Burn Your Bridges Quotes

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When you find your reason for living, hold onto it. Never let it go. Even if it means burning other bridges along the way.
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
you don't have to worry about burning bridges, if you're building your own
Kerry E. Wagner
If you're gonna burn a bridge behind you, make sure you've crossed it first.
Quentin R. Bufogle
You might not want to burn your bridges when you're standing on an island.
Jennifer Niven (Holding Up the Universe)
Life is an adventure of passion, risk, danger, laughter, beauty, love; a burning curiosity to go with the action to see what it is all about, to go search for a pattern of meaning, to burn one's bridges because you're never going to go back anyway, and to live to the end.
Saul D. Alinsky (Reveille for Radicals)
Some say, don't burn your bridges. I say, if necessary, let the kerosene kiss it on the lips, and watch it turn to ash. There's always more than one way to cross the water.
Rudy Francisco
But...what if I mistime it?" Gilan smiled widely. "Well, in that case, I'll probably lop your head off your shoulders." Horace and Gilan
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
When your army has crossed the border, you should burn your boats and bridges, in order to make it clear to everybody that you have no hankering after home.
Sun Tzu (The Art of War)
How to be Like RBG: Work for what you believe in, but pick your battles, and don’t burn your bridges. Don’t be afraid to take charge, think about what you want, then do the work, but then enjoy what makes you happy, bring along your crew, have a sense of humor. -Ruth Bader Ginsburg, Notorious RBG by Irin Carmon
Ruth Bader Ginsburg
You signed no contract to become a parent, but the responsibilities were written in invisible ink. There was a point when you had to support your child, even if no one else would. It was your job to rebuild the bridge, even if your child was the one who burned it in the first place.
Jodi Picoult (The Tenth Circle)
You got nothing left here but enemies in the Junior League and a mama that's gonna drive you to drink. You done burned ever bridge there is. And you ain't never gone get another boyfriend in this town and everbody know it. So don't walk your white butt to New York, run it.
Kathryn Stockett (The Help)
Sometimes the bridges you burn light the way out of your darkness, but the memory of the blaze will be burned into your heart and mind forever.
Shannon L. Alder
The Cutter leaned toward me, resting his forehead against mine. 'Fool me once,' he whispered, 'shame on you.' He pressed the bridge of his nose against mine, his breath burning the back of my throat. His voice was rough and furious. 'Fool me twice, and I will cut out your fucking throat.
Brenna Yovanoff (The Replacement)
did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you've never heard of but always pass through there are no neon lights here no skyscapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing you lips will touch i am not police sirens i am the crackle of a fireplace i'd burn you and you still couldn't take your eyes off of me cause i'd look so beautiful doing it you'd blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don't come here with expectations and try to make a vacation out of me
Rupi Kaur (milk and honey)
You just know something is amiss, when you look at someone and long for something that is not yours or you cannot have. It's an absence--a loss of a heartbeat.
Nadège Richards (Burning Bridges (Bleeding Heart, #1))
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
I might be burning bridges, but they're my bridges to burn.
Whitney Gardner (You're Welcome, Universe)
You didn't think I really liked you? Do you think I really like you now?" He turned toward her, uncertainty in his face."You did go quite a lot of effort to be having this conversation, but... I don't want to read too much of what I hope into that." Val stretched out beside him, resting her head in the crook of his arm. "What do you hope?" He pulled her close, hands careful not to touch her wounds as they wrapped around her. "I hope that you feel for me as I do for you," he said, his voice like a sigh against her throat. And how is that?" she asked, her lips so close to his jaw that she could taste the salt of his skin when she moved them. You carried my heart in your hands tonight," he said. "But I have felt as if you carried it long before that." She smiled and let her eyes drift closed. They lay there together, under the bridge, city lights burning outside the windows like a sky full of falling stars, as they slid off into sleep
Holly Black (Valiant (Modern Faerie Tales, #2))
When you find your reason for living, hold on to it. Never let it go. Even if it means burning other bridges along the way. - Rush Finlay
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
You never forget your first and true love, Ayden Grey. Not officially, not ever.
Nadège Richards (Deceiving Destiny (Bleeding Heart, #2))
Some women desire a man who will burn the world to be with her. Some desire a man who will save the world at the cost of her. Which sort of man he is may be beyond your control, but you can choose which woman you wish to be.
Danielle L. Jensen (The Endless War (The Bridge Kingdom, #4))
There's no fall greater than one from a burnt bridge.
Carlos Wallace (Life Is Not Complicated-You Are: Turning Your Biggest Disappointments into Your Greatest Blessings (Printed in Spanish))
Keep your heart and mind open, Taylor. Don't make any rash decisions that you might regret later on. Sometimes things in life aren't as clear as we would like them to be, especially in the beginning. When the time is right, you'll know it. Just don't burn the bridge before you ever get the chance to cross it.
Rose Wynters (My Wolf Protector (Wolf Town Guardians, #2))
When you find your reason for living, hold on to it. Never let it go. Even if it means burning other bridges along the way. —Rush Finlay
Abbi Glines (The Rosemary Beach Collection: Rush and Blaire (Too Far, #1-3))
I do want to remake the world so that I can be with you. So that I can get down on my knees and ask you to be my wife. So that I can put a crown on your head and make you my queen. So I can build a shrine and worship you as my goddess. I want all of these things, yet I face a future with none of them, and I don't know whether I want to fall on my own blade or burn everything to ash because I do not want to let you go.
Danielle L. Jensen (The Inadequate Heir (The Bridge Kingdom, #3))
You're mine, Echo, and I'll treasure you forever.
Nadège Richards (Fleeting Fires (Bleeding Heart, #3))
Do you hear me, Callie? I’ll never leave you. Not in this life or whatever comes after. You are mine. And I will burn this world to fucking ashes before I let anything take you from me. Or me from you.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
Real arms races are run by highly intelligent, bespectacled engineers in glass offices thoughtfully designing shiny weapons on modern computers. But there's no thinking in the mud and cold of nature's trenches. At best, weapons thrown together amidst the explosions and confusion of smoky battlefields are tiny variations on old ones, held together by chewing gum. If they don't work, then something else is thrown at the enemy, including the kitchen sink - there's nothing "progressive" about that. At its usual worst, trench warfare is fought by attrition. If the enemy can be stopped or slowed by burning your own bridges and bombing your own radio towers and oil refineries, then away they go. Darwinian trench warfare does not lead to progress - it leads back to the Stone Age.
Michael J. Behe (The Edge of Evolution: The Search for the Limits of Darwinism)
It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat. Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged. Since that neolithic moment when first a horse was haltered, there were those among men who understood this. They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square. For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.
Nicholas Evans (The Horse Whisperer)
You don't know how to respond," Ferrin said. "I'll make it easy for you. The safest course of action for your young rebellion would be to toss me off the tallest cliff you can find. I have played a perilous game for years--trading secrets, telling lies, finding leverage, earning trust only to betray it. I got away with an eccentric lifestyle among Maldor's elite by hiding much of what I learned and proving myself too valuable to kill. It was a precarious, unforgiving game. When I released you from Felrook, I miscalculated, and I lost Game over. Bridges burned. But the game is part of my nature. I don't think I can stop playing until I stop breathing.
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
When it comes to your relationships, don't burn the bridge. When it comes to making career/brand shift, burn the bridge to the ground.
Assegid Habtewold (The 9 Cardinal Building Blocks: For continued success in leadership)
If a bridge leads you away from your dreams, burn it.
Matshona Dhliwayo
The first rule of a successful parasite? Myxoma’s success in Australia suggests something different from that nugget of conventional wisdom I mentioned above. It’s not Don’t kill your host. It’s Don’t burn your bridges until after you’ve crossed them.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
Local fog in Venice has a name: nebbia. It obliterates all reflections ... and everything that has a shape: buildings, people, colonnades, bridges, statues. Boat services are canceled, airplanes neither arrive, nor take off for weeks, stores are closed and mail ceases to litter one’s threshold. The effect is as though some raw hand had turned all those enfilades inside out and wrapped the lining around the city... the fog is thick, blinding, and immobile... this is a time for reading, for burning electricity all day long, for going easy on self-deprecating thoughts of coffee, for listening to the BBC World Service, for going to bed early. In short, a time for self-oblivion, induced by a city that has ceased to be seen. Unwittingly, you take your cue from it, especially if, like it, you’ve got company. Having failed to be born here, you at least can take some pride in sharing its invisibility...
Joseph Brodsky (Watermark)
The truth about most people: they will never accept you as you are. You'll need to change. And I'm begging you, change. But only for yourself, and even if that means by yourself. Never bend for them. Don't calm your heart, don't scale back these dreams. Stay strange, lost your mind, finger fuck the rules, burn bridges if you must, and follow your insanity. Feel everything, it's telling you something. People will love you in bits and pieces, and hate you just the same. You'll always be too much for some, and not enough for others. They will never believe in you, as much as you do. And understand that you will never be a success in the eyes of a failure. There's a magic in you that most others can't believe in, simply because they haven't made sense of themselves. But you're magic, still. You've been that way all along. And even if the world changed everything in you, that much would always be true.
J. Raymond
Dont act like you are walking around with a Tshirt that says "I give Up!" on the front and on the back saying "I never started trying!" People can bring you down, situations happen, YOU can feel like Life is the shittiest thing to deal with. BLAH BLAH BLAH.. If you're walking through Hell, keep going! Everyday there's a new challenge. Face it! Deal with it! Move on! To every problem there is a solution or a way around it.. Stop being a sour mongral and think life owes you something.. No one will do anything for you these days. Start fighting. Get rid of ALL the shit people in your Life. Grow some balls of steel and work progressively through everything. Step by Step or what ever mad method you have to get you back in line again. Who cares, if people don't like you, BURN that mother of a bridge down. It was never meant to be.. Build New ones! Many roads to cross and new paths on life to Explore.. It starts with YOU.. And if people want to judge you, tell them to F/O and look in the mirror. Time for a new game.. It's called "Take over the World" WHOOOP WHOOOP!!
Timothy Padayachee
Not an option. You burned your bridges. So keep walking. Do your own time…
Neil Gaiman (American Gods)
Ashes, Nolan. You're covered in the ashes of burned bridges; because of things left unsaid. Or maybe the times someone said too much.
LaKaysha Stenersen (Echoes of Mercy)
Don't spend your time worrying about the bridges they burned when they are already under you.
Wilder Poetry (Nocturnal)
Sometimes you need to burn a bridge while you're still standing on it so they know you mean business.
Zoe Quinn
Don't burn your bridges until you build better ones.
Matshona Dhliwayo
You might not want to burn your bridges when you’re standing on an island.
Jennifer Niven (Holding Up the Universe)
Frank sniffed. 'You know me well, wife. I thought those were in the basement.' 'They were. You should have been an English teacher, Frank.' 'What are we going to do?' Henry asked. 'We're going to build a wooden horse, stick you inside it, and offer it up as a gift,' Frank answered. 'Burn your bridges when you come to them,' Dotty said. She smiled at Frank, picked up the empty plates, and walked back into the kitchen. 'Can we watch?' Henrietta asked. 'You,' Frank said, 'can go play in the barn, the yard, the fields, or the ditches, so long as you are nowhere near the action. C'mon, Henry.' The girls moaned and complained while Henry followed his uncle up the stairs. At the top, they walked all the way around the landing until they faced the very old, very wooden door to Grandfather's bedroom. Uncle Frank set down his tools. 'Today is the day, Henry. I can feel it. I never told your aunt this, but my favorite book's in there. I was reading it to your Grandfather near the end. It's been due back at the library for awhile now, and it'd be nice to be able to check something else out.
N.D. Wilson (100 Cupboards (100 Cupboards, #1))
Whenever I see he/him or she/her, I think fuck/you. You must be living an awfully precious life if, amid the pervasive despair of an economy in free fall, your uppermost concern is clinging to your pronouns.
Norman G. Finkelstein (I'll Burn That Bridge When I Get to It! Heretical Thoughts on Identity Politics, Cancel Culture, and Academic Freedom)
Quit living as if the purpose of life is to arrive safely at death. Set God-sized goals. Pursue God-ordained passions. Go after a dream that is destined to fail without divine intervention. Keep asking questions. Keep making mistakes. Keep seeking God. Stop pointing out problems and become part of the solution. Stop repeating the past and start creating the future. Stop playing it safe and start taking risks. Expand your horizons. Accumulate experiences. Enjoy the journey. Find every excuse you can to celebrate everything you can. Live like today is the first day and last day of your life. Don’t let what’s wrong with you keep you from worshiping what’s right with God. Burn sinful bridges. Blaze new trails. Criticize by creating. Worry less about what people think and more about what God thinks. Don’t try to be who you’re not. Be yourself. Laugh at yourself. Don’t let fear dictate your decisions. Take a flying leap of faith. Chase the lion!
Mark Batterson
I gave you a chance to walk away and you didn’t take it. Instead, you thought you could touch what’s mine. Fuck what’s mine. For that, there’s no devil in hell or god in heaven who can save you. Burn, motherfucker.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
Sometimes, most times, when I think back to the people that I loved, the person that I was... I feel like I'm reading the pages of a book written about someone else's life. I can't believe that was me. I can't believe that was you. I can't believe there was an us. It's not that I regret it. It just doesn't feel like it happened to me and yet, I can't forget it. I feel like it's still refracting and reflecting back on me, haunting me. Jesus intercepted my mind, my thoughts, my mistakes, my shame. He's changed me from the inside out. But I'm afraid you still see the stain. Lord, let them see my heart, look at You and Your still-in-progress work of art. Help us all to look beyond our burned bridges, charred reputations, scattered shards of memories, and gaze at the One who took on the weight of all the hate to find the freedom in redemption that we all crave.
Katie Kiesler Nelson (22 and Single)
My daughter was sixteen,” she went on. Tears ran over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Quit living as if the purpose of life is to arrive safely at death. Set God-sized goals. Pursue God-ordained passions. Go after a dream that is destined to fail without divine intervention. Keep asking questions. Keep making mistakes. Keep seeking God. Stop pointing out problems and become part of the solution. Stop repeating the past and start creating the future. Stop playing it safe and start taking risks. Expand your horizons. Accumulate experiences. Enjoy the journey. Find every excuse you can to celebrate everything you can. Live like today is the first day and last day of your life. Don’t let what’s wrong with you keep you from worshiping what’s right with God. Burn sinful bridges. Blaze new trails. Don’t let fear dictate your decisions. Take a flying leap of faith. Quit holding out. Quit holding back. Go all in with God. Go all out for God.
Mark Batterson (All In: You Are One Decision Away From a Totally Different Life)
As high as the fire in me burns, Evie, I will stoke it in you." "Sebastian..."She strained a little, and he pinned her more firmly against the table. "It's my right to kiss you," he reminded her. "whenever I want, for as long as I want. That was our bargain." She threw an agitated glance around the room, and he read her thoughts easily. "I don't give a damn if anyone sees us. You're my wife." A smile chased across his lips. "My better half, to be certain." Leaning over her, he nuzzled into the fine tendrils that strayed over her forehead. His breath was hot and soft on her skin. "My prize... my pleasure and pain... my endless desire. I've never known anyone like you, Evie." His lips touched gently at the bridge of her nose and slid down to the tip. "You dare to make demands of me that no other woman would think of asking. And for now, I'll pay your price, love. But later you'll pay mine... over and over..." He caught her trembling lips with his, his hands cupping the back of her head.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I don’t know whether to be flattered or frightened by the intensity of his feelings. They have always bordered on obsession, burning so fiercely they turn consume everything in their path. There are times when I worried they’d destroy me too, but now I’m wondering if the flames will keep me warm and ward off predators that are hunting me.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
Spend all your time burning bridges and you’ll end up all wet when you have to swim to shore on the return.
Elijah Shaw (An Introduction to Celebrity Protection and Touring: A Guide to Mastering the Business of Vip Security)
Never burn a bridge unless your foe is on it, captain.
Phil Foglio (Agatha Heterodyne and the Voice of the Castle (Girl Genius, #7))
Any bridge you refuse to burn gives Satan an invitation and re-entry point into your life.
Patience Johnson (Why Does an Orderly God Allow Disorder)
Not an option. You burned your bridges. So keep walking. Do your own time… A
Neil Gaiman (American Gods)
When you find your reason for living, hold on to it. Never let it go. Even if it means burning other bridges along the way. - Rush Finlay (Forever Too Far)
Abbi Glines
Be careful of those who give you false confidence to betray those who trust you. You may end up burning your bridges.
D.J. Kyos
Or should I have said that I wanted to die, not in the sense of wanting to throw myself off of that train bridge over there, but more like wanting to be asleep forever because there isn’t any making up for killing women or even watching women get killed, or for that matter killing men and shooting them in the back and shooting them more times than necessary to actually kill them and it was like just trying to kill everything you saw sometimes because it felt like there was acid seeping down into your soul and then your soul is gone and knowing from being taught your whole life that there is no making up for what you are doing, you’re taught that your whole life, but then even your mother is so happy and proud because you lined up your sign posts and made people crumple and they were not getting up ever and yeah they might have been trying to kill you too, so you say, What are you goona do?, but really it doesn’t matter because by the end you failed at the one good thing you could have done, and the one person you promised would live is dead, and you have seen all things die in more manners than you’d like to recall and for a while the whole thing fucking ravaged your spirit like some deep-down shit, man, that you didn’t even realize you had until only the animals made you sad, the husks of dogs filled with explosives and old arty shells and the fucking guts of everything stinking like metal and burning garbage and you walk around and the smell is deep down into you now and you say, How can metal be so on fire? and Where is all this fucking trash coming from? and even back home you’re getting whiffs of it and then that thing you started to notice slipping away is gone and now it’s becoming inverted, like you have bottomed out in your spirit but yet a deeper hole is being dug because everybody is so fucking happy to see you, the murderer, the fucking accomplice, that at-bare-minimum bearer of some fucking responsibility, and everyone wants to slap you on the back and you start to want to burn the whole goddamn country down, you want to burn every yellow ribbon in sight, and you can’t explain it but it’s just, like, Fuck you, but then you signed up to go so it’s your fault, really, because you went on purpose, so you are in the end doubly fucked, so why not just find a spot and curl up and die and let’s make it as painless as possible because you are a coward and, really, cowardice got you into this mess because you wanted to be a man and people made fun of you and pushed you around in the cafeteria and the hallways in high school because you liked to read books and poems sometimes and they’d call you a fag and really deep down you know you went because you wanted to be a man and that’s never gonna happen now and you’re too much of a coward to be a man and get it over with so why not find a clean, dry place and wait it out with it hurting as little as possible and just wait to go to sleep and not wake up and fuck ‘em all.
Kevin Powers (The Yellow Birds)
HAVE you got a brook in your little heart, Where bashful flowers blow, And blushing birds go down to drink, And shadows tremble so? And nobody, knows, so still it flows, 5 That any brook is there; And yet your little draught of life Is daily drunken there. Then look out for the little brook in March, When the rivers overflow, 10 And the snows come hurrying from the hills, And the bridges often go. And later, in August it may be, When the meadows parching lie, Beware, lest this little brook of life 15 Some burning noon go dry!
Emily Dickinson
Boredom will eventually set in... and one day you'll be standing still on an island, with no idea where to go, because all your bridges will have been burned.... The smaller you are, the larger and more terrifying the world. You should not be trying to reduce yourself so thoroughly.
Kristina Meister (Craving)
Never,” he says, the sound guttural and deep, as if summoned from the depths of his soul. “Do you hear me, Callie? I’ll never leave you. Not in this life or whatever comes after. You are mine. And I will burn this world to fucking ashes before I let anything take you from me. Or me from you.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
i wonder where you are right now what are you doing? what are you thinking about? is it me and what we used to be? or is it someone else again? do i ever cross your mind? do you think about me now when i'm not there? did you think about me when i was? i wonder what we could have been would there have been evenings by the fireplace as you read to me? or the candle light dinners on our balcony because it was your last minute surprise? would there have been long walks in central park on valentine's day evening? or just any other night you wanted an excuse to hold my hand? would there have been movie nights after cancelling on that boring party we planned? would there still have been a me and you if i hadn't made you feel blue? did i burn the bridge we found home at? was i really such a brat? then i'm sorry, i always say but you didn't hear it as you walked away
Renesmee Stormer
UN-Impressive Acts of Indiscretion • Forwarding other people's emails without getting permission. • Throwing other people under the bus to save yourself. • Talking loudly, being boorish and insensitive to the others around you. • Flagrant cheating. • Burning bridges. • Talking smack. • Dissing your competitor to your customer. • Oversharing and revealing too much personal information about yourself and others. • Breaking trust by sharing someone else’s secrets. • Being passive-aggressive to manipulate a situation or person. • Saying one thing and doing another. • Being two-faced. • Lying by omission. • Dispensing bulls#@%!
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
The men toasted their bottles, as they did when Mouse was mentioned. The part of their tattoo that no longer existed. The man had died on the job, protecting Blake because he was loyal to Beckett. “And…” Cole shot Beckett a look. “You’re unofficially known as Sparkles and Jesus.” Beckett squinted as Cole pretended to be offended. “I think it’s only fair if we give you a nickname, Blake?” Cole asked. Blake stood and added a log to the fire. It’d been burning steady since right after dinner. Being with his brothers like this was Beckett’s favorite. It his wildest dreams he never pictured getting to sit with them in a Blake’s backyard.
Debra Anastasia
Sometimes the bridges you burn, end up lighting your way! You don’t need to please everyone all the time. Don’t be afraid to say no or speak up when necessary. Strive to be compassionate and fair, but be willing to handle other people being disappointed if you didn’t perfectly live up to their unfair expectations. Pleasing everyone is impossible.
Anonymous . (The Angel Affect: The World Wide Mission)
I suppose… I shouldn’t have jumped to conclusions. But knowing what I do of your past… I assumed…” Her lame attempt at an apology seemed to erode the remnants of Sebastian’s self-control. “Well, your assumption was wrong! If you haven’t yet noticed, I’m busier than the devil in a high wind, every minute of the day. I don’t have the damned time for a tumble. And if I did—” He stopped abruptly. All semblance of the elegant viscount Evie had once watched from afar in Lord Westcliff’s drawing room had vanished. He was rumpled and bruised and furious. And he wasn’t breathing at all well. “If I did—” He broke off again, a flush crossing the crests of his cheeks and the bridge of his nose. Evie saw the exact moment when his self-restraint snapped. Alarm jolted through her, and she lurched toward the closed door. Before she had even made a step, she found herself seized and pinned against the wall by his body and hands. The smell of sweat-dampened linen and healthy, aroused male filled her nostrils. Once he had caught her, Sebastian pressed his parted lips against the thin skin of her temple. His breath snagged. Another moment of stillness. Evie felt the electrifying touch of his tongue at the very tip of her eyebrow. He breathed against the tiny wet spot, a waft of hellfire that sent chills through her entire body. Slowly he brought his mouth to her ear, and traced the intricate inner edges. His whisper seemed to come from the darkest recesses of her own mind. “If I did, Evie… then by now I would have shredded your clothes with my hands and teeth until you were naked. By now I would have pushed you down to the carpet, and put my hands beneath your breasts and lifted them up to my mouth. I would be kissing them… licking them… until the tips were like hard little berries, and then I would bite them so gently…” Evie felt herself drift into a slow half swoon as he continued in a ragged murmur. “… I would kiss my way down to your thighs… inch by inch… and when I reached those sweet red curls, I would lick through them, deeper and deeper, until I found the little pearl of your clitoris… and I would rest my tongue on it until I felt it throb. I would circle it, and stroke it… I’d lick until you started to beg. And then I would suck you. But not hard. I wouldn’t be that kind. I would do it so lightly, so tenderly, that you would start screaming with the need to come… I would put my tongue inside you… taste you… eat you. I wouldn’t stop until your entire body was wet and shaking. And when I had tortured you enough, I would open your legs and come inside you, and take you… take you…” Sebastian stopped, anchoring her against the wall while they both remained frozen, aroused, panting. At length, he spoke in a nearly inaudible voice. “You’re wet, aren’t you?” Had it been physically possible to blush any harder, Evie would have. Her skin burned with violated modesty as she understood what he was asking. She tipped her chin in the tiniest of nods. “I want you more than I’ve ever wanted anything on this earth.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
What about an axman?" he said. Gilan looked at him, nonplussed for a moment. "An axman?" he asked. "Yes," said Horace, warming to his theme. "What about if you're facing an enemy with a battleax? Do your knives work then?" Gilan hesitated. "I wouldn't advise anyone face a battleax with just two knives," he said carefully. "So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up. "Shoot him," he said shortly. Will shook his head, grinning. "Can't," he said. "My bowstring's broken." "Then run and hide," said Gilan, between gritted teeth. "But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him." "What do I do?" prompted Will. Gilan took a deep breath and looked them both in the eye, one after the other. "Jump off the cliff. It'll be less messy that way.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
She pulled the shawl closer as a tall, lithe figure cut across the parking lot and joined her at the passenger door. “You’re already famous,” Colby Lane told her, his dark eyes twinkling in his lean, scarred face. “You’ll see yourself on the evening news, if you live long enough to watch it.” He jerked a thumb over his shoulder. “Tate’s on his way right now.” “Unlock this thing and get me out of here!” she squeaked. He chuckled. “Coward.” He unlocked the door and let her climb in. By the time he got behind the wheel and took off, Tate was striding across the parking lot with blood in his eye. Cecily blew him a kiss as Colby gunned the engine down the busy street. “You’re living dangerously tonight,” Colby told her. “He knows where you live,” he added. “He should. He paid for the apartment,” she added in a sharp, hurt tone. She wrapped her arms closer around her. “I don’t want to go home, Colby. Can I stay with you tonight?” She knew, as few other people did, that Colby Lane was still passionately in love with his ex-wife, Maureen. He had nothing to do with other women even two years after his divorce was final. He drank to excess from time to time, but he wasn’t dangerous. Cecily trusted no one more. He’d been a good friend to her, as well as to Tate, over the years. “He won’t like it,” he said. She let out a long breath. “What does it matter now?” she asked wearily. “I’ve burned my bridges.” “I don’t know why that socialite Audrey had to tell you,” he muttered irritably. “It was none of her business.” “Maybe she wants a big diamond engagement ring, and Tate can’t afford it because he’s keeping me,” she said bitterly. He glanced at her rigid profile. “He won’t marry her.” She made a sound deep in her throat. “Why not? She’s got everything…money, power, position and beauty-and a degree from Vassar.” “In psychology,” Colby mused. “She’s been going around with Tate for several months.” “He goes around with a lot of women. He won’t marry any of them.” “Well, he certainly won’t marry me,” she assured him. “I’m white.” “More of a nice, soft tan,” he told her. “You can marry me. I’ll take care of you.” She made a face at him. “You’d call me Maureen in your sleep and I’d lay your head open with the lamp. It would never work.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I came up with a new reason To write your name today I plagiarized each letter From a love note you wrote me. The scent of ink was sacred to me In that relapsed moment… For a minute I could pretend The paper reminded me of your skin; I could pretend the glimmering ink Was the moonlit lake Of our summer night. But the pretending crumpled with paper And I threw us into the trash can For the bridge between us is long burned And it’s time I accepted that.
Justin Wetch (Bending The Universe)
He pointed to the burning building as sirens heralded the approach of emergency personnel. “This is your job—this is your life. Blood and death and pain and vengeance and justice. And sometimes it sucks, but it’s worth it.” Caleb sighed, but not in resignation. “I know this is the job, and it is worth it. But I refuse to believe it’s my life. Not only and not forever.” Samuel pinched the bridge of his nose and waved dismissively with his other hand. “F***ing romantic.
G.S. Jennsen (Solatium (Aurora Rhapsody, #0.1))
Celebrate your accomplishments so thoroughly as to burn the bridge to whom you were before,’” Claudia responded. “This is extremely important, especially on a lifelong journey. You must stop from time to time and lay claim to the progress you have made. And close off the option of retreating to a smaller version of yourself. Your accomplishments may be new skills or abilities, or new horizons that you could not see before. It could be new relationships or new possibilities in existing relationships. By claiming them, you mark your progress. It helps to fight off the despair when the way before you seems endless.
Alison A. Armstrong (The Queen's Code)
over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
[O]ur segment of the picture consists only of tired and dirty soldiers who are alive and don't want to die; of long darkened convoys in the middle of the night; of shocked silent men wandering back down the hill from battle; of chow lines and atabrine tablets and foxholes and burning tanks and Arabs holding up eggs and the rustle of high-flown shells; of jeeps and petrol dumps and smelly bedding rolls and C rations and cactus patches and blown bridges and dead mules and hospital tenets and shirt collars greasy-black from months of wearing; and of laughter too, and anger and wine and lovely flowers and constant cussing. All these it is composed of; and of graves and graves and graves.
Ernie Pyle (Here is Your War)
After a year I came again to the place; The tireless lights and the reverberation, The angry thunder of trains that burrow the ground, The hunted, hurrying people were still the same– But oh, another man beside me and not you! Another voice and other eyes in mine! And suddenly I turned and saw again The gleaming curve of tracks, the bridge above– They were burned deep into my heart before, The night I watched them to avoid your eyes, When you were saying, 'Oh, look up at me!' When you were saying, 'Will you never love me?' And when I answered with a lie. Oh then You dropped your eyes. I felt your utter pain. I would have died to say the truth to you. After a year I came again to the place– The hunted hurrying people were still the same....
Sara Teasdale (The Collected Poems)
Life is too short, dare to enjoy every minute. Life is too short, dare to love everybody. Life is too short, dare to make best of it. Life is too short, dare to have a grateful heart. Life is too short, dare to keep smiling. Life is too short, dare to have no regrets. Life is too short, dare to have no heartbreaks. Life is too short, dare to extend hand to needy people. Life is too short, dare to fight injustice. Life is too short, dare to be all you can be. Life is too short, dare to tell the truth at all times. Life is too short, dare to see the world. Life is too short, dare to forgive and forget. Life is too short, dare to waste no time. Life is too short, dare to burn no bridges. Life is too short, dare to be more brave than weak. Life is too short, dare to prioritize things of importance. Life is too short, dare to spend your time with those who you care. Life is too short, dare to be around people who believe in you. Life is too short, dare to share your stories with others. Life is too short, dare to do things you enjoy most. Life is too short, dare to start your day with a positive attitude. Life is too short, dare to live your life with a purpose. Life is too short, dare to be surrounded by people who share your dreams. Life is too short, dare to go to places you feel most excited about. Life is too short, dare to love like there is no tomorrow. Life is too short, dare to get out of the house every day. Life is too short, dare to spend time with friends. Life is too short, dare to
John Taskinsoy
We discussed what we want from you now,...you who had power and used it to burn the world. You burned a lot. You didn't just burn trees and cities and each other. You burned our admiration for the governments we grew up respecting. You burned our sense of safety in your care. You burned our patience, our ability to believe that the great things in this world you promised to protect will still be there for us and future generations. You burned our trust as you misused the data and surveillance we let you collect, first for O.S. and the Canner Device, then for the war, its propaganda and its lies. You burned our self-trust, too, since we know we are infused with your values, values we thought made both you and us people who would never do what you just did. We have to be afraid of ourselves now, vigilant against what you've taught us to be, since now we know we are something to be afraid and ashamed of. And even if you didn't personally kill in the war, if you carried arms, if you participated, you helped burn what nothing can bring back. No sentence can repair any of that. So, we want you to repair what you can. That's our sentence. We want you to rebuild the cities, replant the trees, replace the art, relaunch the satellites, fix the bridges you can fix to make up for the ones you can't. We want you to rebuild the system, too, fixing the holes this has exposed and making more safeguards so no one can misuse the cars and data and surveillance and trackers and such again. We want you to build it all back but better than it was, and faster than any past war has rebuilt. You weren't as good at peace as you thought you were, but maybe you can be as good at rebuilding. Everyone, even Minors like Tribune MASON who took part, if in your heart you know you were complicit, then build back what you burned with your own hours, your own efforts, your own hands. That's our sentence.
Ada Palmer (Perhaps the Stars (Terra Ignota, #4))
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
You can mix the glycerin with nitric acid to make nitroglycerin,' Tyler says. I breathe with my mouth open and say, nitroglycerin. Tyler licks his lips wet and shining and kisses the back of my hand. 'You can mix the nitroglycerin with sodium nitrate and sawdust to make dynamite,' Tyler says. The kiss shines wet on the back of my white hand. Dynamite, I say, and sit back on my heels. Tyler pries the lid off the can of lye. 'You can blow up bridges,' Tyler says. 'You can mix the nitroglycerin with more nitric acid and paraffin and make gelatin explosives,' Tyler says. 'You could blow up a building, easy,' Tyler says. Tyler tilts the can of lye an inch above the shining wet kiss on the back of my hand. 'This is a chemical burn,' Tyler says, 'and it will hurt worse than you've ever been burned. Worse than a hundred cigarettes.' The kiss shines on the back of my hand. 'You'll have a scar,' Tyler says. 'With enough soap,' Tyler says, 'you could blow up the whole world. Now remember your promise.' And Tyler pours the lye.
Chuck Palahniuk (Fight Club)
The Kisser’s Handbook (The Sensitive Male Chapter) " A peck is a red poppy. Several is a bird feeding on your hand. The first kiss is the customary rose given, a bouquet received by two. On the right side of her mouth, she is your mother. On the left side, she’s the sister you never had. A simmering moist kiss is cherry pie. Awkward and dry is love; If delicate yet firm, a kiss is Ophelia’s resuscitation from drowning; Hurried and open-mouthed, moths flutter out of her body. A kiss that glides smoothly has the pleasant lightness of tea. If it smudges, prepare yourself for children. A kiss that roams the curving of the lips, the tongue still tracing the slopes even without her near is a poet’s muse. When bitten on the lower lip—I am your peach— and if she is left there biting, dangling, she’ll burn the tree. When she’s sucking your lips as if through a straw she wants you in her. Never quite touching, lips bridged by warm clouds of breath, speak in recitation: Because I am the ocean in which she cannot swim, my lover turned into the sea, Or, cradle her in the cushions of your lips and let her sleep, lovingly, in the pink.
Joseph O. Legaspi
I’m happy here, Tate. I’ll let you know when the baby comes,” she added quietly. “Certainly, you’ll have access to him any time you like.” Doors were closing. Walls were going up around her. He clenched his teeth together in impotent fury. “I want you,” he said forcefully, which was not at all what he wanted to say. “I don’t want you,” she replied, lying through her teeth. She wasn’t about to become an obligation again. She even smiled. “Thanks for coming to see about me. I’ll phone Leta when she and Matt come home from Nassau.” “They’re already home,” he said flatly. “I’ve been to make peace with them.” “Have you?” She smiled gently. “I’m glad. I’m so glad. It broke Leta’s heart that you wouldn’t speak to her.” “What do you think it’s going to do to her when she hears that you won’t marry the father of your child?” She gaped at him. “She…knows?” “They both know, Cecily,” he returned. “They were looking forward to making a fuss over you.” He turned toward the door, bristling with hurt pride and rejection. “You can call my mother and tell her yourself that you aren’t coming back. Then you can live here alone in the middle of ‘blizzard country,; and I wish you well.” He turned at the door with his black eyes flashing. “As for me, hell will freeze over before I come near you again!” He went out and slammed the door. Cecily stared after him with her heart in her throat. Why was he so angry that she’d relieved him of any obligations about the baby? He couldn’t want her for herself. If he had, if he’d had any real feeling for her, he’d have married her years ago. It was only the baby. She let the tears rush down her face again with pure misery as she heard the four-wheel drive roar out of the driveway and accelerate down the road. She hoped he didn’t run over anybody. Her hand went to her stomach and she remembered with anguish the look on his face when he’d put his big, strong hand over his child. She’d sent him away for the sake of his own happiness, didn’t he know that? She supposed it was just hurt pride that had caused his outburst. But she wished he hadn’t come. It would be so much harder to live here now that she could see him in this house, in these rooms, and be haunted by the memory of him all over again. He wouldn’t come back. She’d burned her bridges. There was no way to rebuild them.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Then I looked up. I didn't notice that your ears stick out, just a little, so you look like a pixie sometimes, or an elf. I didn't notice that the corners of you mouth always seem like they're trying to smile, while the rest of your mouth wants to pout. I didn't notice the little bump on your nose, near the bridge but slightly to the right-the bump I'd trace with my finger over and over, not soon enough. I didn't notice your long hands and rough finger-tips, or the dozens-is it hundreds?-of bracelets on your left wrist, made of busted guitar strings. I noticed your eyes, because they looked wet; maybe it was a trick of the light-the fluorescent and neon lights falling over your face from the bodega next door. But I didn't think about love, and I didn't see right down to your heart. But I must have stared-did I?-because there was your spirit, right there before me, and when you found my eyes I knew I'd pulled that spirit back from someplace amazing, not Greenpoint, not the summer sidewalk in front of Fish's bar, smelling of old alcohol and piss. But it must have been a trick of the light, because when you stood up, you were smiling, and your bright eyes looked alive and right there, with me, on Franklin Avenue in Brooklyn, New York, Earth.
Steve Brezenoff (Brooklyn, Burning)
Jesus Christ!" Foraker's shocked exclamation burned across the bridge like a buzzsaw, and Caslet's mouth fell open as his plot suddenly changed. One instant, his ship was charging into the teeth of two opponents' fire; the next instant, there were no opponents. The warships' acceleration had carried them within less than three hundred thousand clicks of the Manty merchantman, which had suddenly rolled back down to present her own broadside to them. Eight incredibly powerful grasers smashed out from the "unarmed freighter" like the wrath of God, and the second raider destroyer simply vanished. A single pair of hits on the light cruiser burned through her sidewall as if it hadn't even existed, and her after third blew apart in a hurricane of splintered and vaporized plating. Three of Shannon's shipboard lasers added their own fury to her damage, chewing huge holes in what was left of her hull, but they were strictly an afterthought, for that ship was already a helpless hulk. "We're being hailed, Skipper," Lieutenant Dutton said shakenly from Communications. Caslet just looked at him, unable to speak, then looked back down at his plot and swallowed as the unmistakable impeller signatures of a full dozen LACs drifted up from the "freighter's" gravitic shadow and locked their weapons on his ship. "Speaker," he rasped. "Unknown cruiser, this is Captain Honor Harrington of Her Majesty's Armed Merchant Cruiser Wayfarer," a soprano voice said quietly. "I appreciate your assistance, and I wish I could offer you the reward your gallantry deserves, but I'm afraid I'm going to have to ask you to surrender.
David Weber (Honor Among Enemies (Honor Harrington, #6))
Honestly, sir,” I said, “I don’t see why you’re making such a fuss.” We had excused ourselves to speak privately for a moment, leaving poor Charlie politely rocking on his heels in the foyer. The office was warm and smelled of sage and witch hazel, and the desk was littered with bits of twine and herbs where Jackaby had been preparing fresh wards. Douglas had burrowed into a nest of old receipts on the bookshelf behind us and was sound asleep with his bill tucked back into his wing. I had given up trying to get him to stop napping on the paperwork. “You’re the one who told me that I shouldn’t have to choose between profession and romance,” I said. “I’m not the one making a fuss. I don’t care the least bit about your little foray into . . . romance.” Jackaby pushed the word out of his mouth as though it had been reluctantly clinging to the back of his throat. “If anything, I am concerned that you are choosing to make precisely the choice that I told you you should not make!” “What? Wait a moment. Are you . . . jealous?” “Don’t be asinine! I am not jealous! I am merely . . . protective. And perhaps troubled by your lack of fidelity to your position.” “That is literally the definition of jealous, sir. Oh, for goodness’ sake. I’m not choosing Charlie over you! I’m not going to suddenly stop being your assistant just because I spend time working on another case!” “You might!” he blurted out. He sank down into the chair at his desk. “You just might.” “Why are you acting like this?” He pinched the bridge of his nose. “Because things change. Because people change. Because . . . because Charlie Barker is going to propose,” he said. He let his hand drop and looked me in the eyes. “Marriage,” he added. “To you.” I blinked. “I miss a social cue or two from time to time, but even I’m not thick enough to believe all that was about analyzing bloodstains together. He has the ring. It’s in his breast pocket right now. He’s attached an absurd level of emotional investment to the thing—I’m surprised it hasn’t burned a hole right through the front of his jacket, the way its aura is glowing. He’s nervous about it. He’s going to propose. Soon, I would guess.” I blinked. The air in front of me wavered like a mirage, and in another moment Jenny had rematerialized. “And if he does,” she said softly, “it will be Abigail’s decision to face, not yours. There are worse fates than to receive a proposal from a handsome young suitor.” She added, turning to me with a grin, “Charlie is a good man.” “Yes, fine! But she has such prodigious potential!” Jackaby lamented. “Having feelings is one thing—I can grudgingly tolerate feelings—but actually getting married? The next thing you know they’ll be wanting to do something rash, like live together ! Miss Rook, you have started something here that I am loath to see you leave unfinished. You’ve started becoming someone here whom I truly want to meet when she is done. Choosing to leave everything you have here to go be a good man’s wife would be such a wretched waste of that promise.” He faltered, looking to Jenny, and then to the floorboards. “On the other hand, you should never have chosen to work for me in the first place. It remains one of your most ill-conceived and reckless decisions to date—and that is saying something, because you also chose to blow up a dragon once.” He sighed. “Jenny is right. You could make a real life with that young man, and you shouldn’t throw that away just to hang about with a fractious bastard and a belligerent duck.” He sagged until his forehead was resting on his desk.
William Ritter (The Dire King (Jackaby, #4))
Whatever doesn’t kill you only serves to make you stronger. And in the grand scheme of life, I had survived and grown stronger, at least mentally, if not physically. I had come within an inch of losing all my movement and, by the grace of God, still lived to tell the tale. I had learned so much, but above all, I had gained an understanding of the cards I had been playing with. The problem now was that I had no job and no income. Earning a living and following your heart can so often pull you in different directions, and I knew I wasn’t the first person to feel that strain. My decision to climb Everest was a bit of a “do or die” mission. If I climbed it and became one of the youngest climbers ever to have reached the summit, then I had at least a sporting chance of getting some sort of job in the expedition world afterward--either doing talks or leading treks. I would be able to use it as a springboard to raise sponsorship to do some other expeditions. But on the other hand, if I failed, I would either be dead on the mountain or back home and broke--with no job and no qualifications. The reality was that it wasn’t a hard decision for me to make. Deep down in my bones, I just knew it was the right thing to do: to go for it. Plus I have never been one to be too scared of that old imposter: failure. I had never climbed for people’s admiration; I had always climbed because I was half-decent at it--and now I had an avenue, through Everest, to explore that talent further. I also figured that if I failed, well at least I would fail while attempting something big and bold. I liked that. What’s more, if I could start a part-time university degree course at the same time (to be done by e-mail from Everest), then whatever the outcome on the mountain, at least I had an opening back at M15. (It’s sometimes good to not entirely burn all your bridges.)
Bear Grylls (Mud, Sweat and Tears)
Gilan," Will said. "I've been thinking...." Gilan raised his eyebrows to heaven in mock despair. Again the expression reminded Will forcefully of Halt. "Always a problem," said the Ranger. "And what, pray tell, have you been thinking?" "Well," began Will slowly, "this double knife business is all well and good. But wouldn't it be better just to shoot the swordsmen before he got to close quarters?" "Yes, Will. It certainly would," Gilan agreed patiently. "But what if you were about to do that and your bowstring broke?" "I could run and hide," he suggested, but Gilan pressed him. "What if there were nowhere to run? You're trapped against a sheer cliff. Nowhere to go. Your bowstring just broke and an angry swordsman is coming at you. What then?" Will shook his head. "I suppose I'd have to fight," he admitted reluctantly. "Exactly," Gilan agreed. "We avoid close combat whenever possible. But if the time comes when there's no other choice, it's a good idea to be prepared, isn't it?" "I guess," Will said. Then Horace chimed in with a question. "What about an axman?" he said. Gilan looked at him, nonplussed for a moment. "An axman?" he asked. "Yes," said Horace, warming up to his theme. "What about if you're facing an enemy with a battleax? Do your knives work then?" Gilan hesitated. "I wouldn't advise anyone to face a battleax with just two knives," he said carefully. "So what should I do?" Will joined in. Gilan glared from one boy to the other. He had the feeling he was being set up. "Shoot him," he said shortly. Will shook his head, grinning. "Can't," he said. "My bowstring's broken." "Then run and hide," said Gilan, between gritted teeth. "But there's a cliff," Horace pointed out. "A sheer drop behind him and an angry axman coming at him." "What do I do?" prompted Will. Gilan took a deep breath and looked them both in the eye, one after the other. "Jump off the cliff. It'll be less messy that way.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
G-Unit
I don’t see why you should resent my telling the truth. You simply refused to listen to anyone. You went ahead and burned your bridges. You hurt your father, your mother, and Sabiha. I only hope that it was worth it. We all hope you’ll have no regrets.
Ayşe Kulin (Last Train to Istanbul)
Prophetic Insights What was Jesus’ weapon of choice for fighting the devil? (See Matthew 4:1–11; Luke 4:1–13.) What are the three ways to keep the fire of prayer burning in your life? What are the three dimensions of prayer identified in this chapter? Have you accessed all three in your prayers?
Kynan Bridges (The Power of Prophetic Prayer: Release Your Destiny)
Determination may require you to burn all your boats at times, but always be prepared to build bridges, for success.
Mamur Mustapha
The world in which we live can be a narrow bridge. The most important thing is not to fear. Keep moving straight ahead and your heart will be led by God. Don’t waste your day in dread. Help is near. A narrow bridge, a narrow bridge, but every step across will lead you home. So many things have changed, nothing near the same. Is it the way you thought it would be? Hang on every hope. I climb the burning rope. Suspended free, I float, look up and see. A narrow bridge, a narrow bridge, but every step across
Roberta Kagan (You Are My Sunshine (All My Love, Detrick, #2))
KEY TAKEAWAYS •You may be born to sell, but a will to succeed is even better. •What goes around, comes around—you never know when the wheel of fortune is going to turn for or against you. Be prepared for either outcome. •Don’t let adversity keep you down—harness that energy to fuel your passion. •Be willing to do whatever it takes to optimize your potential. •Recognize a great idea when it appears. •If you have an idea, act on it; there’s no time like the present. •Don’t burn bridges—you never know who or what may come back to help you in the future.
Bill Green (All in: 101 Real Life Business Lessons For Emerging Entrepreneurs)
It’s not Don’t kill your host. It’s Don’t burn your bridges until after you’ve crossed them.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
did you think i was a city big enough for a weekend getaway i am the town surrounding it the one you’ve never heard of but always pass through there are no neon lights here no skyscrapers or statues but there is thunder for i make bridges tremble i am not street meat i am homemade jam thick enough to cut the sweetest thing your lips will touch i am not police sirens i am the crackle of a fireplace i’d burn you and you still couldn’t take your eyes off me cause i’d look so beautiful doing it you’d blush i am not a hotel room i am home i am not the whiskey you want i am the water you need don’t come here with expectations and try to make a vacation out of me
Rupi Kaur (milk and honey)
People fear what they don't understand. It's an immutable fact in life that's been used for all manner of people to do all manner of horrible things to all manner of other people. To fear the unknown is to build a bridge in your mind and promptly burn it down. With one exception, it's always better to confront the unknown and understand it. That exception, of course, being when a shit-ton of bombs are involved.
Sam Sykes (Ten Arrows of Iron (The Grave of Empires, #2))
Hounding a donor for attention or action before they’re ready will only annoy them and burn your bridges. Providing value and relevance while allowing them to be anonymous will make them feel respected and grow their trust in you and your organization.
Greg Warner (Engagement Fundraising: How to raise more money for less in the 21st century)
For that, there’s no devil in hell or god in heaven who can save you. Burn, motherfucker.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
Be You [Verse] Standin' at the crossroads burnin' in the sun Dust in my boots heart on the run Grit in my teeth fire in my veins Be who you are don't play no games [Verse 2] Voices in the dark shadows on the wall Be the change you wish to see stand tall False love fades but truth stays bright Better hated for real than loved in the night [Chorus] Be who you are shout from the hills Be who you are shake off them chills Sing your song loud bang on those drums Be who you are let the wild winds hum [Verse 3] Roads twist and turn dreams take flight Stars burn bright in the cold Cold night Chains of the world break 'em down Be who you are find your own crown [Bridge] Feel the heartbeat thunder in your chest Rumble through the night never settle for less Voices might whisper they might scream Be who you are chase your wildest dream [Chorus] Be who you are shout from the hills Be who you are shake off them chills Sing your song loud bang on those drums Be who you are let the wild winds hum
James Hilton-Cowboy
I warned you," I say. "I gave you a chance to walk away and you didn't take it. Instead, you thought you could touch what's mine. Fuck what's mine. For that, there's no devil in hell or god in heaven who can save you. Burn, motherfucker.
Morgan Bridges (Once You're Mine (Possessing Her, #1))
I Am What Remains of Me”: October 9, 2024 at 9:53 AM Verse 1: I used to be a cowboy, riding high and free, With a heart full of dreams and a love that was meant to be. But the winds of change blew hard, and the years took their toll, Now I’m just a shadow, a man without a soul. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Verse 2: We danced under the moonlight, with stars in our eyes, But the fire burned out, and left me with goodbyes. Now the whiskey’s my companion, and the night my only friend, As I search for pieces of a heart that won’t mend. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Bridge: The sunsets still remind me of the warmth of your embrace, But the dawn brings the cold, and the tears upon my face. I keep holding on to moments that have slipped away, Hoping someday I’ll find the strength to face another day. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Outro: So I’ll ride into the sunset, with the pain that never fades, A lonely cowboy searching for the love that we once made. I am what remains of me, a story left untold, In the heart of a cowboy, who’s lost his way back home.
James Hilton-Cowboy
I warned you,” I say. “I gave you a chance to walk away and you didn’t take it. Instead, you thought you could touch what’s mine. Fuck what’s mine. For that, there’s no devil in hell or god in heaven who can save you. Burn, motherfucker.
Morgan Bridges (Once You're Mine (Possessing Her))