Bungalow House Quotes

When I left Merle was wearing a bungalow apron and rolling pie crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty [...] I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again. (p. 262)

In that panic I convinced myself that this was all my fault; had I not come here under false pretenses, the lie that was my photograph? Did my husband not have the right to be disappointed in me? And I had been callow and stupid to criticize him. I thought of the night a week before when he praised the meal I had cooked and had allowed me to sit and eat with him. He was not a bad man; I was a bad wife. I would have to become a better one, that was all. It was the only way I could walk back into that little bungalow: to embrace the illusion that I could somehow change the situation, that I had some say over it. To admit that I had no say—that was too terrifying to contemplate. And so I sat there on the ground, weaving an illusion from strands of desperation, until at last I got up and started the long walk back to my husband’s house.

Repeatedly during her trek from grotto to bungalow,

Hudson’s house. It was bungalow style with a stone façade,

Nancy thanked him, then went to her convertible. She drove carefully through the city traffic and finally reached Hilo Street. Mrs. Stewart’s apartment house was Number 76. Nancy scanned the buildings and found that this one was the largest on the street. It was ultramodern in design and about twenty stories high. After parking her car, she smoothed her hair and got out. A red-coated doorman nodded pleasantly to the young detective as she entered the building a minute later. Nancy checked the directory and saw that Mrs. Stewart was in Apartment Three on the fourth floor. She rang the elevator button. Almost instantly, aluminum doors slid open noiselessly, and Nancy stepped inside the carpeted elevator. It was self-operated, and Nancy pushed the fourth-floor control.

In a lot of ways it is easier to do things on a large scale. It is easier to build a skyscraper in Manhattan than it is to buy a bungalow in the Bronx. For one thing, it takes just as much time to close a big deal as it does to close a small deal. You will endure as much stress and aggravation; you will have all the same headaches and problems. It is easier to finance a big deal. Bankers would much rather lend money for a big project than for a small one. They are more comfortable investing money in a big prestigious building than they are a rundown house in a bad section of town. If you succeed with the big project, you stand to gain a lot more money.

years, my family had sold the estate around the house, piece by piece, so that the sprawling peach orchard and even the grand front drive had given way to tidy bungalows lining the long road to the main house. Grandma had said it made gossip travel even faster, the way they built houses so close together these days. I always told her that the good citizens of Sugarland, Tennessee, needed no help. Still, I loved the place. And I absolutely despised letting

THAT DAY, while we were in school, four men in a jeep came to visit Ghosh. They took him away as if he were a common criminal, his hands jacked up behind his back. They slapped him when he tried to protest. Hema learned this from W. W. Gonad, who told the men they were surely mistaken in taking away Missing’s surgeon. For his impertinence W.W. got a boot in his stomach. Hema refused to believe Ghosh was gone. She ran home, certain that she’d find him sunk into his armchair, his sockless feet up on the stool, reading a book. In anticipation of seeing him, in the certainty that he would be there, she was already furious with him. She burst through the front door of our bungalow. “Do you see how dangerous it is for us to associate with the General? What have I been telling you? You could get us all killed!” Whenever she came at him like that, all her cylinders firing, it was Ghosh’s habit to flourish an imaginary cape like a matador facing a charging bull. We found it funny, even if Hema never did. But the house was quiet. No matador. She went from room to room, the jingle of her anklets echoing in the hallways. She imagined Ghosh with his arm twisted behind his back, being punched in the face,

But when I returned from the conference to the house where I live, which is not a bungalow but a two-storey colonial and in which, ever since I moved in, you have occupied the cellar, you were not gone. I expected you to have been dispelled, exorcised: you had become real, you had a wife and three snapshots, and banality is after all the magic antidote for unrequited love. But it was not enough. There you were, in your accustomed place, over by the shelf to the right of the cellar stairs where I kept the preserves, standing dusty and stuffed like Jeremy Bentham in his glass case, looking at me not with your former scorn, it's true, but with reproach, as if I had let it happen, as if it was my fault. Surely you don't want it back, that misery, those decaying buildings, that seductive despair and emptiness, that fear? Surely you don't want to be stuck on that slushy Boston street forever. You should have been more careful. I try to tell you it would have ended badly, that it was not the way you remember, you are deceiving yourself, but you refuse to be consoled. Goodbye, I tell you, waiting for your glance, pensive, regretful. You are supposed to turn and walk away, past the steamer trunks, around the corner into the laundry room, and vanish behind the twinset washer-dryer; but you do not move.

The people like me, finally, after years and years of agitation, made deeply moving and eloquent speeches against the wrongness of your domination over us, and then finally, after the mutilated bodies of you, your wife, and your children were found in your beautiful and spacious bungalow at the edge of your rubber plantation—found by one of your many house servants (none of it was ever yours; it was never, ever yours)—you say to me, “Well, I wash my hands of all of you, I am leaving now,” and you leave, and from afar you watch as we do to ourselves the very things you used to do to us. And you might feel that there was more to you than that, you might feel that you had understood the meaning of the Age of Enlightenment (though, as far as I can see, it had done you very little good); you loved knowledge, and wherever you went you made sure to build a school, a library (yes, and in both of these places you distorted or erased my history and glorified your own). But then again, perhaps as you observe the debacle in which I now exist, the utter ruin that I say is my life, perhaps you are remembering that you had always felt people like me cannot run things, people like me will never grasp the idea of Gross National Product, people like me will never be able to take command of the thing the most simpleminded among you can master, people like me will never understand the notion of rule by law, people like me cannot really think in abstractions, people like me cannot be objective, we make everything so personal. You will forget your part in the whole setup, that bureaucracy is one of your inventions, that Gross National Product is one of your inventions, and all the laws that you know mysteriously favour you.

Sometimes the reduction in housing units on the market occurs because people who had been renting rooms or apartments in their own homes, or bungalows in their back yards, decide that it is no longer worth the bother, when rents are kept artificially low under rent control laws.

Jackie was sitting behind the wheel of her black BMW convertible when Kristen turned off Kessler Boulevard onto Winthrop Avenue. Her house, a small red brick bungalow, was the third one from the corner. She pulled her mini-van into the driveway behind Jackie’s car and shut off the motor. Jackie had already slid from behind the wheel and was hurrying toward her when Kristen opened her door. “What’s going on, Sis?” Jackie asked, wearing a semi-worried look on her face. “You sounded stressed on the phone.” “I wanted to talk to you before the girls got home from school,

Bang! Bang! Bang! Bang! Carly stopped, pencil hovering over the page for a minute before she frowned and crossed the repeat offender off her shopping list. For God's sake, how was she supposed to get anything done with all that racket going on outside? Not to mention the racket her libido was making every time the man she swore she'd avoid crossed her line of sight. Looks like there's something inside the house that needs fixing. Betcha he's got all the right power tools for the job. Carly sent a panicked look around the room, as if her dirty subconscious had broadcast the unexpected thought out loud. It wasn't her fault that no matter where she went in the bungalow, Contractor Guy ended up in her line of sight, hard at work. And she could forget turning a blind eye, because staring at the man was just a foregone conclusion. Carly might still be irritated that he'd embarrassed her, but let's face it, she was aggravated, not dead. And Contractor Guy was 100 percent red-blooded man.

If a prisoner paints his cell in the prison, does it mean that he likes the prison? Why does he do so? It is because he has no choice. Similarly, one has no choice in the worldly life, and that is why he builds a house, buys car, builds a bungalow.

Oh Finn, thought Maia, I know I should be glad you’re free and happy, and I am glad. Only I really don’t know what to do here anymore. But Finn wasn’t happy. Both he and the boat seemed somehow sluggish, and he couldn’t quite get rid of the knot in his stomach. He had moored by a huge dyewood tree. The water flowed quietly in a deep channel; nowhere better could be found. So why? He’d had his supper of beans and roasted maize; the deck was piled with chopped wood; the dog had gone ashore to find his own supper and came back with a smug expression and blood on his jaws. Everything was fine. A group of howler monkeys came swinging through the trees, making their evening racket, half screech, half laughter, and stopped when they saw the Arabella. Perhaps I should have gone to Westwood, thought Finn. “They’d have knocked all this rubbish out of me. Foreseeing disasters…” What did he think could happen to Maia in the Carters’ bungalow? The whole point about the Carters’ bungalow was that nothing happened in it. It was the most boring house in the world--and the Indians had promised to look after her. “No harm will come to your friend,” Furo had said. So why did the unease get worse all the time? He remembered saying good-bye to Maia. She had come out of the house in her dressing gown; she ran so lightly, but when he’d hugged her she felt wonderfully solid. No, Maia would be all right. “I’m not going back,” said Finn aloud. And in the trees, the monkeys threw back their heads and roared.

our first morning in the house, I could feel the impact

All joking aside, there was no water in the bathtub. We both knew it. The bathroom door was wide open, as it had been all night. The room was dark, the light was off, as they also had been all night. And, most obviously, Tanner was sleeping. In that moment when we both instantly understood

Jim Kane’s “slave” Ike Barnes was to have been that executor, but Barnes had developed AIDS and died just six months before Steward did. Without a sensitive executor, the contents of the bungalow might very easily have been thrown away, for the little house was a stinking, densely packed mess—and the new executor, Michael Williams, needed to sell the property relatively quickly in order to fulfill his immediate obligations to Steward’s beneficiaries.

They believe to stay in the same bungalow with her would soil them. That is why we’ve had very few social callers in the last year. Our husband made a choice that has affected this house forever.

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RUBY MILLER’S HOUSE WAS ON ORTEGA STREET IN THE Sunset district, a green stucco bungalow with a manicured lawn and a bowl of plastic roses in the picture window.

We at once set out on our way to Almorah in the Himalayas, where I was permitted to reside for a year and compile Foreign Office records. We were delayed at Moradabad for a few days, as the passes were covered with snow. At last we started, and found Nynee Tal deep in snow, and the lake frozen. Next day we marched across the track of an avalanche, and the following afternoon reached the Almorah Dak Bungalow, or rest house.

Joke-ruiner," Stacey said. We drove north and west, away from the city center. The Treadwell house was in an odd area of town, upriver, near empty brick warehouses and a few old factory shells dating back more than a hundred years. The nearest residential neighborhood was a row of decrepit bungalows on narrow, weedy lots, some of them clearly abandoned or foreclosed. They'd probably been inhabited by factory and dock workers

Now, parked in front of the house she lived in with her mother, Mitch realized that it was two-thirty in the morning. If Maddie had lived by herself, he’d have no qualms about banging on her door, but he wasn’t sure this was a wise start with the woman he hoped would be his mother-in-law one day. He stared at the brick bungalow, which was nearly identical to the rest of the houses on the narrow street, and contemplated his options. Maddie was in there, thinking he hated her and wanted her gone. He couldn’t stand the thought that he’d made her cry. He couldn’t stand her believing that he didn’t love her. Even if she hated him for being a coward and not fighting for them, she needed to know the truth. And he couldn’t wait another second to give it to her. Fuck it. He wasn’t sitting back anymore. He pushed the ignition button and the engine died. He’d find another way to get on her mom’s good side. He was going in. Five

Despite the diversity of the constructions that other animals create—the pendulous baskets of oriole nests, the intricate dens of prairie dogs, or the decorated nests of bowerbirds—humans construct the broadest array of dwellings on Earth. Our words for “dwelling” point to this diversity: Palace, hovel, hogan, ranch house, croft. Tipi, chalet, duplex, kraal. Igloo, bungalow, billet, cabin.

Picture her then: Daphne Manners, a big girl (to borrow a none too definite image from Lady Chatterjee) leaning on the balcony outside her bedroom window, gazing with concentration (as one might gaze for two people, one being absent, once deprived, since dead, and now regretted) at a landscape calculated to inspire in the most sympathetic western heart a degree of cultural shock. There is (even from this vantage point above a garden whose blooms will pleasurably convey scent if you bend close enough to them) a pervading redolence, wafting in from the silent, heat-stricken trembling plains; from the vast panorama of fields, from the river, from the complex of human dwellings (with here and there, spiky or bulbous, a church, a mosque, a temple), from the streets and lanes and the sequestered white bungalows, the private houses, the public buildings, the station, from the rear quarters of the MacGregor House.

The shithole he’s referring to is an area known locally as the Bluff—five square miles of drug houses, flophouses, abandoned buildings, squatters, drugs, violence, desperation, and the constant woop-woop of sirens. The Bluff is Atlanta’s answer to Compton, to Chicago’s South Side, and to the Heartland’s countless and nameless meth-riddled trailer parks. It is where all of Atlanta’s heroin is sold and most of its crack is consumed. People here live in aging projects or derelict bungalows; when they aren’t getting into trouble, Pike says, they’re calling 911.

Miss Minton, what on earth made you let a young girl travel up the Amazon and spend weeks living with savages? What made you do it? The British consul thinks that you must all have been drugged.” “Perhaps. Yes, perhaps we were drugged. Not by the things the Xanti smoked--none of us touched them--but by…peace…by happiness. By a different sense of time.” “I don’t think you have explained why you let Maia--” Miss Minton interrupted him. “I will explain. At least I will try to. You see, I have looked after some truly dreadful children in my time, and it was easy not to get fond of them. After all, a governess is not a mother. But Maia…well, I’m afraid I grew to love her. And that meant I began to think what I would do if she were my child.” “And you would let her--” began Mr. Murray. But Miss Minton stopped him. “I would let her…have adventures. I would let her…choose her path. It would be hard…it was hard…but I would do it. Oh, not completely, of course. Some things have to go on. Cleaning one’s teeth, arithmetic. But Maia fell in love with the Amazon. It happens. The place was for her--and the people. Of course there was some danger, but there is danger everywhere. Two years ago, in this school, there was an outbreak of typhus, and three girls died. Children are knocked down and killed by horses every week, here in these streets--” She broke off, gathering her thoughts. “When she was traveling and exploring…and finding her songs, Maia wasn’t just happy, she was…herself. I think something broke in Maia when her parents died, and out there it was healed. Perhaps I’m mad--and the professor, too--but I think children must lead big lives…if it is in them to do so. And it is in Maia.” The old lawyer was silent, rolling his silver pencil over and over between his fingers. “You would take her back to Brazil?” “Yes.” “To live among savages?” “No. To explore and discover and look for giant sloths and new melodies and flowers that only blossom once every twenty years. Not to find them necessarily, but to look--” She broke off, remembering what they had planned, the four of them, as they sailed up the Agarapi. To build a proper House of Rest near the Carters’ old bungalow and live there in the rainy season, studying hard so that if Maia wanted to go to music college later, or Finn to train as a doctor, they would be prepared. And in the dry weather, to set off and explore. Mr. Murray had risen to his feet. He walked over to the window and stood with his back to her, looking out at the square. “It’s impossible. It’s madness.” There was a long pause. “Or is it?” the old man said.

When Mum moved out of her house and into the bungalow David had bought, we had a rigorous clear-out. The garage was full of junk belonging to Jacinta, Gavin and me. Books, comics, posters in tubes, fabric, snorkels, wellies, old exercise books filled with rickety graphs and essays covered in angry pen and lumpy Tipp-Ex. Everything got lobbed into a skip. Even things that weren’t in the garage like mismatched wine glasses and ornaments from holidays abroad. Letters were thrown away too. We threw out the letter that would have proven I wasn’t out of my fucking mind.

Rachael had to keep her reaction in check when they went to Leslie’s home, which, not surprisingly, was something she would later describe as an aquamarine palace. Everything was beautiful like a beach house filled with calming colors of sand with aqua and translucent greens. All the furniture was large, light colored, and overstuffed. The walls were whitewashed and reminiscent of a beach bungalow at a five-star resort. It had been decorated with a calming theme in mind.

Never leave your adult dog in a crate for longer than five hours without providing them time outside of the crate. As your puppy matures and has learned proper dog etiquette (not chewing everything in sight), is housetrained, and can be trusted to run freely around your house, you can then leave the door open so that they can use it for their private bungalow to come and go as they choose.

plain-pied /dəplɛ̃pje/ I. loc adj 1. (à un étage) • un bâtiment de ~ | a single-storey (GB) ou single-story (US) building • une maison de ~ | a single-storey (GB)ou; single-story (US); house, a bungalow (GB) • l'école est de ~ | the school only has one storey (GB)ou; story (US) • la cuisine est de ~ avec le jardin | the kitchen is at the same level as the garden (GB)ou; yard (US)ou; is on a level with the garden (GB)ou; yard (US) 2. (à égalité) • être de ~ avec qn | to be on an equal footing with sb II. loc adv • entrer de ~ dans le monde politique | to have an easy passage into the world of politics • passer de ~ de la philosophie à la finance | to be equally at home discussing philosophy or finance

In 1917, Milton Hershey began work on a sugar mill town outside the city of Santa Cruz, Cuba, which he named Hershey and which, when finished, included American-style bungalows, luxurious houses for staff, schools, a hospital, a baseball diamond, and a number of movie theaters. At the height of the banana boom of the 1920s, one could tour Guatemala, Costa Rica, Panama, Honduras, Cuba, and Colombia and not for a moment leave United Fruit Company property, traveling on its trains and ships, passing through its ports, staying in its many towns, with their tree-lined streets and modern amenities, in a company hotel or guest house, playing golf on its links, taking in a Hollywood movie in one of its theaters, and being tended to in its hospital if sick.

We enter crack houses and foster houses, group homes and strip clubs, trailers, mansions, split levels, ramblers, ramshackles, bungalows, old houses, new houses, brick, vinyl, aluminum, wood. We enter bars, temples, bowling alleys, churches, skating rinks, doctor’s offices, jails, barges, fields, factories, stores, gas stations, laundromats, cars, woods, bushes, Walmart, Target, Dillard’s. Buses, apartments, malls, schools, studios. Tonight, we enter the country

In the same way, consider bungalow versus house versus building . . . starlet versus girl versus female . . . Colt versus revolver versus firearm . . . steak versus meat versus food.

Except for the sign on the front lawn, there wasn't much difference between this house and his. World War II bungalows with clapboard siding. Two bedrooms, one bath. A small lawn that ran out to the street. A peaked roof with dark asphalt shingles. Both ordinary, in all ways. One vacant. One empty.

Diamond Hill—what a glorious name for a place. No one outside of Hong Kong would have guessed it was the moniker of a squatter village in Kowloon East. In the fifties and sixties, it was a ghetto with its share of grime and crime, and sleaze oozing from brothels, opium dens, and underground gambling houses. There and then, you found no diamonds but plenty of poor people residing on its muddy slopes. Most refugees from mainland China settled in dumps like this because the rent was dirt cheap. Hong Kong began prospering in the seventies and eighties, and its population exploded, partly due to the continued influx of refugees. Large-scale urbanization and infrastructure development moved at breakneck speed. There was no longer any room for squatter villages or shantytowns. By the late eighties, Diamond Hill was chopped into pieces and demolished bit by bit with the construction of the six-lane Lung Cheung Road in its north, the Tate’s Cairn Tunnel in its northwest, and its namesake subway station in its south. Only its southern tip had survived. More than two hundred families and businesses crammed together in this remnant of Diamond Hill, where the old village’s flavor lingered. Its buildings remained a mishmash of shoddy low-rise brick houses and bungalows, shanties, tin huts, and illegal shelters made of planks and tar paper occupying every nook and cranny. There was not a single thoroughfare wide enough for cars. The only access was by foot using narrow lanes flanked by gutters. The lanes branched out and merged, twisted and turned, and dead-ended at tall fences built to separate the village from the outside world. The village was like a maze. The last of Diamond Hill’s residents were on borrowed time and borrowed land. They had already received eviction notices from the Hong Kong government, and all had made plans for the future. The government promised to compensate longtime residents for vacating the land, but not the new arrivals.

THE SUN IS warm upon my arms as I push the bright red lawn cutter that started with one pull of its rope and I smell benzine and that American scent of green grass that is cut in the heat. The engine is loud but still I hear the work of the najars upon the bungalow. The afternoon remains in their first workday, but already they have completed building the frame of the widow’s walk into the roof and I push the cutter from one end of the property to the next and I see them lay new boards of lumber across the structure and drive nails with their steel hammers in the sun. The tall grass falls away beneath my machine like dead soldiers, and I am grateful for the silly blue hat upon my head, for it keeps the skin there in the shade, and even my forehead and eyes are protected.

Ross’s first task was to establish order and discipline in an environment that was bubbling over with enthusiastic but unfocused energy. His team met three to four times a day in the Pink House, a small bungalow on Delano’s west side that had become the union’s headquarters.

Married officers with a family often bought a place, often near their first service base or near some other location they imagined was going to be central to their lives, like West Point. They bought the place and usually left it empty while they lived overseas. The point was to have an anchor, somewhere identifiable they knew they would come back to when it was all over. Or somewhere their families could live if the overseas posting was unsuitable, or if their children’s education demanded consistency. Reacher’s parents had not taken that route. They had never bought a place. Reacher had never lived in a house. Grim service bungalows and army bunkhouses were where he had lived, and since then, cheap motels. And he was pretty sure he never wanted anything different. He was pretty sure he didn’t want to live in a house. The desire just passed him by. The necessary involvement intimidated him. It was a physical weight, exactly like the suitcase in his hand. The bills, the property taxes, the insurance, the warranties, the repairs, the maintenance, the decisions, new roof or new stove, carpeting or rugs, the budgets. The yard work. He stepped over and looked out of the window at the lawn. Yard work summed up the whole futile procedure. First you spend a lot of time and money making the grass grow, just so you can spend a lot of time and money cutting it down again a little while later. You curse about it getting too long, and then you worry about it staying too short and you sprinkle expensive water on it all summer, and expensive chemicals all fall.

She had brown hair, cut in swirls around her face, soft blue eyes, and a bounce in her step. I wondered why she was even here, when she could just be out in society with age on her side. Linda told me her boyfriend was drafted and would be leaving for Vietnam. He didn’t want to get married, so she was giving the baby up for adoption. She seemed sad about that, like she would have married him. I knew she came from the good side of town because she had crisp, clean, fashionable clothes. On sunny days, we liked to hang out in the back yard. Over by the large oak tree were several Adirondack slatted chairs. It was serene out there; nobody from the street could see us because of the height of the brick wall. The yard was dotted with a few stately oak trees and the grass was lumpy, but green. Lilac bushes lined the building and were in full bloom when I arrived. The scent of the lilacs brought a fresh longing for the days when we lived in the city. Mom loved lilacs. When I was little, she would cut a fresh bouquet from the bushes in our back yard and arrange them in a tall drinking glass on the kitchen table. They filled the house with their luscious scent. I’d put my nose right into the blooms and give a good sniff. I marveled at the fluted horn blossoms that dotted each branch. I could never inhale enough of their sweetness. Before we moved out to Glenview and lived in our Chicago bungalow on Fairfield Avenue, we had lilacs and grapes along the fence and lilies of the valley along the back-yard sidewalk that led to the alley. Oh, how I missed that yard in the city! You could pick the grapes right off the vine and pop them into your mouth whenever you had a hankering for some fresh fruit. I thought it was glorious to have a fresh supply offered right from nature. I remembered how they popped and squished making purple stains on the sidewalk when you stepped on them. We also had lavender irises that got full of ants when they were budding. I guessed they were just too sweet. The days at the home stretched like the horizon

Anna does make one financial concession, however. Sticking to her rule that she can be selfish for the people she loves, she lets me buy her father a house nearby, a small two-bedroom bungalow with a giant garage, so that David Green can retire, tinker with cars, and enjoy the life he fought so hard to live, and his daughter never has to be more than five minutes away from him again.

Hollywood courts are a style of architecture peculiar to Southern California, little bungalows facing each other with a walkway down the middle—God’s most perfect housing, in other words, before condos were thrust upon us.