Cakes And Friends Quotes

We've searched our database for all the quotes and captions related to Cakes And Friends. Here they are! All 100 of them:

Why should any guy want to be only friends with a girl? It’s like agreeing to be near a chocolate cake and never eat it. It’s like sitting in a racing car but not driving it.
Chetan Bhagat (2 States: The Story of My Marriage)
We fatties have a bond, dude. It's like a secret society. We got all kinds of shit you don't know about. Handshakes, special fat people dances-we got these secret fugging lairs in the center of the earth and we go down there in the middle of the night when all the skinny kids are sleeping and eat cake and friend chicken and shit. Why d'you think Hollis is still sleeping, kafir? Because we were up all night in the secret lair injecting butter frosting into our veins. ...A fatty trusts another fatty.
John Green (An Abundance of Katherines)
He fixed his dark eyes on her. 'I am Kekrops, the first and eternal king of Athens. I would welcome you to my city.' He held up the covered platter. ' Also, I brought a Bundt cake.' Piper glanced at her friends. 'A trick?' 'Probably?' Annabeth said. 'At least he brought dessert.' Percy smiled down at the snake guys. 'Welcome aboard!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
We’re playing Three Wishes,” she told her friend. “Cake, hot bath, soft bed. How about you?” “World peace,” said Karou. Zuzana rolled her eyes. “Yes, Saint Karou.” “Cure for cancer,” Karou went on. “And unicorns for all.” “Bluh. Nothing ruins Three Wishes like altruism. It has to be something for yourself, and if it doesn’t include food, it’s a lie.” “I did include food. I said unicorns, didn’t I?” “Mmm. You’re craving unicorn, are you?” Zuzana’s brow furrowed. “Wait. Do they have those here?” “Alas, no.” “They did,” said Mik. “But Karou ate them all.” “I am a voracious unicorn predator.
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Most men would never tell a girl her Pikachu smells like a crab cake. It's just not done. But they would have no qualms about telling their guy friends. Similarly, if you're a guy and you pull your pants down, and the girl you're with immediately stats text messaging her friends, you have a small penis. Are You There Vodka? It's Me, Chelsea
Chelsea Handler
He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
She gave me a sad smile and did what good friends do—gave me a second slice of cake.
Penelope Douglas (Bully (Fall Away, #1))
The thing about old friends is not that they love you, but that they know you. They remember that disastrous New Year's Eve when you mixed White Russians and champagne, and how you wore that red maternity dress until everyone was sick of seeing the blaze of it in the office, and the uncomfortable couch in your first apartment and the smoky stove in your beach rental. They look at you and don't really think you look older because they've grown old along with you, and, like the faded paint in a beloved room, they're used to the look. And then one of them is gone, and you've lost a chunk of yourself. The stories of the terrorist attacks of 2001, the tsunami, the Japanese earthquake always used numbers, the deaths of thousands a measure of how great the disaster. Catastrophe is numerical. Loss is singular, one beloved at a time.
Anna Quindlen (Lots of Candles, Plenty of Cake)
You know, the act of feeding someone is the ultimate act of care and affection...sharing yourself with someone else through food." He held another mouthful of cake under her nose. "Think about it. We are fed in the Eucharist, by our mothers when we are infants, by our parents as children, by friends at dinner parties, by a lover when we feast on one another's bodies...and on occasion, on another's souls.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
I told them you hate herring.” “Why?” “And that you love plum cake. And that Ana Kuya took a switch to you when you ruined your spring slippers jumping in puddles.” I winced. “Why would you tell them all that?” “I wanted to make you human,” he said. “All they see when they look at you is the Sun Summoner. They see a threat, another powerful Grisha like the Darkling. I want them to see a daughter or a sister or a friend. I want them to see Alina.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
He was hot like lava and sexy like cake. Wait, like lava cake. Yum.
Penny Reid (Friends Without Benefits (Knitting in the City, #2))
Be the kind of friend that you want to have. This is what it all boils down to. Listen when they bitch. Tell them they'll be okay. Go over and check in on their cat when they're on vacation. Call them on their birthday, or better yet bake a cake in the shape of their initial. Keep their secrets. Treat them like what they are--the rare person in this world who gives a fuck about you not because they have to, but because they want to. Give a fuck about them.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
So you wish to conquer in the Olympic Games, my friend? And I, too... But first mark the conditions and the consequences. You will have to put yourself under discipline; to eat by rule, to avoid cakes and sweetmeats; to take exercise at the appointed hour whether you like it or not, in cold and heat; to abstain from cold drinks and wine at your will. Then, in the conflict itself you are likely enough to dislocate your wrist or twist your ankle, to swallow a great deal of dust, to be severely thrashed, and after all of these things, to be defeated.
Epictetus (The Discourses with the Enchiridion and Fragments)
Because, ten-year-olds of the world, you shouldn't believe what your teachers tell you about the beauty and specialness and uniqueness of you. Or, believe it, little snowflake, but know it won't make a bit of difference until after puberty. It's Newton's lost law: anything that makes you unique later will get your chocolate milk stolen and your eye blackened as a kid. Won't it, Sebastian? Oh, yes, it will, my little Mandarin Chinese-learning, Poe-reciting, high-top-wearing friend. God bless you, wherever you are.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
First impression is not the last reflection of a true friend, so if you are head over heels for someone who just bought you a cake, you'd better think twice before devouring your misery.
Michael Bassey Johnson
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
Devil's Food?" You can only eat so much white cake, my friend.
Christopher Moore
The children were overwhelmingly morbid. Not a single adult asked me where butterflies go when they die, but this question was more popular than pixie sticks with the under-four-foot set. I cursed parents for not preparing their children. When I was five, my mother and sister sat me up on the kitchen counter and explained the facts of life: the Easter Bunny didn't exist, Elijah was God's invisible friend, with any luck Nana would die soon, and if I ever saw a unicorn, I should kill it or catch it for cash. I turned out okay.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
I look at pastries and cakes, tarts and pies. My body craves sugar, always craves sugar. Years of alcohalism and the high level of sugar in alcohal created the craving, which I feed with candy and soda.
James Frey (My Friend Leonard)
It's not that you have lost touch with these people. You haven't. It's just that they have kept in such close touch with each other. When scrolling through your cell phone, you generally let their numbers be highlighted for a second, hovering, and then move along to people you have spoken to within the last month. It's not that you're a bad friend to these people. It's just that you're not a great one. They know the names of each other's coworkers and the blow-by-blow nature of each other's dramas; they go camping in the Berkshires together and have such sentences in their conversational arsenal as "you left your lip gloss in my bathroom." You have no such sentences. Your connection to your friends is half-baked and you are starting to forget their siblings' names, never mind their coworkers. But you're still in the play even if you're no longer a main character.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Think about it. We are fed in the Eucharist, by our mothers when we are infants, by our parents as children, by friends at dinner parties, by a lover when we feast on one another’s bodies…and on occasion, on one another’s souls. Don’t you want me to feed you? You don’t want to feast on my body, but at least feast on my cake.” Gabriel chuckled. When Julia didn’t answer, he turned his full attention to his dessert. She scowled. If he thought this disgusting display of food porn was going to get her attention and maybe make her a little hot and bothered until she was putty in his hands… …he was right.
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
Perhaps only when we've made our peace with our own selves can we really be the kind of friends who listen, advise, but don't judge, or not too harshly.
Anna Quindlen (Lots of Candles, Plenty of Cake)
And there’s nothing better than brothers. Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.” She nodded. “So as much as I love my present, and as nice as it is to get a thank you, I don’t need either of ’em. Nothing’s too much to ask when it comes to brothers.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
Tom Stoppard (The Real Thing)
Life is the grandest adventure one can go on, isn't it?' said the giant kindly (he seemed to be a very friendly giant). 'What else could a person ask for than just to be alive?' Will knew exactly what else a person could ask for. 'Monsters,' he said. 'And cake.
Lisa Graff (A Tangle of Knots (A Tangle of Knots, #1))
She discovers that it is possible to cry all day and all night. That there are many different ways to cry: the sudden outpouring of tears, the deep, racking sobs, the soundless and endless leaking of water from the eyes. That sore skin around the eyes may be treated with oil infused with a tincture of eyebright and chamomile. That it is possible to comfort your daughters with assurances about places in Heaven and eternal joy and how they may all be reunited after death and how he will be waiting for them, while not believing any of it. That people don’t always know what to say to a woman whose child has died. That some will cross the street to avoid her merely because of this. That people not considered to be good friends will come, without warning, to the fore, will leave bread and cakes on your sill, will say a kind and apt word to you after church, will ruffle Judith’s hair and pinch her wan cheek.
Maggie O'Farrell (Hamnet)
When I was five, my mother and sister sat me up on the kitchen counter and explained the facts of life: the Easter Bunny didn't exist, Elijah was God's invisible friend, with any luck Nana would die soon and If I ever saw a unicorn, I should kill it or catch it for cash.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
It’s like this: if you have one piece of cake, and you eat it, that’s fine. If you have two pieces of cake, you should probably share some with a friend. But maybe not. Occasionally we could all use two pieces of cake. But if you have a whole cake, and you eat *all* of it, that’s not very cool. It’s not just selfish, it’s kinda sick and unhealthy.
Patrick Rothfuss
Nearly every book has the same architecture--cover, spine, pages--but you open them onto worlds and gifts far beyond what paper and ink are, and on the inside they are every shape and power. Some books are toolkits you take up to fix things, from the most practical to the mostmysterious, from your house to your heart, or to make things, from cakes to ships. Some books are wings. Some are horses that run away with you. Some are parties to which you are invited, full of friends who are there even when you have no friends. In some books you meet one remarkable person; in others a whole group or even a culture. Some books are medicine, bitter but clarifying. Some books are puzzles, mazes, tangles, jungles. Some long books are journeys, and at the end you are not the same person you were at the beginning. Some are handheld lights you can shine on almost anything.
Rebecca Solnit (A Velocity of Being: Letters to A Young Reader)
Don’t ever forget the things I taught you. Life’s too short, Adrian. It is too fucking short. Eat the cake, take the vacation, dance in the rain. And don’t do anything that’s going to break your heart. I’m just sorry that in this case, that thing was me.
Abby Jimenez (Life's Too Short (The Friend Zone, #3))
In the long run, completing a marathon makes us happier than eating a chocolate cake. Raising a child makes us happier than beating a video game. Starting a small business with friends while struggling to make ends meet makes us happier than buying a new computer. These activities are stressful, arduous, and often unpleasant. They also require withstanding problem after problem. Yet they are some of the most meaningful moments and joyous things we’ll ever do. They involve pain, struggle, even anger and despair—yet once they’re accomplished, we look back and get all misty-eyed telling our grandkids about them.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
There is so much obligatory generosity to being a good mother, a good wife, a good friend. Solitude is an acceptable form of selfishness.
Anna Quindlen (Lots of Candles, Plenty of Cake: A Memoir of a Woman's Life)
Many a time, in my political indifference, I was secretly amused to see him swinging between anti-semitism and his passion for nut cake.
August Kubizek (The Young Hitler I Knew: The Memoirs of Hitler's Childhood Friend)
Aside from my mom, Carla, and my tutors, the world barely know I exist. I mean, I exist online. I have online friends and my Tumblr book reviews, but that's not the same as being a real person who can be visited by strange boys bearing Bundt cakes.
Nicola Yoon (Everything, Everything)
I think about how lonely I am without you. How boring my day is without you. How much I miss hearing your voice and your laugh. How much I miss listening to music and eating cake with you.” We smiled shyly at each other. His gaze lifted, looking directly into my eyes. “I miss taking care of you,” he hesitated for a moment. “I miss my best friend and I want her back in my life.” His words glued every piece of my shattered heart back together.
Alison G. Bailey (Present Perfect (Perfect, #1))
Everyone expected that we’d want to try again. But Robin said no, and I understood. And, you know, the world just went on. Our friends’ kids grew up and we all kept making up our lives the way we always did. We turned out okay.
Sarah Selecky (This Cake Is for the Party: Stories)
Anyway, I think I made a bit of progress." "How did you manage that?" "Well, they liked that you served in the First Army, and that you saved their prince's life." "After he risked his own life rescuing us?" "I may have taken some liberties with the details." "Oh, Nikolai will love that. Is there more?" "I told them you hate herring." "Why?" "And that you love plum cake. And that Ana Kuya took a switch to you when you ruined your spring slippers in puddles." I winced. "Why would you tell them all that?' "I wanted to make you human," he said. "All they see when they look at you is the Sun Summoner. They see a threat, another powerful Grisha like the Darkling. I want them to see a daughter or a sister or a friend. I want them to see Alina." I felt a lump rise in my throat. "Do you practice being wonderful?" "Daily," he said with a grin. Then he winked. "But I prefer 'useful.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
If some guy sent me a picture of a cake at two a.m. like, "Hey, gurl, you up?' I'd be like, 'Hell yeah I'm up, come over.
Abby Jimenez (Life’s Too Short (The Friend Zone, #3))
Your best friend is a mirror. Other friends ask after you when you are standing right there. “Where are you?” They ask, “Why are you without your other self?” You two are the ingredients to make something brand new. You cannot unbake a cake. You can only slice. A knife is a mirror. A best friend can be a knife.
Dean Atta (The Black Flamingo)
The thing I've noticed about life is that it just keeps coming at you. And it can be a real bummer. What you need to remember is that you're not alone. You've got friends and family. That's how we get by. We talk and share and eat cake and giggle in the dark, even when we're scared - no, especially when we're scared.
Bill Condon (A Straight Line to My Heart)
Torma means “offering cake.” You offer the torma to your don. You feed the ghost that does you harm, “that which possesses you.” Giving it a little something sweet is a way of saying, Thank you for the pain you caused me, because that pain woke me up. It hurt enough to make me change. “Wish for more pain,” a friend’s therapist once told her, “because that’s how you’ll change.” It has to hurt so much that you have to do something differently. The pain forces your hand.
Maggie Smith (You Could Make This Place Beautiful)
The kitchen can be a sacred space. Where magic is created, whether it's mixing up a potion, or baking a cake for friends. The whole process is part of this spell - intention being just as important as the ingredients! The Kitchen Witch keeps a warm and happy home infused with magic.
Sarah Robinson (The Yoga Witch Cook Book: Tempting Recipes to Celebrate the Magic to be found in the Kitchen)
He also tried to block the doorway when she left him. My mother ducked under his arm, ran to her car, and drove away. I remember thinking that this was somehow romantic, as it pinpointed the actual memory of my mother's departure, something you don't see a lot of in television. Real people don't slam doors without opening them five minutes later because it's raining and they forgot their umbrella. They don't stop dead in their tracks because they realize they're in love with their best friend.They don't say, "I'm leaving you, Jack," and fade to a paper towel commercial.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
She’s so, everybody’s so stupid, you know? Christian too, Todd, whoever says stupid things, you’re from different worlds, like you dropped here in a spaceship.” I had to say something. “Yeah,” I said. “So—?” “So they can fuck themselves,” you said. “I don’t care, you know?” I felt a smile on my face, tears too. “Because Min, I know, OK? I’m stupid I know, about faggy movies, sorry, fuck, I’m stupid about that too. No offense. Ha! But I want to do it, Min. Any party you want, anything, not go to bonfires. Whatever you want to do, for the eighty-ninth birthday, even though I can’t remember the name.” “Lottie Carson.” I stepped close to you, but you held your hands out, you weren’t done. “And they’ll say things, right? I know they will, of course they will. Your friends are, probably, too, right?” “Yes,” I said. I felt furious, or furiously something, pacing with you and waiting to fall into your moving arms. “Yes,” you said, with a huge grin. “Let’s stay together, I want to be with you. Let’s. Yes?” “Yes.” “Because I don’t care, virginity, different, arty, weird parties with bad cake, that igloo. Just together, Min.” “Yes.” “Like everyone is telling us not to be.” “Yes!” “Because Min, listen, I love you.” I gaped. “Don’t, you don’t have to—I know it’s crazy, Joan says I’ve really lost it, but—” “I love you too,” I said.
Daniel Handler (Why We Broke Up)
The world spins and spins. Sometimes, there is nothing you can do but surrender. There is nothing you can do but stand in your best friend's dingy kitchen and bake cakes and cry and hope hope hope for something better to come. Nothing you do will ever stop the world turning, will ever tilt the planet off its axis. All revolutions are futile in the end.
Kai Cheng Thom (Fierce Femmes and Notorious Liars)
Naturally, Cinder got some on her gown—a smear of yellow frosting on the enormous skirt. She was mortified until Iko adjusted the skirt so the folds would hide it. “It was inevitable,” Iko said with a wink. “It’s part of your charm.” Cinder started to laugh, but was startled into silence by a sudden hiccup in her chest. She looked around, at the smiles and the arms draped over shoulders and Winter daintily licking buttercream from her fingers. At the homemade cake. A gathering of friends. A celebration, for her. They were silly things to be floored by, but she couldn’t help it. She’d never had these things before.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
he smirked, his lids lowering to half-mast. Twinkling, hot-lava, sexy cake, sex-on-a-stick, obscene levels of charisma.
Penny Reid (Friends Without Benefits (Knitting in the City, #2))
The cake had been done by a lady friend of Mary's. It was simpler than it would have been had she been given more time; but I was finding more and more beauty in simplicity.
Janette Oke (When Comes the Spring (Canadian West, #2))
There’s nothing that can’t be solved with a pot of tea, a slice of cake, and a very dear friend.
Andy Sagar (Yesterday Crumb and the Storm in a Teacup)
It’s a secret. My previous best friend suspected, and now she’s at the bottom of a well. (Not really. She’s in Poland. I had nothing to do with it
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Homelessness is not a race thing. It's not a gender thing. It's not a religious thing. It's not a gay or straight thing. It's not a political thing. It's not a thing, it's people.
Nellie Cake (God Saw You Kill My Two Little Friends!)
You found what makes you special. Don't let anyone take that away from you best friend!
Jamie A. Triplin (Malia the Merfairy and The Lucky Rainbow Cake)
I’d closed my ears to my friends’ horror stories about married life. “Ha! Now you get to argue about who should change the diapers.” Or “What kind of food makes a woman stop giving blow jobs? Wedding cake!” Or “Oh boy, wait until she hits menopause.” I paid no attention to any of that. “Just let me stumble into it,” I told them. “I don’t want to be forewarned.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
My first port of call was ReadingLasses Bookshop & Café. There aren’t many things in life better than books, tea and cake (if you disagree, I’m afraid we can never be friends), and at ReadingLasses, where you can get all three at the same time, you soon lose any desire to leave.
Jen Campbell (The Bookshop Book)
One of the most important parts of tending our friendships is working our way, over time, into the kind of friendships that can support cataclysm, friendships that are able to move from the office or the playground to hospital rooms and funerals. Some of my married friends are widows now, and some are single, and some have lost parents and had kids who were lost to them for awhile. And even those of us who so far have been relatively unscathed know how important the bonds of love are, how they make a net so we don't hit the ground when we fall from the wire.
Anna Quindlen (Lots of Candles, Plenty of Cake)
The thing I've noticed about life-' Zoe pauses to drain the last of her coffee and lick the foam off her lips, 'is that it just keeps coming at you. And it can be a real bummer. What you need to remember, Tiff, is that you're not alone. You've got friends and family. That's how we get by. We talk and share and eat cake and giggle in the dark, even when we're scared - no, especially when we're scared.' Wow. Reggie would be impressed. She's as good as Dr Phil. And not bald.
Bill Condon (A Straight Line to My Heart)
Friends are like buses," I uncaringly replied as I took a hit off the joint, "if you miss one, sooner or later, another will come. The names of the routes change, but the destinations don't. It will always cost something to ride - nobody rides for free. And, they'll leave your ass if you don't get with the schedule.
Cupcake Brown (A Piece of Cake)
We would never go shopping together or eat an entire cake while we complained about men. He'd never invite me over to his house for dinner or a barbecue. We'd never be lovers. But there was a very good chance that one of us would be the last person the other saw before we died. It wasn't friendship the way most people understood it, but it was friendship. There were several people I'd trust with my life, but there is no one else I'd trust with my death. Jean-Claude and even Richard would try to hold me alive out of love or something that passed for it. Even my family and other friends would fight to keep me alive. If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
But to suddenly be greeted by the openness we so often take for granted comes as a warm reminder of normal life, like arriving unannounced at a friend’s house to find a slice of cake waiting for you and the kettle already on the boil.
Raynor Winn (Landlines)
I began to meditate upon the writer's life. It is full of tribulation. First he must endure poverty and the world's indifference; then, having achieved a measure of success, he must submit to a good grace of its hazards...But he has one compensation, Whenever he has anything on his mind, whether it be a harassing reflection, grief at the death of a friend, unrequited love, wounded pride, anger at the treachery of someone to whom he has shown kindness, in short any emotion or any perplexing thought, he has only to put it down in black and white, using it as a theme of a story or the decoration of an essay, to forget all about it. He is the only free man.
W. Somerset Maugham (Cakes and Ale)
When you think that the eyes of your childhood dried at the sight of a piece of gingerbread, and that a plum cake was a compensation for the agony of parting with your mamma and sisters, oh my friend and brother, you need not be too confident of your own fine feelings.
William Makepeace Thackeray (Vanity Fair)
I'd always assumed Beth and I would be friends forever. But then in middle of the eighth grade, the Goldbergs went through the World's Nastiest Divorce. Beth went a little nuts. I don't blame her. When her dad got involved with this twenty-one year old dental hygienist, Beth got involved with the junk food aisle at the grocery store. She carried processed snack cakes the way toddlers carry teddy bears. She gained, like, twenty pounds, but I didn't think it was a big deal. I figured she'd get back to her usual weight once the shock wore off. Unfortunately, I wasn't the only person who noticed. May 14 was 'Fun and Fit Day" at Surry Middle School, so the gym was full of booths set up by local health clubs and doctors and dentists and sports leagues, all trying to entice us to not end up as couch potatoes. That part was fine. What wasn't fine was when the whole school sat down to watch the eighth-grade cheerleaders' program on physical fitness.
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
Ah, this feels just like the old times... I still miss you and the others, you know, and life at school and those times when two or more of us would sit up talking far too late into the night. Which is not to say I would give up my present life to return there, but... Well, even happy choices involve some sacrifice. And most of us, I suppose, would like to both have our cake and eat it if only it were possible
Mary Balogh (Simply Magic (Simply Quartet #3))
The little things we value as mundane or pithy usually turn into the big things in hindsight…an “I love you” called out as the door closes, a walk around the same block with the same friend, Grandma’s chocolate cake every time you visit…the brush of skin on skin as two loves pause to breath in sync. Life isn’t made up of miles, but memories. Cherish them while you’re making them, not just after you can’t make those memories anymore.
Toni Sorenson
I watched my best friend fall in love with the same girl a million times in the same minute.  She had vivid eyes, a warm smile, and a streak of purple in her hair.  They were too drunk to notice I was watching; I was too sober to not realize what was happening.  Someone kept cutting off the oxygen in the room every time their faces got close.  But I knew if it were for just a few more inches, they would have kissed.  I also knew that it was because of the fact that she had a boyfriend that they didn't.  Even I could feel his heart racing as she licked off the birthday cake icing off his right cheek.  I saw his eyes light up; it was much more than the effects of inebriation.  There was suddenly a different kind of gravity present in the room.  And I then I realized: The same forces that bring two people together are the same ones that pull them apart.  But I knew from the way he looked at her.  I knew what he felt.  I knew how much she meant to him.  And in that moment, I finally understood.  Because that's the exact same way I look at you.  (I have learned to see gravity; it is the colour of your skin.)
xq (Semicolon)
I also had the sense that there was something distinctly impolite about [transitioning], like agreeing to go out for pizza with a group of friends and, just as we were being led to our table, announcing, "I think I'd rather have birthday cake for dinner. Does anyone mind if we leave now and go bake a cake somewhere?" And my friends might agree out of politeness and affection, but their hearts wouldn't really be in it, and I would in fact have trespassed on their good natures by asking, making such an outrageous, selfish request.
Daniel Mallory Ortberg (Something That May Shock and Discredit You)
all aspects of our lives are deeply affected by the presence or absence of friendships. Friendships are more than a luxury or icing on the cake. They are a necessity.
John Townsend (How to be a Best Friend Forever: Making and Keeping Lifetime Relationships)
It's the hardest thing in the world to explain yourself, to tell your story clearly. We are all of us such complicated creatures, whether we have snakes for hair or not. Who we are, and why we are like that I do not think there is a soul this side of Mount Olympus who can effortlessly explain the twists and turns their life has taken, why they might prefer a fig cake over a honey one, why they fell in love with that man rather than his friend, why they cry at night, or cry at beauty, or cry for no reason at all. But still. It's all we can do.
Jessie Burton (Medusa)
Why would any guy want to be only friends with a girl? It’s like agreeing to be near a chocolate cake and never eat it. It’s like sitting in a racing car but not driving it. Only wimps do that.
Chetan Bhagat (2 States: The Story of My Marriage)
But we liked Miss Stein and her friend, although the friend was frightening, and the paintings and the cakes and the eau-devie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married—time would fix that—and when my wife invited them to tea, they accepted.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries. Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places. Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
Ernest Hemingway (A Moveable Feast: The Restored Edition)
In the long run, completing a marathon makes us happier than eating a chocolate cake. Raising a child makes us happier than beating a video game. Starting a small business with friends while struggling to make ends meet makes us happier than buying a new computer. These activities are stressful, arduous, and often unpleasant. They also require withstanding problem after problem. Yet they are some of the most meaningful moments and joyous things we’ll ever do
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
I discovered that living the life we want requires not only doing the right things; it also requires we stop doing the wrong things that take us off track. We all know eating cake is worse for our waistlines than having a healthy salad. We agree that aimlessly scrolling our social media feeds is not as enriching as spending time with real friends in real life. We understand that if we want to be more productive at work, we need to stop wasting time and actually do the work. We already know what
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
Is it...can we...is it safe?" Tub checked the lot but he seemed unconcerned. "Coach Lawrence nabbed him for practice. We live to fight another day, soldier." "No...I mean, the thing...is it...?" Tub frowned. "The thing. Hmmm. Can you be more specific? I clutched at the bumper and raised myself to unsteady feet. I patted the truck bed, taking solace in the cake of dust. It was real; I was not caught in a nightmare. I smeared the dust with my fingers and smelled it. "If you lick that, we're no longer friends," Tub said.
Guillermo del Toro (Trollhunters)
Wyatt was, in fact, finding the Christian system suspect. Memory of his fourth birthday party still weighted in his mind. It had been planned cautiously by Aunt May, to the exact number of hats and favors and portions of cake. One guest, no friend to Wyatt (from a family “less fortunate than we are”), showed up with a staunchly party-bent brother. (Not only no friend: a week before he had challenged Wyatt through the fence behind the carriage barn with —Nyaa nyaa, suckinyerma’s ti-it-ty…) Wyatt was taken to a dark corner, where he later reckoned all Good works were conceived, and told that it was the Christian thing to surrender his portion. So he entered his fifth year hatless among crepe-paper festoons, silent amid snapping crackers, empty of Christian love for the uninvited who asked him why he wasn’t having any cake.
William Gaddis (The Recognitions)
I did not pay much attention, and since it seemed to prolong itself I began to meditate upon the writer’s life. It is full of tribulation. First he must endure poverty and the world’s indifference; then, having achieved a measure of success, he must submit with a good grace to its hazards. He depends upon a fickle public. He is at the mercy of journalists who want to interview him and photographers who want to take his picture, of editors who harry him for copy and tax gatherers who harry him for income tax, of persons of quality who ask him to lunch and secretaries of institutes who ask him to lecture, of women who want to marry him and women who want to divorce him, of youths who want his autograph, actors who want parts and strangers who want a loan, of gushing ladies who want advice on their matrimonial affairs and earnest young men who want advice on their compositions, of agents, publishers, managers, bores, admirers, critics, and his own conscience. But he has one compensation. Whenever he has anything on his mind, whether it be a harassing reflection, grief at the death of a friend, unrequited love, wounded pride, anger at the treachery of someone to whom he has shown kindness, in short any emotion or any perplexing thought, he has only to put it down in black and white, using it as the theme of a story or the decoration of an essay, to forget all about it. He is the only free man.
W. Somerset Maugham (Cakes and Ale)
Or what is it you used to say when we’d to go out in my pickup truck down by the pond, just the two of us? I’m the bit to your bridle. I’m the Jack in your Daniels….” Would it be weird if I were shedding tears right now? “You’re the fruit in my pie…you’re the sprinkles on my cake,” I finish his sentence.
A.Wilding Wells
Life is just a series of dumb decisions and indecisions and coincidences that we choose to ascribe meaning to. School cafeteria out of your favorite pastry today? It must be because the universe is trying to keep you on your diet.. Thanks, Universe! You missed your train? Maybe the train’s going to explode in the tunnel, or Patient Zero for some horrible bird flu (waterfowl, goose, pterodactyl) is on that train, and thanks goodness you weren’t on it after all. Thanks, Universe! No one bothers to follow up with destiny, though. The cafeteria just forgot there was another bow in the back, and you got a slice of cake from your friend anyway. You fumed while waiting for another train, but one came along eventually. No one died on the train you missed. No one so much as sneezed. We tell ourselves there are reasons for the things that happen, but we’re just telling ourselves stories. We make them up. They don’t mean anything.
Nicola Yoon (The Sun Is Also a Star)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
I also find Mill’s words to be of use when considering relationships. Often we want our friends, partners and people we love to be like us, because that allows us to feel validated and accepted. It is a powerful thing to find people in this world who share our values and instincts. But it is also important to celebrate the differences between our partners and us. Would we really want to be in a relationship where the other person reminds us every day of ourselves? Wouldn’t it just be like having rich chocolate cake every day? Do we even especially like people who are very much like us? Don’t we find ourselves cynical of their motives, believing we can see right through them? Love seems to come without a template. We may think we know what we want in a partner and then one day find ourselves in love for very different reasons. In the same way that differing, developed individuals contribute to Mill’s view of society and make it worth belonging to, so too the differences between people in a relationship can be precisely the substance of what makes it valuable. And then, rather than falling for that old fallacy of entering into a relationship thinking you will ‘change’ the other person to more comfortably reflect your values, you might see the qualities that separate them from you as precisely the features to celebrate. These qualities can complement our own: our laid-back approach to life can be challenged by the more active, dynamic ambition we might see in a partner, or vice versa. When the time comes, it will be useful to have them in mind as a role model. And to echo Mill: as our partners develop their own unique qualities, they can become of more value to themselves and therefore to the relationship as a whole.
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
John D. MacDonald (The Deep Blue Good-By)
Is anyone else coming?” I asked him when he didn’t say anything after setting his glass back down on the table. I’d overheard a couple of the guys talking about Rip’s half-hearted invitation when I had taken a bathroom break, but I hadn’t heard more than that. His gaze hadn’t left mine from the moment he had spotted me, and it didn’t go anywhere as he shrugged and said, “Doubt it.” I must have made a face because he added, casually, “I’m not exactly anybody’s favorite, Luna.” The smile fell right off my mouth, and I couldn’t help but frown at him. At the harshness of his words. At the… fact-like nature of them. That wasn’t very nice for him to assume. That wasn’t very nice to assume at all, and it bothered me… even if it was true that Mr. Cooper was my favorite person at the shop. And I was his. And Miguel’s— Crap. “I’m sure—“ I started before getting cut off. “I’m not,” he told me, tapping his short fingernails against the glass. Rip tipped his chin up a millimeter, giving me a slightly better view of the shading tucked up against his jawline. He swallowed, everything about his body language saying that he was telling me these words in this way because it wasn’t a big deal to him. He didn’t care. Why should he? His body said. His next words confirmed it. “I’m not around to be anybody’s friend.” All righty then. I wanted to tell him something that would make it seem that it wasn’t like anyone hated him or disliked him. Most of the guys were just… wary. Even I was wary, and he didn’t scare or intimidate me… unless I screwed up. But I didn’t know what to say to that comment. I hated liars as much as I hated aggressive drunk people and cooked carrots. So I did the only thing I could think of: I smiled at him and shrugged. He didn’t look even a little put out or hurt by what he’d been saying. Who was I to make it a big deal if he claimed he didn’t care? “Did you like your cake?
Mariana Zapata (Luna and the Lie)
On the way to after-prom, Peter says he’s hungry, and can we stop at the diner first. “I think there’s going to be pizza at after-prom,” I say. “Why don’t we just eat there?” “But I want pancakes,” he whines. We pull into the diner parking lot, and after we park, he gets out of the car and runs around to the passenger side to open my door. “So gentlemanly tonight,” I say, which makes him grin. We walk up to the diner, and he opens the door for me grandly. “I could get used to this royal treatment,” I say. “Hey, I open doors for you,” he protests. We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
This was not where I was expecting this conversation to go, but I was intrigued. “I keep thinking about all the times when I was invited to the beach with my friends and didn’t go because of the way my stomach looked. All the birthday dinners I skipped because I made all my own meals so I could obsessively count calories. I even skipped out on having friends over on my birthday because I didn’t want to have to eat cake.” I realized I wasn’t breathing. “That definitely resonates with me,” I told her, while looking at the floor, ashamed that it must have been obvious. Elizabeth looked me dead in the eyes and said, “I felt like I had to tell you this because I see myself in you. I never anticipated dying at forty. I always thought I would have more time. I wish I would have spent more time with my loved ones. I wish I’d just eaten the damn cake.” “That’s good advice,” I said softly.
Hadley Vlahos (The In-Between: Unforgettable Encounters During Life's Final Moments)
You choose to work». «For us!» «No, Tatiana, for you». «Well, who do you work for? Don’t you work for you?» «No,» said Alexander. «I work for you. I work so that I can build you a house that will please you. I work very hard so you don’t have to, because your life has been hard enough. I work so you can get pregnant; so you can cook and putter and pick Anthony up from school and drive him to baseball and chess club and guitar lessons and let him have a rock band in our new garage with Serge and Mary, and grow desert flowers in our backyard. I work so you can buy yourself whatever you want, all your stiletto heels and clingy clothes and pastry mixers. So you can have Tupperware parties and bake cakes and wear white gloves to lunch with your friends. So you can make bread every day for your family. So you will have nothing to do but cook and make love to your husband. I work so you can have an ice cream life.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
With Tommy by his side but Anthony Jr. nowhere to be seen, Anthony cranks out an old 8mm projector, and soon choppy black- and-white images appear on the cream wall capturing a few snapshots from the canyon of their life—that tell nothing, and yet somehow everything. They watch old movies, from 1963, 1952, 1948, 1947—the older, the more raucous the children and parents becoming. This year, because Ingrid isn’t here, Anthony shows them something new. It’s from 1963. A birthday party, this one with happy sound, cake, unlit candles. Anthony is turning twenty. Tatiana is very pregnant with Janie. (“Mommy, look, that’s you in Grammy’s belly!” exclaims Vicky.) Harry toddling around, pursued loudly and relentlessly by Pasha—oh, how in 1999 six children love to see their fathers wild like them, how Mary and Amy love to see their precious husbands small. The delight in the den is abundant. Anthony sits on the patio, bare chested, in swimshorts, one leg draped over the other, playing his guitar, “playing Happy Birthday to myself,” he says now, except it’s not “Happy Birthday.” The joy dims slightly at the sight of their brother, their father so beautiful and whole he hurts their united hearts—and suddenly into the frame, in a mini-dress, walks a tall dark striking woman with endless legs and comes to stand close to Anthony. The camera remains on him because Anthony is singing, while she flicks on her lighter and ignites the candles on his cake; one by one she lights them as he strums his guitar and sings the number one hit of the day, falling into a burning “Ring of Fire ... ” The woman doesn’t look at Anthony, he doesn’t look at her, but in the frame you can see her bare thigh flush against the sole of his bare foot the whole time she lights his twenty candles plus one to grow on. And it burns, burns, burns . . . And when she is done, the camera—which never lies—catches just one microsecond of an exchanged glance before she walks away, just one gram of neutral matter exploding into an equivalent of 20,000 pounds of TNT. The reel ends. Next. The budding novelist Rebecca says, “Dad, who was that? Was that Grammy’s friend Vikki?” “Yes,” says Anthony. “That was Grammy’s friend Vikki.” Tak zhivya, bez radosti/bez muki/pomniu ya ushedshiye goda/i tvoi serebryannyiye ruki/v troike yeletevshey navsegda . . . So I live—remembering with sadness all the happy years now gone by, remembering your long and silver arms, forever in the troika that flew by . . . Back
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
— Gwen has a lot of friends. They are there in the halls and in her classes. They are there on her Facebook page. And they are all there at her house for the party that night. Everyone in the family and many of my friends have chipped in with decorations, so it’s like every age I’ve already been is represented—construction paper cutouts and crayon drawings alongside a supercut of the past year playing in a loop on the TV screen. Friends laughing. Friends in costumes. Friends singing. Gwen at the center of it all. I work hard to keep track of who’s who, but I can barely keep up. April (age four) hangs by my side and provides a good diversion, especially because a lot of my friends have to introduce themselves to her and explain who they are. Then the moment comes when the lights are turned off and a cake is carried in, its eighteen candles (“One for good luck!”) flickering to show me all the friendly faces who’ve gathered to celebrate with me. “Make a wish!” Gwen’s mother calls out, and I want to wish for word from Rhiannon and I know I should wish for Moses’s
David Levithan (Someday (Every Day #3))
I like to watch Peter when he doesn’t know I’m looking. I like to admire the straight line of his jaw, the curve of his cheekbone. There’s an openness to his face, an innocence--a certain kind of niceness. It’s the niceness that touches my heart the most. It’s Friday night at Gabe Rivera’s house after the lacrosse game. Our school won, so everyone is in very fine spirits, Peter most of all, because he scored the winning shot. He’s across the room playing poker with some of the guys from his team; he is sitting with his chair tipped back, his back against the wall. His hair is still wet from showering after the game. I’m on the couch with my friends Lucas Krapf and Pammy Subkoff, and they’re flipping through the latest issue of Teen Vogue, debating whether or not Pammy should get bangs. “What do you think, Lara Jean?” Pammy asks, running her fingers through her carrot-colored hair. Pammy is a new friend--I’ve gotten to know her because she dates Peter’s good friend Darrell. She has a face like a doll, round as a cake pan, and freckles dust her face and shoulders like sprinkles. “Um, I think bangs are a very big commitment and not to be decided on a whim. Depending on how fast your hair grows, you could be growing them out for a year or more. But if you’re serious, I think you should wait till fall, because it’ll be summer before you know it, and bangs in the summer can be sort of sticky and sweaty and annoying…” My eyes drift back to Peter, and he looks up and sees me looking at him, and raises his eyebrows questioningly. I just smile and shake my head. “So don’t get bangs?” My phone buzzes in my purse. It’s Peter. Do you want to go? No. Then why were you staring at me? Because I felt like it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Friends are great, but they come and go. Lovers are fun, but kind of stupid, too. They say stupid things to each other and they ignore all their friends because they’re too busy staring, and they get jealous, and they have fights over dumb shit like who did the dishes last or why they can’t fold their fucking socks, and maybe the sex gets bad, or maybe they stop finding each other interesting, and then somebody bangs someone else, and everyone cries, and they see each other years later, and that person you once shared everything with is a total stranger you don’t even want to be around because it’s awkward. But brothers. Brothers never go away. That’s for life. And I know married folks are supposed to be for life, too, but they’re not always. Brothers you can’t get rid of. They get who you are, and what you like, and they don’t care who you sleep with or what mistakes you make, because brothers aren’t mixed up in that part of your life. They see you at your worst, and they don’t care. And even when you fight, it doesn’t matter so much, because they still have to say hi to you on your birthday, and by then, everybody’s forgotten about it, and you have cake together.
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
Happy birthday,” he whispered, his breath landing warm and suddenly close to my lips, making my insides flip. And just as quickly as he’d surprised me with the cake, he kissed me, one frosting-covered hand moving from my hair to the back of my neck, the other solid and warm in the small of my back, pressing us together, my chest against his ribs, my hip bones just below his, the tops of our bare summer legs hot and touching. I stopped breathing. My eyes were closed and his mouth tasted like marzipan flowers and clove cigarettes, and in ten seconds the whole of my life was wrapped up in that one kiss, that one wish, that one secret that would forever divide my life into two parts. Up, down. Happy, sad. Shock, awe. Before, after. In that single moment, Matt, formerly known as friend, became something else entirely. I kissed him back. I forgot time. I forgot my feet. I forgot the people outside, waiting for us to rejoin the party. I forgot what happens when friends cross into this space. And if my lungs didn’t fill and my heart didn’t beat and my blood didn’t pump without my intervention, I would have forgotten about them, too. I could have stayed like that all night, standing in front of the sink, Matt’s black apple hair brushing my cheeks, heart thumping, lucky and forgetful…
Sarah Ockler (Twenty Boy Summer)
Google had a built-in disadvantage in the social networking sweepstakes. It was happy to gather information about the intricate web of personal and professional connections known as the “social graph” (a term favored by Facebook’s Mark Zuckerberg) and integrate that data as signals in its search engine. But the basic premise of social networking—that a personal recommendation from a friend was more valuable than all of human wisdom, as represented by Google Search—was viewed with horror at Google. Page and Brin had started Google on the premise that the algorithm would provide the only answer. Yet there was evidence to the contrary. One day a Googler, Joe Kraus, was looking for an anniversary gift for his wife. He typed “Sixth Wedding Anniversary Gift Ideas” into Google, but beyond learning that the traditional gift involved either candy or iron, he didn’t see anything creative or inspired. So he decided to change his status message on Google Talk, a line of text seen by his contacts who used Gmail, to “Need ideas for sixth anniversary gift—candy ideas anyone?” Within a few hours, he got several amazing suggestions, including one from a colleague in Europe who pointed him to an artist and baker whose medium was cake and candy. (It turned out that Marissa Mayer was an investor in the company.) It was a sobering revelation for Kraus that sometimes your friends could trump algorithmic search.
Steven Levy (In the Plex: How Google Thinks, Works, and Shapes Our Lives)
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Let us see to it that the recollection of those whom we have lost becomes a pleasant memory to us. No man reverts with pleasure to any subject which he will not be able to reflect upon without pain. So too it cannot but be that the names of those whom we have loved and lost come back to us with a sort of sting; but there is a pleasure even in this sting. 5. For, as my friend Attalus used to say: “The remembrance of lost friends is pleasant in the same way that certain fruits have an agreeably acid taste, or as in extremely old wines it is their very bitterness that pleases us. Indeed, after a certain lapse of time, every thought that gave pain is quenched, and the pleasure comes to us unalloyed.” 6. If we take the word of Attalus for it, “to think of friends who are alive and well is like enjoying a meal of cakes and honey; the recollection of friends who have passed away gives a pleasure that is not without a touch of bitterness. Yet who will deny that even these things, which are bitter and contain an element of sourness, do serve to arouse the stomach?” 7. For my part, I do not agree with him. To me, the thought of my dead friends is sweet and appealing. For I have had them as if I should one day lose them; I have lost them as if I have them still. Therefore, Lucilius, act as befits your own serenity of mind, and cease to put a wrong interpretation on the gifts of Fortune. Fortune has taken away, but Fortune has given. 8. Let us greedily enjoy our friends, because we do not know how long this privilege will be ours.
Seneca (Complete Works of Seneca the Younger)
It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek, knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy… we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a deck of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared — she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.
Tom Stoppard
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I was thinking about changing into a different sort of person than the one I am. I do think about that. I read a book called The Art of Loving. A lot of things seemed clear while I was reading it but afterwards I went back to being more or less the same. What has Cam ever done that actually hurt me, anyway, as Haro once said. And how am I better than he is after the way i felt the night Mother lived instead of died? I made a promise to myself i would try.I went over there one day taking them a bakery cake - which Cam eats now as happily as anyone else - and I heard their voices out in the yard - now it’s summer, they love to sit in the sun - Mother saying to some visitor, “Oh, yes I was, I was all set to take off into the wild blue yonder, and Cam here, this idiot, came and danced outside my door with a bunch of his hippie friends - ‘ ‘My God, woman,’ roared Cam, but you could tell he didn’t care now, ‘members of an ancient holy discipline.” I had a strange feeling, like I was walking n coals and trying a spell so I wouldn’t get burnt. Forgiveness in families is a mystery to me, how it comes or how it lasts
Alice Munro (Something I've Been Meaning to Tell You)
One of the things I loved about Chris was his sense of humor, which seemed perfectly matched with mine, even at its most offbeat. April Fools’ Day was always a major highlight. A month before our daughter was due, I woke him up in the middle of the night. “Don’t panic,” I told him, “but I think I’m going into labor.” “Do we have a bag?” he asked, jumping up immediately. “No, no, don’t worry.” I slipped out of bed and went to take a shower. Chris immediately got dressed and, calmly but very quickly, gathered my clothes and packed a suitcase. “I’m ready!” he announced, barging into the bathroom. “Babe, do you know what day it is?” I asked sweetly. It was two A.M., April 1. “Are you kidding me?” he said, disbelieving. I laughed and plunged back into the shower. He quickly got revenge by flushing the toilet, sending a burst of cold water across my body. In retrospect, maybe I’d been a little cruel, but we did love teasing each other. At our wedding, we’d smooshed cake into each other’s faces. That began a tradition that continued at each birthday--whether it was ours or not. The routine never seemed to get old. We’d giggle and laugh, chasing each other as if we were crazy people. Our friends and neighbors got used to it--and learned to stay out of the line of fire.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))