Bums In Seats Quotes

A bum slumped in a corner seat called out, "Give the girl a dance already, ya bum!

When strangers on a train or a plane ask what I do for a living, I say, "I kill people." This response makes for a short conversation. No eye contact and no sudden movement from my seat-mate. Only peace and quiet. Rare is the fellow passenger who asks why I do it. I suppose I got tired hanging out in a book all day waiting for a story to begin. I write the kind of novels I want to read. And why the theme of solving murders? Violent death is larger than life and it's the great equalizer. By law, every victim is entitled to a paladin and a chase, else life would be cheapened. And the real reason I do this? My brain is simply bent this way. There is nothing else I would rather do. This neatly chains into my theory of the writing life. If you scratch an artist, under the skin you will find a bum who cannot hold down a real job. Conversely, if you scratch a bum... but I have never done that. The heart of my theory has puritan roots: if you love what you do, you cannot call it honest work.

After forty-odd years you stop asking," she says. "Want some free advice?" I nod. "Don't trip over yourselves trying to be a perfect couple, love. Get out of each other's way; don't be afraid of falling out, shutting up, or telling little porky pies; do your share of the cleaning; don't leave your dirty undies inside out on the carpet; leave the seat down; buy her flowers once a month; and pinch her bum once a week - the rest's up to you.

I think the most important lesson I’ve learned about being a writer is that a real writer keeps writing. We keep moving forward. We don’t sit around waiting for “the muse.” It’s a job like any other, trying to get the entire story on the page. It’s about getting our bums in the seat, every day.

It's bums on seats that spread the desire for tight fitting jeans.

We listened as he and his wife told us their wildlife stories. I wasn’t sure why, but they seemed to really hate emus. I think it was because a panicked, running emu could put a hole right through the fence. “You know, an emu is supposed to be able to run sixty kilometers per hour,” he said, relishing his story. “But if I run my truck right up their bum, they will actually reach about sixty-eight kilometers an hour. It’s funny how they look back over their shoulder just before they get run over.” They laughed long and loud until they realized that none of us were laughing with them. His wife must have thought we didn’t get the joke, because she tried to explain it further. “Our oldest child, he always begs his dad,” she told us, “Run down an emu, Dad, run down an emu!” While we drove the fence line afterward, it was obvious that Steve was trying to get back to the job at hand and move on from the awkward conversation. Suddenly he had a premonition. He turned to me. “Something’s going to happen,” he said. Just ahead of us, a koala ran through a paddock over open ground. Steve immediately jumped out of the truck. “Get John and catch up!” Steve yelled. I scrambled into the driver’s seat, bouncing like hell over the muddy track, rounding up John and the crew to come film Steve’s encounter with the koala. “How did you know something was going to happen?” I asked Steve, once we’d filmed the koala and gotten it safely to a nearby tree. “How did you sense it?” He shrugged. “I don’t know, mate, it’s the strangest thing.” Were Steve’s bush instincts simply more finely honed than anyone else’s? I didn’t think it was that simple. He seemed to be able to tune into some sixth sense with wildlife. After years in the bush, he had refined his gift into an uncanny ability.

Dusty beer bottles on both sides of the squishy steps vibrated and danced every time anyone descended down them. There were bottles on various ledges and within cases that were stacked like totem poles. The kids used a large wooden spool as a table and sat on seats torn from junk cars. They told jokes that everyone knew by heart, or stories that they could recite verbatim. The top of the spool was littered with ashtrays, full of snuffed butts, as well as empty beer bottles, or “dead soldiers.” At the bottom of the bottles, engorged cigarette butts resembled leeches, having been drowned in a lethal cocktail of backwash and saliva. Half the cigarettes inside the ashtrays had white filters, lovingly imprinted with Gail’s pink lipstick that she’d rubbed out in the ashtray. Of late, I was smoking more, sucking on the cigarettes that I bummed off the girls. Sucking in their essence.