C Barker Quotes

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I don't think it's possible to c-call yourself a C-Christian and... and j-just leave out the awkward bits.' -Wilfred Owen
Pat Barker (Regeneration (Regeneration, #1))
Jesus supposedly lived sometime between 4 B.C.E. and 30 C.E., but there is not a single contemporary historical mention of Jesus, not by Romans or by Jews, not by believers or by unbelievers, not during his entire lifetime.
Dan Barker (Godless: How an Evangelical Preacher Became One of America's Leading Atheists)
Luke says Jesus was born during a Roman census, and it is true that there was a census in 6 C.E.
Dan Barker (Godless: How an Evangelical Preacher Became One of America's Leading Atheists)
Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor
Louise Erdrich (The Sentence)
We can apply game mechanics to our lives and turn dull moments into fun ones. Can this make us grittier at work and lead to success in life? Oh yeah. Work doesn’t have to be a lousy game. So let’s learn why work sucks, why games are awesome, and how we can turn the former into the latter. C’mon, let’s “game the system.
Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
Sometimes it seems to me that history should be divided, not into B.C. and A.D. but into before the gun was invented and after. It was the greatest change in history. The sword, the dagger, one has a fighting chance, and skill came into the equation. Now anyone, man, woman, or even child, can walk into a room with a loaded gun, tug on a little twist of metal, and open a giant hole in another human being.
Will Thomas (Hell Bay (Barker & Llewelyn #8))
Non c'è mai nulla che cominci. Non esiste un primo momento: non v'è parola o luogo da cui nasca questa storia o qualunque altra. Tutte le trame si possono sempre far risalire a qualche narrazione precedente, e alle narrazioni ancora anteriori, anche se, via via che la voce narrante si allontana, il legame sembrerà divenire più tenue, perché ogni epoca vorrà che la vicenda venga narrata come se fosse una sua creazione. Così, ciò che è pagano verrà santificato, ciò che è tragico diventerà risibile; i grandi amanti si piegheranno al sentimentalismo, e i demoni si ridurranno a giocattoli a molla. Nulla è fisso. La spola va e viene, realtà e finzione, intelletto e materia, tessendo trame che possono avere in comune una cosa soltanto: in esse è nascosta una filigrana che con il tempo diventerà un mondo. Quindi dev'essere arbitrario il luogo dove decidiamo di imbarcarci. Un luogo a mezza strada fra un passato semidimenticato e un futuro appena intravisto. Questo luogo, per esempio.
Clive Barker (Weaveworld)
Totally Biased List of Tookie’s Favorite Books Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai
Louise Erdrich (The Sentence)
I think it's an indulgence to [write] the other [non-linear] way. I think it's a kind of cowardice. There are places in anyone's books that are going to be easier than other parts. And if when you come to a part that's difficult and think, 'Hm, I'll skip that,' all you're doing is lining up these problems that are going to wait for you and kick you in the ass. So I'm very rigorous with myself. I won't allow myself to go on to a fun bit, like the sex. I think if you write big books like I do, and don't write in a linear fashion, something inevitably gets screwed up in the emotional flow. In Coldheart Canyon there are many characters, and each character has its own arc. The arcs start at divergent points, but they converge at roughly the same point. So what you try to do is induce in the reader an incredible feeling of excitement, because everybody's arcs are resolving because they're encountering one another, right? It's not that they're resolving in an abstraction. They're resolving because A meets B meets C and so on.
Clive Barker
As W. C. Fields once said, “If at first you don’t succeed, try, try again . . . then give up. There’s no use being a damn fool about it.
Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabal Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad
Louise Erdrich (The Sentence)
Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabal Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai
Louise Erdrich (The Sentence)
His body is shot with seventy stars, His face is cold as Cain, His coat is a crust of desert dust And he comes from Alamein.
Charles Causley (Penguin Modern Poets: G.Barker, M.Bell, C.Causley Bk. 3)