Bury Your Head In The Sand Quotes

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Burying your head in the sand does not make you invisible it only leads to suffocation.
Wayne Gerard Trotman (Veterans of the Psychic Wars)
I don’t want to rule the world, I don’t want to control it, I don’t even want to influence it. I want to sit beside you in a little garden, I want to put your needs before mine, I want to fetch you a glass of water when you’re thirsty. I want to laugh at your jokes, even the bad ones, and bury my head in proverbial sand.
Olivie Blake (The Atlas Complex (The Atlas, #3))
don’t accept what absolutely won’t work for you, but be ready to accept the consequences if you insist on burying your head in the sand.
Nicole Sodoma (Please Don't Say You're Sorry: An Empowering Perspective on Marriage, Separation, and Divorce from a Marriage-Loving Divorce Attorney)
Life is about taking risks, not about burying your head in the sand
Bernardine Evaristo (Girl, Woman, Other)
A friend who is a high-level executive, intimidating to many, recently promoted a courageous employee who walked into his office with a large bucket of sand and poured it on the rug. “What the hell are you doing?” demanded my friend. The employee replied, “I just figured I’d make it easier for you to bury your head in the sand on the topic I keep bringing up and you keep avoiding.” You
Susan Scott (Fierce Conversations: Achieving Success at Work and in Life One Conversation at a Time)
When you bury your head in the sand you leave your backside exposed to those who seek to take advantage.
Gary Hopkins
Fine, lad, I’ll help you,” Gibsie replied with a sigh. “Even though it’ll never work, you’re doomed to fail, and I’ll more than likely end up giving the best man speech at your wedding at some ridiculously young age because you’ll have bulldozed the shit out of things, for now, I will absolutely help you bury your head in the sand.” “That’s not funny, Gibs,” I snapped, bristling. “I know,” he replied—while he laughed his arse off. “It’s hilarious.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
And I know that your broken parts fit mine, which is so fucking rare. Most people go their entire lives without finding it. So ignore it all you want. Bury your head in the sand for however long you need to be okay with it. But you don’t get to run. I won’t let you.” He brings his lips right up to mine, kissing me softly. “I fucking love you and I don’t give a shit what your rules say about that.
R. Phillips (Entangled (A Twisted Tale #1))
When you bury your head in the sand, at least you don't get slapped in the face.
Kim Askew (Exposure (Twisted Lit #2))
A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
Being compassionate is actually very brave because it involves taking an honest look at your own self. In order to feel compassion towards yourself, you must be willing to face your pain instead of burying your head in the sand. That’s the essence of bravery.
Richard Kerr (Fu*k Fear: A Raw, Honest Guide About Showing Anxiety Who’s Boss!)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
Your mom probably wouldn't be too happy if you're dating someone who quit school." I laugh. "Nope, don't think so. But I do think she likes you." "Why do you say that?" he says, cocking his head at me. "When I called her, she told me to tell you good morning. And then she told me you were 'a keeper.'" She also said he was hot, which is a ten and a half on the creep-o-meter. "She won't think that when I start failing out of all my classes. I've missed too much school to give a convincing performance in that aspect." "Maybe you and I could do an exchange," I say, cringing at how many different ways that could sound. "You mean besides swapping spit?" I'm hyperaware of the tickle in my stomach, but I say, "Gross! Did Rachel teach you that?" He nods, still grinning. "I laughed for days." "Anyway, since you're helping me try to change, I could help you with your schoolwork. You know, tutor you. We're in all the same classes together, and I could really use the volunteer hours for my college application." His smile disappears as if I had slapped him. "Galen, is something wrong?" He unclenches his jaw. "No." "It was just a suggestion. I don't have to tutor you. I mean, we'll already be spending all day together in school and then practicing at night. You'll probably get sick of me." I toss in a soft laugh to keep it chit-chatty, but my innards feel as though they're cartwheeling. "Not likely." Our eyes lock. Searching his expression, my breath catches as the setting sun makes his hair shine almost purple. But it's the way each dying ray draws out silver flecks in his eyes that makes me look away-and accidentally glance at his mouth. He leans in. I raise my chin, meeting his gaze. The sunset probably deepens the heat on my cheeks to a strawberry red, but he might not notice since he can't seem to decide if he wants to look at my eyes or my mouth. I can smell the salt on his skin, feel the warmth of his breath. He's so close, the wind wafts the same strand of my hair onto both our cheeks. So when he eases away, it's me who feels slapped. He uproots the hand he buried in the sand beside me. "It's getting dark. I should take you home," he says. "We can do this again-I mean, we can practice again-tomorrow after school.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
That is the moment I begin to despise the idea of fame. What does it do for the bearer of the laurel? Who cares if your name is in the paper? Who cares if you are mentioned as one of the top-ten cyclists, boxers, batters, painters, poets, artists, fly fishermen in the world? Who cares if your name is written in history books? When you have died you can't read those history books. When you have died the small trace you have left behind, even if you win a Tony, an Emmy, an Oscar, an election, will lose its vibrancy, fade into an outline. Oh yes, him, I heard of him, I knew someone who read him once. What difference does it make to the corpse if his books are in libraries or not in libraries? Who cares if his plays are revived on the summer-stock circuit for one hundred years? Isn't the simplest touch of a child's arm on the face more important, isn't the good meal, the brush against a thigh, a hand held during a movie, a swim in the sea, aren't those things of equal importance as the sands of time come rushing down on our heads burying ambition and love, good and evil, breath, blood, brains, waste, memory, alike in oblivion?
Anne Roiphe
We’re all going to die eventually. You can be one of those people who bury your head in the sand to avoid talking about it all you want, but it’s life! Live or die. Heaven or hell. Angel or devil. It’s black and white. There are no gray areas.
Shantel Tessier (I Dare You (Dare, #1))
You’re just the same, David. You don’t like talking about anything unpleasant.” “ Who does! ” I exclaimed. “ But it’s like an ostrich, burying its head in the sand! ” “ Not really,” I said thoughtfully. “ It’s better to be happy and think of nice things instead of being miserable and worrying over nasty things.
D.E. Stevenson (Five Windows)
Distraction and avoidance can look similar since many of the activities are the same. The difference is in the intention. In avoidance, the intention is to shove down emotions and bury your head in the sand. In distraction, the intention is to take a break from the emotionally intense experience with a plan to come back to it later when the intensity might be a little lower.
Rae McDaniel (Gender Magic: Live Shamelessly, Reclaim Your Joy, & Step into Your Most Authentic Self)
Burying your head in the sand, even for a short time, is self-defeating. Prepare yourself, and train for trouble. Face your problems and challenges head-on and defeat them,
V.C. Andrews (Forbidden Sister (The Forbidden #1))
It does no good to bury your head in the sand, metaphorically, and ignore it.
Bruce Van Horn (Worry No More! 4 Steps to Stop Worrying and Start Living)
But when you know better, you’re supposed to do better, not fiercely defend the old ways. Some more support, so that we can all navigate our way through processing our feelings and communicating effectively, even when under pressure, would solve so many issues. It has far-reaching consequences beyond Postnatal Depression. It is important for tackling domestic violence, alcohol addiction, and so many other big problems our society faces. But unfortunately, we have a large percentage of our population burying their heads in the sand. And that makes me sad.
Robin Elizabeth (Confessions of a Mad Mooer: Postnatal Depression Sucks)
The ostrich-approach of burying your head in the sand, when confronting your areas of weakness, becomes a self-set trigger for failure.
Archibald Marwizi (Making Success Deliberate)
POSSIBILITY -“All things are possible to those who believe. -“The scripture declares that without hope people perish, but with hope they not only survive but also prosper.” -“People place limitations upon themselves, because they think they know who they are. Imagine, what greatness the world will discover if they knew what they can become.” -“If we understand the power we have to call things into being, then our minds will become our laboratory for creative possibilities and the universe will be the marketplace for our resources.” -“The only limitations we have are those we place upon ourselves due our lack of knowledge of our greatest gift… the power to use our mind, and the negative stories we tell ourselves.” -“As long as you keep dreaming ideas will continue to flow.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims POSITIVE THINKING -“Positive thinking can change body energy, suppress negative thoughts, and creates a positive outlook on life.” -“Studies have shown that positive thinking helps with stress management and can even improve physical health.” -“Positive thinking does not mean, you bury your head in the sand and ignore life's unpleasant situations. What it does means is, you approach unpleasantness with a more positive and productive attitude.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims -“The power of positive thinking can give life to your dreams and change your destiny. The first step to happiness and self-assuredness, is making the decision to be so. “People are just as happy as they make up their minds to be”. Abraham Lincoln -“One of the greatest barriers to positive thinking is a negative attitude which comprises of the following: anger, doubt, hate, fear, worry, resentment, selfishness, pessimism, distrust, feeling of needy, loneliness and frustration.” -“When it comes to Positive thinking, the mind can be compared to a garden… In a garden, weeds will grow continuously without effort.” They will never stop growing so, you have to work non-stop to control them. Good productive plants however, will require continuous focus, effort, time and energy in order to achieve a good harvest. Likewise, you will never be able to stop negative thoughts from entering your mind, but you will have to learn to control and replace them. Positive thoughts on the other hand, are like good productive plants. In order for them to enter, and take root in your mind, you have to make deliberate and not stop efforts.” - Sekou Obadias – Author of “SOGANUTU” – A book of life’s Maxims
Sekou Obadias
Exhausted, she leaned against the pillows, her hair streaming in a golden-brown cascade over the thin linen covering her shoulders. But she beamed a look of unadulterated happiness as she held out her hand to him, and something inside Cade crumbled to sand in recognizing the significance of her gesture. Cade fell to his knees beside Lily, and she brushed away the streaks of tears he hadn't realized were there. He wrapped his arms around her and buried his face against her breasts. She stroked his hair. "Gracias, querida, muchas gracias... I love you so much. How can I say it? How can I thank you? I did not know... I thought a child would hold you, I wanted you to bear my child, but I did not mean to cause you such pain." The piano crashed into a resounding "Yankee Doodle Dandy" to celebrate this victorious Fourth, and Lily smiled and stroked Cade's thick black hair, feeling the glory of this day seep into her bones where she could remember and cherish it forever. "It's because I love you that I wanted your child. The pain is just the price we pay to have what we want. Can I see him now? Will you bring him to me?" Cade jerked his head up to meet the blazing happiness of blue eyes and knew Lily spoke what was in her heart. It was difficult for him to absorb. He had been a man alone for too long, an outcast wanted by nobody, yet this woman knocked down doors none had dared approach to declare her love for him. He stroked her cheek, his dark hand contrasting with her light skin, and she kissed the web of flesh beneath his thumb. Cade accepted that as confirmation of her words and allowed a smile to form. "I
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
It is never prudent to bury our heads in the sand when in distress or faced with adversity; to place our hands over our eyes in a feeble attempt to hide from the inevitable.
Carlos Wallace (The Other 99 T.Y.M.E.S: Train Your Mind to Enjoy Serenity)
You can find a way, or bury your head in the sand, girl. Both require digging.
Anna Hackett (Overlord (Galactic Kings #1))
There’s following the rules, and then there’s burying your head in the sand.
Marissa Levien (The World Gives Way)
It's when you bury your head in the sand that you leave your brain exposed.
Anthony T. Hincks
When there is danger on your doorstep, you want to act almost like an ostrich burying its head in the sand.
Diet Eman (Things We Couldn't Say)
Yes, meditation can help with our stress, but if the cause of our stress is another identifiable problem, we must deal with the problem and not mask it in the name of protecting our spiritual credibility. We must not bury our heads in the sand; we must not ignore the signs that indicate we are struggling with our mental health by covering them up with our spiritual practices. Spiritual practices are meant to awaken our deeper self. They are not there to deal with our physical or mental ailments, although they may have that after-effect and can complement our healing.
Gaur Gopal Das (Energize Your Mind: A Monk’s Guide to Mindful Living)
But life goes on without the smallest regard for individual preoccupations. You may take up what attitude you like towards it or, with the majority, you may take up no attitude towards it but immerse yourself in the stupendous importance of your own affairs and disclaim any connection with life. It doesn't matter tuppence to life. The ostrich, on much the same principle, buries its head in the sand; and just as forces outside the sand ultimately get the ostrich, so life, all the time, is massively getting you. You have to go along with it.
A.S.M. Hutchinson (If Winter Comes)
You can’t run away from this fight. You can’t hide. You can’t pretend it’s not happening. You can’t pray it goes away. You can’t close your eyes and ignore it. You can’t bury your head in the sand. You’re in this war whether you like it or not. If you’re a dove, you had better get real and evolve into a retaliator. You need to fight back. You need to stand up for yourself and your cause. You need to stop being lunch. Stop being nice and polite. Your enemies aren’t. Stop being weak and meek. Your enemies aren’t. Stop being humble and respectful of all opinions. Your enemies aren’t. Stop being gentlemanly or ladylike. This is a dirty war. We have all been dragged into the gutters and sewers. You need to fight your way out or drown in shit. Retaliate. Don’t sit there and take it. Stop being a pussy. Become a lion and roar. Let the world hear your voice.
Joe Dixon (Take Them to the Morgue)
Variations on a Summer Day" I Say of the gulls that they are flying In light blue air over dark blue sea. II A music more than a breath, but less Than the wind, sub-music like sub-speech, A repetition of unconscious things, Letters of rock and water, words Of the visible elements and of ours. III The rocks of the cliffs are the heads of dogs That turn into fishes and leap Into the sea. IV Star over Monhegan, Atlantic star, Lantern without a bearer, you drift, You, too, are drifting, in spite of your course; Unless in the darkness, brightly-crowned You are the will, if there is a will, Or the portent of a will that was, One of the portents of the will that was. V The leaves of the sea are shaken and shaken. There was a tree that was a father. We sat beneath it and sang our songs. VI It is cold to be forever young, To come to tragic shores and flow, In sapphire, round the sun-bleached stones, Being, for old men, time of their time. VII One sparrow is worth a thousand gulls, When it sings. The gull sits on chimney-tops. He mocks the guineas, challenges The crow, inciting various modes. The sparrow requites one, without intent. VIII An exercise in viewing the world. On the motive! But one looks at the sea As one improvises, on the piano. IX This cloudy world, by aid of land and sea, Night and day, wind and quiet, produces More nights, more days, more clouds, more worlds. X To change nature, not merely to change ideas, To escape from the body, so to feel Those feelings that the body balks, The feelings of the natures round us here: As a boat feels when it cuts blue water. XI Now, the timothy at Pemaquid That rolled in heat is silver-tipped And cold. The moon follows the sun like a French Translation of a Russian poet. XII Everywhere the spruce trees bury soldiers: Hugh March, a sergeant, a redcoat, killed, With his men, beyond the barbican. Everywhere spruce trees bury spruce trees. XIII Cover the sea with the sand rose. Fill The sky with the radiantiana Of spray. Let all the salt be gone. XIV Words add to the senses. The words for the dazzle Of mica, the dithering of grass, The Arachne integument of dead trees, Are the eye grown larger, more intense. XV The last island and its inhabitant, The two alike, distinguish blues, Until the difference between air And sea exists by grace alone, In objects, as white this, white that. XVI Round and round goes the bell of the water And round and round goes the water itself And that which is the pitch of its motion, The bell of its dome, the patron of sound. XVII Pass through the door and through the walls, Those bearing balsam, its field fragrance, Pine-figures bringing sleep to sleep. XVIII Low tide, flat water, sultry sun. One observes profoundest shadows rolling. Damariscotta dada doo. XIX One boy swims under a tub, one sits On top. Hurroo, the man-boat comes, In a man-makenesse, neater than Naples. XX You could almost see the brass on her gleaming, Not quite. The mist was to light what red Is to fire. And her mainmast tapered to nothing, Without teetering a millimeter's measure. The beads on her rails seemed to grasp at transparence. It was not yet the hour to be dauntlessly leaping.
Wallace Stevens (Parts of a World)
They adapt to and embrace change. Successful people don't just let changing circumstances come and kick them in the butt. They don't bury their heads in the sand and refuse to adapt to the turning of the tide. Instead, they understand the shifting, impermanent nature of things and meet changes with an inner attitude of acceptance and a willingness to learn and adapt.
Ian Tuhovsky (Mindfulness: The Most Effective Techniques: Connect With Your Inner Self To Reach Your Goals Easily and Peacefully)
anytime you attempt to bury your head in the sand and deny the existence of violence in your world, not only are you giving up your power, but you are giving it over to the very perpetrators of random violence whose existence you are hoping to ignore.
Tim Larkin (When Violence Is the Answer: Learning How to Do What It Takes When Your Life Is at Stake)
Now that would be a good way to face Armageddon, fighting it every step of the way, or should you choose to be an Ostrich, well you can go out with your head buried in the sand.
Steve Merrick
so try it out like a new outfit that may or may not suit, life is about taking risks, not about burying your head in the sand
Bernardine Evaristo (Girl, Woman, Other)