Camel Coat Quotes

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Take off that darn fur coat!...Or maybe you'd like to have us open all the windows.
F. Scott Fitzgerald (Gatsby Girls)
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)
I imagined myself a professor's daughter, riding a bike to my classes. I could wear a camel's hair coat at last, have a roommate, play intramural volleyball, all paid for in advance.
Janet Fitch (White Oleander)
In 1946, a new advertising campaign appeared in magazines with a picture of a doctor in a lab coat holding a cigarette and the slogan, “More doctors smoke Camels than any other cigarette.” No, this wasn’t a spoof. Back then, doctors were not aware that smoking could cause cancer, heart disease and lung disease.
Anonymous
Amsterdam, I dreamed about my mother for the first time in years. I’d been shut up in my hotel for more than a week, afraid to telephone anybody or go out; and my heart scrambled and floundered at even the most innocent noises: elevator bell, rattle of the minibar cart, even church clocks tolling the hour, de Westertoren, Krijtberg, a dark edge to the clangor, an inwrought fairy-tale sense of doom. By day I sat on the foot of the bed straining to puzzle out the Dutch-language news on television (which was hopeless, since I knew not a word of Dutch) and when I gave up, I sat by the window staring out at the canal with my camel’s-hair coat thrown over my clothes—for I’d left New York in a hurry and the things I’d brought weren’t warm enough, even indoors. Outside, all was activity and cheer. It was Christmas, lights twinkling on the canal bridges at night; red-cheeked dames en heren, scarves flying in the icy wind, clattered down the cobblestones with Christmas trees lashed to the backs of their bicycles. In the afternoons, an amateur band played Christmas carols that hung tinny and fragile in the winter air. Chaotic room-service trays; too many cigarettes; lukewarm vodka from duty free. During those restless, shut-up days, I got to know every inch of the room as a prisoner comes to know his cell. It was my first time in Amsterdam; I’d seen almost nothing
Donna Tartt (The Goldfinch)
My two aunts - Syd and Marge - felt that I needed some clothes in my new co-ed life. They took me to Lerner's for some blouses, new style long skirts, a dressy dress and a double-breasted camel's hair coat, college style. It may have been the first time that my aunts set foot in Lerner's; after all, I was only an immigrant.
Pearl Fichman (Before Memories Fade)
One can frequently recognize a woman of Real Society by the way she dresses. Real Society women’s clothes have a way of staying in style longer than other people’s because Real Society fashions do not change markedly from year to year. Neither the junior-cut mink coat nor the beaver jacket has gone through many transitions since the introduction of the designs, nor has the cut of the classic camel’s hair topper. The short-sleeved, round-collared McMullen blouse is ageless, and the hemline of the Bermuda short has hardly been known to fluctuate. What is more classic than a double strand of good pearls? The poplin raincoat is as suited to suburban shopping today as it was to the Smith campus in 1953.
Stephen Birmingham (The Right People: The Social Establishment in America)
I was never good at the future. I grew up with girls whose chief occupation was the future—designing it, instigating it. They could talk about it with so much confidence that it sounded like the past. During those talks, I had contributed nothing. I had visions, too abstract and flat for me to hang on to. For years I saw a generic city lit up at night. I would use those remote, artificial lights to soothe myself to sleep. One day I was quitting my job with no sense of exhilaration, one day I was leaving a note for my father, pulling out of his driveway, slightly bewildered, and two days later I was sitting in front of Howard. That was the way the future came to me. The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn’t look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn’t call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
Stephanie Danler (Sweetbitter)