Caged Mind Quotes

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I know because I read...Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray
Taught from their infancy that beauty is woman's sceptre, the mind shapes itself to the body, and roaming round its gilt cage, only seeks to adorn its prison.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Ritie, don't worry 'cause you ain't pretty. Plenty pretty women I seen digging ditches or worse. You smart. I swear to God, I rather you have a good mind than a cute behind.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
I will cut adrift—I will sit on pavements and drink coffee—I will dream; I will take my mind out of its iron cage and let it swim—this fine October.
Virginia Woolf
Wolfy, is it? And what do you know about my turning?" "I asked around when I figured out I was your... mate." He stood, crossing to her. "Well, let's hear it." "Basically, you'll lose your mind, turning animalistic, hunting me down until you claim me repeatedly, biting my neck and marking me as your possession. Nothing will stop you- no cage can hold you. Did I miss anything? "Aye, Lousha." His gaze raked over her and his voice deepened. "The fact that you're going to like it.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
There are pieces of me, small pieces, still in love with a fiction. A ghost living inside a living boy I cannot begin to fathom. The ghost who sat by my bed while I dreamed in pain. The ghost who kept Samson from my mind as long as he could, I know, delaying an inevitable torture. The ghost who loves me, in what poisoned way he can. And I feel that poison working in me.
Victoria Aveyard (King's Cage (Red Queen, #3))
Stone walls do not a prison make, Nor iron bars a cage; Minds innocent and quiet take That for an hermitage; If I have freedom in my love And in my soul am free, Angels alone, that soar above, Enjoy such liberty.
Richard Lovelace (To Althea, from Prison)
Talking to a therapist, I thought, was like taking your clothes off and then taking your skin off, and then having the other person say, "Would you mind opening up your rib cage so that we can start?
Julie Schumacher (Black Box)
Their screams would echo through the house and reverberate against my eardrums until my mind would fracture. Years went by and with each fracture; I lost a piece of my soul until I became lost and empty inside.
J.D. Stroube (Caged in Darkness (Caged, #1))
Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed "yrs forever" until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted do cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus something. He kept thinking about one word - forever - and felt the burning ache just beneath his rib cage. It hurt like the worst ass-kicking he'd ever gotten. And he'd gotten plenty.
John Green (An Abundance of Katherines)
So much of control is not authoritative action but mindful waiting.
Cameron Conaway (Caged: Memoirs of a Cage-Fighting Poet)
I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.
Wendy Higgins (Sweet Peril (Sweet, #2))
Our intention is to affirm this life, not to bring order out of chaos, nor to suggest improvements in creation, but simply to wake up to the very life we're living, which is so excellent once one gets one's mind and desires out of its way and lets it act of it's own accord.
John Cage
He tried not to hug her too hard, even though she was kind of hugging him too hard. In fact, she was pretty much crushing his rib cage. He didn't mind, though.
Cassandra Clare (Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy, #1))
The walls that caged me were not of this world, but were within my mind.
J.D. Stroube (Caged in Spirit (Caged, #3))
You're captives of a civilizational system that more or less compels you to go on destroying the world in order to live... I think there are many among you who would be glad to release the world from captivity... This is what prevents them: They're unable to find the bars of the cage.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
If the mind is disciplined, the heart turns quickly from fear to love. —JOHN CAGE
Ryan Holiday (Stillness is the Key)
And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know.
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
Once I was free; there was no cage that could bind me, and I had yet to create my box of numbness within my mind to be my silent protector.
J.D. Stroube (Caged in Spirit (Caged, #3))
Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Suffering builds character and impels you to penetrate life’s secrets. It’s the path of great artists, great religious leaders, great social reformers. The problem is not suffering per se, but rather our identification with our own ego: our divided, dualistic, cramped view of things. ‘We are too ego-centered,’ Suzuki tells Cage.’ The ego-shell in which we live is the hardest thing to outgrow. We seem to carry it all the time from childhood up to the time we finally pass away.
Kay Larson (Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists)
I’ve learned to fall like the BJJ player, to protect the body through controlling the distribution of force by slapping the mat with hands open. With hands open. Hands open. Open. O Pen.
Cameron Conaway (Caged: Memoirs of a Cage-Fighting Poet)
Unlike any other creature on this planet, human beings can learn and understand without having experienced. They can think themselves into other peoples’ places. Of course, this is a power like my brand of fictional magic that is morally neutral. One might use such a power to manipulate or control, just as much as to understand or sympathize. And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or peer inside cages. They can close their hearts and minds to any suffering that does not touch them personally. They can refuse to know. I might be tempted to envy people who can live that way, except that I do not think that they have any fewer nightmares than I do.
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
My body is a cage that keeps me from dancing with the one I love, but my mind holds the key.
Arcade Fire
We are the wise. Do not envy us— We who are too wise to draw near the fire Lest we get burned; We who are too wise to love Lest love should vanish and we be hurt. We are the wise. Do not envy us our wisdom— We who are too wise to live Lest we should die.
Lois Duncan (Trapped: Cages of Mind and Body)
I swear to God, I rather you have a good mind than a cute behind.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Open wide the mind's cage-door, She'll dart forth, and cloudward soar.
John Keats (The Complete Poems)
What is the purpose of writing music? One is, of course, not dealing with purposes but dealing with sounds. Or the answer must take the form of a paradox: a purposeful purposeless or a purposeless play. This play, however, is an affirmation of life--not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we’re living, which is so excellent once one gets one’s mind and one’s desires out of its way and lets it act of its own accord.
John Cage (Silence: Lectures and Writings)
Unfortunately, the world has taken some of the greatest minds God has given us and locked them up in cages. Most very brilliant or creative people seem strange to ordinary people. Geniuses are almost always outcasts. The intelligent are bullied on the playground. They see the world differently and are shunned for it. They nearly all turn out to be lonely at the least, locked up at the worst. It's human nature to encourage the status quo and shun those who see life differently.
Ted Dekker (The Bride Collector)
But what about human nature? Can it be changed? And if not, will it endure under Anarchism? Poor human nature, what horrible crimes have been committed in thy name! Every fool, from king to policeman, from the flatheaded parson to the visionless dabbler in science, presumes to speak authoritatively of human nature. The greater the mental charlatan, the more definite his insistence on the wickedness and weaknesses of human nature. Yet, how can any one speak of it today, with every soul in a prison, with every heart fettered, wounded, and maimed? John Burroughs has stated that experimental study of animals in captivity is absolutely useless. Their character, their habits, their appetites undergo a complete transformation when torn from their soil in field and forest. With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities? Freedom, expansion, opportunity, and, above all, peace and repose, alone can teach us the real dominant factors of human nature and all its wonderful possibilities. Anarchism, then, really stands for the liberation of the human mind from the dominion of religion; the liberation of the human body from the dominion of property; liberation from the shackles and restraint of government. Anarchism stands for a social order based on the free grouping of individuals for the purpose of producing real social wealth; an order that will guarantee to every human being free access to the earth and full enjoyment of the necessities of life, according to individual desires, tastes, and inclinations. This is not a wild fancy or an aberration of the mind. It is the conclusion arrived at by hosts of intellectual men and women the world over; a conclusion resulting from the close and studious observation of the tendencies of modern society: individual liberty and economic equality, the twin forces for the birth of what is fine and true in man.
Emma Goldman (Anarchism and Other Essays)
The human brain is finite—no more than a sponge of tissue inside a cage of bone—but the mind within the brain is infinite. Its storage capacity is colossal, its imaginative reach beyond our ability to comprehend. I think when a man or woman dies, a whole world falls to ruin—the world that person knew and believed in. Think of that, kiddo—billions of people on earth, and each one of those billions with a world inside. The earth their minds have conceived.
Stephen King (If It Bleeds (Holly Gibney #2))
Key the mind, and set the soul free.
Anthony Liccione
Shut up," I hissed. Ticked that he was taller than me, I stepped up onto a nearby coffee table. "I'm not in a cage anymore," I said, keeping enough presence of mind not to poke him in the chest with a finger. His face went startled, then cloric. "The only thing between your head and my foot becoming real close and personal right now is my questionable professionalism. And if you ever threaten me again, I'll slam you halfway across the room before you can say number-two pencil. Got it, you tall freak of nature?
Kim Harrison (Every Which Way But Dead (The Hollows #3))
And he had the nerve once his powers were back to shove me into a cage. The nerve to say I was no longer useful; I was to be cloistered for his peace of mind. He’d given me everything I needed to become myself, to feel safe, and when he got what he wanted—when he got his power back, his lands back … he stopped trying. He was still good, still Tamlin, but he was just … wrong.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
My mind is like a Zoo with no cages... Watch where you step
Stanley Victor Paskavich
Pull yourself together, Detective. You're embarrassing yourself, and more imprtant, you're embarrassing me." "They're going to do it outside. In public." "So the fuck what?" "Public," Peabody said, head still between her knees. "You're being honored by this department and this city for having the integrity, the courage, and the skill to take out a blight on this department and this city. Dirty, murdering, greedy, treacherous cops are sitting in cages right now because you had that integrity, courage, and skill. I don't care if they do this damn thing in Grand Central, you will get on your feet. You will not puke, pass out, cry like a baby, or squeal like a girl. That's a goddamn order." "I had more of a 'Relax, Peabody, this is a proud moment' sort of speech in mind," McNab murmured to Roarke. Roarke shook his head, grinned. "Did you now? You've a bit to learn yet, haven't you?
J.D. Robb (New York to Dallas (In Death, #33))
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King (On Writing: A Memoir of the Craft)
I hope you have the courage to understand yourself, fundamentally — to open up the deepest, darkest parts of your mind, to unhinge your rib cage revealing the gritty parts of your soul, the parts no one else claps for, and I hope you have the courage to clean them out.
Bianca Sparacino (A Gentle Reminder)
The mind was a trap--it was a cage that slammed down over you.
Peter Straub (Ghost Story)
We were of thirteen minds, like a tree, in which there is one Red-tail and eleven squirrel parts.
Cameron Conaway (Caged: Memoirs of a Cage-Fighting Poet)
Possession is not only when the devil plays hide and seek in your brain or poison your medula oblongata with negativity, but it is also when you are under the influence of the same specie as you!
Michael Bassey Johnson
The usefulness of the useless is good news for artists, for art serves no useful purpose. It has to do with changing minds and spirits.
John Cage
The child gives, because the body can, and the mind of the violator cannot.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
We give up our backs and allow religious myths to apply the rear naked choke to our minds.
Cameron Conaway (Caged: Memoirs of a Cage-Fighting Poet)
The great danger of lying is not that lies are untruths, and thus unreal, but that they become real in other people’s minds.
Christine Leunens (Caging Skies)
But even then, I could trap those thoughts and keep them caged in a corner of my mind, in a place where they could not spread their wings and take over my life.
Ayọ̀bámi Adébáyọ̀ (Stay with Me)
Your mind is not a cage. It’s a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
The act of rape on an eight-year-old body is a matter of the needle giving because the camel can't. The child gives, because the body can, and the mind of the violator cannot.
Maya Angelou (I Know Why the Caged Bird Sings)
Miss Moore speaks slowly, deliberately. "I know because I read." She pulls back and stands, hands on hips, offering us a challenge. "May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
Dear Fellow Human Being, You are born wild, You do not deserve to be tamed! Tell yourself, You do not deserve this! All those toxic words you have to listen from people, All those fears they try to pin on your mind, All those giggles they aim at your dreams, All those judgmental stares inspecting your individuality, All those fingers pointing towards your crude character, All those shackles that tie your feet to social expectations, All those cages that do not let your imagination fly free, Listen deeply, you do not deserve any of it. My dear fellow human, you do not deserve this hostility. You are born wild, You do not deserve to be tamed!
Jasz Gill
They say 'stone walls do not a prison make nor iron bars a cage'. It was a quotation I knew as a boy. I had made it my own back then. I knew they couldn't capture my mind. Whilst I could still think, I was free.
Denis Avey (The Man Who Broke Into Auschwitz: A True Story of World War II)
It’s like I live in a cage with no door and no key. And I have no way to tell someone how to get me out.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
[Lauren Bacall] and Bogie seemed to have the most enormous opinion of each other's charms, and when they fought it was with the utter confidence of two cats locked deliciously in the same cage.
Katharine Hepburn (The Making of The African Queen Or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind)
Creative people have it hard. There is always something trapped in their noggins yearning to escape like a caged animal, both too free and wild to contain. Little does the world know it will often scrape the inner walls of the mind until it gets what it wants.
H.S. Crow
Mattia thought there was nothing good about having his mind. That he would happily have unscrewed it and replaced it with a different one, or even with a package of biscotti, provided it was empty and light. He opened his mouth to reply that feeling special is the worst kind of cage that a person can build for himself, but he didn't say anything.
Paolo Giordano (The Solitude of Prime Numbers)
But we ask in vain if we fail to look beyond the surface — if we forget that beneath each surface lurks another realm, in which a caged mind whirls alone. It is, perhaps, easier to dismiss a man whose face gives no indication of an inner life. And what a pity that is: a dash of curiosity is all it takes to stumble upon treasures we never expected.
Sabahattin Ali (Madonna in a Fur Coat)
Frost interviewing Noel Coward and Margaret Mead. Sir Noel's view of life is Sir Noel. Mead's mind is large and open, like Buckminster Fuller's. She found thoughts dull that suggest that men are superior to animals or plants.
John Cage (M: Writings '67–'72)
I educated myself, discovered my gift for language, learned that the larger world lay not across oceans but within the human mind and heart.
Greg Iles (The Quiet Game (Penn Cage, #1))
All of a sudden, inviting Jeremy up to my room seemed like a terrible idea. I wanted him too much. My desire for him was like a thing separate from me, a wild animal with a mind of its own, attacking the bars of the cage I kept it in, looking for a weak spot." from Struck
Jennifer Bosworth
The way out of our cage begins with accepting absolutely everything about ourselves and our lives, by embracing with wakefulness and care our moment-to-moment experience. By accepting absolutely everything, what I mean is that we are aware of what is happening within our body and mind in any given moment, without trying to control or judge or pull away. I do not mean that we are putting up with harmful behavior—our own or another’s. This is an inner process of accepting our actual, present-moment experience. It means feeling sorrow and pain without resisting. It means feeling desire or dislike for someone or something without judging ourselves for the feeling or being driven to act on it.
Tara Brach (Radical Acceptance: Embracing Your Life with the Heart of a Buddha)
His words were still clear in her mind from that first meeting. "Whoever eats this will love you." She looked into the mirror, at her birthmark, bright as blood, at her kiss-stung lips, at the absurd smile stretching across her face. Carefully separating out the crushed pieces of shell, she pulled the dried pulp free from its cage of veins. Piece by piece, she put the sweet brown fruit in her own mouth and swallowed it down.
Holly Black
Daughter of Merrow, leave your sleep, The ways of childhood no more to keep. The dream will die, a nightmare rise, Sleep no more, child, open your eyes... Daughter of Merrow, chosen one, The end begins, your time has come. The sands run out, our spell unwinds, Inch by inch, our chant unbinds... Daughter of Merrow, find the five Brave enough to keep hope alive. One whose heart will hold the light, One possessed of a prophet’s sight. One who does not yet believe, Thus has no choice but to deceive. One with spirit sure and strong, One who sings all creatures’ songs. Together find the talismans Belonging to the six who ruled, Hidden under treacherous waters After light and darkness dueled. These pieces must not be united, Not in anger, greed, or rage. They were scattered by brave Merrow, Lest they unlock destruction’s cage. Come to us from seas and rivers, Become one mind, one heart, one bond. Before the waters, and all creatures in them, Are laid to waste by Abbadon!
Jennifer Donnelly (Deep Blue (Waterfire Saga, #1))
I am a battery hen. I live in a cage so small I cannot stretch my wings. I am forced to stand night and day on a sloping wire mesh floor that painfully cuts into my feet. The cage walls tear my feathers, forming blood blisters that never heal. The air is so full of ammonia that my lungs hurt and my eyes burn and I think I am going blind. As soon as I was born, a man grabbed me and sheared off part of my beak with a hot iron, and my little brothers were thrown into trash bags as useless alive. My mind is alert and my body is sensitive and I should have been richly feathered. In nature or even a farmyard I would have had sociable, cleansing dust baths with my flock mates, a need so strong that I perform 'vacuum' dust bathing on the wire floor of my cage. Free, I would have ranged my ancestral jungles and fields with my mates, devouring plants, earthworms, and insects from sunrise to dusk. I would have exercised my body and expressed my nature, and I would have given, and received, pleasure as a whole being. I am only a year old, but I am already a 'spent hen.' Humans, I wish I were dead, and soon I will be dead. Look for pieces of my wounded flesh wherever chicken pies and soups are sold.
Karen Davis
The prophecy, like an angered beast, had gone berserk and was destroying his mind with the ferocity of madness . . . until all that he knew, all that was him, all that had become him was left in disarray. To my brother, Ikenna, the fear of death as prophesied by Abulu had become palpable, a caged world within which he was irretrievably trapped, and beyond which nothing else existed.
Chigozie Obioma (The Fishermen)
What is this?" she asked, her eyes scanning the page. "It's not..." She ran her fingertips over the words as if expecting them to vanish. "My contract." She whispered. "I don't want you beholden to Per Haskell. Or me." Another half-truth. His mind had concocted a hundred schemes to bind her to him, to keep her in this city. But she'd spent enough of her life caged by debts and obligations, and it would be better for them both when she was gone. "How?" she said. "The money-" "It's done." He'd liquidated every asset he had, used the last of the savings he'd accrued, every ill-gotten cent. She pressed the envelope to her chest, above her heart. "I have no words to thank you for this." "Surely the Suli have a thousand words for such an occasion?" "Words have not been invented for such an occasion." "If I end up on the gallows, you can say something nice over the corpse," he said.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I’ve taken those drugs, and I don’t want the life they would bring. To have a free body but a caged mind? To stumble through the world in a zombielike state, never feeling anything, never conscious enough to really know anyone? I’d rather live my life as it is. Where I experience everything, even the horrific fantasies of my psychotic mind.
A.R. Torre (The Girl in 6E (Deanna Madden, #1))
Things we were going to do are now being done by others. They were, it seems, not in our minds to do (were we or they out of our minds?) but simply ready to enter any open mind, any mind disturbed enough not to have an idea in it.
John Cage (A Year from Monday: New Lectures and Writings)
Our little tribal circles, bound by social contracts and selfish mutual need. Everyone working in their own greedy self-interests and huddling together with their tribe, at war with all those outside who they regard as barely human. What breaks a human mind out of that iron cage of mistrust, is a sacrifice. The martyr who gives up everything, who abandons all personal gain, who lays down his life for the good of those outside his group. He becomes a symbol all can rally around. So instead of trying to make a selfish, violent primate somehow empathize with the whole world, which is impossible, you only need to get him to remember and love the martyr. As one is forgotten, another must replace it.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
Lies built cages and truths create the keys - and yet each of us is locked inside one's own mind.
Laura Chouette
Afraid she’ll forget herself as easily as others do, unaware that her mind is now a flawless cage, her memory a perfect trap. She will never forget, though she'll wish she could.
Victoria Schwab (The Invisible Life of Addie LaRue)
From disappointment, I gradually ascended the emotional ladder to haughty indignation, and finally to that state of stubbornness where the mind is locked like the jaws of an enraged bulldog.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Sanity is to the mind, insanity is for the heart, Docility is to the mind, wildness is to the heart, Tamable is the mind, Untamable is the heart, Freedom is to the mind, cages are for the heart.
Pushpa Rana (Just the Way I Feel)
Old Sam Hamilton saw this coming. He said there couldn’t be any more universal philosophers. The weight of knowledge is too great for one mind to absorb. He saw a time when one man would know only one little fragment, but he would know it well.” “Yes,” Lee said from the doorway, “and he deplored it. He hated it.” “Did he, now?” Adam asked... “Now you question it, I don’t know,” he said. “I don’t know whether he hated it or I hate it for him... Maybe the knowledge is too great and maybe men are growing too small... Maybe kneeling down to atoms, they’re becoming atom-sized in their souls. Maybe a specialist is only a coward, afraid to look out of his little cage. And think what any specialist misses! The whole world over his fence!” “We’re only talking about making a living.” “A living? Or money?” Lee said excitedly. “Money’s easy to make if it’s money you want. But with a few exceptions people don’t want money. They want luxury, and they want love, and they want admiration.
John Steinbeck (East of Eden)
This realization frightened her and made her unable to sleep at night, which, in turn, frightened her more. She feared the restlessness that was creeping upon her. She could almost hear her mind pacing within her skull, caged and bothered, and she felt the weight of all the years she had yet to live, bearing down upon her with heavy menace.
Elizabeth Gilbert (The Signature of All Things)
Shadrapar has no purpose, no function. It exists for itself only, its own downward spiral to oblivion. It exists only to imprison the minds of those who dwell within it, so that their world shrinks until it holds nothing but their own desires, and they fight to stop you showing what’s beyond the bars. So I called it the cage of souls, so they would understand.
Adrian Tchaikovsky (Cage of Souls)
No", she wanted to say. " I don't want you to care for me, I want to be with my husband." But nothing came out. She turned beseeching her eyes to Darcy and she saw him as if from a great distance, through a distorting glass, but his words were firm and clear. “She has no taste for your company,” he said. “No?” said the gentleman. “But I have a taste for her.” Hers, thought Elizabeth. He should have said hers. “Let her go,” said Darcy warningly. “Why should I?” asked the gentleman. “Because she is mine,” said Darcy. The gentleman turned his full attention toward Darcy and Elizabeth followed his eyes. And then she saw something that made her heart thump against her rib cage and her mind collapse as she witnessed something so shocking and so terrifying that the ground came up to meet her as everything went black.
Amanda Grange (Mr. Darcy, Vampyre)
The human brain is finite – no more than a sponge of tissue inside a cage of bone – but the mind within the brain is infinite. Its storage capacity is colossal, its imaginative reach beyond our ability to comprehend. I think when a man or woman dies, a whole world falls to ruin – the world that person knew and believed in. Think of that, kiddo – billions of people on earth, and each one of those billions with a world inside. The earth their minds have conceived.
Stephen King (If It Bleeds)
I believe that the Matrix can remain our cage or it can become our chrysalis, ... That to be free, you cannot change your cage. You have to change yourself. When I used to look out at this world, all I could see was its edges, its boundaries, its rules and controls, its leaders and laws. But now, I see another world. A different world where all things are possible. A world of hope. Of peace. I can't tell you how to get there, but I know if you can free your mind, you'll find a way.
Lana Wachowski (The Matrix Screenplay)
If you are birthed into a particular paradigm that serves you, what would compel you to look outside? The mind is a seductive labyrinth camouflaging a cage. An apologist is a traitor of the highest order. For what is sadism but tenderness disgraced?
V (formerly Eve Ensler) (The Apology)
They made an ingenuous and disorganized effort to escape from captivity but ultimately failed, because they were unable to find the bars of the cage. If you can't discover what's keeping you in, the will to get out soon becomes confused and ineffectual.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
Centuries of navel-gazing. Millennia of masturbation. Plato to Descartes to Dawkins to Rhanda. Souls and zombie agents and qualia. Kolmogorov complexity. Consciousness as Divine Spark. Consciousness as electromagnetic field. Consciousness as functional cluster. I explored it all. Wegner thought it was an executive summary. Penrose heard it in the singing of caged electrons. Nirretranders said it was a fraud; Kazim called it leakage from a parallel universe. Metzinger wouldn't even admit it existed. The AIs claimed to have worked it out, then announced they couldn't explain it to us. Gödel was right after all: no system can fully understand itself. Not even the synthesists had been able to rotate it down. The load-bearing beams just couldn't take the strain. All of them, I began to realize, had missed the point. All those theories, all those drugdreams and experiments and models trying to prove what consciousness was: none to explain what it was good for. None needed: obviously, consciousness makes us what we are. It lets us see the beauty and the ugliness. It elevates us into the exalted realm of the spiritual. Oh, a few outsiders—Dawkins, Keogh, the occasional writer of hackwork fiction who barely achieved obscurity—wondered briefly at the why of it: why not soft computers, and no more? Why should nonsentient systems be inherently inferior? But they never really raised their voices above the crowd. The value of what we are was too trivially self-evident to ever call into serious question. Yet the questions persisted, in the minds of the laureates, in the angst of every horny fifteen-year-old on the planet. Am I nothing but sparking chemistry? Am I a magnet in the ether? I am more than my eyes, my ears, my tongue; I am the little thing behind those things, the thing looking out from inside. But who looks out from its eyes? What does it reduce to? Who am I? Who am I? Who am I? What a stupid fucking question. I could have answered it in a second, if Sarasti hadn't forced me to understand it first.
Peter Watts (Blindsight (Firefall, #1))
Practical advice.—People who read much must always keep it in mind that life is one thing, literature another. Not that authors invariably lie. I declare that there are writers who rarely and most reluctantly lie. But one must know how to read, and that isn't easy. Out of a hundred bookreaders ninety-nine have no idea what they are reading about. It is a common belief, for example, that any writer who sings of suffering must be ready at all times to open his arms to the weary and heavy-laden. This is what his readers feel when they read his books. Then when they approach him with their woes, and find that he runs away without looking back at them, they are filled with indignation and talk of the discrepancy between word and deed. Whereas the fact is, the singer has more than enough woes of his own, and he sings them because he can't get rid of them. L’uccello canta nella gabbia, non di gioia ma di rabbia, says the Italian proverb: "The bird sings in the cage, not from joy but from rage." It is impossible to love sufferers, particularly hopeless sufferers, and whoever says otherwise is a deliberate liar. "Come unto Me all ye that labour and are heavy laden, and I will give you rest." But you remember what the Jews said about Him: "He speaks as one having authority!" And if Jesus had been unable, or had not possessed the right, to answer this skeptical taunt, He would have had to renounce His words. We common mortals have neither divine powers nor divine rights, we can only love our neighbours whilst they still have hope, and any pretence of going beyond this is empty swagger. Ask him who sings of suffering for nothing but his songs. Rather think of alleviating his burden than of requiring alleviation from him. Surely not—for ever should we ask any poet to sob and look upon tears. I will end with another Italian saying: Non è un si triste cane che non meni la coda... "No dog so wretched that doesn't wag his tail sometimes.
Lev Shestov (All Things Are Possible and Penultimates Words and Other Essays (English and Greek Edition))
On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
Kahlil Gibran (The Prophet)
The trick is to not mind. Not mind about it hurting, not mind about anything. The trick of not minding is key; it’s the only trick in town. Only this is not a town; it’s a cage beside a cottage, surrounded by a load of hills and trees and sky. It’s a one-trick cage.
Sally Green (Half Bad (The Half Bad Trilogy, #1))
Free your mind, Jowendrhan. A cage is only a cage as long as you believe it is.
Poppet (Aisyx (Neuri, #3))
It's certainly a travesty of education, Sister, when those charged with the noble task of expanding our children's minds should try to cage them.
Catherine Torres (Sula's Voyage)
Silence free the mind from its verbal cage.
Jaime Tenorio Valenzuela
Set your peace free before your caged mind catches you again in another dream trap where you may loathe to be your own menace awaiting in hope of a war-less world !
Munia Khan
Two boys with intelligent minds trapped in bodies that would not cooperate, caged in cribs like toddlers living in an insane asylum... They were cheered by the tiniest of things... It was outrageous. Fortunately, time was something they had a great deal of and they made good use of it.
James McBride (The Heaven & Earth Grocery Store)
Dear Fellow Human Being, You are born wild, You do not deserve to be tamed! Tell yourself, You do not deserve this! All those toxic words you have to listen from people, All those fears they try to pin on your mind, All those giggles they aim at your dreams, All those judgmental stares inspecting your individuality, All those fingers pointing towards your crude character, All those shackles that tie your feet to social expectations, All those cages that do not let your imagination fly free, Listen deeply, you do not deserve any of it. My dear fellow human, you do not deserve this hostility. You are born wild, You do not deserve to be tamed! ― Jasz Gill
Jasz Gill
Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won’t see this year again, not again so innocent; and longing wrapped round my throat like a scarf. “For the Heavenly Father desires that we should see,” says Ruysbroeck, “and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else.” But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn’t make it out; I felt the voiced vowel like a sigh or a note but I couldn’t catch the consonant that shaped it into sense.
Annie Dillard (Pilgrim at Tinker Creek)
I hope you have the courage to do the hard work. I hope you have the courage to sit down with your demons, to befriend them; to look them in the face and to not feel fear. I hope you have the courage to stop picking or numbing or avoiding the wounds within, and I hope you choose to heal them instead. I hope you have the courage to understand yourself, fundamentally — to open up the deepest, darkest parts of your mind, to unhinge your rib cage revealing the gritty parts of your soul, the parts no one else claps for, and I hope you have the courage to clean them out. To forgive yourself for what you had to do to kill your sadness. To forgive yourself for the ways in which you didn’t fight for
Bianca Sparacino (A Gentle Reminder)
his mind was an enraged animal, bouncing off the bars of a magically imposed cage, and like an animal, he reacted blindly, striking against the barrier again and again, determined either to be free or to die. Hot
Raymond E. Feist (Silverthorn (The Riftwar Saga, #3))
Amazing how, even though sometimes I thought I hated my parents, their commandments still wormed their way so deep into my subconscious that obeying them was more muscle memory than choice. That had to be the worst kind of prison—the one whose bars were buried under your skin, invisible cages around your heart and mind.
Ashley Winstead (Midnight is the Darkest Hour)
Marietta, I do not believe in ghosts, astrology, palmistry, graphology, John Cage, love or God. I do believe in the moment, in the pleasures of the flesh, of conversation, of art-at least for the few so minded. I believe . . .
Gore Vidal (Two Sisters)
It wasn't like he could name one single thing about them that made them stand out in his mind. They just gave off a dangerous vibe. Being with them really did feel as if he were inside a tiger's cage, surrounded by the big cats.
Christine Feehan (Toxic Game (GhostWalkers #15))
One never thinks, “Oh, I’d better look for some food.” Food is everywhere, and one picks it up almost absent-mindedly, as one takes a breath of air. In fact, one does not think of feeding as a distinct activity at all. Rather, it’s like a delicious music that plays in the background of all activities throughout the day. In fact, feeding became feeding for me only at the zoo, where twice daily great masses of tasteless fodder were pitched into our cages.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit)
The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere. The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way. The blind will see... the deaf will hear... but those who choose reason will never understand. Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation. We possess the knowledge of the Universe from conception. Once born we are taught to forget. If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise. "Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone." Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence. The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.
M. Teresa Clayton
Male rats don’t experience the hormonal changes that trigger maternal behavior in female rats. They never normally participate in infant care. Yet put a baby rat in a cage with a male adult and after a few days he will be caring for the baby almost as if he were its mother. He’ll pick it up, nestle it close to him as a nursing female would, keep the baby rat clean and comforted, and even build a comfy nest for it.29 The parenting circuits are there in the male brain, even in a species in which paternal care doesn’t normally exist.30 If a male rat, without even the aid of a William Sears baby-care manual, can be inspired to parent then I would suggest that the prospects for human fathers are pretty good.
Cordelia Fine (Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
I know you are afraid, mon amour," he whispered softly, his hands sliding up her rib cage to her breasts. "But I am no longer a beast. You leashed the demon. There is only me, a man who very much wants to make love to his lifemate." She felt his breath against her nipple. "Let me show you how it is supposed to be. Beautiful. Such pleasure.I can bring you so much pleasure,ma petite." His mouth closed over her breast, hot and moist. The sound of his voice was memerizing, enticing. She could get caught up forever in the mere sound of it. There was no thought in his mind for his own burning body, his own urgent demands; he wanted to show her the beauty and pleasure of true mating. Flames raced through her blood and licked down her skin at the intensity of the eroticism, the craving his mouth at her breast created. She moaned, low and soft, the note brushing at his soul like the flutter of butterfly wings. Her hands slid over his back, tracing each defined muscle with her fingertips, commiting him to memory. Tears filled her eyes. How could a man be so sensual, so perfect? He was stealing her will as easily as he was stealing her body. "Want me, Savannah," he whispered softly. "Want me the way I want you.
Christine Feehan (Dark Magic (Dark, #4))
Practicing mindfulness calms down the sympathetic nervous system, so that you are less likely to be thrown into fight-or-flight.11 Learning to observe and tolerate your physical reactions is a prerequisite for safely revisiting the past. If you cannot tolerate what you are feeling right now, opening up the past will only compound the misery and retraumatize you further.12 We can tolerate a great deal of discomfort as long as we stay conscious of the fact that the body’s commotions constantly shift. One moment your chest tightens, but after you take a deep breath and exhale, that feeling softens and you may observe something else, perhaps a tension in your shoulder. Now you can start exploring what happens when you take a deeper breath and notice how your rib cage expands.13 Once you feel calmer and more curious, you can go back to that sensation in your shoulder. You should not be surprised if a memory spontaneously arises in which that shoulder was somehow involved.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
I thought about ... our kind being killed, but I am not concerned. I have real power - no one could keep me chained, because my blood can transform iron into water. I could walk through walls if I needed, and now - now I know I can throw my mind into another's, and how easy, then, would it be to unlock any cage? We are invincible, Philip and I. Like unto God. Or the Devil.
Tessa Gratton (Blood Magic (The Blood Journals, #1))
The place resembled a new model prison, or one that had achieved a provisional utopia after principled revolt, or maybe a homeless shelter for people with liberal arts degrees. The cages brought to mind those labs with their death-fuming vents near my college studio. These kids were part of some great experiment. It was maybe the same one in which I'd once been a subject. Unlike me, though, or the guinea pigs and hares, they were happy, or seemed happy, or were blogging about how they seemed happy.
Sam Lipsyte (The Ask)
Too often have I heard of duty [...]. May I not now spend my life as I will?' ‘Few may do so with honour.' 
‘Shall I always be left behind when the Riders depart, to mind the house while they win renown, and find food and beds when they return?’ ‘A time may come soon,’ said he, ‘when none will return. Then there will be need of valour without renown, for none shall remember the deeds that are done in the last defence of your homes. Yet the deeds will not be less valiant because they are unpraised.’ […] ‘I can ride and wield blade, and I do not fear either pain or death.’ ‘What do you fear, lady?’ he asked. ‘A cage,’ she said. ‘To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
After administering several courses of electric shock, the researchers opened the doors of the cages and then shocked the dogs again. A group of control dogs who had never been shocked before immediately ran away, but the dogs who had earlier been subjected to inescapable shock made no attempt to flee, even when the door was wide open—they just lay there, whimpering and defecating. The mere opportunity to escape does not necessarily make traumatized animals, or people, take the road to freedom. Like Maier and Seligman’s dogs, many traumatized people simply give up. Rather than risk experimenting with new options they stay stuck in the fear they know.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba
There is coming a day, when freedom will just be a essence of the mind, an inner dwelling that was once physically attainable. They will tell you where you can live, and what you can wear and drive, what and how much you can eat and drink, and how to purchase those. They will strip you of your religion, race, gender, national origin, age, color, creed, views and power, and have control of the population. They will set in a new world order, and put you in the back of the line, marked and branded. Everything before will be erased, and the new will be manipulated. And what you believe most, can only be kept secret, for all must fall in line of their govern. Anything outside will be abolished. Even death, will be sought, but restrained. They will execute complete and total control over everything, and be sole owners of your soul. The light, that once guided will go dim, and liberty will be like an unwilled bird, suppressed in the cage of your ribs; wings cut off.
Anthony Liccione
the mind is not sealed in the skull but extends throughout the body. We think not only with our brain but also with our eyes and ears, nose and mouth, limbs and torso. And when we use tools to extend our grasp, we think with them as well. “Thinking, or knowledge-getting, is far from being the armchair thing it is often supposed to be,” wrote the American philosopher and social reformer John Dewey in 1916. “Hands and feet, apparatus and appliances of all kinds are as much a part of it as changes in the brain.”51 To act is to think, and to think is to act.
Nicholas Carr (The Glass Cage: How Our Computers Are Changing Us)
I was scared—with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I’d ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You’re no longer afraid of the things you had absolute faith in as a child: that you’d die in convulsions from inhaling the gas from a shattered lightbulb, that chewing apple pips brought on death by cyanide poisoning, or that a circus dwarf had actually bounced off a trampoline into the mouth of a hungry hippo. You stop believing in the things my uncle believed in. Even if your mind wants to go there, it has lost the nimbleness needed to make the leap. That magic gets kicked out of you, churched out, shamed out—or worse, you steal it from yourself. It gets embarrassed out of you by the kids who run the same stretch of streets and grown-ups who say it’s time to put away childish things. By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you’d grow up to be.
Craig Davidson (The Saturday Night Ghost Club)
He said it was as if Tommy had produced a key which fit a cage in the back of his mind, a cage like his own cell. Only instead of holding a man, that cage held a tiger, and that tiger's name was Hope. Williams produced the key that unlocked the cage and the tiger was out, willy-nilly, to roam his brain.
Stephen King (Different Seasons)
Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
You are the author of your own fate. You yourself have created this. You yourself are entirely responsible for this. You are the architect of your joys and sorrows. Just as the spider or the silkworm creates a web or cocoon for its own destruction, so also you have created this cage of flesh by your own actions, attractions, repulsions and false egoism. You have become the slave of the flesh, slave of your body and mind, slave of countless desires. You are sunk in the quagmire of deepest ignorance.
Sivananda Saraswati (Pratical Lessons In Yoga By SRI SWAMI SIVANANDA)
What do you see when you see me? Have you made up your mind about who I can be? You could get to know me if you tried You could see what I'm like inside I am made of blood, bones, and muscles too. So how can you say I am less than you? I have so many dreams, even at my age. Let me be free, don't put me in a cage. Watch what I can do.
Christine Pride (We Are Not Like Them)
There are all these relationships that are like cookie cutter shapes; identical and repetitive. Then there are all these relationships that aren't even relationships! Just facades for show and tell. But every once and a while, you'll see this bird breaking out of this cage and it's so weird and it's so obscure and you've hardly ever seen it before so you don't even know at first if you should name it Ugly or Beautiful! Relationships, stories of love, that just shatter the walls around the mind. They made it. They broke through. Like Ugly-Beautiful birds bursting forth from rusty cages! And then suddenly you stop and you think to yourself, "Maybe love really is real.
C. JoyBell C.
And this thought is a question: Why? “Why, why, why, why, why, why?” the tiger asks itself hour after hour, day after day, year after year, as it treads its endless path behind the bars of its cage. It cannot analyze the question or elaborate on it. If you were somehow able to ask the creature, “Why what?” it would be unable to answer you.
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit)
After a few minutes of running aimlessly through empty halls, I find myself outdoors by the pool. It’s still and quiet and the water is sparkling under the moon. There is no one here so I collapse into a heap on a lounge. And I cry. I cry in heaves and sobs and wrack my ribs and finally my freaking head hurts again from all the sobbing. And I don’t even feel pathetic for crying so much because anyone in their right mind would cry in my situation. I’m in a foreign country, all alone, in love with the Prime Minister’s son and he’s too afraid to break out of his cage and love me back. Oh, and I practically got stomped to death by a gigantic horse yesterday. I deserve some slack. Finally, I’m all cried out.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
Our mind cannot be freed into the present moment while we are caged by the illusion of multitasking.
Mokokoma Mokhonoana
…let winged Fancy wander Through the thought still spread beyond her: Open wide the mind’s cage-door… —KEATS
Steven Johnson (Mind Wide Open: Your Brain and the Neuroscience of Everyday Life)
What you need is not to be free. Cages are in the mind. It’s a state of being and you’re trapped there. Held in place by fear and fighting what you think will destroy you
LeTeisha Newton (Whispers in the Dark)
i would rather be a free animal then a cage animal
Beto Jimenez
learned that the larger world lay not across oceans but within the human mind and heart.
Greg Iles (The Quiet Game (Penn Cage, #1))
All day the wind had screamed and the rain had beaten against the windows, so that even here in the heart of great, hand-made London we were forced to raise our minds for the instant from the routine of life and to recognise the presence of those great elemental forces which shriek at mankind through the bars of his civilisation, like untamed beasts in a cage.
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
The course she was on was as fixed and unalterable as the trajectory of a bullet, but you could see she did not believe that. No one in the life ever believed it. They saw a dozen, a hundred, a thousand people precede them into the trap, saw how unvarying and pitiless the end was, and with all that fresh in their minds they did the same, of their own free will.
Miles Watson (Cage Life)
Col, Here's to all the places we went. And all the places we'll go And here's me, whispering again and again and again and again: iloveyou. yrs forever, K-a-t-h-e-r-i-n-e Eventually, he found the bed too comfortable for his state of mind, so he lay down on his back, his legs sprawled across the carpet. He anagrammed "yrs forever" until he found one he liked: sorry fever. And then he lay there in his fever of sorry and repeated the now memorized note in his head and wanted to cry, but instead he only felt this aching behind his solar plexus. Crying adds something: crying is you, plus tears. But the feeling Colin had was some horrible opposite of crying. It was you, minus somthing. He kept thinking about one word -forever-and felt the burning ache just beneath his rib cage. It hurt like the worst ass-kicking- he'd ever gotten. And he'd gotten plenty." 1.Greek: "I have found it." 2.More on that later.
John Green (An Abundance of Katherines)
Islam influences every aspect of believers’ lives. Women are denied their social and economic rights in the name of Islam, and ignorant women bring up ignorant children. Sons brought up watching their mother being beaten will use violence. Why was it racist to ask this question? Why was it antiracist to indulge people’s attachment to their old ideas and perpetuate this misery? I read the works of the great thinkers of the Enlightenment—Spinoza, Locke, Kant, Mill, Voltaire—and the modern ones, Russell and Popper, with my full attention, not just as a class assignment. All life is problem solving, Popper says. There are no absolutes; progress comes through critical thought. Popper admired Kant and Spinoza but criticized them when he felt their arguments were weak. I wanted to be like Popper: free of constraint, recognizing greatness but unafraid to detect its flaws. Spinoza was clear-minded and fearless. He was the first modern European to state clearly that the world is not ordained by a separate God. Nature created itself, Spinoza said. Reason, not obedience, should guide our lives. Though it took centuries to crumble, the entire ossified cage of European social hierarchy—from kings to serfs, and between men and women, all of it shored up by the Catholic Church—was destroyed by this thought. Now, surely, it was Islam’s turn to be tested.
Ayaan Hirsi Ali (Infidel)
We have created a society in which the rich become richer and the poor become poorer, and in which we are so caught up in our own immediate problems that we cannot afford to be aware of what is going on with the rest of the human family or our planet Earth. In my mind I see a group of chickens in a cage disputing over a few seeds of grain, unaware that in a few hours they will all be killed.
Thich Nhat Hanh (The World We Have: A Buddhist Approach to Peace and Ecology)
I turned onto my side, pulling the blanket up over my shoulder and closing my eyes. I wasn’t sure how long I’d been lying there when I felt a hand on my hip. I opened my eyes and saw Mack crouched next to me, balanced on the balls of his feet. Shirtless. My breath caught. He put a finger to his lips. My heart started to pound. Was this real or a dream? Without wanting to know for sure, I put my hand in his and rose from the couch. He led me through the dining room and into his bedroom, closing the door soundlessly behind me. “Mack. What are you doing?” I whispered. Instead of answering, he pushed me back against the door and kissed me hard and deep, his arms caging me on either side. “I changed my mind.” “Why?” “Because I’ve been lying here for fucking hours and I can’t stop thinking about how much I want you.” His voice was quiet but gravelly, more growl than whisper. “But you said—” “I know what I said. But I’ve decided I’d rather be reckless than responsible tonight. If you’re in, I’m in.” I put my hands on his chest and pushed him back. “I’m in.
Melanie Harlow (Irresistible (Cloverleigh Farms, #1))
What is this?” she asked, her eyes scanning the page. “It’s not…” She ran her fingertips over the words as if expecting them to vanish. “My contract,” she whispered. “I don’t want you beholden to Per Haskell. Or me.” Another half-truth. His mind had concocted a hundred schemes to bind her to him, to keep her in this city. But she’d spent enough of her life caged by debts and obligations, and it would be better for them both when she was gone. “How?” she said. “The money—” “It’s done.” He’d liquidated every asset he had, used the last of the savings he’d accrued, every ill-gotten cent. She pressed the envelope to her chest, above her heart. “I have no words to thank you for this.” “Surely the Suli have a thousand proverbs for such an occasion?” “Words have not been invented for such an occasion.” “If I end up on the gallows, you can say something nice over the corpse,” he said.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Some of the test subjects were given cards that had both words printed in full, like this: Hot: Cold Others used cards that showed only the first letter of the second word, like this: Hot: C The people who used the cards with the missing letters performed much better in a subsequent test measuring how well they remembered the word pairs. Simply forcing their minds to fill in a blank, to act rather than observe, led to stronger retention of information.
Nicholas Carr (The Glass Cage: How Our Computers Are Changing Us)
Only tormented persons want truth. Man is like other animals, wants food and success and women, not truth. Only if the mind tortured by some interior tension has despaired of happiness: then it hates its life-cage and seeks further.
John Gray (Straw Dogs: Thoughts on Humans and Other Animals)
The human brain is so finite - no more than a sponge of tissue inside a cage of bone - but the mind within the brain is infinite. Its storage capacity is colossal, its imaginative reach beyond our ability to comprehend. I think when a man or woman dies, a whole world falls to ruin - the world that person knew and believed in. Think of that, kiddo - billions of people on earth, and each one of those billions with a world inside. The earth their minds have conceived
Stephen King (The Life of Chuck)
When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.
Edward P. Jones (The Known World)
But she stayed quiet, and you went into solitary for three years, and your friends fended for themselves while your mind slowly slipped off its axis and you’d rip out your own hair because animals do insane things when they’re caged for too long
Penelope Douglas (Kill Switch (Devil's Night, #3))
Stories of law violations are weighed on a different set of scales in the Black mind than in the white. Petty crimes embarrass the community and many people wistfully wonder why Negroes don't rob more banks, embezzle more funds and employ graft in the unions. “We are the victims of the world's most comprehensive robbery. Life demands a balance. It's all right if we do a little robbing now.” This belief appeals particularly to one who is unable to compete legally with his fellow citizens.
Maya Angelou (I Know Why the Caged Bird Sings)
Yeah, like this one carny up in Fargo. It had a big sign saying 'See the Siamese twins,' and everybody pays a buck, thinking they're gonna see two people hooked together. And when they get there it's a cage with two Siamese kittens in it. Like that.
Connie Willis (The Winds of Marble Arch and Other Stories)
His dying mind conjured up one last, reassuring thought. In the end, don't we all come from dust anyway? We come from dust... and we end as dust. The oh-so-short passage in between is the bit we call 'life'. Everything ends eventually. Everything.
Alex Scarrow (The Infinity Cage (TimeRiders, #9))
Make then your forecasts, my lords Astrologers, with your slavish physicians, by means of those astrolabes with which you seek to discern the fantastic nine moving spheres; in these you finally imprison your own minds, so that you appear to me but as parrots in a cage, while I watch you dancing up and down, turning and hopping within those circles. We know that the Supreme Ruler cannot have a seat so narrow, so miserable a throne, so straight a tribunal, so scanty a court, so small and feeble a simulacrum that a phantasm can bring to birth, a dream shatter, a delusion restore, a chimera disperse, a calamity diminish, a misdeed abolish and a thought renew it again, so that indeed with a puff of air it were brimful and with a single gulp it were emptied. On the contrary we recognize a noble image, a marvellous conception, a supreme figure, an exalted shadow, an infinite representation of the represented infinity, a spectacle worthy of the excellence and supremacy of Him who transcendeth understanding, comprehension or grasp. Thus is the excellence of God magnified and the greatness of his kingdom made manifest; he is glorified not in one, but in countless suns; not in a single earth, a single world, but in a thousand thousand, I say in an infinity of worlds.
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
If you are free, you're going to scare them. In the same way light scares bats or how a chained animal grown so accustomed to its cage, would refuse an opened fence. That's how you'll scare them: with an open mind, a brave voice, the stare of a bear! You'll scare them every time you belly-laugh and every time you look a man eye-to-eye as an equal. You'll scare them when they see your thighs and when you choose your own religion. You'll scare them. Because it's birds who fly free that terrify the ones in cages.
C. JoyBell C.
We know of ESB's potential for mind control largely through the work of Jose Delgado. One signal provoked a cat to lick its fur, then continue compulsively licking the floor and bars of its cage. A signal designed to stimulate a portion of a monkey's thalamus, a major midbrain center for integrating muscle movements, triggered a complex action: The monkey walked to one side of the cage, then the other, then climbed to the rear ceiling, then back down. The animal performed this same activity as many times as it was stimulated with the signal, up to sixty times an hour, but not blindly— the creature still was able to avoid obstacles and threats from the dominant male while carrying out the electrical imperative. Another type of signal has made monkeys turn their heads, or smile, no matter what else they were doing, up to twenty thousand times in two weeks. As Delgado concluded, "The animals looked like electronic toys." 
Even instincts and emotions can be changed: In one test a mother giving continuous care to her baby suddenly pushed the infant away whenever the signal was given. Approach-avoidance conditioning can be achieved for any action simply by stimulating the pleasure and pain centers in an animal's or person's limbic system. 
Eventual monitoring of evoked potentials from the EEG, combined with radio-frequency and microwave broadcasts designed to produce specific thoughts or moods, such as compliance and complacency, promises a method of mind control that poses immense danger to all societies —tyranny without terror.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
Many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or peer inside cages. They can close their hearts and minds to any suffering that does not touch them personally. They can refuse to know. I might be tempted to envy people who can live that way, except that I do not think that they have any fewer nightmares than I do.
J.K. Rowling (Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination)
He never blamed his circumstances or thought regretfully about the past. He was like an empty vessel, but in the best way: it was true he didn't hold a lot of knowledge, but his mind was free to flow in whatever direction, and he didn't nurture pain. Whatever he did keep permanently, Jade was certain that he would protect firmly in the bottom of his jangdok pot. He might never fling himself far from where he'd landed, Jade thought, but he would nonetheless be happy for the simple reason that he refused to be caged.
Juhea Kim (Beasts of a Little Land)
My dearest Elle, I vow to love you as you deserve, protect you from those who seek to harm, and nurture you for all my days on this earth, as long as air fills my lungs. I vow, not just as your husband, but as your Dom, to worship you with every fiber of my being, my sweet sub, to free you from your emotional cage and help you discover the woman you are destined to become. I vow to be everything you need, friend, lover, mentor, keeper of your mind, body, and soul. I vow my life and everything I am to you, my world.
Lena Black (A Dominant Fallen (Dominant, #2))
The final entity was the beast. The steel juggernaut that raked claws made of screams along the bones of their soul.All of the pain that Jango had endured as a child had never left his mind. That pain had created a sort of primordial ooze in his fractured mind that sloshed and bled until the beast was birthed from the suffering. The beast lived in a cage forged of willpower deep in the recesses of the mad matrix of his splintered mind. It rattled the cage and roared for release, but he was loath to ever set the beast loose…again.
Cedric Nye (Rage and Ruin (Zombie Fighter Jango, #3))
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
Whether you are attending someone else's or holding your own dinner party, your main objective should be to lead guests away from the usual road of predictable behaviour and tedious conversation, and towards a shared voyage of epicurean delight. In much the same way as caged animals in zoos are kept mentally healthy by being set mealtime tasks by their keepers, dinner guests will find their repast far more satisfying if it is presented as a challenge and an opportunity for self-expression. For example, instead of the dry old formula of a plate flanked by serried ranks of knives, forks and spoons, today's modern host should show a little more ingenuity when selecting eating utensils. The novelty of using a Black & Decker two-speed drill to sheer flakes of the roast beef or a 15-inch spanner to negotiate the foie gras, will firmly place your party in the minds of your guests as a night to remember.
Gustav Temple and Vic Darkwood (The Chap Manifesto: Revolutionary Etiquette for the Modern Gentleman)
-Part 2- Worry not about the future. You might not go there. Live not in the past. Its doors are locked. Its keys are in the skies. But remember this: Your heart is a castle. Guard it with a cage of gold. Only he who is destined to enter it will seek the key. Your mind is a kingdom of grace. Keep its gates high and mighty. Keep it guarded with your faith. Befriend silence. It never betrays you. You are the master of your journey. You are the owner of your path. You are a bird, but unless you fly, you are not free. Only after your wings are broken will you realize that freedom is in your hands. So be free.
Najwa Zebian (The Nectar of Pain)
The Geek Girls Were we never robins? No, we never were. No one recognized spring in us, though great elms grew inside our rib cages. They pushed their spiny tips outward, so that we felt small stabbings daily, but they never broke through. So we were never spring, never foliage. We were the small and oddball beasts: anoles, silverfish, shrimp. We moved fast and sideways, upways, allways but straight. We heard of nights lit with lightning bugs and cigarettes. With rumflame and tonguefire. We needed none of it. The nights were black puzzleboxes and we solved them. It was easy— in the darkness, our minds sparked like flint.
Catherine Pierce
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
With a glance back towards the house, he pulled the secret sketches from within. He'd been working at them on and off for a fortnight now, ever since he'd come across Cousin Eliza's fairy tales among Rose's things. Though they were written for children, magical stories of bravery and morality, they had made their way beneath his skin. The characters had seeped inside his mind and come alive, their simple wisdom a balm for his swirling mind, his ugly adult troubles. He had found himself in moments of distraction scribbling lines that had turned themselves into a crone at a spinning wheel, the Fairy Queen with her long thick plait, the Princess bird trapped in her golden cage.
Kate Morton (The Forgotten Garden)
Tomino’s Hell Elder sister vomits blood, younger sister’s breathing fire while sweet little Tomino just spits up the jewels. All alone does Tomino go falling into that hell, a hell of utter darkness, without even flowers. Is Tomino’s big sister the one who whips him? The purpose of the scourging hangs dark in his mind. Lashing and thrashing him, ah! But never quite shattering. One sure path to Avici, the eternal hell. Into that blackest of hells guide him now, I pray— to the golden sheep, to the nightingale. How much did he put in that leather pouch to prepare for his trek to the eternal hell? Spring is coming to the valley, to the wood, to the spiraling chasms of the blackest hell. The nightingale in her cage, the sheep aboard the wagon, and tears well up in the eyes of sweet little Tomino. Sing, o nightingale, in the vast, misty forest— he screams he only misses his little sister. His wailing desperation echoes throughout hell— a fox peony opens its golden petals. Down past the seven mountains and seven rivers of hell— the solitary journey of sweet little Tomino. If in this hell they be found, may they then come to me, please, those sharp spikes of punishment from Needle Mountain. Not just on some empty whim Is flesh pierced with blood-red pins: they serve as hellish signposts for sweet little Tomino. —translated by David Bowles June 29, 2014
Saijo Yaso
. . .biographers tend to regard as character those elements of personality that remain constant, or nearly so, throughout. . .Like practitioners of fractal geometry, biographers seek patterns that persist as one moves from micro- to macro-levels of analysis, and back again. . . . It follows from this that the scale across which we seek similarity need not be chronological. Consider the following incidents in the life of Stalin between 1929 and 1940, arranged not by dates but in terms of ascending horror. Start with the parrot he kept in a cage in his Kremlin apartment. The dictator had the habit of pacing up and down for long periods of time, smoking his pipe, brooding, and occasionally spitting on the floor. One day the parrot tried to mimic Stalin's spitting. He immediately reached into the cage with his pipe and crushed the parrot's head. A very micro-level event, you might well say, so what? But then you learn that Stalin, while on vacation in the Crimea, was once kept awake by a barking dog. It turned out to be a seeing-eye dog that belonged to a blind peasant. The dog wound up being shot, and the peasant wound up in the Gulag. And then you learn that Stalin drove his independently minded second wife, who tried to talk back to him, into committing suicide. And that he arranged for Trotsky, who also talked back, to be assassinated halfway around the world. And that he arranged as well the deaths of as many of Trotsky's associates that he could reach, as well as the deaths of hundred of thousands of other people who never had anything to do with Trotsky. And that when his own people began to talk back by resisting the collectivization of agriculture, he allowed some fourteen million of them to die from the resulting starvation, exile, or imprisonment. Again, there's self-similarity across scale, except that the scale this time is a body count. It's a fractal geometry of terror. Stalin's character extended across time and space, to be sure, but what's most striking about it is its extension across scale: the fact that his behavior seemed much the same in large matters, small matters, and most of those that lay in between.
John Lewis Gaddis (The Landscape of History: How Historians Map the Past)
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King (On Writing: A Memoir of the Craft)
Yet identities persisted. On a personal level. Freedom was little more than a tattered net, draped over a host of minor, self-imposed bindings. Its stripping away changed little, except, perhaps, the comforting delusion of the ideal. Mind bound to self, self to flesh, flesh to bone. As the Errant wills, we are a latticework of cages, and whatever flutters within knows but one freedom, and that is death.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Our desire to segregate the mind’s cogitations from the body’s exertions reflects the grip that Cartesian dualism still holds on us. When we think about thinking, we’re quick to locate our mind, and hence our self, in the gray matter inside our skull and to see the rest of the body as a mechanical life-support system that keeps the neural circuits charged. More than a fancy of philosophers like Descartes and his predecessor Plato, this dualistic view of mind and body as operating in isolation from each other appears to be a side effect of consciousness itself. Even though the bulk of the mind’s work goes on behind the scenes, in the shadows of the unconscious, we’re aware only of the small but brightly lit window that the conscious mind opens for us. And our conscious mind tells us, insistently, that it’s separate from the body.
Nicholas Carr (The Glass Cage: How Our Computers Are Changing Us)
Why? That was Half Tail, passed along and scent-marked. Perrin hesitated before answering. He had dreaded this. He felt about the wolves as he did about Two Rivers people. They have caged Shadowkiller, he thought at last. That was what the wolves called Rand, but he had no idea whether they considered Rand important. The shock filling his mind was answer enough, but howls filled the night, near and far, howls filled with anger and fear. In the camp horses whinnied fearfully, stamping their hooves as they shied against the picked ropes. Men ran to calm them, and others to peer into the darkness as if expected a huge pack to come after the mounts. We come, Half Tail replied at last. Only that, and then others answered, packs Perrin had spoken to and packs that had listened silently to the two-legs who could speak as the wolves did. We come.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
You, over there. You, who’s always looking over his neighbour’s fence. The beauty of this world is wasted on you. I say, the beauty of this world is wasted on you. You use your eyes to cast disapproving looks. You use your tongue to degrade and denigrate. And worst of all, you use your dirty hands to reach into pockets, thinking happiness is found in coins. But happiness is the bird that will never fly near you, because it knows your desire to cage it— like you do with everything else. You cage love so two men can’t share it. You cage hope because you can’t stand faith. And you cage God so people think darkness is all there is. But the only thing you’ve successfully caged is your petty mind. I need you to know one thing: There will never be a cage to confine our light! We, here, we are free. Free to dream. Free to love. And free to be who we want to be.
Kamand Kojouri (God, Does Humanity Exist?)
« The fear of loneliness was injected into our minds since we were kids. We have learned that the kid who eats alone, sits alone, and has no friends is pathetic. In every book or movie, the kid who is eating alone, and has no friend is always featured as a weak character who needs to be saved. Pick any book or movie, and you will observe a common pattern around loneliness in all of them. These people were shown as easy targets or an object of your sympathy. »
Renuka Gavrani (The Art of Being ALONE: Solitude Is My HOME, Loneliness Was My Cage)
There was a time," he said, "when I enjoyed a great deal of female companionship. But then you put me in a cage with those damned letters of yours." "I'm not understanding you." "All the men believed I had a devoted sweetheart. They looked up to me, believed me loyal and devoted, too. None of them wanted to see that falter. They chased the camp-followers away from my tenet. The other officers went to brothels and left me to mind the camp. Our champlain passed more time with the ladies than I did." Agitated, he pushed a hand through his hair. "I haven't lain with a woman since what feels like Old Testament times." She smiled a little. "Are you saying you were faithful to me?" He rolled his eyes. "Not on purpose. dinna dress it up as something, it's not." "Believe me, I'm trying very hard to not do that. But I have too much imagination. Now I'm picturing you huddled by a lonesome campfire while all the other officers are out carousing. You're holding one of my letters and caressing it like a lovesick..." No, no, no. Logan had to put a stop to that notion, here and now. His hands went to her waist and he pulled her close, startling a little gasp from her. Her body met his, soft and warm. "What I'm saying isna romantic. It's raw, primal, and entirely crude." He lowered his voice toa growl. "You Madeline Gracechurch, have been driving me slowly mad with lust. For years.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Alex has been trying to communicate with me in our dreams. She covered our childhood home in letters asking me to kill her! She thinks the only way we can save the Otherworld is by taking her life!" "That's terrible!" Red said. "Just because someone is dangerous doesn't mean they have to be killed to be stopped. Think about the Evil Queen - oh wait, I suppose that mirror thing was worse than death. . . . Well, think about the Enchantress - oh yeah, never mind. . . . But General Marquis -oops, he really died. . . . Well, the Masked Man didn't - oh, that's right, he did. . . . Sorry, I thought there were plenty of examples. You know, maybe Alex had a point -" "We're not killing my sister," Conner said. "I refuse to believe there isn't a way to break the curse she's under! Alex's emotions are being affected right now and she's jumping to conclusions. We'll find a way to help her." "Yes, we will," Goldilocks said confidently. "I know exactly what's going through Alex's mind right now. It wasn't long ago that I was in her shoes. She's feeling scared, embarrassed, and guilty, and she thinks there's no coming back from the place she's at. But luckily for her, she's got us to set her straight." "Oh, it's Goldilocks!" Red declared with a snap of her fingers. "She's the example I was looking for! Goldie was a lonely, miserable, and ill-tempered thief when we first met. But thanks to my friendship, she's turned her life around and become a social, happy, and balanced woman." Goldilocks sighed. "What can I say? I owe it all to you, Red." "You're quite welcome," Red said. "What I did for Goldilocks is exactly what we need to do for Alex. If she insists on being killed, then we'll just have to love her to death." Conner and his friends nodded politely and gazed outside the cage, hoping Red wouldn't come up with any more nonsensical anecdotes.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
It was in the latter days of September, and the equinoctial gales had set in with exceptional violence. All day the wind had screamed and the rain had beaten against the windows, so that even here in the heart of great, hand-made London we were forced to raise our minds for the instant from the routine of life and to recognise the presence of those great elemental forces which shriek at mankind through the bars of his civilisation, like untamed beasts in a cage.
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
What about Sandridge?" McKenna asked. "Do you love him?" "Yes," Aline whispered. She loved Adam dearly- just not in the way he meant. "And yet you're here with me," he murmured. "Adam-" She stopped and cleared her throat. "Whatever I choose to do... he doesn't mind. This has nothing to do with him... you and I..." "No, it doesn't," he said with sudden anger. "My God, he should be trying to tear my throat out, instead of letting you go somewhere alone with me. He should be willing to do anything short of murder- hell, I wouldn't even stop at that- to keep other men away from you." Disgust thickened his voice. "You're lying to yourself, if you think that you'll ever be satisfied with the kind of bloodless arrangement your parents had. You need a man who will match your will, own you, occupy every part of your body, and every corner of your soul. In the eyes of the world, Sandridge is your equal- but you and I know better. He's as different from you as ice from fire." He leaned over her, his body forming a hard, living cage around her. "I'm your equal," he said harshly, "though my blood is red instead of blue, though I was condemned by my very birth never to have you... inside, we're the same. And I would break every law of God and man if-" McKenna stopped suddenly, biting back the words as he realized that he was revealing too much, allowing his rampaging emotions to get the better of him.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
And now there’s another thing you got to learn,” said the Ape. “I hear some of you are saying I’m an Ape. Well, I’m not. I’m a Man. If I look like an Ape, that’s because I’m so very old: hundreds and hundreds of years old. And it’s because I’m so old that I’m so wise. And it’s because I’m so wise that I’m the only one Aslan is ever going to speak to. He can’t be bothered talking to a lot of stupid animals. He’ll tell me what you’ve got to do, and I’ll tell the rest of you. And take my advice, and see you do it in double quick time, for he doesn’t mean to stand any nonsense.” There was dead silence except for the noise of a very young badger crying and its mother trying to make it keep quiet. “And now here’s another thing,” the Ape went on, fitting a fresh nut into its cheek, “I hear some of the horses are saying, Let’s hurry up and get this job of carting timber over as quickly as we can, and then we’ll be free again. Well, you can get that idea out of your heads at once. And not only the Horses either. Everybody who can work is going to be made to work in future. Aslan has it all settled with the King of Calormen—The Tisroc, as our dark faced friends the Calormenes call him. All you Horses and Bulls and Donkeys are to be sent down into Calormen to work for your living—pulling and carrying the way horses and such-like do in other countries. And all you digging animals like Moles and Rabbits and Dwarfs are going down to work in The Tisroc’s mines. And—” “No, no, no,” howled the Beasts. “It can’t be true. Aslan would never sell us into slavery to the King of Calormen.” “None of that! Hold your noise!” said the Ape with a snarl. “Who said anything about slavery? You won’t be slaves. You’ll be paid—very good wages too. That is to say, your pay will be paid into Aslan’s treasury and he will use it all for everybody’s good.” Then he glanced, and almost winked, at the chief Calormene. The Calormene bowed and replied, in the pompous Calormene way: “Most sapient Mouthpiece of Aslan, The Tisroc (may-he-live-forever) is wholly of one mind with your lordship in this judicious plan.” “There! You see!” said the Ape. “It’s all arranged. And all for your own good. We’ll be able, with the money you earn, to make Narnia a country worth living in. There’ll be oranges and bananas pouring in—and roads and big cities and schools and offices and whips and muzzles and saddles and cages and kennels and prisons—Oh, everything.” “But we don’t want all those things,” said an old Bear. “We want to be free. And we want to hear Aslan speak himself.” “Now don’t you start arguing,” said the Ape, “for it’s a thing I won’t stand. I’m a Man: you’re only a fat, stupid old Bear. What do you know about freedom? You think freedom means doing what you like. Well, you’re wrong. That isn’t true freedom. True freedom means doing what I tell you.” “H-n-n-h,” grunted the Bear and scratched its head; it found this sort of thing hard to understand.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
The motions of the average mind, say the Hindus, are about as orderly as those of a crazed monkey cavorting in its cage. Nay, more; like the prancings of a drunk, crazed monkey. Even so we have not conveyed its restlessness; the mind is like a drunken crazed monkey who has been stung by a wasp. What if the mind could be turned from a ping-pong ball into a lump of dough, which when thrown sticks to a all until deliberately removed? Would not its power increase if it could be thus held in focus? Would not its strength be compounded, like the strength of a light bulb when ringed by reflectors? A normal mind can be held to a reasonable extent by the world’s objects. A psychotic mind cannot; it slips at once into uncontrollable fantasy. What if a third condition of mind could be developed, as much above the normal mind as the psychotic mind is below it, a condition in which the mind could be induced to focus protractedly on an object to fathom it deeply? This concentration is the sixth step of raja yoga.
Huston Smith (The World's Religions: Our Great Wisdom Traditions)
The unfortunate reality we must face is that racism manifests itself not only in individual attitudes and stereotypes, but also in the basic structure of society. Academics have developed complicated theories and obscure jargon in an effort to describe what is now referred to as structural racism, yet the concept is fairly straightforward. One theorist, Iris Marion Young, relying on a famous “birdcage” metaphor, explains it this way: If one thinks about racism by examining only one wire of the cage, or one form of disadvantage, it is difficult to understand how and why the bird is trapped. Only a large number of wires arranged in a specific way, and connected to one another, serve to enclose the bird and to ensure that it cannot escape.11 What is particularly important to keep in mind is that any given wire of the cage may or may not be specifically developed for the purpose of trapping the bird, yet it still operates (together with the other wires) to restrict its freedom. By the same token, not every aspect of a racial caste system needs to be developed for the specific purpose of controlling black people in order for it to operate (together with other laws, institutions, and practices) to trap them at the bottom of a racial hierarchy. In the system of mass incarceration, a wide variety of laws, institutions, and practices—ranging from racial profiling to biased sentencing policies, political disenfranchisement, and legalized employment discrimination—trap African Americans in a virtual (and literal) cage. Fortunately,
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I want to have my friend back, so I need to set him straight. I am by his side and he looks up to see me. I speak before he can say anything. “Are you talking to me yet? Because I don’t believe you’re justified in your anger. I get to make my own decision about the relationships that I may or may not have. And I can choose at what pace I have that relationship. If you don’t like it, then tough. You’re happy—you have Bethany. Let me find my own happiness. You can’t tell me what to do about this. I have to make up my own mind. Okay?
Isabelle Joshua (The Swallow (Caged Beauty Series, #1))
March 28, 1987: Today I read in the New York Times that all of the officers who killed Michael Stewart were again dismissed of charges. Continually dismissed, but in their minds they will never forget. They know they killed him. They will never forget his screams, his face, his blood. The must live with that forever. I hope in their next life they are tortured like they tortured him. They should be birds captured early in life, put in cages, purchased by a fat, smelly, ugly lady who keeps them in a small dirty cage up near the ceiling while all day she cooks bloody sausages and the blood spatters their cage and the frying fat burns their matted feathers and they can nerf escape the horrible fumes of her burnt meat. One day the cage will fall to the ground and a big fat ugly cat will kick them about, play with them like a toy, and slowly kill them and leave their remains to be accidentally stepped on by the big fat pig lady who can’t see her own feet because of her huge sagging tits. An eye for an eye … I’m not afraid of anything I’d ever done. Not ashamed of anything.
Keith Haring (Keith Haring Journals)
We’ve created mass production at low prices, a system that operates under duress. There are stressed-out pigs who can’t mate, who bite one another’s tails because they’re so confined, or who are so heavy their legs can no longer support their bodies; turkeys who can’t reproduce naturally; chickens who have to be debeaked because they peck at each other in densely packed cages; roosters bred for growth who’ve become so aggressive that they injure or kill their mates; and cows who eat other cows as part of their feed and go mad. All of this is presided over by stressed-out farmers, many of whom have come to accept the industry’s bigger-is-better mantra, though it’s clearly unsustainable for them and the earth. In the process they have become almost as trapped as the animals they “farm.” Farmers, industry, and consumers have created a treadmill that runs ever more rapidly, fueled by all kinds of suffering animals—including us. It’s a system that only takes and doesn’t give back; it extracts and doesn’t replenish, until the creatures and the earth that sustain its existence have nothing more to give.
Gene Baur (Farm Sanctuary: Changing Hearts and Minds About Animals and Food)
I had done everything- everything for that love. I had ripped myself to shreds, I had killed innocents and debased myself, and he had sat beside Amarantha on that throne. And he couldn't do anything, hadn't risked it- hadn't risked being caught until there was one night left, and all he'd wanted to do wasn't free me, but fuck me, and- ... And when Amarantha had broken me, when she had snapped my bones and made my blood boil in its veins, he'd just knelt and begged her. He hadn't tried to kill her, hadn't crawled for me. Yes, he'd fought for me- but I'd fought harder for him. ... And he had the nerve once his powers were back to shove me into a cage. The nerve to say I was no longer useful; I was to be cloistered for his peace of mind. He'd given me everything I'd needed to become myself, to feel safe, and when he got what he wanted- when he got his power back, his lands back... he stopped trying. He was still good, still Tamlin, but he was just... wrong. And then I was sobbing through my clenched teeth, the tears washing away that infected wound, and I didn't care that Cassian was there, or Rhys or Azriel.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
day the wind had screamed and the rain had beaten against the windows, so that even here in the heart of great, hand-made London we were forced to raise our minds for the instant from the routine of life and to recognise the presence of those great elemental forces which shriek at mankind through the bars of his civilisation, like untamed beasts in a cage. As evening drew in, the storm grew higher and louder, and the wind cried and sobbed like a child in the chimney. Sherlock Holmes sat moodily at one side of the fireplace cross-indexing his records of crime,
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
We’re walking to our cars when Gabe says, “Hey, Lara Jean, did you know that if you say your name really fast, it sounds like Large? Try it! LaraJean.” Dutifully I repeat, “LaraJean. Larjean. Largy. Actually I think it sounds more like Largy, not Large.” Gabe nods to himself and announces, “I’m going to start calling you Large. You’re so little it’s funny. Right? Like those big guys who go by the name Tiny?” I shrug. “Sure.” Gabe turns to Darrell. “She’s so little she could be our mascot.” “Hey, I’m not that small,” I protest. “How tall are you?” Darrell asks me. “Five two,” I fib. It’s more like five one and a quarter. Tossing his spoon in the trash, Gabe says, “You’re so little you could fit in my pocket!” All the guys laugh. Peter’s smiling in a bemused way. Then Gabe suddenly grabs me and throws me over his shoulder like I’m a kid and he’s my dad. “Gabe! Put me down!” I shriek, kicking my legs and pounding on his chest. He starts spinning around in a circle, and all the guys are cracking up. “I’m going to adopt you, Large! You’re going to be my pet. I’ll put you in my old hamster cage!” I’m giggling so hard I can’t catch my breath and I’m starting to feel dizzy. “Put me down!” “Put her down, man,” Peter says, but he’s laughing too. Gabe runs toward somebody’s pickup truck and sets me down in the back. “Get me out of here!” I yell. Gabe’s already running away. All the guys start getting into their cars. “Bye, Large!” they call out. Peter jogs over to me and extends his hand so I can hop down. “Your friends are crazy,” I say, jumping onto the pavement. “They like you,” he says. “Really?” “Sure. They used to hate when I would bring Gen places. They don’t mind if you hang out with us.” Peter slings his arm around me. “Come on, Large. I’ll take you home.” As we walk to his car, I let my hair fall in my face so he doesn’t see me smiling. It sure is nice being part of a group, feeling like I belong.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Quick. Don’t think about it. Imagine an English professor in your head. No, a male English professor. What do you see? Tweeds? Elbow patches? A high pale forehead with thinning hair combed over? Eyeglasses with designer frames? Oh God, do you see a cravat? His fingernails are clean and white. His palms are silky and uncalloused. If you grip him by his upper arm, your fingers plunge to the bone. He prefers wine to beer. But when he drinks beer, he favors pretentious microbrews that he sniffs and swirls, while waxing on about oaky hints and lemony essences. You are imagining a man, yes, but one whose masculinity is so refined, so sanded down and smoothed away, that it’s hard to see how it differs from femininity. It has been said that the humanities have been feminized. In English departments, where the demographics of professors and students now skew strongly female, this is literally so. But English departments have also been feminized in spirit. There’s a sense in which if you are a guy who wants to be a literature professor, it’s wise to actively suppress all of the offensive cues that you are actually a guy. Or at least that’s how it has always seemed to me. And I think that’s how it seems to most people. In the public mind, teaching English is about as manly as styling hair.
Jonathan Gottschall (The Professor in the Cage: Why Men Fight and Why We Like to Watch)
Battle rappers having an insult contest. Men and boys compete in ritualized insult wars all around the world. Earlier we saw how the instinctive choreography of a standard human fight has been elaborated into the world’s various formal dueling systems. The same goes for the monkey dance of the banter fight, which always involves the same basic moves and rules. Two men take turns hurling boasts and insults. The contests draw spectators, who laugh and hoot as the men derogate each other’s masculinity, while also leveling hilariously vile attacks on relatives (especially mothers). All around the world, the verbal duel is a pure monkey dance for the mind, in which men compete in verbal artistry, wit, and the ability to take a rhetorical punch. Like other forms of the monkey dance, scholars have wondered why boys and men are drawn to verbal duels, and girls and women generally aren’t. This strikes me as a very male sort of question to ask. It’s sort of like a dung beetle wondering why humans don’t find feces delicious. Women avoid verbal duels not because they’ve been told it’s unladylike, but because trading the vilest attacks conceivable while vying in braggadocio just isn’t most women’s idea of a good time. Why don’t people eat feces? Because coprophagy isn’t in our nature. Why don’t women like to duel verbally? Because it’s not in theirs.
Jonathan Gottschall (The Professor in the Cage: Why Men Fight and Why We Like to Watch)
Why do you hate the idea of being with yourself so much that ‘the time you spend with yourself is now considered as loneliness Why we fear loneliness. The fear of loneliness was injected into our minds since we were kids. We have learned that the kid who eats alone, sits alone, and has no friends is pathetic. In every book or movie, the kid who is eating alone, and has no friend is always featured as a weak character who needs to be saved. It’s not pathetic to be alone. I realized that we don’t hate being alone. We hate to believe that we are left behind. Being alone is a part of life. But being lonely means viewing yourself from the lens of sympathy and misery. When you look at yourself through the lens of loneliness, you feel insecure and left out. Being alone doesn’t mean you are lonely. Being alone means YOU ARE WITH YOURSELF. Stop romanticizing your life , one day someone will come to save you, rescue you, or rather fall in love with you. The problem with this is that you CHOOSE to believe that YOU ARE NOT ENOUGH to change your life all by yourself. You rely your hope on someone who doesn’t exist. After college, you don’t make friends. You just network. You just try to be nice to people so you are not left behind (mostly). We don’t want people to think that no one chose us so what do we do? We start becoming like an ideal version of whom everyone loves. We start saying YES to things that we hate. But step by step, as we become like everyone else, we go far away from who we truly are. Loneliness is not when you don’t have people around. Loneliness occurs when you cannot find yourself inside you. The moment you feel the loss of your real self, that’s when loneliness makes a home inside you. “There are some days when you miss yourself more than you have ever missed anyone else. Solitude is my home , Loneliness was my cage. Imagine Yourself as a computer and see how you have opened different tabs of your personality for each person you meet. New person, new tab. Perhaps, that's the reason your real personality has crashed.
Renuka Gavrani
The world is a cage built by the hands of gods and men and woven from the threads of time and space. It hangs upon the back of a great beast which wanders through the void driven by fear. From the thread of life it hangs, a prison for the mind, a trap for the spirit, a snare for the heart. Within this cage, all things are bound: the sun and moon, the stars and seas, the beasts of field and forest, and the children of earth, for it is a prison for the souls of men. The bars are forged of necessity and desire, woven together by the threads of fate. They are as strong as mountains and as delicate as spider’s webs. For we reach out for what we want, and in doing so, we bind our souls to the world.
Andre Solnikkar
But each time I would get the cord so tight I could feel a rushing in my ears and a flush of blood in my face, my hands would weaken and let go, and I would be all right again. Then I saw that my body had all sorts of little tricks, such as making my hands go limp at the crucial second, which would save it, time and again, whereas if I had the whole say, I would be dead in a flash. I would simply have to ambush it with whatever sense I had left, or it would trap me in its stupid cage for fifty years without any sense at all. And when people found out my mind had gone, as they would have to, sooner or later, in spite of my mother's guarded tongue, they would persuade her to put me into an asylum where I could be cured.
Sylvia Plath (The Bell Jar)
The great danger of lying is not that lies are untruths, and thus unreal, but that they become real in other people's minds. They escape the liar's grip like seeds let loose in the wind, sprouting a life of their own in the least expected places, until one day the liar finds himself contemplating a lonely but nonetheless healthy tree, grown off the side of a barren cliff. It has the capacity to sadden him as much as it does to amaze. How could that tree have got there? How does it manage to live? It is extraordinarily beautiful in its loneliness, built on a barren untruth, yet green and very much alive. Many years have passed since I sowed the lies, and thus lives, of which I am speaking. Yet more than ever, I shall have to sort the branches out carefully, determine which ones stemmed from truth, which from falsehood. Will it be possible to saw off the misleading branches without mutilating the tree beyond hope? Perhaps I should rather uproot the tree, replant it in flat, fertile soil. But the risk is great. My tree has adapted in a hundred and one ways to its untruth, learned to bend with the wind, live with little water. It leans so far it is horizontal, a green enigma halfway up and perpendicular to a tall, lifeless cliff. Yet it is not lying on the ground, its leaves rotting in dew as it would if I replanted it. Curved trunks cannot stand up, any more than I can straighten my posture to return to my twenty-year-old self. A milder environment, after so long a harsh one, would surely prove fatal. I have found the solution. If I simply tell the truth, the cliff will erode chip by chip, stone by stone. And the destiny of my tree? I hold my fist to the sky and let loose my prayers. Wherever they go, I hope my tree will land there.
Christine Leunens (Caging Skies)
BRUNO WAS WAKING up. The room seemed to be dark. He held his breath, testing the quality of the darkness, wondering if it was night or day, morning or afternoon. If it was night that was bad and might be terrible. Afternoon could be terrible too if he woke up too early. The drama of sleeping and waking had become preoccupying and fearful now that consciousness itself could be so heavy a burden. One had to be cunning. He never let himself doze in the mornings for fear of not being able to fall asleep after lunch. The television had been banished with its false sadnesses and its images of war. Perhaps he had nodded off over his book. He had had that dream again, about Janie and Maureen and the hatpin. He felt about him and began to push himself up a little on his pillows, his stockinged feet scrabbling inside the metal cage which lifted the weight of the blankets off them. Tight bed clothes are a major cause of bad feet. Not that Bruno’s feet minded much at this stage.
Iris Murdoch (Bruno's Dream)
Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin
P.C. Cast (Revealed (House of Night #11))
Thee, my serenity, one can not bear, Seeing thee befuddled, bereaved, Dimmed like the midnight, secluded, darkened, Thee, my serenity, A window to my eyes, A window to laughter, and peace of mind, Thee, my serenity, one can not bear, Seeing thee wail, whine, cry, Like a gloomy, mourning brume, Thee, my serenity, Soared through fervor and delight, To the crown of heavens, the Almighty Myth, One can not bear, Seeing thee prostrate, razed, demure, Upon the dimmed streets, crawling, for a sight of the lune, Thee, my birdy in love, What befall to thy song, The very chant of my life, Cut short, stopped, along with all I gasp, Thee, my serenity, one can not bear, Seeing thee, caged in thy own night, Encumbered, through thy own heart, Lean on my shoulders now, My beautiful, wonderful Lily, That thee shall not fear, the sorrow of, Of being lonely, apart, not having a peer, As I promise, to my most dear, The girl to my heart, always near, Come what may, don’t age a year, That I will be, forever here,
Hamidreza Bagheri
My Serinity, Thee, my serenity, one can not bear, Seeing thee befuddled, bereaved, Dimmed like the midnight, secluded, darkened, Thee, my serenity, A window to my eyes, A window to laughter, and peace of mind, Thee, my serenity, one can not bear, Seeing thee wail, whine, cry, Like a gloomy, mourning brume, Thee, my serenity, Soared through fervor and delight, To the crown of heavens, the Almighty Myth, One can not bear, Seeing thee prostrate, razed, demure, Upon the dimmed streets, crawling, for a sight of the lune, Thee, my birdy in love, What befall to thy song, The very chant of my life, Cut short, stopped, along with all I gasp, Thee, my serenity, one can not bear, Seeing thee, caged in thy own night, Encumbered, through thy own heart, Lean on my shoulders now, My beautiful, wonderful Lily, That thee shall not fear, the sorrow of, Of being lonely, apart, not having a peer, As I promise, to my most dear, The girl to my heart, always near, Come what may, don’t age a year, That I will be, forever here,
Hamidreza Bagheri
Spare a thought in 2013, this horrible horrible time to be alive, for the satirist. To satirise the self-satirising effluence that passes for populist entertainment and the pathetic vanity of a self-deifying movie industry is no mean feat in an age comfortable in its metameta cage. Being born into a system that values success, usually financial, above everything else, into an essentially worthless and spoiled world of governments happy to toss art aside in favour of financial dominance and petty power, gives the writer a subject, but limited maneuverability in his approach. To merry heck with the leaders who close libraries, theatres and community centres in favour of opening more retail opportunities and call centres to slowly mind-melt the populace. Fuck these zoot-suited capitalist cockslingers with their pus-filled polyps for souls. Because the only respite from the failed system in this failed First World is through literature—not through the ideologues, rhetoricians or motivational yammerers, but through the wonderous drug of fiction.
MJ Nicholls
Here’s another example that some overworked mothers might find inspiring. We saw in Chapter 2 that being the one who produces the sperm doesn’t dictate, by universal principle, that parenting is out of the portfolio. However, in the case of the rat (as with most mammals), the balance of trade-offs make it more adaptive for males to leave parenting to the mothers. This might tempt us to take it for granted that males, by virtue of their sex, therefore lack the capacity to care for pups. We might well assume that, through sexual selection, they lost or never acquired the biological capacity to parent: that it isn’t “in” their genes, hormones, or neural circuits. That it isn’t in their male nature. But bear in mind that one reliable feature of a male rat’s developmental system is a female rat that does the child care. So what happens when a scientist, under controlled laboratory conditions, simulates a first-wave feminist rodent movement by placing males in cages with pups but no females? Before too long you will see the male “mothering” the infant, in much the same way that females do. Feminism: 1. Sexual selection: nil.
Cordelia Fine (Testosterone Rex: Myths of Sex, Science, and Society)
And she loved you with all her heart." He sprang to his feet and walked up and down the small room. "I don't want love. I haven't time for it. It's weakness. I am a man, and sometimes I want a woman. When I’ve satisfied my passion I'm ready for other things.I can't overcome my desire, but I hate it; it imprisons my spirit; I look forward to the time when I shall be free from all desire and can give myself without hindrance to my work. Because women can do nothing except love, they've given it a ridiculous importance. They want to persuade us that it's the whole of life. It's an insignificant part. I know lust. That's normal and healthy. Love is a disease. Women are the instruments of my pleasure; I have no patience with their claim to be helpmates, partners, companions. “ I had never heard Strickland speak so much at one time. He spoke with a passion of indignation. But neither here nor elsewhere do I pretend to give his exact words; his vocabulary was small, and he had no gift for framing sentences, so that one had to piece his meaning together out of interjections, the expression of his face, gestures and hackneyed phrases. "You should have lived at a time when women were chattels and men the masters of slaves, “ I said. "It just happens that I am a completely normal man." I could not help laughing at this remark, made in all seriousness; but he went on, walking up and down the room like a caged beast, intent on expressing what he felt, but found such difficulty in putting coherently. "When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her.She has a small mind and she resents the abstract which she is unable to grasp. She is occupied with material things, and she is jealous of the ideal. The soul of man wanders through the uttermost regions of the universe, and she seeks to imprison it in the circle of her account-book. Do you remember my wife? I saw Blanche little by little trying all her tricks. With infinite patience she prepared to snare me and bind me. She wanted to bring me down to her level; she cared nothing for me, she only wanted me to be hers. She was willing to do everything in the world for me except the one thing I wanted: to leave me alone.
W. Somerset Maugham
Yes, they are extremely fucking sexy if you must know,” he said, scarcely believing the words coming out of his mouth. It was simply the truth; somehow the markings enhanced the muscular young man’s beauty in a way that made Jon feel hot inside. “But… What do they mean? Do you know?” he asked. Tom looked down at himself and shrugged. “The lot of it could be pure fancy, love. But… the man who did it, he told me that this here”—Tom put his fingers over Jon’s—“is a map of the Devil’s Isles and beyond. Somethin’ about lost knowledge.” Jon’s breath caught in his throat and he looked at Tom, alarmed. “Gods, Tom. Now you won’t believe me when I tell you what we’re planning,” he said in a hush. Tom was quiet for a long time after Jon told him of their plans and of the captain’s intention to ask him to be first mate again. Jon rested against Tom’s wide shoulder, waiting for the big man to say something. When Tom finally spoke, it was a rumble against Jon’s ear. “If ye don’t mind, love, I’d like a day to think about it before I give ye my answer. Can ye grant me that, lad?” asked Tom, his rough hand coming up to rest against Jon’s bare chest. Jon nodded his head and closed his eyes.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Reade drew a deep breath. He said with resignation, "All right. I'll try to explain. But it's rather difficult. You see, I've devoted my life to the problem of why certain men see visions. Men like Blake and Boehme and Thomas Traherne. A psychologist once suggested that it's a chemical in the bloodstream—the same sort of thing that makes a dipsomaniac see pink elephants. Now obviously, I can't accept this view. But I've spent a certain amount of time studying the action of drugs, and taken some of them myself. And it's become clear to me that what we call 'ordinary consciousness' is simply a special, limited case. . . But this is obvious after a single glass of whiskey. It causes a change in consciousness, a kind of deepening. In ordinary consciousness, we're mainly aware of the world around us and its problems. This is awfully difficult to explain. . ." Fisher said, "You're being very clear so far. Please go on." "Perhaps an analogy will help. In our ordinary state of consciousness, we look out from behind our eyes as a motorist looks from behind the windscreen of a car. The car is very small, and the world out there is very big. Now if I take a few glasses of whiskey, the world out there hasn't really changed, but the car seems to have grown bigger. When I look inside myself, there seem to be far greater spaces than I'm normally aware of. And if I take certain drugs, the car becomes vast, as vast as a cathedral. There are great, empty spaces. . . No, not empty. They're full of all kinds of things—of memories of my past life and millions of things I never thought I'd noticed. Do you see my point? Man deliberately limits his consciousness. It would frighten him if he were aware of these vast spaces of consciousness all the time. He stays sane by living in a narrow little consciousness that seems to be limited by the outside world. Because these spaces aren't just inhabited by memories. There seem to be strange, alien things, other minds. . ." As he said this, he saw Violet de Merville shudder. He said, laughing, "I'm not trying to be alarming. There's nothing fundamentally horrible about these spaces. One day we shall conquer them, as we shall conquer outer space. They're like a great jungle, full of wild creatures. We build a high wall around us for safety, but that doesn't mean we're afraid of the jungle. One day we shall build cities and streets in its spaces.
Colin Wilson (The Glass Cage)
He’d stood like a baby deer. He lurched toward her with no grace at all. She enclosed him in a hug that was so much better than a restraint. She’d patted his head just like a mother. Like a mother who cared. Cole’s body had heaved with tears. She kept hugging him. She handed his heart back the dreams it had thrown away. “That’s it, sweetheart. Let it out.” She rubbed his back. Her shirt was soaked by the time he stopped crying. They sat down together again. “I’ve read your file,” Mrs. D said. “What your parents did to you was terrible. It was a horrible, horrible mistake. You should’ve been cherished. You should’ve been treated like the beautiful little boy you are. They were wrong, Cole.” She held his hand. “I’m sorry for what they did to you.” Cole’s mind had flashed with images from his time before Evergreen. The cage. The belt. The drugs. They still made him feel scared. “You’re going to make it. You’ll be a great, thoughtful, proud man. I can see it. I know it as sure as I know my name.” She wouldn’t let go of his hand. “I’m always awful. How can you know that?” Cole’s voice remained thick with tears. “I’ve been doing this job for twenty-five years. I know a good one when I see him.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
She had a point,you know," Edward commented a few hours later. "Unnecessarily crude, perhaps, but apt. Our public personas frequently do not match our private ones. You, of all people, should know that." "This isn't about me," I said grumpily. "This is about needing to find more information about the private you.Something I don't already know." "I have terribly ugly feet." "Not what I had in mind.And probably untrue anyway." Edward glanced down at the empty space below his rib cage. "Probably. So, what did you have in mind?" "A letter,maybe.From Diana.Something that connected your love to your work." "I rather thought I did that through my paintings." "You did.I mean, that's what attracted me to you in the first place.Well, o, that was your smile, probably,but the paintings helped. It's just that I need to know more about your muse." "Ah, darling Ella, the artist's muse is Ego.Nothing more." "You don't mean that.You married Diana because she made you feel like no one else in the universe ever did or could." He nodded. "She was extraordinary." "But not everyone saw that.Your family went nuts.Half of your friends stopped inviting you over, at least for a while." "Their loss. She was a woman who comes along once in a lifetime.
Melissa Jensen (The Fine Art of Truth or Dare)
Don’t just make statements. Just look. There are two million years of inheritance, thousands and thousands of experiences, impressions, conditions, knowledge. All that is my background, and I want to learn about it, open it all up and be free of it, because those things are controlling my present and shaping the future, and so I continue to live in a cage. So I say to myself: ‘This is terrible. I must get rid of it.’ I do not know what to do. I do not know. Then I ask myself: what is the state of my mind when I say I really do not know? You and I are the result of two million years of conditioning. Right? In that two million years there is not only the animal inheritance but the human endeavour to grow, to become – hundreds of things. We are that. And all that is operating in the present and the future. This is the rat race I have lived in. So I look at this rat race, and I say: ‘I must get rid of it.’ I ask you about it, and you do not know: I ask the Pope, dozens of people, and they do not know. They know only according to their terminology; that is, if you believe in Jesus, if you believe in God, you think you know according to that. So I am now in a position to find out what is the state of my mind when I say: I really do not know.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
Thanks for helping me clean up. Still can't understand a man willing to help out in the kitchen, though. You sure it wasn't just so you could question me?" "I'm sure. Why do you find that so hard to believe?" He stood directly in front of her, so close Willow could feel his warm breath on her cheek. "I..." Her heart burst into a drumroll. A rush of hot blood spilled into all the places she'd always considered private. What was this magic? Without so much as a light caress, he stole her senses and left her trembling with an unnameable desire. She struggled against the sudden heightening of her senses. What was it I'd been about to say? Oh,yes. "Well," she began, "you're a man." Rider chuckled softly, the sound rippling down her spine. "You noticed that, did you?" She exhaled in exasperation. "Be quiet and let me finish. And stand back." She pushed against his chest, then yanked her hands away as if burnt. "I can't breathe with you caging me in like this." He arched a dark eyebrow but politely stepped to her side and leaned his shoulder against the house. "Better?" "It'll do." He was still too close as far as Willow was concerned, but she'd be damned if she'd let him know how he affected her. "You got me off the subject, Sinclair." "I did?" "Yes,you...Never mind.
Charlotte McPherren (Song of the Willow)
Well, those who mean to escape their catching must get ready. I’m getting ready. Mind you, it isn’t all of us that are made for wild beasts; and that’s what it’s got to be. That’s why I watched you. I had my doubts. You’re slender. I didn’t know that it was you, you see, or just how you’d been buried. All these—the sort of people that lived in these houses, and all those damn little clerks that used to live down that way—they’d be no good. They haven’t any spirit in them—no proud dreams and no proud lusts; and a man who hasn’t one or the other—Lord! What is he but funk and precautions? They just used to skedaddle off to work—I’ve seen hundreds of ’em, bit of breakfast in hand, running wild and shining to catch their little season-ticket train, for fear they’d get dismissed if they didn’t; working at businesses they were afraid to take the trouble to understand; skedaddling back for fear they wouldn’t be in time for dinner; keeping indoors after dinner for fear of the back streets, and sleeping with the wives they married, not because they wanted them, but because they had a bit of money that would make for safety in their one little miserable skedaddle through the world. Lives insured and a bit invested for fear of accidents. And on Sundays—fear of the hereafter. As if hell was built for rabbits! Well, the Martians will just be a godsend to these. Nice roomy cages, fattening food, careful breeding, no worry. After a week or so chasing about the fields and lands on empty stomachs, they’ll come and be caught cheerful. They’ll be quite glad after a bit. They’ll wonder what people did before there were Martians to take care of them. And the bar loafers, and mashers, and singers—I can imagine them. I can imagine them,” he said, with a sort of sombre gratification. “There’ll be any amount of sentiment and religion loose among them. There’s hundreds of things I saw with my eyes that I’ve only begun to see clearly these last few days. There’s lots will take things as they are—fat and stupid; and lots will be worried by a sort of feeling that it’s all wrong, and that they ought to be doing something. Now whenever things are so that a lot of people feel they ought to be doing something, the weak, and those who go weak with a lot of complicated thinking, always make for a sort of do-nothing religion, very pious and superior, and submit to persecution and the will of the Lord. Very likely you’ve seen the same thing. It’s energy in a gale of funk, and turned clean inside out. These cages will be full of psalms and hymns and piety. And those of a less simple sort will work in a bit of—what is it?—eroticism.
H.G. Wells (The War of the Worlds)
Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.
David Mitchell (The Bone Clocks)
The very human-looking, terrified eyes of the young woman are burned into my mind. “What are they?” I ask, still shaken. “They’re seals. Very fierce seals, at that.” My aunt pauses to lean back against the elaborately embroidered cushions. “Long ago, the Selkies were enchanted by a sea witch. Every full moon they come to shore somewhere on the coast, step out of their seal skin and emerge in human form. For many years they caused a great deal of havoc—attacking sailors, dismantling ships. It was terrible.” “But she looked so frail.” “Ah, it’s like I just said. Appearances can be deceiving. Selkies, in possession of their skins, are stronger than the strongest Mage, and like most seals, they are very dangerous predators.” “And without their skins?” “Very good, Elloren.” My aunt looks pleased. “You’ve gotten right to the heart of it. Without their skins, they can be easily controlled.” “Why?” “Because they lose their strength, and because they cannot transform back into seals without them. Without their skins, they cannot get back to the ocean. Being wild animals, no matter how long they are kept in human form, they desperately want to get back to their ocean home. They’re not human, Elloren. It’s only an illusion. Don’t let it trouble you.” “But why was she in a cage?” My aunt grimaces at my question, like she’s detected an unpleasant odor. “Some people like to keep them...as pets.” I scrutinize her face. She’s not looking at me. She’s now glancing toward the window impatiently. “She...she looked so terrified,” I say, upset. My aunt’s expression softens. “Well, caged wild animals are never a pleasant sight. I am completely and utterly against the Selkie trade and am doing everything I can to wipe it out.” She pats my hand reassuringly.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you
Marty McConnell
I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft. He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry. I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind. “Mm?” I reply. My mind is full of babble, I’m so high. “Jayme,” he’s insistent, almost pleading. “What are you?” Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves. “What do you mean?” I ask, the disquiet wringing the strength from my voice. “It doesn’t hurt anymore,” he explains, inhaling deeply. I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare. “I don’t understand,” I whisper. He looks down at his exposed abdomen. “I think you healed me.” He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese. I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard. Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car. He shouts my name. It’s too late. I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself. I run. I run and I don’t stop.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
A dark-haired young woman was waiting in the atrium by the fountain. When she saw Arin, her face filled with light and tears. He almost ran across the short space between them to gather her in his arms. “Sister or lover?” Kestrel said. The woman looked up from their embrace. Her expression hardened. She stepped away from Arin. “What?” “Are you his sister or lover?” She walked up to Kestrel and slapped her across the face. “Sarsine!” Arin hauled her back. “His sister is dead,” Sarsine said, “and I hope you suffer as much as she did.” Kestrel’s fingers went to her cheek to press against the sting--and cover a smile with the heels of her tied hands. She remembered the bruises on Arin when she had bought him. His surly defiance. She had always wondered why slaves brought punishment upon themselves. But it had been sweet to feel a tipping of power, however slight, when that hand had cracked across her face. To know, despite the pain, that for a moment Kestrel had been the one in control. “Sarsine is my cousin,” Arin said. “I haven’t seen her in years. After the war, she was sold as a house slave. I was a laborer, so--” “I don’t care,” Kestrel said. His shadowed eyes met hers. They were the color of the winter sea--the water far below Kestrel’s feet when she had looked down and imagined what it would be like to drown. He broke the gaze between them. To his cousin he said, “I need you to be her keeper. Escort her to the east wing, let her have the run of the suite--” “Arin! Have you lost your mind?” “Remove anything that could be a weapon. Keep the outermost door locked at all times. See that she wants for nothing, but remember that she is a prisoner.” “In the east wing.” Sarsine’s voice was thick with disgust. “She’s the general’s daughter.” “Oh, I know.” “A political prisoner,” Arin said. “We must be better than the Valorians. We are more than savages.” “Do you truly think that keeping your clipped bird in a luxurious cage will change how the Valorians see us?” “It will change how we see ourselves.” “No, Arin. It will change how everyone sees you.” He shook his head. “She’s mine to do with as I see fit.” There was an uneasy rustle among the Herrani. Kestrel’s heart sickened. She kept trying to forget this: the question of what it meant to belong to Arin. He reached for her, pulling her firmly toward him as her boots dragged and squeaked against the tiles. With the flick of a knife, he cut the bonds at her wrists, and the sound of leather hitting the floor was loud in the atrium’s acoustics--almost as loud as Sarsine’s choked protest. Arin let Kestrel go. “Please, Sarsine. Take her.” His cousin stared at him. Eventually, she nodded, but her expression made clear that she thought he was indulging in something disastrous.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
What can he tell them? He, who knows nothing. Ibn al Mohammed has not planned atrocities nor committed them. He has never been in the presence of terrorists. Yet Satan’s agents suspect him. He is dark-complected. His hair and beard are black. His name is Muslim. Body tall and slender, hands large, their fingers long and tapered. Dark eyes sunken in a narrow face. Irises like obsidian. He prays on hands and knees, forehead touching the floor. Thoughtlessly aligned, his cage obliges him to face a white plastic wall to bow toward Mecca. No matter; Ibn al Mohammed requires no sight of ocean or sky to know his place in the universe. He knows himself as one chosen, beloved of God. A man whose devotion will allow him to be saved. Standing at the bars, he stares at the plastic wall. Modesty panel, they call it. The detainee wills nothing, attempts nothing, merely stares at blankness as his mind opens toward such signs as might appear. Something, nothing. However little, however great, whatever God vouchsafes is sufficient. The least sign is enough. A crease in the plastic. A shadow cast against its insensate skin, then fleeing, gone. A raindrop: trickling through the roof, one small drop might touch the wall, leave a transparent streak, a tear without sorrow to confirm his understanding of what is and must be. Recognition. Acceptance. By such a sign he will know he is not forsaken. That God notices and prepares a place. He will not serve in the harvest. He will eat the food, drink the water, ride the bus. He will not pick the berries so prized by his captors. Droids will cajole and threaten; perhaps they will beat him. If so, they incriminate themselves. He relishes their degradation together with God’s tasking, this new test of will and faith. To suffer in silence, as meek as a lamb. Ibn al Mohammed will remove himself from himself. Self fading into background, his presence will diminish. His body will persist; corporeally, he must endure. But his self will become absent. Mind and its thought, heart and all emotion will disperse smoke-like into nothingness and in its vanishing forestall injury, indignity, all pain. Does God approve? Does God see? A mere token will assure Ibn al Mohammed for a lifetime. Standing at the bars, he watches. Minutes pass. How long must he wait? God speaks at His leisure to those with patience to attend. What does it mean, to have enough patience to attend to God? It is a discipline to expect nothing because you deserve nothing and merit only death. Ibn al Mohammed has waited all his life. What has he seen? His father taken away. His mother and sisters scrounging in a desert. He himself is confined in-cage. Squats on a stool, shits in a pail. Rain rattles across sheet tin, pock-pock-pock-pock. Food is delivered on a tray. A damp bed beneath his body, a white wall before his eyes. What does Ibn al Mohammed see? He sees nothing. [pp. 203-204]
John Lauricella i 2094 i