Button Pin Quotes

My hands tend to be full enough dealing with people who hate me for who I am. Concentrate too hard on the millions of people who hate you for what you are and you're likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks.

I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you

Leave the dishes. Let the celery rot in the bottom drawer of the refrigerator and an earthen scum harden on the kitchen floor. Leave the black crumbs in the bottom of the toaster. Throw the cracked bowl out and don't patch the cup. Don't patch anything. Don't mend. Buy safety pins. Don't even sew on a button. Let the wind have its way, then the earth that invades as dust and then the dead foaming up in gray rolls underneath the couch. Talk to them. Tell them they are welcome. Don't keep all the pieces of the puzzles or the doll's tiny shoes in pairs, don't worry who uses whose toothbrush or if anything matches, at all. Except one word to another. Or a thought. Pursue the authentic-decide first what is authentic, then go after it with all your heart. Your heart, that place you don't even think of cleaning out. That closet stuffed with savage mementos. Don't sort the paper clips from screws from saved baby teeth or worry if we're all eating cereal for dinner again. Don't answer the telephone, ever, or weep over anything at all that breaks. Pink molds will grow within those sealed cartons in the refrigerator. Accept new forms of life and talk to the dead who drift in though the screened windows, who collect patiently on the tops of food jars and books. Recycle the mail, don't read it, don't read anything except what destroys the insulation between yourself and your experience or what pulls down or what strikes at or what shatters this ruse you call necessity.

I saw a button pin once that said: “I’m not tense. I’m just very, very alert.

While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded. She squirmed in his arms. “What are you—” He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides. Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate. Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.

What are the funniest famous last words you've ever heard?" Lost, Ryan just stared at her. Why did her brain constantly spit out nonsensical questions? "Fine be boring." She turned to Jaime, who was sprawled on the neighboring blanked, and repeated the question. "Lightning never hits the same spot twice," said Jaime. Everyone laughted. "You know any"" she asked her mate. "Pull the pin out and count to what?" said Dante. Dominic plopped himself on the ground next to Zac. "I got one: Hold my beer while I do this." Taryn raised her hand. "Hey, what does this button do?" "This doesn't taste right," said Marcus. Bracken, a Mercury Pack enforcer spoke. "It's just a flesh wound." Ally offered, "No dummy, that's a dolphin fin." "What's that red dot on your forehead?" said McKenna. Amused in spite of himself - it was after all, a completely pointless conversation - Ryan kissed her temple.

It had a note from him pinned to part of its sparse instrument panel. The note had an arrow drawn on it, pointing at one of the controls. It said This is probably the best button to press.

As people, other people, living in a house who . . . borrow things?" Mrs. May laid down her work. "What do you think?" she asked. "I don't know," Kate said, pulling hard at her shoe button. "There can't be. And yet"-she raised her head-"and yet sometimes I think there must be." "Why do you think there must be?" asked Mrs. May. "Because of all the things that disappear. Safety pins, for instance. Factories go on making safety pins, and every day people go on buying safety pins and yet, somehow, there never is a safety pin just when you want one. Where are they all? Now, at this minute? Where do they go to? Take needles," she went on. "All the needles my mother ever bought-there must be hundreds-can't just be lying about this house." "Not lying about the house, no," agreed Mrs. May. "And all the other things we keep on buying. Again and again and again. Like pencils and match boxes and sealing-wax and hairpins and drawing pins and thimbles-

My hands tend to be full enough dealing with people who hate me for _who_ I am. Concentrate too hard on the millions who hate you for _what_ you are and you're likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks. I haven't got the slightest idea of how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out.

Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?

This is my Lost Property cupboard theory of the afterlife - when we die we are taken to a great lost property cupboard where all the things we have ever lost have been kept for us - every hairgrip, every button and pencil, every tooth, every earring and key, every key, every pin. All the library books, all the cats that never came back, all the coins, all the watches (which will still be keeping time for us). And perhaps, too, the other less tangible things - tempers and patience (perhaps Patricia´s virginity will be there), religion, meaning, innocence and oceans of time.

I was acutely aware of him, and the thought that he was walking me back to my room and would most likely try to kiss me again sent shivers down my spine. For self-preservation purposes, I had to get away. Every minute I spent with him just made me want him more. Since merely annoying him wasn’t working, I’d have to up the ante. Apparently, I needed him not only to fall out-of-like with me, but to hate me as well. I’d frequently been told that I was an all-or-nothing kind of girl. If I were going to push him away, it was going to be so far away that there would be absolutely no change of him ever coming back. I tried to wrench my elbow out of his grasp, but he just held on more tightly. I grumbled at him, “Stop using your tiger strength on me, Superman.” “Am I hurting you?” “No, but I’m not a puppet to be dragged around.” He trailed his fingers down my arm and took my hand instead. “Then you play nice, and I will too.” “Fine.” He grinned. “Fine.” I hissed back. “Fine!” We walked to the elevator, and he pushed the button to my floor. “My room is on the same floor,” Ren edxplained. I scowled and then grinned lopsidedly and just a little bit evilly, “And umm, how exactly is that going to work for you in the morning, Tiger? You really shouldn’t get Mr. Kadam in trouble for having a rather large…pet.” Ren returned my sarcasm as he walked me to my door. “Are you worried about me, Kells? Well, don’t. I’ll be fine.” “I guess there’s no point in asking how you knew which door belong to me, huh, Tiger Nose?” He looked at me in a way that turned my insides to jelly. I spun around but awareness of him shot through my limbs, and I could feel him standing close behind me watching, waiting. I put my key in the lock, and he moved closer. My hand started shaking, and I couldn’t twist the key the right way. He took my hand and gently turned me around. He then put both hands on the door on either side of my head and leaned in close, pinning me against it. I trembled like a downy rabbit caught in the clutches of a wolf. The wolf came closer. He bent his head and began nuzzling my cheek. The problem was…I wanted the wolf to devour me. I began to get lost in the thick sultry fog that overtook me every time Ren put his hands on me. So much for asking for permission…and so much for sticking to my guns, I thought as I felt all my defenses slip away. He whispered warmly, “I can always tell where you are, Kelsey. You smell like peaches and cream.” I shivered and put my hands on his chest to push him away, but I ended up grabbing fistfuls of shirt and held on for dear life. He trailed kisses from my ear down my cheek and then pressed soft kisses along the arch of my neck. I pulled him closer and turned my head so he could really kiss me. He smiled and ignored my invitation, moving instead to the other ear. He bit my earlobe lightly, moved from there to my collarbone, and trailed kisses out to my shoulder. Then he lifted his head and brought his lips about one inch from mine and the only thought in my head was…more. With a devastating smile, he reluctantly pulled away and lightly ran his fingers through the strands of my hair. “By the way, I forgot to mention that you look beautiful tonight.” He smiled again then turned and strolled off down the hall.

Honey, have you seen my measuring tape?” “I think it’s in that drawer in the kitchen with the scissors, matches, bobby pins, Scotch tape, nail clippers, barbecue tongs, garlic press, extra buttons, old birthday cards, soy sauce packets thick rubber bands, stack of Christmas napkins, stained take-out menus, old cell-phone chargers, instruction booklet for the VCR, some assorted nickels, an incomplete deck of cards, extra chain links for a watch, a half-finished pack of cough drops, a Scrabble piece I found while vacuuming, dead batteries we aren’t fully sure are dead yet, a couple screws in a tiny plastic bag left over from the bookshelf, that lock with the forgotten combination, a square of carefully folded aluminum foil, and expired pack of gum, a key to our old house, a toaster warranty card, phone numbers for unknown people, used birthday candles, novelty bottle openers, a barbecue lighter, and that one tiny little spoon.” “Thanks, honey.” AWESOME!

Doing what one wants to do because one wants to do it is hard for a lot of people, but I think it’s particularly hard for women. We are, after all, the gender onto which a giant Here to Serve button has been eternally pinned.

Arthur, too, wore a suit. His coat and trousers were navy blue, his dress shirt covered in blooms that reminded him of Talia’s garden. The top plastic button at his throat had been replaced by a brass one, sewn on with care. His tie was a wonderful shade of green, not unlike a certain bellhop. His shortened trousers revealed gray socks with little fluffy Pomeranians on them. Pinned to his shirt, a small gold leaf plucked from a tree on the island grown by a forest sprite. On his jacket, a pocket square, black with little red devil horns on it.

Doing what one wants to do because one wants to do it is hard for a lot of people, but I think it’s particularly hard for women. We are, after all, the gender onto which a giant Here to Serve button has been eternally pinned. We’re expected to nurture and give by the very virtue of our femaleness, to consider other people’s feelings and needs before our own. I’m not opposed to those traits. The people I most admire are in fact nurturing and generous and considerate. Certainly, an ethical and evolved life entails a whole lot of doing things one doesn’t particularly want to do and not doing things one very much does, regardless of gender.

Doing what one wants to do because one wants to do it is hard for a lot of people, but I think it’s particularly hard for women. We are, after all, the gender onto which a giant Here to Serve button has been eternally pinned. We’re expected to nurture and give by the very virtue of our femaleness, to consider other people’s feelings and needs before our own.

The 5 Second Rule.” Just like NASA uses a 5-4-3-2-1 countdown to launch a rocket, I counted down 5-4-3-2-1 to launch myself into action before my negative thoughts pinned me down. I’m dead serious. Alarm rings. No staring at the ceiling. No panic attack. No snooze button. No rolling over and shoving your head under the pillow to blot out the day. 5-4-3-2-1: kick your own ass.

The Jumblies I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, 'You'll all be drowned!' They called aloud, 'Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, 'O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, 'How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. 'O Timballo! How happy we are, When we live in a Sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, 'How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!' And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, 'If we only live, We too will go to sea in a Sieve,--- To the hills of the Chankly Bore!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.

Fuck off, Philip, I love him,” Henry says. “Oh, you love him, do you?” It’s so patronizing that Alex’s hand twitches into a fist under the table. “What exactly do you intend to do, then, Henry? Hmm? Marry him? Make him the Duchess of Cambridge? The First Son of the United bloody States, fourth in line to be Queen of England?” “I’ll fucking abdicate!” Henry says, voice rising. “I don’t care!” “You wouldn’t dare,” Philip spits back. “We have a great uncle who abdicated because he was a fucking Nazi, so it’d hardly be the worst reason anyone’s done it, would it?” Henry’s yelling now, and he’s out of his chair, hands shaking, towering over Philip, and Alex notices that he’s actually taller. “What are we even defending here, Philip? What kind of legacy? What kind of family, that says, we’ll take the murder, we’ll take the raping and pillaging and the colonizing, we’ll scrub it up nice and neat in a museum, but oh no, you’re a bloody poof? That’s beyond our sense of decorum! I’ve bloody well had it. I’ve sat about long enough letting you and Gran and the weight of the damned world keep me pinned, and I’m finished. I don’t care. You can take your legacy and your decorum and you can shove it up your fucking arse, Philip. I’m done.” He huffs out an almighty breath, turns on his heel, and stalks out of the kitchen. Alex, mouth hanging open, remains frozen in his seat for a few seconds. Across from him, Philip is looking red-faced and queasy. Alex clears his throat, stands, and buttons his jacket. “For what it’s worth,” he says to Philip, “that is the bravest son of a bitch I’ve ever met.” And he leaves too.

I pin the laser on the Impala and take another reading. Four hundred thirty yards, line of sight. I push a button on the rangefinder and switch to inclinometer mode. The device calculates the cosine of the angle made between true horizontal and my line of sight. The digital reading is zero-point-eight-seven, equivalent to about thirty degrees. A quick mental calculation gives me the range adjustment. The horizontal range is three hundred and seventy-five yards.

It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!

The poor starve. The rich ask, Why are you hungry? If you were just like me, you wouldn't be hungry. They have their portraits done. Let history remember the rich. Let their houses stand. The castles to visit. The videos of celebrities giving tours of their multimillion-dollar homes for Architectural Digest while wearing pins in honor of war-torn countries that are really to say, I would give none of this up for them. Wait. Wait. Wait to see which pale man has the most eager fingers. Who presses the button first? Who presses it next, in retaliation? Boom! Nuclear annihilation!

When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze. “Wh-?” Her breath rushed out in question. Boom, the world answered. Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder. After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade. She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.

Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.

Hugh concentrated upon different objects in the camión; the driver’s small mirror with the legend running round it—Cooperación de la Cruz Roja, the three picture postcards of the Virgin Mary pinned beside it, the two slim vases of marguerites over the dashboard, the gangrened fire extinguisher, the dungaree jacket and whiskbroom under the seat where the pelado was sitting—he watched him as they hit another bad stretch of road. Swaying from side to side with his eyes shut, the man was trying to tuck in his shirt. Now he was methodically buttoning his coat on the wrong buttons. But it struck Hugh all this was merely preparatory, a sort of grotesque toilet.

Doing what one wants to do because one wants to do it is hard for a lot of people, but I think it’s particularly hard for women. We are, after all, the gender onto which a giant Here to Serve button has been eternally pinned. We’re expected to nurture and give by the very virtue of our femaleness, to consider other people’s feelings and needs before our own. I’m not opposed to those traits. The people I most admire are in fact nurturing and generous and considerate. Certainly, an ethical and evolved life entails a whole lot of doing things one doesn’t particularly want to do and not doing things one very much does, regardless of gender. But an ethical and evolved life also entails telling the truth about oneself and living out that truth.

Western clothes were intended for healthy, robust men: to anyone in a weakened condition they were quite insupportable. Around the waist, over the shoulders, under the arms, around the neck - every part of the body was pressed and squeezed by clasps and buttons and rubber and leather, layer over layer, as if you were strapped to a cross. And of course you had to put on stockings before the shoes, stretching them carefully up on your legs by garters. Then you put on a shirt, and then trousers, cinching them in with a buckle and the back till they cut your waist and hanging them from your shoulders with suspenders. Your neck was choked in a close-fitting collar, over which you fastened a noose-like necktie, and stuck a pin in it. If a man is well filled out, the tighter you squeeze him, the more vigorous and bursting with vitality he seems; but a man who is only skin and bones can't stand that. [...] It was only because these Western clothes held him together that he was able to keep on walking at all - but to think of stiffening a limp, helpless body, shackling it hand and foot, and driving it ahead with shouts of "Keep going! Don't you dare collapse!" It was enough to make a man want to cry...

With a Western Kansas contingent was another musician, seemingly from a small town. He carried a mandolin. He wore a green hat and green clothes which had pearl buttons on them wherever they could be put — cuffs, lapels, pocket flaps. In his tie was a small gold vanity pin which looked as if a fluffy-haired 16-year-old girl in a white dress had placed it there the night before the lad had started away for the wars.

Everyone has left something here – the unnamed tribes, the Celts, the Romans, the Vikings, the Saxons, the Normans and all those who came after, they have all left their lost property – the buttons and fans, the rings and torques, the bullae and fibulae. The riverbank winks momentarily with a thousand, zillion, million pins. A trick of the light. The past is a cupboard full of light and all you have to do is find the key that opens the door. Pg486

I take my coffee-stained shirt into the bathroom down the hall. Holding the stain under the faucet, something dark on the underside of my shirt catches my eye, and I groan. Great, what bizarre stain is this now? My fingers glide under the fabric, and I feel something plastic. I am mystified, so I flip over the shirt. Stuck to my shirt is a button pinned to the side hem. It’s pale blue with white lettering. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. I stare at this in disbelief. Why is there a motivational button stuck to my shirt? YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The statement is crap, because some of us will never be able to let go of what chases us. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The words nearly scream at me. Against my will, I smile. This is so weird, a button showing up on my shirt. So random. And yet, I admit, sort of wonderful. It’s a nice sentiment, and I should probably take it to heart. This button is probably smarter than I am.

(From Chapter 3: Puss In Corner) The visitors wear afternoon dresses with rows of buttons up their fronts, and stiff wire crinolines beneath. It’s a wonder they can sit down at all, and when they walk, nothing touches their legs under the billowing skirts, except their shifts and stockings. They are like swans, drifting along on unseen feet; or else like the jellyfish [...] They were bell-shaped and ruffled, gracefully waving and lovely under the sea; but if they washed up on the beach and dried out in the sun there was nothing left of them. And that is what the ladies are like: mostly water. I have looked at [the wire crinolines] hanging in the wardrobes, when I go in to tidy and empty the slops. They are like birdcages; but what is being caged in? Legs, the legs of ladies; legs pinned in so they cannot get out and go rubbing up against the gentlemen’s trousers.

Deep blue like the hour between the dog and the wolf. An attractively scooped neckline. Sleeves and hemline a length and cut you would call kind. Buttons in back like discreetly sealed lips. Good give in the fabric. Double lined. The sort of dress that looks like nothing but a sad dark sack on the hanger, but on the body it’s a different story. Takes extremely well to accessories. My mother loved this sort of dress. At whatever weight she was—thin, fat, middling—she owned an iteration. I saw her wear it to work, lunch with friends, on dates, to movies, parties, funerals. I saw her wear it alone in her apartment for days on end. Scratch at a stain on the boob. Shit. The hemline begin to unravel. Fuck fuck fuck. Do you have a safety pin? Holes begin to appear in the armpits. Jesus. The sleeves fray. Well. That’s that, isn’t it? She wore it so much she’d wear it out and then she’d have to hunt for another, whip through the plus-size racks for something that fit just as impossibly well, that was just as dignified, just as forgiving in its plain dark elegance.

Disney now unofficially tolerates hundreds of small online shops run by die-hard fans selling T-shirts, buttons, pins, patches, jewelry, and thousands more items that leverage Disney characters. These stores don’t pay Disney a dime in licensing fees. Why the pivot to tolerating knockoffs? Because Disney learned that fan-made, unlicensed twenty-five-dollar T-shirts drive their wearers to Disney parks, where they buy expensive entrance tickets and pass the day spending even more money. Another reason for Disney’s newfound tolerance: it has discovered the marketing research value from the hundreds of small knockoff shops. These shops turn out to be a vibrant source of ideas for new official Disney merchandise. In 2016 the online vendor Bibbidi Bobbidi Brooke came out with a hugely popular line of rose-gold sequined Mickey ears, something that had not occurred to the Disney licensors. So Disney copied the design, which sold out immediately in its official stores. Bibbidi Bobbidi Brooke was gracious, posting “always excited to see new merch offerings.” Her fans replied, “Yours will always be the original!!!” Everyone wins.

There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

How do we know that?” Lucy was frowning. “By inference. She did not attach a piece of paper to a blanket with a bare pin and wrap the blanket around the baby. Mr. Goodwin found a tray half full of safety pins in her house. But he found no rubber-stamp kit and no stamp pad, and one was used for the message on the paper. The inference is not conclusive, but it is valid. I am satisfied that on May twentieth Ellen Tenzer delivered the baby to someone, either at her house or, more likely, at a rendezvous elsewhere. She may or may not have known that its destination was your vestibule. I doubt it; but she knew too much about its history, its origin, so she was killed.” “Then you know that?” Lucy’s hands were clasped, the fingers twisted. “That that’s why she was killed?” “No. But it would be vacuous not to assume it. Another assumption: Ellen Tenzer not only did not leave the baby in your vestibule or know that was its destination; she didn’t even know that it was to be so disposed of that its source would be unknown and undiscoverable. For if she had known that, she would not have dressed it in those overalls. She knew those buttons were unique and that inquiry might trace their origin. Whatever she—” “Wait a minute.” Lucy was frowning, concentrating. Wolfe waited. In a moment she went on. “Maybe she wanted them to be traced.

Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.

As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.

She swat his hand away as he touched her breast again. "Stop that. I just want to-" Undeterred, he had gone for the button placket of her shirt. She scowled in exasperation. "All right, then," she snapped, "do as you please! Perhaps afterward we could manage a coherent discussion." Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far normal voice, "What are you doing?" "I'm making it easier for you," came her defiant reply. "Go on, start ravishing." Another silence. Then, "Why are you facing downward?" "Because that's how it's done." Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, "Isn't it?" His face was blank. "Has no one ever told you?" "No, but I've read about it." Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, "From what books?" "Veterinary manuals. And of course, I've observed the squirrels in springtime, and farm animals and-" She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. "Look here," she said in a businesslike manner, "I've read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all-" She broke off and frowned. "Why are you laughing at me?" Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. "Beatrix. I'm... I'm not laughing at you." "You are!" "No, I'm not. It's just..." He swiped a tear from the corner of his eye, and a few more chuckles escaped. "Squirrels..." "Well, it may be humorous to you, but it's a very serious matter to the squirrels." That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking. "What is so amusing about fornicating squirrels?" Beatrix asked irritably. By this time he had gone into near apoplexy. "No more," he gasped. "Please." "I gather it's not the same for people," Beatrix said with great dignity, inwardly mortified. "They don't go about it the same way that animals do?" Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. "Yes. No. That is, they do, but..." "But you don't prefer it that way?" Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. "I do. I'm quite enthusiastic about it, actually. But it's not right for your first time." "Why not?" Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, "Shall I show you?" Beatrix was transfixed.

Activity pouch on airplanes Buttons and pins Crayons and coloring place mats from restaurants Disposable sample cup from the grocery store Erasers and pencils with eraser tops Fireman hat from a visit to the fire station Goodie bags from county fairs and festivals Hair comb from picture day at school Infant goods from the maternity ward Junior ranger badge from the ranger station and Smokey the Bear Kids’ meal toys Lollipops and candy from various locations, such as the bank Medals and trophies for simply participating in (versus winning) a sporting activity Noisemakers to celebrate New Year’s Eve OTC samples from the doctor’s office Party favors and balloons from birthday parties Queen’s Jubilee freebies (for overseas travelers) Reusable plastic “souvenir” cup and straw from a diner Stickers from the doctor’s office Toothbrushes and floss from the dentist’s office United States flags on national holidays Viewing glasses for a 3-D movie (why not keep one pair and reuse them instead?) Water bottles at sporting events XYZ, etc.: The big foam hand at a football or baseball game or Band-Aids after a vaccination or various newspapers, prospectuses, and booklets from school, museums, national parks . . .

Oh, we hd danced to Frankie Goes to Hollywood. "The Power of Love." The POWER of LO-OVE! But Hanne, Hanne. Feeling her so close to me. Standing nearly as close and talking. Her laughter. Her green eyes. Her small nose. Just before we left, on the way out, she had pinned the button on me. That was what had happened. It wasn't much, but the little there had been was fantastic.

How would you really enjoy spending your life? Imagine when we get to the final moment in which the world is blown up. Have you never experienced what’s on the inside of this game? You never got down to the root of reality, you don’t know that state of consciousness. You’ve never experienced bliss, and so you’re frantically trying to patch everything up and pin it all together and screw the universe up so that its fixed. You can never do it. Why don’t you do something for yourselves? Because you’re going to find out now who you really are. You could design for yourself what would be the most ecstatic life, love affairs, banquets, dancing girls, wonderful journeys, music beyond belief. What could you take? Abandonment of your power. What dimension of that could you stand? To be able to realise that this world is simply a dream; a dancing play of smoke, you know, imagine the count down. This is the end, somebody’s pushed the button, 8,7,6,5,4,3,2,1…. People who live for the future never get there. We are such stuff as dreams are made of.

This is a very fine nightshirt,” she remarked inanely. “I wasn’t even aware that I owned one, until Sutton brought it out.” Kathleen paused, perplexed. “What do you wear to sleep, if not a nightshirt?” Devon gave her a speaking glance, one corner of his mouth quirking. Her jaw went slack as his meaning sank in. “Does that shock you?” he asked, a glint of laughter in his eyes. “Certainly not. I was already aware that you’re a barbarian.” But she turned the color of a ripe pomegranate as she concentrated resolutely on the buttons. The nightshirt gaped open, revealing a brawny, lightly furred chest. She cleared her throat before asking, “Are you able to lift up?” For answer, Devon pushed away from the pillows with a grunt of effort. Kathleen let her shawl drop and reached beneath him, searching for the end of the cloth binding. It was tucked in at the center. “Just a moment--” She reached around him with her other arm to pull at the end of the cloth. It was longer than she’d expected, requiring several tugs to free it. No longer able to maintain the position, Devon dropped back to the pillows with a pained sound, his weight pinning her hands. “Sorry,” he managed. Kathleen tugged at her imprisoned arms. “Not at all…but if you wouldn’t mind…” Recovering his breath, Devon was slow to respond as he took stock of the situation. She was torn between amusement and outrage as she saw the glint of mischief in his eyes. “Let me up, you rogue.” His warm hands came up to the backs of her shoulders, caressing in slow circles. “Climb into bed with me.” “Are you mad?” As she strained to free herself, he reached for the loose braid that hung over her shoulder and played with it idly. “You did last night,” he pointed out. Kathleen went still, her eyes widening. So he did remember. “You can hardly expect me to make a habit of it,” she said breathlessly. “Besides, my maid will come looking for me soon.” Devon moved to his side and tugged her fully onto the bed. “She won’t come in here.

I sense a mixture of fear and desire on her face as she gets close. I pin her to my bedroom door, and I watch how the small swell of her boobs rises up and down. I trace her lips with my fingers, and then I pull her blouse apart sending buttons flying. The way her pretty brown eyes lit up in surprise strains the bulge in my pants.

Pinned shoulder to shoulder, t-shirts extended in lines, The power of expression, is what "THE CLOTHESLINE" defines. Although each color symbolic, the threads weave the same, Each shirt a picture of violence, each shirt a witness to pain. The color white a memorial, for a victim who died, Simply, because of her gender, precious life was denied. Yellow signifies a victim, embraced by batter and assault, When intimacy turned into violence, as if loving was a fault. Shades of pink, red, and orange - when passion turned into rape, Denied the right to say "NO", by either stranger, or date. The blue and green bear nightmares, when a child of incest and misuse Was forced not to tell the "SECRETS", endured from physical and sexual abuse. See the beautiful shades of lavender, to the one not afraid to voice, A different sexual orientation, condemned, when in public made the choice. In the beginning they first choose the color, then allowing pain to flow from inside, Using buttons, bows, paints, and prose, self-expression no longer denied. As you walk through the line of color, emotional pain may fill your heart, But to the victim this personal creation, permits an inner healing to start. Pinned shoulder to shoulder, t-shirts extended in lines, The power of expression, is what "THE CLOTHESLINE" defines.

Full of confidence, I jab at the ON button and wait for the machine to spring into action. When nothing happens, I flip the switch back and forth impatiently. Come on! What is wrong with the damn thing? As I try desperately to get the blender to work, Pearl carries on with her class regardless. Starting to panic that she has now moved on to caramelising the berries, I give the blender a hard whack on the side. For a split second, it begins to whirr before fizzling out into silence. Grabbing the rolling pin in frustration, I repeatedly hit the blender until my arm starts to throb. Suddenly it kicks into action, only my heavy bashing has knocked the lid clean off, resulting in sticky, butter soaked crumbs flying all over the kitchen. Letting out an alarmed squeal, I duck under the table to shield myself from the debris. Pieces of biscuit whiz past my eyes like a scene out of a cartoon. And to think this started so well. Tearing off my hairnet, I dig my mobile out of the pocket of my apron and hit speed dial before letting out an exasperated sigh. ‘Hi,

GEORGE Man-Walking held a sweet feeling for Mary Trout and her dog, Reno. Three weeks on the road, he'd come by, bring her trinkets, keepsakes from his route, a red thermometer, odd buttons, a pin made of acorns, soap. He'd have a bag for Reno, too, some chop bones, bits of biscuit. Mary died one summer and George took Reno home, kept bringing trinkets to the dog, filled its little house with stuff until it ran away.

The outer and much heavier blast door was on top of Xen, pinning him. He mustn’t have gotten out in time and got hit by the EMP. Using all my robotics expertise, I shook him a few times while shouting his name. I got no response and couldn’t see a reset button.

Boyd, could you report to the kitchen please? We have an uncooperative cook here, wearing navy stilettos, who needs your attention." Within minutes, he sauntered toward her wearing untied boots and jeans with the first two buttons undone. He was like someone had set a block of chocolate with very big nuts in front of her.

There,” Lucetta proclaimed. “You’re completely buttoned. Now all we have to do is fix your hair, and you’ll be perfect.” “I don’t know how you’re intending to fix my hair, especially since it’s still soaking wet, and . . . stiff with sea salt.” “I’m an actress. Fixing appearances is my specialty.” Lucetta looked a little smug as she adjusted the large hat she’d plopped over her head. “My hair is salt-soaked as well, but no one will notice since I’ve arranged my hat just so, lending me a rather mysterious air.” “You could plop a bowl of fruit on your head and you’d still look mysterious,” Millie said. “I wish I had one of my caps handy. That would solve my hair crisis nicely.” Everett caught Millie’s eye. “I never liked your caps.” “They’re practical.” “And ugly,” Lucetta added, smiling over Millie’s head at him. She pulled a hat from behind her on the seat that was a little squished, and stuck it on Millie’s head, pulling a pin out of the bodice of her dress and sticking it through the hat. “There—you’re adorable.” “I

A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. --Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked… After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let it slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. “My God,” he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. “Do you like my nightgown?” Beatrix asked. Christopher nodded, not taking his gaze from her. “Where’s the rest of it?” “This was all I could find.” Unable to resist teasing him, Beatrix twisted and tried to see the back view. “I wonder if I put it on backward…” “Let me see.” As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn’t take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin.

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Uh, Jill?” Rowan interrupted. He stood in the bathroom doorway. His pants were on, but a crisp white shirt hung open, revealing his taut abdominal muscles. “Can you button my shirt? I can do it, but—” “Sure.” Jill didn’t let him finish. He had no need to be embarrassed. Most of the time, she forgot Rowan operated with a big handicap. He was so strong and capable; it was hard to think of him not being good at anything. She stepped over to him, and found the first button, starting with the top. “Get the very top one,” he said. “I’m wearing a tie. And I’ll need your help with that too if you know how to tie a tie.” “No problem.” She shut her mouth and concentrated on closing his buttons without running her fingers against his skin. She was on button number four when her vision started wavering from arousal. The steamy heat of the bathroom and Rowan’s nearness made her whole body tighten with need. She wasn’t alone feeling it. As she hit the final bottom button, it was impossible to miss his erection jutting from his unbuttoned dress pants. She said nothing but stepped back when she finished. “Thanks,” he said, and started to turn away to tuck his shirt in. Something crazy inside her dared her to step forward and reach for his zipper. There was shocked silence from both of them. “I’ll tuck you in,” she murmured. Only the sound of them breathing could be heard as she carefully lowered his zipper and pushed the white dress shirt into his trousers. Her palm rubbed his body with each tuck. She started at her right, his left, and worked her away around until she came to the front. “I’ll do that,” he said in a strangled voice. She met his gaze for the first time. “Let me?” He didn’t answer but dropped his arm and stood passively letting her caress his cock under the guise of tucking his shirt. His body swelled under her hand, and she wanted to squeeze him and reach behind the elastic of his underwear to feel his hot flesh. “Jill.” “Mm?” “You have to stop.” She froze with her hand in place. His arousal pulsed against her hand. “I’m sorry.” She yanked her hand free and tried to turn away, but he spun her back and pinned her against the sink counter with a fierce kiss. She welcomed his body, pushing back against him, undulating against his hips which sought hers. The kiss overwhelmed her and she strained to capture more of his mouth, more of his body. She forgot where she was and where they were going. Anything he asked for, she was ready to give. And then he pulled back. Cold air slapped at her front where he’d warmed her. “Brother’s wedding,” he muttered. “Can’t miss it.” He helped her off the sink, and in a daze she turned to the mirror to fix her hair and makeup. “Got your lipstick on me,” Rowan said. She looked in the mirror at his reflection. “I like it.” A pink stain was smudged on one side of his lips. Lips she wanted to keep kissing. “Let’s get my tie, then we gotta go.

She knelt and began gathering up the dirty cups, plates, and silverware she’d dropped with the tray. The movements of her hands were quick and jerky, but she went still when she saw a pair of scuffed black boots come to a stop directly in front of her, and her temper swelled anew. These rascals had been harassing her with their exuberant mischief all morning, and she was through turning the other cheek. She rose slowly to her feet and sighed as she felt the pins in her once-tidy hair give way, sending the silver-gold tresses tumbling down over her shoulders. Crows of amusement rose all around her as she set her hands on her hips and raised her chin. The eyes that gazed down at her were just the color of maple sugar and shadowed by the brim of a dusty blue field hat banded in gold braid. A gloved hand reached up to remove the hat, revealing a thatch of golden-brown hair. “On behalf of the United States Army, ma’am,” a deep voice said with barely contained amusement, “I’d like to apologize for these men.” Lily reminded herself that the soldiers from nearby Fort Deveraux kept the hotel dining room in business, and that without them she wouldn’t have a job. Nevertheless, she was near the end of her patience. “They would seem to be boys,” she answered pointedly, “rather than men.” The barb brought a chorus of howls, whistles, and cries of mock despair. The man looking down at Lily—a major, judging by his insignia—grinned rather insolently, showing teeth as white as the keys on a new piano. “They’ve been on patrol for two weeks, ma’am,” he explained with elaborate cordiality, apparently choosing to ignore her comment on their collective bad manners. Something about the curve of his lips made Lily feel as though the room had done a half spin. She reached out to steady herself by gripping the back of a chair. “I fail to see how that gives them the right to behave like circus gorillas.” The major’s grin intensified, half blinding Lily. “Of course, you’re right,” he said. Every word that came out of his mouth was congenial. So why did she feel that he was making fun of her? Lily found herself looking at the button-down panel on the front of his shirt and wondering about the chest beneath it. Was it as broad and muscled as it appeared, covered in a downy mass of maple hair? With a toss of her head she shook off the unwelcome thought and knelt to finish gathering the crockery.

You look as if you belong here,” she murmured. “Our lessons helped.” His mouth tilted slightly. “I don’t belong here, and we both know it.” He lowered his voice and added, “I find myself not wanting to obey any of the rules.” “What do you mean?” Her voice came out breathless as the music slowed to a stop. Iain led her away from the dancers, back toward the wall. “I know I should lead you back to your chair and behave as if nothing happened. But that’s not what I’m wanting.” Her pulse quickened at his words. “What are you wanting, Lord Ashton?” His gaze was penetrating. “I want to kiss the soft skin of your throat and take out the pins of your hair until it surrounds your shoulders.” He tucked her hand into his arm and added, “And I’m wanting to unfasten the buttons of your gown, one by one. To kiss every part of your bare skin. But I can’t.” Goosebumps

My back is pressed against the side of the garage, Jake's body pinning me to the wood. He looks down at my lips and back to my eyes. The rain is soaking us as we stare at each other, waiting for the other to make the first move. Jake grabs my chin in his hands, pointing my face up to his, then coldly whispers, 'I suppose you think it's selfish when I rip this dress from your body and fuck you right here in the rain.' I can't say another word. Jake's mouth finds mine and we savagely kiss each other. Our lips press hard into each other as the passion and love I have for this man comes spilling out of me. True to his word, Jake grabs ahold of my dress where the millions of buttons trail down my back and yanks. He yanks and then yanks again. The delicate lace and satin tears away from my body and falls to shreds, billowing at my feet when he says, 'You've ruined me.' He kisses me hard, bordering on painful, as he pours his torn heart out to me. 'I'm a complete fucking mess without you.

Check for Power If the connection to the NAND-gate IC is correct, use a multimeter to measure the output voltage from the start/stop circuit to see whether it’s working correctly. Set your multimeter to measure voltage. Make sure the black measurement lead is connected to the multimeter’s COM socket, and the red measurement lead is connected to the V socket. Touch the tip of the black lead of the multimeter to the negative side of the battery, and touch the red lead to pin 11 on the 4011 NAND-gate IC. You should see a high signal—about 9 V—after clicking the stop button and a low signal—about 0 V—after pushing the start button. If not, check the connections of the SR latch circuit to find the error.

Step 3: Build the Start and Stop Circuit The last piece of this project is the button circuit that starts and stops the LEDs. Make these connections now: Connect one push button at the bottom of the breadboard, across the notch in the middle. Plug the 4011 NAND-gate IC into the breadboard, a couple of rows above the button. Make sure its chip marking points toward row 1 on the breadboard. Place the second button above the IC on the right component side so that it’s easy to reach it with your finger. Connect the two resistors, R13 and R14, as shown in the circuit diagram. Then, use jumper wires to make the remaining connections in the SR latch circuit, as shown in the following breadboard diagram. Connect the positive and negative supply columns to the NAND-gate IC (pins 14 and 7, respectively), and connect the wire from pin 11 of the NAND-gate IC to pin 13 of the 4017 decade counter.

A Latch to Start and Stop the Light Do you remember the SR latch from “Saving One Bit at a Time” on page 240? The start/stop circuit for this game is a similar SR latch but built with two NAND gates. (The SR latch in Chapter 11 used NOR gates.) The SR latch is a circuit that can remember a single bit. Its output is either 0 or 1, and it keeps that number until it gets set or reset with a new input. You can create a circuit that tells the latch what to output with two buttons: one for setting the output to 1 and one for setting the output to 0. Using NAND gates instead of NOR gates means the buttons must make the inputs low to output a 1. In this circuit, it doesn’t matter whether you click the buttons quickly or slowly. The 1-button always sets the output to 1, and the 0-button always sets the output to 0. That’s perfect for the reaction game! Connecting the output to the start/stop pin, or pin 13, on the decade counter gives you a button for starting and stopping the LEDs.

What are the funniest famous last words you’ve ever heard?” Lost, Ryan just stared at her. Why did her brain constantly spit out nonsensical questions? “Fine, be boring.” She turned to Jaime, who was sprawled on the neighboring blanket, and repeated the question. “Lightning never hits the same spot twice,” said Jaime. Everyone laughed. “You know any?” she asked her mate. “Pull the pin out and count to what?” said Dante. Dominic plopped himself on the ground next to Zac. “I got one: Hold my beer while I do this.” Taryn raised her hand. “Hey, what does this button do?” “This doesn’t taste right,” said Marcus. Bracken, a Mercury Pack enforcer, spoke. “It’s just a flesh wound.” Ally offered, “No, dummy, that’s a dolphin fin.” “What’s that red dot on your forehead?” said Makenna. Amused

She rose heavily from her chair and motioned to me to follow. I walked very close to her, these days—she didn’t seem completely steady on her feet, and frequently listed to one side, like a badly loaded ship in high seas. But she made it, her hand trailing the wall for extra stability. “Under that bed, dear. No, there. There are two chests. That’s it.” I knelt and wrenched out two heavy wooden boxes with lids. Opening them, I found them filled to the brim with rows of buttons, zippers, tapes, and fringes. There were hooks and eyes, fastenings of every type, all neatly separated and labeled, brass naval buttons and tiny Chinese ones, covered with bright silk, bone, and shell, sewn neatly onto little strips of card. In the cushioned lid sat sprays of pins, rows of different-sized needles, and an assortment of silk threads on tiny pegs. I ran my

My fingers fumble as I slide the pin through my shirt and attach the button. When I glance up, Hendrick is grinning wide. “Who looks ridiculous now?

Political campaign buttons you can sew on your clothes,” I said. “I never knew such things existed. Do you collect the other sort as well? With the pins?” “Pin-back buttons. Yes, of course, and they constitute the great bulk of my collection. I’m especially fond of third-party buttons. Debs is my favorite, Eugene Victor Debs. He was the standard bearer for the Socialist Party in four consecutive elections from 1900 through 1912. A man named Benson took over in 1916, but in 1920 Debs was back again. He was serving a prison term for opposing the war, and his campaign button reads ‘For President: Convict No. 9563.’ And just under a million voters chose him over Harding and Cox.

The bell dings, and when the doors open, I twist to see how our party is faring, but Liam grabs my hand, yanking me inside. That renders me completely speechless, as does him pushing the red Stop button once those doors close. The box jolts to a halt, and in a flash, he’s pinning me against the wall. His lingering gaze cages me as successfully as his formidable frame. He threads his fingers into my hair, swiping his thumb across my cheekbone. Searching. “Was this you tonight, Carver?

The lover's photograph hidden in a married woman's wallet, the poster photograph of a rock star tacked up over an adolescent's bed, the campaign-button image of a politician's face pinned on a voter's coat, the snapshots of a cabdriver's children clipped to the visor--all such talismanic uses of photographs express a feeling both sentimental and implicitly magical: they are attempts to contact or lay claim to another reality.

conservative clothes, dark, buttoned up, old-fashioned if anything. Her hair was always pinned in a style more suited

She despaired when he broke away, feeling the loss of him even as he kissed her cheeks, her closed eyes, and suddenly his hands were in her hair, pulling pins, reaching for the buttons of her dress – Oh.

When she outlined his lips with a forefinger, he drew the tip into his mouth, nibbled gently. “You’re beautiful.” “Don’t spoil it by lying,” she begged. “We both know pretty is the best I can do.” He shook his head. “Pretty is when your hair is pinned up, and your collar is buttoned up. Pretty is for those times. Beautiful is for times like this, good times, wild times, sharing secrets times.

If a man in my life was behaving badly on some moral level, I made a commitment to myself that I was going to see that, instead of helping him feel better about his horrible behavior. I was going to learn to trust that what I saw was really happening. I was smart and sensitive, and like all children who grew up around alcoholism, I learned to pay too much attention. I saw a button pin once that said: 'I'm not tense. I'm just very, very alert.' It was how I sidestepped the abyss. I had to learn to be present without paying quite so much attention to my poor old overamped mind, because this was the source of most of my unhappiness. And it still is.

She leaves her finger poised over the send button, her heart pounding. For a moment she is not sure that she can do it. She doesn’t know whether she has the courage to finally pull the pin from the grenade. She puts both hands up to her mouth momentarily.

Acting on impulse, Akos turned and kissed her. She stuck her fingers in one of his belt loops and pulled him tight against her, the way they had been earlier, when they were interrupted. But the door was closed, now, and Teka was fast asleep in some other part of the ship. They were alone. Finally. The chemical-floral smell of the ship was replaced with the smell of her, of the herbal shampoo she’d last used in the ship’s shower, and sweat and sendes leaf. He ran potion-stained fingertips down the side of her throat and across the faint curve of her collarbone. She pushed him over, so she was straddling him, and pinned his hips down for a tick, just to tug his shirt out from under his waistband. Her hands were so warm against him he could hardly breathe. They found the soft give of flesh around his middle, the taut muscle wrapped around his ribs. She undid buttons all the way up to his throat. He’d thought of this when he helped her take her clothes off before that bath in the renegade safehouse, how it might be to take off their clothes when they weren’t injured and fighting for their lives. He’d imagined something frantic, but she was taking her time, running her fingers over the bumps of his ribs, the tendons on the inside of his wrists as she freed the buttons on his cuffs, the bones that stuck out of his shoulders. When he tried to touch her back, she pressed him away. That wasn’t how she wanted it just then, it seemed like, and he was happy to give her what she wanted. She was the girl who couldn’t touch people, after all. It sparked something inside him to know that he was the only one she’d done this with--not excitement, but something softer. Tender. She was his only--and fate said she would be his last.

Why can’t I have an ordinary footman like the other ladies have?” “Because you won’t always be going to the places other ladies go.” Gabriel sat on a chair to remove his shoes and stockings. “You’ll be looking for factory space, and meeting with suppliers, retailers, and wholesale traders, and so forth. If you take Drago with you, it will ease my mind about your safety.” As he saw the mulish set of Pandora’s jaw, Gabriel decided to take another tack. “Of course, we’ll replace him if you wish,” he said with a casual shrug. He began to unfasten the buttons of his braces. “But it would be a pity. Drago grew up in an orphanage and has no family. He’s always lived in a small room at the club. He was looking forward to living in a real household for the first time in his life, and seeing what family life was like.” That last sentence was pure conjecture, but it did the trick. Pandora sent him a long-suffering glance and heaved a sigh. “Oh, all right. I suppose I’ll have to keep him. And train him not to scare people.” Dramatically she fell backward on the bed, arms and legs akimbo. Her small, glum voice floated up to the ceiling. “My very own footmonster.” Gabriel regarded the small, splayed figure on the bed, feeling a rush of mingled amusement and lust that made his breath catch. Before another second had passed, he’d climbed over her, crushing her mouth with his. “What are you doing?” Pandora asked with a spluttering laugh, twisting beneath him. “Accepting your invitation.” “What invitation?” “The one you gave me by reclining on the bed in that seductive pose.” “I flopped backward like a dying trout,” she protested, squirming as he began to hike up her skirts. “You knew I wouldn’t be able to resist.” “Take a bath first,” she implored. “You’re not fit for the house. I should take you out to the stables and scrub you like one of the horses, with carbolic soap and a birch brush.” “Oh, you naughty girl . . . yes, let’s do that.” His hand wandered lecherously under her skirts. Pandora yelped with laughter and wrestled him. “Stop, you’re contaminated! Come to the bathroom and I’ll wash you.” He pinned her down. “You’ll be my bath handmaiden?” he asked provocatively. “You’d like that, wouldn’t you?” “I would,” he whispered, touching his tongue to the center of her lower lip. Her dark blue eyes were bright with mischief. “I’ll bathe you, my lord,” she offered, “but only if you agree to keep your hands to yourself, and remain as still and stiff as a statue.” “I’m already as stiff as a statue.” He nudged her to demonstrate. Pandora rolled out from under him with a grin and headed toward the bathroom, while he followed readily.

Halting abruptly, Kathleen stared at him through the semidarkness. Taking the overskirt from her, Devon dropped it to the floor, and pinned her against the side of the carriage. “My riding skirt,” she exclaimed in dismay. “You’ll ruin it.” Devon laughed. “You were never going to wear it anyway.” He began to unbutton her riding jacket, while she sputtered helplessly. Quieting her with his mouth, he worked on the row of buttons. After the sides of the jacket had listed open, he took the back of her head in his hand and kissed her more deeply, ravishing her mouth, and she responded as if she couldn’t help herself. A shock of pleasure went through him as he felt her suck on his tongue with a shy little tug, and he reached out to fumble for the ring-shaped handle of the carriage door. Realizing what he intended, Kathleen said dazedly, “You can’t.” Devon was more aroused and entertained than he’d ever been in his life. After tugging the door open, he pulled down the folding step. “Here’s your choice: Out here, in full view of anyone who passes by…or in the carriage, where no one will see.” She blinked and stared at him, seeming aghast. But there was no concealing the deep flush of excitement on her face. “Out here, then,” he said ruthlessly, and reached for the waist of her trousers. Galvanized into action, Kathleen turned with a whimper and climbed into the carriage. Devon followed instantly.

Opening the lid, Beatrix found her neatly folded clothes and a drawstring muslin bag containing a brush and a rack of hairpins, and other small necessities. There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.

She didn’t like the looks of the Indian women she saw in Gallup, dancing at Eddie’s club with the drunks that stumbled around the floor with them. Their hair was dirty and straight. They’d shaved off their eyebrows, but the hairs were growing back and they didn’t bother to pencil them any more. Their blouses had buttons missing and were fastened with safety pins. Their western pants were splitting out at the seams; there were stains around the crotch.

It was black (of course), but it was different shades of black. The fabric was charcoal black and the trim was metallic black and the lining was obsidian black and the buttons were tiny silver raven skulls with even tinier twinkling black eyes. The sleeves were swooping and edged with black lace, but because Pins knew how Witches were, the lace could be tied back out of the way and there were very practical tight black sleeves underneath.

The cowboy suit hung behind the bedroom door in its plastic covering. With great care Neville lifted it down and laid it upon the bed. Carefully parting the plastic, he pressed his nose to the fabric of the suit, savouring the bittersweet smell of the dry cleaner’s craft. Gently he put his thumbs to the pearl buttons and removed the jacket from the hanger. He sighed deeply, and with the reverence a priest accords to his ornamentum, he slipped into the jacket. The material was crisp and pure, the sleeves crackled slightly as he eased his arms into them, and the starched cuffs clamped about his wrists like loving manacles. Without further hesitation the part—time barman climbed into the trousers, clipped on the gunbelt, and tilted the hat on to his head at a rakish angle. Pinning the glittering badge of office carefully to his breast he stepped to the pitted glass of the wardrobe mirror to view the total effect. It was, to say the least, stunning. The dazzling white of the suit made the naturally anaemic Neville appear almost suntanned. The stetson, covering his bald patch and accentuating his dark sideburns, made his face seem ruggedly handsome, the bulge of the gunbelt gave an added contour to his narrow hips, and the cut of the trousers brought certain parts of his anatomy into an unexpected and quite astonishing prominence. ‘Mighty fine,’ said Neville, easing his thumbs beneath the belt buckle and adopting a stance not unknown to the late and legendary ‘Duke’ himself. But there was something missing, some final touch. He looked down, and caught sight of his carpet-slippers; of course, the cowboy boots. A sudden sick feeling began to take hold of his stomach. He did not remember having seen any boots when the suit arrived. In fact, there were none. Neville let out a despairing groan and slumped on to his bed, a broken man. The image in the mirror crumpled away and with it Neville’s dreams; a cowboy in carpet-slippers? A tear entered Neville’s good eye and crept down his cheek. ==========

Staveley’s wire-rimmed glasses Mr. St. Claire’s sapphire cravat pin Epaulette from Commander Greywood’s uniform Lord Carraway’s pipe Cravat with Beckford insignia Captain Seaton’s tricorn Lord Carteret’s signet ring Gold button with Kelfield crest Mr. Greywood’s pocket watch Olivia Danbury stared blankly at the list in her hands. Her friends had taken her simple idea of a treasure hunt and turned it into something quite impossible. “You can’t honestly be serious,” she said with a shake of her head. There was no conceivable way to get any of these