Calvin Klein Quotes

We've searched our database for all the quotes and captions related to Calvin Klein. Here they are! All 67 of them:

Handsome, fictional men were so much easier to stomach than real life ones who smelled of Christmas and looked like a Calvin Klein model
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
The concept that really gets the goat of the gay-hater, the idea that really spins their melon and sickens their stomachs is that most terrible and terrifying of all human notions, love. That one can love another of the same gender, that is what the homophobe really cannot stand. Love in all eight tones and all five semitones of the world's full octave. Love as Agape, Eros and Philos; love as infatuation, obsession and lust; love as torture, euphoria, ecstasy and oblivion (this is beginning to read like a Calvin Klein perfume catalogue); love as need, passion and desire.
Stephen Fry (Moab Is My Washpot (Memoir, #1))
Not bad? The hot Calvin Klein models we taped in our lockers in high school were not bad." Lily inclined her head in Thayer's direction. "That's look-at-the-sky-and-scream, 'Thank you God', as loud as you can!
Calia Read (Every Which Way (Sloan Brothers, #1))
You’re virtually unknown over in the States. This could be the thing that helps you crack America. I can just see it now, a picture of you reclining in a pair of tighty whiteys advertising for Calvin Klein on the side of a skyscraper.” “Fuck, man. Are you a psychic? How did you know that’s my one true dream?
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Breathless and Wretched, the new fragrance by Calvin Klein.
Penny Reid (Kissing Tolstoy (Dear Professor, #1))
Tko govori o dekolonizaciji? Ništa tako ne kolonizira kao svjetska reklama: u dnu kolibe na kraju svijeta Nike, Coca-Cola, Gap i Calvin Klein zamijenili su Francusku, Englesku, Španjolsku i Belgiju.
Frédéric Beigbeder (99 francs)
Mischievous smile. “I remember reading about Calvin Klein’s daughter. Every time she pulled down a lover’s pants, she was confronted by her father’s name on the band of his underwear. A total sex killer.
David Cronenberg (Consumed)
She could see the words Calvin Klein against the brown hair on the small of his back and it occurred to her that this was probably not at all what Calvin Klein had in mind.
David Nicholls (One Day)
He stands up, slowly, and puts his hands on the zipper of his jeans, where I notice there's a bulge that looks like someone stuck a cucumber in his pants. That can be his...thing, can it? He undoes the button then his fly and then slides his jeans down. He's wearing those tight boxer-briefs things, like that guy in the Calvin Klein commercial, and I realize, it's definitely not a cucumber.
Sarah Darer Littman (Want to Go Private?)
He leaned against the refrigerator, crossed his arms over his chest, and watched as she bustled about, her delicious ass doing things for his underwear that Calvin Klein couldn't possibly have envisioned.
Pamela Clare (Hard Evidence (I-Team, #2))
I tried to compete with my ill-fitting Calvin Klein button-up shirts that I got at Ross and my imitation mini-ish skirts I got from the DEB. If you’re not familiar with DEB, it’s like the trashy stepsister of Forever 21 that takes F21 out for her twenty-first birthday, pumps her full of Jell-O shots, and convinces her to get a bald-eagle tattoo.
Grace Helbig (Grace & Style: The Art of Pretending You Have It)
In chili’s hand were his car keys, Ray-bans and Marlboros, without which he wouldn't leave his bathroom. Chili drank only black coffee and neat Jack Daniel’s; his suits were Boss, his underwear Calvin Klein, his actor Pacino. His barber shook his hand, his accountant took him to dinner, his drug dealer would come to him at all hours and accept his checks.
Hanif Kureishi (The Black Album)
I step in to give him a hug, but his hand comes in between us. His hand. Because he doesn't want to do any more than shake. With the girl he's made love to. Whose heart is bursting out of her chest. I'm trembling in a way that makes me feel like I might fall apart any second. His hand touches mine, and I love the warmth of him. Love the way he feels. My eyes don't live his. He has only some idea that he could be a model for Calvin Klein. This is so weird. I'm supposed to be angry. Hurt. Instead I'm in shock that he still makes me feel this way - like we were something special.
Jolene Perry (My Heart for Yours (Crawford, #1))
When did people begin to wear clothing with writing on it? Was this not significant? I visit a beach resort. There is a fellow sitting on the sand and his T-shirt says in bold letters: "Tommy." Is he Tommy? Of course not. Tommy is Tommy Hilfiger, the designer who writes his name all over everything and people buy it. Kate Spade puts her name on a purse and it sells for several hundred dollars. Calvin Klein enhances your underwear with his name. ... Where did they get their strange power? What did they do to derange people so that they actually pay for the right to wear an advertisement for what they have just bought?
Richard Todd (The Thing Itself: On the Search for Authenticity)
Harriet had half expected him to be wearing some bizarre 1920s underwear so was as relieved by his Calvin Klein’s as she was impressed by the bulge in them.
Georgiana Derwent (Oxford Blood (The Cavaliers, #1))
Handsome, fictional men were so much easier to stomach than real life ones who smelled of Christmas and looked like a Calvin Klein model.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
I'm reasonably sure that Calvin Klein does not knit.
Stephanie Pearl-McPhee (At Knit's End)
In spite of this newly developed media literacy, however, I’ve also noticed that it is now an increasingly sexualized ideal that younger and younger girls are beginning to feel they must live up to. The notorious Calvin Klein ad campaigns eroticized sixteen-year-olds when I was a teenager, then eroticized fourteen-year-old models in the early nineties, then twelve-year-olds in the late nineties. GUESS Jeans ads now pose what look like nine-year-olds in provocative settings. And the latest fashions for seven- and eightyear- olds re-create the outfits of pop stars who dress like sex workers. Is this progress? I doubt it.
Naomi Wolf (The Beauty Myth)
What happened?" he asks,voice laced with concern. "I..." I merged with a cockroach-caught a ride next to your twin's Calvin Klein underwear label-and after I watched him play with a demon coyote and snack on bloodied bits that could've been either animal or human, he fed glowing, white orbs to the walking dead-then crushed me under the hell of his boot... "I'm not sure," I say,willing my head to feel better,to stop spinning, and a moment later it does. "I guess I passed out,or something..." I cringe,hating the lie but knowing there's no way I could ever present him the truth. I start to stand,pretending not to notice when he offers a hand. "I need to call my ride." I fumble for my phone, reluctant to bother Paloma and Chay at this hour,but they're pretty much my only real option. "Don't be silly.I'll drive you." Dace follows me out of the stall,watching as I call Paloma's number,then Chay's-face scrunching in confusion when they both fail to answer.It doesn't make any sense. "Daire-why won't you let me help you?" he says.My name on his lips sounding just like ti did in the dream. Our eyes meeting in the mirror,mine astonished, his chagrined,when he adds, "Yeah,I asked around.Uncovered your real name. So shoot me." And when he smiles,when he smiles and runs a nervous hand through his glossy,dark hair-well,I'm tempted to shake my head and refuse him again. Maybe he goes by the name of Whitefeather, but technically,he's still a Richter.A good Richter-a kind Richter-still,I need to do what I can to avoid him.To ignore that irresistible stream of kindness and warmth that swarms all around him. Need to cleanse myself of those dreams once and for all.We are not bound.Nor are we fated.I'm a Seeker-he's the spawn of a Richter-and my only destiny is to stop his brother from...whatever it is that he's doing. But,more immediately,I need to get home.And there's no denying I could do a lot worse than catching a ride with gorgeous Dace Whitefeather.
Alyson Noel (Fated (Soul Seekers, #1))
and I again turned through the magazine's first few pages, past the Guess Jeans ads and Eternity by Calvin Klein ads and pitches for Crisca clothes, filled with beautiful people imitating suffering; and then words came to me, words arrived in my mind, quickly and insistently, words representing the real sound of my feeling: The shot has been lost; the experiment has not been worth it; the species does not deserve to continue; it is much too late ...; I took a single step, and suddenly wanted to weep:
Evan Dara (The Lost Scrapbook)
It was hesitant at first, gentle. His fingers held tight at the base of her skull and she could feel the restraint in him, the leashed energy vibrating in the space between their bodies. He needed to shave and the stubble on his chin was prickly against hers. He smelled like he always had – aftershave, Calvin Klein cologne he bought at the grocery store, and something wild and frightening, like smoke; something that was unmistakably Ben to her – and it assaulted her brain, turning keys in padlocks and laying bare her self-control.
Lauren Gilley (Whatever Remains)
When Bay was done she looked down at herself, dressed in a plain white bra, torn bikini underwear, and cowboy boots. “I feel like I’m dressed for the midnight show at the Crazy Horse Saloon,” she muttered. Her mouth went dry when she looked at Owen, who was left wearing cowboy boots and black Calvin Klein’s. The knit cotton underwear hugged him lovingly from waist to thighs. He was a female’s fantasy come to life. They stared at each other, enjoying what they saw. And realizing just how close they’d come to losing their lives. “You look good,” he said.
Joan Johnston (The Texan (Bitter Creek, #2))
Die Bauchmuskulatur bildet kein Six-, sondern Eightpack, das unter der Gürtellinie sogar ein Tenpack ergibt, doch der breite, mit >Calvin Klein< bedruckte Rand der weißen Boxershorts verdeckt den Rest des gebräunten Körpers, auf dem ein paar Schweißtropfen ihren Weg sich bahnen. Die Haut ist eine polierte Oberfläche, Kunstleder sieht ähnlich aus. Der zarte Anthrazit-Fotofilter tut sein Übriges, um dem zwanzigjährigen Mann, der ein transformiertes Kind sein könnte, etwas Androides zu verleihen. Selbst der kleine ovale Nabel, das pointierte Zentrum des völlig körperfettlosen Bauchs, verweist keineswegs auf die Geburt, höchstwahrscheinlich handelt es sich um eine Ladebuchse für das Smartphone.
Ole Nymoen (Influencer. Die Ideologie der Werbekörper)
As if all of that hadn't been enough, I had foolishly chosen to wear a brand-new pair of Jimmy Choo mules to school, purchased at a fraction of their normal retail cost at an outlet over the summer. They were gorgeous, and they went perfectly with the Calvin Klein black denim skirt I had paired with a hot pink scoop-neck top. But of course they were killing me. I already had raw, painful blisters around the bases of all my toes, and the Band-Aids the nurse had given me to cover them so that I could at least hobble between classes were not exactly doing the job. My feet felt like they were about to fall off. If I'd known where Jimmy Choo lived, I would have hobbled right up to his front door and popped him one in the eye.
Meg Cabot (Darkest Hour (The Mediator, #4))
The girl enters the room wearing work boots, torn jeans, and a gray long-sleeved T-shirt bearing the word PRINCETON. She is waif-thin, with a long neck, prominent cheekbones, and narrow eyes spread apart in a way that suggests eastern Europe. Her hair is in one of those styles I’ve never understood, the right side of her head shaved in a military buzz cut with  longer hair hanging over it, down to her bony shoulders. A cross between a Calvin Klein model and a Eurotrash punk rocker. She scans the room, but not the way most people who enter the Oval Office do. First-time visitors soak it all in, eagerly devour all the portraits and knickknacks, marvel at the presidential seal, the Resolute desk. Not her. What I see in her eyes, behind the impenetrable wall of her face, is pure loathing. Hatred of me, this office, everything it stands for. But she’s tense, too, on alert—wondering if someone will jump her, handcuff her, throw a hood over her head.
Bill Clinton (The President Is Missing)
We began the show by asking: Who did more for the world, Michael Milken or Mother Teresa? This seems like a no-brainer. Milken is the greedy junk-bond king. One year, his firm paid him $550 million. Then he went to jail for breaking securities laws. Mother Teresa is the nun who spent her lifetime helping the poor and died without a penny. Her good deeds live on even after her death; several thousand sisters now continue the charities she began. At first glance, of course Mother Teresa did more for the world. But it's not so simple. Milken's selfish pursuit of profit helped a lot of people, too. Think about it: By pioneering a new way for companies to raise money, Milken created millions of jobs. The ignorant media sneered at 'junk bonds', but Milken's innovative use of them meant exciting new ideas flourished. We now make calls on a national cellular network established by a company called McCaw Cellular, which Milken financed. And our calls are cheaper because Milken's junk bonds financed MCI. CEO Bill McGowan simply couldn't get the money anywhere else. Without Milken, MCI wouldn't have grown from 11 to 50,000 employees. CNN's 24-hour news and Ted Turner's other left-wing ventures were made possible by Milken's 'junk'. The world's biggest toy company, Mattel, the cosmetics company Revlon, and the supermarket giant Safeway were among many rescued from bankruptcy by Milken's junk bonds. He financed more than 3,000 companies, including what are now Barnes & Noble, AOL Time Warner, Comcast, Mellon Bank, Occidental Petroleum, Jeep Eagle, Calvin Klein, Hasbro, Days Inn, 7-Eleven, and Computer Associates. Millions of people have productive employment today because of Michael Milken. (Millions of jobs is hard to believe, and when 'Greed' aired, I just said he created thousands of jobs; but later I met Milken, and he was annoyed with me because he claimed he'd created millions of jobs. I asked him to document that, to name the companies and the jobs, and he did.)
John Stossel (Give Me a Break: How I Exposed Hucksters, Cheats, and Scam Artists and Became the Scourge of the Liberal Media...)
That self-confidence only blossomed into full-blown delusion as I got older. Eventually, the braids were replaced by a bob cut with bangs that had the presence Tina Yothers’s bangs did at her peak during Family Ties. Wait till these white boys at my new school get a whiff of me, I’d tell myself as I got dressed in the morning. Oh, they definitely did. And if Calvin Klein were to bottle that odor, it would have been called: Eau de Weary Grandmother at Post Office Who Hums a Negro Spiritual Parfum. Rolls off the tongue, doesn’t it? To make matters worse, I often paired my asexual hairdo with lived-in black dress shoes, pleated khakis, and a primary-colored turtleneck from Eddie Bauer. At best, this outfit could be described as “Jehovah Witness Chic,” and at worst, “recent Heaven’s Gate defector.” This, my friends, was the milk shake that did not bring all the boys to the yard. It was the milk shake that made them go, “You know, I’m really not into dairy right now.
Phoebe Robinson (You Can't Touch My Hair: And Other Things I Still Have to Explain)
A few years after the Janssen portrait was debunked by the Folger, the owner of the Cobbe picture scheduled his own restoration—which he decided to do himself—and dissolved a layer of surface paint on his portrait that had possibly been applied, according to Wells, while Shakespeare was still alive. Yet nobody criticized Alec Cobbe for destroying that layer of ancient paint—or for refusing to release some of his portrait’s test results to the public. All that mattered, it seemed, was that our new Soul of the Ages looked like a Calvin Klein underwear model.
Lee Durkee (Stalking Shakespeare: A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint)
A few years after the Janssen portrait was debunked by the Folger, the owner of the Cobbe picture scheduled his own restoration—which he decided to do himself—and dissolved a layer of surface paint on his portrait that had possibly been applied, according to Wells, while Shakespeare was still alive. Yet nobody criticized Alec Cobbe for destroying that layer of ancient paint—or for refusing to release some of his portrait’s test results to the public. All that mattered, it seemed, was that our new Soul of the Ages looked like a Calvin Klein underwear model. Both the Cobbe and Janssen portraits had a layer of ancient overpaint destroyed from their surface, but what’s perplexing here is that, in both cases, that destroyed layer of paint had been applied in order to render the sitter bald.
Lee Durkee (Stalking Shakespeare: A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint)
People want certainty and experts provide some appearance of that certainty. The problem for the old communist states was that they were unable to move into the postmodernist world in the same way capitalist states had. They were still building tractors and talking in the tonnage of iron being produced, even while capitalist society had moved on to the information age, an age defined more by consumption than by production. And so, young intellectuals in East Germany are discussed, since they felt they wanted to leave, not because they were unhappy with their state supplied doctor – but because in post-modern times, one is defined by the choices one makes – and where there are no choices, there is no identity either. This runs the whole way down. He constructs a dualism between seduction and surveillance (Foucault’s panopticon). He says that the main force of social regulation now is seduction. At least this is true for those who matter in society. They are seduced by products – their need to buy is generated by their need to assert and create their own identity – and so, we are all constantly seduced by the images of what we could become if only we added this one more item to our store. For those who are at the bottom of society, all that is available to them is the minimum necessary to keep their body and soul together. And so, these people must be watched to ensure they do not try anything that might otherwise damage social harmony. Bauman doesn’t say this here, but since these people are essentially failed consumers, all they really want is access to the same kinds of products the comparatively wealthy enjoy, products that would enable them to also construct their own identities. When there were riots in England in 2011, for example, as others have said – including Bauman, I believe – the precariat did not seek to tear down the system, they broke into department stores and stole shoes and wide-screen televisions. The revolution was not a call for Liberty, Equality, Fraternity – but Gucci, Chanel, Calvin Klein.
Trevor on Intimations of Postmodernity by Zygmunt Bauman
How was it possible to look like a Calvin Klein model and also win the award for world’s most frustrating man?
Sophia Travers (My Office Rival (Keep Your Enemy Closer, #2))
I love this townhouse. I guess I’d forgotten what it looked like. It’s very old New York. Dark, elegant. Kinda like you,” she teased. “Elegant, eh? That’s what you see?” “Oh, yeah.” She fanned herself. “I told you, GQ model. It’s the suits. And the cheekbones. You should call Calvin Klein if this whole lawyering thing falls through. I’d pay for photos of you in your underwear.
Sophia Travers (My Office Rival (Keep Your Enemy Closer, #2))
Shame works like the zoom lens on a camera. When we are feeling shame, the camera is zoomed in tight and all we see is our flawed selves, alone and struggling. We think to ourselves, I’m the only one with a muffin-top? Am I the only one with a family who is messy, loud, and out of control? Am I the only one not having sex 4.3 times per week (with a Calvin Klein model)? Something is wrong with me. I am alone. When we zoom out, we start to see a completely different picture. We see many people in the same struggle. Rather than thinking, I’m the only one, we start thinking, I can’t believe it! You too? I’m normal? I thought it was just me! Once we start to see the big picture, we are better able to reality-check our shame triggers and the messages and expectations that we’re never good enough. In
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
Stop talking. Now.” Deanna’s head fell back and she started laughing. It was a full-bodied belly laugh that spread over him like a breeze on a hot day. The sound was so sweet that it almost made up for how big of a disgusting pervert he felt like right now. While she was still chuckling, she touched his arm. “Don’t feel bad. How old were you then?” “It was senior year, so seventeen,” Lucky answered, still feeling gross. “See? You were a teenager, too. It’s fine. Really.” She continued giggling, and he had to admit that the sound made him so happy that he didn’t even care that it was at his expense. “It still feels wrong.” His shoulders shook as a chill ran through him, and it wasn’t the good kind. It was the grossed-out kind. “I think it’s hilarious,” she said, clearly enjoying seeing him squirm. “I’m so glad I can amuse you,” he said flatly. “Well, I think it’s only fair since I seemed to have offered hours of amusement for you—” Without even thinking, he reached over the seat and started tickling her. She wiggled and laughed, begging him to stop. He did, but only because a call came in. When he saw the picture on his console’s display, he knew he had to answer it. Pressing the answer button, he extended his patent greeting to his publicist. “Hello, beautiful.” “Why can’t you just play nice with others, especially the press?” Jessie Sloan-Courtland asked in her usual no nonsense tone. Jessie wasn’t one for niceties. She was all business, all the time. Deciding to ignore her rhetorical question and her dislike for small talk, he pushed on undeterred. “I’ve been good. How about you?” “Lucky. You can’t treat the press like that.” Jessie seemed to have the same game plan as he did. This conversation was going to happen, so he figured he might as well just get it over with. “I wasn’t there for them. I was there for the kids.” “It doesn’t matter. They were there, and whether you like it or not, you have a responsibility—” “I had a responsibility to visit the kids and their families. I had a responsibility to protect the people I brought with me. And I lived up to my responsibilities.” “I’m not going to argue with you. You’re supposed to be cleaning up your act. We agreed. And your image is your responsibility. When you elbow photographers in the nose, you open yourself up for lawsuits, and that is not something sponsors think is appealing. You know what’s on the line with this bout. Don’t screw it up.” “Yes, Mom,” he answered—his normal response for when Jessie was right. “You know, you’re not nearly as cute as you think you are,” she said, sounding less than impressed. “Awww, you think I’m cute. Does Zach know? I don’t want to come betw—” “Goodbye, Lucky.” “Bye, beautiful.” When the call disconnected, Lucky felt a little twinge of guilt that Jessie had even had to make that call. He knew better. “Wow. She’s awesome.” Unlike Jessie, Deanna did sound impressed. “Yeah. She is pretty awesome,” he agreed. “And so beautiful.” Deanna was still looking at Jessie’s picture on the console. He didn’t want her to get the wrong idea just because he’d called her beautiful. “Her husband sure thinks so. He’s actually a friend of mine. Have you heard of Zach Courtland?” Deanna was quiet for a beat. Then she snapped her fingers. “Was he the one in the Calvin Klein ads?” “That’s him.” “Wow. She’s married to him? He’s…hot.” Well, this conversation had taken a turn Lucky didn’t like. Not one little bit.
Melanie Shawn (Lucky Kiss (Hope Falls, #12; Kiss, #2))
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
Tricia Sullivan (Maul)
I looked like a cologne ad had dirty sex with an underwear model, producing a freakishly sexy baby that was raised by a Calvin Klein billboard.
Tracey Ward (Brawler (North Star, #2))
Not so fast,” said Kato, eyeing EJ suspiciously and ignoring Pickles’s harrumphing protest. “You’re looking a little too chipper for a pug who hates wearing suits and premiere parties. So what’s with the smile?" "And why shouldn’t I be chipper? It’s a beautiful night, and the air is resplendent with love," said EJ, dressed in a dark gray Calvin Klein. (A B+ by red-carpet standards. Let’s face it, EJ’s goo just wasn’t made for skinny pants.) --Kato and the Fountain of Wrinkles, Rhys Ella, Copyright 2014.
Rhys Ella (Kato and the Fountain of Wrinkles)
Will was sitting on the apartment block steps with his arms folded. He was wearing black Calvin Klein trousers and a bright, white shirt that contrasted dramatically with his thick, dark hair.
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
Brill girls showed off their waxed legs and air-brushed with self-tanner cleavage in Dior, Herve Leger, and Pucci outfits to the office. Kelly dressed modestly in Michael Kors, Calvin Klein, and Donna Karan—American and wholesome.
Avery Aster (Unscrupulous (The Manhattanites, #1))
She was a fever from which I will never recover. All heat and hunger. She inflamed my senses. And when she devoured my very soul, when I had nothing left to surrender, she abandoned me to the wreckage of my self, and smiled. In the kingdom of passion the ruler is obsession.
Calvin Klein
Hey, Shell-bell," I say, leaning over her and wiping her face with a napkin. "It's the first day of school. Wish me luck." Shelley holds jerky arms out and gives me a lopsided smile. I love that smile. "You want to give me a hug?" I ask her, knowing she does. The doctors always tell us the more interaction Shelley gets, the better off she'll be. Shelley nods. I fold myself in her arms, careful to keep her hands away from my hair. When I straighten, my mom gasps. It sounds to me like a referee's whistle, halting my life. "Brit, you can't go to school like that." "Like what?" She shakes her head and sighs in frustration. "Look at your shirt." Glancing down, I see a large wet spot on the front of my white Calvin Klein shirt. Oops. Shelley's drool. One look at my sister's drawn face tells me what she can't easily put into words. Shelley is sorry. Shelley didn't mean to mess up my outfit. "It's no biggie," I tell her, although in the back of my mind I know it screws up my "perfect" look. Frowning, my mom wets a paper towel at the sink and dabs at the spot. It makes me feel like a two-year-old. "Go upstairs and change." "Mom, it was just peaches," I say, treading carefully so this doesn't turn into a full-blown yelling match. The last thing I want to do is make my sister feel bad. "Peaches stain. You don't want people thinking you don't care about your appearance." "Fine." I wish this was one of my mom's good days, the days she doesn't bug me about stuff. I give my sister a kiss on the top of her head, making sure she doesn't think her drool bothers me in the least. "I'll see ya after school," I say, attempting to keep the morning cheerful. "To finish our checker tournament.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Simi cocked her head as if another thought came to her addled mind. “And I particularly like men all of a sudden.” She looked over at Zarek who involuntarily cringed. “But not that one. He’s too dark. I like them blue-eyed people ’cause they remind me of my card. People like that Calvin Klein model Travis Fimmel who was on this big billboard in New York the last time akri took me there. He mighty fine and makes me want to do things to him other than flame-broil him. He makes me all warm and tingly.
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #4; Were-Hunter, #2))
Guy Verhofstadt wears his brains in his Calvin Klein underwear.
Petra Hermans
Just because you have money and you can afford expensive clothes doesn’t mean that you have taste.
Calvin Klein
Tijd is geld. Geld is tijd.
Petra Hermans (Voor een betere wereld)
Here sits a man, he thought, here sits a man dressed in a mossy green sportcoat purchased at one of the best shops on Rodeo Drive; here sits a man with Bass Weejuns on his feet and Calvin Klein underwear to cover his ass; here sits a man with soft contact lenses resting easily on his eyes; here sits a man remembering the dream of a boy who thought an Ivy League shirt with a fruit-loop on the back and a pair of Snap-Jack shoes was the height of fashion; here sits a grownup looking at the same old statue, and hey, Paul, Tall Paul, I’m here to say you’re the same in every way, you ain’t aged a motherfucking day.
Stephen King
The last 14 years, I did not vote for your white proud legislation.
Petra Hermans
the relation between a Calvin Klein ad and a hard-core adult film is essentially the same as the relation between a funny joke and an explanation of what’s funny about that joke.
David Foster Wallace (Consider the Lobster and Other Essays)
There are particular ones that a lot of alcoholics wear: strong, alcohol-based scents. Calvin Klein is one. When you smell booze, they’ll lift their wrist, show you that it’s the perfume. Had me for years.
Anstey Harris (The House of Lost Secrets)
I had a nervous breakdown when I was 17 or 18, when I had to go and work with [model and actor] Marky Mark and [photographer] Herb Ritts. It didn't feel like me at all. I felt really bad about straddling this buff guy [to appear in a Calvin Klein ad]. I didn't like it. I couldn't get out of bed for two weeks. I thought I was going to die. I went to the doctor, and he said, "I'll give you some Valium," and Francesca Sorrenti, thank God, said, "You're not taking that." It was just anxiety. Nobody takes care of you mentally. There's a massive pressure to do what you have to do.” Kate Moss, to James Fox, "The Riddle of Kate Moss," December 2012
Graydon Carter (Vanity Fair 100 Years: From the Jazz Age to Our Age)
Calvin Klein’s cologne Obsession for Men has been used by zookeepers around the world, and forest rangers in central India, to pacify tigers. The scent contains civetone, a pheromone secreted in the perineal gland of the civet, a small carnivorous mammal. When big cats like tigers catch a scent of civetone they try and bask in it. Wildlife photographers and conservationists sometimes use civetone-rich cologne to lure cats to the camera lens.
Edward Brooke-Hitching (The Most Interesting Book in the World)
Hillary mingled with old friends in Sag Harbor under a tent on the night of August 30: Calvin Klein, Harvey Weinstein, Jimmy Buffett, Jon Bon Jovi, and Sir Paul McCartney. Buffett and his wife, Jane, were the hosts of this extravaganza, which capped a multiday fund-raising blitz through the Hamptons. For a minimum of $100,000, VIPs were treated to dinner, “premium seating,” and the option to dance the night away with Hillary, Bill, and a few of their A-list pals. Hillary put on a brave face, reveled with her donors, and even joined in singing “Hey Jude.” But, below the surface, she was tense. Her closest aide’s personal life was blowing up in a fashion so spectacular that the campaign was at risk of becoming collateral damage.
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
As a counterpoint to all the staleness, there were the salty, biting North Sea breezes, the slightly fishy sweetness of cold damp sand and the sharp grass that grows in it. In summer the manicured grass of quad lawns and night-time bonfires on the beach. A kiss in the dunes from a dashing young chap with beer and ciggies on his breath, and a faint whiff of horse on his shirt. My scents for university days are: Anaïs Anaïs by Cacharel Lily of the Valley by Yardley Obsession by Calvin Klein Sel Marin by Heeley Wood Sage and Sea Salt Cologne by Jo Malone London Bas de Soieby Serge Lutens Cuir de Russie by Chanel Peau de Bête by Liquides Imaginaires
Maggie Alderson (The Scent of You)
«Denver, resta con noi,» ordinò Tim con la sua voce autoritaria che richiedeva obbedienza. Quando era arrivato? «Sei al sicuro, Judah è con te, e noi ti guardiamo le spalle. Apri gli occhi, Denver.» Ebbe difficoltà a fare come richiesto. «Judah, fallo sedere sul tuo grembo. Fagli sentire che lo stai stringendo. Deve capire di essere al sicuro.» Le braccia forti di Judah lo sollevarono, portando entrambi sul pavimento, dove Denver cercò conforto contro quel petto muscoloso. Judah gli mormorò parole d’amore, inebriandolo con il suo profumo Calvin Klein che, come gli aveva confessato, metteva per farlo impazzire. Non che gli dispiacesse, dato che lo aveva comprato anche per sé. Quelle braccia lo strinsero ancora di più, facendolo sentire davvero protetto. Non gli poteva succedere niente in quel posto, non mentre Judah lo abbracciava. Era al sicuro. Amato
Nora Phoenix (The Time of My Life)
His smell was the first thing she noticed, and it wafted into the car, an intoxicating blend of Budweiser, Calvin Klein Eternity cologne, and Marlboros. If Your Parents Would Hate Him were the name of a cologne, this was exactly what it would smell like.
Jennifer Hillier (Jar of Hearts)
It was 1984, unmistakably so—Jordache and Calvin Klein jeans hugged long legs, paired with pastel tees, Harvard sweatshirts, or blouses that shimmered slightly in the dim lighting. Some girls wore their hair big—carefully styled into perfect waves—while others let theirs fall straight and sleek. The guys were a mixed bunch. A few clung to longish late-‘70s cuts, holding onto an era just barely past; others kept their crewcuts sharp, the kind of clean-cut presence that screamed ROTC. Some went for the middle ground—short, conservative styles, neatly in place. Most of them were either rowdy or lucky enough to be paired off—dancing, swaying in time, or pressed into corners, lost in whispered conversations or half-hearted make-outs.
Alex Diaz-Granados (Comings and Goings - The Art of Being Seen : A Jim Garraty Story (The Reunion Duology))
The apartment was somewhere near It was 1984, unmistakably so—Jordache and Calvin Klein jeans hugged long legs, paired with pastel tees, Harvard sweatshirts, or blouses that shimmered slightly in the dim lighting. Some girls wore their hair big—carefully styled into perfect waves—while others let theirs fall straight and sleek. The guys were a mixed bunch. A few clung to longish late-‘70s cuts, holding onto an era just barely past; others kept their crewcuts sharp, the kind of clean-cut presence that screamed ROTC. Some went for the middle ground—short, conservative styles, neatly in place. Most of them were either rowdy or lucky enough to be paired off—dancing, swaying in time, or pressed into corners, lost in whispered conversations or half-hearted make-outs.
Alex Diaz-Granados (Comings and Goings - The Art of Being Seen : A Jim Garraty Story (The Reunion Duology))
His smell was the first thing she noticed, and it wafted into the car, an intoxicating blend of Budweiser, Calvin Klein Eternity cologne, and Marlboros. If Your Parents Would Hate Him were the name of a cologne, this was exactly what it would smell like.
Jennifer Hillier (Jar of Hearts)
I like the element of surprise. I like to find new ways!
Calvin Klein
I knew what felt instinctively right for me, and I pursued that throughout my entire career. It’s the way I live; it’s the way I work. Everything that I’ve done and everything that I have is an extension of my personal taste.
Calvin Klein
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Scent speaks in every language. It is made of flesh and personal impressions. It is tied up with the need to feel alive, a need everyone senses from an early age. The need to live is also a need for perfumes and scents. Inescapably. They are the depositories of our deepest secrets, whether we like it or not. --- Master Perfumer Dominique Ropion, creator of such iconic fragrances as Givenchy Amarige, Mugler Alien, Calvin Klein Euphoria, Lancôme La Vie Est Belle, and Frédéric Malle Portrait of a Lady and Carnal Flower
Francesca Serritella (Full Bloom)