Cage Fighter Quotes

You want me to level, here it is: I need you. I need you because I love you. Three months without you will be hell. But even if we weren’t together, I would still need you. You’re a good fighter, you’ve worked as a bodyguard, and you know magic. We may not have many magic users, but we don’t know if those packs do, and if they hit us with magic, we have no way to counter.” He spread his arms. “But I love you and I don’t want you to be hurt. I’m not going to ask you to come with me. That would be like stepping in front of a moving train and saying, ‘Hey, honey, come stand next to me.’” I hopped off the wall and stood next to him. “Anytime.” He just looked at me. “I’ve never killed a train before. It might be fun to try.” “Are you sure?” “One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me.” “I remember,” he said. “That’s when I realized you loved me,” I said. “I was in the cage and I heard you roar.

Poets, like fighters, both reap the benefits of roadwork.

On my hands and knees I watch the headboard creep closer to my face, knowing I'll probably ram into it soon. Not that it would slow Woody Woodpecker back there down.

I'm so ready that a flash flood warning just went into effect," Sadie says softly.

Busted knuckles? You one of those cage fighters? What’s your ring name? Captain Cavity?

Who the hell are you? he snapped. Your fucking cage’s wet dream and your fighters’ worst nightmare.

The next day I called my neighbouring farmers to say I was going to have a coronary, and they all had the same piece of advice. I had to accept whatever happens, because that’s farming. They also said I had to be patient, which is not possible. I can’t be patient. It’s not in my DNA. It’s a bit like telling Nicholas Witchell he has to be a Moroccan cage fighter.

You know what makes a person a fighter? It's not the number of punches he can throw, or how long he can last in a cage. It's when he shows real courage and strength to overcome his battle wounds.

We are all fighting battles with the world, systems, ourselves. Battles that are easy to lose. It’s so much easier to keep doing what feels comfortable. What feels safe. But then we might look up one day and realize that we’ve safety-netted ourselves into lives that feel like cages. Cages can get comfortable, but comfort is overrated. Being quiet is comfortable. Keeping things the way they’ve been is comfortable. But all comfort does is maintain the status quo.

The final entity was the beast. The steel juggernaut that raked claws made of screams along the bones of their soul.All of the pain that Jango had endured as a child had never left his mind. That pain had created a sort of primordial ooze in his fractured mind that sloshed and bled until the beast was birthed from the suffering. The beast lived in a cage forged of willpower deep in the recesses of the mad matrix of his splintered mind. It rattled the cage and roared for release, but he was loath to ever set the beast loose…again.

That’s why I keep my Bible cracked open every day. I figure there’s one place I can go to find out what’s the right fight and what’s the wrong, and if I can keep myself sharp about those sorts of things I’ll have good instinct about when to let that fighter out and when to cage her up.

For too long, there has been no mass fight back against the multileveled assault on poor and vulnerable people, despite the heroic work of intellectual freedom fighters including Marian Wright Edelman, Angela Davis, Loïc Wacquant, Glenn Loury, Marc Mauer, and others. Yet the sleepwalking is slowly but surely coming to a close as more and more fellow citizens realize that the iron cage they inhabit—maybe even a golden cage for the affluent—is still a form of bondage.

Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good is doubly good when it is a case of two woolen socks in wintertime.

The animals in the zoo-those that had not been stolen in previous administrations-were slain or left to starve. One zealous, perhaps mad, Taliban jumped into a bear’s cage and cut off his nose, reputedly because the animal’s “beard” was not long enough. Another fighter, intoxicated by events and his own power, leaped into the lion’s den and cried out, “I am the lion now!” The lion killed him. Another Taliban solider threw a grenade into the den, blinding the animal. These two, the noseless bear and the blind lion, together with two wolves, were the only animals that survived Taliban rule.

Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good doubly good when it is a case of two woolen socks in wintertime.

Ode to My Socks Maru Mori brought me a pair of socks knitted with her own shepherd's hands, two socks soft as rabbits. I slipped my feet into them as if into jewel cases woven with threads of dusk and sheep's wool. Audacious socks, my feet became two woolen fish, two long sharks of lapis blue shot with a golden thread, two mammoth blackbirds, two cannons, thus honored were my feet by these celestial socks. They were so beautiful that for the first time my feet seemed unacceptable to me, two tired old fire fighters not worthy of the woven fire of those luminous socks. Nonetheless, I resisted the strong temptation to save them the way schoolboys bottle fireflies, the way scholars hoard sacred documents. I resisted the wild impulse to place them in a cage of gold and daily feed them birdseed and rosy melon flesh. Like explorers who in the forest surrender a rare and tender deer to the spit and eat it with remorse, I stuck out my feet and pulled on the handsome socks, and then my shoes. So this is the moral of my ode: twice beautiful is beauty and what is good is doubly good when it is a case of two woolen socks in wintertime.

Steve was a warrior in every sense of the word, but battling wildlife perpetrators just wasn’t the same as old-fashioned combat. Because Steve’s knees continued to deteriorate, his surfing ability was severely compromised. Instead of giving up in despair, Steve sought another outlet for all his pent-up energy. Through our head of security, Dan Higgins, Steve discovered mixed martial arts (or MMA) fighting. Steve was a natural at sparring. His build was unbelievable, like a gorilla’s, with his thick chest, long arms, and outrageous strength for hugging things (like crocs). Once he grabbed hold of something, there was no getting away. He had a punch equivalent to the kick of a Clydesdale, he could just about lift somebody off the ground with an uppercut, and he took to grappling as a wonderful release. Steve never did anything by halves. I remember one time the guys were telling him that a good body shot could really wind someone. Steve suddenly said, “No one’s given me a good body shot. Try to drop me with a good one so I know what it feels like.” Steve opened up his arms and Dan just pile drove him. Steve said, in between gasps, “Thanks, mate. That was great, I get your point.” I would join in and spar or work the pads, or roll around until I was absolutely exhausted. Steve would go until he threw up. I’ve never seen anything like it. Some MMA athletes are able to seek that dark place, that point of total exhaustion--they can see it, stare at it, and sometimes get past it. Steve ran to it every day. He wasn’t afraid of it. He tried to get himself to that point of exhaustion so that maybe the next day he could get a little bit further. Soon we were recruiting the crew, anyone who had any experience grappling. Guys from the tiger department or construction were lining up to have a go, and Steve would go through the blokes one after another, grappling away. And all the while I loved it too. Here was something else that Steve and I could do together, and he was hilarious. Sometimes he would be cooking dinner, and I’d come into the kitchen and pat him on the bum with a flirtatious look. The next thing I knew he had me in underhooks and I was on the floor. We’d be rolling around, laughing, trying to grapple each other. It’s like the old adage when you’re watching a wildlife documentary: Are they fighting or mating? It seems odd that this no-holds-barred fighting really brought us closer, but we had so much fun with it. Steve finally built his own dojo on a raised concrete pad with a cage, shade cloth, fans, mats, bags, and all that great gear. Six days a week, he would start grappling at daylight, as soon as the guys would get into work. He had his own set of techniques and was a great brawler in his own right, having stood up for himself in some of the roughest, toughest, most remote outback areas. Steve wasn’t intimidated by anyone. Dan Higgins brought a bunch of guys over from the States, including Keith Jardine and other pros, and Steve couldn’t wait to tear into them. He held his own against some of the best MMA fighters in the world. I always thought that if he’d wanted to be a fighter as a profession, he would have been dangerous. All the guys heartily agreed.

Oh, there’s one low trick you can try if a cage fighter’s got you in a lock on the floor – tap out. He’s so used to it in training, he might just release you from force of habit, then you can hit him and run away.

If Barbie were a cage fighter, that would be her dream house.

He tipped his head back, closing his eyes. My back stiffened. I was insulted. Offended. I was a badass fighter, and he was so not scared of me that he was about to take a freaking nap! “You know, little bird,” he said slowly, his fingers tapping along the arm of the black chair. “I plan to keep you afterward. Your mouth amuses me. Perhaps I will have a pretty cage fashioned to hold my pretty red-headed bird.

As long as you use the same adolescent cynicism and use the same fighting techniques, the readers and the audience don’t give a damn whether your words have substance or not. They simply want you to win because you’re their fighter in the cage, and that’s it.

Look. Is The Rock a perfect movie? No. But is it a perfect movie? Maybe! Just describing the plot of The Rock is a lush, lip-smacking thrill, like a piece of bacon that is all fatty rind, like a bowl of Lucky Charms that is all marshmallows—so many elements that could each, alone, be too much, here combined into one film that somehow works, one great, baroque cinnamon roll that is all the middle of the cinnamon roll, The Jetsons Meet the Flintstones, a duck-billed platypus, a place beyond decadence, foie gras on your burger, everything you want and nothing you don’t and then some more. Nicolas Cage, an unchained freak; Sean Connery, virtuosically hammy; Ed Harris, a haunted prince going down with his ship; antihero vs. antihero vs. antihero vs. the president; and gruesome chemical weapons and a heist and a mutiny and a double mutiny and family drama and Alcatraz and mine carts and fighter jets and flames and a rock, stalwart against the sea. All that, but with none of the septic irony, the relentless self-conscious hedging, that infects so much of our lives these days. The Rock does not take one single moment to look you in the eye and say, yes, we know this is a little silly, we are sorry, please know we are cool—there’s no need! The Rock believes in itself, it commits, it is happy to be fun. Coolness is a deadly neurotoxin. Inject The Rock into your heart.

It takes a great deal of behind the scenes work so the fans can see two gladiators square off in the ring or cage. That final moment of confrontation stands on the shoulders of so many men and women who never expect any notoriety. In fact, they don’t even crave it, because when two fighters put on an amazing display of heart and skill for the fans, us behind-the-scenes guys know that we played a role in making it happen.

There were about 20 pikeys surrounding this bloke who looked like he should be in a cage. I swear he was 6ft 8in and about the same across. His boat had been shifted around so often he didn’t look human. I whispered to Kenny. ‘Hope you got a better deal than 500.’ He said, ‘We’ll walk away with two grand from this one. He ain’t as tough as he looks.’ I said, ‘How do you know?’ I just got that big grin again. ‘I don’t, I’m just trying to cheer you up.’ We all moved back away from the flashing lights of the rides, and they formed a large ring. No formalities, no bell. Just, ‘Go on, boys.’ I steamed straight in putting all my weight behind four or five solid belts. Every “one connected on his arms. I tried to come up under and do his ribs in but I couldn’t get round those massive arms. It was like he was holding sandbags up in front. He threw a couple but his eyes gave him away before he even started to swing. I tried again. Bang. Bang. Bang. This time I got through and put a nice split in his forehead; good bit of claret. Then he grabs me, pins my arms to my sides, and nuts me full in the face, trying to get his teeth into my nose. I could smell his breath – a mixture of shit and beer. I brought my knee up into his sack and he let go with a surprised look on his bloody face. Got you now, you bastard. I slammed into him, but he’d got those fucking great arms up and I’m punching sandbags again. Round and round we went. I had him sussed now. He’s not a fighter, he’s a steamroller. He wanted to tire me out then drop 20 stone on top of me. He’s got the right idea; I’m knackered. It’s dead quiet except for faint music from the fair. No one was cheering encouragement, just a ring of brown faces watching us both with cold eyes. Kenny’s looking worried. Fuck it. I shouldn’t have looked round; he’s caught me with a right-hander full in the side of the head. My head’s ringing, I’ve gone deaf on that side and now I’m really pissed off. This has gone on for long enough. I had to take a risk. I turned my back on him, raised my arms in Kenny’s direction and said, ‘When are you going to ring the fucking bell?’ At the same time, I spun round and, as I’d hoped, the big animal was so surprised at me turning my back he dropped his arms. Everything I’ve got went into a straight punch to the heart. He fell backwards and down like a falling tree.

I was silent for a moment. And then I looked up at him. "Can I be in the cage with you?" Declan stopped. "Just you and me?" I nodded. A small smile tugged up the corners of his lips. "You and me," he said. "We'll pretend it's just you and me." I grinned. "You and me.

In chapter 1 we discussed how the human body could behave as a loose collection of small parts, or one large rigid object, depending on how relaxed or tight your muscles happen to be at the time. This same principle applies to getting your mass behind your punches, but with a few more eccentricities. The more rigid you are, the more difficult it is to move your muscles fast enough to throw a punch, but that rigidity is also what enables you to put more mass behind the punch. If you can get your timing just right, you can tighten your arm at the moment it becomes extended and continue the motion with your shoulders and hips, giving your punch the mass of your whole arm and even some of your body. Professional fighters can get as much as 10 percent of their body weight behind their punches, which is 10 to 20 times more momentum than throwing a fist by itself. It can take years of training to get to the point where you can put significant mass behind your punches, but we can get there a little quicker if we apply some of our knowledge of the center of mass from chapter 1. Since your center of mass lies just below your belly button, you will get the most mass behind your punch if you can make a continuous rigid path between your fist and your center of mass. Your rib cage does a good job of keeping your chest area rigid, but your lower abdomen is an entirely different story. Many martial artists yell or exhale (or hiss) while striking because the act of expelling air with the diaphragm provides the rigid path you need to get your mass behind your punches. You will also want to make sure to plant your center of mass firmly in the ground through your legs and hips, not only to include those muscle groups in your punches, but also to ensure your center of mass remains stationary as your punches push into your opponent.

Cage fighting appeals to the savage instinct in some people, including me, and we’re all here for the same reason—to see one fighter annihilate another. We want to see bleeding eyes, gashes across the forehead, choke holds, bone-ripping submissions, and brutal knockout punches that send the corners scrambling for the doctor. Mix in a flood of cheap beer, and you have five thousand maniacs begging for blood.

He smelled like a cage fighter's armpit and his feet ached.

Not every day you see an undead cage fighter hold your ex-girlfriend’s kid. Kinda thing that would give you pause if you had a single correctly-wired goddamn motherfucking emotion. Shut that noise down.

For us to survive this tomorrow, I need you to be the fighter I know you can be. I need you to be you.

The testimony is followed by another montage of Team Impact feats of strength. “Ladies and Gentlemen,” an amped up announcer voice a la Monster Truck Rally proclaims, “We are Team Impaaaaact. Standing on faith tonight let’s give it up for the King of Kings and Lord of Lords, the one, the only, the Risen Warrioooooor!” Are they talking about Jesus? Is he a cage fighter or the Lamb of God? If ever there was a cross-denying tribute to a theology of glory, it would be Team Impact. As is the case with the rest of TBN, the scandal of Jesus’ birth, life, teachings, death, and resurrection are ignored entirely in favor of a Jesus-as-Rambo theology; here the Lord just kicks ass and takes names, much like the freakishly muscular Team Impact guys. Taking one’s Christology from a couple of chapters of Revelation (ignoring the central Christ image, that of the Lamb who was slain) rather than the gospels is baffling to me. I recently saw an “inspirational” self-mocking emerging church poster. The word “incarnational” rested below an image of a heavily tattooed guy wearing a crown of thorns made of barbed wire. The caption read “What would Jesus do? I’m pretty sure he’d do stuff I think is cool.” We all wish to make Christ in our own image because the truth of a God who dies is too much. We’ll believe anything but that, and if that anything happens to bring us power and victory and glory then all the better.

Ben McKenzie (Ryan Atwood): I thought it was completely ridiculous—and also awesome. It’s one of those moments where you’re like, At least it’ll be fun, you can throw yourself into it. Gave me a reason to exercise, although I don’t think I had much advance notice. Like, Oh, I guess I’m a cage fighter now.