β
Religion has actually convinced people that there's an invisible man living in the sky who watches everything you do, every minute of every day. And the invisible man has a special list of ten things he does not want you to do. And if you do any of these ten things, he has a special place, full of fire and smoke and burning and torture and anguish, where he will send you to live and suffer and burn and choke and scream and cry forever and ever 'til the end of time!
But He loves you. He loves you, and He needs money! He always needs money! He's all-powerful, all-perfect, all-knowing, and all-wise, somehow just can't handle money!
β
β
George Carlin
β
You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?
β
β
Mark Twain
β
They say a good love is one that sits you down, gives you a drink of water, and pats you on top of the head. But I say a good love is one that casts you into the wind, sets you ablaze, makes you burn through the skies and ignite the night like a phoenix; the kind that cuts you loose like a wildfire and you can't stop running simply because you keep on burning everything that you touch! I say that's a good love; one that burns and flies, and you run with it!
β
β
C. JoyBell C.
β
Each time someone dies, a library burns.
β
β
Jandy Nelson (The Sky Is Everywhere)
β
She wears trouble like a crown. If she ever falls in love, sheβll fall like a comet, burning the sky as she goes.
β
β
Holly Black (Black Heart (Curse Workers, #3))
β
Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because itβs heavy, a thick curtain pulled up over the eyes. Wool blanket.
β
β
Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
β
I love no one but you, I have discovered, but you are far away and I am here alone. Then this is my life and maybe, however unlikely, Iβll find my way back there. Or maybe, one day, Iβll settle for second best. And on that same day, hell will freeze over, the sun will burn out and the stars will fall from the sky.
β
β
Lemony Snicket
β
I'd never thought about what my favorite color was before. It never seemed important.
Not until I looked into a pair of ocean blue eyes and realized that perhaps drowning was a beautiful thing.
Not until I looked into a pair of fiery blue eyes and realized that perhaps burning was a painless thing.
Not until I looked into a pair of sky blue eyes and realized that perhaps falling was a peaceful thing.
I'd never thought about what my favorite color was before because I hadn't seen one that was worthy of the title. Until now, that is.
"Blue," I say, my voice low.
β
β
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
β
I have no use for divine patience -
My lips are now burning and everywhere.
I am running from every corner of this earth and sky
Wanting to kiss you.
β
β
The Subject Tonight Is Love: 60 Wild and Sweet Poems of Hafiz (Compass)
β
I painted stars and the moon and clouds and just endless, dark sky.β I finished the sixth, and was well on my way sawing through the seventh before I said, βI never knew why. I rarely went outside at nightβusually, I was so tired from hunting that I just wanted to sleep. But I wonder β¦ β I pulled out the seventh and final arrow. βI wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fireβbut that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didnβt bother to look, but to only fear it β¦ Then I didnβt particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this placeβlooking for you all.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
The lamps are burning and the starry sky is over it all.
β
β
Vincent van Gogh (The Letters of Vincent van Gogh)
β
When someone that you love dies..it's like fireworks suddenly burning out in the sky and everything going black.
β
β
Muriel Barbery (The Elegance of the Hedgehog)
β
some people meet the way the sky meets the earth, inevitably, and there is no stopping or holding back their love. It exists in a finished world, beyond the reach of common sense.
β
β
Louise Erdrich (Tales of Burning Love)
β
The More Loving One
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
β
β
W.H. Auden (Collected Shorter Poems, 1927-1957)
β
A song she heard
Of cold that gathers
Like winter's tongue
Among the shadows
It rose like blackness
In the sky
That on volcano's
Vomit rise
A Stone of ruin
From burn to chill
Like black moonrise
Her voice fell still...
β
β
Robert Fanney
β
The glitter in the sky looks as if I could scoop it all up in my hands and let the stars swirl and touch one another but they are so distant so very far apart that they cannot feel the warmth of each other even though they are made of burning.
β
β
Beth Revis (Across the Universe (Across the Universe, #1))
β
All her knowledge is gone now. Everything she ever learned, or heard, or saw. Her particular way of looking at Hamlet or daisies or thinking about love, all her private intricate thoughts, her inconsequential secret musings β theyβre gone too. I heard this expression once: Each time someone dies, a library burns. Iβm watching it burn right to the ground.
β
β
Jandy Nelson (The Sky Is Everywhere)
β
If she must grow roots, she would rather be left to flourish wild instead of pruned, would rather stand alone, allowed to grow beneath the open sky. Better that than firewood, cut down just to burn in someone elseβs hearth.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
& so whatβif my feathers
are burning. I
never asked for flight.
β
β
Ocean Vuong (Night Sky with Exit Wounds)
β
Because I am enough. My heart is enough. The stories and the sentences twisting around my mind are enough. I am fizzing and frothing and buzzing and exploding. I'm bubbling over and burning up. My early-morning walks and my late-night baths are enough. My loud laugh at the pub is enough. My piercing whistle, my singing in the shower, my double-jointed toes are enough. I am a just-pulled pint with a good, frothy head on it. I am my own universe; a galaxy; a solar system. I am the warm-up act, the main event, and the backing singers. And if this is it, if this is all there is- just me and the trees and the sky and the seas- I know now that that's enough.
β
β
Dolly Alderton (Everything I Know About Love)
β
The centripetal force on our planet is still fearfully strong, Alyosha. I have a longing for life, and I go on living in spite of logic. Though I may not believe in the order of the universe, yet I love the sticky little leaves as they open in spring. I love the blue sky, I love some people, whom one loves you know sometimes without knowing why. I love some great deeds done by men, though Iβve long ceased perhaps to have faith in them, yet from old habit oneβs heart prizes them. Here they have brought the soup for you, eat it, it will do you good. Itβs first-rate soup, they know how to make it here. I want to travel in Europe, Alyosha, I shall set off from here. And yet I know that I am only going to a graveyard, but itβs a most precious graveyard, thatβs what it is! Precious are the dead that lie there, every stone over them speaks of such burning life in the past, of such passionate faith in their work, their truth, their struggle and their science, that I know I shall fall on the ground and kiss those stones and weep over them; though Iβm convinced in my heart that itβs long been nothing but a graveyard. And I shall not weep from despair, but simply because I shall be happy in my tears, I shall steep my soul in emotion. I love the sticky leaves in spring, the blue sky β thatβs all it is. Itβs not a matter of intellect or logic, itβs loving with oneβs inside, with oneβs stomach.
β
β
Fyodor Dostoevsky (The Brothers Karamazov)
β
Blue as the evening sky, blue as cranesbill flowers, blue as the lips of drowned men and the heart of a blaze burning with too hot a flame. Yes, sometimes it was hot in this world, too. Hot and cold, light and dark, terrible and beautiful, it was everything all at once. It wasn't true that you felt nothing in the land of Death. You felt and heard and smelled and saw, but your heart remained strangely calm, as if it were resting before the dance began again.
Peace. Was that the word?
β
β
Cornelia Funke (Inkdeath)
β
Your kisses lift me higher...like the sweet song of a choir. You light my morning sky, with burning love.
β
β
Elvis Presley
β
I want a trouble-maker for a lover, blood spiller, blood drinker, a heart of flame, who quarrels with the sky and fights with fate, who burns like fire on the rushing sea.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
Everything started the night I saw the burning man fall from the sky.
β
β
Gwen Hayes (Falling Under (Falling Under, #1))
β
It was a pleasure to burn.
It was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning.
β
β
Ray Bradbury (Fahrenheit 451)
β
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?
β
β
William Blake
β
my dear, I have nothing to say.
my heart burns
like the evening sky.
β
β
Sanober Khan
β
If every life is a river, then it's little wonder that we do not even notice the changes that occur until we are far out in the darkest sea. One day you look around and nothing is familiar, not even your own face.
My name once meant daughter, grandaughter, friend, sister, beloved. Now those words mean only what their letters spell out; Star in the night sky. Truth in the darkness.
I have crossed over to a place where I never thought I'd be. I am someone I would have never imagined. A secret. A dream. I am this, body and soul. Burn me. Drown me. Tell me lies. I will still be who I am.
β
β
Alice Hoffman (Incantation)
β
Watching the two of you interact, it was like watching fireworks light up the night sky. You two burn brighter when you're together.
β
β
J. Sterling (The Perfect Game (The Perfect Game, #1))
β
And then we're kissing. His lips are soft and leave mine tingling. I close my eyes, and in the darkness behind them I see beautiful blooming things, flowers spinning like snowflakes, and hummingbirds beating the same rhythm as my heart. I'm gone, lost, floating away into nothingness like I am in my dream, but this time it's a good feeling - like soaring, like being totally free. His other hand pushes my hair from my face, and I can feel the impression of his fingers everywhere that they touch, and I think of stars streaking through the sky and leaving burning trails behind them, and in that moment - however long it lasts, seconds, minutes, days - while he's saying my name into my mouth and I"m breathing into him, I realize this, right here, is the first and only time I've ever been kissed.
β
β
Lauren Oliver (Before I Fall)
β
A society that has to burn witches to hold itself together is a society that has already failed, and just doesn't know it yet.
β
β
Charlie Jane Anders (All the Birds in the Sky)
β
When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least must know
It is the change to darkness in the sky.
Murmuring something quiet in her breast,
One bird begins to close a faded eye;
Or overtaken too far from his nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, 'Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be, be.
β
β
Robert Frost
β
Failing and Flying"
Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.
β
β
Jack Gilbert (Refusing Heaven: Poems)
β
Burning, Burning! Fire in the sky.
No way from the wasteland and we all gonna die.
β
β
Nick Mad
β
Not until I looked into a pair of fiery blue eyes and realized that perhaps burning was a painless thing. Not until I looked into a pair of sky-blue eyes and realized that perhaps falling was a peaceful thing. Iβd never thought about what my favorite color was before because I hadnβt seen one that was worthy of the title. Until now, that is.
β
β
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
β
You can live forever for me.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
There are worlds out there where the sky is burning, where the sea's asleep and the rivers dream, people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice and somewhere else the tea is getting cold. Come on, Ace, we've got work to do.
β
β
Sylvester McCoy
β
I am the pool of gold
When sunset burns and dies--
You are my deepening skies;
Give me your stars to hold
β
β
Sara Teasdale
β
High Flight
Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward Iβve climbed, and joined the tumbling mirth
of sun-split clouds, β and done a hundred things
You have not dreamed of β wheeled and soared and swung
High in the sunlit silence. Hovβring there,
Iβve chased the shouting wind along, and flung
My eager craft through footless halls of air....
Up, up the long, delirious, burning blue
Iβve topped the wind-swept heights with easy grace.
Where never lark, or even eagle flew β
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
- Put out my hand, and touched the face of God.
β
β
John Gillespie Magee Jr.
β
I was ready to start over as a comet: refuel, reignite, and burn across the sky.
β
β
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
β
Morfran thrust his axe straight up. He pretty much seemed to have one sign for everything: poke a hole in the sky.
β
β
Ilona Andrews (Magic Burns (Kate Daniels, #2))
β
When the war has lasted twenty years...
the dragonets will come.
When the land is soaked in blood and tears...
the dragonets will come.
Find the SeaWing egg of deepest blue.
Wings of night shall come to you.
The largest egg in mountain high
will give to you the wings of sky.
For wings of earth, search through the mud
for an egg the color of dragon blood.
And hidden alone from the rival queens,
the SandWing egg awaits unseen.
Of three queens who blister and blaze and burn,
two shall die and one shall learn
if she bows to a fate that is stronger and higher,
she'll have the power of wings of fire.
Five eggs to hatch on brightest night,
five dragons born to end the fight.
Darkness will rise to bring the light.
The dragonets are coming....
β
β
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
β
Dreams are not real; but when you are inside a dream, it is real to you.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
Burning is the right way to paint it. You feel yourself getting so hot, day after day. Hotter and hotter. It gets to be too much. Even for stars. At some point they fizzle out or explode. Cease to be. But if you're looking up at the sky, you don't see it that way. You think those stars are still there. Some aren't. Some are already gone. Long gone. I guess, now, so am I.
β
β
Val Emmich (Dear Evan Hansen)
β
I meet those fierce yellow-green eyes. Even in the wake of my pain, she has this resilience that's more beautiful than words can describe. It's fire to my water. And I want her to burn me alive.
β
β
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
β
Love will make you weak and indecisive, remember?" she murmured.
What a fool he had been. For a journey like theirs, love was the only thing that would make him strong enough.
"Don't ever listen to an idiot like me," he answered.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
Later, as he plays and plays, as all the fog burns away, I think, he's right. That's exactly it--I am crazy sad, and somewhere deep inside, all I want is to fly.
β
β
Jandy Nelson (The Sky Is Everywhere)
β
You overestimate the courage of those in power. They are often more interested in holding on to that power than in doing anything worthwhile with it.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!"
He grasped my hands, fixing me with a steady blue gaze.
"Aye, I would," he said. "But I wasna carrying your child."
The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away.
"You can't tell," I said, at last. "It's much too soon to be sure."
He snorted briefly, and a tiny flicker of amusement lit his eyes.
"And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days."
"You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!"
"Didn't you?"
"No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late.
"Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does."
He lifted one brow, and cupped a broad hand gently beneath my breast.
"Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you."
I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me.
Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky.
"Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
β
β
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
β
I live for you, and you alone.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
As long as I live and breathe, I will be with you.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
We will never accomplish anything worthwhile in life if we require the guarantee of success at the onset.
β
β
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
β
Do not try to be pretty. You werenβt meant to be pretty; you were meant to burn down the earth and graffiti the sky. Donβt let anyone ever simplify you to just βpretty.ββ
β Things I Wish My Mother Had Taught Me
β
β
Suzanne Rivard
β
And the more they asked, the more they wondered. And the more they wondered, the more they hoped. And the more they hoped, the more the clouds of sorrow lifted, drifted, and burned away in the heat of a brightening sky.
β
β
Kelly Barnhill (The Girl Who Drank the Moon)
β
People encounter God under shady oak trees, on riverbanks, at the tops of mountains, and in long stretches of barren wilderness. God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers. When people want to know more about God, the son of God tells them to pay attention to the lilies of the field and the birds of the air, to women kneading bread and workers lining up for their pay. Whoever wrote this stuff believed that people could learn as much about the ways of God from paying attention to the world as they could from paying attention to scripture. What is true is what happens, even if what happens is not always right. People can learn as much about the ways of God from business deals gone bad or sparrows falling to the ground as they can from reciting the books of the Bible in order. They can learn as much from a love affair or a wildflower as they can from knowing the Ten Commandments by heart.
β
β
Barbara Brown Taylor (An Altar in the World: A Geography of Faith)
β
When they (the men, the scavengers)
come for you, do not give yourself
to them so easily.
Wear your strength like armour,
fight like a beast.
Do not let them tell you that
you belong to them.
Be fearless.
Be a lion.
Be like lava.
Rip them apart,
and burn their bones.
And when you are done,
tell the world that
you belong to no man.
That you are a lady,
a warrior,
a tsunami,
and you belong only to yourself.
β
β
Zaeema J. Hussain (The Sky Is Purple)
β
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat.
And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
β
β
Gillian Flynn (Sharp Objects)
β
The glow flares brightβbright as the billion-year-old light around us. Bright as a sun.
Almost every particle in the universe was once part of a star.
First, hydrogen condensing and collapsing, bringing radiance to the void.
Furnaces burning bright, then fading, giving all they had left back into the cosmos.
Carbon and oxygen. Iron and gold.
Vast clouds swirling with their own gravity. Coalescing and disintegrating.
Generation to generation.
The remnants of stellar alchemy, stirring into life, then consciousness.
Crawling from the oceans. Taking to the skies.
And from there, back to the stars that birthed them.
A perfect circle.
β
β
Amie Kaufman (Illuminae (The Illuminae Files, #1))
β
And still the brain continues to yearn, continues to burn, foolishly, with desire. My old man's brain is mocked by a body that still longs to stretch in the sun and form a beautiful shape in someone else's gaze, to lie under a blue sky and dream of helpless, selfless love, to behold itself, illuminated, in the golden light of another's eyes.
β
β
Meg Rosoff (What I Was)
β
My mouth is a fire escape.
The words coming out
don't care that they are naked.
There is something burning in here.
When it burns I hold my own shell to my ear,
listen for the parade from when I was seven,
when the man who played the bagpipes
wore a skirt.
He was from Scotland.
I wanted to move there.
Wanted my spine to be the spine
of an unpublished book,
my faith the first and last page.
The day my ribcage became monkey bars
for a girl hanging on my every word
they said, "You are not allowed to love her."
Tried to take me by the throat
to teach me, "You are not a boy."
I had to unlearn their prison speak,
refusing to make wishes on the star
on the sheriff's chest.
I started taking to the stars in the sky instead.
I said, "Tell me about the big bang."
The stars said, "It hurts to become.
β
β
Andrea Gibson (The Madness Vase)
β
To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earthβs crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.
β
β
Anthony Doerr (All the Light We Cannot See)
β
See, the problem with boobs is if you have big ones, you can never look thin. You get these burns on your shoulders from bra straps, and your back hurts. And unless you're using them for their intended purpose, they're always in the way."
"In the way of what? My hands, My face? Don't you blaspheme in here." He looked up to the sky. "She didn't mean it, Lord. Promise.
β
β
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
β
The sky is purple, the flare of a match behind a cupped hand is gold; the liquor is green, bright green, made from a thousand herbs, made from altars. Those who know enough to drink Chartreuse at Mardi Gras are lucky, because the distilled essence of the town burns in their bellies. Chartreuse glows in the dark, and if you drink enough of it, your eyes will turn bright green.
β
β
Poppy Z. Brite (Lost Souls)
β
The setting sun burned the sky pink and orange in the same bright hues as surfers' bathing suits. It was beautiful deception, Bosch thought, as he drove north on the Hollywood Freeway to home. Sunsets did that here. Made you forget it was the smog that made their colors so brilliant, that behind every pretty picture there could be an ugly story.
β
β
Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
β
You didn't think I really liked you? Do you think I really like you now?"
He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that."
Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?"
He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat.
And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them.
You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that."
She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
β
β
Holly Black (Valiant (Modern Faerie Tales, #2))
β
So the days slipped away, as each morning dawned bright and fair, and each evening followed cool and clear. But autumn was waning fast; slowly the golden light faded to pale silver, and the lingering leaves fell from the naked trees. A wind began to blow chill from the Misty Mountains to the east. The Hunter's Moon waxed round in the night sky, and put to flight all the lesser stars. But low in the South one star shone red. Every night, as the Moon waned again, it shone brighter and brighter. Frodo could see it from his window, deep in the heavens, burning like a watchful eye that glared above the trees on the brink of the valley.
β
β
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
β
At the end of her life she was aware of heat but not pain. She had time to consider his eyes, eyes of that blue which is the color of the sky at first light of the morning. She had time to think of him on the Drop, riding Rusher flat out with his black hair flying back from his temples and his neckerchief rippling; to see him laughing with an ease and freedom he would never find again in the long life which stretched out for him beyond hers, and it was his laughter she took with her as she went out, fleeing the light and heat in to the silkly, consoling dark, calling to him over and over as she went, calling bird and bear and hare and fish.
β
β
Stephen King (Wizard and Glass (The Dark Tower, #4))
β
I feel likeβ¦β I caught the sob in my chest and swallowed it, suddenly embarrassed. He leaned in closer to me. βLike what?β My eyes ran over his face. The scruff on his jaw. The dark lashes around his blue eyes. βLike Iβm a flame about to burn out.β My voice was so thin it sounded like I could reach out and break it with my fingers. βLike Iβm going to disappear.
β
β
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
β
This is our goal as writers, I think; to help others have this sense of--please forgive me--wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds. When this happens, everything feels more spacious. Try walking around with a child who's going, "Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!" And the child points and you look, and you see, and you start going, "Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!" I think this is how we are supposed to be in the world--present and in awe.
β
β
Anne Lamott
β
Looking for Your Face
From the beginning of my life
I have been looking for your face
but today I have seen it
Today I have seen
the charm, the beauty,
the unfathomable grace
of the face
that I was looking for
Today I have found you
and those who laughed
and scorned me yesterday
are sorry that they were not looking
as I did
I am bewildered by the magnificence
of your beauty
and wish to see you
with a hundred eyes
My heart has burned with passion
and has searched forever
for this wondrous beauty
that I now behold
I am ashamed
to call this love human
and afraid of God
to call it divine
Your fragrant breath
like the morning breeze
has come to the stillness of the garden
You have breathed new life into me
I have become your sunshine
and also your shadow
My soul is screaming in ecstasy
Every fiber of my being
is in love with you
Your effulgence
has lit a fire in my heart
and you have made radiant
for me
the earth and sky
My arrow of love
has arrived at the target
I am in the house of mercy
and my heart
is a place of prayer
β
β
Jalal ad-Din Muhammad ar-Rumi (The Love Poems of Rumi)
β
When I was youngβ β¦ βBefore I was twenty, I mean, I used to think that life was a thing that kept gaining impetus, it would get richer and deeper each year. You kept learning more, getting wiser, having more insight, going further into the truthβ β she hesitated.
Port laughed abruptly. β βAnd now you know itβs not like that. Right? Itβs more like smoking a cigarette. The first few puffs it tasted wonderful, and you donβt even think of its ever being used up. Then you begin taking it for granted. Suddenly you realize itβs nearly burned down to the end. And thenβs when youβre conscious of the bitter taste.
β
β
Paul Bowles (The Sheltering Sky)
β
Laments of an Icarus
The paramours of courtesans
Are well and satisfied, content.
But as for me my limbs are rent
Because I clasped the clouds as mine.
I owe it to the peerless stars
Which flame in the remotest sky
That I see only with spent eyes
Remembered suns I knew before.
In vain I had at heart to find
The center and the end of space.
Beneath some burning, unknown gaze
I feel my very wings unpinned
And, burned because I beauty loved,
I shall not know the highest bliss,
And give my name to the abyss
Which waits to claim me as its own.
β
β
Charles Baudelaire
β
The summer of 2019 had overstayed its welcome in Florida,
lingering well into September. As if to make a point about global
warming, the rabid sun scorched the waters of Biscayne Bay for
weeks, generating a haze of humidity that blurred the line between
the windless sea and the sky above. Not to be accused of playing
favorites, the sunβs rays beat down on the land with equal spite,
pummeling grass, palms, and bushes into limp submission. The
heat weaponized asphalt roads and cement sidewalks, the shimmery
mirages above them a clear warning to all living things to stay away
or burn.
β
β
J.K. Franko (Eye for Eye (Talion #1))
β
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position β but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
β
β
Emily St. John Mandel (Station Eleven)
β
Burn, burn tree and fern!
Shrivel and scorch! A fizzling torch
To light the night for our delight,
Ya hey!
Bake and toast βem, fry and roast βem!
till beards blaze, and eyes glaze;
till hair smells and skins crack,
fat melts, and bones black
in cinders lie
beneath the sky!
So dwarves shall die,
and light the night for our delight,
Ya hey!
Ya-harri-hey!
Ya hoy!
β
β
J.R.R. Tolkien (The Hobbit (The Lord of the Rings, #0))
β
I took the dog out for a walk tonight, and together we wandered across the meadow next door. It was a warm summer's night, dark, and moonless. There were a handful of fireflies flickering intermittently, some so close to me I could see they were burning green as they flew, and some further away, who seemed to be flashing white.
And in the sky above them a continual roil of distant summer lightning (the storm distant enough that it was silent) burned and flashed and illuminated the clouds. It seemed as if the lightning bugs were talking to the lightning, in a perfect call and response of flash and counterflash. I watched the sky and the meadow flash and flash while the dog walked ahead of me, and realised that I was perfectly happy...
β
β
Neil Gaiman
β
The fire roared down upon us. It curled through our hair, then wrapped around our wrists and faces, trying to drag us apart. It seared across my skin, hotter than the Heart of Fire, and yet more painful was how it seared through my mind. The fire burned away my memories, taking back his name and mine, both of my pasts and all of my hopes, the sky and the sparrow and the world itself. I clung to somebody I did not know, could not imagine knowing, but I still knew beyond all doubt that he was mine.
We fell until we had been falling forever and always, and always would continue falling, because nothing existed outside this chaos of fire and shadow.
But I held on to him.
And he held on to me.
β
β
Rosamund Hodge (Cruel Beauty)
β
They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot.
I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them?
I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls.
I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor.
We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.
β
β
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
β
Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
β
β
Nikki Giovanni
β
I'm so alive.
As I stand facing the beauty of the never-ending Pacific Ocean, a late afternoon breeze blows down from the hills behind. As always, it is a beautiful day. The sun is making its final descent. The magic is about to begin. The skies are ready to burn with brilliance, as it turns from a soft blue to a bright orange. Looking towards the West, I stare in awe at the hypnotic power of the waves. A giant curl begins to take form, then breaks with a thundering clap as it crashes on the shore.
β
β
Dave Pelzer (A Child Called "It" (Dave Pelzer, #1))
β
The boy's eyes went to him, and a shock passed through Magnus. They were not Will's eyes, the eyes Magnus remembered being as blue as a night sky in Hell, eyes Magnus has seen both despairing and tender.
This boy has shining golden eyes, like crystal glass filled brimful with crisp white wine and held up to catch the light of a blazing sun. If his skin was luminous, his eyes were radiant. Magnus could not imagine these eyes as tender. The boy was very, very lovely, but his was a beauty like that of Helen of Troy might have had once, disaster written in every line. The light of his beauty made Magnus think of cities burning.
β
β
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
β
Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this great everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join? Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus: knows its place, loves it, and is happy; every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.
β
β
Fyodor Dostoevsky (The Idiot)
β
The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows.
You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die?
Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
β
β
Stephen King (The Gunslinger (The Dark Tower, #1))
β
He's bent over the strings tuning his guitar with such passionate attention I almost feel I should look away but I can't. In fact I'm full on gawking wondering what it would be like to be cool and casual and fearless and passionate and so freaking alive just like he is- and for a split second I want to play with him. I want to disturb the birds. Later as he plays and plays as all the fog burns away I think he's right. That's exactly it- I am crazy sad and somewhere deep inside all I want is to fly.
β
β
Jandy Nelson (The Sky Is Everywhere)
β
Jesper struck a match and one, two, three, four, five of the rockets Wylan had prepared were screaming toward the sky, exploding in crackling bursts of color. The last was a shimmer of pink. Strontium chloride, Wylan had told him, working away on his collection of fireworks and explosives, flash bombs, weevils, and whatever else was needed. In the dark, it burns red.
Things are always more interesting in the dark, Jesper had replied. He hadnβt been able to help it. Really, if the merchling was going to offer those kinds of opportunities, he had a duty to take them.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
We're the unmended, the untended,
cold soldiers of the shoe. We're the neglected,
the never resurrected, agonies of the few.
We're the once kissed, unmissed and always
refused. Because we're the unfinished
and feared and we're never pursued.
And just that easily, on my behalf,
I come around. Because I'm burning.
The beast of War feeds only on the meats of War.
And now I'm for carnage.
Here's how my anguish frees.
Destroy everyone of course. Because I'm unwanted
and unsafe. And I'll take tears away with torments and rape,
killings and fears not even the dead will escape.
Encircling the Guilty, Ashamed, Blameless and
Enslaved. Absolved. Butchering their prejudice.
Patience. Their Value. Because I'm without value.
I'm the coming of every holocaust. Turning no lost.
Rending tissue, sinew and bone. Excepting no suffering.
By me all levees will break. All silos heave.
I will walk heavy.
And I will walk strange.
Because I am too soon.
Because without Her, I am only revolutions
Of ruin.
Because I am too soon.
Because without You, I am only revolutions
Of ruin.
I'm the prophecy prophecies pass.
Why need dies at last.
How oceans dry. Islands drown.
And skies of salt crash to the ground.
I turn the powerful. Defy the weak.
Only grass grows down abandoned streets.
For a greater economy shall follow Us
and it will be undone.
And a greater autonomy shall follow Us
and it too will be undone.
And a greater feeling shall follow Love
and it too we will blow to dust.
For I am longings without trust. The cycloidal haste
freedom from Hailey forever wastes.
Dust cares for only dust.
And time only for Us.
Because I am too soon.
Because without Her, I am only revolutions
Of ruin.
Because I am too soon.
Because without You, I am only revolutions
Of ruin.
We are always sixteen...
β
β
Mark Z. Danielewski (Only Revolutions)
β
Love Forever
If I were the trees ...
I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet...
so you might know wonder.
If I were the mountains ...
I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ...
so you might know freedom.
If I were the ocean ...
I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters,
so you might know peace.
If I were the stars ...
I would sparkle like never before and fall from the sky as gentle rain,
so that you would always look towards heaven and know that you can reach the stars.
If I were the moon ...
I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty,
so you might know that all the Earth is at your command.
If I were the sun ...
I would warm and glow like never before and light the sky with orange and pink,
so you would gaze upward and always know the glory of heaven.
But I am me ...
and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart,
and this I will do until ...
the mountains crumble down ...
and the oceans dry up ...
and the stars fall from the sky ...
and the sun and moon burn out ...
And that is forever.
β
β
Camron Wright (The Rent Collector)
β
Sarah Cynthia Sylvia Stout
Would not take the garbage out!
She'd scour the pots and scrape the pans,
Candy the yams and spice the hams,
And though her daddy would scream and shout,
She simply would not take the garbage out.
And so it piled up to the ceilings:
Coffee grounds, potato peelings,
Brown bananas, rotten peas,
Chunks of sour cottage cheese.
It filled the can, it covered the floor,
It cracked the window and blocked the door
With bacon rinds and chicken bones,
Drippy ends of ice cream cones,
Prune pits, peach pits, orange peel,
Gloppy glumps of cold oatmeal,
Pizza crusts and withered greens,
Soggy beans and tangerines,
Crusts of black burned buttered toast,
Gristly bits of beefy roasts. . .
The garbage rolled on down the hall,
It raised the roof, it broke the wall. . .
Greasy napkins, cookie crumbs,
Globs of gooey bubble gum,
Cellophane from green baloney,
Rubbery blubbery macaroni,
Peanut butter, caked and dry,
Curdled milk and crusts of pie,
Moldy melons, dried-up mustard,
Eggshells mixed with lemon custard,
Cold french fried and rancid meat,
Yellow lumps of Cream of Wheat.
At last the garbage reached so high
That it finally touched the sky.
And all the neighbors moved away,
And none of her friends would come to play.
And finally Sarah Cynthia Stout said,
"OK, I'll take the garbage out!"
But then, of course, it was too late. . .
The garbage reached across the state,
From New York to the Golden Gate.
And there, in the garbage she did hate,
Poor Sarah met an awful fate,
That I cannot now relate
Because the hour is much too late.
But children, remember Sarah Stout
And always take the garbage out!
β
β
Shel Silverstein
β
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
β
β
Mark Z. Danielewski (House of Leaves)
β
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark.
You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came.
...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
β
β
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
β
Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky.
Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. βThe Blackthorn manor,β he said. βWhich means that around this bend in the road is β¦β He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante β Clary could see the demon towers in the distance β while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. β β¦ the Herondale manor,β Jace finished.
The wind picked up; icy, it ruffled Jaceβs hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. βDid you want to go and look at it?β she asked.
His breath came out in a white cloud. βIβm not sure.
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Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
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Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
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Ray Bradbury (Something Wicked This Way Comes)
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Water is the most versatile of all elements. It isn't afraid to burn in fire or fade into the sky, it doesn't hesitate to shatter against sharp rocks in rainfall or drown into the dark shroud of the earth. It exists beyond all eginnings and ends. On the surface nothing will shift, but deep in underground silence, water will hide and with soft fingers coax a new channel for itself, until stone gives in and slowly settles around the secret space.
Death is water's close companion, and neither of them can be separated from us, for we are made of the versatilitiy of water and the closeness of death. Water doesn't belong to us, be we belong to water: when it has passed through our fingers and pores and bodies, nothing separates us from earth.
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Emmi ItΓ€ranta (Memory of Water)
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Angels can fly because they can take themselves lightly. This has been always the instinct of Christendom, and especially the instinct of Christian art. Remember how Fra Angelico represented all his angels, not only as birds, but almost as butterflies. Remember how the most earnest mediaeval art was full of light and fluttering draperies, of quick and capering feet. It was the one thing that the modern Pre-raphaelites could not imitate in the real Pre-raphaelites. Burne-Jones could never recover the deep levity of the Middle Ages. In the old Christian pictures the sky over every figure is like a blue or gold parachute. Every figure seems ready to fly up and float about in the heavens. The tattered cloak of the beggar will bear him up like the rayed plumes of the angels. But the kings in their heavy gold and the proud in their robes of purple will all of their nature sink downwards, for pride cannot rise to levity or levitation. Pride is the downward drag of all things into an easy solemnity. One "settles down" into a sort of selfish seriousness; but one has to rise to a gay self-forgetfulness. A man "falls" into a brown study; he reaches up at a blue sky. Seriousness is not a virtue. It would be a heresy, but a much more sensible heresy, to say that seriousness is a vice. It is really a natural trend or lapse into taking one's self gravely, because it is the easiest thing to do. It is much easier to write a good Times leading article than a good joke in Punch. For solemnity flows out of men naturally; but laughter is a leap. It is easy to be heavy: hard to be light. Satan fell by the force of gravity.
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G.K. Chesterton
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I am Cinna's bird, ignited, flying frantically to escape something inescapable. The feathers of flame that grow from my body. Beating my wings only fans the blaze. I consume myself, but to no end.
Finally, my wings begin to falter, I lose height, and gravity pulls me into a foamy sea the color of Finnick's eyes. I float on my back, which continues to burn beneath the water, but the agony quiets to pain. When I am adrift and unable to navigate, that's when they come. The dead.
The ones I loved fly as birds in the open sky above me. Soaring, weaving, calling to me to join them. I want so badly to follow them, but the seawater saturates my wings, making it impossible to lift them. The ones I hated have taken to the water, horrible scaled things that tear my salty flesh with needle teeth. Biting again and again. Dragging me beneath the surface.
The small white bird tinged in pink dives down, buries her claws in my chest, and tries to keep me afloat.
"No, Katniss! No! You can't go!"
But the ones I hated are winning, and if she clings to me, she'll be lost as well. "Prim, let go!" And finally she does.
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Suzanne Collins
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Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonaldβs French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
But more important than any of these was the vast, accretive weight of small things, from planes which hadnβt crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that werenβt random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talithaβs blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in timeβs great helix. For every brick that landed on the ground instead of some little kidβs head, for every tornado that missed the trailer park, for every missile that didnβt fly, for every hand stayed from violence, there was the Tower.
And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
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Stephen King (Wolves of the Calla (The Dark Tower, #5))
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There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame.
The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love.
The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love.
The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.
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Mervyn Peake (Titus Groan (Gormenghast, #1))
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Your soul is oftentimes a battlefield, upon which your reason and your judgment wage war against your passion and your appetite.
Would that I could be the peacemaker in your soul, that I might turn the discord and the rivalry of your elements into oneness and melody.
But how shall I, unless you yourselves be also the peacemakers, nay, the lovers of all your elements?
Your reason and your passion are the rudder and the sails of your seafaring soul. If either your sails or your rudder be broken, you can but toss and drift, or else be held at a standstill in mid-seas.
For reason, ruling alone, is a force confining; and passion, unattended, is a flame that burns to its own destruction.
Therefore let your soul exalt your reason to the height of passion, that it may sing;
And let it direct your passion with reason, that your passion may live through its own daily resurrection, and like the phoenix rise above its own ashes.
I would have you consider your judgment and your appetite even as you would two loved guests in your house.
Surely you would not honour one guest above the other; for he who is more mindful of one loses the love and the faith of both.
Among the hills, when you sit in the cool shade of the white poplars, sharing the peace and serenity of distant fields and meadows -- then let your heart say in silence, "God rests in reason."
And when the storm comes, and the mighty wind shakes the forest, and thunder and lightning proclaim the majesty of the sky -- then let your heart say in awe, "God moves in passion."
And since you are a breath in God's sphere, and a leaf in God's forest, you too should rest in reason and move in passion.
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Kahlil Gibran
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Do not miss me, because I will always be with you. In every drop of rain that touches your tongue, in every breath of air you inhale. In the tips of the leaves that you brush with your fingertips as you pass by. I will be there, in every moment. I am not gone, I am only altered, from this state of matter to another. For a moment, for too brief a moment, I was the man that loved you, but now that I am changed, I am the air, the moon, the stars. For we are all made of stars, my beloved.
You and I, and all of life, we were all born out of the death of a star, millions of billions of years ago. A star that lived long and then, before its death, burned at its brightest, its fiercest - an enflaming supernova. But when it died, it did not cease to exist; instead everything it was made of became part of the universe once again, and everything that is part of the universe will once more become part of us.
So do not miss me, because I do not die; I transform - into the wind in the tops of the trees, the wave on the ocean, the pebbles under your foot, the dust on your bookshelves, the midnight sky.
Wherever you look, I will be there.
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Rowan Coleman (We Are All Made of Stars)