Butler Bodies That Matter Quotes

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The misapprehension about gender performativity is this: that gender is a choice, or that gender is a role, or that gender is a construction that one puts on, as one puts on clothes in the morning, that there is a 'one' who is prior to this gender, a one who goes to the wardrobe of gender and decides with deliberation which gender it will be today.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
intelligence does enable you to deny facts you dislike. But your denial doesn’t matter. A cancer growing in someone’s body will go on growing in spite of denial.
Octavia E. Butler (Dawn (Xenogenesis, #1))
He could not tell her that he was angry because she did not love him. Even he could not utter such foolishness. Certainly, he did not love her. He did not love anyone except perhaps Isaac and a very few of his other children. Yet he wanted Anyanwu to be like his many other women and treat him like a god in human form, competing for his attention no matter how repugnant his latest body nor even whether he might be looking for a new body. They knew he took women almost as readily as he took men. Especially, he took women who had already given him what he wanted of them--usually several children. They served him and never thought they might be his next victims. Someone else. Not them.
Octavia E. Butler (Wild Seed (Patternmaster, #1))
subject is constituted through the force of exclusion and abjection,
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
In other words, "sex" is an ideal construct which is forcibly materialized through time. It is not a simple fact or static condition of a body, but a process whereby regulatory norms materialize 'sex' and achieve this materialization through a forcible reiteration of those norms.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
If, again, the most superficial introspection teaches the physiologist that his conscious life is dependent upon the mechanical adjustments of his body, and that inversely his body is subjected with certain limitations to his will, then it only remains for him to make one assumption more, namely, that this mutual interdependence between the spiritual and the material is itself also dependent on law, and he has discovered the bond by which the science of the matter and the science of consciousness are united into a single whole.
Samuel Butler (Unconscious Memory)
regulatory norms of “sex” work in a performative fashion to constitute the materiality of bodies and, more specifically, to materialize the body’s sex, to materialize sexual difference in the service of the consolidation of the heterosexual imperative. In this sense, what constitutes the fixity of the body, its contours, its movements, will be fully material, but materiality will be rethought
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
...identification is always an ambivalent process. Identifying with a gender under contemporary regimes of power involves identifying with a set of norms that are and are not realizable, and whose power and status precede the identifications by which they are insistently approximated.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
Yes,” he said, “intelligence does enable you to deny facts you dislike. But your denial doesn’t matter. A cancer growing in someone’s body will go on growing in spite of denial. And a complex combination of genes that work together to make you intelligent as well as hierarchical will still handicap you whether you acknowledge it or not.
Octavia E. Butler (Lilith's Brood (Xenogenesis, #1-3))
Keiner dieser Aufsätze beabsichtigt, die Materialität des Körpers zu bestreiten; sie stellen vielmehr partielle und sich überschneidende genealogische Bemühungen dar, die normativen Bedingungen zu klären, unter denen die Materialität des Körpers gestaltet und gebildet wird, und insbesondere, wie sie durch differentielle Kategorien des Geschlechts gebildet wird.
Judith Butler (Bodies That Matter)
It’s just that you’re trying to use my attraction to you to set me on edge.” She smiled at him. “It won’t work. I’ve been attracted to you since the moment I laid eyes on you, and it hasn’t made me stupid once.” “Did you expect me to deny it?” Free shrugged as complacently as she could. “You should read more of my newspaper. I published an excellent essay by Josephine Butler on this very subject. Men use sexuality as a tool to shut up women. We are not allowed to speak on matters that touch on sexual intercourse—even if they concern our own bodies and our own freedom—for fear of being labeled indelicate. Any time a man wishes to scare a woman into submission, he need only add the question of sexual attraction, leaving the virtuous woman with no choice but to blush and fall silent. You should know, Mr. Clark, that I don’t intend to fall silent. I have already been labeled indelicate; there is nothing you can add to that chorus.” "I've found that the best way to deal with the tactic is to speak of sexual attraction in terms of clear, unquestionable facts. The same men who try to make me feel uneasy by hinting at an attraction can never live up to their own innuendos.
Courtney Milan (The Suffragette Scandal (Brothers Sinister, #4))
On the one hand, any analysis which foregrounds one vector of power over another will doubtless become vulnerable to criticisms that it not only ignores or devalues the others, but that its own constructions depend on the exclusion of the others in order to proceed. On the other hand, any analysis which pretends to be able to encompass every vector of power runs the risk of a certain epistemological imperialism which consists in the presupposition that any given writer might fully stand for and explain the complexities of contemporary power. No author or text can offer such a reflection of the world, and those who claim to offer such pictures become suspect by virtue of that very claim.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
But if there is no subject who decides on its gender, and if, on the contrary, gender is part of what decides the subject, how might one formulate a project that preserves gender practices as sites of critical agency? If gender is constructed through relations of power and, specifically, normative constraints that not only produce but also regulate various bodily beings, how might agency be derived from this notion of gender as the effect of productive constraint?
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
Why should our bodies end at the skin, or include at best other beings encapsulated by skin? –Donna Haraway, A Manifesto for Cyborgs
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
None of this matters. I mean, those people—that man and his kids who you just fed—they matter, but no one cares about them. Those kids ar the future if they don't starve to death. But if they manage to grow up, what kind of men will they be?' 'That's what Earthseed was about,' I said. 'I wanted us to understand what we could be, what we could do. I wanted to give us a focus, a goal, something big enough, complex enough, difficult enough, and in the end, radical enough to make us become more than we ever have been. We keep falling into the same ditches, you know? I mean, we learn more and more about the physical universe, more about our own bodies, more technology, but somehow, down through history, we go on building empires of one kind or another, then destroying them in one way or another. We go on having stupid wars that we justify and get passionate about, but in the end, all they do is kill huge numbers of people, maim others, impoverish still more, spread disease and hunger, and set the stage for the next war. And when we look at all of that in history, we just shrug our shoulders and say, well, that's the way things are. That's the way things have always been.' 'It is,' Len said. 'It is,' I repeated. 'There seem to be solid biological reasons why we are the way we are. If there weren't, the cycles wouldn't keep replaying. The human species is a kind of animal, of course. But we can do something no other animal species has ever had the option to do. We can choose: We can go on building and destroying until we either destroy ourselves or destroy the ability of our world to sustain us. Or we can make something more of ourselves. We can grow up. We can leave the nest. We can fulfil the Destiny, make homes for ourselves among the stars, and become some combination of what we want to become and whatever our new environments challenge us to become. Our new worlds will remake us as we remake them. And some of the new people who emerge from all this will develop new ways to cope. They'll have to. That will break the old cycle, even if it's only to begin a new one, a different one. 'Earthseed is about preparing to fulfil the Destiny. It's about learning to live in partnership with one another in small communities, and at the same time, working out a sustainable partnership with our environment. It's about treating education and adaptability as the absolute essentials that they are. It's...' I glanced at Len, caught a little smile on her face, and wound down. 'It's about a lot more than that,' I said. 'But those are the bones.' 'Makes a strange sermon.' 'I know.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
Hence, it is not that one cannot get outside of language in order to grasp materiality in and of itself; rather, every effort to refer to materiality takes place through a signifying process which, in its phenomenality, is always already material. In this sense, then, language and materiality are not opposed, for language both is and refers to that which is material, and what is material never fully escapes from the process by which it is signified.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
The patronym secures its own rigidity, fixity, and universality within a set of kinship lines that designate wives and daughters as the sites of its self-perpetuation. In the patronymic naming of women, and in the exchange and extension of patronymic authority that is the event of marriage, the paternal law "performs" the identity and authority of the patronym. This performative power of the name, therefore, cannot be isolated from the paternal economy within which it operates, and the power-differential between the sexes that it institutes and serves.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
Es gibt kein Ich vor der Annahme eines Geschlechts.
Judith Butler (Bodies That Matter: On the Discursive Limits of "Sex")
Why aren’t you in Canada?” “That’s pretty much none of your business. I guess Rising Hawk never told you about Oniata, the Dry Hand?” Livy glared at him. “You’d best watch out for it. It’s a hand that flies around looking for nosy people and pokes their eyes out.” “My father and Uncle John fought Butler and Johnson. They were at Cherry Valley. Were you? They said the Indians had a Seneca war chief. Did you go?” “No. Would it matter?” “My father and Uncle John helped bury the bodies afterwards. Women and children, even babies, lying butchered in the snow. The slush was red, mixed with their blood. A hundred or more.” “There were thirty killed, Livy. Your uncle was exaggerating.” “My uncle said that when the scalp’s off a body, the mouth hangs all slack in a scream, and he said the Indians killed babies by dashing their brains out.” “He shouldn’t have told you that. It’s not fitting for a child.” “Neither’s getting your brains dashed out.
Betsy Urban (Waiting for Deliverance)