By The Shores Of Silver Lake Quotes

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We'd never get anything fixed to suit us if we waited for things to suit us before we started.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Roma tidaklah dibangun dalam waktu sehari. Begitu juga sebuah jalan kereta api. Atau hal-hal lain yang menyenangkan dalam hidup ini. - Charles Ingalls
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
The wings and the golden weather and the tang of frost in the mornings made Laura want to go somewhere. She did not know where. She wanted only to go.
Laura Ingalls Wilder (Little House in the Big Woods, Farmer Boy, Little House on the Prairie, On the Banks of Plum Creek, By the Shores of Silver Lake (Little House #1-5))
Now I lay me down to sleep, I pray the Lord my soul to keep. If I should die before I wake I pray the Lord my soul to take,
Laura Ingalls Wilder (Little House in the Big Woods, Farmer Boy, Little House on the Prairie, On the Banks of Plum Creek, By the Shores of Silver Lake (Little House #1-5))
Now she was alone; she must take care of herself. When you must do that, then you do it and you are grown up.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Oh, Pa, let’s go on west!” “Mercy, Laura!” Ma said. “Whatever—” She could not go on. “I know, little Half-Pint,” said Pa, and his voice was very kind. “You and I want to fly like the birds.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Whatever are you making, Pa?” Laura asked, and he answered, “Wait and see.” He heated the tip of the poker red-hot in the stove, and carefully he burned black every alternate little square. “Curiosity killed a cat, Pa,” Laura said. “You look pretty healthy,” said Pa.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
For just one little minute she almost wished that Pa was a railroad man. There was nothing so wonderful as railroads, and railroad men were great men, able to drive the big iron engines and the fast, dangerous trains. But of course not even railroad men were bigger or better than Pa, and she did not really want him to be anything but what he was.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
You are right, Laura; human hands didn’t make that place,” Pa said. “But your fairies were big, ugly brutes, with horns on their heads and humps on their backs. That place is an old buffalo wallow. You know buffaloes are wild cattle. They paw up the ground and wallow in the dust, just as cattle do. “For ages the buffalo herds had these wallowing places. They pawed up the ground and the wind blew the dust away. Then another herd came along and pawed up more dust in the same place. They went always to the same places, and—” “Why did they, Pa?” Laura asked. “I don’t know,” Pa said. “Maybe because the ground was mellowed there. Now the buffalo are gone, and grass grows over their wallows. Grass and violets.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Cold purple shadows rose in the east, crept slowly across the prairie, then rose in heights on heights of darkness from which the stars swung low and bright.
Laura Ingalls Wilder (By the Shores of Silver Lake)
When I sell liquor, it’s bootlegging,” either Capone or one of his amanuenses said. “When my patrons serve it on a silver tray on Lake Shore Drive, it’s hospitality.” It was a recurrent theme, this shrugging disavowal of evil intent: “Ninety percent of the people of Cook County drink and gamble,” he said at another time, “and my offense has been to furnish them with those amusements.
Daniel Okrent (Last Call: The Rise and Fall of Prohibition)
with which he carved the pictures. Laura and Mary were allowed to take Ma’s thimble and make pretty patterns of circles in the frost on the glass. But they never spoiled the pictures that Jack Frost had made in the night. When they put their mouths close to the pane and blew their breath on it, the white frost melted and ran in drops down the glass. Then they could see the drifts of snow outdoors and the
Laura Ingalls Wilder (Little House in the Big Woods, Farmer Boy, Little House on the Prairie, On the Banks of Plum Creek, By the Shores of Silver Lake (Little House #1-5))
They did not gather thickly any more on Silver Lake. Only a few very tired flocks settled late after sunset in the sloughs and rose to the sky again before the sun rose. Wild birds did not like the town full of people, and neither did Laura. She thought, “I would rather be out on the prairie with the grass and the birds and Pa’s fiddle. Yes, even with wolves! I would rather be anywhere than in this muddy, cluttered, noisy town, crowded by strange people.” And she said,
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
The Montreux Palace Hotel was built in an age when it was thought that things would last. It is on the very shores of Switzerland's Lake Geneva, its balconies and iron railings look across the water, its yellow-ocher awnings are a touch of color in the winter light. It is like a great sanitarium or museum. There are Bechstein pianos in the public rooms, a private silver collection, a Salon de Bridge. This is the hotel where the novelist Vladimir Vladimirovich Nabokov and his wife, Véra, live. They have been here for 14 years. One imagines his large and brooding reflection in the polished glass of bookcases near the reception desk where there are bound volumes of the Illustrated London News from the year 1849 to 1887, copies of Great Expectations, The Chess Games of Greco and a book called Things Past, by the Duchess of Sermoneta. Though old, the hotel is marvelously kept up and, in certain portions, even modernized. Its business now is mainly conventions and, in the summer, tours, but there is still a thin migration of old clients, ancient couples and remnants of families who ask for certain rooms when they come and sometimes certain maids. For Nabokov, a man who rode as a child on the great European express trains, who had private tutors, estates, and inherited millions which disappeared in the Russian revolution, this is a return to his sources. It is a place to retire to, with Visconti's Mahler and the long-dead figures of La Belle Epoque, Edward VII, d'Annunzio, the munitions kings, where all stroll by the lake and play miniature golf, home at last.
James Salter
Up rose the scent of green-apple shampoo. Of river stones once the flood has gone. The taste of winter sky laced with sulfur fumes. A kiss beneath a white-hearted tree. A hot still day holding its breath. We removed the contents one by one. There were two blue plastic hair combs. A tough girl's black rubber-band bracelet. A newspaper advertisement for a secretarial school folded in half. A blond braid wrapped in gladwrap. A silver necklace with a half-a-broken-heart pendant. An address, written in a leftward-slanting hand, on a scrap of paper. Ballet shoes wrapped in laces. From the box came the sound of bicycle tires humming on hot pavement. Of bare feet running through crackling grass. Of frantic fingers unstitching an embroidered flower. Of paper wings rising on a sudden wind. Of the lake breathing against the shore. I didn't say anything. I kept very still.
Karen Foxlee (The Anatomy of Wings)
you bet yours on the gray!” Even in songs Ma did not approve of gambling, but her toe could not stop tapping while Pa played such tunes. Then every evening they all sang one round. Mr. Boast’s tenor would begin, “Three blind mice,” and go on while Mrs. Boast’s alto began, “Three blind mice,” then as she went on Pa’s bass would join in, “Three blind mice,” and then Laura’s soprano, and Ma’s contralto, and Mary and Carrie. When Mr. Boast reached the end of the song he began it again without stopping, and they all followed, each behind the other, going round and round with words and music. “Three blind mice! Three blind mice!              They all ran after the farmer’s wife               She cut off their tails with the carving knife, Did you ever hear such a tale in your life Of three blind mice?” They kept on singing until someone laughed and then the song ended ragged and breathless and laughing. And Pa would play some of the old songs, “to go to sleep on,” he said. “Nellie was a lady, last night she died, Oh, toll the bell for lovely Nell, My old—Vir-gin-ia bride.” And, “Oh, do you remember sweet Alice, Ben Bolt?              Sweet Alice with eyes so brown,
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Mark came home late one frozen Sunday carrying a bag of small, silver fish. They were smelts, locally known as icefish. He’d brought them at the store in the next town south, across from which a little village had sprung up on the ice of the lake, a collection of shacks with holes drilled in and around them. I’d seen the men going from the shore to the shacks on snowmobiles, six-packs of beer strapped on behind them like a half dozen miniature passengers. “Sit and rest,” Mark said. “I’m cooking.” He sautéed minced onion in our homemade butter, added a little handful of crushed, dried sage, and when the onion was translucent, he sprinkled n flour to make a roux, which he loosened with beer, in honor of the fishermen. He added cubed carrot, celery root, potato, and some stock, and then the fish, cut into pieces, and when they were all cooked through he poured in a whole morning milking’s worth of Delia’s yellow cream. Icefish chowder, rich and warm, eaten while sitting in Mark’s lap, my feet so close to the woodstove that steam came off my damp socks.
Kristin Kimball (The Dirty Life: On Farming, Food, and Love)
Once the wrenching, gasping sounds came out of her, Nesta knew she could not stop. She knelt on the shore of that mountain lake and let go entirely.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
came
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
What’s a kelpie?” Nesta asked, heart pounding at the tension etched into their faces. “An ancient creature—one of the first true monsters of the faeries,” Cassian said. “Humans called them by other names: water-horses, nixies. They were shape-shifters who dwelled in the lakes and rivers and lured unwitting people into their arms. And after they drowned them, they feasted. Only the entrails would make it back to shore.” Nesta stared toward the bog’s black surface. “And they live in there?” “They vanished hundreds of years before we were born,” Cassian said firmly. “They’re a myth whispered around fires, and a warning for children not to play near the water. But no one knows where they went. Most were hunted, but the survivors …” He conceded with a nod to Azriel, “It’s possible that they fled to the Middle. The one place that could protect them.” Nesta grimaced. Cassian threw her a grin that didn’t meet his eyes. “Just don’t go running after a beautiful white horse or a pretty-faced young man and you’ll be fine.” “And stay out of the water,” Azriel added solemnly. “What if the Mask is in the water?” She gestured to the vast bog. They’d fly over it, they’d decided, and let her sense whatever lay here. “Then Az and I will draw straws like the tough warriors we are and the loser goes in.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Once the wrenching, gaping sounds came out of her, Nesta knew she could not stop. She knelt on the shore of that mountain lake and let go entirely. She allowed every horrible thought to hit her, wash through her. Let herself see Feyre's pale, devastated face as Nesta had revealed the truth, as she'd let her own anger and pain ride her. She could never outlive it, her guilt. There was no point in trying. She sobbed into the darkness of her hands. And then the stones clicked, and a warm, steady presence appeared beside her. He didn't touch her, but his voice was nearby as he said, 'I'm here.' She sobbed harder at that. She couldn't stop. As if a dam had burst and only letting the water run its course, raging through her, would suffice. 'Nesta.' His fingers grazed her shoulder. She couldn't bear that touch. The kindness in it. 'Please,' she said. Her first word in five days. He stilled. 'Please what?' She leaned from him. 'Don't touch me. Don't- don't be kind to me.' The words were a sobbing, rippling jumble. 'Why?' The list of reasons surged, fighting to get out, to voice themselves, and she let them decide. Let them flow through her, as she whispered, 'I let him die.' He went quiet. Through her hands on her face, she continued to whisper. 'He came to save me, and fought for me, and I let him die with hate in my heart. Hate for him. He died because I didn't stop it.' Her voice broke, and she wept harder. 'And I was so horrid to him, until the very end. I was so, so horrid to him all my life- and still he somehow loved me. I didn't deserve it, but he did. And I let him die.' She bowed over her knees, saying into her palms, 'I can't undo it. I can't fix it. I can't fix that he is dead, I can't fix what I said to Feyre, I can't fix any of the horrible things I've done. I can't fix me.' She sobbed so hard she thought her body would break with it. Wanted her body to come apart like a cracked egg, wanted what was left of her soul to drift away on the mountain wind. She whispered, 'I can't bear it.' Cassian said quietly, 'It isn't your fault.' She shook her head, face still in her hands, as if it'd shield her from him, but he said, 'Your father's death is not your fault. I was there, Nesta. I looked for a way out of it, too. And there was nothing that could have been done.' 'I could have used my power. I could have tried-' 'Nesta.' Her name was a sigh- as if he were pained. Then his arms were around her, and she was being pulled into his lap. She didn't fight it, not as he tucked her against his chest. Into his strength and warmth. 'I could have found a way. I should have found a way.' His hand began stroking her hair. Her entire body, right down to her bones, trembled.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Then she remembered the water pail in her hand. She filled it from the well as quickly as she could, and ran back; slopping water on her bare legs in her hurry. “I just had—to watch the—teams coming into camp,” she panted. “So many of them, Pa! And all the men were singing!” “Now, Flutterbudget, catch your breath!” Pa laughed at her. “Fifty teams and seventy-five or eighty men are only a small camp. You ought to see Stebbins’ camp west of here; two hundred men and teams according.” “Charles,” Ma said. Usually everyone knew what Ma meant when she said in her gentle way, “Charles.” But this time Laura and Carrie and Pa all looked at her wondering. Ma shook her head just the least bit at Pa. Then Pa looked straight at Laura and said, “You girls keep away from the camp. When you go walking, don’t go near where the men are working, and you be sure you’re back here before they come in for the night. There’s all kinds of rough men working on the grade and using rough language, and the less you see and hear of them the better. Now remember, Laura. And you too, Carrie.” Pa’s face was very serious. “Yes, Pa,” Laura promised, and Carrie almost whispered, “Yes, Pa.” Carrie’s eyes were large and frightened. She did not want to hear rough language, whatever rough language might be. Laura would have liked to hear some, just once, but of course she must obey Pa.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Rome wasn’t built in a day,
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Right at the summit of the pass it lies, nothing above it but the sky. On every side the billowing heather-clad hills engirdle it about. Flat stones encircle it, and on its surface water spiders walk. Red persicaria, with its wax-like stalks and ragged leaves, grows by its edge. Below it stretches out a vast brown moss, honeycombed here and there with black peat hags., and a dark lake spreads out, ringed on one side by moss, and on the other set like a jewel in a pine wood, with a white stretch of silver sand. On it are islands with great sycamores and chestnuts, stag-headed but still vigorous, and round their shores the bulrushes keep watch like sentinels. Mists rise from the moss and lake and creep about the corries of the hills, blending the woods and rocks into steamy chaos, vast and unfathomable, through which a little burn unseen, but musical, runs tinkling through the stones. So at the little bealach the well lies open to the sky, too high for the lake mists to touch it, as it looks up at the stars.
R.B. Cunninghame Graham (The Scottish Sketches of R.B. Cunninghame Graham)