Burgundy Dress Quotes

We've searched our database for all the quotes and captions related to Burgundy Dress. Here they are! All 16 of them:

«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
I will rip your balls off and sauté them in garlic butter with basil and ground pepper. I will then add a garnish of shaved orange peels and a side of fresh-cut sliced beets misted with lemon juice. I will beautifully plate it and enjoy a glass of white wine with it while dressed in a tuxedo. It will be a Michelin three-star meal and you will not be invited to join me!
Ron Burgundy (Let Me Off at the Top!: My Classy Life and Other Musings)
The burgundy dress she's wearing stops just above her knees, showing the perfect amount of leg, but the sleeves are long and covered by some kind of lace overlay. It is the ideal attire for a corporate dinner party. Annika has the kind of body that isn't overtly noticeable. Her breasts never feel like they're in your face, but they make you wonder what they look like under her clothes. Her legs are only slightly longer than average, but they're toned. She is the most perfectly proportioned woman I've ever had the pleasure of seeing naked, and has the softest skin I've ever run my hands across. Tonight, she looks both sexy and conservative, and I look forward to introducing her to my fellow team members.
Tracey Garvis Graves (The Girl He Used to Know)
mine was white organdie with an orange-blossom trim and I didn’t want the holly to tear it so she carried the wreath. She cared little for her dress. Scarlet velvet, she’d wanted. Crimson. But she got burgundy taffeta. And she said it didn’t fit properly, the seams weren’t straight and even I could see that but such things mattered so much to her that
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
Her dress was strange: she wouldn’t have the organdie, she wanted red, she said, crimson was the word she used. Velvet. I will have a crimson velvet, she said to Mrs Mac as she stood at the fire. You will not, Mother said from the sofa, you are the granddaughter of an advocate, not a saloon girl, and she was paying, you see, so Esme had to settle for a kind of burgundy taffeta. Wine, Mrs Mac called it, which I think made her feel
Maggie O'Farrell (The Vanishing Act of Esme Lennox)
Perhaps something in the way she fastened the ankle buckle; or her stooping posture; or Orlando's long seclusion; or the natural sympathy which is between the sexes; or the Burgundy; or the fire--any of these causes may have been to blame; for certainly blame there is on one side or another, when a Nobleman of Orlando's breeding, entertaining a lady in his house, and she his elder by many years, with a face a yard long and staring eyes, dressed somewhat ridiculously too, in a mantle and riding cloak though the season was warm--blame there is when such a Nobleman is so suddenly and violently overcome by passion of some sort that he has to leave the room.
Virginia Woolf (Orlando)
As I’ve been telling you, Cassandra, you need to be cautious. People are not always what they seem.” Cass lifted her chin and forced herself to sound casual. “I feel very safe here on San Domenico.” She added, for good measure, “Especially now that you’re staying with us.” Luca smiled faintly. “I’m glad to hear it. I thought maybe you were finding my presence burdensome.” He flicked his eyes toward the mantel clock. “You should probably get dressed.” Luca was already dressed. He wore black breeches and boots with a wine-colored silk doublet that fit snugly across his broad shoulders. A gold embroidered velvet cape hung from one shoulder. Most of his thick blondish hair was covered by a small-brimmed black velvet hat adorned with a plume of burgundy and white feathers. “You look nice,” Cass said, partially to soften him and partially because it was true. “So do you,” he responded instantly. “I mean, you will--I mean, you do now too, but--” She turned back toward her room as Luca fumbled over his words. His politeness was sort of charming. So different from the men in the streets who hollered and clapped when women walked by. He probably wouldn’t even try to kiss her again unless she specifically told him it was all right. For a brief second, Cass wondered what it would be like to stand on her tiptoes and press her mouth against Luca’s pale lips. His beard had grown out some in the past few days. What would it feel like against the smooth skin of her cheek?
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
You made a good choice for your Naga,” she assured me. “Danica is more graceful on a dais than half the serpents I know.” “Provided she isn’t blushing too brightly to see,” another quipped. “The first time I saw our queen perform, I thought she was a lost cause--far too uptight, like most avians--but I’m glad to be proved wrong.” I knew I was grinning. I had never doubted that Danica could learn the serpent art. Much of her loved my world; a part of her craved dance as surely as anyone else in this nest did. Perhaps that thirst came from her time dancing with the currents of air far above where we earthbound creatures roamed, or perhaps it came from the expressive nature her own world forced her to hide. Similar conversation flowed among us until A’isha’s musical voice commanded me, “Zane, admire your queen.” The words brought our attention to the back of the room, where Danica had emerged, looking so beautiful that she took my breath away. In response to her teacher’s words, Danica smiled and shook her head, causing her golden hair to ripple about her face. It made my heart speed and my breath still, as if I was afraid the next movement would shatter the world. She was a spark of fire in sha’Mehay. The serpiente dress rippled around the hawk’s long legs, the fabric so light it moved with the slightest shift of air. The bodice was burgundy silk; it laced up the front with a black ribbon, and though it was more modest than many dancers’ costumes, it still revealed enough cream-and-roses skin to tantalize the imagination. On Danica’s right temple, A’isha had painted a symbol for courage; beneath her left collarbone lay the symbols for san’Anhamirak, abandon and freedom. “You dance every day with the wind. This is not so different,” A’isha said encouragingly to Danica. “Now, look at the man you love and dance for him.” The nest hushed, faces turning to their Naga. Her cheeks held more color than usual, which A’isha addressed with a common dancers’ proverb. “There is no place for shame, Danica. If Anhamirak had not wanted beauty admired, she would not have made our eyes desire it. You are art.” Danica stepped out of A’isha’s grip. “If my mother could see me now,” she murmured, but she smiled as she said it.
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
himself hard with unscented soap. Then he turned the temperature down, stood under freezing water until he could tolerate that no longer, stepped out and dried himself. He examined his wounds from last night: two large aubergine-coloured bruises on his leg, some scrapes and the slice on his shoulder from the grenade shrapnel. Nothing serious. He shaved with a heavy, double-bladed safety razor, its handle of light buffalo horn. He used this fine accessory not because it was greener to the environment than the plastic disposables that most men employed but simply because it gave a better shave – and required some skill to wield; James Bond found comfort even in small challenges. By seven fifteen he was dressed: a navy-blue Canali suit, a white sea island shirt and a burgundy Grenadine tie, the latter items from Turnbull & Asser. He donned black shoes, slip-ons; he never wore laces, except for combat footwear or when tradecraft required him to send silent messages to a fellow agent via prearranged loopings. Onto his wrist he slipped his steel Rolex Oyster Perpetual, the 34mm model, the date window its only complication; Bond did not need to know the phases of
Jeffery Deaver (Carte Blanche (James Bond))
She wasn't dressed like a student. She wore an elaborate burgundy dress with long skirts, a tight waist, and matching burgundy gloves that rose all the way to her elbows. Moving deliberately, she managed to get down off the stool without tangling her feet and made her way over to stand nest to my table. Her blond hair was artfully curled, and her lips were a deeply painted red. I couldn't help wondering what she was doing in a place like Anker's.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Tonight, she wore a burgundy beaded dress with a high neck and a slit up the thigh. She painted her lips the same deep red to match. Then she combed her ash-blonde hair, parting it on the right side so the soft waves fell to the left of her face like Veronica Lake, partly covering one smoky green eye.
Sophie Lark (Anton (Underworld, #5))
Her feet touched upon ground, and a cloud of silvery dust blossomed up to her waist. Her clothes shimmered, and the checkered cotton dress she was wearing became an elegant white gown with a silver cord around the waist. "Your apprentice gown," explained Agata. She gestured ahead. "Welcome to the Wishing Star." Before her was a village not unlike Pariva, only every cottage was a different color: rose, violet, mahogany, marigold. Burgundy, magenta, and pearl. Even the flowers in the gardens matched the colors of the houses, and trees made of gold and copper and silver lined the shimmering streets. In the center was a house made of crystal, its windows stained with hearts of every color in the town. As soon as her gaze fell upon the house, its door opened, and over a dozen fairies filed outside, each wearing a warm smile.
Elizabeth Lim (When You Wish Upon a Star)
And then I’m soaking wet, holding Nathan’s dead weight on the unforgiving ground, gravel and dirt caking on my legs, my black dress changing to dark burgundy, spreading like the cabernet on the white linen. And he’s not smiling anymore.
T.A. Massa (Silent All These Years)
Oxley had something called a Brewdog Vagabond Pale Ale, which came in a bottle and which he claimed never to have tasted before. ‘I’m trying new things,’ he said. Including a new suit in khaki chambray that had either been tailored deliberately baggy or had once belonged to someone else. Isis was similarly smartly turned out in a burgundy floor-length dress and matching jacket with cream buttons. I did mention that the opera had got a lot more informal since they last attended, which didn’t seem to bother Isis at all. ‘Well, I dress to please myself,’ said Isis, and clinked glasses with Beverley. ‘And I dress to please my love,’ said Oxley. They all looked at me. ‘I dress to project an aura of confident authority,’ I said.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
He heard the rattle of pipes as Lottie started the shower-bath, and then her hesitant tap at the door. "I've brought your dressing robe," came her muffled voice. Her hand appeared around the doorframe with the burgundy velvet clutched between her fingers. Nick looked at her small hand, the tender inside of her wrist with the little tracing of veins. Last night it had been easy to find every throb of her pulse, every vulnerable place of her body. He found himself reaching out, ignoring the robe in favor of wrapping his fingers around her delicate wrist. He pushed the door fully open and pulled her in front of him, looking down into her flushed face. It was not difficult for her to see what he wanted. "I don't need a robe," he said gruffly, pulling the garment from her hand and dropping it to the floor.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
I canna believe that with a wife as fair as yours you’d rather be composing letters at first light than lying in bed beside her.” Wilhelm stood in the doorway, smirking. The laird strode in, fully dressed in his armor shirt and burgundy plaid, the metalwork on his belt polished to perfection, every hair on his head strictly in its place. “I could say the same for you,” Darcy said with a good-natured smirk. Wilhelm chuckled. “Ah, lad, leisurely mornings of tupping are for younger men without such responsibilities as I have. I am laird of Dornoch. What’s your excuse?
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))