Burr Quotes

[BURR] I am the one thing in life I can control.

You are like a chestnut burr, prickly outside, but silky-soft within, and a sweet kernel, if one can only get at it. Love will make you show your heart some day, and then the rough burr will fall off.

Never put off for tomorrow, what you can do today.

If you stand for nothing, Burr, what'll you fall for?

{BURR} Life doesn't discriminate between the sinners and the saints. It takes and it takes and it takes. And we keep living anyway. We rise and we fall and we break and we make our mistakes and if there's a reason I'm still alive when so many have died then I'm willing to-- wait for it.

He looked blank. “He’s the one who’s been doing the magic against us?” “Duh,” I said. “Doona be ‘duh’ing me, lass,” he growled, his burr thickening.

BURR: Alexander joins forces with James Madison and John Jay to write a series of essays defending the new United States Constitution, entitled The Federalist Papers. The plan was to write a total of 25 essays, the work divided evenly among the three men. In the end, they wrote 85 essays, in the span of six months. John Jay got sick after writing 5. James Madison wrote 29. Hamilton wrote the other 51.

[BURR] We dream of a brand new start, but we dream in the dark for the most part. Dark as a tomb where it happens. I've got to be in the room where it happens.

Life doesn't discriminate Between the sinners and the saints It takes and it takes and it takes And we keep living anyway We rise and we fall and we break And we make our mistakes

I am the one thing in life I can control. I am inimitable. I am an original

Don't overestimate everyone else and underestimate yourself

Don’t let the bow tie fool you, Stella. I’m not always nice,” he says, a deep burr in his voice. “When the situation calls for it, I can be downright rough.

For the average American freedom of speech is simply the freedom to repeat what everyone else is saying and no more.

Oh, it's Applekit!" Cinderpelt yelped in mock astonishment. "I thought for a heartbeat there was a giant burr chasing me. Never mind. When we stop, I'll help you untangle them.

This was the way into Burr. I knew he and Hamilton circled each other all their lives, I knew they went from friends to frenemies to foes, but it wasn’t til I read this detail online—that Theodosia was married to a British officer when Aaron Burr met her, and he waited until she was available—that the character of Burr came free in my imagination. Imagine Hamilton waiting—for anything. That’s when I realized our task was to dramatize not two ideological opposites, but a fundamental difference in temperament.

Although Americans justify their self-interest in moral terms, their true interest is never itself moral.

Eventually all things are known. And few matter.

A prudent silence will frequently be taken for wisdom and a sentence or two cautiously thrown in will sometimes gain the palm of knowledge, while a man well informed but indiscreet and unreserved will not uncommonly talk himself out of all consideration and weight. (Alexander Hamilton's 'thesis on discretion' written to his son James shortly before his fatal duel with Burr.)

As we walk our individual life journeys, we pick up resentments and hurts, which attach themselves to our souls like burrs clinging to a hiker's socks. These stowaways may seem insignificant at first, but, over time, if we do not occasionally stop and shake them free, the accumulation becomes a burden to our souls.

Realize that sleeping on a futon when you're 30 is not the worst thing. You know what's worse, sleeping in a king bed next to a wife you're not really in love with but for some reason you married, and you got a couple kids, and you got a job you hate. You'll be laying there fantasizing about sleeping on a futon. There's no risk when you go after a dream. There's a tremendous amount to risk to playing it safe.

The grass is full of ghosts tonight.' 'The whole campus is alive with them.' They paused by Little and watched the moon rise, to make silver of the slate roof of Dodd and blue the rustling trees. 'You know,' whispered Tom, 'what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years.' ... And what we leave here is more than class; it's the whole heritage of youth. We're just one generation-- we're breaking all the links that seemed to bind us her to top-booted and high-stocked generations. We've walked arm and arm with Burr and Light-Horse Harry Lee through half these deep-blue nights.' 'That's what they are,' Tom tangented off, 'deep-blue-- a bit of color would spoil them, make them exotic.' Spries, against a sky that's a promise of dawn, and blue light on the slate roofs-- it hurts... rather--' 'Good-by, Aaron Burr,' Amory called toward deserted Nassau Hall, 'you and I knew strange corners of life.

The perfectly measured burr of a dispassionate detective had suddenly changed into the explosive boom of a take-no-shit street cop. Suffice it to say, I froze.

It's not until you're an adult you appreciate how awesome a dog is. Your dreams start dying, somebody cheats on ya, bankers fuck up your 401k, ya know? Then you come home and that dog's looking at you and he's like, 'Dude, you're awesome!' It's like, 'No dude, YOU are fucking awesome!

If I was to really get at the burr in my saddle, it’s not politics — and this is, I think, probably a horrible analogy — but I look at politicians as, they are doing what inherently they need to do to retain power. Their job is to consolidate power. When you go to the zoo and you see a monkey throwing poop, you go, ‘That’s what monkeys do, what are you gonna do?’ But what I wish the media would do more frequently is say, ‘Bad monkey.

Never do today what you can put off till tomorrow. Delay may give clearer light as to what is best to be done.

The public is always relieved to find that once the chief officers of state are elected they do not sincerely want change.

There's a fine line between being brave and just not giving a shit anymore.

I have a priest in my ear calling me a sinner, and a devil on my shoulder desperate for the intimacy. For the love. God, is it such a sin to want to be loved?

Metaphor is the currency of knowledge. I have spent my life learning incredible amounts of disparate, disconnected, obscure, useless pieces of knowledge, and they have turned out to be, almost all of them, extremely useful.

If you stand for nothing, Burr, what'll you fall for?

Whether we know it or not, we transmit the presence of everyone we have ever known, as though by being in each other's presence we exchange our cells, pass on some of our life force, and then we go on carrying that other person in our body, not unlike springtime when certain plants in fields we walk through attach their seeds in the form of small burrs to our socks, our pants, our caps, as if to say, "Go on, take us with you, carry us to root in another place." This is how we survive long after we are dead. This is why it is important who we become, because we pass it on.

Here, I can hear things, the world throbs differently, silence thrums like a chord strummed eons ago, music in the aspen trees and in the firs and burr oaks and even in the fields of drying corn.

Having a dick is one of the most dangerous things on the planet. How many people are eaten by sharks each year? How many guys lose everything they've got because of their dick? Yet the Discovery Channel has Shark week every other fucking month. Why doesn't it have Dick Week? That would be the scariest seven days in the history of television.

Sweetly, albeit hoarsely and with a burr, the girl started singing something scarcely comprehensible, but, judging by the women's faces in the stalls, very seductive: "Guerlain, Chanel no 5, Mitsuko, Narcissus noir, evening dresses, cocktail dresses..

Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.

The child probably overheard their voices; for, looking up to the window, with a bright, but naughty smile of mirth and intelligence, she threw one of the prickly burrs at the Reverend Mr. Dimmesdale. The sensitive clergyman shrunk, with nervous dread, from the light missile.

I remember weeping... at the silence, the stillness, the turning passages and cluttered walls. I supposed then that those things would be strange to me for ever, I felt their strangeness making me strange--make me a thing of points and hooks, a burr, a splinter in the gullet of the house.

What separates history from myth is that history takes in the whole picture, whereas myth averts our eyes from the truth when it turns men into heroes and gods.

She clung to him like a burr.

Mm-mm, no, thank you, no, I don't want an enchilaaadaaa. Nor do I want a burr-eye-to. Or a tay-co. Or any other bizarre, unneccessary vowel substitutions.

Burr, “His manner was patronizing. . . . As he revealed himself to my moral sense, I saw he was destitute of any fixed principles.

My favorite kind of humor is basically, if it was happening to you, it wouldn't be funny, but to observe it, it's hilarious.” - Bill Burr

Is he handsome?” “A stunner. Tall and big-chested, with blue eyes and hair the color of summer wheat. And his accent . . .” “Irresistible?” “Oh, yes. There’s something about a Scottish burr that makes it seem as if a man is either about to recite poetry or toss you over his shoulder and carry you away.” “Maybe both at the same time,” Phoebe said dreamily, sipping her tea.

I wanted to get in the car and drive, just drive. Just get to you. That’s all I could think of, was getting to you. But I knew I had to sober up first. So I went out, to the beach. I thought if I walked awhile that might help. And it was cold, you know? The water was cold. I thought if I splashed some on my face…well, if I took a swim. That would help. I thought I’d only jump in, get wet. I thought it would only take a few minutes and I could be on my way. To you.” His voice snagged like a burr on silk. Heat leaked from the corners of Bess’s eyes and slipped between her lips. Salt water. Always salt water. I was stupid,” Nick whispered. You didn’t know,” she whispered back. It took my feet out from under me. And all I could think of was how you were waiting, and I was going to fuck it all up again. How I was going to let you down.

Thus, Hamilton triumphed posthumously over Burr, converting the latter’s victory at Weehawken into his political coup de grâce. Burr’s reputation perished along with Hamilton, exactly as Hamilton had anticipated.

If a person leads an ‘active’ life, as Wiggs had, if a person has goals, ideals, a cause to fight for, then that person is distracted, temporarily, from paying a whole lot of attention to the heavy scimitar that hangs by a mouse hair just about his or her head. We, each of us, have a ticket to ride, and if the trip be interesting (if it’s dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss. Yet, ignore it though we might in our daily toss and tussle, the fact of our impending death is always there, just behind the draperies, or, more accurately, inside our sock, like a burr that we can never quite extract. If one has a religious life, one can rationalize one’s slide into the abyss; if one has a sense of humor (and a sense of humor, properly developed, is superior to any religion so far devised), one can minimalize it through irony and wit. Ah, but the specter is there, night and day, day in and day out, coloring with its chalk of gray almost everything we do. And a lot of what we do is done, subconsciously, indirectly, to avoid the thought of death, or to make ourselves so unexpendable through our accomplishments that death will hesitate to take us, or, when the scimitar finally falls, to insure that we ‘live on’ in the memory of the lucky ones still kicking.

Verifiable knowledge makes its way slowly, and only under cultivation, but fable has burrs and feet and claws and wings and an indestructible sheath like weed-seed, and can be carried almost anywhere and take root without benefit of soil or water.

…the American reader cannot bear a surprise. He knows that this is the greatest country on earth…and evidence to the contrary is not admissible. That means no inconvenient facts, no new information. If you really want the reader’s attention, you must flatter him. Make his prejudices your own. Tell him things he already knows. He will love your soundness.

...Leggett feels that to be excitingly right in general is better than to be dully accurate in particular. That is why he is such an effective journalist.

Aaron Burr was probably a cold man.

Burr had the dark and severe coloring of his Edwards ancestry, with black hair receding from the forehead and dark brown, almost black, eyes that suggested a cross between an eagle and a raven. Hamilton had a light peaches and cream complexion with violet-blue eyes and auburn-red hair, all of which came together to suggest an animated beam of light to Burr’s somewhat stationary shadow.

Adivce from a horse Take life's hurdels in stride. Loosen the reins. Be free sprited. Keep the burrs from under your saddle. Carry your friends when they need it. Keep stable. Gallop to greatness.

For I inhabit the spaces in between, where auras mix and hearts reach out and knowing hovers, and where sticks against each human the little burrs of others, long-ago brushed against but never forgot.

I’ve been waiting for you,” he says in his low, ragged voice. All of him is ragged: his patched cloak; his shabby gloves, the fingertips thin and worn; his scuffed boots. His words always seem to catch on my insides, like a goose grass burr, or a torn fingernail dragged across silk. His voice sticks.

I feel like I have been Burr in my life as many times as I have been Hamilton. I think we've all had moments where we've seen friends and colleagues zoom past us, either to success, or to marriage, or to home-ownership, while we lingered where we were—broke, single, jobless. And you tell yourself, 'Wait for it.

I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.

It was of course Jefferson’s gift at one time or another to put with eloquence the “right” answer to every moral question. In practice, however, he seldom deviated from an opportunistic course, calculated to bring him power.

A book is like a person, and one's reaction to a person invariably has more to do with one's own personality and life experience than with the actual person herself.

I am afraid that as people grow old there is a tendency for them to believe that what the past *ought* to have been it was.

None of this is quite true but Leggett feels that to be excitingly right in general is better than to be dully accurate in particular. That is why he is such an effective journalist.

Who robbed the woods, The trusting woods? The unsuspecting trees Brought out their burrs and mosses His fantasy to please. He scanned their trinkets, curious, He grasped, he bore away. What will the solemn hemlock, What will the fir-tree say?

Since a president can do wrong and since he can be named in debate, he is not an anointed king and so like any man is answerable to the law.” John Marshall then summoned President Jefferson to Richmond

Our fix-it-itis is not a simple social gaffe but the evidence of a deep blind spot born with the help of the market. We are educated about illness by television commercials... A puzzle like me that cannot be solved is a point of discomfort, a disjuncture, a black hole... My body is a discomfort, a burr in the hide of the marketplace itself, a reminder that not all pain can be treated with a purchase.

All molecules pulse with vibrations. They shimmer and wiggle and sing with the vibrations of the electron strings that hold them together, which means molecules are, oddly enough, a sort of musical instrument.

But strength alone, though of the Muses born, Is like a fallen angel: trees uptorn, Darkness, and worms, and shrouds, and sepulchers Delight it; for it feeds upon the burrs And thorns of life; forgetting the great end Of poesy, that it should be a friend To soothe the cares, and lift the thoughts of man. KEATS CALIFORNIA, 1850

When was the last time your dick came up with a good plan? Oh, it's got some great ideas, but when was the last time it came up with a good plan beyond "Do it"? That's your dick's entire plan: "Do it." Forget preparation, forget looking for possible pitfalls, forget everything. If your dick were a person, it would be on America's Dumbest Criminals.

Focus and move forward.

Try to live your life the way you wish other people would live theirs.

We weren’t born to suffer, we were born to make a difference. Our pain is just an unfortunate consequence of becoming the people we were destined to be

Ignorance is like a disease. If you don’t fight it, it will spread until we all succumb to it.

And though she may be broken, she is not defeated. She will rise unfettered, unbeaten, unimpeded

That’s what nobody admits about men, how needy they are.

Thinking, like other drugs, can be a useful distraction from pain, as long as it's managed and doesn't become an addiction.

Such madness was strictly prohibited in New York, but not in New Jersey.

of all this world’s creatures, the author is the vainest,

We are in danger of government by professional office-holders …

Things written remain.

We do not want to old to be sharper than we. It is bad enough that they were there first, and got the best things.

But then in all his words if not deeds Jefferson was so beautifully human, so eminently vague, so entirely dishonest but not in any meretricious way. Rather it was a passionate form of self-delusion that rendered Jefferson as president and as man (not to mention as writer of tangled sentences and lunatic metaphors) confusing even to his admirers. Proclaiming the unalienable rights of man for everyone (excepting slaves, Indians, women and those entirely without property), Jefferson tried to seize the Floridas by force, dreamed of a conquest of Cuba, and after his illegal purchase of Louisiana sent a military governor to rule New Orleans against the will of its inhabitants.

Because I have loved life, I shall have no sorrow to die. I have sent up my gladness on wings, to be lost in the blue of the sky. I have run and leaped with the rain, I have taken the wind to my breast. My cheek like a drowsy child to the face of the earth I have pressed. Because I have loved life, I shall have no sorrow to die. I have kissed young love on the lips, I have heard his song to the end. I have struck my hand like a seal in the loyal hand of a friend. I have known the peace of heaven, the comfort of work done well. I have longed for death in the darkness and risen alive out of hell. Because I have loved life, I shall have no sorrow to die. I give a share of my soul to the world where my course is run. I know that another shall finish the task I must leave undone. I know that no flower, nor flint was in vain on the path I trod. As one looks on a face through a window, through life I have looked on God. Because I have loved life, I shall have no sorrow to die.

I may have smiled to myself as I watched the familiar pattern of the town pass, the bus cruising through shade to sunshine. I'd grown up in this place, had the knowledge of it so deep in me that I didn't even know most street names, navigating instead by landmarks, visual or memorial. The corner where my mother had twisted her ankle in a mauve pantsuit. The copse of trees that always looked vaguely attended by evil. The drugstore with its torn awning. Through the window of that unfamiliar bus, the burr of old carpet under my legs, my hometown seemed scrubbed clean of my presence. It was easy to leave it behind.

They exit one by one, or sometimes two by two. You scatter pieces of them on the snow in the woods and then run away as fast as you can, and then you turn and run back towards them, once they're beyond your reach.

Do you know much about Aaron Burr? There's a man, now, who is only damned and damned again in history and yet who had his parts. I have always designed writing something about him to show I did not stand in the jam of his vilifiers. I had a piece on him which should have gone into this book. You don't know (I guess I never told you) that when I was a lad, working in a lawyer's office, it fell to me to go over the river now and then with messages for Burr. Burr was very gentle--persuasive. He had a way of giving me a bit of fruit on these visits--an apple or a pear. I can see him clearly, still--his stateliness, gray hair, courtesy, consideration.

Looking at Great-Great Grandpa Baldwin's photograph, I think to myself: You've finally done it. It took four generations, but you've finally goddamned done it. Gotten that war against reason and uppity secularists you always wanted. Gotten even for the Scopes trial, which they say was one of many burrs under your saddle until your last breath. Well, rejoice, old man, because your tribes have gathered around America's oldest magical hairball of ignorance and superstition, Christian fundamentalism, and their numbers have enabled them to suck so much oxygen out of the political atmosphere that they are now acknowledged as a mainstream force in politics. Episcopalians, Jews, and affluent suburban Methodists and Catholics, they are all now scratching their heads, sweating, and swearing loudly that this pack of lower-class zealots cannot possibly represent the mainstream--not the mainstream they learned about in their fancy sociology classes or were so comfortably reassured about by media commentators who were people like themselves. Goodnight, Grandpa Baldwin. I'll toast you from hell.

Now-a-days lower Broadway is blocked with traffic at this hour and everyone walks; even the decrepit John Jacob Astor can be seen crawling along the street like some ancient snail, his viscous track the allure of money. Instead

He couldn’t be— Oh, Lord. He was. He was going to kiss her. “Wait.” Panicked, Maddie put both hands on his chest, holding him off. “Your men, my servants … they could be watching us.” “I’m certain they’re watching us. That’s why we’re going to kiss.” “But I don’t know how. You know I don’t know how.” His lips quirked. “I know how.” Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns. Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon. With one long, slow tug, he eased it loose and cast it aside. It landed in the loch with a splash. His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes. “That was my best drawing pencil,” she said. “It’s just a pencil.” “It came from London. I have a limited supply.” His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.” “But—” Her breath caught. “Oh.” He bracketed her cheeks with his hands, tilting her face to his. Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her. She whispered, “This is really happening, isn’t it?” In answer, he pressed his lips to hers.

Howard adores Sam's looks. He loves the strong cut of jaw made satin with thickening peach fuzz, loses himself in the green eyes. Howard stares at them like a lover, but always obliquely. (Sometimes we watch our son from a distance. "I wonder what he's thinking," Howard will say.)

I'd said to them that when we read fiction, we pour our own paricular store of emotions - say, the sense of loss we feel for those disappeared from our lives - into the characters set before us. We take the few words with which the writer sketches these characters, the thing he said, the pain she felt, where they were, and our own emotional stockpile magically creates people. As the human eye fleshes out the pixilated image. Fictional characters are highly sophiticated Rorschach blots, and we, along with their author, are their authors. When you read a fictional character, you too are creating her.

AFTER HAMILTON’S DEATH, I remained at Richmond Hill for ten days. I confess that I was not prepared for the response to our interview. Apparently no one had ever fought a duel in the whole history of the United States until Aaron Burr invented this diabolic game in order to murder the greatest American that ever lived (after George Washington, of course). Over night the arrogant, mob-detesting Hamilton was metamorphosed into a Christ-like figure with me as the Judas—no, the Caiaphas who so villainously despatched the godhead to its heavenly father (George Washington again) at Weehawk, our new Jerusalem’s most unlikely Golgotha. I

I'm saying that figuring out what's important in life and how to go about getting it is very difficult. Sometimes you get confused and you get tempted to just let other people make the rules. And some people are really happy to make the rules for other people. Adam Lyons, the man who runs the epiphany machine, is one of those people.

Age, that brings a dwindling to most forms of life, is at its most majestic in the trees. I have seen living olives that were planted when Caesar was in Gaul. I remember, in Illinois woods, a burr oak which was bent over as a sapling a hundred years ago, to mark an Indian portage trail, and the thews in that flexed bough were still in the prime of life. Compared to that, the strongest human sinew is feeble and quick to decay. Yet structure in both cases is cellular; life in both is protoplasmic. A tree drinks water as I do, and breathes oxygen. There is the difference that it exhales more oxygen than it consumes, so that it sweetens the air where it grows. It lays the dust and tempers the wind. Even when it is felled, it but enters on a new kind of life. Sawn and seasoned and finished, it lays bare the hidden beauty of its heart, in figures and grains more lovely than the most premeditated design. It is stronger, now, than it was in the living tree, and may bear great strains and take many shapes.

In other words, if public opinion is not unduly aroused one may safely set aside the Constitution and illegally arrest one’s enemies. Had this letter been published at the time, an excellent case might have been made for the impeachment and removal of a president who had broken that oath he had taken to defend and to protect the Constitution by conspiring to obstruct and pervert the course of justice.

It is puzzling that Aaron Burr is sometimes classified among the founding fathers. Washington, Jefferson, Madison, Adams, Franklin, and Hamilton all left behind papers that run to dozens of thick volumes, packed with profound ruminations. They fought for high ideals. By contrast, Burr’s editors have been able to eke out just two volumes of his letters, many full of gossip, tittle-tattle, hilarious anecdotes, and racy asides about his sexual escapades. He produced no major papers on policy matters, constitutional issues, or government institutions. Where Hamilton was often more interested in policy than politics, Burr seemed interested only in politics. At a time of tremendous ideological cleavages, Burr was an agile opportunist who maneuvered for advantage among colleagues of fixed political views.

I confess to not having listened to a word of the Declaration of Independence. At the time I barely knew the name of the author of this sublime document. I do remember hearing someone comment that since Mr. Jefferson had seen fit to pledge so eloquently our lives to the cause of independence, he might at least join us in the army. But wise Tom preferred the safety of Virginia and the excitement of local politics to the discomforts and dangers of war.

Contrary to accepted legend, the Philadelphians did not at all mind the presence of the British army in their city; in fact, many of them hoped that Washington would soon be caught and hanged, putting an end to those disruptions and discomforts which had been set in motion by the ambitions of a number of greedy and vain lawyers shrewdly able to use as cover for their private designs Jefferson’s high-minded platitudes and cloudy political theorizings. Shortly

Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible. 'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?' Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.

The best benchside exoticisms January could offer were all on show—the starling, the dandelion, the blown seeds and the birds skeining against the grey clouds, hazing it and mazing it, a featherlight kaleidoscope noon-damp and knowing the sky was never truly grey, just filled with a thousand years of birds’ paths, and wishful seeds, a bird-seed sky as something meddled and ripe and wish-hot, the breeze bird-breath soft like a—what—heart stopped in a lobby above one’s lungs as well it might, as might it will—seeds take a shape too soft to be called a burr, like falling asleep on a bench with the sun on your face, seeds in a shape too soft to be called a globe, too breakable to be a constellation, too tough to not be worth wishing upon, the crowd of birds, an unheard murmuration (pl. n.) not led by one bird but a cloud-folly of seeds, blasted by one of countless breaths escaping from blasted wished-upon clock as a breath, providing a clockwork with no regard to time nor hands, flocking with no purpose other than the clotting and thrilling and thrumming, a flock as gathered ellipses rather than lines of wing and bone and beak, falling asleep grey-headed rather than young and dazzling—more puff than flower—collecting the ellipses of empty speech bubbles, the words never said or sayable, former pauses in speech as busy as leaderless birds, twisting, blown apart softly, to warm and colour even the widest of skies.

In passing, I continually marvel at how different today’s lawyers and politicians are from us of the first generation. We did not possess a single orator to compare with the present crop. Jefferson and Madison were inaudible. Monroe was dull. Hamilton rambled and I was far too dry (and brief) for the popular taste. Fisher Ames was the nearest thing we had to an orator (I never heard Patrick Henry). Today, however, practically every public man is now a marvellous orator—no, actor! capable of shouting down a tempest, causing tears to flow, laughter to rise. I cannot fathom the reason for this change unless it be the influence of a generation of evangelical ministers (Clay always makes me think of a preacher a-wash in the Blood of the Lamb who, even as he calls his flock to repent, is planning to seduce the lady in the back pew); and of course today’s politician must deal with a much larger electorate than ours. We had only to enchant a caucus in a conversational tone while they must thrill the multitude with brass and cymbal.

Po behen pothuaj tri jave nga shetitja e nje Majit, por bashke me keto po behen edhe tri jave nga pershendetja tallese dhe e fundit e Poles. Mendoj, mendoj dhe habitem me vete: A me te vertete me ka dashuruar Pola? Atehere cfare dreq eshte kjo dashuri rinie? Une po! Kam dashuri, d.m.th., gezohem kur gezohen te tjeret dhe deshperohem, kur deshperohen ata. Mirepo, kete fare gezimi e deshperimi e ndiej edhe per cdo njeri te larget, madje edhe per Polen e per te gjithe. . ., por asnje nuk dua te kem pa pa perpara. . . I dua, por malli s’me merr! E shoh njerine si njeri per t’u pare, por jo per t’u adhuruar. Njeriu, qe do te adhurohet — qe do te dashurohet, desha te them — prej te gjitheve a prej nje njeriu s’eshte lindur ende. . ., por as qe ka per t’u lindur ndonje i tille! Pra, po them te drejten, se une e doja dhe e dua me gjithe zemer Polen, por me nje dashuri familjare, ashtu si i dua dhe motrat e mia. Sa here qe ka rene puna per te kercyer dance me te a te fjalosesha per ndonje gje, gjithnje e nderoja si njeri, pa anuar mendja per keq. E them kete, sepse ta dashurosh tjetrin ose tjetren per nje pune shtazore, atehere humbet cdo qellim njerezor dhe pastaj eshte e kote te dashurosh! Por ja qe doli ne shesh: -Te dua! - me tha si pa gje te keqe. - Fort mire! Me do? Edhe une te dua! U mbarua puna. Mirpo: - Pse nuk me dorezohesh? Ja kete mister nuk mund ta zgjidh. Per te dashuruar si moter a si njeri e kam dashuruar, por per ta dashuruar si kafshe, as qe me ka shkuar mendja. Por Pola me paska dashur per burre te saj. . . per jeten e saj! Ne qofte se ishte ndonje tjeter ne vendin tim, kete gje do ta quante si dashuri rinie; mirepo une nuk e quaj, dhe as qe kam pse ta quaj ashtu. Po, mik, nuk e quaj: mbasi u njohem mire me Polen, ajo eshte sjelle me shume miqesi me mua, aq sa me se fundi pati guximin perpara familjes se saj te me jepte nje dhurate. Por kjo s’ka ndonje rendesi, mbasi dhurata nuk eshte gje tjeter, vecse nje shprehje adhurimi njerezor, nje pasterti zemre per njeri-tjetrin. Me vone miqesia u kthye jo ne dashuri familjare, por ne dashuri hice, ne dashuri te rreme, se brenda saj fshihej: “Te me dorrezohesh!”. Ajo e mendonte jeten, te ardhmen e saj te siguruar fare mire me mua; vec kesaj, nga qe jam i pashem dhe terheqes, ajo donte te mertohej me mua. Thurr e c’thur enderra lumturie, enderra martese. Shiko tani se ku qendronte dashuria e Poles: tek e ardhmja e saj: eshte i mire dhe nuk do vuaj: pra: ka dashuri! Kete “te me dorezohesh!”, e mbajti te mbyllur ne zemren e saj shume muaj, me shprese, se do t’ia thoja une me pare. Mirpo, kur pa, se s’ia varja veshin fare per kete pune, atehere u detyrua te ma thote vete kete gje. Por, fatkeqesi per te! - Pse nuk me dorezohesh? . . . - Pse nuk mund. . . pse kam tjeter! - Keto fjale te mia i rane si bombe. E po atehere? Atehere gjithe shpresa e saj e bukur u varros sa pa lindur dhe pastaj, duke mos ditur se si ta mbronte veten, filloi te qaje: qante zemra e saj me lejen e arsyes per lumturine e enderruar, qe i vdiq. Puna e saj eshte porsi nje vdekje. Kur vdes njeriu, qajme pse pa ate na cenohet disi rruga e jetes. Keshtu pra, Pola, nuk qau dashurine time, por kujtimin e lumturise se saj! Dhe me se fundi iku! Sikur te me dashuronte me te vertete, Pola, edhe kur ia tregova lajmin e fejeses, ajo duhej te me dashuronte ashtu sikurse e dua une, me gjithe qe jam i lidhur me Aferditen. Mirepo, ajo jo, me dashuronte deri sa e shihte se po shkonte mbare interesi i saj, por kur e pa se ai ngeci atehere ngeci dhe dashuria e saj.

In Broadway, I suddenly found myself face to face with William de la Touche Clancey. "Well!" A long drawn-out syllable, in which fear and condescension were unpleasantly mingled. "What is the young Old Patroon about to turn his hand to next?" "The Vauxhall Gardens, I should think." My dislike of Clancey is almost physical. Yet I stare at him with fascination; note that his protuberant eyes are yellowish; that he scratches himself compulsively; that his tongue darts in and out of his mouth like a lizard's catching flies. "Of the delicious nymphs you sport with there?" "Of the delicious fauns, too — and their goatish friends." "Uh-huh..." A long, drawn-out attempt at sounding amused failed of its object. "I hope you realize that your editor's unholy passion for the Negro grows more embarrassing each day. If I were he I should beware. He might simply vanish one dark night." "Murdered? Or sold into slavery?" Clancey recently delighted his admirers by proposing that since the institution of slavery has been an integral part of every high civilization (and peculiarly well-adapted to those nations that follow the word as well as the spirit of Old and New Testaments), poor whites should be bought and sold as well as blacks. "I don't believe that poor sick Mr. Leggett would command a high price in the bazaar. Only his diseased mind would have a certain morbid interest to the special collector. You, on the other hand, ought to fetch a pretty price." "More than the usual two dollars you pay?" Two dollars is the current rate for a male prostitute. "Much more! Why, just for those pink Dutch cheeks alone!" It would be nice to record that I thought to something terminal to say but in my rage I could think of absolutely nothing and so left him with the last word.