C Suite Quotes

You can never get a cup of tea large enough or a book long enough to suit me.

The shoe that fits one person pinches another; there is no recipe for living that suits all cases.

Surely you know that if a man can't be cured of churchgoing, the next best thing is to send him all over the neighbourhood looking for the church that "suits" him until he becomes a taster or connoisseur of churches.

I mean, if your about to tell me something like I'm dead, that i need to start acquiring a taste for blood, and I can't even eat sushi, I wont be able to handle it. Or if you're going to tell me that I'm going to start howling at the moon, eating peoples cats, and will spend the rest of my life having to get waxed if I want to wear a bathing suit, then I don't think I can handle it, either. I like cats and I tried waxing once, and that hurt like a son of a gun." -Kylie

You can never get a cup of tea large enough or a book long enough to suit me." -C.S. Lewis

To believe in God is a good thing, a right thing. But when you reinforce your belief with words you take from the Old Testament that you seek out, and interpret in the ways that suit your needs best, that is hypocrisy,

The shoe that fits one person pinches another; there is no recipe for living that suits all cases. Each of us carries his own life-form—an indeterminable form which cannot be superseded by any other.

Cheerfulness is irritating, but it suits some people. Some people are born for sunlight and orange peel smiles and running on the beach and wild flowers in their hair. Other people are born for nonexistence.

She comes off as very empathetic, and even a little vulnerable herself, but she wouldn't be where she is today if she weren't a wolf under that wool suit.

Grinning ear to ear, Griffin tucked his hair behind his ears. “Not to worry, I’ve got the suit I want all picked out.” My frown even deeper, I pointed at Matt. “Do not let him leave the store if he’s wearing any sort of pastel color.” I paused, then added, “Or anything assless.

Memories are not the truth of the past. We sculpt them to suit our images of our present selves. And, in any case, the truth of then is not the truth of now.

Il y a dans la lecture quelque chose qui relève de l'irrationnel. Avant d'avoir lu, on devine tout de suite si on va aimer ou pas. On hume, on flaire le livre, on se demande si ça vaut la peine de passer du temps en sa compagnie. C'est l'alchimie invisible des signes tracés sur une feuille qui s'impriment dans notre cerveau. Un livre, c'est un être vivant.

if a man can’t be cured of churchgoing, the next best thing is to send him all over the neighbourhood looking for the church that ‘suits’ him until he becomes a taster or connoisseur of churches.

O prejudice, prejudice, prejudice, how many hast thou destroyed! Men who might have been wise have remained fools because they thought they were wise. Many judge what the gospel ought to be, but do not actually enquire as to what it is. They do not come to the Bible to obtain their views of religion, but they open that Book to find texts to suit the opinions which they bring to it. They are not open to the honest force of truth, and therefore are not saved by it.

THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it.

None of these were “Black Swans,” which is the “go to” taxonomy for C-suites and policymakers justifying their surprise in the face of the assumptions they made about the world, signals they chose to ignore, and preparation they decided to skimp on.

There was something impossible about his beauty. He suited the sunset, as if he was part of the light that was slipping from the world.

On s'ennuie de tout, mon ange, c'est une loi de la nature; ce n'est pas ma faute. Si donc, je m'ennuie aujourd'hui d'une aventure qui m'a occupé entièrement depuis quatre mortels mois, ce n'est pas ma faute. Si, par exemple, j'ai eu juste autant d'amour que toi de vertu, et c'est surement beaucoup dire, il n'est pas étonnant que l'un ait fini en même temps que l'autre. Ce n'est pas ma faute. Il suit de là, que depuis quelque temps je t'ai trompée: mais aussi ton impitoyable tendresse m'y forçait en quelque sorte! Ce n'est pas ma faute. Aujourd'hui, une femme que j'aime éperdument exige que je te sacrifie. Ce n'est pas ma faute. Je sens bien que voilà une belle occasion de crier au parjure: mais si la Nature n'a accordé aux hommes que la constance, tandis qu'elle donnait aux femmes l'obstination, ce n'est pas ma faute. Crois-moi, choisis un autre amant, comme j'ai fait une maîtresse. Ce conseil est bon, très bon; si tu le trouve mauvais, ce n'est pas ma faute. Adieu, mon ange, je t'ai prise avec plaisir, je te quitte sans regrets: je te reviendrai peut-être. Ainsi va le monde. Ce n'est pas ma faute.

No. Caia’s heart thumped angrily. They were not going to treat Lucien like some C-list recruit, whilst they pandered to her, just because they wanted something from her. And she needed Lucien close by. This was all so weird, so fast; she needed his strength beside her. “Yeah, well, while you’re at it, ask Madam to arrange a guest suite for Lucien in close location to mine.” He frowned. “Together you mean?” Caia flushed. “No, not together. Next to one another.” Lucien was beginning to look seriously, uncomfortably, pissed off. “Caia you don’t-” “It’s not for you, it’s for me, so swallow it or choke on it.

Ellysetta was sitting at the secretary in Rain's suite, penning a note to her parents, when Bel burst through the doors. The other members of the quintet followed so swiftly that all five warriors nearly ended up in a heap on the floor. They were breathless and flushed, perspiration trickling down the sides of their faces. Kieran bent over, hands on his knees, and dragged air into his lungs. "Well done,brothers. We beat the smug chervil.” "You all look like you could use a drink." Cool and unwinded, Gaelen smiled at the new arrivals from the sofa near the window. "Water? Or perhaps something a little stronger to help you regain your strength?

Simon Sparks was an oozing slug of a man poured neatly into a three-piece suit.

Che cosa vuoi capire? Non c'è niente da capire, le rispose cercando di calmarla. Ci sono leggi che regolano il mondo e che non sono fatte né per noi né contro di noi. Quando scoppia il temporale, sai che il fulmine è il prodotto di due scariche elettriche opposte, le nuvole non sanno nulla di te. Non puoi prendertela con loro. Inoltre sarebbe ridicolo, non possono capirti.

. . . Beware of being wise above that which is written. Beware of forming fanciful theories of your own, and then trying to make the Bible square with them. Beware of making selections from your Bible to suit your taste. Dare not to say, ‘I believe this verse, for I like it. I refuse that, for I cannot reconcile it with my views.’ Nay! but, O man, who art thou that repliest against God? By what right do you talk in this way? Surely it were better to say, over every chapter in the word, ‘Speak, Lord, for thy servant heareth.’ Ah! if men would do this, they would never deny the unquenchable fire.

They say that in D.C., all the museums and the monuments have been concessioned out and turned into a tourist park that now generates about 10 percent of the Government's revenue. The Feds could run the concession themselves and probably keep more of the gross, but that's not the point. It's a philosophical thing. A back-to-basics thing. Government should govern. It's not in the entertainment industry, is it? Leave entertaining to Industry weirdos -- people who majored in tap dancing. Feds aren't like that. Feds are serious people. Poli-sci majors. Student council presidents. Debate club chairpersons. The kinds of people who have the grit to wear a dark wool suit and a tightly buttoned collar even when the temperature has greenhoused up to a hundred and ten degrees and the humidity is thick enough to stall a jumbo jet. The kinds of people who feel most at home on the dark side of a one-way mirror.

The dictator State has one great advantage over bourgeois reason: along with the individual it swallows up his religious forces. The State takes the place of God; that is why, seen from this angle, the socialist dictatorships are religions and State slavery is a form of worship. But the religious function cannot be dislocated and falsified in this way without giving rise to secret doubts, which are immediately repressed so as to avoid conflict with the prevail trend towards mass-mindedness. […] The policy of the State is exalted to a creed, the leader or party boss becomes a demigod beyond good and evil, and his votaries are honoured as heroes, martyrs, apostles, missionaries. There is only one truth and beside it no other. It is sacrosanct and above criticism. Anyone who thinks differently is a heretic, who, as we know from history, is threatened with all manner of unpleasant things. Only the party boss, who holds the political power in his hands, can interpret the State doctrine authentically, and he does so just as suits him.

This is how society keeps us out of the C-suite—it booby-traps the way to the top with self-loathing, then reroutes us on a never-ending path of self-improvement.

Yes. You’re a cunt. C you next Tuesday, Dana!   My

[Speaking with John McWhorter] I take umbrage at the lionisation of lightweight, empty-suited, empty-headed motherfuckers like Ibram X. Kendi. Who couldn't carry my book bag. He hasn't read a fucking thing. If you ask him what Nietzsche said, he would have no idea. He's an unserious, superficial, empty-suited, lightweight - he's not our equal, not even close.

Surely you know that if a man can’t be cured of churchgoing, the next best thing is to send him all over the neighbourhood looking for the church that ‘suits’ him until he becomes a taster or connoisseur of churches.

Lorsque la sexualité disparaît, c'est le corps de l'autre qui apparaît, dans sa présence vaguement hostile; ce sont les bruits, les mouvements, les odeurs; et la présence même de ce corps qu'on ne peut plus toucher, ni sanctifier par le contact, devient peu à peu une gêne; tout cela malheureusement, est connu. La disparition de la tendresse suit toujours de près celle de l'érotisme. Il n'y a pas de relation épurée, d'union supérieure des âmes, ni quoi que ce soit qui puisse y ressembler, ou même l'évoquer sur un mode allusif. Quand l'amour physique disparaît, tout disparaît; un agacement morne, sans profondeur, vient remplir la succession des jours.

This 'web of discourses' as Robyn called it...is as much a biological product as any of the other constructions to be found in the animal world. (Clothes too, are part of the extended phenotype of Homo Sapiens almost every niche inhabited by that species.An illustrated encyclopedia of zoology should no more picture Homo Sapiens naked than it should picture Ursus arctus-the black bear- wearing a clown suit and riding a bicycle.

Quand je lis quelque chose je suis frappée tout de suite par peut-être une certaine vérité dedans n’est ce pas ? Quelque chose de sincère, et c’est pas nécessaire que c’est tragique ou un drame ca peut être aussi une comédie mais il faut avoir quelque chose de vraie.

You can’t get a cup of tea large enough or a book long enough to suit me,’ said C. S. Lewis.

He suited the sunset, as if he was part of the light that was slipping from the world. Will thought, The land would be cold and dark if you were gone.

when you reinforce your belief with words you take from the Old Testament that you seek out, and interpret in the ways that suit your needs best, that is hypocrisy,

I spin around instantly, expecting Mom and Dad, or Denver, or something else relatively… normal. Or even something absolutely terrible. But no. All I see is a guy I’ve never seen before, leaning against the doorframe, a mask covering most of his face. His fancy suit and cocky manner are almost jarring. He smirks at us and tosses a wink. “Hey, girls. What’s up?

...à propos des intellectuels justement... C'est facile de se foutre de leur gueule... Ouais, c'est vachement facile... Souvent, ils sont pas très musclés et en plus, ils n'aiment pas ça, se battre... Ça ne les excite pas plus que ça les bruits des bottes, les médailles et les grosses limousines, alors oui, c'est pas très dur... Il suffit de leur arracher leur livre des mains, leur guitare, leur crayon ou leur appareil photo et déjà ils ne sont plus bons à rien, ces empotés... D'ailleurs, les dictateurs, c'est souvent la première chose qu'ils font: casser les lunettes, brûler les livres ou interdire les concerts, ça leur coûte pas cher et ça peut leur éviter bien des contrariétés par la suite... Mais tu vois, si être intello ça veut dire aimer s'instruire, être curieux, attentif, admirer, s'émouvoir, essayer de comprendre comment tout ça tient debout et tenter de se coucher un peu moins con que la veille, alors oui, je le revendique totalement: non seulement je suis une intello, mais en plus je suis fière de l'être... Vachement fière, même...

American culture never allows you to be satisfied,” he said. “When you want something, you go after it and get it, and as soon as you do, you want for something else, maybe a thousand more things. American culture will never have enough. It stands to reason that the church would follow suit.

There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.

Apart from the jet-black sky, the photo might have been taken almost anywhere in the polar regions of Earth; there was nothing in the least alien about the sea of wrinkled ice that stretched all the way out to the horizon. Only the five space-suited figures in the foreground proclaimed that the panorama was of another world.

The Eternal may meet us in what is, by our present measurements, a day, or (more likely) a minute or a second; but we have touched what is not in any way commensurable with lengths of time, whether long or short. Hence our hope finally to emerge, if not altogether from time (that might not suit our humanity) at any rate from the tyranny, the unilinear poverty, of time, to ride it not to be ridden by it, and so to cure that always aching wound ('the wound man was born for') which mere succession and mutability inflict on us, almost equally when we are happy and when we are unhappy. For we are so little reconciled to time that we are even astonished at it. 'How he's grown!' we exclaim, 'How time flies!' as though the universal form of our experience were again and again a novelty. It is as strange as if a fish were repeatedly surprised at the very wetness of water. And that would be strange indeed: unless of course the fish were destined to become, one day, a land animal.

If a man can't be cured of churchgoing, the next best thing [for Satan and his devils to do] is to send him all over the neighbourhood looking for the church that "suits"him until he becomes a taster or connoisseur of churches. The reasons are obvious. In the first place the parochial organization should always be attacked, because, being a unity of place and not of likings, it brings people of different classes and psychology together in the kind of unity the [Lord] desires... In the second place, the search for a "suitable" church makes the man a critic where the [Lord] wants him to be a pupil.

C'est que, faute de savoir ce qui est écrit là-haut, on ne sait ni ce qu'on veut ni ce qu'on fait, et qu'on suit sa fantaisie qu'on appelle raison, ou sa raison qui n'est souvent qu'une dangereuse fantaisie qui tourne tantôt bien, tantôt mal.

Hey,Nik." I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck. He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms. "Um...you...look beautiful," he said. "You look black," I replied. "Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance." I didn't move. "What were you going to show me?" "Dance with me first." I shook my head. "Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.

It couldn’t carry a rider. Damen brought his own horse over, then paused. ‘My proportions are better suited to riding pillion than yours are,’ said Laurent. ‘Mount. I will mount behind.’ So Damen swung into the saddle. A moment later he felt Laurent’s hand on his thigh. Laurent’s toe nudged into the stirrup. Laurent pushed up behind him, shifting until he was snug in position.

«Signora, dopo la guerra ritornerò. Mi permetta di tornare. Tutti i nostri contrasti tra Francia e Germania saranno vecchi... dimenticati... per almeno quindici anni. Una sera suonerò alla sua porta. Lei mi aprirà e non mi riconoscerà, perché sarò in abiti civili. Allora io dirò: “Sono... l'ufficiale tedesco... si ricorda? Ora c'è la pace, la felicità, la libertà. La porto via con me”. Partiremo insieme. Le farò visitare molti paesi. Io naturalmente sarò un compositore famoso, e lei sarà bella come adesso...»

Et voilà. Maintenant le ressort est bandé. Cela n'a plus qu'à se dérouler tout seul. C'est cela qui est commode dans la tragédie. On donne le petit coup de pouce pour que cela démarre, rien, un regard pendant une seconde à une fille qui passe et lève les bras dans la rue, une envie d'honneur un beau matin, au réveil, comme de quelque chose qui se mange, une question de trop qu'on se pose un soir… C'est tout. Après, on n'a plus qu'à laisser faire. On est tranquille. Cela roule tout seul. C'est minutieux, bien huilé depuis toujours. La mort, la trahison, le désespoir sont là, tout prêts, et les éclats, et les orages, et les silences, tous les silences : le silence quand le bras du bourreau se lève à la fin, le silence au commencement quand les deux amants sont nus l'un en face de l'autre pour la première fois, sans oser bouger tout de suite, dans la chambre sombre, le silence quand les cris de la foule éclatent autour du vainqueur - et on dirait un film dont le son s'est enrayé, toutes ces bouches ouvertes dont il ne sort rien, toute cette clameur qui n'est qu'une image, et le vainqueur, déjà vaincu, seul au milieu de son silence…

You and I, Mia. We have needs that must be attended. I will look after yours, and you will look after mine.” He sighs, and his fingers move to his suit jacket and deftly undoes the buttons, letting it fall open to reveal a smart black shirt and tie underneath. “I’ve waited for this moment for so long.

Over the years, she’d trained several smarmy young men who’d gone on to become high-ranking executives. At the time, Jo had assumed it was her fault she’d never risen any higher. The men they’d promoted weren’t juggling a job and motherhood. They never had to scramble when the day care was closed or the babysitter called in sick. So Jo had watched as men who weren’t as smart or diligent or trustworthy as she was worked their way past her toward the company’s C-suite.

What you need Lois, is a man. All your artistic brilliance, wasted, toiling away in the sordid day-to-day of White’s little paper empire. Reporting on traffic mishaps. Domestic trifles. Wondering if you can afford a pair of shoes. Knowing you can’t afford the really good wines, the really exquisite things. That suit, for instance. Nice, but not the standard you’re used to.” “We’re not here to discuss my wardrobe.” “Or your writing career? How much have you gotten done, I mean, really done Lois?” “Still looking for an evening you aren’t exhausted? When will that be, Lois?” “The hotel. Or I’m out of here.” – Lois Lane & Lex Luthor

L'homme ne peut jamais savoir ce qu'il faut vouloir car il n'a qu'une vie et il ne peut ni la comparer à des vies antérieures ni la rectifier dans des vies ultérieures. (...) Il n'existe aucun moyen de vérifier quelle décision est la bonne car il n'existe aucune comparaison. Tout est vécu tout de suite pour la première fois et sans préparation. Comme si un acteur entrait en scène sans avoir jamais répété. Mais que peut valoir la vie, si la première répétition de la vie est déjà la vie même ? C'est ce qui fait que la vie ressemble toujours à une esquisse. Mais même "esquisse" n'est pas le mot juste, car une esquisse est toujours l'ébauche de quelque chose, la préparation d'un tableau, tandis que l'esquisse qu'est notre vie est une esquisse de rien, une ébauche sans tableau. (partie I, ch. 3)

_ (Omar ibn el Khattab) lorsque j'ai entendu le Prophète, que la grâce de Dieu lui soit assurée, nous dire: "Aujourd'hui j'ai parachevé mon bienfait à votre égard", certe oui, j'ai pleuré. Ce même jour d'Arafat, le Prophète m'a demandé la raison de mes pleurs, j'ai répondu: " Ce qui me fait pleurer, c'est que, jusqu'à présent, nous étions dans un accroissement constant dans notre religion, mais si, à présent, elle est achevée, il faut dire qu'il n' y a pas de choses qui atteignent leur plénitude sans que, par la suite, elles ne s'amoindrissent!" Et le Prophète m'ayant écouté a répondu après un long moment: "Certes, Omar, tu as dis vrai!

They can see the character, standing before them. The voice became iconic in its own right. Parents often ask me to do it for their children, who don't quite believe them. After all, any old man can claim to be the guy inside the gold suit and kids are rightly skeptical. 'Hello, I am See-Threepio, human-cyborg relations.' Then I see the magic. I watch as the sound enters their ears, it reaches their brain, it gets processed in moments. And suddenly. Smiles of recognition - and love.

La lassitude est la fin des actes d'une vie machinale, mais elle inaugure en même temps le mouvement de la conscience. Elle l'éveille et elle provoque la suite. La suite, c'est le retour inconscient dans la chaîne, ou c'est l'éveil définitif. Au bout de l'éveil vient avec le temps, la conséquence: suicide ou rétablissement.

Author's Note: I wanted to read the book that would begin to answer some of my questions, because I felt I couldn't write it... I also doubted my ability to handle monsoon and slum conditions after years of lousy health. I made the decision to try in the course of an absurdly long night at home alone in Washington, D.C. Tripping over an unabridged dictionary, I found myself on the floor with a punctured lung and three broken ribs in a spreading pool of Diet Dr Pepper, unable to slither to a phone. In the hours that passed, I arrived at a certain clarity. Having proved myself ill-suited to safe cohabitation with an unabridged dictionary, I had little to lose by pursuing my interests in another quarter-- a place beyond my so-called expertise, where the risk of failure would be great but the interactions somewhat more meaningful.

H: I deal in illusions. It is my gift. But it's not an illusion. Who I am right this second with you. Do you understand? I can't say it any better. Remember me like this, if you choose to remember at all. C: You'll forget me.... H: No, not forget...but it won't be me remembering and I won't...it's a heart here, inside this body...but this is not my body, Casiopea. It's this suit I wear, for a moment, and the moment will cease. And when that happens... C: You will be like a stranger to me... H: Yes C: There is no after... It wasn't fair. But there wasn't an after in stories, was there? The curtain simply fell. She was not in a fairy tale, in any case. What after could there be?

La liberté, c'est la liberté de dire que deux et deux font quatre. Une fois que cela est accordé, le reste suit automatiquement.

Le difficile dans la vie, c'est de prendre au sérieux longtemps de suite la même chose.

Be mindful of the words in your mind and in your mouth. Choose to use an affirming and positive vocabulary because your actions and outcomes will follow suit.

Car notre passé, qu'est-il d'autre qu'une suite de rêves ? Quelle différence y a-t-il entre se rappeler les rêves et se rappeler le passé ? Et c'est la fonction que remplit le livre.

Nous ne sommes pas de ceux qui flattent la guerre; quand l'occasion s'en présente, nous lui disons ses vérités. La guerre a d'affreuses beautés que nous n'avons point cachées; elle a aussi, convenons-en, quelques laideurs. Une des plus surprenantes, c'est le prompt dépouillement des morts après la victoire. L'aube qui suit une bataille se lève toujours sur des cadavres nus.

How much time, after this realization sank in and spread among consumers (mostly via phone, interestingly), would any micro-econometrist expect to need to pass before high-tech visual videophony was mostly abandoned, then, a return to good old telephoning not only dictated by common consumer sense but actually after a while culturally approved as a kind of chic integrity, not Ludditism but a kind of retrograde transcendence of sci-fi-ish high-tech for its own sake, a transcendence of the vanity and the slavery to high-tech fashion that people view as so unattractive in one another. In other words a return to aural-only telephony became, at the closed curve’s end, a kind of status-symbol of anti-vanity, such that only callers utterly lacking in self-awareness continued to use videophony and Tableaux, to say nothing of masks, and these tacky facsimile-using people became ironic cultural symbols of tacky vain slavery to corporate PR and high-tech novelty, became the Subsidized Era’s tacky equivalents of people with leisure suits, black velvet paintings, sweater-vests for their poodles, electric zirconium jewelry, NoCoat Lin-guaScrapers, and c.

Surely you know that if a man can’t be cured of churchgoing, the next best thing is to send him all over the neighbourhood looking for the church that “suits” him until he becomes a taster or connoisseur of churches.

Corporations do not automatically obey laws. They weigh the size of the penalty relative to the gain from law breaking. In the age of oligarchy, laws are window dressing when penalties aren’t high enough and the people responsible for the lawbreaking are not held accountable. Unless the government prosecutes individuals or at least claws back their pay, the law is not of particular concern to the inhabitants of C-suites. Eleven years after Wall Street’s near meltdown, not a single major financial executive had been convicted or even indicted for crimes that wiped out the savings of countless Americans. Contrast this with a teenager who is imprisoned for years for selling an ounce of marijuana.

He lifted the telephone receiver and pressed it against the plastic of his helmet. If there had been a dialing sound he could have heard it through the conducting material. But, as he had expected, there was only silence. So—it was all a fake, though a fantastically careful one. And it was clearly not intended to deceive but rather—he hoped—to reassure. That was a very comforting thought; nevertheless he would not remove his suit until he had completed his voyage of exploration.

Oh well,' said Jack: and then, 'Did you ever meet Bach?' 'Which Bach?' 'London Bach.' 'Not I.' 'I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.' 'Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.' 'And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.' 'A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?' 'I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.

Freud makes his theory of neurosis—so admirably suited to the nature of neurotics—much too dependent on the neurotic ideas from which precisely the patients suffer. This leads to the pretence (which suits the neurotic down to the ground) that the causa efficiens of his neurosis lies in the remote past. In reality the neurosis is manufactured anew every day, with the help of a false attitude that consists in the neurotic’s thinking and feeling as he does and justifying it by his theory of neurosis.

Medieval art was deficient in perspective, and poetry followed suit. Nature, for Chaucer, is all foreground; we never get a landscape. And neither poets nor artists were much interested in the strict illusionism of later periods. The relative size of objects in the visible arts is determined more by the emphasis the artist wishes to lay upon them than by their sizes in the real world or by their distance. Whatever details we are meant to see will be shown whether they would really be visible or not.

Toute ma vie fut la promesse De cette rencontre avec toi. C’est Dieu qui t’envoie, je le sais Pour me garder jusqu’à la mort… Tu apparaissais dans mes rêves ; Sans te voir je te chérissais Ton regard me faisait languir, Ta voix résonnait dans mon âme Depuis toujours… En vérité Je t’ai reconnu tout de suite. Ce fut pour moi un froid, un feu, Et dans mon cœur, j’ai dit : c’est lui ! Je t’entendais dans le silence, Quand j’allais secourir les pauvres Ou quand la prière apaisait L’angoisse de mon âme en peine.

THE DATE WAS APRIL 14, 1912, a sinister day in maritime history, but of course the man in suite 63–65, shelter deck C, did not yet know it. What he did know was that his foot hurt badly, more than he had expected. He was sixty-five years old and had become a large man. His hair had turned gray, his mustache nearly white, but his eyes were as blue as ever, bluer at this instant by proximity to the sea. His foot had forced him to delay the voyage, and now it kept him anchored in his suite while the other first-class passengers, his wife among them, did what he would have loved to do, which was to explore the ship’s more exotic precincts. The man loved the opulence of the ship, just as he loved Pullman Palace cars and giant fireplaces, but his foot problem tempered his enjoyment.

Après tout, on ne juge le monde que d'après son propre coeur. L'avare seul voit les gens menés par l'intérêt, le luxurieux par l'obsession du désir. Pour Madame Angellier, un Allemand n'était pas un homme, c'était une personnification de la cruauté, de la perversité et de la haine. Que d'autres eussent un jugement différent était impossible, invraisemblable... Elle ne pouvait pas plus se répresenter Lucile amoureuse d'un Allemand qu'elle n'eût imaginé l'accouplement d'une femme et d'une bête fabuleuse, comme la licorne, le dragon ou la tarasque.

The thinking that women of all shapes and sizes can be beautiful is still hugely problematic, because it is predicated on the idea that the most important thing a woman has to offer the world is her appearance. Men are raised to worry about their legacies, not their upper arm and thigh fat, stretch marks, crows-feet, saggy elbows, ugly armpits, thin eyelashes, and normal-smelling genitals. This is how society keeps us out of the C-suite—it booby-traps the way to the top with self-loathing, then reroutes us on a never-ending path of self-improvement

Insomma, disse fra sé, c'è un abisso fra il giovane che vedo qui e il guerriero di domani. E' risaputo che l'essere umano è complesso, molteplice, diviso, misterioso, ma ci vogliono le guerre o i grandi rivolgimenti per constatarlo. E' lo spettacolo più appassionante e più terribile, pensò ancora; il più terribile perché è il più vero: non ci si può illudere di conoscere il mare senza averlo visto nella tempesta come nella bonaccia. Solo chi ha osservato gli uomini e le donne in un periodo come questo può dire di conoscerli - e di conoscere se stesso.

I was watching the first raindrops falling down on the porous ground. Each drop disappeared eagerly into the sand without any hesitations. The Earth, in turn, embraced it warmly like it has gotten back something precious that once belonged to it. I, somehow, thought that this particular image suited more our story than anything else

I throw him a smile and pull on my suit jacket and then my hat. “Come on, what would you do?” He pauses for a moment and then lets out a low chuckle. “Just go. Maybe you two can sing in the rain Frank!” he jests, eyeballing my fedora. I throw him a sly smirk. “You may be the better looking brother Kyle, but you know I’m the one with the killer style!

Quand je considère ma vie, je suis épouvanté de la trouver informe. L'existence des héros, celle qu'on nous raconte, est simple ; elle va droit au but comme une flèche. Et la plupart des hommes aiment à résumer leur vie dans une formule, parfois dans une vanterie ou dans une plainte, presque toujours dans une récrimination ; leur mémoire leur fabrique complaisamment une existence explicable et claire. Ma vie a des contours moins fermes... Le paysage de mes jours semble se composer, comme les régions de montagne, de matériaux divers entassés pêle-mêle. J'y rencontre ma nature, déjà composite, formée en parties égales d'instinct et de culture. Ça et là, affleurent les granits de l'inévitable ; partout, les éboulements du hasard. Je m'efforce de reparcourir ma vie pour y trouver un plan, y suivre une veine de plomb ou d'or, ou l'écoulement d'une rivière souterraine, mais ce plan tout factice n'est qu'un trompe-l'oeil du souvenir. De temps en temps, dans une rencontre, un présage, une suite définie d'événements, je crois reconnaître une fatalité, mais trop de routes ne mènent nulle part, trop de sommes ne s'additionnent pas. Je perçois bien dans cette diversité, dans ce désordre, la présence d'une personne, mais sa forme semble presque toujours tracée par la pression des circonstances ; ses traits se brouillent comme une image reflétée sur l'eau. Je ne suis pas de ceux qui disent que leurs actions ne leur ressemblent pas. Il faut bien qu'elles le fassent, puisqu'elles sont ma seule mesure, et le seul moyen de me dessiner dans la mémoire des hommes, ou même dans la mienne propre ; puisque c'est peut-être l'impossibilité de continuer à s'exprimer et à se modifier par l'action que constitue la différence entre l'état de mort et celui de vivant. Mais il y a entre moi et ces actes dont je suis fait un hiatus indéfinissable. Et la preuve, c'est que j'éprouve sans cesse le besoin de les peser, de les expliquer, d'en rendre compte à moi-même. Certains travaux qui durèrent peu sont assurément négligeables, mais des occupations qui s'étendirent sur toute la vie ne signifient pas davantage. Par exemple, il me semble à peine essentiel, au moment où j'écris ceci, d'avoir été empereur..." (p.214)

Most of us think of evolution only in terms of genetics, but that is a mistake. Culture, thought, behavior, and the expression of genes (the genes you have can be turned on or off) also evolve. In addition, we humans can influence our evolution by the environments we construct and the choices we make; our evolution is not just a matter of chance. We have been given the great gift of being able to adapt our thinking and behavior intentionally, and to change our circumstances deliberately, to better suit healthy, purposeful living. The six flexibility skills form such a powerful set because each allows us to meet one of the six essential criteria for evolution to occur. They provide us with the tools to intentionally evolve our lives.

On Sunday, get ready to have two million people cheering you on,” Jessie said. “Laney is making you a shirt with your name on it so people will know to yell your name out.” Mr. Beiderman groaned. “I was hoping she had forgotten about that shirt.” “You’re going to love it,” Orlando said. “It will give you a boost when you’re running. And it will help the cross-country team find you when we join you on the course.” “I want to wear this,” Mr. Beiderman said, gesturing to his all-black workout clothes. “No, no,” Jessie said, wagging a finger at him. “Laney’s heart would be broken.” “C’mon,” Orlando said. “It’ll be fun. People wear all sorts of funny things when they run the marathon. Chicken costumes. Superhero outfits complete with fake muscles. Business suits. A T-shirt with your name on it will look tame in comparison.” “Laney has been excited about making your marathon shirt for weeks,” Jessie reminded him. “Fine,” Mr. B grumbled. “I’ll wear it.” Jessie smiled. “Good. Also, this might be a good time for me to warn you that she’s putting a lot of glitter on it.” Mr. Beiderman sighed, and Jessie and Orlando laughed.

You must not misunderstand what the Lord meant when Adam was told he was to have a helpmeet. A helpmeet is a companion suited to or equal to us. We walk side by side with a helpmeet, not one before or behind the other. A helpmeet results in an absolute equal partnership between a husband and a wife. Eve was to be equal to Adam as a husband and wife are to be equal to each other.

The Chatcaava consumed themselves and others with their savagery, and the Eldritch dwindled into elegant irrelevance... and ignored by them both, save when it suited them, the Pelted labored on, creating these minor miracles out of spare parts and sheer ingenuity. What had the Emperor said once? The creed of your Alliance: we are born weak, therefore let us make strength from bits of metal and philosophy.

Le relativisme réduit tout élément d'absoluité à la relativité, en faisant une exception parfaitement illogique avec cette réduction même. Il consiste en somme à déclarer qu'il est vrai qu'il n'y a pas de vérité, ou qu'il est absolument vrai qu'il n'y a que du relativement vrai ; autant dire qu'il n'y a pas de langage, ou écrire qu'il n'y a pas d'écriture. Bref, toute idée se trouve réduite à une relativité soit psychologique, soit historique, soit sociale ; l'assertion s'annule du fait qu'elle se présente elle-même comme une relativité psychologique, historique, ou sociale, et ainsi de suite. L'assertion s'annule, si elle est vraie, et en s'annulant logiquement, prouve qu'elle est fausse ; son absurdité initiale, c'est la prétention implicite d'être seule à sortir, comme par enchantement, d'une relativité déclarée seule possible.

By having a great many friends I do not prove that I have a wide appreciation of human excellence. You might as well say I prove the width of my literary taste by being able to enjoy all the books in my own study. The answer is the same in both cases—“You chose those books. You chose those friends. Of course they suit you.” The truly wide taste in reading is that which enables a man to find something for his needs on the sixpenny tray outside any secondhand bookshop. The truly wide taste in humanity will similarly find something to appreciate in the cross-section of humanity whom one has to meet every day. In my experience it is Affection that creates this taste, teaching us first to notice, then to endure, then to smile at, then to enjoy, and finally to appreciate, the people who “happen to be there.” Made for us? Thank God, no. They are themselves, odder than you could have believed and worth far more than we guessed.

- Alors ? - J'ai du plaisir à sentir mon corps se remettre à fonctionner, Salim. Je me délecte de mes enjambées qui se fluidifient, du frottement de mes bras contre mon torse, de l'oxygène qui entre dans mes poumons, j'apprécie même la douleur dans mes muscles et mon souffle court... Comprends-tu ? - Je crois, oui, répondit Salim soudain attentif. - Alors écoute la suite. Je désire marcher pour redevenir moi-même mais, par-dessus tout, je désire découvrir un trajet que j'ai effectué dans tes bras et dont je ne garde pas le moindre souvenir. Si j'en étais capable, je l'accomplirais en te portant sur mon dos pour comprendre la force qui t'a soutenu, sans boire et sans manger, sans certitude pour motiver tes pas. Je veux marcher parce que je te suis redevable, Salim, c'est le seul moyen dont je dispose pour rembourser une infime partie de ma dette. Un pas sur le côté amoindrirait ton geste et je t'aime trop pour te diminuer.

Patrice a vingt-quatre ans et, la première fois que je l’ai vu, il était dans son fauteuil incliné très en arrière. Il a eu un accident vasculaire cérébral. Physiquement, il est incapable du moindre mouvement, des pieds jusqu’à la racine des cheveux. Comme on le dit souvent d’une manière très laide, il a l’aspect d’un légume : bouche de travers, regard fixe. Tu peux lui parler, le toucher, il reste immobile, sans réaction, comme s’il était complètement coupé du monde. On appelle ça le locked in syndrome.Quand tu le vois comme ça, tu ne peux qu’imaginer que l’ensemble de son cerveau est dans le même état. Pourtant il entend, voit et comprend parfaitement tout ce qui se passe autour de lui. On le sait, car il est capable de communiquer à l’aide du seul muscle qui fonctionne encore chez lui : le muscle de la paupière. Il peut cligner de l’œil. Pour l’aider à s’exprimer, son interlocuteur lui propose oralement des lettres de l’alphabet et, quand la bonne lettre est prononcée, Patrice cligne de l’œil.  Lorsque j’étais en réanimation, que j’étais complètement paralysé et que j’avais des tuyaux plein la bouche, je procédais de la même manière avec mes proches pour pouvoir communiquer. Nous n’étions pas très au point et il nous fallait parfois un bon quart d’heure pour dicter trois pauvres mots. Au fil des mois, Patrice et son entourage ont perfectionné la technique. Une fois, il m’est arrivé d’assister à une discussion entre Patrice et sa mère. C’est très impressionnant.La mère demande d’abord : « Consonne ? » Patrice acquiesce d’un clignement de paupière. Elle lui propose différentes consonnes, pas forcément dans l’ordre alphabétique, mais dans l’ordre des consonnes les plus utilisées. Dès qu’elle cite la lettre que veut Patrice, il cligne de l’œil. La mère poursuit avec une voyelle et ainsi de suite. Souvent, au bout de deux ou trois lettres trouvées, elle anticipe le mot pour gagner du temps. Elle se trompe rarement. Cinq ou six mots sont ainsi trouvés chaque minute.  C’est avec cette technique que Patrice a écrit un texte, une sorte de longue lettre à tous ceux qui sont amenés à le croiser. J’ai eu la chance de lire ce texte où il raconte ce qui lui est arrivé et comment il se sent. À cette lecture, j’ai pris une énorme gifle. C’est un texte brillant, écrit dans un français subtil, léger malgré la tragédie du sujet, rempli d’humour et d’autodérision par rapport à l’état de son auteur. Il explique qu’il y a de la vie autour de lui, mais qu’il y en a aussi en lui. C’est juste la jonction entre les deux mondes qui est un peu compliquée.Jamais je n’aurais imaginé que ce texte si puissant ait été écrit par ce garçon immobile, au regard entièrement vide.  Avec l’expérience acquise ces derniers mois, je pensais être capable de diagnostiquer l’état des uns et des autres seulement en les croisant ; j’ai reçu une belle leçon grâce à Patrice.Une leçon de courage d’abord, étant donné la vitalité des propos que j’ai lus dans sa lettre, et, aussi, une leçon sur mes a priori. Plus jamais dorénavant je ne jugerai une personne handicapée à la vue seule de son physique. C’est jamais inintéressant de prendre une bonne claque sur ses propres idées reçues .

In this office right now I am thinking about how long it would take a corpse to disintegrate right in this office. In this office these are the things I fantasize about while dreaming: Eating ribs at Red, Hot and Blue in Washington, D.C. If I should switch shampoos. What really is the best dry beer? Is Bill Robinson an overrated designer? What’s wrong with IBM? Ultimate luxury. Is the term “playing hardball” an adverb? The fragile peace of Assisi. Electric light. The epitome of luxury. Of ultimate luxury. The bastard’s wearing the same damn Armani linen suit I’ve got on.

Le fait de ne pas prolonger l’expérience amoureuse n’est pas un critère de validité en soi. Dans la rencontre attentionnée avec l’autre, l’individu est électrisé. Dans la rencontre de deux corps s’exalte une sensation de vie intense. Aussi la passion n’est-elle pas toujours liée à la suite de l’événement : il est fréquent de rencontrer sensuellement quelqu’un sans vivre ensuite avec lui. Il faut disjoindre la grâce de la rencontre, qui est éblouissement réciproque, des suites d’une relation. Deux êtres peuvent s’estimer trop différents, trop éloignés, pour décider de former une relation durable, malgré un échange merveilleux. Les partenaires savent que, « sans lendemain », cet échange se suffit à lui-même, qu’il procure une énergie fabuleuse. C’est néanmoins un moment magique. « Une volupté vraie est aussi difficile à réussir qu’un mariage d’amour », estime Vladimir Jankélévitch (1949). Il ne s’agit pas de ce que l’on appelle communément l’état amoureux, aussi cette forme de relation est toujours niée, vulgarisée, ramenée à un échange libertin, de pur sexe, instrumental, intéressé, etc. Pourtant l’apport émotionnel, sensuel, énergétique, affectif, amoureux peut avoir des répercussions plus grandes dans l’histoire de vie de la personne que des années de vie conjugale.

Hérault, Fabre thinks: and his mind drifts back—as it tends to, these days— to the Café du Foy. He’d been giving readings from his latest—Augusta was dying the death at the Italiens—and in came this huge, rough-looking boy, shoe-horned into a lawyer’s black suit, whom he’d made a sketch of in the street, ten years before. The boy had developed this upper-class drawl, and he’d talked about Hérault—“his looks are impeccable, he’s well traveled, he’s pursued by all the ladies at Court”—and beside Danton had been this fey wide-eyed egotist who had turned out to be half the city’s extramarital interest. The years pass … plus ça change, plus c’est la même chose …

The ambulance arrived when the police cars did. They were accompanied by a man in a black suit who had the look of a federal agent. It didn’t surprise Cecily that he went right up to Tate and drew him to one side. While Cecily was being checked over by a paramedic, Gabrini, who’d already been loaded onto a gurney, was being watched by two police officers. Tate came back to Cecily while the federal agent paused by the police officers. “You can take him to the hospital to have his ribs strapped,” the man told the ambulance attendant. “But we’ll have transport for him to New Jersey with two federal marshals.” “Marshals!” Gabrini exclaimed, holding his side, because the outburst had hurt. “Marshals,” the federal agent replied. There was something menacing about the smile that accompanied the words. “It seems that you’re wanted in Jersey for much more serious crimes than breaking an entering and assault with a deadly weapon, Mr. Gabrini.” “Not in Jersey,” Gabrini began. “No, those other charges, they’re in D.C.” “You’ll get to D.C. eventually,” the federal agent murmured, then the dark man smiled. And Gabrini knew at once that he wasn’t connected in any way at all to the government. Gabrini was suddenly yelling his head off, begging for federal protection, but nobody paid him much attention. He was carried off in the ambulance with the sedan following close behind.

La méditation âpre et profondément sérieuse sur la non-valeur de tout ce qui est arrivé, sur l'urgence qu'il y a à mettre le monde en jugement, a fait place à la conviction sceptique qu'il est, en tout cas, bon de connaître le passé, puisqu'il est trop tard pour faire quelque chose de meilleur. Ainsi le sens historique rend ses serviteurs passifs et respectueux. C'est seulement quand, par suite d'un oubli momentané, ce sens est suspendu, que l'homme malade de la fièvre historique devient actif. Mais, dès que l'action est passée, il se met à disséquer, pour l'empêcher, par l'examen analytique auquel il la soumet, de prolonger son influence. Ainsi dépouillée, son action est alors du domaine de l' "Histoire". Deuxième Considération intempestive, ch. 8

In every age a general misdirection of what may be called sexual "taste"... [is] produce[d by the devil and his angels]. This they do bu working through the small circle of artists, dressmakers, actresses, and advertisers who determine the fashionable type. The aim is to guide each sex away from those members of the other with whom spiritually helpful, happy, and fertile marriages are most likely. Thus [they] have now for many centuries triumphed over nature to the extent of making certain secondary characteristics of the male (such as the beard) disagreeable to nearly all the females-and there is more in that than you might suppose. As regards the male taste [they] have varied a good deal. At one time [they] have directed it to the statuesque and aristocratic type of beauty, mixing men's vanity with their desires and encouraging the race to breed chiefly from the most arrogant and prodigal women. At another, [they] have selected an exaggeratedly feminine type, faint and languishing, so that folly and cowardice, and all the general falseness and littleness of mind which go with them, shall be at a premium. At present [they] are on the opposite tack. The age of jazz has succeeded the age of the waltz, and [they] now teach men to like women whose bodies are scarcely distinguishable from those of boys. Since this is a kind of beauty even more transitory than most, [they] thus aggravate the female's chronic horror of growing old (with many [successful] results) and render her less willing and less able to bear children. And that is not all. [They] have engineered a great increase in the license which society allows to the representation of the apparent nude (not the real nude) in art, and its exhibition on the stage or the bathing beach. It is all a fake, or course; the figures in the popular art are falsely drawn; the real women in bathing suits or tights are actually pinched in and propped up to make them to appear firmer and more slender and more boyish than nature allows a full-grown woman to be. Yet at the same time, the modern world is taught to believe that it is being "frank" and "healthy" and getting back to nature. As a result [they] are more and more directing the desires of men to something which does not exist-making the role of the eye in sexuality more and more important and at the same time making its demands more and more impossible.

Revenons donc à nos poncifs, ou plutôt à quelques-uns d’entre eux : 1° Le XIXe siècle est le siècle de la science. 2° Le XIXe siècle est le siècle du progrès. 3° Le XIXe siècle est le siècle de la démocratie, qui est progrès et progrès continu. 4° Les ténèbres du moyen âge. 5° La Révolution est sainte, et elle a émancipé le peuple français. 6° La démocratie, c’est la paix. Si tu veux la paix, prépare la paix. 7° L’avenir est à la science. La Science est toujours bienfaisante. 8° L’instruction laïque, c’est l’émancipation du peuple. 9° La religion est la fille de la peur. 10° Ce sont les États qui se battent. Les peuples sont toujours prêts à s’accorder. 11° Il faut remplacer l’étude du latin et du grec, qui est devenue inutile, par celle des langues vivantes, qui est utile. 12° Les relations de peuple à peuple vont sans cesse en s’améliorant. Nous courons aux États-Unis d’Europe. 13° La science n’a ni frontières, ni patrie. 14° Le peuple a soif d’égalité. 15° Nous sommes à l’aube d’une ère nouvelle de fraternité et de justice. 16° La propriété, c’est le vol. Le capital, c’est la guerre. 17° Toutes les religions se valent, du moment qu’on admet le divin. 18° Dieu n’existe que dans et par la conscience humaine. Cette conscience crée Dieu un peu plus chaque jour. 19° L’évolution est la loi de l’univers. 20° Les hommes naissent naturellement bons. C’est la société qui les pervertit. 21° Il n’y a que des vérités relatives, la vérité absolue n’existe pas. 22° Toutes les opinions sont bonnes et valables, du moment que l’on est sincère. Je m’arrête à ces vingt-deux âneries, auxquelles il serait aisé de donner une suite, mais qui tiennent un rang majeur par les innombrables calembredaines du XIXe siècle, parmi ce que j’appellerai ses idoles. Idoles sur chacune desquelles on pourrait mettre un ou plusieurs noms.

In a game of chess you can make certain arbitrary concessions to your opponent, which stand to the ordinary rules of the game as miracles stand to the laws of nature. You can deprive yourself of a castle, or allow the other man sometimes to take back a move made inadvertently. But if you conceded everything that at any moment happened to suit him — if all his moves were revocable and if all your pieces disappeared whenever their position on the board was not to his liking — then you could not have a game at all. So it is with the life of souls in a world: fixed laws, consequences unfolding by causal necessity, the whole natural order, are at once limits within which their common life is confined and also the sole condition under which any such life is possible. Try to exclude the possibility of suffering which the order of nature and the existence of free wills involve, and you find that you have excluded life itself.

[...]a man and a boy, side by side on a yellow Swedish sofa from the 1950s that the man had bought because it somehow reminded him of a zoot suit, watching the A’s play Baltimore, Rich Harden on the mound working that devious ghost pitch, two pairs of stocking feet, size 11 and size 15, rising from the deck of the coffee table at either end like towers of the Bay Bridge, between the feet the remains in an open pizza box of a bad, cheap, and formerly enormous XL meat lover’s special, sausage, pepperoni, bacon, ground beef, and ham, all of it gone but crumbs and parentheses of crusts left by the boy, brackets for the blankness of his conversation and, for all the man knew, of his thoughts, Titus having said nothing to Archy since Gwen’s departure apart from monosyllables doled out in response to direct yes-or-nos, Do you like baseball? you like pizza? eat meat? pork?, the boy limiting himself whenever possible to a tight little nod, guarding himself at his end of the sofa as if riding on a crowded train with something breakable on his lap, nobody saying anything in the room, the city, or the world except Bill King and Ken Korach calling the plays, the game eventless and yet blessedly slow, player substitutions and deep pitch counts eating up swaths of time during which no one was required to say or to decide anything, to feel what might conceivably be felt, to dread what might be dreaded, the game standing tied at 1 and in theory capable of going on that way forever, or at least until there was not a live arm left in the bullpen, the third-string catcher sent in to pitch the thirty-second inning, batters catnapping slumped against one another on the bench, dead on their feet in the on-deck circle, the stands emptied and echoing, hot dog wrappers rolling like tumbleweeds past the diehards asleep in their seats, inning giving way to inning as the dawn sky glowed blue as the burner on a stove, and busloads of farmhands were brought in under emergency rules to fill out the weary roster, from Sacramento and Stockton and Norfolk, Virginia, entire villages in the Dominican ransacked for the flower of their youth who were loaded into the bellies of C-130s and flown to Oakland to feed the unassuageable appetite of this one game for batsmen and fielders and set-up men, threat after threat giving way to the third out, weak pop flies, called third strikes, inning after inning, week after week, beards growing long, Christmas coming, summer looping back around on itself, wars ending, babies graduating from college, and there’s ball four to load the bases for the 3,211th time, followed by a routine can of corn to left, the commissioner calling in varsity teams and the stars of girls’ softball squads and Little Leaguers, Archy and Titus sustained all that time in their equally infinite silence, nothing between them at all but three feet of sofa;

Moi qui ai eu la chance, malgré quelques grosses séquelles, de me relever et de retrouver une autonomie totale, je pense souvent à cette incroyable période de ma vie et surtout à tous mes compagnons d’infortune. À part Samia, peut-être, je sais pertinemment que les autres sont toujours dans leurfauteuil, qu’ils sont contraints à une assistance permanente, qu’ils ont toujours droit aux sondages urinaires, aux transferts, aux fauteuils-douches, aux séances de verticalisation… Ils sont pour toujours confrontés à ces mots qui ont été mon quotidien, cette année-là J’ai fait trois autres centres de rééducation par la suite, mais jamais je n’ai autant ressenti la violence de cette immersion dans le monde du handicap que lors de ces quelques mois. Jamais je n’ai retrouvé autant de malheur et autant d’envie de vivre réunis en un même lieu, jamais je n’ai croisé autant de souffrance et d’énergie, autant d’horreur et d’humour. Et jamais plus je n’ai ressenti autant d’intensité dans le rapport des êtres humains à l’incertitude de leur avenir .. Je ne connaissais rien de ce monde-là avant mon accident. Je me demande même si j’y avais déjà vraiment pensé. Bien sûr, cette expérience aussi difficile pour moi que pour mon entourage proche m’a beaucoup appris sur moi-même, sur la fragilité de l’existence (et celle des vertèbres cervicales). Personne d’autre ne sait mieux que moi aujourd’hui qu’une catastrophe n’arrive pas qu’aux autres, que la vie distribue ses drames sans regarder qui les mérite le plus . Mais, au-delà de ces lourds enseignements et de ces grandes considérations, ce qui me reste surtout de cette période, ce sont les visages et les regards que j’ai croisés dans ce centre. Ce sont les souvenirs de ces êtres qui, à l’heure où j’écris ces lignes, continuent chaque jour de mener un combat qu’ils n’ont jamais l’impression de gagner.Si cette épreuve m’a fait grandir et progresser, c’est surtout grâce aux rencontres qu’elle m’aura offertes.

Eat either three regular-size meals a day or four or five smaller meals. Do not skip meals or go more than six waking hours without eating. 2. Eat liberally of combinations of fat and protein in the form of poultry, fish, shellfish, eggs and red meat, as well as of pure, natural fat in the form of butter, mayonnaise, olive oil, safflower, sunflower and other vegetable oils (preferably expeller-pressed or cold-pressed). 3. Eat no more than 20 grams a day of carbohydrate, most of which must come in the form of salad greens and other vegetables. You can eat approximately three cups-loosely packed-of salad, or two cups of salad plus one cup of other vegetables (see the list of acceptable vegetables on page 110). 4. Eat absolutely no fruit, bread, pasta, grains, starchy vegetables or dairy products other than cheese, cream or butter. Do not eat nuts or seeds in the first two weeks. Foods that combine protein and carbohydrates, such as chickpeas, kidney beans and other legumes, are not permitted at this time. 5. Eat nothing that is not on the acceptable foods list. And that means absolutely nothing! Your "just this one taste won't hurt" rationalization is the kiss of failure during this phase of Atkins. 6. Adjust the quantity you eat to suit your appetite, especially as it decreases. When hungry, eat the amount that makes you feel satisfied but not stuffed. When not hungry, eat a small controlled carbohydrate snack to accompany your nutritional supplements. 7. Don't assume any food is low in carbohydrate-instead read labels! Check the carb count (it's on every package) or use the carbohydrate gram counter in this book. 8. Eat out as often as you wish but be on guard for hidden carbs in gravies, sauces and dressings. Gravy is often made with flour or cornstarch, and sugar is sometimes an ingredient in salad dressing. 9. Avoid foods or drinks sweetened with aspartame. Instead, use sucralose or saccharin. Be sure to count each packet of any of these as 1 gram of carbs. 10. Avoid coffee, tea and soft drinks that contain caffeine. Excessive caffeine has been shown to cause low blood sugar, which can make you crave sugar. 11. Drink at least eight 8-ounce glasses of water each day to hydrate your body, avoid constipation and flush out the by-products of burning fat. 12. If you are constipated, mix a tablespoon or more of psyllium husks in a cup or more of water and drink daily. Or mix ground flaxseed into a shake or sprinkle wheat bran on a salad or vegetables.

A few mornings later Peter and Edmund were looking at the suit of armor and wondering if they could take it to bits, when the two girls rushed into the room and said, “Look out! Here comes the Macready and a whole gang with her.” “Sharp’s the word,” said Peter, and all four made off through the door at the far end of the room. But when they had got out into the Green Room and beyond it, into the library, they suddenly heard voices ahead of them, and realized that Mrs. Macready must be bringing her party of sightseers up the back stairs--instead of up the front stairs as they had expected. And after that--whether it was that they lost their heads, or that Mrs. Macready was trying to catch them, or that some magic in the house had come to life and was chasing them into Narnia--they seemed to find themselves being followed everywhere, until at last Susan said, “Oh, bother those trippers! Here--let’s get into the Wardrobe Room till they’ve passed. No one will follow us in there.” But the moment they were inside they heard voices in the passage--and then someone fumbling at the door--and then they saw the handle turning. “Quick!” said Peter. “There’s nowhere else,” and flung open the wardrobe. All four of them bundled inside it and sat there, panting, in the dark. Peter held the door closed but did not shut it; for, of course, he remembered, as every sensible person does, that you should never never shut yourself up in a wardrobe.

My favourite part of my new book so far: Chapter 48: Creatures of The Night A figure stood in the stairwell beneath the Smoke's Poutinerie close to Simcoe Street and Adelaide Street West. He munched his pulled pork poutine and watched the strange object glide through the fog that engulfed the tall blue R.B.C. building. “Nice night for a stroll,” smiled The Rooster. Upon heading North, Fred had decided to take a detour and glide the exact opposite way: South. It was why he was now flying through the fog that suspended over the R.B.C. building. Through the billowing cloud he sailed and higher up into the air as he was heading towards the business district of Toronto where all the skyscrapers were. As Fred got closer, he understood why they were labeled as skyscrapers: they basically scraped the sky. But the view from up here was fantastic. It was a rainy and cold night, but Fred felt very warm in his upgraded suit. Soon, he was zooming past the green windowed T.D. building and back towards the North side of Yonge Street. However, as he sailed home, he began to worry about Allen. The Rooster had already cut up his ex-girlfriend so what would he do to Allen? Allen had been a friend to Fred when no one else had been there. Of course, he used to have many friends in preschool, elementary school, and high school but no one he clicked with. Allen McDougal was really the only family he had left and he didn't want The Rooster to kill his old friend in any way. I must radio him, thought Fred as he shot past Dundas Square. But when he pressed the button on the helmet that alerted his Butler's phone, there was no answer. Damn it. They've already got him.

The modern educational system provides numerous other examples of reality bowing down to written records. When measuring the width of my desk, the yardstick I am using matters little. My desk remains the same width regardless of whether I say it is 200 centimetres or 78.74 inches. However, when bureaucracies measure people, the yardsticks they choose make all the difference. When schools began assessing people according to precise marks, the lives of millions of students and teachers changed dramatically. Marks are a relatively new invention. Hunter-gatherers were never marked for their achievements, and even thousands of years after the Agricultural Revolution, few educational establishments used precise marks. A medieval apprentice cobbler did not receive at the end of the year a piece of paper saying he has got an A on shoelaces but a C minus on buckles. An undergraduate in Shakespeare’s day left Oxford with one of only two possible results – with a degree, or without one. Nobody thought of giving one student a final mark of 74 and another student 88.6 Credit 1.24 24. A European map of Africa from the mid-nineteenth century. The Europeans knew very little about the African interior, which did not prevent them from dividing the continent and drawing its borders. Only the mass educational systems of the industrial age began using precise marks on a regular basis. Since both factories and government ministries became accustomed to thinking in the language of numbers, schools followed suit. They started to gauge the worth of each student according to his or her average mark, whereas the worth of each teacher and principal was judged according to the school’s overall average. Once bureaucrats adopted this yardstick, reality was transformed. Originally, schools were supposed to focus on enlightening and educating students, and marks were merely a means of measuring success. But naturally enough, schools soon began focusing on getting high marks. As every child, teacher and inspector knows, the skills required to get high marks in an exam are not the same as a true understanding of literature, biology or mathematics. Every child, teacher and inspector also knows that when forced to choose between the two, most schools will go for the marks.

« Il dit résolument : « Je ne venais point vous voir parce que cela valait mieux. » Elle demanda, sans comprendre : « Comment ? Pourquoi ? – Pourquoi ? Vous ne devinez pas. – Non, pas du tout. – Parce que je suis amoureux de vous... oh ! un peu, rien qu’un peu... et que je ne veux pas le devenir tout à fait... » Elle ne parut ni étonnée, ni choquée, ni flattée ; elle continuait à sourire du même sourire indifférent, et elle répondit avec tranquillité : « Oh ! vous pouvez venir tout de même. On n’est jamais amoureux de moi longtemps. » Il fut surpris du ton plus encore que des paroles, et il demanda : « Pourquoi ? – Parce que c’est inutile et que je le fais comprendre tout de suite. Si vous m’aviez raconté plus tôt votre crainte, je vous aurais rassuré et engagé au contraire à venir le plus possible. » Il s’écria, d’un ton pathétique : « Avec ça qu’on peut commander aux sentiments ! » Elle se tourna vers lui : « Mon cher ami, pour moi un homme amoureux est rayé du nombre des vivants. Il devient idiot, pas seulement idiot, mais dangereux. Je cesse, avec les gens qui m’aiment d’amour, ou qui le prétendent, toute relation intime, parce qu’ils m’ennuient d’abord, et puis parce qu’ils me sont suspects comme un chien enragé qui peut avoir une crise. Je les mets donc en quarantaine morale jusqu’à ce que leur maladie soit passée. Ne l’oubliez point. Je sais bien que chez vous l’amour n’est autre chose qu’une espèce d’appétit, tandis que chez moi ce serait, au contraire, une espèce de... de... de communion des âmes qui n’entre pas dans la religion des hommes. Vous en comprenez la lettre, et moi l’esprit. Mais... regardez-moi bien en face... » Elle ne souriait plus. Elle avait un visage calme et froid et elle dit en appuyant sur chaque mot : « Je ne serai jamais, jamais votre maîtresse, entendez-vous. Il est donc absolument inutile, il serait même mauvais pour vous de persister dans ce désir... Et maintenant que... l’opération est faite... voulez-vous que nous soyons amis, bons amis, mais là, de vrais amis, sans arrière-pensée ? » Il avait compris que toute tentative resterait stérile devant cette sentence sans appel. Il en prit son parti tout de suite, franchement, et, ravi de pouvoir se faire cette alliée dans l’existence, il lui tendit les deux mains : « Je suis à vous, madame, comme il vous plaira. » » (de « Bel-Ami » par Guy de Maupassant)

J’ai remarqué souvent que quand deux amis pétersbourgeois se rencontrent quelque part, après s’être salués, ils demandent en même temps : Quoi de neuf ? il y a une tristesse particulière dans leurs voix, quelle qu’ait été l’intonation initiale de leur conversation. En effet, une désespérance totale est liée à cette question à Pétersbourg. Mais le plus agaçant c’est que, très souvent, l’homme qui la pose est tout à fait indifférent, un Pétersbourgeois de naissance, qui connaît très bien la coutume, sait d’avance qu’on ne lui répondra rien, qu’il n’y a rien de nouveau, qu’il a posé cette question peut-être mille fois sans aucun succès ; cependant, il la pose, et il a l’air de s’y intéresser, comme si les convenances l’obligeaient de participer lui aussi à la vie publique, d’avoir des intérêts publics. Mais les intérêts publics... C’est-à-dire nous ne nions pas que nous ayons des intérêts publics ; nous tous aimons ardemment la patrie, nous aimons notre cher Pétersbourg, nous aimons jouer si l’occasion se présente. En un mot il y a beaucoup d’intérêts publics. Mais ce qu’il y a surtout chez nous, ce sont les groupes. On sait que Pétersbourg n’est que la réunion d’un nombre considérable de petits groupes dont chacun a ses statuts, ses conventions, ses lois, sa logique et son oracle. C’est en quelque sorte le produit de notre caractère national qui a encore peur de la vie publique et tient plutôt au foyer. En outre, la vie publique exige un certain art ; il faut s’y préparer ; il faut beaucoup de conditions. Aussi, l’on préfère la maison. Là, tout est plus simple ; il ne faut aucun art ; on est plus tranquille. Dans le groupe, on vous répondra bravement à la question : Quoi de neuf ? La question reçoit tout de suite un sens particulier, et l’on vous répond ou par un potin, ou par un bâillement, ou par quelque chose qui vous force vous-même à bâiller cyniquement, magistralement. Dans le groupe, on peut traîner de la façon la meilleure et la plus douce une vie utile entre le bâillement et le ragot, jusqu’au moment où la grippe, ou bien la fièvre chaude, visite votre demeure ; et vous quittez alors la vie stoïquement, avec indifférence, sans savoir comment et pourquoi tout cela était avec vous jusqu’alors. Aujourd’hui, dans l’obscurité, au crépuscule, après une triste journée, plein d’étonnement que tout se soit arrangé ainsi, il semble qu’on ait vécu, qu’on ait atteint quelque chose, et tout à coup, on ne sait pas pourquoi, il faut quitter ce monde agréable et sans soucis pour émigrer dans un monde meilleur. Dans certains groupes, d’ailleurs, on parle fortement de la cause. Quelques personnes instruites et bien intentionnées se réunissent. On bannit sévèrement tous les plaisirs innocents, comme les potins et la préférence, et, avec un entrain incompréhensible, on parle de différents sujets très importants. Enfin, après avoir bavardé, parlé, résolu quelques questions d’utilité générale, et après avoir réussi à imposer aux uns et aux autres une opinion sur toutes choses, le groupe est saisi d’une irritation quelconque et commence à s’affaiblir considérablement. Finalement, tous se fâchent les uns contre les autres. On se dit quelques dures vérités. Quelques caractères tranchants se font jour et tout se termine par la dislocation totale. Ensuite on se calme ; on fait provision de bon sens et, peu à peu, l’on se réunit de nouveau dans le groupe décrit ci-dessus. Sans doute il est agréable de vivre ainsi. Mais à la longue cela devient irritant ; cela irrite fortement.