Buy Me Flowers Quotes

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So let me get this straight.”... “He threw the note at Tommy and then told him to fuck off? Or do I have it backwards?” “I’m detecting some sarcasm.” “And then got himself sent the principal’s office because he was ready to defend your honor?” “Quinn.” “Her friend waved a hand. “No, I think you might be on to something. This is clearly an elaborate plot to screw with you. He asks you out, he defends you from that meathead—what next?” Quinn’s eyes flashed wide in mock surprise. “Crap, Bex, do you think he will do something truly horrible like buy you flowers?
Brigid Kemmerer (Storm (Elemental, #1))
When Death Comes When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world
Mary Oliver (New and Selected Poems, Volume One)
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
Go on, glare your eyes at me, and cry and plead, and talk to me about money and what it can buy. But it can't buy back a child once he's dead!
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
I shake my head. I pick up the rake and start making the dead-leaf pile neater. A blister pops and stains the rake handle like a tear. Dad nods and walks to the Jeep, keys jangling in his fingers. A mockingbird lands on a low oak branch and scolds me. I rake the leaves out of my throat. Me: "Can you buy some seeds? Flower seeds?
Laurie Halse Anderson (Speak)
What is the price of Experience? Do men buy it for a song? Or wisdom for a dance in the street? No, it is bought with the price Of all that a man hath, his house, his wife, his children Wisdom is sold in the desolate market where none come to buy And in the wither'd field where the farmer ploughs for bread in vain It is an easy thing to triumph in the summer's sun And in the vintage and to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the homeless wanderer To listen to the hungry raven's cry in wintry season When the red blood is fill'd with wine and with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear the dog howl at the wintry door, the ox in the slaughterhouse moan; To see a god on every wind and a blessing on every blast To hear sounds of love in the thunderstorm that destroys our enemies' house; To rejoice in the blight that covers his field and the sickness that cuts off his children While our olive and vine sing and laugh round our door and our children bring fruits and flowers Then the groan and the dolour are quite forgotten and the slave grinding at the mill And the captive in chains and the poor in the prison and the soldier in the field When the shatter'd bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity: Thus could I sing and thus rejoice: but it is not so with me.
William Blake
You couldn't be more wrong", I said. "You are buying into the cross-stitched sentiments of your parents' throw pillows. You're arguing that the fragile, rare thing is beautiful simply because it is fragile and rare. But that's a lie, and you know it." "You're a hard person to comfort" , Augustus said. "Easy comfort isn't comforting", I said. "You were a rare and fragile flower once. You remember." For a moment he said nothing. "You do know how to shut me up, Hazel Grace." "It's my privilege and responsibility," I answered.
John Green (The Fault in Our Stars)
All these polo-necked wankers from grammar schools were going out and buying songs like ‘San Francisco (Be Sure to Wear Some Flowers in Your Hair)’. Flowers in your hair? Do me a f**king favour. [...] Who gave a dog’s arse about what people were doing in San Francisco, anyway? The only flowers anyone saw in Aston were the ones they threw in the hole after you when you croaked it at the age of fifty-three ’cos you’d worked yourself to death. I hated those hippy-dippy songs, man. Really hated them.
Ozzy Osbourne (I Am Ozzy)
I hope he keeps buying you flowers,” Shelby said. “If you ask me, when a man stops doing the little things, the magic is lost.” Susannah
Ava Miles (The Promise of Rainbows (Dare River, #4))
Anyone could buy a green Jaguar, find beauty in a Japanese screen two thousand years old. I would rather be a connoisseur of neglected rivers and flowering mustard and the flush of iridescent pink on an intersection pigeon's charcoal neck. I thought of the vet, warming dinner over a can, and the old woman feeding her pigeons in the intersection behind the Kentucky Fried Chicken. And what about the ladybug man, the blue of his eyes over gray threaded black? There were me and Yvonne, Niki and Paul Trout, maybe even Sergei or Susan D. Valeris, why not? What were any of us but a handful of weeds. Who was to say what our value was? What was the value of four Vietnam vets playing poker every afternoon in front of the Spanish market on Glendale Boulevard, making their moves with a greasy deck missing a queen and a five? Maybe the world depended on them, maybe they were the Fates, or the Graces. Cezanne would have drawn them in charcoal. Van Gogh would have painted himself among them.
Janet Fitch (White Oleander)
I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night What is the price of Experience do men buy it for a song Or wisdom for a dance in the street? No it is bought with the price Of all that a man hath his house his wife his children Wisdom is sold in the desolate market where none come to buy And in the withered field where the farmer plows for bread in vain It is an easy thing to triumph in the summers sun And in the vintage & to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the houseless wanderer To listen to the hungry ravens cry in wintry season When the red blood is filled with wine & with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear a dog howl at the wintry door, the ox in the slaughter house moan To see a god on every wind & a blessing on every blast To hear the sounds of love in the thunder storm that destroys our enemies house To rejoice in the blight that covers his field, & the sickness that cuts off his children While our olive & vine sing & laugh round our door & our children bring fruits and flowers Then the groans & the dolor are quite forgotten & the slave grinding at the mill And the captive in chains & the poor in the prison, & the soldier in the field When the shattered bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity Thus could I sing & thus rejoice, but it is not so with me!
William Blake (The Complete Poems)
I don't want you to write a poem for me But it would be nice if you did. And if you bought a rose for me It would be OK too But I don't want you to buy flowers Necessarily. I don't want you to carry my book bag But if you feel like doing that Spontaneously I wouldn't stop you. I wouldn't stop you being romantic If that's what you wanted.
Sarah Crossan (The Weight of Water)
And don't," bellowed Robin from behind him, "buy me any more fucking flowers!" "No danger of that!" yelled Strike over his shoulder, as he strode away into the darkness.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it’s over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it’s over, I don’t want to wonder if I have made of my life something particular, and real. I don’t want to find myself sighing and frightened, or full of argument. I don’t want to end up simply having visited this world
Mary Oliver (Blue Horses)
What’s your favorite flower?” The sudden change in topic left her spinning out like a top. “What?” “Your favorite flower,” he repeated. “You said you don’t like roses, but there are over four hundred thousand types of flowering plants.” He spoke in a slur, his words running all together. “It’d be easier if you told me which you liked to save me from having to buy them all.
Kelly Andrew (The Whispering Dark)
Eyes landing on the flowers, she pursed her lips in confusion. “Okay, a puzzle. I like puzzles. You bought me flowers, but you’re clearly angry with me. Were they that expensive?” “I didn’t buy them.” Daniel took little comfort in her look of surprise. He couldn’t think past the foreign emotions burning through his gut. “They’re from him.” “Him…who?” Recognition dawned in her eyes. “Fisher? Why would he send me flowers?” She shook her head. “Roses, at that. He always bought me sunflowers.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Well, think about it for a minute. A guy tells you that he loves you and then turns around and buys you flowers…or worse, tells you that he loves you with flowers. Cut flowers die. They die in a few days after being cut…and this is what you guys choose to use as proof of your love? Something that dies in a few days? To me it seems like foreshadowing or something, like your basically saying that our love is beautiful but only for a limited time and then it will wither away to nothing like your flowers.
Jennifer Snyder (The Unloved)
I’d like to buy every rose in your store,” I tell the woman who remains silent, as though she’s stunned. “And if you have any apologetic balloons, I’ll buy those too,” I tell her as I scrub a hand over my face. “Better make it every single flower in your store. I have a lot more to apologize for than I can say with just roses. I don’t want her as frigid with me as she is with Vance. Personally, I still think he’s the bigger ass out of the two of us, but I still should apologize properly.” “I’m sorry?” she says. “Yes. That’s what I want every single card to say,” I tell her. “This is all very confusing,” she says quietly, more to herself than me. Staring at the partially eaten green apple in my hand, I tell her, “You have no idea.” - Damien
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.
W.B. Yeats (Rosa Alchemica)
I saw them. It was impossible to snitch a sample." He grunted, lowering himself into his chair. "I didn't ask you to." "Who said you did, but you expected me to. There are three of them in a glass case and the guard has his feet glued." "What color are they?" "They're not black." "Black flowers are never black. What color are they?" "Well." I considered. "Say you take a piece of coal. Not anthracite. Cannel coal." "That's black." "Wait a minute. Spread on it a thin coating of open kettle molasses. That's it." "Pfui. You haven't the faintest notion what it would look like. Neither have I." "I'll go buy a piece of coal and we'll try it.
Rex Stout (Black Orchids - A Nero Wolfe Novella (Nero Wolfe, #9))
There were kind lies. You still look beautiful. I love you. I forgive you. There were frightened lies. Someone else must have taken it. Of course I am Anglican. I never saw that baby before. There were predatory lies. Buy this tonic if you want your child to recover. I will look after you. Your secret is safe with me. Half-lies, and the tense little silences where a truth should have been. Lies like knives, lies like poultices. The tiger's stripe, and the fawn's dusky dapple. And everywhere, everywhere, the lies that people told themselves. Dreams like cut flowers, with no nourishing root. Will-o'-the-wisp lights to make them feel less alone in the dark. Hollow resolutions and empty excuses.
Frances Hardinge (The Lie Tree)
A mockingbird lands on a low oak branch and scolds me. I rake the leaves out of my throat. Me: "Can you buy some seeds? Flower seeds?
Laurie Halse Anderson (Speak)
She deserves the best version of me, and that version trusts and supports his girlfriend. He also buys her flowers when he's a dick.
Hannah Grace (Icebreaker (Maple Hills, #1))
To think that there are men out there who buy flowers for their beloved and hope that wins them their love. Mine brings me hearts.
J. Bree (The Butcher of the Bay: Part II (Mounts Bay Saga #2))
I opened the bag and pulled out a small box of chocolates. “Happy anniversary.” “Oh. Thanks.” She flashed me a huge smile that would have looked totally real … if I didn’t know her better. “Simon said that’s what I should get you. That or flowers. So you like it?” “Sure.” “Liar.” Her face went bright red now as she stammered, “N-no, really. It’s great. It’s—” “Completely and totally impersonal. Like something you’d buy in bulk for all your teachers.” “No, I like this kind. You know I do and—” She stopped as I held out the bag. “Your real gift,” I said. She looked in and let out a choking laugh. Then, still grinning, she reached in and pulled out a penlight, a Swiss army knife and a purse-sized can of mace. She sputtered another laugh. “This is …” “Practical?” I said. “In my life, it is definitely practical. But I was going to say thoughtful.” She smiled up at me. “The most thoughtful gift I’ve ever gotten.” “And the most completely unromantic? Simon almost had a heart attack when I showed him. He made me get the chocolates, as a backup.” “I’m sure he did. Which I suppose explains why I ended up with you instead.” She rose on tiptoes again and put her arms around my neck. “Because buying me gifts to keep me safe? That’s my idea of romantic.”
Kelley Armstrong (Belonging (Darkest Powers, #3.5))
You're handling someone's life energy, so it's intense, yeah, but there's like this charge from it." "I'm not sure how I feel about you 'handling my life energy,' Cal." He grinned, and I was taken aback by how different it made him look. Cal spent so much time being stoic and solemn that it was easy to forget he even had teeth. "I'll buy you dinner first next time, I promise." Okay,the grin was one thing, but that had definitely been flirting. Then, like I wasn't thrown enough, Cal leaned down and picked up a potted African violet on the low table next to the sofa and brought it over to me. For a second,I wondered if this was his socially awkward way of trying to give me flowers, but he said, "Any Prodigium can do it,really.Not on the same level I can, but still.You just have to be patient." He pushed the plant toward me,and I noticed a few brown spots on its velvety petals. "Wanna try?" I looked at the droopy violet and snorted. "Thanks,but that poor little flower looks like it's suffered enough." Wiggling my fingers, I added, "I'm way better at the blowing-stuff-up part of magic.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Tell me something true about you.” “Okay …” She mentally rifled through birthplace (Portland, Oregon), college major (sociology), astrological sign (Virgo), favorite movie (The Apple Dumpling Gang—don’t judge), until she hit a fact that wasn’t completely mundane. “One of my favorite things in the world are those charity events where everyone buys a rubber ducky with a number and the first person’s duck to get down the river wins.” “Why?” “I like seeing the river teeming with all those outrageously yellow and orange ducks. It’s so friendly. And I love the hope of it. Even though it doesn’t matter if you win, because all that wonderful, candy-colored money is going to something really important like a free clinic downtown or cleft palate operations for children in India, you still have that playful hope that you will win. You run alongside the stream, not knowing which is your duck but imagining the lead one is yours.” “And this is the essence of your soul—the ducky race?” “Well, you didn’t ask for the essence of my soul. You asked for something true about me, and so I went for something slightly embarrassing and secret but true nonetheless. Next time you want the essence of my soul, I’ll oblige you with sunsets and baby’s laughter and greeting cards with watercolor flowers.” He squinted at her thoughtfully. “No, so far as I’m concerned, the yellow duckies are the essence of your soul.
Shannon Hale (Midnight in Austenland (Austenland, #2))
I’m not a man, I can’t earn a living, buy new things for my family. I have acne and a small peter. I’m not a man. I don’t like football, boxing and cars. I like to express my feeling. I even like to put an arm around my friend’s shoulder. I’m not a man. I won’t play the role assigned to me- the role created by Madison Avenue, Playboy, Hollywood and Oliver Cromwell, Television does not dictate my behavior. I’m not a man. Once when I shot a squirrel I swore that I would never kill again. I gave up meat. The sight of blood makes me sick. I like flowers. I’m not a man. I went to prison resisting the draft. I do not fight when real men beat me up and call me queer. I dislike violence. I’m not a man. I have never raped a woman. I don’t hate blacks. I do not get emotional when the flag is waved. I do not think I should love America or leave it. I think I should laugh at it. I’m not a man. I have never had the clap. I’m not a man. Playboy is not my favorite magazine. I’m not a man. I cry when I’m unhappy. I’m not a man. I do not feel superior to women I’m not a man. I don’t wear a jockstrap. I’m not a man. I write poetry. I’m not a man. I meditate on peace and love. I’m not a man. I don’t want to destroy you
Harold Norse
You ought to make something for Easter. You know. Eggs and stuff. Chocolate hens, rabbits, things like that. Like the shops in Agen." I remember them from my childhood; the Paris chocolateries with their baskets of foil-wrapped eggs, shelves of rabbits and hens, bells, marzipan fruits and marrons glacés, amourettes and filigree nests filled with petits fours and caramels, and a thousand and one epiphanies of spun-sugar magic carpet rides more suited to an Arabian harem than the solemnities of the Passion. "I remember my mother telling me about the Easter chocolates." There was never enough money to buy those exquisite things, but I always had my own cornet-surprise, a paper cone containing my Easter gifts, coins, paper flowers, hard-boiled eggs painted in bright enamel colors, a box of colored papier-mâché- painted with chickens, bunnies, smiling children among the buttercups, the same every year and stored carefully for the next time- encasing a tiny packet of chocolate raisins wrapped in cellophane, each one to be savored, long and lingeringly, in the lost hours of those strange nights between cities, with the neon glow of hotel signs blink-blinking between the shutters and my mother's breathing, slow and somehow eternal, in the umbrous silence.
Joanne Harris (Chocolat (Chocolat, #1))
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
She even told me how to treat a girl on a date, which was very interesting. She said that with a girl like Mary Elizabeth, you shouldn't tell her she looks pretty. You should tell her how nice her outfit is because her outfit is her choice whereas her face isn't. She also said that with some girls, you should do things like open car doors and buy flowers, but with Mary Elizabeth (especially since it's the Sadie Hawkins' dance), I shouldn't do that. So, I asked her what I should do, and she said that I should ask a lot of questions and not mind when Mary Elizabeth doesn't stop talking. I said that it didn't sound very democratic, but Sam said she does it all the time with boys.
Stephen Chbosky
I knew- with a sudden, uncoiling clarity- that Nesta would buy Elain time to run. Not my father, whom she resented with her entire steely heart. Not me, because Nesta had always known and hated that she and I were two sides of the same coin, and that I could fight my own battles. But Elain, the flower-grower, the gentle heart... Nesta would go down swinging for her.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
She's nowt spesh, didn't even have any ornaments. All her walls were painted white, no wallpaper, just black and white photos in black frames, big things they were. There was no carpet on the floor, bare floorboards and she could only afford to have one flower in a vase. Who buys just one flower Lil? Bit of a cheapskate if you ask me. All top show and no knickers, I reckon.
Ann Perry (The Gin Queens)
It wasn't that Elain was cruel. She wasn't like Nesta, who had been born with a sneer on her face. Elain sometimes just... didn't grasp things. It wasn't meanness that kept her from offering to help; it simply never occurred to her that she might be capable of getting her hands dirty. I'd never been able to decide whether she actually didn't understand that we were truly poor or if she just refused to accept it. It still hadn't stopped me buying her seeds for the flower garden she tended in the milder months, whenever I could afford it. And it hadn't stopped her from buying me three small tins of paint- red, yellow, and blue- during that same summer I'd had enough to buy the ash arrow. It was the only gift she'd ever given me, and out house still bore the marks of it, even if the paint was now fading and chipped: little vines and flowers along the windows and thresholds and edges of things, tiny curls of flame on the stones bordering the hearth. And spare minute I'd had that bountiful summer, I used to bedeck out house in colour, sometimes hiding clever decorations inside drawers, behind the threadbare curtains, underneath the chairs and table. We hadn't had a summer that easy since.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ [...] ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman (Loveless)
The wind I hear it sighing With autumn's saddest sound; Withered leaves all thick are lying As spring-flowers on the ground. This dark night has won me To wander far away; Old feelings gather fast upon me, Like vultures round their prey. Kind were they once and cherished, But cold and cheerless now. I would their lingering shades had perished When their light left my brow. 'Tis like old age pretending The softness of a child, My altered, hardened spirit bending To meet their fancies wild. Yet could I with past pleasures Past woe's oblivion buy, That by the death of my dearest treasures My deadliest pains might die; O then another daybreak Might haply dawn above; Another summer gild my cheek, My soul, another love.
Emily Brontë
I see you staring at him,' Nicasia says, sitting down beside me. Tonight she wears a gown of gold lacework. Her dark tourmaline hair is pulled up with two golden combs the shape of a shark jaw, complete with golden teeth. 'Perhaps I am looking only at the trinkets and gold with which your mother thinks she can buy the Court's favour,' I say.' She picks up one of the violets from my plate and places it delicately on her tongue. 'I lost Cardan's love for Locke's easy words and easier kisses, sugared like these flowers,' she says. 'Your sister lost your love to get Locke's, didn't she? But we all know what you lost.' 'Locke?' I laugh. 'Good riddance.' Her brows knit together. 'Surely it's not the High King himself you were gazing at.' 'Surely not,' I echo, but I don't meet her eyes.
Holly Black (The Wicked King (The Folk of the Air, #2))
And what do you do with these stars?" "What do I do with them?" "Yes." "Nothing. I own them." "You own the stars?" "Yes" "But I have already seen a king who--" "Kings do not own, they reign over. It is a very different matter." "And what good does it do you to own the stars?" "It does me the good of making me rich." "And what good does it do you to be rich?" "It makes it possible for me to buy more stars, if any are ever discovered." "This man," said the little prince to himself, "reasons a little like my poor tippler..." Nevertheless, he still had some more questions. "How is it possible for one to own the stars?" "To whom do they belong?" the businessman retorted, peevishly. "I don't know. To nobody." "Then they belong to me, because I was the first person to think of it." "Is that all that is necessary?" "Certainly. When you find a diamond that belongs to nobody, it is yours. When you discover an island that belongs to nobody, it is yours. When you get an idea before any one else , you take out a patent on it: it is yours. So with me: I own the stars, because nobody else before me ever though about owning them." "Yes, that is true," said the little prince. "And what do you do with them?" "I administer them, " replied the businessman. "I count them and recount them. It is difficult. But I am a man who is naturally interested in matters of consequence. The little prince was still not satisfied. "If I owned a silk scarf," he said, "I could put it around my neck and take it away with me. If I owned a flower, I could pluck that flower and take it away with me. But you cannot pluck the stars from heaven..." "No. But I can put them in the bank." "Whatever does that mean?" "That means I write down the number of my stars on a little paper. And then I put this paper in a drawer and lock it with a key." "And that is all?" "That is enough," said the businessman. "It is entertaining," thought the little prince. "It is rather poetic. But it is of no great consequence." On matters of consequence the little prince had ideas which were very different from those of the grown-ups. "I myself own a flower," he continued his conversation with the businessman, "which I water every day. I own three volcanoes, which I clean out every week (for I also clean out the one that is extinct; one never knows). It is of some use to my volcanoes, and it is of some use to my flower, that I own them. But you are of no use to the stars..." The businessman opened his mouth, but he found nothing to say in answer. And the little prince went away.
Antoine de Saint-Exupéry (The Little Prince)
Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me. “And also, I don’t have any STDs, so you can get that out of your head.” “I don’t think you have any STDs.” I look back up at him. “The thing is…I’ve never had a boyfriend before. I’ve never been on a real date before, or held hands walking down the hallway. This is all new for me, so I’m sorry about the forehead thing this morning. I just…wish all of these firsts were happening for real and not with you.” Peter seems to be thinking this over. He says, “Huh. Okay. Let’s just save some stuff, then.” “Yeah?” “Sure. We’ll have some stuff for you to do when it’s the real thing and not for show.” I’m touched. Who knew Peter could be so thoughtful and generous? “Like, I won’t pay for stuff. I’ll save that for a guy who really likes you.” My smile fades. “I wasn’t expecting you to pay for anything!” Peter’s on a roll. “And I won’t walk you to class or buy you flowers.” “I get the picture.” It seems to me like Peter’s less concerned about me and more concerned about his wallet. He sure is cheap.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
It is not death that human beings are most afraid of, it is love. The heart is bigger than a mountain. One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us. The trees of the forest, the animals of the bushes, tortoises, birds, and flowers know our future. The world that we see and the world that is there are two different things. Wars are not fought on battlegrounds but in a space smaller than the head of a needle. We need a new language to talk to one another. Inside a cat there are many histories, many books. When you look into the eyes of dogs strange fishes swim in your mind. All roads lead to death, but some roads lead to things which can never be finished. Wonderful things. There are human beings who are small but if you can SEE you will notice that their spirits are ten thousand feet wide. In my dream I met a child sitting on a cloud and his spirit covered half the earth. Angels and demons are amongst us; they take many forms. They can enter us and dwell there for one second or half a lifetime. Sometimes both of them dwell in us together. Before everything was born there was first the spirit. It is the spirit which invites things in, good things, or bad. Invite only good things, my son. Listen to the spirit of things. To your own spirit. Follow it. Master it. So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. There is a stillness which makes you travel faster. There is a silence which makes you fly. If your heart is a friend of Time nothing can destroy you. Death has taught me the religion of living – I am converted – I am blinded – I am beginning to see – I am drunk on sleep – My words are the words of a stranger – Wear a smile on your faces – Pour me some wine and buy me some cigarettes, my son, for your father has returned to his true home.
Ben Okri (The Famished Road)
I make the very best halwa chebakia. With mint tea, or qamar-el-deen- you can take some home to your family." Such an offer cannot be refused. I know this from experience. Years of traveling with my mother have taught me that food is a universal passport. Whatever the constraints of language, culture or geography, food crosses over all boundaries. To offer food is to extend the hand of friendship; to accept is to be accepted into the most closed of communities. I wondered if Francis Reynaud had ever thought of this approach. Knowing him, he hasn't. Reynaud means well, but he isn't the type to buy halwa chebakia or to drink a glass of mint tea in the little café on the corner of the Boulevard P'tit Baghdad. I followed Fatima into the house, making sure to leave my shoes at the door. It was pleasantly cool inside and smelt of frangipani; the shutters closed since midday to guard against the heat of the sun. A door led into the kitchen, from which I caught the mingled scents of anise and almond and rosewater and chickpeas cooked in turmeric, and chopped mint, and toasted cardamom, and those wonderful halwa chebakia, sweet little sesame pastries deep-fried in oil, just small enough to pop into the mouth, flower-shaped and brittle and perfect with a glass of mint tea...
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?" "Girls love flowers," she said judiciously. "They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses." "Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death." "It's not?" "You ain't even learned about living yet!" I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.
Stephanie Danler (Sweetbitter)
And Ut Pictura Poesis Is Her Name" You can’t say it that way any more. Bothered about beauty you have to Come out into the open, into a clearing, And rest. Certainly whatever funny happens to you Is OK. To demand more than this would be strange Of you, you who have so many lovers, People who look up to you and are willing To do things for you, but you think It’s not right, that if they really knew you . . . So much for self-analysis. Now, About what to put in your poem-painting: Flowers are always nice, particularly delphinium. Names of boys you once knew and their sleds, Skyrockets are good—do they still exist? There are a lot of other things of the same quality As those I’ve mentioned. Now one must Find a few important words, and a lot of low-keyed, Dull-sounding ones. She approached me About buying her desk. Suddenly the street was Bananas and the clangor of Japanese instruments. Humdrum testaments were scattered around. His head Locked into mine. We were a seesaw. Something Ought to be written about how this affects You when you write poetry: The extreme austerity of an almost empty mind Colliding with the lush, Rousseau-like foliage of its desire to communicate Something between breaths, if only for the sake Of others and their desire to understand you and desert you For other centers of communication, so that understanding May begin, and in doing so be undone.
John Ashbery (Houseboat Days)
Last night I undressed for bed. But instead of crawling between the sheets I decided to stand, naked, in front of the large full-length mirror that is propped against the wall next to my bed. ⠀ ⠀ I turned off the bright lights, and found a song that spoke to the energy I could feel under my skin. For a while I just stood there. And I looked at myself. Bare skin. Open Heart. Clear truth. ⠀ ⠀ It's a wonder, after 42 years on earth, to allow it to fully land, this knowing that I can stop, and look at myself and think things other than unkind words. ⠀ ⠀ Don't get me wrong. I don't want to paint you a pretty social media picture that doesn't play out in real life. I'm not suddenly completely fine with all that is. I'm human and I'm a woman in the midst of this particular culture, and so of course I'd love to be tighter and firmer and lifted. I'd love to have the skin and metabolism I did in my twenties. I wish, often, that my stomach were flatter. I wear makeup and I dye away my gray hair. I worry about these things too, of course I do. ⠀ ⠀ But finally, and fully - I can stand and look at myself and be filled, completely, with love. I can look at myself entirely bare and think, yes, I like myself now. Just as I am. Even if nothing changes. This me. She is good. And she is beautiful. ⠀ ⠀ And even in the space of allowing myself to be human, and annoyed with those things I view as imperfections, I honor and celebrate this shift. ⠀ ⠀ And so last night I was able to stand there. Naked and unashamed and run my own hands gently along my own skin. To offer the tenderness of the deepest seduction. To practice being my own best lover, to romance my own soul. To light the candles and buy the flowers. To hold space for my own knowing. ⠀ ⠀ And to touch my own skin while the music played. Gently. Lightly. With reverence. My thighs, my arms, my breasts, my belly, the points where my pulse makes visible that faint movement that proves me alive. To trace the translucent blue veins, the scars, the ink that tells stories. To whisper to the home of my own desire. ⠀ ⠀ I love you. ⠀ I respect your knowing. ⠀ Thank you for waiting for me to get here. ⠀ I finally see that you are holy.
Jeanette LeBlanc
Blissfully unaware of all that, Elizabeth continued to love him without reservation or guile, and as she grew more certain of his love, she became more confident and more enchanting to Ian. On those occasions when she saw his expression become inexplicably grim, she teased him or kissed him, and, if those ploys failed, she presented him with little gifts-a flower arrangement from Havenhurst’s gardens, a single rose that she stuck behind his ear, or left upon his pillow. “Shall I have to resort to buying you a jewel to make you smile, my lord?” she joked one day three months after they were married. “I understand that is how it is done when a lover begins to act distracted.” To Elizabeth’s surprise, her remark made him snatch her into his arms in a suffocating embrace. “I am not losing interest in you, if that’s what you’re suggesting,” he told her. Elizabeth leaned back in his arms, surprised by the unwarranted force of his declaration, and continued to tease. “You’re quite certain?” “Positive.” “You wouldn’t lie to me, would you?” she asked in a voice of mock severity. “I would never lie to you,” Ian said gravely, but then he realized that by withholding the truth from her, he was, in effect, deceiving her, which in turn, amounted to little less than lying outright. Elizabeth knew something was bothering him, and that as time passed, it was bothering him with increasing frequency, but she never dreamed she was even remotely the cause of his silences or preoccupation. She thought of Robert often, but not since the day of her marriage had she permitted herself to think of Mr. Wordsworth’s accusations, not even for an instant. In the first place, she couldn’t bear it; in the second, she no longer believed there was the slightest possibility he was right. “I have to go to Havenhurst tomorrow,” she said reluctantly when Ian finally let her go. “The masons have started on the house and bridge, and the irrigation work has begun. If I spend the night, though, I shouldn’t have to go back for at least a fornight.” “I’ll miss you,” he said quietly, but there was no trace of resentment in his voice, nor did he attempt to persuade her to postpone the trip. He was keeping to his bargain with the integrity that Elizabeth particularly admired in him. “Not,” she whispered, kissing the side of his mouth, “as much as I’ll miss you.
Judith McNaught (Almost Heaven (Sequels, #3))
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ [...] ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman (Loveless)
What’s going on?’ she said. ‘Talk to me.’ ‘I …’ I looked down. I didn’t want her to see me. But Rooney was looking at me, eyebrows furrowed, so many thoughts churning behind her eyes, and it was that look that made me start spilling everything out. ‘I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ ‘B-but … that’s not how the world works, people always put romance over friendships –’ ‘Says who?’ Rooney spluttered, smacking her hand on the ground in front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’ She stood up, flailing her arms and pacing as she spoke. ‘I know you’ve been trying to help me with Pip,’ she began, ‘and I appreciate that, Georgia, I really do. I like her and I think she likes me and we like being around each other and, yep, I’m just gonna say it – I think we really, really want to have sex with each other.’ I just stared at her, my cheeks tear-stained, having no idea where this was going. ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman
Claudette wasn’t just my lover. She was also my best friend. I wish that on everyone. Sure, I used the money I made from bussing tables to buy her flowers or take her to a restaurant every chance I had. And sure, the mere sight of her silhouette in a summer dress was enough to make me pass out with cum in my shorts. But she was also my pal. 
Andrew Armacost (The Poor Man's Guide to Suicide)
Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you. I don’t know what it’s like for men, but that’s what it does to women. You end up doing a thousand things a day in the name of love that you wouldn’t ask a dog to do. And you never question it—not once. Why would you? It’s love, isn’t it? Then you wonder why you don’t feel romantic. Why, in fact, you don’t feel anything at all. I’ve been waiting for things to change, putting off my life till the kids are older or they sleep through the night or until my figure comes back, or my husband notices me…you name it, I’ve been waiting for it. And that’s not who I am.” She gestured to her body. “See this? I’m fed up with waiting. And I’m going to dress myself in the best bloody nightdress I can buy. So my question to you is: Are you going to make it? Or,” her eyes flashed, “are you going to write me off as another fat middle-aged middle-class woman who will just have to mend and make do?
Kathleen Tessaro (The Flirt)
He turned, picked up a bundle he'd left propped against the steps, and, grinning, held it out. It was a beautiful bunch of red roses, tied with an expensive silk ribbon. "Here, I got you a present. It's to celebrate." "Gareth — " she shook her head and looked at him in mock exasperation — "if you're going to start being frugal, you can't be wasting money on buying me flowers. Money should be spent on necessities!" He grinned. "Do you like them?" "Of course I do, but that's not the point —" "I said, do you like them?" "Well, yes, but —" "Then they are a necessity. Now, go fetch Charlotte and let's get out of London before the neighborhood awakes, shall we?"  He gazed down at his humble clothes with a mixture of amusement and ruefulness. "I don't want to give those miserable old gits anything more to talk about than they already have."   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Inspiration struck Cade as he dismounted and crossed the field. Lily was doing her best to ignore him, but that couldn't go on forever. He took the sack from her shoulder and waited for her to straighten. He half expected her to come up swinging, but she merely raised her fists to her hips and glared at him coldly. "Why did you bother returning? Didn't your squaw stroke your masculine pride?" He didn't know whether to kiss her or hit her. Judging neither to be appropriate, Cade shouldered the bag and threw a damper on her hostility. "The child will need clothes. I have come to ask if you will go to town with me to buy the appropriate materials. Perhaps you would like some for yourself also. And Roy." Lily stood there for a full minute, staring at him. She supposed other men would have come with a mouthful of apologies and a handful of flowers. Cade simply skipped all the in-between arguments and pleas and went on to the next subject. She might as well try arguing with herself. "You're not forgiven," she informed him. "And I'm not going anywhere until I gather the rest of this." "Me and Roy will do it tomorrow," Ephraim intruded, seeing Roy's crestfallen expression. In the end it was easier to surrender than to fight. Lily gave in to the majority and agreed to accompany Cade to town. She knew perfectly well that the trip could wait until Saturday, but now that it had been mentioned, she was as eager to go as Roy was. Not
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Mr. Phone took a swim when I was dropping the kids off at the pool.” “What?” Megan held up a bag of rice containing her damp phone. “Mr. Phone went for a dive and a backstroke in Mr. Toilet. Don’t worry, I’d already flushed when it happened.” “Not again,” Tina said, exasperated. “Why does that always happen to you?” “I blame Mr. Toilet. He has a gravitational pull that cannot be explained by modern science. We should get a team of researchers into the house to conduct tests.” Megan plopped the bag of rice and phone on the counter. “What were you calling me about?” Tina did an excited dance. “Your dentist came by looking for you.” “You met him? You met my Drew?” “Oh, Meenie, he’s so cute. Why didn’t you tell me he was so cute?” “I’m not shallow like you.” Tina said, “He’s a good one, Meenie. I think he might be the one.” “Don’t be gross. You know I hate stuff like that. If you and Luca start saying you’re soul mates, I’m going to throw up every time.” “Aren’t you going to ask what we talked about?” “He’d better not be buying me flowers from my own store. It’s cute when Luca does it, but he’s Luca. That sort of behavior from a man as dignified as Dr. Drew Morgan will not stand with me.” “Don’t worry. I told him not to ever buy you flowers or chocolates or any of that romantic stuff.” Megan frowned. “None of it?” “And I didn’t say anything embarrassing to him about our past.” Tina chewed her lower lip in that telltale way she did when she knew she’d done something Megan wouldn’t like.
Angie Pepper (Romancing the Complicated Girl (Baker Street #2))
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
who would guard it. Any who possess the Everbloom will use its power to serve their desires. Giving the flower to Kendra and her kind only increases their capacity to oppress you. Don’t give them the rope they will use to hang you. And don’t turn yourself into my enemy.” “I’d hate to do that,” Seth said. “So would I,” Ronodin said. “We have been allies up until now. You don’t want to see what I do to my enemies, Seth. Not firsthand. And what the Underking would do to you is a hundred times worse. Don’t ruin your life so you can give a flower to people who hate you. They want you in chains. Don’t let somebody else collect the flower for the Underking. Use the flower to buy your life back. You deserve to seek out your memories.” Seth glanced at the crack in the ground. “Maybe I’ll die in hot lava.” “Save the dramatics,” Ronodin said. “Bring the Everbloom to me. We’ll give it to the Underking. Remember that I plan for all contingencies. Don’t fight the inevitable.” “I hear you,” Seth said. “I just climb in?” “Chimney down using both sides,” Ronodin said. He handed Seth a glowing holly wand. “The descent isn’t too far. You’ll meet Dezia at the bottom. She will guide you to the bloom. Tread carefully—Baga Loa is not a typical volcano. A cave system like this one would never form in the natural world. You may cross paths with some unusual creatures.
Brandon Mull (Dragonwatch, Book 3: Master of the Phantom Isle (Dragonwatch, #3))
The Satyr's Heart" Now I rest my head on the satyr's carved chest, The hollow where the heart would have been, if sandstone Had a heart, if a headless goat man could have a heart. His neck rises to a dull point, points upward To something long gone, elusive, and at his feet The small flowers swarm, earnest and sweet, a clamor Of white, a clamor of blue, and black the sweating soil They breed in...If I sit without moving, how quickly Things change, birds turning tricks in the trees, Colorless birds and those with color, the wind fingering The twigs, and the furred creatures doing whatever Furred creatures do. So, and so. There is the smell of fruit And the smell of wet coins. There is the sound of a bird Crying, and the sound of water that does not move... If I pick the dead iris? If I wave it above me Like a flag, a blazoned flag? My fanfare? Little fare with which I buy my way, making things brave? The way Now I bend over and with my foot turn up a stone, And there they are: the armies of pale creatures who Without cease or doubt sew the sweet sad earth. Brigit Pegeen Kelly, O Blessed Dark (BOA Editions, Ltd. 2004)
Brigit Pegeen Kelly
Open your eyes Harper.” The first thing I saw was his anxious expression in the mirror. He was worrying his lip waiting for my reaction. I inhaled quickly and his body locked up when I looked down to my left side. It was beautiful. There were four large orange lilies wrapped around my hip, and I couldn’t believe how amazing they looked. I stepped closer and took in the perfect shading and detail to each flower. From the sketches I’d looked at and his drawing of me, I had known Chase was amazing, but I’d never thought he could make something like this look so real. His forced swallow was audible, and I realized I still hadn’t said anything. But there were absolutely no words. First my ring, and now this? Did anything get past him? I turned to face him and ran a hand through his messy hair. “Please tell me what you’re thinking.” Unfortunately, I wasn’t. I crushed my mouth to his and he quickly deepened the kiss. Right away the other tattoo artists started hooting and yelling for us to get a room. I pulled back and knew there was nothing I could do about the deep blush on my face. Chase led me back to his table and put ointment and a wrap over my tattoo before fixing my shirt, he was all smiles. “What made you choose those?” He beamed his white smile at me, “I heard you talking to Bree and Mom about them being your favorite. And ever since that day all I’ve wanted to do was get you orange lilies, but I knew I’d probably get punched again. This was my way around it.” “It looks amazing Chase, thank you.” He shrugged, but he still couldn’t contain that smile. “I’m serious.” I grabbed his face with both hands and brought him close, “I love it, thank you.” Chase kissed me once and skimmed his nose across my cheek. “God, you’re beautiful Harper.” My phone rang then, Brandon’s name flashed on the screen. “Hey babe.” “Hey, how’s the tattoo look?” “Um, it’s not done yet, can I call you after?” “I’m going out with some buddies from high school, I’ll just talk to you tomorrow, kay? But send me a picture when it’s done. I love you.” My stomach clenched, “I love you too. Have fun tonight.” I pressed the end button and looked up at Chase’s closed off expression. “Chase –” “So you’ll need to go buy some anti-bacterial soap to clean it.” “Please talk to me.” “I’m trying. Look, here are some aftercare instructions. Don’t take the wrap off for at least an hour. If anything looks wrong give me a call.” He dropped the paper on my stomach and stepped back. “Chase!” “I have another appointment, and he’s waiting. I’ll see you later.” I looked into his guarded eyes and exhaled deeply, “What do I owe you?” “Nothing. It was a gift. But I’m busy, please go.
Molly McAdams (Taking Chances (Taking Chances, #1))
Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.
Randall Jarrell
Now, I stood beside him ticking through the past few months of success and failure. Toni Cade Bambara and Ishiguro, yes, all of Murakami, yes, Philip Roth, James Baldwin and Colson Whitehead (Get out. Read these a hundred times). Yaa Gyasi, yes, Rachel Kushner, yes, and W. G. Sebald, but no more mysteries because he complains that he becomes compulsive. A month ago, I gave him Denis Johnson’s Angels, which he liked well enough. He tried Tree of Smoke and excoriated Johnson for enervating him with the evidence of hard research, although, he said, he could see where in fact the book was pretty good. I had then pressed Train Dreams into his hands. He came back and faced me, teeth gritted. ‘What else you got by this guy?’ Which told me he’d been extremely moved. This lasted a week. He has now finished all of Johnson. We are in trouble. If I sell him a book he dislikes, my favorite customer will return with an injured air, his voice cheated and tattered. What shall it be? I pull The Beginning of Spring, by Penelope Fitzgerald, off the shelf. He grumpily buys it. Much later that day, just before the store closes, Dissatisfaction returns. The Beginning of Spring is a short book, after all. He shuts his hands violently on a copy of Fitzgerald’s masterpiece, The Blue Flower, and bears it away.
Louise Erdrich (The Sentence)
One woman told me that buying cut flowers lifted her spirits for days, but she felt like it was a frivolous indulgence, so she only did it on special occasions.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!
Javid Ahmad Tak (They Loved in 2075!)
I told you,” he said in the darkness behind my lids. “So stubborn, all the time.” “No. Sometimes I’m asleep. And anyway, you don’t know my life.” He laughed. “Yeah, actually, I do. I know all about you.” I scoffed. “Mm-hmm.” “What? I do. I know you can eat a whole sleeve of Thin Mints by yourself.” I snorted. “Who can’t?” He went on. “I know your favorite thing is having your back scratched after you take off your bra. You’re in a better mood when you go to bed at eleven thirty and wake up at seven than when you go to bed at twelve thirty and wake up at eight. You like purple. You love the smell of carnations but hate it when guys buy you flowers because you think it’s a waste of money…” I opened an eye and looked at him. He was talking to the window, watching the road. “You like to argue when you think you might be wrong. When you know you’re right, you don’t bother. You hate sharing your food, but you pick at my plate every time. That’s why I always order extra fries.” He looked over at me and smiled. “And you’d rather give me shit for my driving than admit you get carsick when you’re on your phone. See?” He arched an eyebrow. “I know you.” My heart felt like it might crack in half. He did know me. He’d been paying attention to me. And I knew him too. I knew him inside and out. I could tell what work had been like by the set of his shoulders when he came over, and I knew it helped him to de-stress to talk to me about a bad call. I always listened, even though sometimes they were hard to hear. When he got quiet, it meant he was tired. He’d choose pistachio ice cream at Baskin-Robbins every time, but at Cold Stone he got sweet cream instead. I knew he liked Stuntman, though he’d never admit it. And he secretly liked it when I gave him shit. I could tell by the sparkle in his eyes. And I also knew he hoped he had more sons than daughters. That he liked the name Oliver for his first boy and Eva for his first girl. He planned on teaching all his kids to hunt and had a collection of camo baby clothes. He wanted to build the cribs himself from wood in the forest around his grandparent’s house in South Dakota. He wanted no fewer than five children, and he planned for nine. And he hoped all his kids got the signature Copeland dimples and cowlick. I hoped for that too. I wanted him to get all the things he dreamed about. Yes. I knew him. I knew him well.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
The Satyr's Heart" Now I rest my head on the satyr's carved chest, The hollow where the heart would have been, if sandstone Had a heart, if a headless goat man could have a heart. His neck rises to a dull point, points upward To something long gone, elusive, and at his feet The small flowers swarm, earnest and sweet, a clamor Of white, a clamor of blue, and black the sweating soil They breed in...If I sit without moving, how quickly Things change, birds turning tricks in the trees, Colorless birds and those with color, the wind fingering The twigs, and the furred creatures doing whatever Furred creatures do. So, and so. There is the smell of fruit And the smell of wet coins. There is the sound of a bird Crying, and the sound of water that does not move... If I pick the dead iris? If I wave it above me Like a flag, a blazoned flag? My fanfare? Little fare with which I buy my way, making things brave? The way Now I bend over and with my foot turn up a stone, And there they are: the armies of pale creatures who Without cease or doubt sew the sweet sad earth.
Brigit Pegeen Kelly (The Orchard (American Poets Continuum))
You said you didn't love her enough. How did you know in the end that you didn't?" ... "Because when she went away I didn't miss her. Because I could stand having her out of my sight; because I didn't want to touch her every time I saw her; because I didn't have the urge to buy her flowers every time I passed a flower stall; because I didn't look for her around every corner; because she wasn't in my head every time I looked up from a market report; because she didn't make me feel stoned - and didn't make me feel glad I wasn't; she didn't fire up my imagination; she didn't make me forget the gloom of the past, as the song goes. Because she didn't make me almost wish she'd disappear so I could find her.
Martha Grimes (The Grave Maurice (Richard Jury, #18))
I remember the first time I decided to try to put on more Joy. As if Joy was a perfume sample I tried on briefly at the mall and liked so much--how it made me feel to walk into a room smelling like distilled righteousness--that I decided to buy a travel size so I could carry it with me at all times. An easy application for a quick cover-up. a potent enough aroma of pep in my step to cover all manner of bad days. ... The first time I tried to put on Joy like it's something that you wear, it ended up biting me in the backside. Because that's what happens when we try to use Joy to mask, to cover up, but never to actually heal. ... Either way, it's not fooling anyone. And either way, that's not how true Joy works. True Joy doesn't overpower. It doesn't accost someone until we are the only thing they can smell in the room. True Joy is a breath of fresh air. It is a permission to breathe easier. It is an invitation, not a full-scale assault on the senses. It also isn't an overdesigned, overstaged, mass-marketed picture of perfection. To me, true Joy is like a tree planted by the water. It gives more oxygen than it takes. It provides shade and shelter to those who want to come and sit by it for a while. It is a welcome place of belonging. A much-needed respite for the weary. A place to come and rest their tired souls. ... (reference to Jeremiah 17:8)... Joy was never only for those found laughing in a field of flowers. It is also for anyone who finds themselves weeping in the thickest part of the weeds. Joy doesn't mean the drought won't come and the storms won't rage. It just means that when they do, you'll know where you're planted. You'll know what it is you're anchored to.
Mary Marantz (Dirt: Growing Strong Roots in What Makes the Broken Beautiful)
A lemon flower stands for clarity, happiness, and hope," I told him, still feeling confused. "That's what my mom always said." Rory studied the necklace and then me. "Clarity, happiness, and hope, huh?" His gaze was warm on my face. "Can I buy it for you?" He turned to the artist and pulled out his wallet. "You don't have to---" I protested, but he was already handing over the cash. "Please? I want to. Every time you wear it, you can be reminded to never give up hope, to seek happiness, and to remember that life is full of second chances.
Rachel Linden (The Magic of Lemon Drop Pie)
When I grow up, Mamaw Milkweed,” Daffy would say, “I’m gonna have my own flower bulb catalog and mail them to you so you can buy from me. Every flower that blooms will be because I gave ’em to the world.
Tiffany McDaniel (On the Savage Side)
She opens one eye to glare at me. “Buy me flowers and I’ll shove them up your ass.
Angel Lawson (Touched By The Devil (Boys of Preston Prep, #3))
Jayon dismounted to buy a bunch of flowers from a pretty girl with a cheeky grin, remounted and handed them to Blade. The assassin's brows rose. "I didn't know you liked me that much, boy.
T.C. Southwell
Telephones. Everybody was leaning on telephones.” Lucas took a phone from his pocket and held it up, then looked at it, at the shiny black glass. “They’re so great, these little machines are, that we all agree to be spied on for the privilege of carrying them. The phones know where we’ve been, when we were there, and lots of time, what we were doing there—what we were buying, who we were talking to, and where those people were. They can even tell how fast you were moving, in case somebody wants to prove you were speeding. They know who you talk to, who your contacts are, what credit cards you have, where you bank. We all know that, but we can’t get away from them. Even crooks know it, and even they can’t get away from them.” “All you’d have to do is not have one,” Flowers said. “You can’t do that—listen to me, you can’t do that anymore,
John Sandford (Golden Prey (Lucas Davenport #27))
From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
need sleep? I need to do whatever it takes to restore physically. 2. Have I been reading my Bible? Even if it is putting an app on my phone with a voice I can listen to while still in bed in the mornings or at night, I need to hear from the God who walks through these valleys with me. 3. Do I feel alone? I need to call someone who is a spiritually engaging friend, one who loves God, loves me, and whom I can completely trust. I will meet that person for coffee or lunch to share my heart and to ask for prayer. 4. Am I watching my health? Exercise is a stress reducer and helps happy hormones to develop. I have developed the habit of walking and hiking. 5. How can I get help? Is there someone who can help me clean my home? Do I have a friend I can ask to keep my kids, so I can have a little time away? 6. What do I need to invest in the joy factor of my life? Am I creating spaces of beauty for my own soul—candles, music, fresh flowers, and other such life-giving things? Perhaps it’s as simple as going to a movie with my husband or friend, or buying a new scarf.
Sarah Mae (Desperate: Hope for the Mom Who Needs to Breathe)
A gentleman shouldn't give personal items to a lady he's courting." He lowered his voice, mindful of being overheard by Poppy and the housekeeper, who were talking by the threshold of the Rutledge apartments. "But I can't take it back- no other woman could do it justice. And Marks, you have no idea of the self-restraint I exercised, I wanted to buy you a pair of embroidered stockings with little flowers running that run all the way up the insides of your-" "My lord," Catherine whispered, a light blush covering her face. "You forget yourself." "I haven't forgotten a thing, actually. Not one detail of your beautiful body. Soon I may start sketching you naked again. Every time I put a pencil to paper, the temptation nearly overwhelms me." She tried to look severe. "You promised not to do that again." "But my pencil has a will of its own," he said gravely.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
started without losing any more precious time. I might have expected that my best friend getting married would require endless discussions about which florist to use and what would be the best hors d’oeuvres to serve with the champagne. There is almost none of that. Greg’s ludicrously short timescale puts paid to any gentle deliberation. Instead we both seem to be running a solo race to our own goals. More than once I regret that the whole wedding-preparation thing is not turning out the way I had imagined, but it can’t be helped. There is just no time to waste chatting. Apart from making the dress, the main event as far as I am concerned is the shopping trip to buy the bridesmaid dresses. There will be three of us: me and Greg’s two nieces, who are to be flower girls. Beth
Imogen Clark (Postcards From a Stranger (Postcards #1))
We wandered the entire length of the street market, stopping to buy the provisions I needed for the lunch dish I wanted to prepare to initiate l'Inglese into the real art of Sicilian cuisine. I took l'Inglese around the best stalls, teaching him how to choose produce, livestock, game, fish, and meat of the highest quality for his dishes. Together we circled among the vegetable sellers, who were praising their heaps of artichokes, zucchini still bearing their yellow flowers, spikes of asparagus, purple-tinged cauliflowers, oyster mushrooms, and vine tomatoes with their customary cries: "Carciofi fresci." "Funghi belli." "Tutto economico." I squeezed and pinched, sniffed, and weighed things in my hands, and having agreed on the goods I would then barter on the price. The stallholders were used to me, but they had never known me to be accompanied by a man. Wild strawberries, cherries, oranges and lemons, quinces and melons were all subject to my scrutiny. The olive sellers, standing behind their huge basins containing all varieties of olives in brine, oil, or vinegar, called out to me: "Hey, Rosa, who's your friend?" We made our way to the meat vendors, where rabbits fresh from the fields, huge sides of beef, whole pigs and sheep were hung up on hooks, and offal and tripe were spread out on marble slabs. I selected some chicken livers, which were wrapped in paper and handed to l'Inglese to carry. I had never had a man to carry my shopping before; it made me feel special. We passed the stalls where whole tuna fish, sardines and oysters, whitebait and octopus were spread out, reflecting the abundant sea surrounding our island. Fish was not on the menu today, but nevertheless I wanted to show l'Inglese where to find the finest tuna, the freshest shrimps, and the most succulent swordfish in the whole market.
Lily Prior (La Cucina)
I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.
Jessica Care Moore
Will you play the piano after dinner?” he asked. “I would, but I’m afraid we haven’t one.” “No piano anywhere in the house?” There was a calculating flicker in his dark eyes. “Please don’t buy one for me,” Helen said hastily. That produced a sudden grin, a flash of white against cinnamon skin, so appealing that it sent a shot of warmth down to her tummy. “There are at least a dozen pianos at my store,” he said. “Some of them have never been played. I could have one sent here tomorrow.” Her eyes widened at the thought of so many pianos in one place. “You’ve already been far too generous,” she told him. “The greatest kindness you could bestow is the gift of your company.” His gaze locked with hers. “Does that mean you’ve agreed to let me court you?” he asked softly. At her timid nod, he leaned a few degrees closer, barely an inch, but it made her feel overwhelmed by him. “Then you’ll have more of my company,” he murmured. “What other gifts would you like?” Blushing, she replied, “Mr. Winterborne, there is no need--” “I’m still considering the piano.” “Flowers,” she said quickly. “A tin of sweets, or a paper fan. Small gestures.” His lips curved. “Unfortunately I’m known for making large gestures.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Nobody knows a woman as her milliner does. This is because, for a woman, buying a hat is an emotional thing. When she is in the full glory of youth and beauty, she buys a hat to cap the climax of her glamour. When she grows old, she buys a hat to turn back a little the relentless hands of time. When life slips out of the even way, a woman buys a hat. Sometimes in joy, sometimes in sorrow, but always for a purpose that is mixed up with her heart, and always she buys for her figure. Her figure cannot change from one moment to the next – but I have seen her face perform just this miracle. And when I see her eyes brighten and her chin lift as she turns her head, I feel very happy for my hat. Women have come to me for a hat to make their dreams come true. (Sometimes they do.) They have come to me in disappointment or grief, for a hat to take their minds off their troubles. (It very often works.) They have come for a hat to hold a husband. (This is more difficult, but not impossible.) They have come for a hat to catch a husband. (This is easy.) Being a milliner is sometimes like being a doctor. I prescribe a hat covered with pink roses to drive the blues away. I advise a daring hat for the woman who feels that she is in a rut, and wants to get out. For the girl who wants to get her man, I make a young, innocent, romantic hat, to make her look like a flower.
Lilly Daché
I’d never been able to decide whether she actually didn’t understand that we were truly poor or if she just refused to accept it. It still hadn’t stopped me from buying her seeds for the flower garden she tended in the milder months, whenever I could afford it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I want any position she’ll have me in. Then, I want to buy her flowers, leave her love notes in her purse, and make her eggs the way she likes them tomorrow morning.
Christina Hill (Tips Up)
I want to bury myself inside her. I want any position she’ll have me in. Then, I want to buy her flowers, leave her love notes in her purse, and make her eggs the way she likes them tomorrow morning.
Christina Hill (Tips Up)
He gets on his knees. His knees. “These flowers don’t even begin to scratch the surface to show how sorry I am. I want to earn your trust back if you’ll let me. If you want me to leave you alone, I’ll leave you alone. If you want me to prove my love for you, I’ll prove my love for you. I already bought you a nectarine orchard in South Africa, but I’ll buy you a vacation home out there, too. I’ll build you your own personal library, so you never run out of books. I’ll⁠—” Emotion garbles my words. “I forgive you.” And just like that, the war is over.
Celeste Briars (The Best Kind of Forever (Riverside Reapers #1))
I can buy myself flowers Write my name in the sand Talk to myself for hours Say things you don't understand I can take myself dancing And I can hold my own hand Yeah, I can love me better than you can
Miley Cyrus, ‘Flowers’