Bus Driving Quotes

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THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL 1. We are here to help you. 2. You will have time to get to your class before the bell rings. 3. The dress code will be enforced. 4. No smoking is allowed on school grounds. 5. Our football team will win the championship this year. 6. We expect more of you here. 7. Guidance counselors are always available to listen. 8. Your schedule was created with you in mind. 9. Your locker combination is private. 10. These will be the years you look back on fondly. TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL 1. You will use algebra in your adult lives. 2. Driving to school is a privilege that can be taken away. 3. Students must stay on campus during lunch. 4. The new text books will arrive any day now. 5. Colleges care more about you than your SAT scores. 6. We are enforcing the dress code. 7. We will figure out how to turn off the heat soon. 8. Our bus drivers are highly trained professionals. 9. There is nothing wrong with summer school. 10. We want to hear what you have to say.
Laurie Halse Anderson (Speak)
Hey, you feel like driving today?" he asks. "I don't want to walk to the bus stop. It's too cold." "You feel like dying today?" "Sure. I like risking my life. Keeps things in perspective.
Cynthia Hand (Unearthly (Unearthly, #1))
I bet your mom would let me." -Pigeon, Don't Let the Pigeon Drive the Bus-
Mo Willems (Don't Let the Pigeon Drive the Bus!)
But the teacher had been right about one thing: violence breeds. Someone pulls a trigger, sets off a bomb, drives a bus full of tourists off a bridge, and what's left in the wake isn't just she'll casings, wreckage, bodies. There's something else. Something bad. An aftermath. A recoil. A reaction to all that anger and pain and death.
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
Through thick and thin, we're brothers to the bitter end. And if you're going to hell, buddy, I'm driving the bus.
Sherrilyn Kenyon (Born of Silence (The League, #5))
The way Theranos is operating is like trying to build a bus while you’re driving the bus. Someone is going to get killed.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
I mean, I knew I wasn't a nice person, but what did I do in my past life to deserve this? I must have hit a bus full of nuns while driving a stolen car on my way to selling drugs to schoolchildren!
Joss Whedon
This might be the last time you get to drive the beef bus to tuna town,” I say. “You’d better make it good, so I don’t have any excuses to forget your hot ass.
Kendall Grey (Strings (Hard Rock Harlots, #1))
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt. God, our knees touching isn't enough. I need more. She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life. I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand. She doesn't seem fazed so I move closer. And closer. When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails. I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus. When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one. With a slight shift of my hand, I lace my fingers through hers. I'm holding hands. With Maggie Armstrong. I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them? The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
He always cared for her. He always loved her. He’s madly in love with her. She’s his Love, Actually. She’s his Casablanca. She’s the one he’d stop the bus for, the one he’d run through traffic for, the one he’d drive like a crazy man to the airport for and run through the terminal to stop the plane. Her name’s above the title for him. She’s the opening credit and the closing credit. She’s the love of his life.
Lauren Blakely (Caught Up in Us (Caught Up in Love, #1))
The bus driver gave me a why-the-hell-aren't-you-at-school look and I gave him a shut-up-you're-a-bus-driver-so-bus-drive look right back.
Daniel Handler (The Basic Eight)
Really? If I could hate my trainer? That would be ideal. I'd prefer to despise this person with the fire of ten thousand suns. So when I walk - nay, crawl - out of here at the end of my workouts, I want to lull myself to sleep by picturing my very talented and inspirational trainer getting hit by a bus. A bus that I am driving.
Jen Lancaster (Bright Lights, Big Ass)
Please, don’t drive a school bus blindfolded.
Nassim Nicholas Taleb
Sometimes a bus ride was all it took to feel better.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
Nothing about this scene is right, but at this point, I’m so full of wrong, I’ll do whatever they want and ask myself for forgiveness later. I’m driving the bus to hell anyway. May as well take a little vacation while I’m in town.
Kendall Grey (Beats (Hard Rock Harlots, #2))
First Who ... Then What. We expected that good-to-great leaders would begin by setting a new vision and strategy. We found instead that they first got the right people on the bus, the wrong people off the bus, and the right people in the right seats—and then they figured out where to drive it. The old adage “People are your most important asset” turns out to be wrong. People are not your most important asset. The right people are.
Jim Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
8 A.M., Winifred Chapman got off the bus at the intersection of Santa Monica and Canyon Drive. A light-skinned black in her mid-fifties, Mrs. Chapman was the housekeeper at 10050 Cielo, and she was upset because, thanks
Vincent Bugliosi (Helter Skelter)
You know this girl. Her hair is neither long nor short nor light nor dark. She parts it precisely in the middle. She sits precisely in the middle of the classroom, and when she used to ride the school bus, she sat precisely in the middle of that, too. She joins clubs, but is never the president of them. Sometimes she is the secretary; usually, just a member. When asked, she has been known to paints sets for the school play. She always has a date to the dance, but is never anyone’s first choice. In point of fact, she’s nobody’s first choice for anything. Her best friend became her best friend when another girl moved away. She has a group of girls she eats lunch with every day, but God, how they bore her. Sometimes, when she can’t stand it anymore, she eats in the library instead. Truth be told, she prefers books to people, and the librarian always seems happy to see her. She knows there are other people who have it worse—she isn’t poor or ugly or friendless or teased. Of course, she’s also aware that the reason no one teases is because no one ever notices her. This isn’t to say she doesn’t have qualities. She is pretty, maybe, if anyone would bother to look. And she gets good enough grades. And she doesn’t drink and drive. And she says NO to drugs. And she is always where she says she will be. And she calls when she’s going to be late. And she feels a little, just a little, dead inside. She thinks, You think you know me, but you don’t. She thinks, None of you has any idea about all the things in my heart. She thinks, None of you has any idea how really and truly beautiful I am. She thinks, See me. See me. See me. Sometimes she thinks she will scream. Sometimes she imagines sticking her head in an oven. But she doesn’t. She just writes it all down in her journal and waits. She is waiting for someone to see.
Gabrielle Zevin (Love Is Hell)
You ever think how the most minor decision can change the entire direction of your life? Like, say you miss your bus one morning, so you buy that second cup of coffee, buy a scratch ticket while you're at it. The scratch ticket hits. Suddenly you don't have to take the bus anymore. You drive to work in a Lincoln. But you get in a car crash and die. All because you missed your bus one day. I'm just saying there are threads, okay? Threads in our lives. You pull one, and everything else gets affected.
Dennis Lehane (Mystic River)
David drives back to Björnstad. Sits in the car and cries in anger. He is ashamed. He is disgusted. With himself. For an entire hockey life he has trained a boy, loved him like a son, been loved back as a father. There is no player as loyal as Benji. No bigger heart than his. How many times has David hugged number sixteen after a game and told him that? "You are the bravest bastard I know, Benji." The bravest bastard I know. " And after all those hours in locker rooms, all those nights in the bus, all the conversations and blood, sweat and tears, the boy didn't dare tell his coach his greatest secret. It's a betrayal, David knows it's a terrible betrayal. There is no other way to explain how much a grown man must have failed for such a warrior of a boy to make him think his coach would be less proud of him if he was gay. David hates himself for not being better than his father. For that is a son's job.
Fredrik Backman (Beartown (Beartown, #1))
My books are all essentially about ‘what ifs’. In Black Fang I asked: What if a rat could drive a bus? And what if it and its rat brethren took over and ate Parliament?
Garth Marenghi
I don't hate anyone. but if someone I knew ever got hit by a bus... I'd probably be driving it.
José N. Harris (Mi Vida)
I feel like I might not be driving the bus of my consciousness," I said.
John Green (Turtles All the Way Down)
The morning of the game, I'd woken up in my rez house so my dad could drive me the twenty-two miles to Reardan, so I could get on the team bus for the ride back to the reservation. Crazy.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
But I’m going to need you to love me on the bus, dude. And first thing in the morning. Also, when I’m drunk and refuse to shut up about getting McNuggets from the drive-thru. When I fall asleep in the middle of that movie you paid extra to see in IMAX. When I wear the flowered robe I got at Walmart and the sweatpants I made into sweatshorts to bed. When I am blasting “More and More” by Blood Sweat & Tears at seven on a Sunday morning while cleaning the kitchen and fucking up your mom’s frittata recipe. When I bring a half dozen gross, mangled kittens home to foster for a few nights and they shit everywhere and pee on your side of the bed. When I go “grocery shopping” and come back with only a bag of Fritos and five pounds of pork tenderloin. When I’m sick and stumbling around the crib with half a roll of toilet paper shoved in each nostril. When I beg you fourteen times to read something I’ve written, then get mad when you tell me what you don’t like about it and I call you an uneducated idiot piece of shit. Lovebird city.
Samantha Irby (We Are Never Meeting in Real Life.)
Just as Sarah Keeler had taught me that children die, Wendy taught me that you don't have to wade through the insanity; you can get off the bus. This scared me so much that a sweaty panic swept over me. From that moment on I knew it was possible to end my own life. (157)
Monica Holloway (Driving with Dead People)
Now that music is faithfully reproducible, musicians are not needed as once they were. And music itself has changed. Though small cadres of classicists keep the sacred and ineffable alive, they are under siege by coarse generations whose music is hardly as musical as a bus engine or a chain saw. Something must have occurred during their mothers' pregnancies. How else is it possible to explain that playing Bach keeps them away from public spaces the way iron spikes drive pigeons from cathedral ledges?
Mark Helprin
Really? We are being herded on a bus to drive across town to an all-boy academy where we disembark and join our lonely counterparts on a dance floor. Sounds like a scorecard situation to me.
Adriana Trigiani (Viola in Reel Life (Viola #1))
And somehow I had always resisted driving very slowly back and forth in front of his house. Willpower? No. I figured his front gate was equipped with security cameras and I would just be embarrassing myself. And this street was definitely not on the bus line.
Jennifer Echols (The Ex Games)
You and I are cobbled out of carbon cells that were once other things entirely. We could have a carbon cell in one of our elbows that was once part of a trilobite's tail. Or a cell from Atilla the Hun's moustache in our eye. Or an ancient lotus petal in our tonsils.
Craig Davidson (Precious Cargo: My Year of Driving the Kids on School Bus 3077)
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL 1. You will use algebra in your adult lives. 2. Driving to school is a privilege that can be taken away. 3. Students must stay on campus during lunch. 4. The new text books will arrive any day now. 5. Colleges care more about you than your SAT scores. 6. We are enforcing the dress code. 7. We will figure out how to turn off the heat soon. 8. Our bus drivers are highly trained professionals. 9. There is nothing wrong with summer school. 10. We want to hear what you have to say.
Laurie Halse Anderson (Speak)
You hear stories like that all your life and think: cool, a ghost bus. But now we have to look at this stuff analytically... a ghost bus?! The “ghost” of a motor vehicle? A public conveyance, presumably, which didn't head towards the light, move on to join the choir invisible in... bus heaven, the great terminus in the sky, where all good buses go when they... I don't know, break down, but instead is doomed to … drive eternally the streets of Earth! How can there be a ghost bus?!
Paul Cornell (London Falling (Shadow Police, #1))
Consider a white ninth-grade student taking American history in a predominantly middle-class town in Vermont. Her father tapes Sheetrock, earning an income that in slow construction seasons leaves the family quite poor. Her mother helps out by driving a school bus part-time, in addition to taking care of her two younger siblings. The girl lives with her family in a small house, a winterized former summer cabin, while most of her classmates live in large suburban homes. How is this girl to understand her poverty? Since history textbooks present the American past as four hundred years of progress and portray our society as a land of opportunity in which folks get what they deserve and deserve what they get, the failures of working-class Americans to transcend their class origin inevitably get laid at their own doorsteps.
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
Meditation has nothing to do with achieving a result. It is not a matter of breathing in a particular way, or looking at your nose, or awakening the power to perform certain tricks, or any of the rest of that immature nonsense…. Meditation is not something apart from life. When you are driving a car or sitting in a bus, when you are chatting aimlessly, when you are walking by yourself in a wood or watching a butterfly being carried along by the wind—to be choicelessly aware of all that is part of meditation.
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
You’re taking the bus around Burbank?” Lester said. “Christ, Perry, this is Los Angeles. Even homeless people drive cars.
Cory Doctorow (Makers)
Things seem to happen so easily and smoothly for Megan all the time, while I drive the struggle bus.
Carian Cole (Don't Kiss the Bride)
They would not get closer to the truth that night. They watched a period of hockey in silence. Winkler insisted on doing the dishes. Herman insisted on driving him to the bus stop.
Anthony Doerr (About Grace)
You must be a rich man," she said. "Not much of a warrior, though. You keep letting me sneak up on you." You don't surprise me," he said. "The Plains Indians had women who rode their horses eighteen hours a day. They could shoot seven arrows consecutively, have them all in the air at the same time. They were the best light cavalry in the world." Just my luck," she said. "An educated Indian." Yeah," he said. "Reservation University." They both laughed at the old joke. Every Indian is an alumnus. Where you from?" she asked. Wellpinit," he said. "I'm a Spokane." I should've known. You got those fisherman's hands." Ain't no salmon left in our river. Just a school bus and a few hundred basketballs." What the hell you talking about?" Our basketball team drives into the river and drowns every year," he said. "It's a tradition." She laughed. "You're just a storyteller, ain't you?" I'm just telling you things before they happen," he said. "The same things sons and daughters will tell your mothers and fathers." Do you ever answer a question straight?" Depends on the question," he said. Do you want to be my powwow paradise?
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
For some of the kids on my bus, the deviation is so small: an imperfection in the DNA strand so tiny that an electron microscope cranked to 100,000X magnification shows but a shadow. A knot of rogue atoms. Weightless. A body forms itself around that anomaly, and next comes a life, and the lives of that person's family.
Craig Davidson (Precious Cargo: My Year of Driving the Kids on School Bus 3077)
There is a bus station in Henry, but it isn't on Main Street. It's one block north - the town fathers hadn't wanted all the additional traffic. The station lost one-third of its roof to a tornado fifteen years ago. In the same summer, a bottle rocket brought the gift of fire to its restrooms. The damage has never been repaired, but the town council makes sure that the building is painted fresh every other year, and always the color of a swimming pool. There is never graffiti. Vandals would have to drive more than twenty miles to buy the spray paint. Every once in a long while, a bus creeps into town and eases to a stop beside the mostly roofed, bright aqua station with the charred bathrooms. Henry is always glad to see a bus. Such treats are rare.
N.D. Wilson (100 Cupboards (100 Cupboards, #1))
We are caught in a growth trap. This is the problem with no name or face, the frustration so many feel. It is the logic driving the jobless recovery, the low-wage gig economy, the ruthlessness of Uber, and the privacy invasions of Facebook.
Douglas Rushkoff (Throwing Rocks at the Google Bus: How Growth Became the Enemy of Prosperity)
The total average cost of driving, including depreciation, maintenance, and insurance, runs about 61 cents a mile, and since the average automobile used for commuting to work contains only 1.1 people, every commute costs a little more than 55 cents per passenger mile. This means that, if you’re an automobile commuter traveling twenty-five miles each way to work, you’re spending around $30 a day for the privilege, not including the cost, if there is one, to park. You’re also spending an hour every day for which, unless you’re a cabbie or bus driver yourself, you’re not getting paid, and during which you’re not doing anything productive at all. For the average American, that’s another $24. In transportation, time really is money.
Samuel I. Schwartz (Street Smart: The Rise of Cities and the Fall of Cars)
The folks contributing their automobiles and driving labor to Uber, or their property and hosting to Airbnb, make less than minimum-wage employees and don’t own a piece of the company even though they constitute the infrastructure. Only money talks.
Douglas Rushkoff (Throwing Rocks at the Google Bus: How Growth Became the Enemy of Prosperity)
For the past half century, we’ve approached the poverty question by attending to the poor themselves—posing questions about their work ethic, say, or their welfare benefits—when we should have been focusing on the fire. The question that should serve as a looping incantation, the one we should ask every time we drive past a tent encampment, those tarped American slums smelling of asphalt and bodies, every time we see someone asleep on the bus, slumped over in work clothes, is simply: Who benefits? Not Why don’t you find a better job? or Why don’t you move? or Why don’t you stop taking out such bad loans? but Who is feeding off this?
Matthew Desmond (Poverty, by America)
In case you haven’t already guessed, I reject that form of legal analysis. A 5–4 ruling on the Supreme Court directly affects the likelihood of me getting shot to death by the police while driving to the store. It directly affects whether my kids can walk to the bus stop unmolested and unafraid of the cops driving by. I refuse to pretend to be intellectually dispassionate about such things. I refuse to act as if second-class status within my own country is one option among many. My “emotion chip” is fully operational.
Elie Mystal (Allow Me to Retort: A Black Guy’s Guide to the Constitution)
PRETEND YOU ARE DRIVING a car in the middle of a thunderstorm and you happen upon three people on the side of the road. One of them is a frail old woman, who looks on the verge of collapse. Another is a friend who once saved your life. The other is the romantic interest of your dreams, and this is a once-in-a-lifetime opportunity to meet him or her. You have only one other seat in the car. Who do you pick up? There’s a good reason to choose any of the three. The old woman needs help. The friend deserves your payback. And clearly, a happy future with the man or woman of your dreams will have an enormous long-term impact on your life. So, who should you pick? The old woman, of course. Then, give the car keys to your friend, and stay behind with the romantic interest to wait for the bus!
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
What is that feeling when you’re driving away from people and they recede on the plain till you see their specks dispersing?—it’s the too-huge world vaulting us, and it’s good-by. But we lean forward to the next crazy venture beneath the skies. —JACK KEROUAC, On the Road
Ivan Doig (Last Bus to Wisdom)
I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.” My eyes fly open. “That’s all I get?” Smugly he says, “You said earlier that I’m not that good at kissing, remember?” “I was kidding!” He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous. I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.” I run back to his car, I pull him toward me by his shirt, and angle my face against his— and then I push him away and run backward, laughing, my hair whipping around my face. “Covey!” he yells. “That’s what you get!” I call back gleefully. “See you on the bus tomorrow!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
He needed Javier to be the calm one so that he could freak out. They couldn’t both be freaking out at the same time. Somebody had to drive this struggle bus.
Onley James (Domesticated Beast (Time Served, #3))
Love rarely comes up; why would it? But it comes up here, in this for-profit exhibition. Here it is the ultimate message, the final solution. That the Holocaust drives home the importance of love is an idea, like the idea that Holocaust education prevents antisemitism, that seems entirely unobjectionable. It is entirely objectionable. The Holocaust didn’t happen because of a lack of love. It happened because entire societies abdicated responsibility for their own problems, and instead blamed them on the people who represented—have always represented, since they first introduced the idea of commandedness to the world—the thing they were most afraid of: responsibility. Then as now, Jews were cast in the role of civilization’s nagging mothers, loathed in life, and loved only once they are safely dead. In the years since I walked through Auschwitz at fifteen, I have become a nagging mother. And I find myself furious, being lectured by this exhibition about love—as if the murder of millions of people was actually a morality play, a bumper sticker, a metaphor. I do not want my children to be someone else’s metaphor. (Of course, they already are.) My husband’s grandfather once owned a bus company in Poland. Like my husband
Dara Horn (People Love Dead Jews: Reports from a Haunted Present)
Coming into River City by bus would not have been my first choice. I didn’t have much choice in the way of travel unless I wanted to drive and that’s a task I hate doing, especially interstate. The equipment
Frank Zafiro (Some Degree of Murder (River City Crime #5))
What’s not to love about being expertly lit and drunk at two in the afternoon? But I’m going to need you to love me on the bus, dude. And first thing in the morning. Also, when I’m drunk and refuse to shut up about getting McNuggets from the drive-thru. When I fall asleep in the middle of that movie you paid extra to see in IMAX. When I wear the flowered robe I got at Walmart and the sweatpants I made into sweatshorts to bed.
Samantha Irby (We Are Never Meeting in Real Life.)
Then I shower the Enemy with a one-two punch of Long Island radiation and Gowanus toxic waster, which burn it like acid. It screams again in pain and disgust, but Fuck you, you don't belong here, this city is mine, get out! to drive this lesson home, I cut the bitch with LIRR traffic, long viscous honking lines; and to stretch out its pain, I salt these wounds with the memory of a bus ride to LaGuardia and back. And just to add insult to injury? I backhand its ass with Hoboken, raining the drunk rage of ten thousand dudebros down on it like the hammer of God. Port Authority makes it honorary New York, motherfucker; you just got Jerseyed.
N.K. Jemisin (The City We Became (Great Cities, #1))
With words and tears she has amputated something form me. I gave her the intimate importance of me, and her bus pulled away, leaving something key of mine inside her like the weapon of a bee. All I want to do now is drive very away, to bleed.
David Foster Wallace (Girl with Curious Hair)
People disappear every day. The man standing in line at Starbucks, buying his last cup of coffee before he gets in his car and drives into a new life, leaving behind family who will always wonder what happened. Or the woman sitting in the lat row of a Greyhound bus, staring out the window as the wind blows strands of hair across her face, wiping away a history to heavy to carry. You might be shoulder to shoulder with someone living their last moments as themselves and never know it.
Julie Clark (The Last Flight)
TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL 1. You will use algebra in your adult lives. 2. Driving to school is a privilege that can be taken away. 3. Students must stay on campus for lunch. 4. The new textbooks will arrive any day now. 5. Colleges care about more than your SAT scores. 6. We are enforcing the dress code. 7. We will figure out how to turn off the heat soon. 8. Our bus drivers are highly trained professionals. 9. There is nothing wrong with summer school. 10. We want to hear what you have to say.
Laurie Halse Anderson (Speak)
Expending energy trying to motivate people is largely a waste of time,” Collins wrote in Good to Great. “If you have the right people on the bus, they will be self-motivated. The real question then becomes: How do you manage in such a way as not to de-motivate people?
Daniel H. Pink (Drive: The Surprising Truth About What Motivates Us)
Art is supposed to reflect your journey through real life. Your discovery of your character in solitude and around other people, the moments of clarity when you feel loved and the moment when your heart breaks so much that you can hear it crack. When you run careless and free on open fields and when you're struggling on your way home on the bus. This is what makes you a real artist. Experiences, moments, stories. Falling recklessly in love, losing someone you love and then learning to belong to yourself again. Going to new places, meeting new people, driving in the middle of the night on empty streets. Going to the ocean and staying there until 6 a.m, smoking cigarettes and talking about roses and butterflies. These are the things that will give you something worth writing about, worth singing about, worth creating art around.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Wow.You two seem to be right as rain again," Cole said from behind us. I could hear the undercurrent of rage beneath his voice. "I hate to interrupt this sudden case of the touchy-feelies, but with the three of us standing here, it almost feels like that spring day so long ago.Almost as if Jack hand't left for camp.Almost as if Jack had nothing to do with you going under,Nik." Jack winced, but he kept his eyes on me. "You should've seen her.Did you know that when she left your dorm that night, she came straight to me? Begged to go with me. Barely able to breathe for the pain." He enunciated each word. I studied Jack's face and shook my head. Jack dropped his arm from my shoulders. "You never let me explain. I ran to you,but you drove off.You didn't trust me." There was silence for a few long moments. "Would either of you care to know my opinion?" Cole said. "Shut up," we replied at the same time. Cole shrugged. "You know where to find me." He turned and walked across the parking lot to the sidewalk that led around the corner of the post office. I watched him until he disappeared, than I faced Jack again. Jack rougly ran both of his hands through his hair. "This is a mess." It sounded like he was talking to himself, not to me. "I know how it looked, but you should've let me explain. I hated you for leaving." He looked up at the sky. "I hated you." Jack took a step backward, away from me, and as he did,a voice called out to us. "Don't let him drive you apart!" We both turned toward the sound. Mary was sitting on a bench under the shelter of the bus stop. I hadn t noticed her before.She'd been watching us. She stood and came over. "That's what he wants. He's scared of anchors. I told you I have a theory about anchors.
Brodi Ashton (Everneath (Everneath, #1))
All this intelligent and careful work revealed a man of great forethought. Yet you could see in Mr. Wicks's eyes--as he stood in the shade of the terminal awning, all that tweed and education waving to us, as one by one each bus pulled out for the noisy drive into the city--that he had failed.
Bill Buford (Among the Thugs)
Corey was hanging out down by the port one afternoon with Karl and Jacques when a bus-load of american tourists drove by, and in a moment of clarity Corey suddenly perceived Karl in the light of reality rather than through the kaleidoscope of fashion: the tourists were staring open-mouthed through the bus windows, ice creams held in mid-air, gawping at the apparition that was Karl. Jacques was driving the mobylette and Karl sat behind riding side-saddle dressed in hot pants, long strands of pearls and dark glasses; he was wielding a raw frankfurter straight from the packet in one hand and a bottle of coca-cola in the other. I remember thinking "I am with this total freak," says Corey.
Alicia Drake (The Beautiful Fall: Lagerfeld, Saint Laurent, and Glorious Excess in 1970s Paris)
Passengers on a bus: You’re driving a bus. Passengers (your thoughts) get on, and passengers get off. Some stay longer than others, but they all eventually leave the bus. Some smell; some yell; some even tell you you’re taking a wrong turn. And some smile and make your day. Either way, you know your route and it’s not up to you to do anything but keep driving the bus.
Andrea Bonior (Detox Your Thoughts: Quit Negative Self-Talk for Good and Discover the Life You've Always Wanted)
How many seconds separate Jake or any of us from those burdens of fate? Three? Five? At some point in our lives, the cut may have been that fine. Who can say, and perhaps it is not worth pondering. But we do, don't we? We gnaw on that bone of possibility until our teeth are dull and our skulls throb. There are other life-lines than the one we landed on, and we can taste it.
Craig Davidson (Precious Cargo: My Year of Driving the Kids on School Bus 3077)
The sun rises in a clear sky that moves from black to gray to white to deep, pure crystal blue. One in Georgia packs his things he’s going to take a bus. Four in Mexico walk across scorched earth water in packs on their back. Two in Indiana best friends coming together they pack their best clothes while their parents wait to take them to the airport. One in Canada drives south. Sixty from China in a cargo container sail east. Four in New York pool their cash and buy a car and drop out of school and drive west. Sixteen cars of a passenger train crossing the Mojave only one stop left. One in Miami doesn’t know how she’s going to get there. Three in Montana have a truck none of them have any idea what they’re going to do once they arrive. A plane from Brazil sold out landing at LAX. Six in Chicago dreaming on shared stages they rented a van they’ll see if any of them can make it. Two from Arizona hitchhiking. Four more just crossed in Texas walking. Another one in Ohio with a motorcycle and a dream. All of them with their dreams. It calls to them and they believe it and they cannot say no to it, they cannot say no. It calls to them. It calls. Calls.
James Frey (Bright Shiny Morning)
You know that blindsight we get sometimes, in Rorschach?” I nodded, and wondered what Jukka had said. “Apparently the same thing can happen to the other senses, too,” she told me. “You can have blindtouch, and blindsmell, and blindhearing…” “That would be deafness.” She shook her head. “But it isn’t really, is it? Any more than blindsight is really blindness. Something in your head is still taking it all in. Something in the brain is still seeing, and hearing, even if you’re not—aware of it. Unless someone forces you to guess, or there’s some threat. You just get a really strong feeling you should move out of the way, and five seconds later a bus drives over the spot you were standing. You knew it was coming, somehow. You just don’t know how you knew.” “It’s wild,” I agreed.
Peter Watts (Blindsight (Firefall, #1))
Because just before I arrived, he showed up on the bus. He, meaning Damien. He reminded me of the pain I'd felt when he died. He reminded me of what it's like to feel your heart explode in your chest cavity at the realization of living your life without the only person you've ever loved. And he reminded me of the promise I'd made to him months ago. I told him that I'd love him forever. That I'd never let go. But part of me wants to let go. Deep down inside I know that I can't go on loving a ghost forever. I tell myself this every day. Then I see him and I forget about having those thoughts. Because when I do see him, he looks like the Damien I met on that humid summer day, who was smirking at me, and driving his candy apple red Cadillac in reverse. When I see him he looks so vivid. So full of life. Not so...so... So dead.
Lauren Hammond (White Walls (Asylum, #2))
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
It hit us all of a sudden, one night after one of these mouth-marathons, that anyone who has a complaint ought to have to qualify and be certified first. I mean, here’s somebody who thinks it’s just awful about the dirty water and the foul air. What is he doing about the solid waste he creates in his own house? What kind of poison-factory is he driving, and does he keep it running in such a way as to minimize the junk it puts into the air? Does he support government people he knows are corrupt, or by apathy just let them go on corrupting? The more we heard this kind of crap from these hobby gripers, the more we felt that a man should qualify to complain, just as he has to qualify to drive a bus or cut an appendix or run a ferryboat. Or vote. And if we were going to be honest about it, we had to look at ourselves. Point a finger at anybody and you’ll find you have three fingers pointing at you.
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume XII: Slow Sculpture)
I picked a sushi spot even though I don’t love sushi, because the restaurant is really sunny and cute, and I wanted to make a good impression. Which, in hindsight, is fucking misleading, because I am 100 percent the kind of friend who wants you to pick me up so we can go to the drive thru and gossip over Big Macs in the McDonald’s parking lot. All my real friends are like, “Sushi? Table service? In daylight? I once had to watch you eat a hot dog on the bus!
Samantha Irby (Wow, No Thank You.)
...once I realized that Australia’s top highway speed of 110 kilometers per hour was the same as going 65 in the U.S., all my hardened American enthusiasm for speed went limp until it felt like the car was hardly moving at all. Even worse, most stretches of the highway are restricted to 60 kilometers per hour, which is how fast Americans go when we’re, like, passing a stopped school bus disembarking small children, or driving through a herd of puppies in the road.
Elle Lothlorien (Alice in Wonderland)
If spirituality means seeking ['Self'-Realization], why do I need a Guru?' Let's say, all that you're seeking is to go to Kedarnath right now. Somebody is driving; the roads are laid out. If you came alone and there were no proper directions, definitely you would have wished, "I wish there was a map to tell me how to get there." On one level, a Guru is just a map. He's a live map. If you can read the map, you know the way, you can go. A Guru can also be your bus driver. You sit here and doze and he will take you to Kedarnath; but to sit in this bus and doze off, or to sit in this bus joyfully, you need to trust the bus driver. If every moment, with every curve in this road, you go on thinking, "Will this man kill me? Will this man go off the road? What intention does he have for my life?" then you will only go mad sitting here. We're talking about trust, not because a Guru needs your trust, it's just that if there's no trust you will drive yourself mad. This is not just for sitting on a bus or going on a spiritual journey. To live on this planet, you need trust. Right now, you trust unconsciously. You're sitting on this bus, which is just a bundle of nuts and bolts and pieces of metal. Look at the way you're going through the mountains. Unknowingly, you trust this vehicle so much. Isn't it so? You have placed your life in the hands of this mechanical mess, which is just nuts and bolts, rubbers and wires, this and that. You have placed your life in it, but you trust the bus consciously. The same trust, if it arises consciously, would do miracles to you. When we say trust, we're not talking about anything new to life. To be here, to take every breath in and out, you need trust, isn't it? Your trust is unconscious. I am only asking you to bring a little consciousness to your trust. It's not something new. Life is trust, otherwise nobody can exist here.
Sadhguru (Mystic's Musings)
schoolgirls in pantyhose sitting on bus stop benches looking tired at 13 with their raspberry lipstick. it’s hot in the sun and the day at school has been dull, and going home is dull, and I drive by in my car peering at their warm legs. their eyes look away— they’ve been warned about ruthless and horny old studs; they’re just not going to give it away like that. and yet it’s dull waiting out the minutes on the bench and the years at home, and the books they carry are dull and the food they eat is dull, and even the ruthless, horny old studs are dull.   the girls in pantyhose wait, they await the proper time and moment, and then they will move and then they will conquer.   I drive around in my car peeking up their legs pleased that I will never be part of their heaven and their hell. but that scarlet lipstick on those sad waiting mouths! it would be nice to kiss each of them once, fully, then give them back. but the bus will get them first.
Charles Bukowski (Love Is a Dog from Hell)
Hey. Know what happened to me today?" He sits back and crosses his arms, smiles. "No. What happened to you today?" "Well, I decided to take the bus to work instead of driving? And I got on and I sat behind this woman who started crying. She was very quiet about it, just every now and then she would reach up and wipe away a tear. She had this kerchief on her head, this ratty old flowered kerchief, but it was clean and it was tied very neatly, you know. And she had her purse on her lap and she was holding on to it like it was hands. At first nobody else seemed to notice she was crying, but then everybody around her did. And it got very quiet. And then finally this man got up from the back of the bus, and he came up and sat next to her and put his arm around her, and he didn't say a word, but just stared straight ahead with his arm around her and she kept crying, but it was better now, you could tell, she kind of had a little smile even though she was still crying. And I don't know if he even knew her! I think everybody was wondering the same thing: Does he even know her? I guess he must have known her; otherwise she probably would have leaped up and started screaming or something, but you never know! You just never know, it might have been someone whose heart went out to her because she was crying. And he decided he would comfort her. And she let him. And I think it was a kind of miracle. A living parable or something.
Elizabeth Berg (Once Upon a Time, There Was You)
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
I recalled with some discomfort that the man driving the vehicle had invented the sport of volcano boarding, presumably as a way of solving, in one deft move, the problems of the insufficient riskiness of both snowboarding and hanging out on the slopes of active volcanoes. Although I was not sure that I wanted to live forever, I was sure that I didn’t want to go down in a blaze of chintzy irony, plunging into a ravine strapped into the passenger seat of a thing called the Immortality Bus.
Mark O'Connell (To Be a Machine : Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death)
Money drives the Mercedes called Manhattan. Individuality and eccentricity take the bus. Gentrification, boutique hotels, prefab Olive Gardens and Home Depots are the coils tightening around the Chelsea. No more getting on bended knee to beg Stanley Bard to give you a room. In fact, the new owner, busy with intensive renovations, isn’t admitting anyone into the hotel. No doubt, if he does, it’ll be the moneyed elite, standing surrounded by their Louis Vuitton bags, checking in while dialing their iPhones. But that’s another story.
James Lough (This Ain't No Holiday Inn: Down and Out at the Chelsea Hotel 1980–1995)
In the afterlife you relive all your experiences, but this time with the events reshuffled into a new order: all the moments that share a quality are grouped together. You spend two months driving the street in front of your house, seven months having sex. You sleep for thirty years without opening your eyes. For five months straight you flip through magazines while sitting on a toilet. You take all your pain at once, all twenty-seven intense hours of it. Bones break, cars crash, skin is cut, babies are born. Once you make it through, it’s agony-free for the rest of your afterlife. But that doesn’t mean it’s always pleasant. You spend six days clipping your nails. Fifteen months looking for lost items. Eighteen months waiting in line. Two years of boredom: staring out a bus window, sitting in an airport terminal. One year reading books. Your eyes hurt, and you itch, because you can’t take a shower until it’s your time to take your marathon two-hundred-day shower. Two weeks wondering what happens when you die. One minute realizing your body is falling. Seventy-seven hours of confusion. One hour realizing you’ve forgotten someone’s name. Three weeks realizing you are wrong. Two days lying. Six weeks waiting for a green light. Seven hours vomiting. Fourteen minutes experiencing pure joy. Three months doing laundry. Fifteen hours writing your signature. Two days tying shoelaces. Sixty-seven days of heartbreak. Five weeks driving lost. Three days calculating restaurant tips. Fifty-one days deciding what to wear. Nine days pretending you know what is being talked about. Two weeks counting money. Eighteen days staring into the refrigerator.
David Eagleman (Sum: Forty Tales from the Afterlives)
You’re missing the whole point, by the way.” “What’s the whole point, Peter?” He clears his throat. “That day in McClaren’s basement. You were my first kiss too.” Abruptly I stop laughing. “I was?” “Yeah.” I stare at him. “Why didn’t you ever tell me?” “I don’t know. I guess I forgot. Also it’s embarrassing that I made up a girl. Don’t tell anybody!” I’m filled with a glowy kind of wonder. So I was Peter Kavinsky’s first kiss. How perfectly wonderful! I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.” My eyes fly open. “That’s all I get?” Smugly he says, “You said earlier that I’m not that good at kissing, remember?” “I was kidding!” He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous. I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.” I run back to his car, I pull him toward me by his shirt, and angle my face against his--and then I push him away and run backward, laughing, my hair whipping around my face. “Covey!” he yells. “That’s what you get!” I call back gleefully. “See you on the bus tomorrow!
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
overwhelmed. Ready to crack. They’re expected to not just keep the wheels on the bus but construct the bloody thing, too. Then drive it. And wash it. And change the oil. I don’t know how they don’t just randomly start punching people. I would. What do they get fer their trouble? Ignored. What bollocks. I hear it all the time. Do it all, do it perfectly, and your reward is to be ignored. Is it any wonder they all feel, deep down, like they are failing? It makes me bloody furious. I tell these women all the time, I say, ‘Love, you just need to burn it all to the ground.
K.F. Breene (Magical Midlife Challenge (Leveling Up, #6))
He rolled and thrashed in his bed, waiting for the dancing blue shadows to come in his window, waiting for the heavy knock on his door, waiting for some bodiless, Kafkaesque voice to call: Okay, open up in there! And when he finally fell asleep he did it without knowing it, because thought continued without a break, shifting from conscious rumination to the skewed world of dreams with hardly a break, like a car going from drive to low. Even in his dreams he thought he was awake, and in his dreams he committed suicide over and over: burned himself; bludgeoned himself by standing under an anvil and pulling a rope; hanged himself; blew out the stove’s pilot lights and then turned on the oven and all four burners; shot himself; defenestrated himself; stepped in front of a moving Greyhound bus; swallowed pills; swallowed Vanish toilet bowl disinfectant; stuck a can of Glade Pine Fresh aerosol in his mouth, pushed the button, and inhaled until his head floated off into the sky like a child’s balloon; committed hara-kiri while kneeling in a confessional at St. Dom’s, confessing his self-murder to a dumbfounded young priest even as his guts accordioned out onto the bench like beef stew, performing an act of contrition in a fading, bemused voice as he lay in his blood and the steaming sausages of his intestines. But most vividly, over and over, he saw himself behind the wheel of the LTD, racing the engine a little in the closed garage, taking deep breaths and leafing through a copy of National Geographic, examining pictures of life in Tahiti and Aukland and the Mardi Gras in New Orleans, turning the pages ever more slowly, until the sound of the engine faded to a faraway sweet hum and the green waters of the South Pacific inundated him in rocking warmth and took him down to a silver fathom.
Stephen King (Roadwork)
And then I came home and it was incredible. I . . . there was no meaning in it here; the whole thing to them was a kind of a—bus accident. I went to work with Dad, and that rat-race again. I felt . . . what you said . . . ashamed somehow. Because nobody was changed at all. It seemed to make suckers out of a lot of guys. I felt wrong to be alive, to open the bank-book, to drive the new car, to see the new refrigerator. I mean you can take those things out of a war, but when you drive that car you’ve got to know that it came out of the love a man can have for a man, you’ve got to be a little better because of that. Otherwise what you have is really loot, and there’s blood on it.
Arthur Miller (The Penguin Arthur Miller: Collected Plays)
But the actual mail was delivered to the little brick post office on the main drag and distributed to the keyed, ornate boxes inside. My family had one of the lower numbers because we’d inherited our box as it was passed down through the Shepherd line. “So your family is Levan royalty, then?” Moses had teased. “Yes. We Shepherds rule this town,” I replied. “Who has PO Box number 1?” he inquired immediately. “God,” I said, not missing a beat. “And box number 2?” He was laughing as he asked. “Pam Jackman.” “From down the street?” “Yes. She’s like one of the Kennedys.” “She drives the bus, right?” he asked. “Yes. Bus driver is a highly lauded position in our community.” I didn’t even crack a smile. “So boxes 3 and 4?” “They are empty now. They are waiting for the heirs to come of age before they inherit their mailboxes. My son will someday inherit PO Box #5. It will be a proud day for all Shepherds.” “Your son? What if you have a daughter?” His eyes got that flinty look that made my stomach feel swishy. Talking about having children made me think about making babies. With Moses. “She’s going to be the first female bull-rider who wins the national title. She won’t be living in Levan most of the time. Her brothers will have to look after the family name and the Shepherd line . . . and our post office box,” I said, trying not to think about how much I would enjoy making little bull-riders with Moses.
Amy Harmon (The Law of Moses (The Law of Moses, #1))
In The Shawshank Redemption, there's a short scene between Andy and Red that reveals the difference in their points of view. After almost twenty years in Shawshank Prison, Red is cynical because, in his eyes, the concept of hope is simply a four-letter word. His spirit has been so crushed by the prison system that he angrily declares to Andy, 'Hope is a dangerous thing. Drives a man insane. It's got no place here. Better get used to the idea.' And it is Red's emotional journey that leads him to the understanding that 'hope is a good thing.' The film ends on a note of hope, with Red breaking his parole and riding the bus to meet Andy in Mexico: 'I hope I can make it across the border. I hope to see my friend and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
Syd Field (Screenplay: The Foundations of Screenwriting Paperback – November 29, 2005)
I’d go with him. We’d be old enough. We’d make a whole new life together, a normal one. Ever since that bus ride, I’d been carrying my love for him around in my pocket. I should have handed it to him then and there in exchange for the gloves, but the briars and brickles of shame had been too sharp. By the time they receded, it felt stupid to bring it up. Then that faded, and all I could do was wait for an opening, some situation where he and I were hanging out and shooting love darts at each other. When it arrived, I’d say, all joshing, Hey, you remember when you thought I needed gloves? Yeah, he’d laugh. I’ve wanted to give you my paper airplane necklace ever since. And our relationship would bloom from there. Every day, I looked for this opening. It could be tomorrow. “Time to go,” Dad said, finally. His face was glistening. Me and Sephie’s pops and quarters were long gone and our stomachs were growling. We’d been sitting near the door, wishing Dad would take the hint and leave, but he’d kept up at that hot conversation with Bauer. We followed him outside. “Keep your friends close and your enemies closer,” Dad said when we finally slid inside the van, his voice full of bravado. Except I could tell he was scared. Mom wasn’t going to be happy that we were out so late on a school night and that Dad was driving drunk, but that wasn’t it. No, he looked jumping-ghost scared, and that made me uneasy. It did even worse to Sephie. It must have. That’s the only explanation for why she broke the rule about inviting conversation with Dad when he’d been drinking. “Are you okay, Daddy?” She hardly ever called him that anymore. I didn’t think he was going to respond, but he finally did, his voice all bluster. “As okay as a man can be in a country where nothing’s sacred.” I wondered what he meant. He and Bauer had talked about so many things. Well, I wasn’t going to
Jess Lourey (Unspeakable Things)
Frane Selak (born 1929) is a Croatian man who has allegedly escaped death seven times, and afterward won the lottery in 2003, prompting journalists to dub him “the world’s luckiest man”. Encounters with death started in January 1962 when the train he was on crashed into a river, drowning 17 passengers. The next year, he survived an airplane accident that killed 19 people. In 1966, a bus that he was riding in fell into a river, drowning 4 passengers. In 1970 his car caught fire as he was driving, but he managed to escape before the fuel tank blew up. Three years later, in another driving incident, the engine of his car burst into flames. In 1995, he was struck by a bus in Zagreb. In 1996 he eluded a head-on collision on a mountain curve and his car fell 90 metres (300 ft) into a gorge; he was ejected from the car and managed to hold onto a tree. In 2003, two days after his 73rd birthday, Selak won €900,000 (US$1.1 million) in the lottery.
Nayden Kostov (323 Disturbing Facts about Our World)
Some people on bus seats shake at the shoulders, Stoned Elvises trying to dance after the gig. Some walk into the rain and look like they’re smiling, Running mascara writes sad bitter letters on their faces. Some drive their cars into lay-bys or park edges And cradle the steering-wheel looking like headless drivers. Some sink their open mouths into feather pillows And tremble on the bed like beached dolphins. Some people are bent as question marks when they weep And some are straight as exclamation marks. Some are soaking in emotional dew when they wake, Salt street maps etched into their faces. Some find rooms and fall to the floor as if praying to Allah. Noiseless Faces contorted in that silent scream that seems like laughter. Why is there not a tissue-giver? A man who looks for tears, Who makes the finest silk tissues and offers them for free? It seems to me that around each corner, beneath each stone, Are humans quietly looking for a place to cry on their own.
Lemn Sissay (Gold from the Stone: New and Selected Poems (Canons Book 70))
Köster had bought the car, a top-heavy old bus, at an auction for next to nothing. Connoisseurs who saw it at the time pronounced it without hesitation an interesting specimen for a transport museum. Bollwies, wholesale manufacturer of ladies’ ready-made dresses and incidentally a speedway enthusiast, advised Otto to convert it into a sewing machine. But Köster was not to be discouraged. He took down the car as if it had been a watch, and worked on it night after night for months. Then one evening he turned up in it outside the bar which we usually frequented. Bollwies nearly fell over with laughing when he saw it, it still looked so funny. For a bit of fun he challenged Otto to a race. He offered two hundred marks to twenty if Köster would take him on in his new sports car—course ten kilometres, Otto to have a kilometre start. Otto took up the bet. But Otto went one better. He refused the handicap and raised the odds to even money, a thousand marks each way. Bollwies, delighted, offered to drive him to a mental home immediately.
Erich Maria Remarque (Three Comrades)
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Do you believe in God, Evan?” “Sure I do.” “I don’t. I mean, I don’t know. I did before the Others came. Or thought I did, when I thought about it at all. And then they came and…” I have to stop for a second to collect myself. “Maybe there’s a God. Sammy thinks there is. But he also thinks there’s a Santa Claus. Still, every night I said his prayer with him, and it didn’t have anything to do with me. It was about Sammy and what he believed, and if you could have seen him take that fake soldier’s hand and follow him onto that bus…” I’m losing it, and it doesn’t matter to me much. Crying is always easier in the dark. Suddenly my cold hand is blanketed by Evan’s warmer one, and his palm is as soft and smooth as the pillowcase beneath my cheek. “It kills me,” I sob. “The way he trusted. Like the way we trusted before they came and blew the whole goddamned world apart. Trusted that when it got dark there would be light. Trusted that when you wanted a fucking strawberry Frappuccino you could plop your ass in the car, drive down the street, and get yourself a fucking strawberry Frappuccino! Trusted…
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation. I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV. They watch TV and see how we live here in the West. They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash. I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
Paul Torday (Salmon Fishing in the Yemen)
Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.
T.E.D. Klein (The Ceremonies)
In Diyala, east of Baghdad, in the early days of the war, I came upon a group of American marines standing next to a shot-up bus and a line of six Iraqi corpses. Omar, a fifteen-year-old boy, sat on the roadside weeping, drenched in the blood of his father, who had been shot dead by American marines when he ran a roadblock. “What could we have done?” one of the marines muttered. It had been dark, there were suicide bombers about and that same night the marines had found a cache of weapons stowed on a truck. They were under orders to stop every car. The minibus, they said, kept coming anyway. They fired four warning shots, tracer rounds, just to make sure there was no misunderstanding. Omar’s family, ten in all, were driving together to get out of the fighting in Baghdad. They claimed they had stopped in time, just as the marines had asked them to. In the confusion, the truth was elusive, but it seemed possible that Omar’s family had not understood. “We yelled at them to stop,” Corporal Eric Jewell told me. “Everybody knows the word ‘stop.’ It’s universal.” In all, six members of Omar’s family were dead, covered by blankets on the roadside. Among them were Omar’s father, mother, brother and sister. A two-year-old boy, Ali, had been shot in the face. “My whole family is dead,” muttered Aleya, one of the survivors, careening between hysteria and grief. “How can I grieve for so many people?” The marines had been keeping up a strong front when I arrived, trying to stay business-like about the incident. “Better them than us,” one of them said. The marines volunteered to help lift the bodies onto a flatbed truck. One of the dead had already been partially buried, so the young marines helped dig up the corpse and lift it onto the vehicle. Then one of the marines began to cry.   I
Dexter Filkins (The Forever War)
Understanding Metro's history may illuminate today's debates. To conservatives who decry Metro's expense--around $10 billion in nominal dollars--this book serves as a reminder that Metro was never intended to be the cheapest solution to any problem, and that it is the product of an age that did not always regard cheapness as an essential attribute of good government. To those who celebrate automobile commuting as the rational choice of free Americans, it replies that some Americans have made other choices, based on their understanding that building great cities is more important than minimizing average commuting time. This book may also answer radicals who believe that public funds should primarily--or exclusively--serve the poor, which in the context of transportation means providing bus and rail transit for the carless while leaving the middle class to drive. It suggests that Metro has done more for inner-city African Americans than is generally understood. And to those hostile to public mega-projects as a matter of principle, it responds that it may take a mega-project to kill a mega-project. Had activists merely opposed freeways, they might as well have been dismissed as cranks by politicians and technical experts alike. By championing rapid transit as an equally bold alternative, they won allies, and, ultimately, victory. Most important, this book recalls the belief of Great Society liberals that public investments should serve all classes and all races, rather than functioning as a last resort. These liberals believed, with Abraham Lincoln, that 'the legitimate object of government is to do for a community of people, whatever they need to have done, but can not do, at all, or can not, so well do, for themselves--in their separate, and individual capacities.' This approach justifies the government's role in rail not as a means of distributing wealth, but as an agent for purchasing rapid transit--a good that people collectively want but cannot collectively buy through a market.
Zachary M. Schrag (The Great Society Subway: A History of the Washington Metro (Creating the North American Landscape))
Flowers. Lots of women say they don’t want them. But every woman is happy when they get them. Which is why I’ve arranged to have them delivered to Kate’s office, every hour on the hour. Seven dozen at a time. That’s one dozen for every day we were apart. Romantic, right? I thought so too. And although I know Kate’s favorite are white daisies, I specifically told the florist to avoid them. Instead, I’ve chosen exotics—bouquets with brightly colored petals and strange shapes. The kinds of flowers Kate has probably never seen in her life, from places she’s never been. Places I want to take her to. At first I kept the notes simple and generic. Take a look: Kate, I'm sorry. Drew Kate, Let me make it up to you. Drew Kate, I miss you. Please forgive me. Drew. But after a few hours I figured I needed to step it up a notch. Get more creative. What do you think? Kate, You're turning me into a stalker. Drew Kate, Go out with me on Saturday and I'll give you all of my clients. Every. Single. One. Drew Kate, If I throw myself in front of a bus, will you come visit me at the hospital? Drew PS - Try not to feel too guilty if I don't survive. Really. That last batch was delivered forty-five minutes ago. Now I’m just sitting at my desk, waiting. Waiting for what, you ask? You’ll see. Kate may be stubborn, but she’s not made of stone. My office door slams open, leaving a dent in the drywall. Here we go. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.” I flinch. Can’t help it. I mean—Christ. Kate steps toward my desk. “I am trying to work. I need to focus. And you’ve got Manny, Moe, and Jack playing every cheesy eighties song ever written outside my office door!” “Cheesy? Really? Huh. I so had you pegged for an eighties kind of girl.” Well, you live and learn.
Emma Chase (Tangled (Tangled, #1))
Oil “Soviet Russia cannot survive without Baku’s oil,” told comrade Vladimir Lenin. One of the plans was to drain the Caspian Sea: “Is it possible? Can you drain the Caspian Sea?” said the powerful Stalin. It was more an order than a question.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Azerbaijan - Oil Country). Mafia “With his wife Victoria, they reigned here for nineteen years. This period Georgians called ironically the Victorian Era, and his wife got the name Queen Victoria. Victoria created the system when all was for sale: state documents ten times the price; 5,000 roubles to enter the Communist party; 50,000 for the judge job, … “ (- Angelika Regossi, “Russian Colonial Food”. Chapter: Gruzia - Where Soviet Mafia Was Born). Smoking “Smoking breaks in the USSR were long and often—and became an official excuse not to work, causing huge damage to the already failing state economy. But on the other hand, with zero unemployment and prison terms, if you are not on a payroll, the state could not provide enough work for everybody. People had to show up every day in the workplace. Boredom from nothing-to-do turned into massive laziness and Soviet workers spent long hours in the smoke rooms. For some, it was a place to relax, for others, to provoke a frank conversation—because … Well, let’s talk about it later.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Litva - Friends and Rebels). God “The bus was driving slowly, just forty km an hour on the slippery winter road. Outside was a spectacular view of the Caucasus mountains. Here and there appeared churches: nearby and far away, but always on the top of the hill: “Closer to God, as high as possible,” crossed His mind. The bus stopped with a creaking sound, and He slowly got off: “For me, Khor Virap Monastery will be the resting place: from the Soviet life … from the communist lies … I shall spend here the rest of my life. And from here … I shall go to eternity …” these were His last thoughts before He entered the monastery gate. He was dead tired from all that happened, walking uphill closer to God.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Armenia - Road in the First Christian State).
Angelika Regossi (Russian Colonial Food: Journey through the dissolved Communist Empire)
However we decide to apportion the credit for our improved life spans, the bottom line is that nearly all of us are better able today to resist the contagions and afflictions that commonly sickened our great-grandparents, while having massively better medical care to call on when we need it. In short, we have never had it so good. Or at least we have never had it so good if we are reasonably well-off. If there is one thing that should alarm and concern us today, it is how unequally the benefits of the last century have been shared. British life expectancies might have soared overall, but as John Lanchester noted in an essay in the London Review of Books in 2017, males in the East End of Glasgow today have a life expectancy of just fifty-four years—nine years less than a man in India. In exactly the same way, a thirty-year-old black male in Harlem, New York, is at much greater risk of dying than a thirty-year-old male Bangladeshi from stroke, heart disease, cancer, or diabetes. Climb aboard a bus or subway train in almost any large city in the Western world and you can experience similar vast disparities with a short journey. In Paris, travel five stops on the Metro’s B line from Port-Royal to La Plaine—Stade de France and you will find yourself among people who have an 82 percent greater chance of dying in a given year than those just down the line. In London, life expectancy drops reliably by one year for every two stops traveled eastward from Westminster on the District Line of the Underground. In St. Louis, Missouri, make a twenty-minute drive from prosperous Clayton to the inner-city Jeff-Vander-Lou neighborhood and life expectancy drops by one year for every minute of the journey, a little over two years for every mile. Two things can be said with confidence about life expectancy in the world today. One is that it is really helpful to be rich. If you are middle-aged, exceptionally well-off, and from almost any high-income nation, the chances are excellent that you will live into your late eighties. Someone who is otherwise identical to you but poor—exercises as devotedly, sleeps as many hours, eats a similarly healthy diet, but just has less money in the bank—can expect to die between ten and fifteen years sooner. That’s a lot of difference for an equivalent lifestyle, and no one is sure how to account for it.
Bill Bryson (The Body: A Guide for Occupants)
Nope- it was not! Ava and her girls that day went, and they cut a class at some point in the day and broke into my baby. Then Ava- ‘Rubbed one out!’ that means that she masturbated, and squirted her lady- juices all over the inside of my car. Yes- and I mean it went all over. It was on my seat on the dash, on the floor, and Ava smeared what creaminess that was on her two fingers on the windows, and driver’s side vent. As her clan, sisters pissed all over the carpet on the floor, and took their dumps on the seat, and left their thongs behind. Alison, she wrote a note on her undies saying- ‘Now you have some pairs to wear!’ It was so nasty! Plus- the outside was covered and wrapped with toilet paper as well as littered with Ava and her sisters used feminine products. What is wrong with these girls? What did I do to deserve this one? Likewise, the other kids thought it was the most humorous thing, which they ever witnessed at the end of the school day. When I discovered it- You know, I was utterly sick to my stomach. I think I screamed so loudly it echoed throughout the land, and started to cry and ran while being pushed around bouncing around off their bodies, I cannot remember- I was so upset, and then the kids were all around me kicking, and pushing me from one place to another. I was just like a hacky sack for them, until I passed out, and dropped to the hard ground. That gave them time for them to spit on me, and dump things like glue in my hair or whatever that shit was. Then what gets me is that she signed her name- Ava on the dashboard with a black permanent sharpie marker, and It reads, ‘Suck on this- Nevaeh- lick, what I gave you all up!’ and she drew a heart, with a line through it also. She wanted me to know because there was not a thing I could do about it. Depressed- to say that her juicy sprays were more yellowish, and a thick sticky white, then clear on my blue and white cloth seats. Yet, Hope had the car towed and cleaned for me inside and out, she could not believe what kids do these days. Therefore, that was the first time that I drove my car to school and the last. That whole thing cost me a lot. I guess it is back to the bus. That is what everyone wants is it not. This completely sucked; I have a car that I cannot drive anywhere other than at home or have locked up in the barn- with the other rust bucket car.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
Mark swings his own door open and meets us by the tailgate. "Why don't we ask Emma who she's coming with? I mean, it's her choice, right?" The look Galen gives me is clear: Take care of this, or I will. Or maybe it's more like, It would be my pleasure to take care of this. Either way, I don't want Mark taken care of. Standing between them, the testosterone-to-air ratio is almost suffocating. If I pick Galen, the chances of Mark ever calling me again are as good as Galen eating a whole cheesecake by himself. If I choose Mark, the changes of Galen not wielding his built-in brass knuckles are as good as Rayna giving someone a compliment. My desire to salvage this date with Mark is almost as strong as my desire to salvage his face from certain disfigurement. But salvaging the date as opposed to his face would be selfish in the long run. I sigh in defeat. "I'm sorry, Mark." Mark lets out a gust of air. "Ouch." Scratching the back of his neck, he chuckles. "I guess I should be more superstitious, huh?" He's right. I screwed this up. I should have salvaged the date, his pride. And I should have broken Galen's Royal nose with my own Syrena fist. I turn to His Highness. "Galen, could you give me a minute please? You'll have the next hour to talk to me since you're taking me straight home." Without a word, Galen nods and walks away. I can't quite meet Mark's eyes when I say, "I'm so sorry. I don't know what his deal is. He never acts like this." Except that time he beat Toraf like a stepchild on the beach when he kissed me. But only because Toraf betrayed Rayna. Right? Mark smiles, but it doesn't reach his eyes. "Can't say I blame him. I can already tell you're worth it. I just never had the guts to ask you out. Chloe threatened my life. You know that chick could hit like a man, right? She said you were too good for me. I think she was right." "Wh...what? Chloe knew you liked me?" "Yeah. She never told you? Course not. She thought I was a player." I not, still too stunned that my best friend also acted as my bodyguard without me knowing. "She did think you were a player. And she couldn't definitely hit like a man." "That's what my friend Jax says anyway." Then a little lower, "Geez, Galen's watching me like a hawk right now. He has serial-killer eyes, you know that?" I giggle. "What do you think he'd do if I kissed you good-bye on the cheek?" he whispers conspiratorially. "Don't worry, I'll protect you." He has no idea how serious I am. As he leans in, I brace myself. At the slightest spark of electricity, I'm prepared to turn around with my fists up. But the lightning doesn't strike. Galen is behaving for now. As Mark pulls away from his barely there peck, he sighs. "Do me a favor," he whispers. "Mmm?" "Keep my number. Give me a call if he screws up again." I smile. "I will, I promise. I had a good time tonight." Did the date and Mark's face get salvaged? Do I have a chance to redeem myself with him? He chuckles. "Yeah, glad we got to drive here from Middle Point together. next time, we'll make it a real adventure and take the bus. See you at school, Emma." "Bye.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.” She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.” “How?” Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?” “How are you getting home? Did you park on the street or something?” Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.” “Don’t you have a car?” She steels her spine. “No. I don’t.” I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work. “Okay, well then what about an Uber or something?” Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.” I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.” She laughs and starts to step back. “It’s not your concern. Don’t worry about me.” Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her. Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full. “Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.” Her soft feminine laugh echoes around the lobby. “Thank you, but I’d rather walk.” What she really means is, Thank you, but I’d rather die. “It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.” Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.” She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way. “Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up. “You’re clocked out, aren’t you? Call me Matt.” “Doctor,” she says pointedly. “Please give me my backpack before I call security.” I laugh because really, she’s hilarious. No one has ever threatened to call security on me before. “It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?” It weighs nothing. “My lunchbox. A water bottle. Some empty Tupperware.” Tupperware. I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her? “Did you bring more banana bread?” She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.” “I didn’t get any last time either,” I point out. She snorts. “Yeah well, I don’t feel bad about that.” I face forward again so she can’t see my smile.
R.S. Grey (Hotshot Doc)