“
Do you want your blood to stay where it is sochar-lar?"
Tavi lifted both eyebrows at the unfamiliar word, and glanced at Varg.
"Monkey," Varg supplied, in Aleran. "And male-child."
"He called me monkey boy?" Tavi asked.
”
”
Jim Butcher (Captain's Fury (Codex Alera, #4))
“
He’s Rowan,” Sloane says, gesturing at me again. Rose narrows her eyes as though this is insufficient information. “He’s my f-fr…boy. Guy. A man-guy. I’m…with. Here.” I snort a laugh as Rose’s face scrunches. “Man-guy,” I echo. “Real smooth, Blackbird.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
I don’t duel, boy. I kill as a soldier kills, which is as a butcher kills, as quickly, efficiently, and with as least risk to myself as I can arrange.
”
”
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
“
No boys allowed unless they have scales and a breeding kink.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
All the beautiful things in this world are lies. They count for nothing in the end.
”
”
Patrick McCabe (The Butcher Boy)
“
Oh now now he says that's all over you must forget all about that next week your solitary finishes how about that hmm? I felt like laughing in his face: How can your solitary finish? That's the best laugh yet.
”
”
Patrick McCabe (The Butcher Boy)
“
Something caught your eye, pretty boy?” I whisper. “Yes,” he says, his voice pained. “God, yes, Sloane. All of you.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
Booya!" I shouted in pure triumph, the adrenaline turning my manly baritone into a rather terrified-sounding shriek. "What have you got for fiery beams of death, huh? You got nothing for fiery beam of death! Might as well go back to Atari, bug-boy, 'cause you don't got game enough for me!
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
How easily Neverland is corrupted into the deserted island of Lord of the Flies. How quickly Tinkerbell regresses to being one of the flies pestering the gouged eye sockets of the pig that the lost boys butcher.
”
”
Gregory Maguire (Lost)
“
Where do you find a stomach on a Thursday afternoon in Reno? "Chinatown?" suggests someone. "Costco?" "Butcher Boys." Tracy pulls his phone from a pocket. "Hello, I'm from the university" - the catchall preamble for unorthodox inquiries.
”
”
Mary Roach (Gulp: Adventures on the Alimentary Canal)
“
I had bought a plastic bottle of petrol to run his small generator and I could hear the delighted screams of his children gathered around a television inside, watching a low-budget Nigerian-made film about adult women falling in love with a magical eight-year-old boy.
”
”
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
“
No. Christ. Now give me that dragon dick, Blackbird.” “No way.” I manage to slip out of my chair with the e-reader before he can grab me, waving it toward him in a taunt as I back away toward our rooms. “Goodnight, weirdo. I’m going to bed. Early bird gets the worm, you know. Might plan myself a solo hiking trip to Davis Creek. No boys allowed unless they have scales and a breeding kink.” “Of all the times to forget my dinosaur onesie at home.” Rowan sighs,
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
The character of Moses, as stated in the Bible, is the most horrid that can be imagined. If those accounts be true, he was the wretch that first began and carried on wars on the score or on the pretence of religion; and under that mask, or that infatuation, committed the most unexampled atrocities that are to be found in the history of any nation. Of which I will state only one instance:
When the Jewish army returned from one of their plundering and murdering excursions, the account goes on as follows (Numbers xxxi. 13): 'And Moses, and Eleazar the priest, and all the princes of the congregation, went forth to meet them without the camp; and Moses was wroth with the officers of the host, with the captains over thousands, and captains over hundreds, which came from the battle; and Moses said unto them, 'Have ye saved all the women alive?' behold, these caused the children of Israel, through the counsel of Balaam, to commit trespass against the Lord in the matter of Peor, and there was a plague among the congregation of the Lord. Now therefore, 'kill every male among the little ones, and kill every woman that hath known a man by lying with him; but all the women- children that have not known a man by lying with him, keep alive for Yourselves.'
Among the detestable villains that in any period of the world have disgraced the name of man, it is impossible to find a greater than Moses, if this account be true. Here is an order to butcher the boys, to massacre the mothers, and debauch the daughters.
Let any mother put herself in the situation of those mothers, one child murdered, another destined to violation, and herself in the hands of an executioner: let any daughter put herself in the situation of those daughters, destined as a prey to the murderers of a mother and a brother, and what will be their feelings?
In short, the matters contained in this chapter, as well as in many other parts of the Bible, are too horrid for humanity to read, or for decency to hear.
”
”
Thomas Paine (The Age of Reason)
“
Everything I told him was technically true, more or less, and I got the job done," Jack said stubbornly. "Look, sir, if I were perfect, I wouldn't be working here in the first place. Now, would I?"
And then he hung up. On speakerphone. On a freaking archangel.
I couldn't help it. I let out a rolling belly laugh. "I just got suckered into doing this by...Stars and stones, you didn't even know that he...Big bad angel boy, and you get the wool pulled over your eyes by..." I stopped trying to talk and just laughed.
Uriel eyed the phone, then me, and then tucked the little device away again, clearly nonplussed. "It doesn't matter how well I believe I know your kind, Harry. They always manage to find some way to try my patience.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
You didn't realize it but you always were one of the Butcher's Boys. There you were, askin' to join the gang, when all along you were the 'eart and soul of it.
”
”
Julia Golding
“
If the Eagle Scouts had some sort of Sith equivalent, Marcone was it.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
I don`t know if he was English but he spoke like it. He said good afternoon when everybody else said hardy weather or she looks like rain.
”
”
Patrick McCabe (The Butcher Boy)
“
What’s your angle, pretty boy?” “To make you blush, of course.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
...This is a place of learning where very few learn anything of value. That you, who have courage and intelligence, are held in contempt by most of your kind here because you have no sorcery... I have seen you protect others, though they consider you to be weaker than they. I have seen a very few decent people, like the boy we took from the tower. I have seen women trade pleasure for coin to feed their children, and others do the same so that they could ignore their children while making themselves foolish with wines and powders. I have seen men who labor as long as the sun is up go home to wives who hold them in contempt for never being there. I have seen men beat and use those whom they should protect, even their own children. I have seen your kind place others of their own in slavery. I have seen them fighting to be free of the same. I have seen men of the law betray it, men who hate the law be kind. I have seen gentle defenders, sadistic healers, creators of beauty scorned while craftsmen of destruction are worshiped. Your Kind, Aleran, are the most vicious and gentle, most savage and noble, most treacherous and loyal, most terrifying and fascinating creatures I have ever seen.
”
”
Jim Butcher (Academ's Fury (Codex Alera, #2))
“
My beautiful boy,” Miriam whispered as she turned to dust. “My beautiful boy.
”
”
Matt Dinniman (The Butcher's Masquerade (Dungeon Crawler Carl, #5))
“
It physically pains me to admit that, by the way. But don’t let it get to your head, pretty boy.” A smirk creeps across my lips. “You think I’m pretty.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
So. The Erlking brought a mortal to the castle and locked her up. A bunch of straw, a spinning wheel. Easy enough to guess what he wants.”
“Indeed. He wants some straw baskets for storing all the yarn that’s going to be spun on this wheel. I think he means to take up knitting.”
“He does need a hobby,” said the boy. “One can only go around kidnapping people and butchering magical creatures for so many centuries before it gets tiresome.
”
”
Marissa Meyer (Gilded (Gilded, #1))
“
Then the mob parted and there was the boy, with his arms twisted behind his back and the foot of a man, a petrol attendant in Cohydro cap and uniform, stamped firmly on his neck. The boy’s mouth was bleeding and the side of his face was squashed flat on the uneven concrete of the forecourt. It was a scene I had witnessed numerous times during my stint covering Africa. Quick and brutal, African mob justice is a terrifying thing.
”
”
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
“
Cassidy," Flick whispers. "Max is fucking you with his eyes right now.
”
”
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
“
I love you, Max Butcher," I whisper.
"I don't deserve you" - he presses his lips to mine - "Cassidy Slater. I'm keeping you anyway.
”
”
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
“
Holy shit! It wasn't them; it was him!
”
”
Thomas Perry (Sleeping Dogs (Butcher's Boy, #2))
“
So this book is a sidewalk strewn with junk, trash which I throw over my shoulders as I travel in time back to November eleventh, nineteen hundred and twenty-two.
I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day. When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month.
It was during that minute in nineteen hundred and eighteen, that millions upon
millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
The Legions have a long tradition, boys. You march hard and fast and show up in places where no one expects you—and then you go to work.” He grinned. “And you do it all carrying a hundred pounds of gear made by whoever did it for the least coin—but every one of those slives gets paid better than you! It’s tradition!
”
”
Jim Butcher (First Lord's Fury (Codex Alera, #6))
“
Technicality,” Shiro said. “The cigars?” “My Christianity,” Shiro said. “When I was a boy, I liked Elvis. Had a chance to see him in concert when we moved to California. It was a big revival meeting. There was Elvis and then a speaker and my English was not so good. He invited people backstage to meet the king. Thought he meant Elvis, so I go backstage.” He sighed. “Found out later I had become a Baptist.” I barked out a laugh. “You’re kidding.” “No. But it was done, so I tried not to be too bad at being Baptist.
”
”
Jim Butcher (Death Masks (The Dresden Files, #5))
“
Why?" I demanded of her. "Why bring the child into this? Why not just come straight to me?"
"Does it matter at this point?"
I shrugged. "Not really. I'm curious."
She stared at me for a moment and then she smiled. "You don't know."
I eyed her warily. "Don't know what?"
"Dear boy," she said. "This was never about you."
I scowled. "I don't understand."
"Obviously," Arianna said, and gave me a stunning smile. "Die confused.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
There were always eyes. A little tailor on his way home from a movie. A waitress in a drive-in. A butcher-boy on a bicycle. A room clerk with a wet pointed nose. A detective’s wife who was alert, too alert. Whose eyes saw too much. There were always eyes but they didn’t see. He had proved it.
”
”
Dorothy B. Hughes (In a Lonely Place)
“
For instance, a crew of pirates are driven by a storm they know not whither; at length a boy discovers land from the topmast; they go on shore to rob and plunder, they see a harmless people, are entertained with kindness; they give the country a new name; they take formal possession of it for their king; they set up a rotten plank, or a stone, for a memorial; they murder two or three dozen of the natives, bring away a couple more, by force, for a sample; return home, and get their pardon. Here commences a new dominion acquired with a title by divine right. Ships are sent with the first opportunity; the natives driven out or destroyed; their princes tortured to discover their gold; a free license given to all acts of inhumanity and lust, the earth reeking with the blood of its inhabitants: and this execrable crew of butchers, employed in so pious an expedition, is a modern colony, sent to convert and civilize an idolatrous and barbarous people!
”
”
Jonathan Swift (Gulliver's Travels)
“
Hello there dandelions, fuck off! Chop go the heads with a cut of the stick excuse me just what do you think you're doing clip clip chop chop aaargh! what the fuck is going on where's our heads? Hee-yup!, I said and away again.
”
”
Patrick McCabe (The Butcher Boy)
“
He was a peculiar sight. Tears rolling down his face, shouting to drown the sound of the singing rabbit; he said he needed help, pointed to a chicken, handed over some money, grabbed his parcel and bolted out the door in panic.
Boys, thought the butcher.
Drugs, thought the woman.
Justin Case, thought Dorothea.
”
”
Meg Rosoff (Just in Case)
“
but when you have nothing left to loose, the only choice you have left is to change.
”
”
Max Henry (Devil You Know (Butcher Boys, #1))
“
All of a sudden I looked at him with his rosy cheeks and the two silver snots at his nose and what did I want to do I wanted to kiss him. Not the way Tiddly did it any of that but just because all of a sudden everything seemed so good. I said to myself: Just being here is so good I could stand here for ever.
”
”
Patrick McCabe (The Butcher Boy)
“
I wanted to stop talking about the whole thing. I wanted to talk about the hide and the old days and hacking at the ice and whose turn it was to toss the marble and all that, that was what I wanted to talk about. They were the best days, you could see through them days, as clear as polished glass. But Joe didn't want to.
”
”
Patrick McCabe (The Butcher Boy)
“
When Adam Smith, extolling the power of the market, noted that, ‘it is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner’, he forgot to mention the benevolence of his mother, Margaret Douglas, who had raised her boy alone from birth. Smith never married so had no wife to rely upon (nor children of his own to raise). At the age of 43, as he began to write his opus, The Wealth of Nations, he moved back in with his cherished old mum, from whom he could expect his dinner every day. But her role in it all never got a mention in his economic theory, and it subsequently remained invisible for centuries.
”
”
Kate Raworth (Doughnut Economics: The must-read book that redefines economics for a world in crisis)
“
Back-to-back", Bayard replied, and Grimm felt the sudden, wiry pressure of the other man's shoulders pressed against the middle of his back.
"I should be friends with taller people," Grimm panted.
"Bite your tongue, old boy, or I'll hack apart your ankles.
”
”
Jim Butcher (The Aeronaut's Windlass (The Cinder Spires, #1))
“
The influenza has busted me a good deal; I have no spring; and am headachy. So as my good Red Lion Counter begged me for another Butcher's Boy--I turned me to- what thinkest 'ou--to Tushery, by the mass! Ay, friend, a whole tale of tushery. And every tusher tushes me so free, that may I be tushed if the whole thing is worth a tush. The Black Arrow: A Tale of Tunstall Forest is his name: tush! a poor thing!
”
”
Robert Louis Stevenson
“
He does not know what caused him to break off from Weston and walk out. Perhaps it was when the boy said 'forty-five or fifty'. As if, past mid-life, there is a second childhood, a new phase of innocence. It touched him, perhaps, the simplicity of it. Or perhaps he just needed air. Let us say you are in a chamber, the windows sealed, you are conscious of the proximity of other bodies, of the declining light. In the room you put cases, you play games, you move your personnel around each other: notional bodies, hard as ivory, black as ebony, pushed on their paths across the squares. Then you say, I can't endure this any more, I must breathe: you burst out of the room amd into a wild garden where the guilty are hanging from trees, no longer ivory, no longer ebony, but flesh; and their wild lamenting tongues proclaim their guilt as they die. In this matter, cause has preceded effect. What you dreamed has enacted itself. You reach for a blade but the blood is already shed. The lambs have butchered and eaten themselves. They have brought knives to the table, carved themselves, and picked their own bones clean.
”
”
Hilary Mantel (Bring Up the Bodies (Thomas Cromwell, #2))
“
Louie's mother, Louise, took a different tack. Louie was a copy of herself, right down to the vivid blue eyes. When pushed, she shoved; sold a bad cut of meat, she'd march down to the butcher, frying pan in hand. Loving mischief, she spread icing over a cardboard box and presented it as a birthday cake to a neighbor, who promptly got the knife stuck. When Pete told her he'd drink his castor oil if she gave him an empty candy box. "You only asked for the box, honey," she said with a smile. "That's all I got." And she understood Louie's restiveness. One Halloween, she dressed as a boy and raced around town trick-or-treating with Louie and Pete. A gang of kids, thinking she was one of the local toughs, tackled her and tried to steal her pants. Little Louise Zamperini, mother of four, was deep in the melee when the cops picked her up for brawling.
”
”
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
“
I went into the bends. I got drunker and stayed drunker than a shit skunk in Purgatory. I even had the butcher knife against my throat one night in the kitchen and then I thought, easy, old boy, your little girl might want you to take her to the zoo. Ice cream bars, chimpanzees, tigers, green and red birds, and the sun coming down on top of her head, the sun coming down and crawling into the hairs of your arms, easy, old boy.
”
”
Charles Bukowski (Post Office)
“
Young people," McDonald said contemptuously. "You always think there's something to find out."
"Yes, sir," Andrews said.
"Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you're ready to die, it comes to you--that there's nothing, nothing but yourself and what you could have done. Only you ain't done it, because the lies told you there was something else. Then you know you could of had the world, because you're the only one that knows the secret; only then it's too late. You're too old."
"No," Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. "That's not the way it is."
"You ain't learned, then," McDonald said. "You ain't learned yet....look. You spend nearly a year of your life and sweat, because you have faith in the dream of a fool. And what have you got? Nothing. You kill three, four thousand buffalo, and stack their skins neat; and the buffalo will rot wherever you left them, and the rats will nest in the skins. What have you got to show? A year gone out of your life, a busted wagon that a beaver might use to make a dam with, some calluses on your hands, and the memory of a dead man."
"No," Andrew said. "That's not all. That's not all I have."
"Then what? What have you got?"
Andrews was silent.
"You can't answer. Look at Miller. Knows the country he was in as well as any man alive, and had faith in what he believed was true. What good did it do him? And Charley Hoge with his Bible and his whisky. Did that make your winter any easier, or save your hides? And Schneider. What about Schneider? Was that his name?
"That was his name," Andrews said.
"And that's all that's left of him," McDonald said. "His name. And he didn't even come out of it with that for himself." McDonald nodded, not looking at Andrews. "Sure, I know. I came out of it with nothing, too. Because I forgot what I learned a long time ago. I let the lies come back. I had a dream, too, and because it was different from yours and Miller's, I let myself think it wasn't a dream. But now I know, boy. And you don't. And that makes all the difference.
”
”
John Williams (Butcher's Crossing)
“
Unbelievable,” Audrey’s voice squeaked as I pushed past her. “Here we are, talking to you about your freaky little-boy encounter back in Breaux Bridge and how your caramel macchiato tasted like cardboard, and boom! You just zone out like one of the kids from Children of the Corn.”
“Um, Aud, babe … I don’t think those kids zone out. They’re just freaky twenty-four-seven. It’s a year-round thing.” Gabe’s response drew a half-hearted laugh from me, but it was quickly reined in when I reached the Book of the Ancients.
“Whatever, Gabriel,” Audrey said to him. “My point is, it’s freaky, okay? She gets this glazed-over look in her eyes, like she’s gonna whip out a butcher knife and go all Michael Myers on us or something.”
I glanced over my shoulder to cock an eyebrow at her.
“Oh, now you pay attention.” She cocked an eyebrow back.
“What is it with you and the cheesy horror-movie references?” Gabe muttered.
“Hey, now. Halloween is a classic,” Gavin scolded him. “Don’t go hating on the classics.
”
”
Rachael Wade (The Tragedy of Knowledge (Resistance, #3))
“
Mary had the same face as ma used to have sitting staring into the ashes it was funny that face it slowly grew over the other one until one day you looked and the person you knew was gone. And instead there was a half-ghost sitting there who had only one thing to say: All the beautiful things of this world are lies. They count for nothing in the end.
”
”
Patrick McCabe (The Butcher Boy)
“
Све дивне ствари на свету су лаж. И на крају ништа не вреде.
”
”
Patrick McCabe (The Butcher Boy)
“
You're short. . . Why are you short."
"I was born this way."
"Mentally challenged, not vertically challenged, darlin. Why are you short?
”
”
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
“
Worrying is like a rocking horse. It gives you something to do, but it doesn't get you anywhere.
”
”
Nicci Harris (Our Thing: The Ballerina & The Butcher Boy (Kids of The District #1-2))
“
What matters is the success or failure of your will. Your will to overcome human weakness. Your will to work. To learn. I will have no shirkers here, boy.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
All I had left from down in the murky depths was the ability to look up, to find a way back out.
”
”
Max Henry (Devil You Know (Butcher Boys, #1))
“
I never thought freedom could be so overwhelming.
”
”
Max Henry (Devil You Know (Butcher Boys, #1))
“
A boy with a story must write.
”
”
Peter Manseau (Songs for the Butcher's Daughter)
“
Ah I see, says Father Dom with his two thumbs like dwarfs doing an old-time waltz in and out of his little black buttons.
”
”
Patrick McCabe (The Butcher Boy)
“
Guys who get their name splashed all over history and folklore don’t tend to be Boy Scout troop leaders.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
“
People take charge and then you find out what they wanted power for.
”
”
Thomas Perry (Eddie's Boy (Butcher's Boy #4))
“
who did I meet only Mrs Connolly with a grin swinging between her ears like a skipping rope.
”
”
Patrick McCabe (The Butcher Boy)
“
she said and gives me this look you’d think she was dying for a shite but was holding it in.
”
”
Patrick McCabe (The Butcher Boy)
“
When I was a young lad twenty or thirty or forty years ago I lived in a town where they were all after me on account of what I done on Mrs Nugent.
”
”
Patrick McCabe (The Butcher Boy)
“
GIANTS: THE FLESHLUMPEATER THE BONECRUNCHER THE MANHUGGER THE CHILDCHEWER THE MEATDRIPPER THE GIZZARDGULPER THE MAID MASHER THE BLOODBOTTLER THE BUTCHER BOY
”
”
Roald Dahl (The BFG)
“
a crew of pirates are driven by a storm they know not whither; at length a boy discovers land from the topmast; they go on shore to rob and plunder, they see a harmless people, are entertained with kindness; they give the country a new name; they take formal possession of it for their king; they set up a rotten plank, or a stone, for a memorial; they murder two or three dozen of the natives, bring away a couple more, by force, for a sample; return home, and get their pardon. Here commences a new dominion acquired with a title by divine right. Ships are sent with the first opportunity; the natives driven out or destroyed; their princes tortured to discover their gold; a free license given to all acts of inhumanity and lust, the earth reeking with the blood of its inhabitants: and this execrable crew of butchers, employed in so pious an expedition, is a modern colony, sent to convert and civilize an idolatrous and barbarous people!
”
”
Jonathan Swift (Gulliver's Travels)
“
Stop thief! Stop thief!’ There is a magic in the sound. The tradesman leaves his counter, and the car-man his waggon; the butcher throws down his tray; the baker his basket; the milkman his pail; the errand-boy his parcels; the school-boy his marbles; the paviour his pickaxe; the child his battledore. Away they run, pell-mell, helter-skelter, slap-dash: tearing, yelling, screaming, knocking down the passengers as they turn the corners, rousing up the dogs, and astonishing the fowls: and streets, squares, and courts, re-echo with the sound.
”
”
Charles Dickens (Oliver Twist)
“
vicar of St Arild’s Church, was the first to call, bearing a rather formidable fruitcake baked in Lady Hardcastle’s honour by his wife who, he assured her, would be calling on her own account within a day or two. A butcher’s boy from Spratt’s called with a note introducing
”
”
T.E. Kinsey (A Quiet Life in the Country (Lady Hardcastle Mysteries, #1))
“
I hear Keene’s going to be turning up as Santa Claus later, and that’s got to be worth seeing.” Jake parodied the corporal’s voice: “So, little boy, give me your name, rank, number, and what present you want delivered by 0600 Christmas morning. And that’s Santa sir to you.
”
”
A.J. Butcher (The Frankenstein Factory (Spy High, #1))
“
He’s the October Boy . . . the reaper that grows in the field, the merciless trick with a heart made of treats, the butchering nightmare with the hacksaw face . . . and he’s gonna getcha! That’s what they always told you . . . he’s gonna getcha so you know you’ve been got!!!!!
”
”
Norman Partridge (Dark Harvest)
“
If a White Court vampire wants to feed off a human, all she really has to do is crook her finger, and he comes running. There isn’t any ominous music. Nobody sparkles. As far as anyone looking on is concerned, a girl winks at a boy and goes off somewhere to make out. Happens every day. They don’t get
”
”
Jim Butcher (Working for Bigfoot (The Dresden Files #11.4))
“
Bosch had left Nigeria with his infamous Butcher Boys—assorted sizes, shapes and colors, but all killers for a price—when his scheme to take over a native village backfired. He had figured on cleaning up by selling the village girls in the Congo but found himself dodging spears, knives and related items of cutlery instead.
”
”
Walter Kaylin (He-Men, Bag Men, and Nymphos: Classic Men's Adventure Magazine Stories)
“
My mouth goes bone dry. “Are you going on a date?” I ask as we turn a corner and head for the wide stairway that leads to the lobby. Sloane sighs. “I wouldn’t call it a date, per se...” “Then where are you going? You know, for like…safety purposes and whatnot…” Sloane snorts. “You think I need your protection, pretty boy?” No. But also yes.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
tall, gangly boy stumbled through a swinging door with a burlap cloth in his arms, the tail of a fish wagging out the end. “Loafhead! Where’s my cod? I’m to make stew with a crappie?” She grabbed the fish from him anyway, slapped it down on the butcher block, and with one decisive chop, whacked its head off with a cleaver. I guessed the crappie would do. So
”
”
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
“
Den we git hurtee again. Somebody call hisself a deputy sheriff kill de baby boy now. (Over)1 “He say he de law, but he doan come ’rest him. If my boy done something wrong, it his place come ’rest him lak a man. If he mad wid my Cudjo ’bout something den he oughter come fight him face to face lak a man. He doan come ’rest him lak no sheriff and he doan come fight him lak no man. He have words wid my boy, but he skeered face him. Derefo’, you unnerstand me, he hidee hisself in de butcher wagon and when it gittee to my boy’s store, Cudjo walk straight to talk business. Dis man, he hidin’ hisself in de back of de wagon, an’ shootee my boy. Oh, Lor’! He shootee my boy in de throat. He got no right shootee my boy. He make out he skeered my boy goin’ shoot him and shootee my boy down in de store. Oh, Lor’! De people run come tellee me my boy hurtee. We tookee him home and lay him in de bed. De big hole in de neck. He try so hard to ketchee breath. Oh, Lor’! It hurtee me see my baby boy lak dat. It hurtee his mama so her breast swell up so. It make me cry ’cause it hurt Seely so much. She keep standin’ at de foot of de bed, you unnerstand me, an’ lookee all de time in his face. She keep telling him all de time, ‘Cudjo, Cudjo, Cudjo, baby, put whip to yo’ horse!’ “He hurtee so hard, but he answer her de best he kin, you unnerstand me. He tellee her, ‘Mama, thass whut I been doin’!’ “Two days and two nights my boy lay in de bed wid de noise in de throat. His mama never leave him. She lookee at his face and tellee him, ‘Put whip to yo’ horse, baby.’ “He pray all he could. His mama pray. I pray so hard, but he die. I so sad I wish I could die in place of my Cudjo. Maybe, I doan pray right, you unnerstand me, ’cause he die while I was prayin’ dat de Lor’ spare my boy life. “De man dat killee my boy, he de paster of Hay Chapel in Plateau today. I try forgive him.
”
”
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
“
Could he be my Bertie, the cheeky butcher’s boy? I had walked out with him when I was a reluctant servant in Mr Buchanan’s household. Dear funny Bertie, who had been so self-conscious about reeking of meat. Bertie, the boy who had taken me to the fair and won me the little black-and-white china dog that was in my suitcase now, carefully wrapped in my nightgown to prevent any chips.
”
”
Jacqueline Wilson (Little Stars (Hetty Feather Book 5))
“
Werner shyly. “Oh, come on, you didn’t already know?” With his glasses on, Frederick’s expression seems to ease; his face makes more sense—this, Werner thinks, is who he is. A soft-skinned boy in glasses with taffy-colored hair and the finest trace of a mustache needled across his lip. Bird lover. Rich kid. “I barely hit anything in marksmanship. You really didn’t know?” “Maybe,” says Werner. “Maybe I knew. How did you pass the eye exams?” “Memorized the charts.” “Don’t they have different ones?” “I memorized all four. Father got them ahead of time. Mother helped me study.” “What about your binoculars?” “They’re prescription. Cost a fortune.” They sit in a big kitchen at a butcher’s block with a marble cap. The maid named Fanni emerges with a dark loaf and a round of
”
”
Anthony Doerr (All the Light We Cannot See)
“
And they spoke of their Antigonie, who they called Go, as if she were a friend.
Leo hadn't yet written any music, but he had made drawings on butcher paper stolen from the kitchen. They curled around his walls, intricate doodles, extensions of the boy's own lean, slight body. The shape of Leo's jaw in profile, devestating. The way he gnawed his fingernails to the crescents, the fine shining hairs down the center of his nape, the smell of him, up close, pure and clean, bleaching.
The ones made for music are the most beloved of all. Their bodies a container for the spirit within; the best of them is music, the rest only instrument of flesh and bone.
The weather conspired. Snow fell softly in the windows. It was too cold to be out for long. The world colorless, a dreamscape, a blank page, the linger of woodsmoke on the back of the tongue.
”
”
Lauren Groff (Fates and Furies)
“
What do I give thanks for this Thanksgiving? The boys, and Shauna, and the veal meatballs the butcher rolls in bread crumbs and packs in waxed paper. I'm thankful for music and the taste of the little chocolate coffee cups from the cioccolateria Shauna found in Trastevere, and the heat from the radiator beside me, and for the pencil box Shauna bought me two days ago made out of handmade paper. I'm thankful that everything sweet is sweet because it is finite.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
And that’s all that’s left of him,” McDonald said. “His name. And he didn’t even come out of it with that for himself.” McDonald nodded, not looking at Andrews. “Sure, I know. I came out of it with nothing, too. Because I forgot what I learned a long time ago. I let the lies come back. I had a dream, too, and because it was different from yours and Miller’s, I let myself think it wasn’t a dream. But now I know, boy. And you don’t. And that makes all the difference.
”
”
John Williams (Butcher's Crossing)
“
Poem for My Father
You closed the door.
I was on the other side,
screaming.
It was black in your mind.
Blacker than burned-out fire.
Blacker than poison.
Outside everything looked the same.
You looked the same.
You walked in your body like a living man.
But you were not.
would you not speak to me for weeks
would you hang your coat in the closet without saying hello
would you find a shoe out of place and beat me
would you come home late
would i lose the key
would you find my glasses in the garbage
would you put me on your knee
would you read the bible to me in your smoking jacket after your mother died
would you come home drunk and snore
would you beat me on the legs
would you carry me up the stairs by my hair so that my feet never touch the bottom
would you make everything worse
to make everything better
i believe in god, the father almighty,
the maker of heaven, the maker
of my heaven and my hell.
would you beat my mother
would you beat her till she cries like a rabbit
would you beat her in a corner of the kitchen
while i am in the bathroom trying to bury my head underwater
would you carry her to the bed
would you put cotton and alcohol on her swollen head
would you make love to her hair
would you caress her hair
would you rub her breasts with ben gay until she stinks
would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot
would you come on the sheet while i am sleeping. later i look for the spot
would you go to embalming school with the last of my mother's money
would i see your picture in the book with all the other black boys you were the handsomest
would you make the dead look beautiful
would the men at the elks club
would the rich ladies at funerals
would the ugly drunk winos on the street
know ben
pretty ben
regular ben
would your father leave you when you were three with a mother who threw butcher knives at you
would he leave you with her screaming red hair
would he leave you to be smothered by a pillow she put over your head
would he send for you during the summer like a rich uncle
would you come in pretty corduroys until you were nine and never heard from him again
would you hate him
would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements
would you hate him for fucking the woman who gave birth to you
hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him
(bye bye
to the will of grandpa
bye bye to the family fortune
bye bye when he stompled that hat,
to the gold watch,
embalmer's palace,
grandbaby's college)
mother crying silently, making floating island
sending it up to the old man's ulcer
would grandmother's diamonds
close their heartsparks
in the corner of the closet
yellow like the eyes of cockroaches?
Old man whose sperm swims in my veins,
come back in love, come back in pain.
”
”
Toi Derricotte
“
You’re like a Boy Scout, huh?”
It’s my attempt at flirting—probably only slightly less effective than Dirty Dancing’s “I carried a watermelon.”
He does the mouth-quirk thing again.
“Not even close.”
There’s a bad-boy edge in the way he says it—a heavy hint of the forbidden—that gets my heart pounding and my jaw eager to drop.
To cover my reaction, I nod vigorously.
“Right, me neither . . . Never been a—”
Too vigorously.
So vigorously that my elbow slips in the flour on the counter and I almost knock myself unconscious. But Logan’s not only big and brawny—he’s quick. Fast enough to catch me by the arm and waist to steady me before I bash the side of my head against the butcher block.
“Are you all right, Ellie?”
He leans down, looking at me intently—a look I’ll see in my dreams tonight . . . assuming I can sleep. And, wow, Logan has great eyelashes. Thick and lengthy and midnight black. I bet they’re not the only part of him that’s thick and lengthy.
My gaze darts down to his promised land, where his pants are just tight enough to confirm my suspicions—this bodyguard may have a service revolver in his pocket, but he’s got a magnum in his pants.
Yum.
“Yeah, I’m good.” I sigh. “Just . . . you know . . . tired. But I’m cool . . . totally cool.”
And I shake it off, like I actually am
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
Mott glanced back to nod a hello at me. He and Cregan couldn’t have been designed to look more different from each other. Mott was tall, dark-skinned, and nearly bald. What little hair he did have was black and shaved to his scalp. He was the one by the tavern who’d tripped me when I was trying to escape the butcher. In contrast, Cregan was short — not much taller than I was, and shorter than the tanned boy near me. He was surprisingly pale for a man who likely spent much of his day outdoors, and he had a thick crop of blond hair that he tied back at the nape of his neck. Mott was lean and muscular while Cregan looked softer than I knew him to be, judging by the way he’d clubbed me at the orphanage.
”
”
Jennifer A. Nielsen (The False Prince (The Ascendance Trilogy, #1))
“
. . . everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather which we distinguish by the name of the Indian summer. The day, immeasurably long, sleeps over the broad hills and warm wide fields. To have lived through all its sunny hours, seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he takes into these precincts. Here is sanctity which shames our religions, and reality which discredits our heroes. Here we find Nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her. Nature, Ralph Waldo Emerson Aye, and poets send out the sick spirit to green pastures, like lame horses turned out unshod to the turf to renew their hoofs. A sort of yarb-doctors in their way, poets have it that for sore hearts, as for sore lungs, nature is the grand cure. But who froze to death my teamster on the prairie? And who made an idiot of Peter the Will Boy? The Confidence Man, Herman Melville
”
”
John Williams (Butcher's Crossing)
“
And the old man groaned, and beat his head
With his hands, and stretched out his arms
To his beloved son, Hector, who had
Taken his stand before the Western Gate,
Determined to meet Achilles in combat.
Priam's voice cracked as he pleaded:
"Hector, my boy, you can't face Achilles
Alone like that, without any support—
You'll go down in a minute. He's too much
For you, son, he won't stop at anything!
O, if only the gods loved him as I do:
Vultures and dogs would be gnawing his corpse.
Then some grief might pass from my heart.
So many fine sons he's taken from me,
Killed or sold them as slaves in the islands.
Two of them now, Lycaon and Polydorus,
I can't see with the Trojans safe in town,
Laothoë's boys. If the Greeks have them
We'll ransom them with the gold and silver
Old Altes gave us. But if they're dead
And gone down to Hades, there will be grief
For myself and the mother who bore them.
The rest of the people won't mourn so much
Unless you go down at Achilles' hands.
So come inside the wall, my boy.
Live to save the men and women of Troy.
Don't just hand Achilles the glory
And throw your life away. Show some pity for me
Before I go out of my mind with grief
And Zeus finally destroys me in my old age,
After I have seen all the horrors of war—
My sons butchered, my daughters dragged off,
Raped, bedchambers plundered, infants
Dashed to the ground in this terrible war,
My sons' wives abused by murderous Greeks.
And one day some Greek soldier will stick me
With cold bronze and draw the life from my limbs,
And the dogs that I fed at my table,
My watchdogs, will drag me outside and eat
My flesh raw, crouched in my doorway, lapping
My blood.
When a young man is killed in war,
Even though his body is slashed with bronze,
He lies there beautiful in death, noble.
But when the dogs maraud an old man's head,
Griming his white hair and beard and private parts,
There's no human fate more pitiable."
And the old man pulled the white hair from his head,
But did not persuade Hector.
”
”
Homer (The Iliad)
“
Baines told his son that children always got in the way of a marriage. Finding a state boarding school in England for Roland was good for everyone ‘all round’. Rosalind Baines, neé Morley, army wife, child of her times, did not chafe or rage against her powerlessness or sulk about it. She and Robert had left school at fourteen. He became a butcher’s boy in Glasgow, she was a chambermaid in a middle-class house near Farnham. A clean and ordered home remained her passion. Robert and Rosalind wanted for Roland the education they had been denied. This was the story she told herself. That he might have attended a day school and stayed with her was an idea she must have dutifully banished. She was a small nervous woman, a worrier, very pretty, everyone agreed. Easily intimidated, fearful of Robert when he drank, which was every day. She was at her best, her most relaxed, in a long heart-to-heart with a close friend. Then she told stories and laughed easily, a light and liquid sound that Captain Baines himself rarely heard. Roland was one of her close friends. In the holidays, when they did the housework together, she told stories of her childhood in the village of Ash, near the garrison town of Aldershot. She and her brothers and sisters used to brush their teeth with twigs. Her employer gave her her first toothbrush. Like so many of her generation she lost all her teeth in her early twenties. In newspaper cartoons people in bed were often shown with their false teeth in a glass of water on the bedside table. She was the oldest of five and spent much of her childhood minding her sisters and brothers. She was closest to her sister Joy who still lived near Ash. Where was their mother when Rosalind was minding the children? Her reply was always the same, a child’s view unrevised in adulthood: your granny would take the bus to Aldershot and spend the day window-shopping. Rosalind’s mother fiercely disapproved of make-up. In her teens, on rare nights out, Rosalind would meet her friend Sybil and together they
”
”
Ian McEwan (Lessons)
“
Come, get out of the way, boys
Quick, get out of the way
You'd better watch what you say, boys
Better watch what you say
We've rammed in your harbor and tied to your port
And our pistols are hungry and our tempers are short
So bring your daughters around to the port
'Cause we're the Cops of the World, boys
We're the Cops of the World
We pick and choose as please, boys
Pick and choose as please
You'd best get down on your knees, boys
Best get down on your knees
We're hairy and horny and ready to shack
We don't care if you're yellow or black
Just take off your clothes and lie down on your back
'Cause we're the Cops of the World, boys
We're the Cops of the World
Our boots are needing a shine, boys
Boots are needing a shine
But our Coca-cola is fine, boys
Coca-cola is fine
We've got to protect all our citizens fair
So we'll send a battalion for everyone there
And maybe we'll leave in a couple of years
'Cause we're the Cops of the World, boys
We're the Cops of the World
Dump the reds in a pile, boys
Dump the reds in a pile
You'd better wipe of that smile, boys
Better wipe off that smile
We'll spit through the streets of the cities we wreck
We'll find you a leader that you can't elect
Those treaties we sighned were a pain in the neck
'Cause we're the Cops of the World, boys
We're the Cops of the World
Clean the johns with a rag, boys
Clean the johns with a rag
If you like you can use your flag, boys
If you like you can use your flag
We've got too much money we're looking for toys
And guns will be guns and boys will be boys
But we'll gladly pay for all we destroy
'Cause we're the Cops of the World, boys
We're the Cops of the World
Please stay off of the grass, boys
Please stay off of the grass
Here's a kick in the ass, boys
Here's a kick in the ass
We'll smash down your doors, we don't bother to knock
We've done it before, so why all the shock?
We're the biggest and toughest kids on the block
'Cause we're the Cops of the World, boys
We're the Cops of the World
When we butchered your son, boys
When we butchered your son
Have a stick of our gum, boys
Have a stick of our buble-gum
We own half the world, oh say can you see
The name for our profits is democracy
So, like it or not, you will have to be free
'Cause we're the Cops of the World, boys
We're the Cops of the World
”
”
Phil Ochs
“
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with.
“Now, then,” he said. “We can do this the easy way, or we can make things difficult.”
With a soft snort, she turned her head. It was as if he’d ceased to exist.
Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored.
“Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.”
Though she spoke not a word, her reply was clear: You can kiss my great woolly arse.
Confounded sheep.
“Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?”
Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons.
“Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.”
Bram gestured at the surrounding landscape. “There is no other road.”
They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France.
So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything.
Except sheep. Blast it. It would seem they were stopping for sheep.
A rough voice said, “I’ll take care of them.”
Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle.
“We can’t simply shoot them, Thorne.”
Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.”
“We can’t butcher them, either.”
Thorne shrugged. “I’m hungry.”
Yes, that was Thorne-straightforward, practical. Ruthless.
“We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.”
Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Even angels need angels,” she whispered. “And sometimes devils too.
”
”
Michael Robb Mathias (The Butcher's Boy)
“
BEING A woman can be such a contradiction. We’re told to be independent, strong, and self-assured, yet we’re shepherded by those same people toward a preconceived ideal of happiness. We’re encouraged to ‘find the one’, ‘settle down’ and ‘raise a family.’ We're encouraged to submit and obey, and to set aside any dreams we may have had for ourselves in the name of putting everybody else in our lives first.
”
”
Max Henry (Devil You Know (Butcher Boys, #1))
“
Why?” I asked him quietly. “Why were you taking essence from the boy?” “H-he… He had so much. I didn’t think it would hurt him and I…” He cringed back from me as he spoke the last words. “I…needed to grow some hair.” I blinked my eyes slowly. Twice. “Did you say…hair?” “Rogaine didn’t work!” he all but wailed. “And that transplant surgery wasn’t viable for my hair and skin type!” He bowed his head and ran fingertips through his thick head of hair. “Look, see? Look how well it’s come in. But if I don’t maintain it…” “You…used black magic. To grow hair.” “I…” He looked everywhere but at me. “I tried everything else first. I never meant
”
”
Jim Butcher (Working for Bigfoot (The Dresden Files #11.4))
“
Mr. Polly went into the National School at six and he left the private school at fourteen, and by that time his mind was in much the same state that you would be in, dear reader, if you were operated upon for appendicitis by a well-meaning, boldly enterprising, but rather over-worked and under-paid butcher boy, who was superseded towards the climax of the operation by a left-handed clerk of high principles but intemperate habits,—that is to say, it was in a thorough mess.
”
”
H.G. Wells (The History of Mr. Polly)
“
The definition for the “Poop Deck” as found in nautical books would lead you to believe that the name was derived from the French word for the stern of the ship, la poupe which in turn was derived from the Latin puppis. On sailing ships this deck was higher than the main deck, making it ideal to navigate from. It also was where the binnacle and ship’s wheel were located for the helmsman. The deck of the poop deck formed the roof or overhead of the Captain’s cabin making it convenient for the Captain to reach. His after cabin was frequently irreverently referred to as the “poop cabin!”
As wooden ships with iron men were replace with wooden men on iron ships, the navigational functions, with the exception of setting the sails, were moved to the bridge. According to my father who was a ship’s cook in the early 1920’s, the term poop deck remained, but took on a totally different meaning. During the turn of the last century, with coal fired reciprocating steam engines replacing wind and sails, this rear deck was where animals were kept to be butchered for food. Salted meat packed in barrels and the lack of fresh vegetables was the frequent cause of constipation and even worse scurvy. Many ships of that era, and before, didn’t yet have refrigeration and this was the way they continued to have fresh meat. A cabin boy tended to the chickens, pigs, lambs and goats and it was up to the butcher or cooks to slaughter and quarter them. Of course the deck nearest the stern was ideal for this, leaving the ensuing smell behind in the wake of the ship.
Seldom is the term “Poop Deck” used now since with the advent of cruise ships nautical terms are fading. Bunks have become beds, cabins became staterooms and the head is now the restroom. Oh, what has become of the days of yore?
”
”
Hank Bracker
“
he said. But he also
”
”
Thomas Perry (Sleeping Dogs (Butcher's Boy #2))
“
War is not an art, boy. Send a hundred men over a hill and know that they won’t make it. Hold a drummer boy, cut open from groin to neck, guts spilling out as he cries for his mother, telling him it’s going to be all right. Make him believe you. Be his commanding officer, his god. Let him let his guard down and be kind enough to snap his neck. War is butchery. And I am the better butcher.
”
”
Alex Avrio (The Alchemist's Box (Merchant Blades #1))
“
Temptations came to him, in middle age, tentatively and without insistence, like a neglected butcher-boy who asks for a Christmas box in February for no more hopeful reason that than he didn’t get one in December. He had no more idea of succumbing to them than he had of purchasing the fish-knives and fur boas that ladies are impelled to sacrifice through the medium of advertisement columns during twelve months of the year. Still, there was something impressive in this unasked-for renunciation of possibly latent enormities.
”
”
Saki (Reginald in Russia and Other Sketches)
“
They’d be sitting somewhere out of sight waiting for him to turn the key and blow himself into a hundred thousand spoonfuls of hamburger.
”
”
Thomas Perry (The Butcher's Boy (Butcher's Boy, #1))
“
Even though there was nobody behind her, and nobody across from her, and anyone coming down the road could see that her only choices were to turn right or rise into the air like a dirigible, she had her turn signal blinking. She was E.V. Waring, without a doubt. There was no particular reason to switch the signal on, but no particular reason not to, and it made more sense to use up one ten-thousandth of the life of a forty-cent bulb than to surprise a pedestrian she hadn’t seen. The engraving should have said, “E. V. Waring, No Fool.
”
”
Thomas Perry (Sleeping Dogs (Butcher's Boy #2))
“
This was what the old gangster in the California prison had been trying to describe to Elizabeth Waring. The tape-recorder team in New York had managed to stumble on a man who had never done anything for a living except kill people. He had been doing it for, say, twenty years, and he had gotten pretty good at it.
”
”
Thomas Perry (Sleeping Dogs (Butcher's Boy #2))
“
Grieve for your friend, but never blame yourself. You did not kill the butcher's boy. That murder lies at the Hound's door, him and the cruel woman he serves.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
Her back is torn open like a great cat has used her spine for a scratching post. Long stripes of split flesh crisscross from shoulder to hip, some thin as a razor, others open wide enough to reveal folds of tissue in pinks and reds that I’ve only seen at the butcher. The whip took skin and cloth, leaving both her body and dress in shreds. A human did this to another human. Some boy did this to Abby over some perceived slight. She ran for help and no one gave it to her. They handed her over to a boy who tore her body open and left her for dead. Fury builds in me like venom. A sharp, dangerous feeling I’ve never felt about someone I haven’t met. “Carr.” Patricia nods. “His monument is on the quad.” “His monument?” I turn to her, enraged that this monster is honored at Carolina or anywhere else. She sighs heavily. “Everything has two histories. Especially in the South.
”
”
Tracy Deonn (Legendborn (Legendborn, #1))
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For those who lack the classical education of New York’s early butchers and bakers, Xanthippe was Socrates’ wife, and has gone down in history as an atrocious nag. Socrates’ equanimity in enduring (ignoring) her is regularly held out as a proof of his nobility of character. Graves begins by pointing out: why is it that for two thousand years, no one seems to have asked what it might have actually been like to be married to Socrates? Imagine you were saddled with a husband who did next to nothing to support a family, spent all his time trying to prove everyone he met was wrong about everything, and felt true love was only possible between men and underage boys? You wouldn’t express some opinions about this? Socrates has been held out ever since as the paragon of a certain unrelenting notions of pure consistency, an unflinching determination to follow arguments to their logical conclusions, which is surely useful in its way--but he was not a very reasonable person, and those who celebrate him have ended up producing a "mechanized, insensate, inhumane, abstract rationality" that has done the world enormous harm. Graves writes that as a poet, he feels no choice but to identify himself more with those frozen out of the "rational" space of Greek city, starting with women like Xanthippe, for whom reasonableness doesn’t exclude logic (no one is actually *against* logic) but combines it with a sense of humor, practicality, and simple human decency.
With that in mind, it only makes sense that so much of the initiative for creating new forms of democratic process--like consensus--has emerged from the tradition of feminism, which means (among other things) the intellectual tradition of those who have, historically, tended not to be vested with the power of command. Consensus is an attempt to create a politics founded on the principle of reasonableness--one that, as feminist philosopher Deborah Heikes has pointed out, requires not only logical consistency, but "a measure of good judgment, self-criticism, a capacity for social interaction, and a willingness to give and consider reasons." Genuine deliberation, in short. As a facilitation trainer would likely put it, it requires the ability to listen well enough to understand perspectives that are fundamentally different from one’s own, and then try to find pragmatic common ground without attempting to convert one’s interlocutors completely to one’s won perspective. It means viewing democracy as common problem solving among those who respect the fact they will always have, like all humans, somewhat incommensurable points of view.
(p. 201-203)
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David Graeber (The Democracy Project: A History, a Crisis, a Movement)
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Andy Anderson was able to redraw the meatpacking business in part because he was new to the industry2. He was a city boy, whose first job in the meat business was in an urban butcher shop, not a slaughterhouse. This last part helps explain perhaps the most important innovation behind IBP, the one that made the grocery store butchers loathe the company. Just like Tyson, IBP figured out that it could butcher meat more efficiently at its meat factories than butchers could do in their stores. IBP was the first company to popularize a product called “boxed beef.” Rather than ship whole carcasses to retail locations, like the other meatpackers, IBP cut up the cattle along a factory line. It bagged the parts in airtight packages and shipped them in boxes in refrigerated trucks. Boxes, needless to say, could be stacked in a truck a lot more neatly than carcasses. IBP didn’t ship the parts of a cow that butchers cut off and threw away. Boxed beef was the most efficient way to ship beef, and IBP had developed its own shipping network to do it, saving money every step of the way. Boxed beef drove butchers out of business and caused many of them to launch boycotts against IBP. But the boycotts were pointless. The American appetite for convenience made boxed beef a fixture in all the big retail chains during the 1960s and 1970s. Beef finally started to catch up with chicken as something that could be plucked off the shelf and cooked in a hurry.
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Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
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He liked her stories for the same reason she told them—they should have happened.
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Thomas Perry (The Informant (Butcher's Boy, #3))
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On the theme of the bewilderment of ordinary people when confronted by speakers of Ottoman, there is the tale of the sarrkli hoca (the turbanned cleric), who, wishing to buy some mutton, addresses a butcher's boy with the words Ty sagird-i l:assab, lahm-i ganeniden bitki ve bilvexin band 'ita cyler misin?' (0 apprentice of the butcher, wilt thou bestow on me one oke avoirdupois of ovine flesh?). The perplexed boy can only reply 'Amin!' (Amen!).
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Geoffrey Lewis (The Turkish Language Reform: A Catastrophic Success (Oxford Linguistics))