tried to run, I promise you I did, but it seemed that fate—or your father—had other ideas.” Laughter ripples around the room, but I’m too focused on her to react in any way. “And while I might not have agreed at the time, I’m glad he did. You’ve given me everything I didn’t know I needed, and I hope that in return, I’ve done the same for you.  “As we now officially embark on our married life together, I promise to continue standing by your side through anything that’s thrown at us. I promise to be your best friend—sorry,” she says, glancing at my boys, “your partner in crime and your hellcat. I promise to always make your life harder than it needs to be and keep you on your toes at all times. But most importantly, I promise to love you in the only way I know how, and I promise to always be your queen in whatever way you need me to be. And,” she leans forward so that only I can hear, “I promise to always keep the cameras on.” “Em,” I breathe. “I love you, Theodore Cirillo, and I want to spend the rest of my life continuing to do so.

This is one of those rescues I'll never forget," recalls Troy. "Like everybody else, I had my own stereotypes about Pit Bulls, so I was a little nervous when we saw these two on top of an almost fully submerged car. And then one of them jumped into the water and started swimming right at us. You could tell by his eyes that he was a little confused, but he definitively wanted to get to us. I didn't know if he was coming to say, Get out of my territory, or if he was coming for help. I took a picture of him as he swam toward me, and then this big old pit bull head is staring up at me, on my side of the boat. I put down my camera, took a deep breath, then reached down and just grabbed this dog and pulled him up into the boat." It was an anxious moment for Troy, but his fears were soon allayed. "He was just nuzzling his head into my neck, and his tail was just thumping against the side of the boat, just thumping so loud, bam bam bam. He would have climbed right inside of you. This dog had been trapped on the roof of a car in his own driveway, no clean water, no food, waiting for his owners to come back. He's sunburned. He's sick. But the most important thing in that dog's life right then was being loved. He couldn't get close enough to me.

My best friend is a six. I totally get it. I got her a Ring camera for her birthday and she told me it was the best gift she ever received.” “Was it the Ring Doorbell Pro?” Taters asks, perking up. “Did you get her a spotlight as well? You know you can link them together.

Can we pause the bickering for more important matters, please? Look. There’s a time-out on the court.” Which meant more Coach Romano camera time. The three women focused on the TV. “OMG,” Sarah said, the slang usage obviously for Nic’s benefit. On the screen, the man in question had slipped off his jacket and rolled up his sleeves, and he was holding a basketball in a one-handed grip. “Look at the size of those hands.” Sage fanned her face. “Think of what he could do with them.” “At the risk of sounding crude, this is the first time in my life my boobs ever wished they were a basketball,” Nic observed. Out in the hallway, something heavy thumped to the floor. Nic recognized the voice that muttered the epithet that immediately followed. Gabe Callahan. She glanced in the wall mirror and smoothed her flyaway hair, catching Sarah’s knowing smirk as she did so. She stuck out her tongue at her best friend and sent up a little prayer that his hearing wasn’t all that sharp. “Gabe?” Sarah called out. “Everything all right?” Footsteps approached and he came into sight, pausing in the doorway. He wore a blue-and-gray plaid flannel shirt tucked into a snug pair of faded Levi’s. He had a stained and scruffy pair of lined leather work gloves tucked into a back pocket of his jeans, and his steel-toed boots showed plenty of wear. He might be stopping for dinner at the Bristlecone most nights these days, but he still hadn’t managed to find his way to the barbershop. His hair brushed his shoulders now, curling slightly on the ends. And dang it, her fingers itched to play with those thick silken strands. Until he turned a wickedly amused gaze her way and dashed her hopes about his hearing. “Sorry about the noise. That piece of lumber slipped right out of my hands. You know …” He rubbed the back of his neck. “I have to tell you that, while men are often accused of thinking with body parts other than their brains, this is the first time I’ve ever heard women admit they have parts that think for themselves, too.” He heard, all right. Nic closed her eyes and flushed with embarrassment. They not only think for themselves, they blush. Sage saved her by laughing. “You like basketball, Gabe?” “Not the same way you ladies do, apparently.

Before I met Rosie, I’d believed that a snake’s personality was rather like that of a goldfish. But Rosie enjoyed exploring. She stretched her head out and flicked her tongue at anything I showed her. Soon she was meeting visitors at the zoo. Children derived the most delight from this. Some adults had their barriers and their suspicions about wildlife, but most children were very receptive. They would laugh as Rosie’s forked tongue tickled their cheeks or touched their hair. Rosie soon became my best friend and my favorite snake. I could always use her as a therapist, to help people with a snake phobia get over their fear. She had excellent camera presence and was a director’s dream: She’d park herself on a tree limb and just stay there. Most important for the zoo, Rosie was absolutely bulletproof with children. During the course of a busy day, she often had kids lying in her coils, each one without worry or fear. Rosie became a great snake ambassador at the zoo, and I became a convert to the wonderful world of snakes. It would not have mattered what herpetological books I read or what lectures I attended. I would never have developed a relationship with Rosie if Steve hadn’t encouraged me to sit down and have dinner with her one night. I grew to love her so much, it was all the more difficult for me when one day I let her down. I had set her on the floor while I cleaned out her enclosure, but then I got distracted by a phone call. When I turned back around, Rosie had vanished. I looked everywhere. She was not in the living room, not in the kitchen, not down the hall. I felt panic well up within me. There’s a boa constrictor on the loose and I can’t find her! As I turned the corner and looked in the bathroom, I saw the dark maroon tip of her tail poking out from the vanity unit. I couldn’t believe what she had done. Rosie had managed to weave her body through all the drawers of the bathroom’s vanity unit, wedging herself completely tight inside of it. I could not budge her. She had jammed herself in. I screwed up all my courage, found Steve, and explained what had happened. “What?” he exclaimed, upset. “You can’t take your eyes off a snake for a second!” He examined the situation in the bathroom. His first concern was for the safety of the snake. He tried to work the drawers out of the vanity unit, but to no avail. Finally he simply tore the unit apart bare-handed. The smaller the pieces of the unit became, the smaller I felt. Snakes have no ears, so they pick up vibrations instead. Tearing apart the vanity must have scared Rosie to death. We finally eased her out of the completely smashed unit, and I got her back in her enclosure. Steve headed back out to work. I sat down with my pile of rubble, where the sink once stood.

Two more of the gamers Claire had gifted with the invitation stumbled by; one grabbed Claire's arm and planted a sloppy wet kiss on her cheek. "We passed out copies," he said, and giggled. "Hope that was okay. Great party!" Shane sighed and moved him off with one hand on his shoulder. "Yeah, yeah, whatever. Naked Vulcan chick in the next room. Better hurry." The gamers sobered up fast, and moved on. Monica's glossy, perfect lips were open, her eyes wide. "You?" she said. "You did this? These idiots made flyers! They put them all over campus! This was supposed to be the best people!" "Don't worry," Eve said sweetly. "We're here." She smiled, which in that lipstick was Wicked-Witch-of-the-West evil. "Air kiss!" She mwahed the air somewhere near Monica's cheek. "Lovely party. Shame about the furniture. Ta!" She sashayed on, Michael on her arm, as if she was the Queen of Everything, never mind Morganville. Claire got out her camera and got a picture of the murderous fury on Monica's face as she watched her go. "You treacherous little bitch!" Monica snarled. Claire lowered the phone and met her eyes for a long second. She wasn't scared, not anymore. "You got your friends to roofie me and told them I wanted it rough. All I did was recycle your invitation. Let's call it even." "Let's call it not!" Shane leaned forward, dropped his voice so that Monica had to work to hear it, and said, "Calm down. You get blotchy when you're angry. And if you call my girlfriend a bitch one more time, I won't be so nice about it.

sobered, nodded awkwardly, and acted like he wanted to speak, but didn’t. He turned to a laptop, gave it a command. The screens on the wall displayed what looked at first glance like a collage of images. At center was a photograph Acadia had recently taken of Alex Cross’s house from across Fifth Street. Dotted lines traveled from various windows in the house out to pictures of Dr. Alex, his wife, his grandmother, his daughter, and his younger son. Set off to one side was a framed picture of Damon, Alex Cross’s older son, seventeen and a student at a prep school in western Massachusetts. Digital lines went out from each portrait, linked to images of schools, police stations, churches, grocery stores, and various friends. There were also lines connecting each member of Cross’s family to calendar and clock icons. “He uses mind-mapping software and an Xbox 360 with Kinect to make it work,” Acadia explained. “It’s interactive, Marcus. Just stand in front of the camera and point to what you want.” Intrigued now, Sunday stepped in front of the screens and the Kinect camera. He pointed at the photograph of Cross. The screen instantly jumped to a virtual diary of the detective’s recent life, everything from photographs of Bree Stone, to his kids, to his white Chevy sedan and his best friend, John Sampson, and Sampson’s wife, Billie. Sunday pointed at the calendar, and the screens showed a chronological account of everything he had seen Cross do in the prior month.

Wait,” I say, digging into my camera bag. “I want a picture with all of you. Us. Together.” Dad takes the camera from me and I stand in the middle of everyone. Nestled under Chiara’s and Matilde’s arms, I find it easier to smile than I expect. I’m surrounded by people who care for me, and who I care for, all because I wanted a chocolate pastry for breakfast in Rome. The shutter clicks and I pry myself from their embrace. At the door I turn and look at each face once more, knowing that this will likely be the last time I’ll see most of them. Matilde, who welcomed me, an American stranger, into her home, even kicking her own children out of their room. Luca, a quiet boy with a good heart. I have confidence he’ll be ten times the man his brother’s been. Bruno, the gorgeous smooth talker. If my dad had a clue about what’s gone on between us this summer, he’d have him beat up all over again. Chiara. One of my very best friends who I didn’t even know existed a few months ago. All-knowing, beautiful Chiara. Throat tight, eyes blurred with tears, I wave to them all one last time and turn to Dad, his hand on the doorknob. “I’m ready. Let’s go home.