Buttonhole Quotes

We've searched our database for all the quotes and captions related to Buttonhole. Here they are! All 85 of them:

I want to be famous in the way a pulley is famous, or a buttonhole, not because it did anything spectacular, but because it never forgot what it could do.
Naomi Shihab Nye
Young people, nowadays, imagine that money is everything. Yes, murmured Lord Henry, settling his button-hole in his coat; and when they grow older they know it.
Oscar Wilde (The Picture of Dorian Gray and Other Writings)
The people who influence us most are not those who buttonhole us and talk to us, but those who live their lives like the stars in heaven and the lilies in the field, perfectly simply and unaffectedly. Those are the lives that mould
Oswald Chambers (My Utmost for His Highest)
I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I’d never been your lover
Leonard Cohen (The Spice-Box of Earth)
A really well-made buttonhole is the only link between Art and Nature.
Oscar Wilde (Complete Works of Oscar Wilde)
But at other times, I sit here reading in the afternoon, a myrtle in my buttonhole, and there are such beautiful passages in the book that I think I have become beautiful myself.
Lydia Davis (Varieties of Disturbance)
I just lost a buttonhole.
Steven Wright
But unvented - ahh! One un-vents something; one unearths it; one digs it up, one runs it down in whatever recesses of the eternal consciousness it has gone to ground. I very much doubt if anything is really new when one works in the prehistoric medium of wool with needles. The products of science and technology may be new, and some of them are quite horrid, but knitting? In knitting there are ancient possibilities; the earth is enriched with the dust of the millions of knitters who have held wool and needles since the beginning of sheep. Seamless sweaters and one-row buttonholes; knitted hems and phoney seams - it is unthinkable that these have, in mankind's history, remained undiscovered and unknitted. One likes to believe that there is memory in the fingers; memory undeveloped, but still alive.
Elizabeth Zimmermann (Elizabeth Zimmermann's Knitter's Almanac)
from "Famous" I want to be famous the in the way a pulley is famous,/or a buttonhole,not because it did anything spectacular,/but because it never forgot what it could do.
Naomi Shihab Nye
When we finally do this, Nora,” he says, straightening away from me, his hands slipping my buttons back into buttonholes as easily as he undid them, “it’s not going to be on a library table, and it’s not going to be on a time crunch.” He smooths my hair, tucks my blouse back into my skirt, then takes my hips in his hands and guides me off the table, catching me against him. “We’re going to do this right. No shortcuts.
Emily Henry (Book Lovers)
The audacious telegraph operator took the flower from his buttonhole and said to her: "I give you my life in this rose.
Gabriel García Márquez (Living to Tell the Tale)
All the systems which explain so precisely why the world is as it is and why it can never be otherwise, have always called forth in me the same kind of uneasiness one has when face to face with the regulations displayed under the glaring lights of a prison cell. Even if one had been born in prison and had never seen the stars or seas or woods, one would instinctively know of timeless freedom in unlimited space. My evil star, however, had fated me to be born in times when only the sharply demarcated and precisely calculable where in fashion.... "Of course, I am on the Right, on the Left, in the Centre; I descend from the monkey; I believe only what I see; the universe is going to explode at this or that speed" - we hear such remarks after the first words we exchange, from people whom we would not have expected to introduce themselves as idiots. If one is unfortunate enough to meet them again in five years, everything is different except their authoritative and mostly brutal assuredness. Now they wear a different badge in their buttonhole; and the universe now shrinks at such a speed that your hair stands on end.
Ernst Jünger (The Glass Bees)
Miss Kelly, perhaps you'd like this flower. I seem to have misplaced my buttonhole.
Elwood P. Dowd
A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-
Leonard Cohen (The Spice-Box of Earth)
Never a button without a buttonhole.
Coco Chanel
As he passed through the dining room, he stopped and took a white daisy from the bouqet his housekeeper had placed in the middle of the table..and put the daisy in the buttonhole of his summer jacket. Then he opened the front door and walked down the steps to Prinsegade, filled with the blind triumph that people sometimes experience when they've conquered their own better judgment.
Carsten Jensen (We, the Drowned)
Caregiving offers many fringe benefits, including the sheer sensory delight of nourishing and grooming, sharing, and playing. But caregiving does buttonhole you; you're stitched in one place. . . . Paul wasn't on a learning curve but seemed trapped in a circle. He's swoop forward only to loop back again and fall to earth.
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
I wish I were a rose...that you might wear me for a buttonhole bouquet on your journey. But I wonder...would you throw the rose away when it faded?
Matt Phelan (Around the World)
Albert seized it and put it victoriously into his buttonhole,
Alexandre Dumas (The Count of Monte Cristo: Abridged Edition)
I want to be famous in the way a pulley is famous, or a buttonhole, not because it did anything spectacular, but because it never forgot what it could do.
Naomi Shihab Nye
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To- morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
Kakuzō Okakura (The Book of Tea)
Willie went out and buttonholed folks on the street and tried to explain things to them. You could see Willie standing on a street corner, sweating through his seersucker suit, with his hair down in his eyes, holding an old envelope in one hand and a pencil in the other, working out figures to explain what he was squawking about, but folks don't listen to you when your voice is low and patient and you stop them in the hot sun and make them do arithmetic.
Robert Penn Warren (All the King’s Men)
He did not want to see her photograph and discover what the years had wrought, or hear about the details of her life. He preferred to preserve her as she was in his memories, with the dandelion in her buttonhole and the piece of velvet in her hair, the canvas bag across her shoulder, and the beautiful strong-boned face with its wide and artless smile.
Ian McEwan (On Chesil Beach)
Friendship shouldn’t feel like squeezing into your skinny jeans. There shouldn’t be any groaning and heaving while you lie on your bed and force the last button through the buttonhole. Friendship should feel like “I’ll be there, but I’ll be wearing sweatpants.
Amy Weatherly (I'll Be There (But I'll Be Wearing Sweatpants): Finding Unfiltered, Real-Life Friendships in This Crazy, Chaotic World)
What do you think the old man would of done? You know what he’d of done. Boyd took the stem from his teeth and threaded it through the buttonhole on the pocket of his ragged shirt and looped and tied it. Yeah. He aint here to say though, is he? I dont know. Someways I think he’ll always have a say.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
Mary had written the names of her thirty-one children on brown luggage labels and looped them through the top buttonholes of their overcoats. Of course the children had exchanged labels with one another the second her back was turned. They were only human, even if they hadn't yet made the effort to become tall.
Chris Cleave (Everyone Brave Is Forgiven)
During the same Monte Carlo trip, Churchill, while waiting outside the casino for his car, was buttonholed by Frank Sinatra, the American singer, who rushed up to him and shook his hand, saying, “I’ve wanted to do that for twenty years.” After the singer departed, a puzzled Churchill inquired of an assistant, “Who the hell was that?” Churchill
Thomas E. Ricks (Churchill and Orwell: The Fight for Freedom)
The Dandy is the highest form of existence attainable by the human form. His life is exclusively dedicated to dressing exquisitely, parading about the fashionable boroughs of splendid cities and and holding forth at his club, where he dispenses witticism as readily as the vulgaroisie utters its banal platitudes. The only species of 'work' this singular Chap might engage in would consist of discussing buttonhole stitching with his tailor and performing his ablutions until the morning has been well aired enough for him to step into it.
Gustav Temple and Vic Darkwood (The Chap Manifesto: Revolutionary Etiquette for the Modern Gentleman)
It's wearying, like Caliban buttonholing you in hell and telling you the struggle he's having getting along with himself.
Derek Raymond (The Crust on its Uppers)
FALDER’S work [a shirt to which he is putting buttonholes] is hung to a nail on the wall over a small wooden table, on which the novel “Lorna Doone” lies open.
John Galsworthy (Collected Works of John Galsworthy with the Foryste Saga (Delphi Classics))
My dear fellow, what on earth should we men do going about with purity and innocence? A carefully thought-out buttonhole is much more effective.
Oscar Wilde (Lady Windermere's Fan)
A little girl was sitting beside him, with huge, doomy eyes, a bear suit with all the buttons done up in the wrong buttonholes, and very dark, straggly hair that stuck straight out of her head at odd angles. She seem to read his mind. "Shh," said the little girl. A lot of her teeth had recently fallen out and she was very serious for such a small person. "We're not allowed to talk about the Lost. It's bad for morale.
Cressida Cowell (How to Seize a Dragon's Jewel (How to Train Your Dragon, #10))
How gaily and lightly these people I met carried their radiant heads, and swung themselves through life as through a ball-room! There was no sorrow in a single look I met, no burden on any shoulder, perhaps not even a clouded thought, not a little hidden pain in any of the happy souls. And I, walking in the very midst of these people, young and newly-fledged as I was, had already forgotten the very look of happiness. I hugged these thoughts to myself as I went on, and found that a great injustice had been done me. Why had the last months pressed so strangely hard on me? I failed to recognize my own happy temperament, and I met with the most singular annoyances from all quarters. I could not sit down on a bench by myself or set my foot any place without being assailed by insignificant accidents, miserable details, that forced their way into my imagination and scattered my powers to all the four winds. A dog that dashed by me, a yellow rose in a man's buttonhole, had the power to set my thoughts vibrating and occupy me for a length of time.
Knut Hamsun (Hunger)
Button-holes! there is something lively in the very idea of 'em - and trust me, when I get amongst 'em - you gentry with great beards - look as grave as you will - I'll make merry work with my button-holes - I shall have 'em all to myself - 'tis a maiden subject - I shall run foul of no man's wisdom or fine sayings in it.
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
On a shirt, every button has its own button-hole. Fix a button elsewhere and your dressing goes crazy and nasty! On earth, everyone has his/her dreams. You have your own. Fix yourself there and your life will be fully fulfilled!
Israelmore Ayivor (The Great Hand Book of Quotes)
Miss Drew, entering her classroom, was aghast to see instead of the usual small array of buttonholes on her desk, a mass of already withering hothouse flowers completely covering her desk and chair. William was a boy who never did things by halves.
David Miller (That Glimpse of Truth: The 100 Finest Short Stories Ever Written)
In November I received a ransom note telling me exactly what to do if ever I wished to see my uncle Theobald alive again. I do not have an Uncle Theobald, but I wore a pink carnation in my buttonhole and ate nothing but salads for the entire month anyway. In
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
The orchestra sounds a flourish. A chap with a chrysanthemum in his buttonhole comes to the front and explains that a couple will now give a demonstration of the latest thing from Berlin—a fox trot! That is unknown here as yet; we have only heard tell of it.
Erich Maria Remarque (The Road Back)
...and in his button-hole he stuck a narcissus, hoping it would attract Mary's notice, so that he might have the delight of giving it her.
Elizabeth Gaskell
But there is a way of despising the dandelion which is not that of the dreary pessimist, but of the more offensive optimist. It can be done in various ways; one of which is saying, "You can get much better dandelions at Selfridge's," or "You can get much cheaper dandelions at Woolworth's." Another way is to observe with a casual drawl, "Of course nobody but Gamboli in Vienna really understands dandelions," or saying that nobody would put up with the old-fashioned dandelion since the super-dandelion has been grown in the Frankfurt Palm Garden; or merely sneering at the stinginess of providing dandelions, when all the best hostesses give you an orchid for your buttonhole and a bouquet of rare exotics to take away with you. These are all methods of undervaluing the thing by comparison; for it is not familiarity but comparison that breeds contempt. And all such captious comparisons are ultimately based on the strange and staggering heresy that a human being has a right to dandelions; that in some extraordinary fashion we can demand the very pick of all the dandelions in the garden of Paradise; that we owe no thanks for them at all and need feel no wonder at them at all; and above all no wonder at being thought worthy to receive them. Instead of saying, like the old religious poet, "What is man that Thou carest for him, or the son of man that Thou regardest him?" we are to say like the discontented cabman, "What's this?" or like the bad-tempered Major in the club, "Is this a chop fit for a gentleman?" Now I not only dislike this attitude quite as much as the Swinburnian pessimistic attitude, but I think it comes to very much the same thing; to the actual loss of appetite for the chop or the dish of dandelion-tea. And the name of it is Presumption and the name of its twin brother is Despair. This is the principle I was maintaining when I seemed an optimist to Mr. Max Beerbohm; and this is the principle I am still maintaining when I should undoubtedly seem a pessimist to Mr. Gordon Selfridge. The aim of life is appreciation; there is no sense in not appreciating things; and there is no sense in having more of them if you have less appreciation of them.
G.K. Chesterton (The Autobiography of G.K. Chesterton)
I saw all the male guests take up the similar carnations that were lying by their plates and slip them into the buttonholes of their coats. I did as they had done, with the air of spontaneity that a free-thinker assumes in church, who is not familiar with the order of service but rises when everyone else rises and kneels a moment after everyone else is on his knees.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Two hundred metres away from the cafe in Colaba police station, the duty inspector heard the rounds tumble and fizz, wondering if they were from an AK-47. ...The inspector buttonholed two constables armed with standard issue .303 bolt-action rifles. They were so antiquated that they were no longer in production in India...At most city police stations these and bamboo lathis were the only weapons available.
Cathy Scott-Clark (The Siege)
The red velvet material was hard to work with, it pulled, and the style my mother had chosen was not easy either. She was not really a good sewer. She liked to make things; that is different. Whenever she could she tried to skip basting and pressing and she took no pride in the fine points of tailoring, the finishing of buttonholes and the overcasting of seams as, for instance, my aunt and my grandmother did.
Alice Munro (Dance of the Happy Shades)
But the young Count insisted on the Beauty selecting a flower for him. He was waiting impatiently for her second present, the promised kiss — her first kiss. The Beauty looked at the flowers. Once again her face was darkened by a delicate shade of sadness. Suddenly, as if prompted by some strange will, she quickly stretched out a hand, so exquisite in its naked whiteness, and plucked a many-petaled flower. Her hand hesitated, and she bowed her head, and finally with an expression of shy indecision she approached the Count and placed the flower in a buttonhole of his cloak. The powerful and pungent scent wafted into the young Count's face, which grew pale as his head reeled in languid impotence. Indifference and tedium overcame him. He was scarcely aware of himself, he hardly noticed that the Beauty took him by the arm and led him into the house, away from the fragrances of the wondrous Garden. In one of the rooms of the house where all was bright, white and rosy, the Count came to himself. A youthful vitality returned to his face, his black eyes were aflame with passion once again, and he felt the joy of life and the surge of desire anew. But already the inescapable lay in wait for him. A white hand, bare, slender, lay on his neck; and the fragrant kiss of the Beauty was tender, sweet, long. The two blue lightnings of her eyes flashed close to his eyes and were masked with the subtle mystery of her long eyelashes. The sinister fires of some sweet pain swirled like a whirlwind about the heart of the young Count. He raised his arms to embrace the Beauty — but with a soft cry she stepped away and softly, quietly, ran away, leaving him alone. ("The Poison Garden")
Valery Bryusov (Silver Age of Russian Culture (An Anthology))
Hiro and Chuck grab the closest thing they can find to a corner table. Hiro buttonholes a waiter and surreptitiously orders a pitcher of Pub Special, mixed half and half with nonalcoholic beer. This way, Chuck ought to remain awake a little longer than he would otherwise. It doesn't take much to make him open up. He's like one of these old guys from a disgraced presidential administration, forced out by scandal, who devotes the rest of his life to finding people who will listen to him.
Neal Stephenson (Snow Crash)
I sell more shirts than any other store in London. But it didn’t occur to me that the upper class pays close attention to buttonholes.” It had chafed his pride, she thought, to realize that he had put himself at a disadvantage when mingling with social superiors. “I’m sure they shouldn’t,” Helen said apologetically. “There are far more important things for them to worry about.” His gaze turned quizzical. “You speak as if you’re not one of them.” She smiled slightly. “I’ve lived away from the world for so much of my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
and in any case his attention was distracted by another object that was sparkling cheerfully where it lay in the middle of the road. Erast Fandorin did not realize what it was for a moment. The only thought that came to him was that the ground was definitely no place for that. Then he recognized it: a gold ring glittering on the third finger of a slim girl’s arm severed at the elbow. THE FOPPISHLY DRESSED but terribly slovenly young man stumbled along Tverskoi Boulevard with rapid, erratic steps, paying no attention to anyone—expensive crumpled frock coat, dirty white tie, dusty white carnation in his buttonhole.
Boris Akunin (The Winter Queen (Erast Fandorin Mysteries, #1))
Devon pushed open the bathroom door. He was fully clothed in a gray wool suit, although he wore no necktie, and his cuffs and collar had been left unfastened. His face was expressionless. “Will you help with this?” he asked, extending his arm. Hesitantly Kathleen reached out to fasten one of his loose cuffs. The backs of her knuckles brushed the skin on the inside of his wrist, where the skin was blood-heated and smooth. Acutely aware of the measured sound of his breathing, she fastened the other cuff. Reaching up to the sides of his open shirt collar, she drew them together and proceeded to fasten them with a small gold stud that had been left dangling in the buttonhole. As she slid her fingers beneath the front of the collar, she could feel the ripple of his swallow. “Thank you,” Devon said. There was a slight rasp in his voice, as if his throat had gone dry.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Perhaps it increased his annoyance that there was a certain unusual liveliness about the usually languid figure of Fisher. The ordinary image of him in March's mind was that of a pallid and bald-browed gentleman, who seemed to be prematurely old as well as prematurely bald. He was remembered as a man who expressed the opinions of a pessimist in the language of a lounger. Even now March could not be certain whether the change was merely a sort of masquerade of sunshine, or that effect of clear colors and clean-cut outlines that is always visible on the parade of a marine resort, relieved against the blue dado of the sea. But Fisher had a flower in his buttonhole, and his friend could have sworn he carried his cane with something almost like the swagger of a fighter. With such clouds gathering over England, the pessimist seemed to be the only man who carried his own sunshine.
G.K. Chesterton (The Man Who Knew Too Much)
He did not in the least wish the future Mrs. Newland Archer to be a simpleton. He meant her (thanks to his enlightening companionship) to develop a social tact and readiness of wit enabling her to hold her own with the most popular married women of the 'younger set,' in which it was the recognized custom to attract masculine homage while playfully discouraging it. If he had probed to the bottom of his vanity (as he sometimes nearly did) he would have found there the wish that his wife should be as worldly-wise and eager to please as the married lady whose charms had held his fancy through two mildly agitated years; without, of course, any hint of the frailty which had so nearly marred that unhappy being's life, and had disarranged his own plans for a whole winter. How this miracle of fire and ice was to be created, and to sustain itself in a harsh world, he had never taken the time to think out; but he was content to hold his view without analyzing it, since he knew it was that of all the carefully-brushed, white-waistcoated, buttonhole-flowered gentlemen who succeeded each other in the club box, exchanged friendly greetings with him, and turned their opera-glasses critically on the circle of ladies who were the product of the system. In matters intellectual and artistic Newland Archer felt himself distinctly the superior of these chosen specimens of old New York gentility; he had probably read more, thought more, and even seen a good deal more of the world, than any other man of the number. Singly they betrayed their inferiority; but grouped together they represented 'New York,' and the habit of masculine solidarity made him accept their doctrine in all the issues called moral. He instinctively felt that in this respect it would be troublesome - and also rather bad form - to strike out for himself.
Edith Wharton (The Age of Innocence)
What I wanted from people was simple enough. I wanted them to rush up to me and to each other and say, “Oh my God, what is this? What is happening here?” I wanted them to come pouring out of their houses and cars calling out, “Look at this! Just look at this! Do you see what I see? The strange juice rising in the grass and the trees, the great freely given, unearned beneficence of the sun?” In my fantasy some of them would buttonhole strangers for the first serious conversations of their lives. Others would throw their arms out and their heads back and scream at the sky in alternating terror and ecstasy. Passersby would hug. Tears of recognition and amazement would be shed. It would be the end of loneliness and falsity and the beginning, after all these wasted years, of whatever it is we are supposed to be doing here. And if they didn’t want to respond so demonstratively, then all I asked was a wink here and there, a carefully folded note.
Barbara Ehrenreich (Living with a Wild God: A Nonbeliever's Search for the Truth about Everything)
I am running out of space--the platform is ending--I seize the handle and swing myself in, my muscles absorbing the pull forward. Tris stands inside the car, wearing a small, crooked smile. Her black jacket is zipped up to her throat, framing her face in darkness. She grabs my collar and pulls me in for a kiss. As she pulls away, she says, “I always loved watching you do that.” I grin. “Is this what you had planned?” Caleb demands from behind me. “For her to be here when you kill me? That’s--” “Kill him?” Tris asks me, not looking at her brother. “Yeah, I let him think he was being taken to his execution,” I say, loud enough that he can hear. “You know, sort of like he did to you in Erudite headquarters.” “I…it isn’t true?” His face, lit by the moon, is slack with shock. I notice that his shirt’s buttons are in the wrong buttonholes. “No,” I say. “I just saved your life, actually.” He starts to say something, and I interrupt him. “Might not want to thank me just yet. We’re taking you with us. Outside the fence.” Outside the fence--the place he once tried so hard to avoid that he turned on his own sister. It seems a more fitting punishment than death, anyway. Death is so quick, so certain. Where we’re going now, nothing is certain.
Veronica Roth (Allegiant (Divergent, #3))
They were interrupted as a young girl walked along the pavement in front of the sessions house, calling, "Flowers! Fresh-cut flowers!" She stopped in front of them. "Posy for the lady, sir?" Ransom turned to the girl, who wore a colorful scarf over her long dark hair and a patchwork apron over her black dress. She carried a flat basket filled with posyes, their stems wrapped with bits of colored ribbon. "There's no need-" Garrett began, but Ransom ignored her, browsing over the tiny bouquets of roses, narcissus, violets, forget-me-nots, and dianthus. "How much?" he asked the flower girl. "A farthing, sir." He glanced at Garrett over his shoulder. "Do you like violets?" "I do," she said hesitantly. Ransom gave the flower-girl a sixpence and picked out one of the posyes. "Thank you, sir!" The girl scurried away as if fearing he might change his mind. Ransom turned to Garrett with the cluster of purple blossoms. Reaching for the lapel of her walking jacket, he deftly tucked the ribbon-wrapped stem of the posy into a buttonhole. "Violets make an excellent blood-purifying tonic," Garrett said awkwardly, feeling the need to fill the silence. "And they're good for treating cough or fever." The elusive dimple appeared in his cheek. "They're also becoming to green-eyed women.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Mr. Quincy told me that he will be working for you in London. I am glad, for both your sakes, that you’ve given him such an opportunity. He will be an excellent valet.” “For what I’m paying him,” Winterborne said, “he’d better be the best in England.” Helen was briefly nonplussed. “I have no doubt he will be,” she ventured. Meticulously Winterborne neatened the stack of paper. “He wants to start by disposing of my shirts.” “Your shirts,” Helen repeated, perplexed. “One of my managers brought some of my clothes from London. Quincy could tell that the shirts were ready-made.” He glanced at her warily, assessing her reaction. “To be accurate,” he continued, “they’re sold half finished, so they can be tailored to the customer’s preference. The quality of the fabric is as high as any bespoke shirt, but Quincy still turns up his nose.” Helen considered her reply carefully. “A man of Quincy’s profession has an exacting eye when it comes to details.” She probably should have left it at that. The discussion of a man’s clothing was entirely improper, but she felt that she should help him to understand Quincy’s concerns. “It’s more than just the fabric. The stitching is different in a bespoke shirt: The seams are perfectly straight and flat-felled, and the buttonholes are often hand-worked with a keyhole shape at one side to reduce the stress of the button’s shank.” She paused with a smile. “I would elaborate about plackets and cuffs, but I fear you would fall asleep in the chair.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The mind of man is the product of live Law; it thinks by law, it dwells in the midst of law, it gathers from law its growth; with law, therefore, can it alone work to any result. Inharmonious, unconsorting ideas will come to a man, but if he try to use one of such, his work will grow dull, and he will drop it from mere lack of interest. Law is the soil in which alone beauty will grow; beauty is the only stuff in which Truth can be clothed; and you may, if you will, call Imagination the tailor that cuts her garments to fit her, and Fancy his journeyman that puts the pieces of them together, or perhaps at most embroiders their button-holes. Obeying law, the maker works like his creator; not obeying law, he is such a fool as heaps a pile of stones and calls it a church.
George MacDonald (The Fantastic Imagination: With an Introduction by G. K. Chesterton)
The time arrives. 'It is a waltz, I think,' Miss Larkins doubtfully observes, when I present myself. 'Do you waltz? If not, Captain Bailey—' But I do waltz (pretty well, too, as it happens), and I take Miss Larkins out. I take her sternly from the side of Captain Bailey. He is wretched, I have no doubt; but he is nothing to me. I have been wretched, too. I waltz with the eldest Miss Larkins! I don't know where, among whom, or how long. I only know that I swim about in space, with a blue angel, in a state of blissful delirium, until I find myself alone with her in a little room, resting on a sofa. She admires a flower (pink camellia japonica, price half-a-crown), in my button-hole. I give it her, and say: 'I ask an inestimable price for it, Miss Larkins.' 'Indeed! What is that?' returns Miss Larkins. 'A flower of yours, that I may treasure it as a miser does gold.' 'You're a bold boy,' says Miss Larkins. 'There.
Charles Dickens (David Copperfield)
Suggestions to Develop Self-Help Skills Self-help skills improve along with sensory processing. The following suggestions may make your child’s life easier—and yours, too! DRESSING • Buy or make a “dressing board” with a variety of snaps, zippers, buttons and buttonholes, hooks and eyes, buckles and shoelaces. • Provide things that are not her own clothes for the child to zip, button, and fasten, such as sleeping bags, backpacks, handbags, coin purses, lunch boxes, doll clothes, suitcases, and cosmetic cases. • Provide alluring dress-up clothes with zippers, buttons, buckles, and snaps. Oversized clothes are easiest to put on and take off. • Eliminate unnecessary choices in your child’s bureau and closet. Clothes that are inappropriate for the season and that jam the drawers are sources of frustration. • Put large hooks inside closet doors at the child’s eye level so he can hang up his own coat and pajamas. (Attach loops to coats and pajamas on the outside so they won’t irritate the skin.) • Supply cellophane bags for the child to slip her feet into before pulling on boots. The cellophane prevents shoes from getting stuck and makes the job much easier. • Let your child choose what to wear. If she gets overheated easily, let her go outdoors wearing several loose layers rather than a coat. If he complains that new clothes are stiff or scratchy, let him wear soft, worn clothes, even if they’re unfashionable. • Comfort is what matters. • Set out tomorrow’s clothes the night before. Encourage the child to dress himself. Allow for extra time, and be available to help. If necessary, help him into clothes but let him do the finishing touch: Start the coat zipper but let him zip it up, or button all but one of his buttons. Keep a stool handy so the child can see herself in the bathroom mirror. On the sink, keep a kid-sized hairbrush and toothbrush within arm’s reach. Even if she resists brushing teeth and hair, be firm. Some things in life are nonnegotiable.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Now, there are a few dryadologists who could resist the opportunity to sample faerie food, the enchanted sort served at the tables of the courtly fae---I know several who have dedicated their careers to the subject and would hand over their eye teeth for the opportunity. I stopped at a stand offering toasted cheese---a very strange sort of cheese, threaded with glittering mold. It smelled divine, and the faerie merchant rolled it in crushed nuts before handing it over on a stick, but as soon as it touched my palm, it began to melt. The merchant was watching me, so I put it in my mouth, pantomiming my delight. The cheese tasted like snow and melted within seconds. I stopped next at a stand equipped with a smoking hut. The faerie handed me a delicate fillet of fish, almost perfectly clear despite the smoking. I offered it to Shadow, but he only looked at me with incomprehension in his eyes. And, indeed, when I popped it into my mouth, it too melted flavorlessly against my tongue. I took a wandering course to the lakeshore, conscious of the need to avoid suspicion. I paused at the wine merchant, who had the largest stand. It was brighter than the others, snow piled up behind it in a wall that caught the lantern light and threw it back in a blinding glitter. I had to look down at my feet, blinking back tears, as one of the Folk pressed an ice-glass into my hand. Like the food, the wine smelled lovely, of sugared apples and cloves, but it slid eerily within the ice, more like oil than wine. Shadow kept growling at it, as he had not with the faerie food, and so I tipped it onto the snow. Beside the wine merchant was a stand offering trinkets, frozen wildflowers that many of the Folk threaded through their hair or wove through unused buttonholes on their cloaks, as well as an array of jewels with pins in them. I could not compare them to any jewels I knew; they were mostly in shades of white and winter grey, hundreds of them, each impossibly different from the next. I selected one that I knew, without understanding how, was the precise color of the icicles that hung from the stone ledges of the Cambridge libraries in winter. But moments after I pinned it to my breast, all that remained was a patch of damp.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
warned them of getting buttonholed in a job that stopped them from exploring all the directions that life presented
Dan John (To Grad from Dad)
The girl was a walking garden. Flowers and vines had sprouted from within her very flesh, and were looped through hundreds of buttonholes and slits made in
Lia Habel (Dearly, Beloved (Gone With the Respiration #2))
The girl was a walking garden. Flowers and vines had sprouted from within her very flesh, and were looped through hundreds of buttonholes and slits made in her shabby maroon gown for their passage. Once outside they were wrapped around her limbs and waist. The otherwise baggy dress was thus almost grafted to her, stems and thorns pinning the excess material to her body.
Lia Habel (Dearly, Beloved (Gone With the Respiration #2))
Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.
Robert Pinsky
She freed his second metal stud from its buttonhole, and Lucien did the same with the slightest flick of his eyebrows. When
Kitty French (Knight & Play (Knight, #1))
My flower, seek not thy paradise in a fool’s buttonhole.
Rabindranath Tagore (Fireflies: a collection of proverbs, aphorisms and maxims (Golden Thread Series))
yellow frock with puffed sleeves and an empire waist had seemed elegant on the pattern envelope. She didn’t care much for the finished product, but having spent too much time tracing the pattern and reinforcing buttonholes, she couldn’t just throw it away because of a puckered neckline and an unflattering cut.
Tayari Jones (Silver Sparrow)
little junior in her charge when it was well known that Teeny had no little friends to play with. But Teeny certainly had friends now! thought Elizabeth, with a smile. It had been wonderful to watch her at lunch-time, surrounded by the other members of the Dare Club. In clean clothes, after a hot shower, she had sat between Duncan and Kitty, in the place of honour at one of the junior tables. She was a member of the club at last, her collar worn turned up, like the rest of them, her green ear of corn displayed like a trophy in her top buttonhole. Having no idea of the danger she had been through, Duncan and Kitty were simply pleased that Teeny had finally proved that she was not a ‘coward’. She was still sitting with her new friends now, chattering happily in the front row, a child transformed. Since arriving at Whyteleafe, the shy, nervous
Enid Blyton (The Naughtiest Girl Collection 2: Books 4-7 (The Naughtiest Girl Gift Books and Collections))
buttonhole
Samaire Wynne (Faerie Elemental (Titania Academy #2))
It is easy to see all that art can lose from such a constant obligation. Ease, to begin with, and that divine liberty so apparent in the work of Mozart. It is easier to understand why our works of art have a drawn, set look and why they collapse so suddenly. It is obvious why we have more journalists than creative writers, more boy scouts of painting than Cézannes, and why sentimental tales or detective novels have taken the place of War and Peace or The Charterhouse of Parma. Of course, one can always meet that state of things with a humanistic lamentation and become what Stepan Trofimovich in The Possessed insists upon being; a living reproach. One can also have, like him, attacks of patriotic melancholy. But such melancholy in no way changes reality. It is better, in my opinion, to give the era its due, since it demands this so vigorously, and calmly admit that the period of the revered master, of the artist with a camellia in his buttonhole, of the armchair genius is over.
Albert Camus (Create Dangerously)
We’ve surrendered!” The procession in the street stopped short. Each told his neighbor what we had all heard for ourselves. A boy of maybe fifteen turned to us with tears rolling down his cheeks. “I would have fought! I wouldn’t ever have given up!” Father stooped down to pick up a small bruised petal from the brick pavement; tenderly he inserted it in his buttonhole. “That is good, my son,” he told the youngster. “For Holland’s battle has just begun.
Corrie ten Boom (The Hiding Place)
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To-morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she maybe be passing fair. She may say how lovely you are while her hands are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
Kazuko Okakura
I’m Jay Powers, the circulating nurse”; “I’m Zhi Xiong, the anesthesiologist”—that sort of thing. It felt kind of hokey to me, and I wondered how much difference this step could really make. But it turned out to have been carefully devised. There have been psychology studies in various fields backing up what should have been self-evident—people who don’t know one another’s names don’t work together nearly as well as those who do. And Brian Sexton, the Johns Hopkins psychologist, had done studies showing the same in operating rooms. In one, he and his research team buttonholed surgical staff members outside their operating rooms and asked them two questions: how would they rate the level of communications during the operation they had just finished and what were the names of the other staff members on the team? The researchers learned that about half the time the staff did not know one another’s names. When they did, however, the communications ratings jumped significantly. The investigators at Johns Hopkins and elsewhere had also observed that when nurses were given a chance to say their names and mention concerns at the beginning of a case, they were more likely to note problems and offer solutions. The researchers called it an “activation phenomenon.” Giving people a chance to say something at the start seemed to activate their sense of participation and responsibility and their willingness to speak up. These were limited studies and hardly definitive. But the initial results were enticing. Nothing had ever been shown to improve the ability of surgeons to broadly reduce harm to patients aside from experience and specialized training. Yet here, in three separate cities, teams had tried out these unusual checklists, and each had found a positive effect. At Johns Hopkins, researchers specifically measured their checklist’s effect on teamwork. Eleven surgeons had agreed to try it in their cases—seven general surgeons, two plastic surgeons, and two neurosurgeons. After three months, the number of team members in their operations reporting that they “functioned as a well-coordinated team” leapt from 68 percent to 92 percent. At the Kaiser hospitals in Southern California, researchers had tested their checklist for six months in thirty-five hundred operations. During that time, they found that their staff’s average rating of the teamwork climate improved from “good” to “outstanding.” Employee satisfaction rose 19 percent. The rate of OR nurse turnover—the proportion leaving their jobs each year—dropped from 23 percent to 7 percent. And the checklist appeared to have caught numerous near errors. In
Atul Gawande (The Checklist Manifesto: How to Get Things Right)
I had stopped at a florist on my way to his apartment and bought myself an extravagant red rose for my buttonhole. Now I removed this and handed it to him. He took it like a botanist or morphologist given a specimen, not like a person given a flower. About six inches in length,’ he commented. ‘A convoluted red form with a linear green attachment.
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
My evil star, however, had fated me to be born in times when only the sharply demarcated and precisely calculable were in fashion. There were many days when I had the impression of meeting only prison wardens—wardens, moreover, who voluntarily crowd to these positions, are satisfied with them and enjoy them. “Of course, I am on the Right, on the Left, in the Middle; I descend from the monkey; I believe only what I see; the universe is going to explode at this or that speed”—we hear such remarks after the first words we exchange, from people whom we would not have expected to introduce themselves as idiots. If one is unfortunate enough to meet them again after five years, everything is different except their authoritative and mostly brutal assuredness. Now they wear a different badge in their buttonhole and mention their relationship to another monster; and the universe now shrinks at such a speed that your hair stands on end. In this mountain range of narrow-mindedness, Fillmor was one of the highest peaks.
Ernst Jünger (The Glass Bees)
For outdoors, he wears a mantle fastened at the shoulder with a clasp or chain; although buttons are sometimes used for decoration, the buttonhole has not been invented.
Joseph Gies (Life in a Medieval City (Medieval Life))
on an outdoor set, he watched a donkey braying at all the wrong moments, angering the sound technicians, who could not get the animal to perform on cue. (Walter loved to tell this story, and of course it got better every time he told it.) “I can bray,” said Brennan, buttonholing the director. So he brayed, and both the director and the donkey were delighted. “How much?” Walter asked the director. “Ten bucks,” came the reply. “Not enough,” the actor responded. But that was the pay scale, the director said. “Then I don’t bray,” Walter rejoined. “Tell you what,” the desperate director offered, “you bray for the ten-spot, and tomorrow come around and I’ll give you a bit part. You can collect twenty-five on that.” So it was that Walter Brennan brayed himself into motion pictures. Or as he liked to put it, “I got into pictures by making a jackass of myself.” True story? True enough, I suspect, because it was often said of Walter that he knew the value of a dollar and knew how to make himself useful. He also saved money by having his one pair of pants pressed every day by a friendly wardrobe man. Ruth liked to reminisce about washing Walter’s one shirt, putting it out on the line to dry, and then getting up at 4:00 am to iron it.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
He didn’t take her back to the shooting range right away. There was a lookout point between here and there. Linc swerved the dark cobalt car into it, pulling alongside the rock wall and switching the engine off. They had the lookout to themselves. “Why are we stopping?” she asked. Rhetorically. “Great view.” She glanced at the distant DC skyline, seeing the dome of the Capitol to the east and the tip of the Washington Monument. The Mall, its grassy expanse invisible from where they were, stretched to the Lincoln Memorial at the other end. Its blocky rectangular top appeared through the bare-branched trees. “Sure is.” Kenzie tossed her handbag into the footwell and turned to him. That grin on his handsome face was not about sightseeing. She allowed herself the pleasure of looking him over one last time. He pretended not to notice. Even looking straight ahead through the windshield, his dark eyes had a knowing glint. It was arrogant of him to assume that he knew what she wanted, even though he was right. And annoying of him to wait for her to make the first move. One strong hand rested on the wheel and the other on his thigh. Kenzie unbuckled her seat belt and leaned over. Two could play that game. She put her lips against his ear and he stiffened visibly. “What’s on your mind, Linc?” she breathed, teasing him. She was amused to see his eyes close with pleasure. Maybe he hadn’t been expecting her to say something like that. Too bad. She’d said it. Kenzie slid her hand over his smooth-shaven jaw and turned his face to hers. Wow. His gaze burned with passion. She’d never seen Linc like this. He was all man and then some. Hard to say who began the kiss, but it went on for a while. She didn’t remember taking the knot out of his tie, which hung open. A couple of buttons had parted company with the buttonholes on his shirt. Linc sat back when she did. “Wow. I mean, maybe you should take me home,” she said. “Not that I don’t want more, but--” Linc nodded, turning the key in the ignition until the engine revved. “Tell me when, Kenzie. That’s all I ask.
Janet Dailey (Honor (Bannon Brothers, #2))
Boys weren't built for such things. Like two buttons and no buttonholes.
Jennie Fields (Atomic Love)
Without a word, Daisy took off her glasses and revealed the empty buttonholes of her crippled eyes in their full horror. Ralph was taken aback and fascinated at the same time. He started counting to ten in his mind while still peering intently at the ghoulish slits. Even the eyelids were atrophied; there were no eyelashes. After counting to ten, Ralph told himself, “All right, I’m over it now.” Then he reflected that the sight of Daisy’s eyes was disturbing and thrilling at the same time. She looked so naked. It was almost as if she’d taken off her clothes for him. There was something uncannily intimate about this situation.
Nick Aaron (D for Daisy)
A unique retail delivery chore that UPS drivers from the 1950s and 1960s remember was the “Fur Call,” known as the “F/C.” Major up-scale department stores, such as Saks Fifth Avenue and I. Magnin in California, kept their customers’ furs under refrigeration each summer. So each spring, drivers in affluent residential neighborhoods would pick up furs that they would later redeliver in the fall. Each Fur Call required a large box the size of a suitcase made of heavy steamer-trunk material secured by buckles. Drivers were trained in handling “m’lady’s fur.” We carefully folded the garment fur side in, attached the stub to the buttonhole (never the button), and wrapped the item in the tissue paper supplied in each box, provided a receipt, tipped our hat, and left leaving the customer the feeling that her valuable fur was in good hands.
Greg Niemann (Big Brown: The Untold Story of UPS)
I would elaborate about plackets and cuffs, but I fear you would fall asleep in the chair.” “I know the value of details. But where shirts are concerned…” He hesitated. “I’ve made a point of wearing the kind that I sell, so that customers know they have the same quality as the store’s owner.” “That sounds like a clever sales strategy.” “It is. I sell more shirts than any other store in London. But it didn’t occur to me that the upper class pays close attention to buttonholes.” It had chafed his pride, she thought, to realize that he had put himself at a disadvantage when mingling with social superiors. “I’m sure they shouldn’t,” Helen said apologetically. “There are far more important things for them to worry about.” His gaze turned quizzical. “You speak as if you’re not one of them.” She smiled slightly. “I’ve lived away from the world for so much of my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere.” Winterborne studied her. “Trenear plans to take you and your sisters to London when you’ve finished mourning.” Helen nodded. “I haven’t been to town since I was a child. I remember it as a very large and exciting place.” She paused, vaguely surprised that she was confiding in him. “Now I think I might find it…intimidating.” A smile tugged at the corners of his mouth. “What happens when you’re intimidated? Run to the nearest corner and hide, do you?” “I should say not,” she said primly, wondering if she were being teased.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I know the value of details. But where shirts are concerned…” He hesitated. “I’ve made a point of wearing the kind that I sell, so that customers know they have the same quality as the store’s owner.” “That sounds like a clever sales strategy.” “It is. I sell more shirts than any other store in London. But it didn’t occur to me that the upper class pays close attention to buttonholes.” It had chafed his pride, she thought, to realize that he had put himself at a disadvantage when mingling with social superiors. “I’m sure they shouldn’t,” Helen said apologetically. “There are far more important things for them to worry about.” His gaze turned quizzical. “You speak as if you’re not one of them.” She smiled slightly. “I’ve lived away from the world for so much of my life, Mr. Winterborne, that I sometimes wonder who I am, or if I belong anywhere.” Winterborne studied her. “Trenear plans to take you and your sisters to London when you’ve finished mourning.” Helen nodded. “I haven’t been to town since I was a child. I remember it as a very large and exciting place.” She paused, vaguely surprised that she was confiding in him. “Now I think I might find it…intimidating.” A smile tugged at the corners of his mouth. “What happens when you’re intimidated? Run to the nearest corner and hide, do you?” “I should say not,” she said primly, wondering if she were being teased. “I do what has to be done, no matter what the situation.” Winterborne’s smile widened until she saw the flash of white teeth against that deep bronze complexion. “I suppose I know that better than most,” he said softly. Understanding that he was referring to how she had helped him through the fever…and remembering how she had held that black head in the crook of her arm, and bathed his face and neck…Helen felt a blush start. Not the ordinary kind of blush that faded soon after it started. This one kept heating and heating, spreading all through her until she was so uncomfortable that she could scarcely breathe. She made the mistake of glancing into his simmering coffee-black eyes, and she felt positively immolated.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I want to be famous in the way a pulley is famous, Or a buttonhole, not because it did anything spectacular, But because it never forgot what it could do. —NAOMI SHIHAB NYE I was recently in San Francisco,
Mark Nepo (The Exquisite Risk: Daring to Live an Authentic Life)
Loneliness, it seems, holds him like a buttonhole.
Nathan Hill (Wellness)
I really have no experience,” he began. “No one has any experience,” said the other, “of the Battle of Armageddon.” “But I am really unfit—” “You are willing, that is enough,” said the unknown. “Well, really,” said Syme, “I don’t know any profession of which mere willingness is the final test.” “I do,” said the other—“martyrs. I am condemning you to death. Good day.” Thus it was that when Gabriel Syme came out again into the crimson light of evening, in his shabby black hat and shabby, lawless cloak, he came out a member of the New Detective Corps for the frustration of the great conspiracy. Acting under the advice of his friend the policeman (who was professionally inclined to neatness), he trimmed his hair and beard, bought a good hat, clad himself in an exquisite summer suit of light blue-grey, with a pale yellow flower in the button-hole, and, in short, became that elegant and rather insupportable person whom Gregory had first encountered in the little garden of Saffron Park. Before he finally left the police premises his friend provided him with a small blue card, on which was written, “The Last Crusade,” and a number, the sign of his official authority. He put this carefully in his upper waistcoat pocket, lit a cigarette, and went forth to track and fight the enemy in all the drawing-rooms of London. Where his adventure ultimately led him we have already seen. At about half-past one on a February night he found himself steaming in a small tug up the silent Thames, armed with swordstick and revolver, the duly elected Thursday of the Central Council of Anarchists.
G.K. Chesterton (The Man Who Was Thursday)
The occasion was the broadcast of a television program about the artistic avant-garde entitled Supervisions, which was produced by the Los Angeles public television station KCET. Smith’s and Shoup’s work on Superpaint had started to win wide notice outside PARC, thanks in part to a tape called “Vidbits” which Smith had compiled from clips of his best work for playing to artists’ gatherings all around California. After one such showing, KCET commissioned the two of them to supply some brief color-cycling effects for Supervisions. They had scrupulously insisted that the producers give Xerox screen credit, assuming that the parent company would appreciate the honor. Instead, Taylor marched into the video lab a day or two after the broadcast and buttonholed Smith. “Xerox wants their logo off every piece of tape,” he said. “Right now.
Michael A. Hiltzik (Dealers of Lightning: Xerox PARC and the Dawn of the Computer Age)