β
There is no greater agony than bearing an untold story inside you.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Hoping for the best, prepared for the worst, and unsurprised by anything in between.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Words mean more than what is set down on paper. It takes the human voice to infuse them with shades of deeper meaning.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The caged bird sings with a fearful trill,
of things unknown, but longed for still,
and his tune is heard on the distant hill,
for the caged bird sings of freedom.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Anything that works against you can also work for you once you understand the Principle of Reverse.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Instead, pursue the things you love doing, and then do them so well that people can't take their eyes off you.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Life is going to give you just what you put in it. Put your whole heart in everything you do, and pray, then you can wait.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I believe most plain girls are virtuous because of the scarcity of opportunity to be otherwise.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Caged Bird
A free bird leaps on the back of the wind
and floats downstream till the current ends
and dips his wing in the orange suns rays and dares to claim the sky.
But a bird that stalks down his narrow cage
can seldom see through his bars of rage
his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.
The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn and he names the sky his own.
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.
β
β
Maya Angelou (The Complete Collected Poems)
β
If you're for the right thing, you do it without thinking.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision. Few, if any, survive their teens. Most surrender to the vague but murderous pressure of adult conformity. It becomes easier to die and avoid conflict than to maintain a constant battle with the superior forces of maturity.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Ritie, don't worry 'cause you ain't pretty. Plenty pretty women I seen digging ditches or worse. You smart. I swear to God, I rather you have a good mind than a cute behind.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The quality of strength lined with tenderness is an unbeatable combination, as are intelligence and necessity when unblunted by formal education.
β
β
Maya Angelou (I Know Why the Caged Bird Sings)
β
She comprehended the perversity of life, that in the struggle lies the joy.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
At fifteen life had taught me undeniably that surrender, in its place, was as honorable as resistance, especially if one had no choice.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat. It is an unnecessary insult.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
A bird who hurt her wing,
now forgotten how to fly.
A song she used to sing,
but can't remember why.
A breath she caught and kept -
that left her in a sigh.
It hurts her so to love you,
but she won't say goodbye.
β
β
Lang Leav
β
How can a bird that is born for joy
Sit in a cage and sing?
β
β
William Blake
β
Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware. And the worst part of my awareness was that I didn't know what I was aware of. I knew I knew very little, but I was certain that the things I had yet to learn wouldn't be taught to me at George Washington High School.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I had given up some youth for knowledge, but my gain was more valuable than the loss
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
When things were very bad his soul just crawled behind his heart and curled up and went to sleep
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The world had taken a deep breath and was having doubts about continuing to revolve.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Women been gittin' pregnant ever since Eve ate that apple.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power.
The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
He was a simple man who had no inferiority complex about his lack of education, and even more amazing no superiority complex because he had succeeded despite that lack.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The intensity with which young people live demands that they "blank out" as often as possible.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
It takes the human voice to infuse them with the shades of deeper meaning.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
How can the bird that is born for joy
Sit in a cage and sing?
How can a child, when fears annoy,
But droop his tender wing,
And forget his youthful spring?
β
β
William Blake (Songs of Innocence and of Experience)
β
Can't Do is like Don't Care. Neither of them have a home.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,-
When he beats his bars and would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings-
I know why the caged bird sings!
β
β
Paul Laurence Dunbar
β
No, no, no, no! Come, let's away to prison:
We two alone will sing like birds i' the cage:
When thou dost ask me blessing, I'll kneel down,
And ask of thee forgiveness: so we'll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news; and we'll talk with them too,
Who loses and who wins; who's in, who's out;
And take upon's the mystery of things,
As if we were God's spies: and we'll wear out,
In a wall'd prison, packs and sects of great ones,
That ebb and flow by the moon.
β
β
William Shakespeare (The Tragedy Of King Lear (Turtleback School & Library Binding Edition) (Signet Classic Shakespeare))
β
The dread of futility has been my life-long plague.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
People whose history and future were threatened each day by extinction considered that it was only by divine intervention that they were able to live at all. I find it interesting that the meanest life, the poorest existence, is attributed to God's will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at a commensurate speed.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
See, you don't have to think about doing the right thing. If you're for the right thing, then you do it without thinking.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
A story went the rounds about a San Franciscan white matron who refused to sit beside a Negro civilian on the streetcar, even after he made room for her on the seat. Her explanation was that she would not sit beside a draft dodger who was a Negro as well. She added that the least he could do was fight for his country the way her son was fighting on Iwo Jima. The story said that the man pulled his body away from the window to show an armless sleeve. He said quietly and with great dignity, "Then ask your son to look around for my arm, which I left over there.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
She said that I must always be intolerant of ignorance but understanding of illiteracy.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Until recently each generation found it more expedient to plead guilty to the charge of being young and ignorant, easier to take the punishment meted out by the older generation (which had itself confessed to the same crime short years before). The command to grow up at once was more bearable than the faceless horror of wavering purpose, which was youth.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I had read a Tale of Two Cities and found it up to my standards as a romantic novel. She opened the first page and I heard poetry for the first time in my life...her voice slid in and curved down trough and over the words. She was nearly singing.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The city became for me the ideal of what I wanted to be as a grown-up. Friendly, but never gushing, cool but not frigid or distant, distinguished without the awful stiffness.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
(And could love free me from the shadows? Can a caged bird sing only the song it knows or can it learn a new song?)
β
β
Angela Carter (The Lady of the House of Love)
β
The needs of a society determine its ethics, and in the Black American ghettos the hero is that man who is offered only the crumbs from his country's table but by ingenuity and courage is able to take for himself a Lucullan feast. Hence the janitor who lives in one room but sports a robin's-egg-blue Cadillac is not laughed at but admired, and the domestic who buys forty-dollar shoes is not criticized but is appreciated. We know that they have put to use their full mental and physical powers. Each single gain feeds into the gains of the body collective.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Of all the needs (there are none imaginary) a lonely child has, the one that must be satisfied, if there is going to be hope and a hope of wholeness, is the unshaking need for an unshakable God. My pretty Black brother was my Kingdom Come.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
As I ate she began the first of what we later called βmy lessons in living.β She said that I must always be intolerant of ignorance but understanding of illiteracy. That some people, unable to go to school, were more educated and even more intelligent than college professors. She encouraged me to listen carefully to what country people called mother wit. That in those homely sayings was couched the collective wisdom of generations.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I am the master of my fate, I am the captain of my soul.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Preach it, I say preach it.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I was basically good. Not understood, and not even liked, but even so, just, and better than just. I was merciful.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The Black woman in the South who raises sons, grandsons and nephews had her heartstrings tied to a hanging noose. Any break from routine may herald for them unbearable news.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I was liked, and what a difference it made.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
It was awful to be Negro and have no control over my life. It was brutal to be young and already trained to sit quietly and listen to charges brought against my color with no chance of defense. We should all be dead. I thought I should like to see us all dead, one on top of the other. A pyramid of flesh with the whitefolks on the bottom, as the broad base, then the Indians with their silly tomahawks and teepees and wigwams and treaties, the Negroes with their mops and recipes and cotton sacks and spirituals sticking out of their mouths. The Dutch children should all stumble in their wooden shoes and break their necks. The French should choke to death on the Louisiana Purchase (1803) while silkworms ate all the Chinese with their stupid pigtails. As a species, we were an abomination. All of us.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The needs of a society determine its ethics,
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
When you learn, teach," she said frequently. "When you get, give.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
There is no greater agony than bearing an untold story inside you.β
β Maya Angelou, I Know Why the Caged Bird Sings
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Few, if any, survive their teens.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Like most children, I thought if I could face the worst danger voluntarily, and triumph, I would forever have power over it.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I wouldn't miss Mrs. Flowers, for she had given me her secret word which called forth a djinn who was to serve me all my life: books.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Oh, Black known and unknown poets, how often have your auctioned pains sustained us? Who will compute the lonely nights made less lonely by your songs, or by the empty pots made less tragic by your tales?
If we were a people much given to revealing secrets, we might raise monuments and sacrifice to the memories of our poets, but slavery cured us of that weakness.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Words mean more than what is set down on paper. It takes the human voice to infuse them with the shades of deeper meaning.
β
β
Maya Angelou (I Know Why The Caged Bird Sings)
β
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
We two alone will sing like birds i' th' cage.
When thou dost ask me blessing, Iβll kneel down
And ask of thee forgiveness. So weβll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news, and weβll talk with them tooβ
Who loses and who wins, whoβs in, whoβs outβ
And take upon βs the mystery of things
As if we were Godβs spies.
β
β
William Shakespeare (King Lear)
β
In order to avoid this bitter end, we would all have to be born again, and born with the knowledge of alternatives. Even then?
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
You don't have to think about doing the right thing. If you're for the right thing, then you do it without thinking.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Now I lay me down to sleep, I pray the Lord my soul to keep, if I should die before I wake, I pray the Lord my soul to take.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
There is nothing a person can't do, and there should be nothing a human being didn't care about. It was the most positive encouragement I could have hoped for.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
THE TAME BIRD WAS IN A CAGE
THE tame bird was in a cage, the free bird was in the forest.
They met when the time came, it was a decree of fate.
The free bird cries, "O my love, let us fly to the wood."
The cage bird whispers, "Come hither, let us both live in the cage."
Says the free bird, "Among bars, where is there room to spread one's wings?"
"Alas," cries the caged bird, "I should not know where to sit perched in the sky."
The free bird cries, "My darling, sing the songs of the woodlands."
The cage bird sings, "Sit by my side, I'll teach you the speech of the learned."
The forest bird cries, "No, ah no! songs can never be taught."
The cage bird says, "Alas for me, I know not the songs of the woodlands."
There love is intense with longing, but they never can fly wing to wing.
Through the bars of the cage they look, and vain is their wish to know each other.
They flutter their wings in yearning, and sing, "Come closer, my love!"
The free bird cries, "It cannot be, I fear the closed doors of the cage."
The cage bird whispers, "Alas, my wings are powerless and dead.
β
β
Rabindranath Tagore
β
If the pretties were expected to make the supreme sacrifice in order to 'belong,' what could the unattractive female do?
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I swear to God, I rather you have a good mind than a cute behind.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The saying that people who have nothing to do become busybodies is not the only truth. Excitement is a drug, and people whose lives are filled with violence are always wondering where the next βfixβ is coming from.
β
β
Maya Angelou (I Know Why The Caged Bird Sings)
β
Although there was always generosity in the Negro neighborhood, it was indulged on pain of sacrifice. Whatever was given by Black people to other Blacks was most probably needed as desperately by the donor as by the receiver. A fact which made the giving or receiving a rich exchange.
β
β
Maya Angelou (I Know Why The Caged Bird Sings)
β
Although I had no regrets, I told myself sadly that growing up was not the painless process one would have thought it to be.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
As a species, we were an abomination. All of us.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Language is man's way of communicating with his fellow man and it is language alone which separates him from the lower animals.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
In order to be profoundly dishonest, a person must have one of two qualities: either he is unscrupulously ambitious, or he is unswervingly egocentric. He must believe that for his ends to be served all things and people can justifiably be shifted about, or that he is the center not only of his own world but of the worlds which others inhabit.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware. And the worst part of my awareness was that I didn't know what I was aware of.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Hadn't I, always, but ever and ever, thought that life was just one great risk for the living?
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Always be intolerant of ignorance but understanding of illiteracy.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
not only was cleanliness next to Godliness, dirtiness was the inventor of misery.
β
β
Maya Angelou (I Know Why The Caged Bird Sings)
β
I believe most plain girls are virtuous because of the scarcity of opportunity to be otherwise. They shield themselves with an aura of unavailableness (for which after a time they begin to take credit) largely as a defense tactic.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Youβre looking for sexual tidbits as a female child, and the only ones that present themselves depict child rape or other violations (all my favorite books in my preteen years: I Know Why the Caged Bird Sings, Clan of the Cave Bear, The World According to Garp, as well as the few R-rated movies I was allowed to seeβFame, most notably, with its indelible scene of Irene Cara being asked to take her shirt off and suck her thumb by a skeezy photographer who promises to make her a star), then your sexuality will form around that fact. There is no control group. I donβt even want to talk about βfemale sexualityβ until there is a control group. And there never will be.
β
β
Maggie Nelson (The Argonauts)
β
It seemed terribly unfair to have a toothache and a headache and have to bear at the same time the heavy burden of Blackness.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Maya Angelou entered our lives at Virago in 1984, when we first published I Know Why the Caged Bird Sings. "Entered our lives" is too tame. She danced, sang, and laughed her way straight into our hearts. She brought us a best-seller, but more than that, she brought us a reminder that the human need for dignity and recognition is a gift easily given to one another, but also frighteningly easy to withhold.
β
β
Lennie Goodings
β
Hanging softly over the black Singer sewing machine, it looked like magic, and when people saw me wearing it they were going to run up to me and say, "Marguerite, forgive us, please, we didn't know who you were," and I would answer generously, "No, you couldn't have known. Of course I forgive you.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Weekdays revolved on a sameness wheel. They turned into themselves so steadily and inevitably that each seemed to be the original of yesterday's rough draft. Saturday, however, always broke the mold and dared to be different.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Graduation, the hush-hush magic time of frills and gifts and congratulations and diplomas, was finished for me before my name was called. The accomplishment was nothing. The meticulous maps, drawn in three colors of ink, learning and spelling decasyllabic words, memorizing the whole of The Rape of Lucrece - it was for nothing. Donleavy had exposed us.
We were maids and farmers, handymen and washerwomen, and anything higher that we aspired to was farcical and presumptuous.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
My education and that of my Black associates were quite different from the education of our white schoolmates. In the classroom we all learned past participles, but in the streets and in our homes the Blacks learned to drop sβs from plurals and suffixes from past-tense verbs. We were alert to the gap separating the written word from the colloquial. We learned to slide out of one language and into another without being conscious of the effort. At school, in a given situation, we might respond with βThatβs not unusual.β But in the street, meeting the same situation, we easily said, βIt beβs like that sometimes.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
I hear the birds singing. Listen. I hear them in their cage. The others-all our kind who know of her-they think of her as heartless, but she wasn't heartless. She was only aware of things which I didn't learn till so many decades had passed. She knew secrets that only suffering can teach...
β
β
Anne Rice (Merrick (The Vampire Chronicles, #7))
β
DEPARTURE
The horizon slopes away
The days are longer
Trip
A heart hops in a cage
A bird sings
It is going to die
Another door is going to open
At the end of the corridor
Where a star
Begins to shine
A dark-haired woman
The lantern of the departing train
("Departure")
β
β
Pierre Reverdy (The Cubist Poets in Paris: An Anthology (French Modernist Library))
β
Miss Kirwin was that rare educator who was in love with information. I will always believe that her love of teaching came not so much from her liking for students but from her desire to make sure that some of the things she knew would find repositories so that they could be shared again.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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If on Judgement Day I were summoned by St. Peter to give testimony to the used-to-be sheriff's act of kindness, I would be unable to say anything in his behalf. His confidence that my uncle and every other Black man who heard of the Klan's coming ride would scurry under their houses to hide in chicken droppings was too humiliating to hear. Without waiting for Momma's thanks, he rode out of the yard, sure that things were as they should be and that he was a gentle squire, saving those deserving serfs from the laws of the land, which he condoned.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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What sets one Southern town apart from another, or from a Northern town or hamlet, or city high-rise? The answer must be the experience shared between the unknowing majority (it) and the knowing minority (you). All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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They basked in the righteousness of the poor and the exclusiveness of the downtrodden. Let the whitefolks have their money and power and segregation and sarcasm and big houses and schools and lawns like carpets, and books, and mostly--mostly--let them have their whiteness. It was better to be meek and lowly, spat upon and abused for this little time than to spend eternity frying in the fires of hell. No one would have admitted that the Christian and charitable people were happy to think of their oppressors' turning forever on the Devil's spit over the flames of fire and brimstone.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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The bright hours when the young rebelled against the descending sun had to give way to twenty-four-hour periods called βdaysβ that were named as well as numbered. The Black female is assaulted in her tender years by all those common forces of nature at the same time that she is caught in the tripartite crossfire of masculine prejudice, white illogical hate and Black lack of power. The fact that the adult American Negro female emerges a formidable character is often met with amazement, distaste and even belligerence. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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I discovered that to achieve perfect personal silence all I had to do was to attach myself leechlike to sound. I began to listen to everything. I probably hoped that after I had heard all the sounds, really heard them and packed them down, deep in my ears, the world would be quiet around me. I walked into rooms where people were laughing, their voices hitting the walls like stones, and I simply stood still-in the midst of the riot of sound. After a minute or two, silence would rush into the room from its hiding place because I had eaten up all of the sounds.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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San Franciscans would have sworn on the Golden Gate Bridge that racism was missing from the heart of their air-conditioned city. But they would have been sadly mistaken. A story went the rounds about a San Franciscan white matron who refused to sit beside a Negro civilian on the streetcar, even after he made room for her on the seat. Her explanation was that she would not sit beside a draft dodger who was a Negro as well. She added that the least he could do was fight for his country the way her son was fighting on Iwo Jima. The story said that the man pulled his body away from the window to show an armless sleeve. He said quietly and with great dignity, βThen ask your son to look around for my arm, which I left over there.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
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Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this:
But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur.
And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth.
I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5Β° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something.
I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
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Mark Haddon (The Curious Incident of the Dog in the Night-Time)
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Practical advice.βPeople who read much must always keep it in mind that life is one thing, literature another. Not that authors invariably lie. I declare that there are writers who rarely and most reluctantly lie. But one must know how to read, and that isn't easy. Out of a hundred bookreaders ninety-nine have no idea what they are reading about. It is a common belief, for example, that any writer who sings of suffering must be ready at all times to open his arms to the weary and heavy-laden. This is what his readers feel when they read his books. Then when they approach him with their woes, and find that he runs away without looking back at them, they are filled with indignation and talk of the discrepancy between word and deed. Whereas the fact is, the singer has more than enough woes of his own, and he sings them because he can't get rid of them. Lβuccello canta nella gabbia, non di gioia ma di rabbia, says the Italian proverb: "The bird sings in the cage, not from joy but from rage." It is impossible to love sufferers, particularly hopeless sufferers, and whoever says otherwise is a deliberate liar. "Come unto Me all ye that labour and are heavy laden, and I will give you rest." But you remember what the Jews said about Him: "He speaks as one having authority!" And if Jesus had been unable, or had not possessed the right, to answer this skeptical taunt, He would have had to renounce His words. We common mortals have neither divine powers nor divine rights, we can only love our neighbours whilst they still have hope, and any pretence of going beyond this is empty swagger. Ask him who sings of suffering for nothing but his songs. Rather think of alleviating his burden than of requiring alleviation from him. Surely notβfor ever should we ask any poet to sob and look upon tears. I will end with another Italian saying: Non Γ¨ un si triste cane che non meni la coda... "No dog so wretched that doesn't wag his tail sometimes.
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Lev Shestov (All Things Are Possible and Penultimates Words and Other Essays (English and Greek Edition))
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Questions of Travel
There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
βFor if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.
Think of the long trip home.
Should we have stayed at home and thought of here?
Where should we be today?
Is it right to be watching strangers in a play
in this strangest of theatres?
What childishness is it that while there's a breath of life
in our bodies, we are determined to rush
to see the sun the other way around?
The tiniest green hummingbird in the world?
To stare at some inexplicable old stonework,
inexplicable and impenetrable,
at any view,
instantly seen and always, always delightful?
Oh, must we dream our dreams
and have them, too?
And have we room
for one more folded sunset, still quite warm?
But surely it would have been a pity
not to have seen the trees along this road,
really exaggerated in their beauty,
not to have seen them gesturing
like noble pantomimists, robed in pink.
βNot to have had to stop for gas and heard
the sad, two-noted, wooden tune
of disparate wooden clogs
carelessly clacking over
a grease-stained filling-station floor.
(In another country the clogs would all be tested.
Each pair there would have identical pitch.)
βA pity not to have heard
the other, less primitive music of the fat brown bird
who sings above the broken gasoline pump
in a bamboo church of Jesuit baroque:
three towers, five silver crosses.
βYes, a pity not to have pondered,
blurredly and inconclusively,
on what connection can exist for centuries
between the crudest wooden footwear
and, careful and finicky,
the whittled fantasies of wooden cages.
βNever to have studied history in
the weak calligraphy of songbirds' cages.
βAnd never to have had to listen to rain
so much like politicians' speeches:
two hour of unrelenting oratory
and then a sudden golden silence
in which the traveller takes a notebook, writes:
"Is it lack of imagination that makes us come
to imagined places, not just stay at home?
Or could Pascal have been entirely right
about just sitting quietly in one's room?
Continent, city, country, society:
the choice is never wide and never free.
And here, or there...No. Should we have stayed at home,
wherever that may be?
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Elizabeth Bishop (Questions of Travel)
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In the early months of World War II, San Francisco's Fill-more district, or the Western Addition, experienced a visible revolution. On the surface it appeared to be totally peaceful and almost a refutation of the term βrevolution.β The Yakamoto Sea Food Market quietly became Sammy's Shoe Shine Parlor and Smoke Shop. Yashigira's Hardware metamorphosed into La Salon de BeautΓ© owned by Miss Clorinda Jackson. The Japanese shops which sold products to Nisei customers were taken over by enterprising Negro businessmen, and in less than a year became permanent homes away from home for the newly arrived Southern Blacks. Where the odors of tempura, raw fish and cha had dominated, the aroma of chitlings, greens and ham hocks now prevailed. The Asian population dwindled before my eyes. I was unable to tell the Japanese from the Chinese and as yet found no real difference in the national origin of such sounds as Ching and Chan or Moto and Kano. As the Japanese disappeared, soundlessly and without protest, the Negroes entered with their loud jukeboxes, their just-released animosities and the relief of escape from Southern bonds. The Japanese area became San Francisco's Harlem in a matter of months. A person unaware of all the factors that make up oppression might have expected sympathy or even support from the Negro newcomers for the dislodged Japanese. Especially in view of the fact that they (the Blacks) had themselves undergone concentration-camp living for centuries in slavery's plantations and later in sharecroppers' cabins. But the sensations of common relationship were missing. The Black newcomer had been recruited on the desiccated farm lands of Georgia and Mississippi by war-plant labor scouts. The chance to live in two-or three-story apartment buildings (which became instant slums), and to earn two-and even three-figured weekly checks, was blinding. For the first time he could think of himself as a Boss, a Spender. He was able to pay other people to work for him, i.e. the dry cleaners, taxi drivers, waitresses, etc. The shipyards and ammunition plants brought to booming life by the war let him know that he was needed and even appreciated. A completely alien yet very pleasant position for him to experience. Who could expect this man to share his new and dizzying importance with concern for a race that he had never known to exist? Another reason for his indifference to the Japanese removal was more subtle but was more profoundly felt. The Japanese were not whitefolks. Their eyes, language and customs belied the white skin and proved to their dark successors that since they didn't have to be feared, neither did they have to be considered. All this was decided unconsciously.
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Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))