Burnt Orange Quotes

I don't know how long we stay that way, but we watch the sun go down together. The giant, burnt-orange sphere sinks towards the horizon, coloring the rock layers until it's gone and the canyon is covered in shadow.

The sun is setting in a burnt orange sky; the cliffs are black silhouettes; the sea, liquid silver.

It was golden hour in Tarrytown. An incandescent sun cast long shadows that pointed in unison toward nightfall. Birds sang. But their melodies were drowned out by crescendos of cicadas’ chattering. Not to be outdone, the wind came and went in gusts, rising up and across the hills from the lake below. As it did, it blew through the trees agitating the millions of leaves in the canopy, the rustle and crackle of which drew the eyes upward, where an infinite canvas of burnt orange and purple was visible through the branches of proud oaks.

Today he wore a burnt-orange shirt, black pants, and a tie that looked like a street fight at the south end of the color wheel.

A sudden damp coldness clung to the air around us. I lifted my head, eyeing the burnt orange sky. One drop of water fell, splashing off my cheek. Then the sky opened up, drenching us in cold rain within seconds. I sighed. "Really, it has to rain?

If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible -just barely – in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.

He could no more describe the feeling he got from her than you can describe a smell. It's like the scorch of electricity. It's like burnt kernels of wheat. No, it's like a bitter orange. I give up.

Out of that kitchen came food not only that I had never tasted, but that I hadn’t even dreamed of tasting. Gumbo, corn jacks and blackened fish was just the start of many dishes. It was like finding all the exotic scents in the world and wrapping as many of them as you can into a dish. Cumin and coriander, paprika, red peppers, anise and fennel, burnt orange peel and chili. It felt like the sailors from every port in the world from Morocco and Madagascar to the coast of Malabar had each brought a spice with them to throw into the cooking pot.

For the life of him, he couldn’t figure why these East Enders called themselves black. He kept looking and looking, and the colors he found were gingersnap and light fudge and dark fudge and acorn and butter rum and cinnamon and burnt orange. But never licorice, which, to him, was real black.

Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.

I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.

A man can be beautiful, I see that now. It's not just a woman's term, not a word reserved for romantic, virtuous, elegant things. I don't think beauty is neat any more. It's unordered. It's unbrushed hair and a torn back pocket. It's bright and strange and lovely, and if I were to paint him, I'd use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange.

The skies were filled with an unreal fire; blue, burnt with amber, red, orange and yellow. This fire was no natural thing. It clawed across the sky, and below it all life shivered and retreated. The land lay scorched, the mountains and glens trembling. The man stood pale in the false light, a statue, watching. Then he moved, shaking off the stillness, and looked towards the power that shook the world. His clenched fist opened and clean white light leapt to the sky. A huge concussion rocked the mountains. All light was quenched. The sky turned black, then clear and blue. A distant rainbow promised that all was well and God still cared for this lost land. Alastair Munro fell back, the soft heather a safety net, all power gone, all anger lost. Angus Ferguson was beside him as ever, a reassuring voice, a reminder of why Munro was there, why he must go on, why this was his destiny

After a minute I leaned back, elbows on the table, and looked up for the twinkle of the first star in the evening sky. When we were little, it was a ritual Finn and I did on the front porch. He'd make his wish silently, and I would too, but I never could keep a secret; and I'd tell him what I wished every time. He'd always tell me it wouldn't come true, but I didn't believe him. I'd had plenty of them come true, from a new box of crayons showing up out of nowhere to a bag of candy left on my bed. It had been a while, though, and the only thing I'd wish for now was impossible. I found the first star in a patch of burnt-orange sky, above the crinkly purple mountains in the distance, and then I wished my brother back anyway.

There are different sorts of treachery, but betrayal is betrayal wherever you find it. She burnt a lot more than the letters that night in the backyard. I don't think she knew. In her head she was still queen, but not my queen any more, not the White Queen any more. Walls protect and walls limit. It is in the nature of walls that they should fall. That walls should fall is the consequence of blowing your own trumpet.

Butterflies were like alcohol. The heat of a good wine in a burnt orange butterfly. The cool swallow of rare ship-bought vodka in clear, white and blue beauties.

It’s clear that there’s so much more to Noah than his Surly Pose and burnt orange truck. He’s obsessed with flowers. Is protective. Feels deeply, but prefers to keep it to himself. And damn if I don’t find all that sexy as hell.

It was just past sunset, and the sky was shifting rapidly from shades of burnt orange into a deep violet blue. The men sat in awed silence, as the world’s largest monolith glowed and shimmered a thousand indescribable shades of crimson.

The boy stood on the highest knoll of the low country in the Western Kingdom of the Ring, looking north, watching the first of the rising suns. As far as he could see stretched rolling green hills, like camel humps, dipping and rising in a series of valleys and peaks. The burnt-orange rays of the first sun lingered in

A man can be beautiful, I see that now. It’s not just a woman’s term, not a word reserved for romantic, virtuous, elegant things. I don’t think beauty is neat anymore. It’s unordered. It’s unbrushed hair and a torn back pocket. It’s bright and strange and lovely, and if I were to paint him, I’d use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who’s that? Do you know her? Where is she from?” — - from Eve Green’s mother’s account. “It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it’s true, she’s right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us.

Pirate and Osbie Feel are leaning on their roof-ledge, a magnificent sunset across and up the winding river, the imperial serpant, crowds of factories, flats, parks, smoky spires and gables, incandescent sky casting downward across the miles of deep streets and roofs cluttering and sinuous river Thames a drastic strain of burnt orange, to remind a visitor of his mortal transience here, to seal or empty all the doors and windows in sight to his eyes that look only for a bit of company, a word or two in the street before he goes up to the soap-heavy smell of the rented room and the squares of coral sunset on the floor-boards—an antique light, self-absorbed, fuel consumed in the metered winter holocaust, the more distant shapes among the threads or sheets of smoke now perfect ash ruins of themselves, nearer windows, struck a moment by the sun, not reflecting at all but containing the same destroying light, this intense fading in which there is no promise of return, light that rusts the government cars at the curbsides, varnishes the last faces hurrying past the shops in the cold as if a vast siren had finally sounded, light that makes chilled untraveled canals of many streets, and that fills with the starlings of London, converging by millions to hazy stone pedestals, to emptying squares and a great collective sleep. They flow in rings, concentric rings on the radar screens. The operators call them ‘angels.

It occurred to her, suddenly, that the Chinese took poets as concubines. Their poets slept with warlords. They wrote with gold ink. They ate orchids and smoked opium. They were consecrated by nuance, by birds and silk and the ritual birthdays of gods and nothing changed for a thousand years. And afternoon was absinthe yellow and almond, burnt orange and chrysanthemum. And in the abstract sky, a litany of kites.

You measure a good song the same way you measure architecture, fashion, or any other artistic endeavor. Time. You know when you see a picture of yourself from the eighties with a horrible hairdo and some stone-washed jeans and you think, “How embarrassing—what the fuck was I thinking? Why didn’t somebody stop me?” It’s the same thing Mick Jagger and David Bowie should be thinking every time they hear their cover of “Dancing in the Streets.” The point is, at the time it seemed like a good idea, just like kitchens with burnt-orange Formica and avocado appliances, den walls covered with fake brick paneling, and segregation—all horrible decisions that we now universally recognize as wrong. But somehow when it comes to music, we can’t just admit we made a mistake with “Emotional Rescue.” There’s always some dick who defends the past. “Hey, man, I lost my virginity to ‘Careless Whisper.’ ” I’m sure there was somebody who got laid for the first time on 9/11 but they don’t get a boner when they see the footage of the planes going into the tower.

As the cubs slept, Peggy licked their burnt-orange coats clean and watched over them diligently. The way she looked at them as they slept, you knew she would do anything to protect them. Even with only one good paw. Even if it meant she would have to sacrifice her own life to keep them safe. Witnessing that kind of unconditional love was a miracle of nature. Moments like those are what made me want to become a vet. Secretly,

Number 99 was an eviscerated ceramics plant. During the war a succession of blazing explosions had burst among the stock of thousands of chemical glazes, fused them, and splashed them into a wild rainbow reproduction of a lunar crater. Great splotches of magenta, violet, bice green, burnt umber, and chrome yellow were burned into the stone walls. Long streams of orange, crimson, and imperial purple had erupted through windows and doors to streak the streets and surrounding ruins with slashing brush strokes. This became the Rainbow House of Chooka Frood.

Looking across the square at the chocolaterie, its bright window, the boxes of pink and red and orange geraniums at the balconies and at either side of the door, I feel the insidious creeping of doubt in my mind, and my mouth fills at the memory of its perfume, like cream and marshmallow and burnt sugar and the heady mingling of cognac and fresh-ground cocoa beans. It is the scent of a woman's hair, just where the nape of joins the skull's tender hollow, the scent of ripe apricots in the sun, of warm brioche and cinnamon rolls, lemon tea and lily of the valley.

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping.

Back then, come July, and the blazers would again make their way out of the steel trunks and evenings would be spent looking at snow-capped mountains from our terrace and spotting the first few lights on the hills above. It was the time for radishes and mulberries in the garden and violets on the slopes. The wind carried with it the comforting fragrance of eucalyptus. It was in fact all about the fragrances, like you know, in a Sherlock Holmes story. Even if you walked with your eyes closed, you could tell at a whiff, when you had arrived at the place, deduce it just by its scent. So, the oranges denoted the start of the fruit-bazaar near Prakash ji’s book shop, and the smell of freshly baked plum cake meant you had arrived opposite Air Force school and the burnt lingering aroma of coffee connoted Mayfair. But when they carved a new state out of the land and Dehra was made its capital, we watched besotted as that little town sprouted new buildings, high-rise apartments, restaurant chains, shopping malls and traffic jams, and eventually it spilled over here. I can’t help noticing now that the fragrances have changed; the Mogra is tinged with a hint of smoke and will be on the market tomorrow. The Church has remained and so has everything old that was cast in brick and stone, but they seem so much more alien that I almost wish they had been ruined.’ ('Left from Dhakeshwari')

Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.

A sudden wind rustled through the birches; a gust of yellow leaves came storming down. I took a sip of my drink. If I had grown up in that house I couldn’t have loved it more, couldn’t have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.

I looked up to see the sun struggling behind a gray mass of snow clouds. I could relate. And then a beam of sunlight found a way through. A sign? Maybe. But what was this? I gasped. The bakery esters had refracted into visible bands of flavor. Red raspberry, orange, and the yellow of lemon and butter. Pistachio, lime, and mint green. The deepest indigo of a fresh blueberry The violet that blooms when crushed blackberries blend into buttercream. The Roy G. Biv that a baker loves. And then the darkness: chocolate, spice, coffee, and burnt-sugar caramel.

In the water-thickets, the path wound tortuously between umber iron-bogs, albescent quicksands of aluminum and magnesium oxides, and sumps of cuprous blue or permanganate mauve fed by slow, gelid streams and fringed by silver reeds and tall black grasses. The twisted, smooth-barked boles of the trees were yellow-ochre and burnt orange; through their tightly woven foliage filtered a gloomy, tinted light. At their roots grew great clumps of multifaceted translucent crystal like alien fungi. Charcoal grey frogs with viridescent eyes croaked as the column floundered between the pools. Beneath the greasy surface of the water unidentifiable reptiles moved slowly and sinuously. Dragonflies whose webby wings spanned a foot or more hummed and hovered between the sedges: their long, wicked bodies glittered bold green and ultramarine; they took their prey on the wing, pouncing with an audible snap of jaws on whining, ephemeral mosquitoes and fluttering moths of april blue and chevrolet cerise. Over everything hung the heavy, oppressive stench of rotting metal. After an hour, Cromis’ mouth was coated with a bitter deposit, and he tasted acids. He found it difficult to speak. While his horse stumbled and slithered beneath him, he gazed about in wonder, and poetry moved in his skull, swift as the jewelled mosquito-hawks over a dark slow current of ancient decay.

I suppose we were worn down and shivering. Three a.m. is a mean spirited hour. I suppose we were drenched, with the cold hose water trickling in at our collars and settling down at the tail of our shirts. Without doubt the heavy brass couplings felt moulded from metal-ice. Probably the open roar of the pumps drowned the petulant buzz of the raiders above, and certainly the ubiquitous fire-glow made an orange stage-set of the streets. Black water would have puddled the city alleys and I suppose our hands and faces were black as the water. Black with hacking about among the burnt-up rafters. These things were an every-night nonentity. They happened and they were not forgotten because they were not even remembered.

If I had grown up in that house I couldn’t have loved it more, couldn’t have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe. It was getting dark; soon it would be time for dinner. I finished my drink in a swallow. The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant—the idea was so truly heavenly that I’m not sure I thought, even then, it could ever really happen, but I like to believe I did.

So, you’re a pitcher,” I said inanely as we started up the stairs. The team manager had sent Dad an information sheet with everything he needed to know about Jason--emergency numbers, health information, but nothing that was really important. I mean, it didn’t provide vital stats like eye color, hair color, or girlfriend status. “Yeah. Didn’t play that much this year because I’m a freshman. I’m hoping that spending time on a collegiate team, playing through the summer, will improve my arm.” I almost said something really corny, like I didn’t think his arm needed improving, based on the way the sleeves of his burnt-orange T-shirt were hugging his biceps. But I refrained, since we’d just met and he might not know I was joking. Besides, it wouldn’t have really been a joke because he was way buff.

The sun was late, stuck in heavy mist. When it finally broke free there was no one to see, no one to applaud its sterling effort, because everyone in Freemantle was heading west. The burnt orange blaze of dawn made it look like they were fleeing a fire, but all knew that the real conflagration lay ahead.

By then she's lost in the land of sleep and he is too, and when they go there they never go together, and she is afraid that it is also a preview of death, a place where there may be dreams but never love, never home, never a hand to hold yours when squadrons of birds flock across the burnt-orange sun at the close of the day.

The boy stood on the highest knoll of the low country in the Western Kingdom of the Ring, looking north, watching the first of the rising suns. As far as he could see stretched rolling green hills, dipping and rising like camel humps in a series of valleys and peaks. The burnt-orange rays of the first sun lingered in the morning mist, making them sparkle, lending the light a magic that matched the boy’s mood. He rarely woke this early or ventured this far from home—and never ascended this high—knowing it would incur his father’s wrath. But on this day, he didn’t care. On this day, he disregarded the million rules and chores that had oppressed him for his fourteen years. For this day was different. It was the day his destiny had arrived.

The twanging of life Eleventh part : The ash of the past Every thought of going back to my previous life and myself faded away from my mind as I drove some beautiful girls on that an ugly street near Alwaha mall .. what is left there to go back to anyway with beauty, if ugliness covers all my life ?! .. so I made that decision to go through the ugliness of life to the beauty of girls eyes because at least here inside the pupil I can forget myself in the roars of love wind and eerie silence that covers the surroundings like a dark blanket .. at a distance between closing the eye and opening the same eye again I saw a flickering streetlamp. Sometimes I feel guilty when I think about all those people in this world who are fighting for their lives or those people who are smoking in the streets and holding the fingers of love and then I look at myself wasting my time in the screen of my phone and wasting my breaths in their cigarettes by indirect way and letting them fade away with the grey smoke "useless as my friend Mawada calls me always" .. but yesterday the sun was setting, leaving behind only darkness which meant, now I can see stars in the afternoon, I stood there in EDC looking up at the sky changing colors from blue to orange to purple to black and the sky never failed to amaze me with all its wonders, with the colors spreading in all their glory and soon the stars started to twinkle and my phone started to ring .. I wished that it was a call from my past but when I looked at the phone screen it was an unknown number .. I received the call and put the phone near my left ear .. no one spoke from the other side and I didn’t have even the energy to utter a word .. so at last I cut the call without even asking who was on the other side and put back the phone in my pocket because I remembered that the past never calls us again. I stared at the sky and the stars and I looked at the currently half burnt cigarette in a hand of student .. the smoke he exhaled out of his mouth and the ashes of the last breath lying on the ground soon to be carried away with the wind .. somewhere in the back of his mind .. I wished to be a part of them .. the sky, the stars, the smoke, the ashes and everything I am not and everything that destroys me but somehow keeps me alive.

I think about it. I don’t stop thinking about it, even after I finish painting the woman’s dress with burnt orange and crimson and topaz yellow. I paint because it’s the next step—what does it mean if there isn’t another step? Drawing feels so open and skeletal. My sketchbook is a collection of imprints from my soul. They aren’t finished—they need to be colored in, and decorated, and turned into something much prettier than what they are. If I don’t have emerald greens and magentas and lilacs, I just have Kiko. Black-and-white. Bare and smudged. I’m not confident enough to let my drawings speak for me. I need my paintings to say something else entirely. Maybe this is my problem. Maybe this is what Hiroshi has been trying to tell me. My paintings aren’t honest enough. Cringing, I close my eyes and picture what the starfish woman will look like when she is finished. She’s vibrant and beautiful and commands the attention of the painting. But this isn’t her story. And then my mind pictures the girl standing behind her, hidden behind the luminous splendor. She’s gray and plain, but she’s beautiful, too, in her own way. But the woman will never see it because she’s too busy being beautiful herself. The painting isn’t about the starfish. It’s about the girl who wants to venture out into the ocean, away from the starfish, so she can feel like she matters. Because the girl will never matter to the starfish. In the finished painting in my head, the girl will finally know this. It’s the honest story I want to tell. I will make this painting the truest painting I’ve ever done. And after that . . . I will swim into the ocean.

As we advanced up the ridge, what a sight met our eyes — the whole area strewn with the smoke-blackened carcasses of the 29th Brigade’s Sherman Tanks which had ‘brewed up’ and burnt out, some with their turrets blown off, other still ‘brewing’ with gouts of orange flame shooting skywards from turret hatches as the ammunition exploded, dead bodies hanging from escape hatches at grotesque angles; dismounted crews were glimpsed trying to rescue wounded comrades from the wrecked vehicles while others were attempting to mend broken tracks amid the swirling black smoke from burning fuel and the flashes of mortar bombs raining down.

A sudden wind rustled through the birches; a gust of yellow leaves came storming down. I took a sip of my drink. If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately in my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.

Pomona's Feast by Stewart Stafford Home from aggressive begging on November Eve, A horror movie that won't be finished in the background, The pirate's booty or robber's swag is examined. Face in the bag, a cornucopia of scents in the nostrils: Oranges, nuts, burnt popcorn, chocolate, Toffee apples, crisps, Liquorice Allsorts, and Rice Krispie cakes. A smörgåsbord Pomona's feast begins, As a maternal voice advises frugality, To no avail. Noses in the trough, Nothing eaten bears any relation to the thing eaten before or after, Aching gums, jaws, and bellies swiftly ensue. To bed to sleep it off, The next morning, it's déjà vu, The maternal voice again advises eating breakfast first, to no avail. © Stewart Stafford, 2021. All rights reserved.

Because the army that broke over the northern horizon … Three armies. One bearing the burnt-orange flag of Beron. The other the grass-green flag of the Spring Court. And one … one of mortal men in iron armor. Bearing a cobalt flag with a striking badger. Graysen’s crest.

Dining tables were dressed in hunter-green velvet linens. Royal Staffordshire Tonquin Brown dinner plates sat on top of hammered copper chargers. Cut-crystal drinkware and hammered copper tumblers glinted in the candlelight and strands of twinkle lights. Vintage brass and low copper vessels overflowed with garden roses, tulips, and amaryllis in various shades of cream, peach, and burnt orange along with lush greenery. Berries and russet feathers peeked out every so often, and antlers interspersed at odd angles. Reminiscent of an enchanted woodland from a C.S. Lewis novel, this was by far my favorite design Cedric had ever created.

She didn't know that the brioches in her breakfast basket had been formed by my hand. She didn't know the macarons----two each night, sent in a small box----were mine. But I did. In moments of weakness, I'd close my eyes and try to imagine her soft lips parting over jewel-bright confections, pink tongue tasting the flavors of me----achieved by the strange alchemy of whipping egg whites, infusing creams, and straining ripe fruits, all melded together into an intense burst of flavor. Had she preferred the inky-black chicory chocolate, the butter-rich caramel and burnt pear? Or did she moan for the juicy brightness of the grapefruit honey or blood orange and rose? It was enough to make a man hard.

He considered, briefly and foolishly, simply telling the truth: that he sought to follow the skittering ant-trails of words into other worlds, to find a burnt-orange field lit with fireflies, to find a girl the color of wheat and milk.

The first of the pre-monsoon winds stirs the dust in the courtyard outside the police station. The women have gathered in front of the door. Sarita Devi sits in front, the pradhan's formidable wife by her side. The wind picks up speed. The drapes of the women's saris and lehengas flutter like a battalion's flags, screaming pinks and yellows, burnt orange and incendiary blues, deep-dyed ominous reds. Their silence worries Ombir, far more than if they were raising slogans or shouting.

He looked down at Bosch through Ray-Bans, though it was well into dusk and a sky of burnt orange clouds was reflected in his mirrored lenses.

At dinner the waiter wore white gloves and served a lump of burnt lamb that bounced on the plate. Spread over the restaurant wall was an immense canvas of gauchos herding cattle into an orange sunset. An old-fashioned blonde gave up on the lamb and sat painting her nails. An Indian came in drunk and drank through three jugs of wine. His eyes were glittering slits in the red leather shield of his face. The jugs were of green plastic in the shape of penguins.

Logan wore: A pale green suit, slim-cut, of thin spring cotton, a pair of burnt-orange arsekickers with a pronounced, bulbous toe, a ruffle-fronted silver shirt open at the neck, a purple neckscarf, a pallor of magnificently wasted elegance, and his hair this season swept back at the forehead and worn just slightly longer, so that it trailed past the ruff of his jacket. Also, a three-day stubble. Was the Long Fella's opinion that, if anything, his suffering made him even more gauntly beautiful. He had all the handsome poignancy of heartbreak.

I wanted something for myself, a cake that was complicated and beautiful, a cake that would take up time I didn't have with enough tricky steps to keep my mind completely off of the matters at hand. I thought about a chocolate layer cake with burnt orange icing and the orange in the icing made me consider a Grand Marnier cake instead. Finally, in a complete non sequitur, I settled on a charlotte. I would make a scarlet empress. I closed my eyes and imagined myself making a jelly roll, the soft sheet of sponge cake laid across my counter. I spread the cake with a seedless raspberry preserve and then I rolled it up with even ends. I was nearly asleep. My parents were floating away from me. I took a knife and started slicing off the roll, but I didn't let it end. No matter how many rounds I cut, there was more there for me, an endless supply of delicate spirals of cake. It was the baker's equivalent to counting sheep, lulling myself to sleep through spongy discs of jam. There were enough slices of jelly roll for me to shingle the roof, to cover the house, to lay a walkway out to the street. In my dreams I made the house a cake, and inside the cake our lives were warm and sweet and infinitely protected.

After a great deal of culinary soul-searching I picked the almond apricot pound cake with Amaretto, a black chocolate espresso cake with a burnt-orange frosting, and the beloved sweet potato cake with rum-soaked raisins. I could either make it in a Bundt pan with a spiked glaze or I could make it in three layers with a cream-cheese frosting. In the end I settled on the latter because I knew my cream cheese was one of my greatest strengths (the secret being to substitute fiori di Sicilia for the vanilla). It made me slightly crazy to think of leaving out the lemon cake with lemon-curd frosting- everyone died over that cake- but the frosting was very wet and the layers had a tendency to slide when transported. I loved the little lime-soaked coconut cakes but so many people took issue with coconut. A genoise was perfect for showing off, but if I wasn't there to serve it myself, I couldn't trust that it would be completely understood and I didn't think there would be any point in sending a container of syrup on the side with written instructions. And what about the sticky toffee pudding with its stewed dates and caramel sauce? That was as much a cake as anything else if you were willing to expand your boundaries little. I wasn't sure about the chocolate. It was my best chocolate cake but I didn't absolutely love chocolate. Still, I knew other people did. I felt I needed an almond cake and this one worked in the apricots, but I wasn't so sure about not having a frosting. Would it seem too plain? And the sweet potato cake, I had to have that. That was the cake from which everything had started. I had to make a commitment. I had to bake.

not before it sets off soft pink shades in stucco and stones, turns the mountains from sun burnt orange to shadowed blue.

Next, we moved to dessert with a bite of berry torte, passed out in shallow bowls meant for sauce. "There are over fifteen individually prepared components in this," Matthew started. "And you must know them all!" Jake added. Matthew cleared his throat. "The important ones are: berry cake, chia seed brittle, mint-honey glaze, preserved orange peel, burnt sugar whipped cream, almond tuiles, almond-Riesling gelato, and rose meringues. Then everything is set ablaze with bay leaf-infused brandy.