Caliban Quotes

Be not afeard; the isle is full of noises, Sounds, and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears; and sometime voices, That, if I then had waked after long sleep, Will make me sleep again: and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me; that, when I waked, I cried to dream again.

If life transcends death, then I will seek for you there. If not, then there too.

If life transcends death Then I will seek for you there If not, then there too

Humans can be better than they are, so let’s do that.

Good, because I don’t use sex as a weapon,” Bobbie said. “I use weapons as weapons.

I can’t fight pirates without coffee.

The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass.

A world no longer of haves and have-nots, but of the engaged and the apathetic.

That man’s asshole must be tight enough right now to bend space.

Do not underestimate his capacity to fuck things up.

Every empire grows until its reach exceeds its grasp.

Why what a fool was I to this drunken monster for a God. - Caliban

It could,” acknowledged Slate, “but show me a clandestine operation without leaks, and I’ll show you one where everybody involved is dead.” “We’re a clandestine operation,” said Caliban. There was an awkward silence.

She’d stopped looking tired a while ago and had moved on to whatever tired turns into when it became a lifestyle.

The best scientific minds of the system were staring at the data with their jaws slack, and the reason no one was panicking yet was that no one could agree on what they should panic about.

I still feel haunted,' she said. 'I thought it would go away. I thought if I faced it, it would all go away.' 'It doesn't go away. Ever. But you get better at it.' 'At what?' 'At being haunted,' Avasarala said.

How I hate ignorance! Caliban’s ignorance, my ignorance, the world’s ignorance! Oh, I could learn and learn and learn and learn. I could cry, I want to learn so much.

The history of Europe before the Conquest is sufficient proof that the Europeans did not have to cross the oceans to find the will to exterminate those standing in their way.

It’s a simple complex system. That’s the technical name for it. Because it’s simple, it’s prone to cascades, and because it’s complex, you can’t predict what’s going to fail. Or how. It’s computationally impossible.

Desperate psychotic people do desperate psychotic things when they’re exposed. I refuse to grant them immunity from exposure out of fear of their reaction. When you do, the desperate psychos wind up in charge.

When did you two learn to ride?” he asked. “Nineteen years ago.” “This morning.” Caliban put his hands over his face. “We’re going to die.

A southwest blow on ye and blister you all o'er!' 'The red plague rid you!' 'Toads, beetles, bats, light on you!' 'As wicked dew as e'er my mother brushed with raven's feather from unwholesome fen drop on you.' 'Strange stuff' 'Thou jesting monkey thou' 'Apes with foreheads villainous low' 'Pied ninny' 'Blind mole...' -The Caliban Curses

Point of clarification,” Alex said, raising his hand. “We have an apocalypse comin’? Was that a thing we knew about?” “Venus,” Avasarala said. “Oh. That apocalypse,” Alex said, lowering his hand. “Right.

They’re all fucking men,” she said. “Excuse me?” Soren said. “The generals. They’re all fucking men.” “I thought Souther was the only—” “I don’t mean that they all fuck men. I mean they’re all men, the fuckers. How long has it been since a woman was in charge of the armed forces? Not since I came here. So instead, we wind up with another example of what happens to policy when there’s too much testosterone in the room.

It had been a failure, but it was a failure he understood, and that made it a victory.

There was justice to be had. He just couldn’t afford it.

How the fuck do you keep your hair like that? I look like a hedgehog’s been humping my skull.

The 19thc hatred of Realism is Caliban's enraged reaction to seeing his own face in the mirror. The 19thc rejection of Romanticism is Caliban's fury at not seeing his face reflected in the mirror.

Nothing with meat inside it could outrun metal and silicon.

Caliban: As I told thee before, I am subject to a tyrant, a sorcerer that by his cunning hath cheated me of the island.

My love is a pure love,” Alex said with a grin. “I wouldn’t sully it by actually, you know, doin’ anything about it.” “The kind poets write about, then.

Reputation never has very much to do with reality.

The revival of magical beliefs is possible today because it no longer represents a social threat. The mechanization of the body is so constitutive of the individual that, at least in industrialized countries, giving space to the belief in occult forces does not jeopardize the regularity of social behavior. Astrology too can be allowed to return, with the certainty that even the most devoted consumer of astral charts will automatically consult the watch before going to work.

Well, you’ve got a full load of torpedoes and bullets, three Martian warships trailing you, one angry old lady in tea withdrawal, and a Martian Marine who could probably kill you with your own teeth. What do you do?

That shouldn’t be possible. Caliban, however, took the view that when something impossible was going on, it was best to deal with it as you found it, and not stand around claiming it wasn’t happening.

All of human civilization had been built out of the ruins of what had come before. Life itself was a grand chemical improvisation that began with the simplest replicators and grew and collapsed and grew again. Catastrophe was just one part of what always happened. It was a prelude to what came next. “You

There was some enthusiasm for a Caliban village, but it quickly dissipated when people contemplated a future village school and what the mascot might look like.

Reputation never has very much to do with reality,” she said. “I could name half a dozen paragons of virtue that are horrible, small-souled, evil people. And some of the best men I know, you’d walk out of the room if you heard their names. No one on the screen is who they are when you breathe their air.

what did you think would happen—best case? She’ll forget about you when you return to Caliban, you know that. Or do you think she won’t wish, that you can stay here with her? That for the rest of her life, she’ll put you above getting whatever she wishes for? Even better—that for the rest of her life, she won’t slip up and say something like ‘I wish it would stop raining’? You can’t win this. In the end, you’ll be in Caliban. She’ll forget you. And whatever ‘friendship’ you think you have will be gone. Relationships are not for immortals. A bird and a fish may long for each other, but where could they live?

Man does not live by bread alone. I have known millionaires starving for lack of the nutriment which alone can sustain all that is human in man, and I know workmen, and many so-called poor men, who revel in luxuries beyond the power of those millionaires to reach. It is the mind that makes the body rich. There is no class so pitiably wretched as that which possesses money and nothing else. Money can only be the useful drudge of things immeasurably higher than itself. Exalted beyond this, as it sometimes is, it remains Caliban still and still plays the beast. My aspirations take a higher flight. Mine be it to have contributed to the enlightenment and the joys of the mind, to the things of the spirit, to all that tends to bring into the lives of the toilers of Pittsburgh sweetness and light. I hold this the noblest possible use of wealth

Every empire grow until its reach exceeds its grasp

Everything anyone says when they have an agenda is bullshit, and bullshit isn’t necessarily false, but it’s never really the truth either. So when someone’s bullshitting, you need to pay a little more attention.

It seems to me that the gods are cruel to women who eat fruit, but that is a thought I keep to myself.

and no one had so far been able to offer any scientific conclusions more compelling than Hmm. Weird.

Caliban would have laid down his life for Slate, probably with a sense of relief, but a man’s socks…that was asking a lot.

Prospero, you are the master of illusion. Lying is your trademark. And you have lied so much to me (Lied about the world, lied about me) That you have ended by imposing on me An image of myself. Underdeveloped, you brand me, inferior, That s the way you have forced me to see myself I detest that image! What’s more, it’s a lie! But now I know you, you old cancer, And I know myself as well.

The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless.

It is quite possible to say that the price a Negro pays for becoming articulate is to find himself, at length, with nothing to be articulate about. ("You taught me language," says Caliban to Prospero, "and my profit on't is I know how to curse.")

She noticed Amos watching her. He had a dopey grin on his face. "Seriously. Now?" she said. "We're talking about your captain going off to his death, and all that's going through your head right now is 'Ooh, boobies!

Holden’s an idiot, but he’s not stupid. If he realizes he’s being watched, he’ll start broadcasting pictures of all our Ganymede sources or something. Do not underestimate his capacity to fuck things up.

Why do you call him a monster?” “Well, an eight-foot tall green gorilla with web feet and bug eyes—what would you call him? A well-developed frog? Not exactly an Ivy-league type, anyway.’” “I’ve met plenty of Ivy-leaguers I’d call monsters.

Plan? My plan is to die in a ball of superheated plasma.

Sweep everything under the rug for long enough, and you have to move right out of the house.

As wicked dew as e'er my mother brushed With raven's feather from unwholesom fen Drop on you both! A southwest blow on ye And blister you all o'er!

The subliminal mind has many dark, unhappy corners, after all. Imagine something loosening itself from one of those corners. Let's call it a---a germ. And let's say conditions prove right for that germ to develop---to grow, like a child in the womb. What would this little stranger grow into? A sort of shadow-self, perhaps: a Caliban, a Mr Hyde. A creature motivated by all the nasty impulses and hungers the conscious mind had hoped to keep hidden away: things like envy and malice and frustration...

There was a relentless forward motion to the man. The universe might knock him down over and over again, but unless he was dead, he’d just keep getting up and shuffling ahead toward his goal. Holden thought he had probably been a very good scientist. Thrilled by small victories, undeterred by setbacks. Plodding along until he got to where he needed to be.

Do I do as false prophets do and puff air into simulacra? Am I a Sorcerer--like Macbeth's witches--mixing truth and lies in incandescent shapes? Or am I a kind of very minor scribe of a prophetic Book--telling such truth as in me lies, with aid of such fiction as I acknowledge mine, as Prospero acknowledged Caliban.

It's a fairy tale. A children's story. Not a funny or silly one, but one with blood and death and horror, because that's fairy tales, too. A kid got swallowed by a whale. A little Pinocchio. A little Caliban. It's all there. And, you know, in a fairy tale, the maidens are never dead - not really. They're just sleeping.

At the happy ending of the Tempest, Prospero brings the kind back togeter with his son, and finds Miranda's true love and punishes the bad duke and frees Ariel and becomes a duke himself again. Everyone - except Caliban - is happy, and everyone is forgiven, and everyone is fine, and they all sail away on calm seas. Happy endings. That's how it is in Shakespeare. But Shakespeare was wrong. Sometimes there isn't a Prospero to make everything fine again. And sometimes the quality of mercy is strained.

Intellectually, he knew he wouldn’t hesitate to sacrifice himself or his happiness to save everyone else. But that didn’t stop the tiny voice at the back of his head that said, Fuck everyone else, I want my girlfriend back.

How many times can you get yourself massively irradiated before it catches up with you?” “At least once more?

Holden shot him in the throat. Somewhere in his brain stem, Detective Miller nodded in approval.

He’s young. He still sleeps sometimes. It’s a weakness.

Stupidity was usually a lesser crime than vigilantism.

Even though I know Miranda is suppose to jam her heel—she wears leather boots with four-inch spikes in my version—into his shin, sending Caliban to the floor in a crippline mess, I don’t do that. Instead, like I’m some sort of primitive creature, an animal operating only on instinct, I whip around, lift my knee and jam it into his balls. Henry grabs his crotch and falls to the ground. He moans, the class gasps, and Ms. Peck stands motionless.”—240

Just do not pull that fucking trigger. Do you understand what I'm saying? Don't. You will be personally responsible for the deadliest screwup in the history of humankind, and I'm on a ship with Jim fucking Holden, so the bar's not low.

Reputation never has very much to do with reality. I could name half a dozen paragons of virtue that are horrible, small-souled, evil people. And some of the best men I know, you'd walk out of the room if you heard their names. No one on the screen is who they are when you breathe their air. Chrisjen Avasarala

We all grieve in our own ways,” Avasarala said. “For what it’s worth, you’ll never kill enough people to keep your platoon from dying. No more than I can save enough people that one of them will be Charanpal.

There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium

If we all only owned the things we needed! You don’t understand the nature of desire.

Ferns can be very aggressive

It’s not healthy having God sleeping right there where we can all watch him dream. It scares the shit out of us. It scares the shit out of me.

Owning your own racing ship wasn’t even wealth. It was like speciation. It was conspicuous consumption befitting ancient Earth royalty, a pharaoh’s pyramid with a reaction drive.

Η αληθινή προδοσία είναι να ζεις σ’ έναν τέτοιο κόσμο και να χρησιμοποιήσεις το πνεύμα σου για να τον δικαιολογήσεις.

Only, so far, it was like a bunch of lizards watching the World Cup. Politely put, they weren’t sure what they were looking at.

They’d never precisely been friends, but they’d managed to stop the human race from being wiped out by a corporation’s self-induced sociopathy and a recovered alien weapon that everyone in human history had mistaken for a moon of Saturn. By that standard, at least, the partnership had been a success.

Once upon a time, in the not-so-distant past, very weird people were effectively isolated from all the other very weird people. But today, the internet makes it possible for very weird people from anywhere on the planet to get on the internet and talk to one another.

It’s called “Caliban At Sunset”.’ ‘What at sunset?’ ‘Caliban.’ He cleared his throat, and began: I stood with a man Watching the sun go down. The air was full of murmurous summer scents And a brave breeze sang like a bugle From a sky that smouldered in the west, A sky of crimson, amethyst and gold and sepia And blue as blue as were the eyes of Helen When she sat Gazing from some high tower in Ilium Upon the Grecian tents darkling below. And he, This man who stood beside me, Gaped like some dull, half-witted animal And said, ‘I say, Doesn’t that sunset remind you Of a slice Of underdone roast beef?’ He

I bitterly resent all that wasted time. And what I resent most of all is that the ones I did get never, never looked like the Greek statues.” “The Greek-statue types may have been too busy going out with other boys to notice you.

The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor's craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless. OSCAR WILDE

He’d read accounts of extravehicular euphoria, but the experience was unlike anything he’d imagined. He was the eye of God, drinking in the light of infinite stars, and he was a speck of dust on a speck of dust, clipped by his mag boots to the body of a ship unthinkably more powerful than himself, and unimportant before the face of the abyss.

There, up in the sky, she noticed for the first time a gigantic mounded cloud, as large and elaborately moulded as a baroque opera house and lit from below and at the sides by pink and creamy hues. It sailed beyond her, improbable and romantic, following in the blue sky the course she was taking down below. It seemed to her that it must be a good omen.

the Church of Humanity Ascendant, a religion that eschewed supernaturalism in all forms, and whose theology boiled down to Humans can be better than they are, so let’s do that.

I don’t kill children,” she said. “Not even when it’s the right thing to do.

Mom,” Holden said. “Earthers and Belters can have kids just fine. We’re not a different species.

So I leave flowers; spring flowers, then summer flowers. I gather the red and orange and yellow trumpet flowers, for a trumpet is a thing that makes a loud noise like a shout, and I tie their vines together and leave them to shout I love you in a row from Miranda's window-ledge.

All of human civilization had been built out of the ruins of what had come before. Life itself was a grand chemical improvisation that began with the simplest replicators and grew and collapsed and grew again. Catastrophe was just one part of what always happened. It was a prelude to what came next.

Tis solace making baubles, ay, and sport. Himself peeped late, eyed Prosper at his books Careless and lofty, lord now of the isle: Vexed, 'stitched a book of broad leaves, arrow-shaped, Wrote thereon, he knows what, prodigious words; Has peeled a wand and called it by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock and calls him Caliban; A bitter heart that bides its time and bites.

I found it after the soldiers came and I kept it. I don’t know why because at that point I wasn’t sure I’d ever see you again. But then when I uncovered it this morning, I knew… that is…” She reached out and flipped the pages of the notebook until the last page lay open in his hands. She’d written something there. He bent and read. I love you, Beast. I love you, Caliban. I love you, Apollo. I love you, Romeo. I love you, Smith. I love you, Gardener. I love you, Aristocrat. I love you, Lover. I love you, Husband. I love you, Friend. I love you, You. He inhaled and looked up. She was twisting her hands together. “For a writer, I’m awfully ineloquent. I don’t know—” He dropped the notebook and pulled her into his arms, kissing her passionately. He held her sweet face between his palms and caressed her temples with his thumbs as he opened his mouth over hers, inhaling her gasp. When at last he drew back, he whispered against her lips, “Do you know where we are?” “Yes,” she murmured, her eyes closed. “At the heart of the maze.” And when she opened her lichen-green eyes he saw all the love he’d ever hoped for shining in her eyes just for him. “At your heart—and mine.

Interestingly, this speech by Prospero does not contrast the unreality of the stage with the solid, flesh-and-blood existence of real men and women. On the contrary, it seizes on the flimsiness of dramatic characters as a metaphor for the fleeting, fantasy-ridden quality of actual human lives. It is we who are made of dreams, not just such figments of Shakespeare’s imagination as Ariel and Caliban. The cloud-capped towers and gorgeous palaces of this earth are mere stage scenery after all.

We’ve survived it. It’s a known quantity. I have a binder with nine hundred pages of analysis and contingency plans for conflict with Mars, including fourteen different scenarios about what we do if they develop an unexpected new technology. The binder for what we do if something comes up from Venus? It’s three pages long, and it begins Step One: Find God.” Errinwright

During his time as a graduate student, he had done data collection for a study of Pinus contorata. Of all the varieties of pine to rise off Earth, lodgepole pine had been the most robust in low-g environments. His job had been to collect the fallen cones and burn them for the seeds. In the wild, lodgepole pine wouldn’t germinate without fire; the resin in the cones encouraged a hotter fire, even when it meant the death of the parental tree. To get better, it had to get worse. To survive, the plant had to embrace the unsurvivable.

Cada amanecer era una declaración de intenciones que anunciaban la inevitable progresión del tiempo, y un recordatorio de que el mundo continuaría girando eternamente sobre sus pasos galácticos, haciendo caso omiso de los sueños de los seres que se consideraban importantes...

Since your father has escaped my justice, it is you who must hear my words." "Words. You keep saying..." "Because that was the gift your father gave to me. And the curse that ruined me as well, changed my life to wretched misery. There are hours yet before the guard comes - nay, eons. An eternity, in fact. This is my time, Miranda. Now you will have your words back: before I kill you, you will hear my tale... and you will know what you have done.

The name ROCINANTE was on the wall in letters as broad as his hand, and someone had added a stencil of a spray of yellow narcissus. It looked desperately out of place and very appropriate at the same time. When he thought about it that way, it seemed to fit most things about the ship. Her crew, for instance.

Before Prax had gotten married, he’d seen a dance performance based on neo-Taoist traditions. For the first hour, it had been utterly boring, and then after that, the small movements of arms and legs and torso, shifting together, bending, and falling away, had been entrancing. The Rocinante slid into place beside an extending airlock port with the same beauty Prax had seen in that dance, but made more powerful by the knowledge that instead of skin and muscles, this was tons of high-tensile steel and live fusion reactors.

Across ideological differences, the femjnists have realized that a hierarchical ranking of human faculties and the identification of women with a degraded conception of corporeal reality has been instrumental, historically, to the consolidation of patriarchal power and the male exploration of female labor. Thus, analyses of sexuality, procreation, and mothering have been at the center of feminist theory and women's history. In particular, feminists have uncovered and denounced the strategies and the violence by means of which male-centered systems of exploitation have attempted to discipline and appropriate the female body, demonstrating that women's bodies have been the main targets, the privileged sites, for the deployment of power techniques and power relations. and power-relations

Intellectually, he knew that he was falling sunward, heading in from the Jovian system toward the Belt. In a week, the sun would be close to twice the size it was now, and it would still be insignificant. In a context of such immensity, of distances and speeds so far above any meaningful human experience, it seemed like nothing should matter. He should be agreeing that he hadn’t been there when God made the mountains, whether it meant the ones on Earth or on Ganymede or somewhere farther out in the darkness. He was in a tiny metal-and-ceramic box that was exchanging matter for energy to throw a half dozen primates across a vacuum larger than millions of oceans. Compared to that, how could anything matter?

The artist is the creator of beautiful things. To reveal art and conceal the artist is art’s aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of Realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of Romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an im- perfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an un- pardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor’s craft is the Type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really Mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless.

You know, it's wonderful to see another world. It's entirely unlike anything that has ever come to your thoughts. And everything in it fits. You couldn't have dreamed it up yourself, but somehow it all seems to work, and each tiny part is related. Everything except me. If I had known I was only going to stay a short while, this would have been the most exciting thing I could imagine -- a marvel in my life. But to know that it's for ever, that I'll always be here where I'm not able to belong, and that I'll never be able to get back home, never...