β
She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a cork board like a butterfly, but the pin merely went through and away she flew.
β
β
Jerry Spinelli (Stargirl (Stargirl, #1))
β
Iβm no cactus expert, but I know a prick when I see one.
β
β
Mark A. Cooper (Royal Decree (Jason Steed #4))
β
Roses may say βI love you,β but the cactus says βFuck off.
β
β
Jarod Kintz (Seriously delirious, but not at all serious)
β
Cress?"
"It's beautiful out there."
A hesitation, before, "Could you be more specific?"
"The sky is gorgeous, intense blue color." She pressed her fingers to the glass and traced the wavy hills on the horizon.
"Oh, good. You've really narrowed it down for me."
"I'm sorry, it's just..." She tried to stamp down the rush of emotion. "I think we're in a desert."
"Cactuses and tumbleweeds?"
"No just a lot of sand. It's kind of orangish-gold, with hints of pink, and I can see tiny clouds of it floating above the ground, like...like smoke."
"Piles up in lots of hills?"
"Yes, exactly! And it's beautiful."
Thorne snorted. "If this is how you feel about a desert, I can't wait until you see your first real tree. Your mind will explode.
β
β
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β
Wilf: God bless the cactuses!
The Doctor: That's cactI.
Alien: And that's racist!
β
β
Russell T. Davies
β
That craptastical, gutless, son-of-a-cactus-humping butt monkey!!
β
β
Gemma Halliday (Deadly Cool (Deadly Cool, #1))
β
You told us to leave you in the desert, because you planned to start a new life as cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy.
β
β
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
β
She laughed when there was no joke. She danced when there was no music.
She had no friends, yet she was the friendliest person in school.
In her answers in class, she often spoke of sea horses and stars, but she did not know what a football was...
She was elusive. She was today. She was tomorrow. She was the faintest scent of a cactus flower, the flitting shadow of an elf owl. We did not know what to make of her. In our minds we tried to pin her to a corkboard like a butterfly, but the pin merely went through and away she flew.
β
β
Jerry Spinelli (Stargirl (Stargirl, #1))
β
A CACTUS DOESNβT LIVE in the desert because it likes the desert; it lives there because the desert hasnβt killed it yet.
β
β
Hope Jahren (Lab Girl)
β
The name says it all. That's where Dad (Hades) tries out his new punishment ideas, but he says the traditional ones still work best: the lava flows, the minefields full of exploding surprises, burning at the stake, running naked through cactus patches... You name it, we've got it here - Nico di Angelo
β
β
Rick Riordan (Percy Jackson & the Olympians: The Ultimate Guide)
β
Being negative only makes a difficult journey more difficult. You may be given a cactus, but you don't have to sit on it.
β
β
Joyce Meyer (Approval Addiction: Overcoming Your Need to Please Everyone)
β
My neighbor raised a shaking index finger to point at the saguaro. "That moving cactus...and the big bug...and you, you spooky bastard. What are you?
I stuffed my hands in my pockets and grinned winningly at him. "Why, I'm the Antichrist, of course.
β
β
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
β
Iβm erased. Iβm gone. Iβm nothing. And then the world is free to flow into me like water into an empty bowlβ¦. Andβ¦ I see. I hear. But not with eyes and ears. Iβm not outside my world anymore, and Iβm not really inside it either. The thing is, thereβs no difference between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain. I like that most of all, being rain.
β
β
Jerry Spinelli (Stargirl (Stargirl, #1))
β
How dare you. Do you have any idea who I am?β Laurence whined.
βIβm no cactus expert, but I know a prick when I see one.
β
β
Mark A. Cooper (Face-Off (Jason Steed #5))
β
Women only cut their hair in times of crisis... It's somethin' a woman always has the power to do, even when she loses control over everything else. Cuttin' hair is a cry for help.
β
β
Bella Pollen (Midnight Cactus)
β
Even from far away, I could see people being chased by hellhounds, burned at the stake, forced to run naked through cactus patches or listen to opera music.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
I had forgotten that talking to you is like trying to pet a cactus." Saiman said dryly. "Thank you for reminding me."
"Always happy to oblige.
β
β
Ilona Andrews (Magic Rises (Kate Daniels, #6))
β
About a month ago I got a cactus. A week later, it died. I was really depressed because I was like, 'Damn! I am less nurturing than a desert.
β
β
Demetri Martin
β
Isnβt that why you have that gun mounted on the front? Or is it for other reasons, because I wouldβve thought that a man with your powers would be past the urge to compensate.β
Barabas grinned.
βI had forgotten that talking to you is like trying to pet a cactus,β Saiman said dryly. βThank you for reminding me.β
βAlways happy to oblige.
β
β
Ilona Andrews (Magic Rises (Kate Daniels, #6))
β
I blew the horn a few times, hoping to call up an iguana. Get the buggers moving. They were out there, I knew, in that goddamn sea of cactus--hunkered down, barely breathing, and every one of the stinking little bastards was loaded with deadly poison.
β
β
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
β
Juno MacGuff: "Thanks a heap coyote ugly. This cactus-gram stings worse than your abandonment.
β
β
Diablo Cody (Juno: The Shooting Script)
β
Flailing and thrashing, Buttercup wept and tossed and paced and wept some more, and there have been three great cases of jealousy since David of Galilee was first afflicted with the emotion when he could no longer stand the fact that his neighbor Saul's cactus outshone his own. (Originally, jealousy pertained solely to plants, other people's cactus or ginkgoes, or, later, when there was grass, grass, which is why, even to this day, we say that someone is green with jealousy.) Buttercup's case rated a close fourth on the all-time list.
It was a very long and very green night.
β
β
William Goldman (The Princess Bride)
β
So I came down here, to breathe dust and walk with the dogs-- to look at a rock or a cactus and know that I am the first person to see that cactus and that rock.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
John flung himself into a pseudo-karate stance, one hand poised behind him and one in front, posed like a cartoon cactus. I thought for an odd moment he had moved his limbs so fast they had made that whoosh sound through air but then I realized John was making that sound with his mouth.
β
β
David Wong (John Dies at the End (John Dies at the End, #1))
β
Captain Phelan and I dislike each other,β Beatrix told her. βIn fact, weβre sworn enemies.β
Christopher glanced at her quickly. βWhen did we become sworn enemies?β
Ignoring him, Beatrix said to her sister, "Regardless, heβs staying for tea.β
βWonderful,β Amelia said equably. βWhy are you enemies, dear?β
βI met him yesterday while I was out walking,β Beatrix explained. βAnd he called Medusa a βgarden pest,β and faulted me for bringing her to a picnic.β
Amelia smiled at Christopher. βMedusa has been called many worse things around here, including βdiseased pincushion,β and βperambulating cactus.
β
β
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
β
The cactus thrives in the desert while the fern thrives in the wetland.
The fool will try to plant them in the same flowerbox.
The florist will sigh and add a wall divider and proper soil to both sides.
The grandparent will move the flowerbox halfway out of the sun.
The child will turn it around properly so that the fern is in the shade, and not the cactus.
The moral of the story?
Kids are smart.
β
β
Vera Nazarian (The Perpetual Calendar of Inspiration)
β
Even when we have realized oneness and nothingness, we still have our personal lives to manage, bodies to take care of, and mouths to feed, and you will know which one is yours and which ones are others', so you won't put food into another person's mouth when you are hungry. Also you won't kiss a rattlesnake or hug a cactus no matter how strong an affinity you feel toward them. But at the same time, we know these apparent separations are functional, not fundamental, and should be recognized as such without mistaking one for the other. I would call this apparent separation "functional ego," or you can call it your "character," which is the collection of your beliefs, habits, and other people's expectations.
β
β
Ilchi Lee (Change: Realizing Your Greatest Potential)
β
He'd always had a quickening of the heart when he crossed into Arizona and beheld the cactus country. This was as the desert should be, this was the desert of the picture books, with the land unrolled to the farthest distant horizon hills, with saguaro standing sentinel in their strange chessboard pattern, towering supinely above the fans of ocotillo and brushy mesquite.
β
β
Dorothy B. Hughes (The Expendable Man)
β
Who wants to become a writer? And why? ... It's the streaming reason for living. To note, to pin down, to build up, to create, to be astonished at nothing, to cherish the oddities, to let nothing go down the drain, to make something, to make a great flower of life, even if it's a cactus.
β
β
Enid Bagnold
β
You are holding a cactus plant in your hand. You are bleeding and cursing the cactus but not letting go of it. Cactus is not hurting you. Your own attachment with the cactus is hurting you.
β
β
Shunya
β
It is only the story...that saves our progeny from blundering like blind beggars into the spikes of the cactus fence.The story is our escort;without it,we are blind.Does the blind man own his escort?No,neither do we the story;rather,it is the story that owns us.
β
β
Chinua Achebe (Anthills of the Savannah)
β
You have a very prickly exterior that needs to be navigated very carefully. Kind of like a really sexy cactus.
β
β
Michelle Rowen (Blood Bath & Beyond (Immortality Bites #6; Immortality Bites Mystery #1))
β
During your struggle society is not a bunch of flowers, it is a bunch of cactus.
β
β
Amit Kalantri (Wealth of Words)
β
Children expect their mothers to love them, no matter what. Those who don't get this tend to feel cheated the rest of their lives.
β
β
Bella Pollen (Midnight Cactus)
β
She also set fire to a tall cactus because it was giving her a superior look and she felt like it.
β
β
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
β
Having fake friends is like hugging cactus. The tighter you hug, the more pain you get.
β
β
Riza Prasetyaningsih
β
What a surprise. That boy doesn't have the sense God gave a cactus.
β
β
Kathleen Peacock (Hemlock (Hemlock, #1))
β
Come on, Elmer,β he said to his horse. βLetβs find a nice prickly cactus you can toss me into.
β
β
Abigail Roux (Stars & Stripes (Cut & Run, #6))
β
You don't need to know what you're escaping from to become a fugitive.
β
β
Bella Pollen (Midnight Cactus)
β
He unlaced his arms and took a step forward. "You hurt?"
"Not badly." She tried to smile, but her lips only curved on one side. "My main problem is that I'm stuck to a cactus."
(...)
"How'd you manage to get tangled up with a cactus?" J.T. crouched beside her and started extricating her from the prickly plant.
"Well, believe it or not, I was on my way to apologize to you when a prairie-dog hole jumped up and grabbed my shoe heel.
β
β
Karen Witemeyer (A Tailor-Made Bride)
β
Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
β
β
Cassandra Clare (The Bane Chronicles)
β
Come live with me and be my love
And we will all the pleasures prove
Of a marriage conducted with economy
In the Twentieth Century Anno Donomy.
Weβll live in a dear little walk-up flat
With practically room to swing a cat
And a potted cactus to give it hauteur
And a bathtub equipped with dark brown water.
Weβll eat, without undue discouragement,
Foods low in cost but high in nouragement
And quaff with pleasure, while chatting wittily,
The peculiar wine of Little Italy.
Weβll remind each other itβs smart to be thrifty
And buy our clothes for something-fifty.
Weβll bus for miles on holidays
For seas at depressing matinees,
And every Sunday weβll have a lark
And take a walk in Central Park.
And one of these days not too remote
Youβll probably up and cut my throat.
β
β
Ogden Nash (Hard Lines)
β
You can't see anything from a car; you've got to get out of the goddamn contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbrush and cactus. When traces of blood begin to mark your trail, you'll see something, maybe.
β
β
Edward Abbey (Desert Solitaire)
β
I felt like I was shining, and this time I thought maybe it wasnβt just the moon. Maybe the light was in me.
β
β
Dusti Bowling (Insignificant Events in the Life of a Cactus)
β
That boy could wear a banana leaf and a propeller beanie and look beautiful."
"That how you like your boys, Kiz?" asked Cactus.
"Oh yes. All my boys. I'll issue him a banana leaf and a propeller beanie at once and induct him into my boy-harem."
Evie snorted. "Boy harem! Imagine - their little propellers all spinning as they fan you with palm fronds."
"While they satisfy my every whim," added Cactus. Kizzy snorted.
"Forget it. I don't lend out my boys."
"Come on, no one likes a greedy slave owner."
"My boys aren't slaves! They stay because they want to. I give them all the elk meat they can eat. And Xbox, you know, to keep their thumbs nice and agile.
β
β
Laini Taylor (Lips Touch: Three Times)
β
A little bit of suspicion is a dangerous thing; a drop from a pipette of poison into a bucket of otherwise clean water.
β
β
Bella Pollen (Midnight Cactus)
β
I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body--flesh and bone--and from the Earth's body--stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.
β
β
Gloria E. AnzaldΓΊa (Borderlands/La Frontera: The New Mestiza)
β
Unhappiness is a dangerous thing, like carbon monoxide. You don't smell it, you don't taste it, it's formless and colourless, but it poisons slowly. It seeps into every pore of your skin until one day your heart just stops beating.
β
β
Bella Pollen (Midnight Cactus)
β
Godβs mercy is greater than your sins or circumstances. His compassionate love embraces the cactus parts of you that you swear no one could hug. His grace celebrates the parts of you that nobody claps for. God loved you before you were even created, before you even knew of Him. As the Qurβan says, βIt is He who sent down tranquility into the hearts of the believers, that they may add faith to their faith for to Allah belong the forces of the heavens and the Earth and Allah is full of Knowledge and Wisdomβ (48:4).
β
β
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam)
β
Sad to say, in my four-thousand-plus years, the times I'd felt most at home had all happened during the past few months: at Camp Half-Blood, sharing a cabin with my demigod children; at the Waystation with Emma, Jo, Georgina, Leo and Calypso, all of us sitting around the kitchen table chopping vegetables from the garden for dinner; at the Cistern in Palm Springs with Meg, Grover, Mellie, Coach Hedge and a prickly assortment of cactus dryads; and now at Camp Jupiter, where the anxious, grief-stricken Romans, despite their many problems, despite the fact that I brought misery and disaster wherever I went, had welcomed me with respect, a room above their coffee shop and some lovely bed linen to wear.
These places were homes. Whether I deserved to be part of them or not - that was a different question.
β
β
Rick Riordan (The Tyrantβs Tomb (The Trials of Apollo, #4))
β
I think Connor would be the last person to label you like that. You shouldn't get so offended if someone calls you disabled, Aven. You DO have extra challenges that others don't have. It DOES take you longer to do most tasks. Your movements ARE limited. There's a big difference between saying you're disabled and saying you're incapable.
β
β
Dusti Bowling (Insignificant Events in the Life of a Cactus (Life of a Cactus #1))
β
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
β
β
Ken Kesey (One Flew Over the Cuckooβs Nest)
β
Authenticity is not the search for uniqueness. An oak tree does not try to become an oak tree. A cactus does not try to become a cactus. All living things simply reach for nourishment - they reach for sun, reach for water, reach their roots deeper into the ground. By being open to receiving what they need, they become unique effortlessly. So let yourself fall open. Forget about crafting yourself a unique personality. Just allow. Allow in love. Allow pain. Allow desire. Allow learning. Allow healing. Allow frustration. Allow uncertainty. Allow yourself to experience what you must experience and learn what you need to learn, so that your uniqueness can emerge organically.
β
β
Vironika Tugaleva
β
But, these days, fairy-tale endings come in all shapes and sizes. Itβs okay for the princess to end up with the prince, itβs okay for her to end up with the footman, itβs okay for her to end up on her own. Itβs also okay for her to end up with another princess, or with six cats, or to decide she wants to be a prince. None of those make her any more or less a feminist.
β
β
Sarah Haywood (De cactus)
β
All down the stone steps on either side were periwinkles in full flower, and she could now see what it was that had caught at her the night before and brushed, wet and scented, across her face. It was wistaria. Wistaria and sunshine . . . she remembered the advertisement. Here indeed were both in profusion. The wistaria was tumbling over itself in its excess of life, its prodigality of flowering; and where the pergola ended the sun blazed on scarlet geraniums, bushes of them, and nasturtiums in great heaps, and marigolds so brilliant that they seemed to be burning, and red and pink snapdragons, all outdoing each other in bright, fierce colour. The ground behind these flaming things dropped away in terraces to the sea, each terrace a little orchard, where among the olives grew vines on trellises, and fig-trees, and peach-trees, and cherry-trees. The cherry-trees and peach-trees were in blossom--lovely showers of white and deep rose-colour among the trembling delicacy of the olives; the fig-leaves were just big enough to smell of figs, the vine-buds were only beginning to show. And beneath these trees were groups of blue and purple irises, and bushes of lavender, and grey, sharp cactuses, and the grass was thick with dandelions and daisies, and right down at the bottom was the sea. Colour seemed flung down anyhow, anywhere; every sort of colour piled up in heaps, pouring along in rivers....
β
β
Elizabeth von Arnim (The Enchanted April)
β
When we are talking about cash flow - once again, nature is a great teacher. Cash is simply the base resource with which most activities predicate. In nature, cash is symbolized by water. Rarely is anything in nature ever lacking water. Even in the deserts, the life forms that live and grow there have figured out βcash flowβ or βwater flowββ¦. Theyβve figured out how to manage the flow of water relative to the tasks and objectives which require its use. If a cactus in the desert can figure out how to manage the flow of water relative to the tasks and objectives which require its useβ¦ then we can figure out how to manage the flow of cash relative to the tasks and objectives which require its use. If nature can invest wisely, so can we.
β
β
Hendrith Vanlon Smith Jr.
β
He smelled the odor of the pine boughs under him, the piney smell of the crushed needles and the sharper odor of the resinous sap from the cut limbs. ... This is the smell I love. This and fresh-cut clover, the crushed sage as you ride after cattle, wood-smoke and the burning leaves of autumn. That must be the odor of nostalgia, the smell of the smoke from the piles of raked leaves burning in the streets in the fall in Missoula. Which would you rather smell? Sweet grass the Indians used in their baskets? Smoked leather? The odor of the ground in the spring after rain? The smell of the sea as you walk through the gorse on a headland in Galicia? Or the wind from the land as you come in toward Cuba in the dark? That was the odor of cactus flowers, mimosa and the sea-grape shrubs. Or would you rather smell frying bacon in the morning when you are hungry? Or coffee in the morning? Or a Jonathan apple as you bit into it? Or a cider mill in the grinding, or bread fresh from the oven?
β
β
Ernest Hemingway (For Whom the Bell Tolls)
β
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near
lost my breath yes he said I was a flower of the mountain yes so we are
flowers all a womans body yes that was one true thing he said in his life
and the sun shines for you today yes that was why I liked him because I
saw he understood or felt what a woman is and I knew I could always get
round him and I gave him all the pleasure I could leading him on till he
asked me to say yes and I wouldnt answer first only looked out over the
sea and the sky I was thinking of so many things he didnt know of Mulvey
and Mr Stanhope and Hester and father and old captain Groves and the
sailors playing all birds fly and I say stoop and washing up dishes they
called it on the pier and the sentry in front of the governors house with
the thing round his white helmet poor devil half roasted and the Spanish
girls laughing in their shawls and their tall combs and the auctions in
the morning the Greeks and the jews and the Arabs and the devil knows who
else from all the ends of Europe and Duke street and the fowl market all
clucking outside Larby Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the shade on the steps and
the big wheels of the carts of the bulls and the old castle thousands of
years old yes and those handsome Moors all in white and turbans like
kings asking you to sit down in their little bit of a shop and Ronda with
the old windows of the posadas glancing eyes a lattice hid for her
lover to kiss the iron and the wineshops half open at night and the
castanets and the night we missed the boat at Algeciras the watchman
going about serene with his lamp and O that awful deepdown torrent O and
the sea the sea crimson sometimes like fire and the glorious sunsets and
the figtrees in the Alameda gardens yes and all the queer little streets
and the pink and blue and yellow houses and the rosegardens and the
jessamine and geraniums and cactuses and Gibraltar as a girl where I was
a Flower of the mountain yes when I put the rose in my hair like the
Andalusian girls used or shall I wear a red yes and how he kissed me
under the Moorish wall and I thought well as well him as another and then
I asked him with my eyes to ask again yes and then he asked me would I
yes to say yes my mountain flower and first I put my arms around him yes
and drew him down to me so he could feel my breasts all perfume yes and
his heart was going like mad and yes I said yes I will Yes.
β
β
James Joyce (Ulysses)
β
It's hard to do nothing totally. Even just sitting here, like this, our bodies are churning, our minds are chattering. There's a whole commotion going on inside us."
"That's bad?" I said.
"It's bad if we want to know what's going on outside ourselves."
"Don't we have eyes and ears for that?"
She nodded. "They're okay most of the time. But sometimes they just get in the way. The earth is speaking to us, but we can't hear because of all the racket our senses are shaking. Sometimes we need to erase them, erase our senses. Then-maybe- the earth will touch us. The universe will speak. The stars will whisper."
The sun was glowing orange now, clipping the mountains' purple crests.
"So how do I become this nothing?"
"I'm not sure,"she said "There's no one answer to that. You have to find your own way. Sometimes I try to erase myself. I imagine a big pink soft soap eraser, and it's going back and forth, back and forth, and it starts down at my toes, back and forth, back and forth, and there they go-poof!-my toes are gone. And then my feet. And then my ankles. But that's the easy part. The hard part is erasing my senses-my eyes,my ears,my nose, my tongue. And last to go is my brain. My thoughts, memories, all the voices inside my head. That's the hardest, erasing my thoughts." She chuckled faintly. "My pumpkin. And then, if I've done a good job, I'm erased. I'm gone. I'm nothing. And then the world is free to flow into me like water into and empty bowl."
"And?" I said.
"And I see. I hear. But not with eyes and ears. I'm not outside my world anymore, and I'm not really inside it either. The thing is, there's no difference anymore between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain." She smiled dreamily. "I like that most of all, being rain.
β
β
Jerry Spinelli (Stargirl (Stargirl, #1))