Bullet Farmer Quotes

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The bullets are gun-eggs,” Collingswood said to Baron, looking at Vardy. Farmers squeezing their holy metal beasts to percussive climax, fertilisation by cordite expulsion, violent ovipositors. Seeking warm places full of nutrients, protecting baby guns deep in the bone cages, until they hatched.
China Miéville (Kraken)
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet had clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Ghosh would leave home early morning and hang around Shobhabazar sabzi market watching people. One day, he saw a burly man in a red T-shirt riding a Royal Enfield Bullet. When the gentleman stopped at the entrance of the market, half a dozen women rushed to him. In fact, they had been waiting for him to arrive. To each of them, the man gave Rs 500 and collected Rs 5, simultaneously. He came back late afternoon, this time wearing a blue T-shirt. The same women—who were vegetable sellers in the market—returned the money, Rs 500 each. Ghosh watched the ritual with curiosity for a few days. Every morning, the women would buy sackfuls of cauliflowers, tomatoes, brinjals and spinach outside the Sealdah railway station, from the farmers who would come mostly from Lakshmikantapur, South 24 Parganas, and Barasat, North 24 Parganas. One evening, when those women were about to leave the market after settling the moneylender’s dues, he could not resist asking them why they were paying so much interest to this man. His calculation was fairly simple: on Rs 500, they were paying Rs 5 as interest for half a day. This translated into 1 per cent interest for half a day, and 730 per cent a year! But the women told Ghosh a different story. They were not paying any interest; rather, they were just buying a cup of tea for the moneylender. Moreover, they were earning enough to afford this. ‘Will a bank give us money?’ the group of women asked him in a chorus. How else would they get money without documentation and a guarantor? Besides, they were saving time and travel cost as the money was being given to them at their doorsteps (in this case, the market).
Tamal Bandyopadhyay (Bandhan: The Making of a Bank)
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet have clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for one?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet have clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
The French word—actually it’s a Norman word,” said Colonel Bruce, “is bocage. Ancient by any standard. Won’t trouble you with etymology. Basically it describes a terrain featuring a checkerboard of pasture, woodland, brush, hill, hedgerow, farmer’s fields plowed or unplowed, lots of cows and bumblebees,
Stephen Hunter (The Bullet Garden (Earl Swagger #4))
could not overcome their fear of bullets and arrows and the scalping knife. Protect us,they hollered to the president and the Supreme Executive Council. Send more money, cried battalion colonels. Despite amendments to the Militia Act, Pennsylvania's Revolutionary government failed to win the hearts of Northampton's militiamen. The farmers had grown weary of their role as soldiers. Moreover, a byzantine relationship between Northampton's county lieutenant, a civilian commander of the militia who had been appointed by the president, and battalion officers, who had been elected by their men, foiled the dictates of the law. Isolated by natural boundaries, hampered by poor communications, red tape, and intramural disputes, each Northampton battalion became a fiefdom whose leaders distanced themselves from the county lieutenant, county officials, the president, and the Council. Apprized of mutinous rumblings in Northampton, the president pleaded with the militia: "Let there be one dispute:who shall serve his country best?"" But pep talks and patriotic slogans had lost their sizzle in Northampton. Fearing for his life, the sheriff refused to collect fines from 300 delinquent militiamen. "They wont suffer no sheriff, constable, or any other fit person to serve any executions on them,"he reported." Later, when Indians and Tories threatened to clear settlers from the frontier, the president promised battalion commanders ammunition and money for scouting parties and scalps,but he warned them that the militia could not be useful if "they meet at taverns and spend their time in amusement and frolick."'$ In the months ahead, the mutiny escalated.
Francis Fox (Sweet Land of Liberty: The Ordeal of the American Revolution in Northampton County, Pennsylvania)
There’s little room for moral qualms. After all, why should a dirt-poor Afghan farmer struggling to keep his family above the poverty line give a shit about a smack freak in the States who has thrown away more wealth than the farmer’s village is likely to see all year? Others rationalise that it may – just possibly – be used for medicine.
Toby Ralph (Ballots, Bullets & Kabulshit: An Afghan Election: Penguin Special)
The anti-narcotic agencies have long understood that discouraging poppy cultivation is best achieved by putting the crop at constant risk, so that farmers take a safer option. This has been proven around the world. By far the most effective way to achieve this is by using crop-dusters to dump herbicide. But the president has always opposed this, arguing that it would be misunderstood and cause an uprising, and, ultimately, loss of power. That’s why the international narcs had to scrap their way in to appallingly dangerous areas with ‘tractors and weed-whackers’. Unsurprisingly, it didn’t work much at all.
Toby Ralph (Ballots, Bullets & Kabulshit: An Afghan Election: Penguin Special)
and Mary Gardner in 1941. A planter in Mississippi said that, if his tenant “didn’t stop acting so big, the next time it would be the bullet or a rope. That is the way to manage them when they get too big.” In 1948, a black tenant farmer in Louise, Mississippi, was severely beaten by two whites, wrote the historian James C. Cobb, “because he asked for a receipt after paying his water bill.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Not merely because they happened in the dust and heat of the United States south and southwest, but because these crimes were viewed by much of the American public as a reaction to the Great Depression. “Gaunt, dazed men roamed the city streets seeking jobs,” writes historian E. R. Milner in The Lives and Times of Bonnie and Clyde. “Breadlines and soup kitchens became jammed, foreclosures forced more than 38 percent of farmers from their lands . . . by the time Bonnie and Clyde became well-known, many felt that the capitalistic system had been abused by big business and government officials. Now here were Bonnie and Clyde striking back.” They were products of their times, and they defined how generations of Americans would view and interpret lovers who broke the law. And when they died, they died together in a rain of bullets, faithful to each other until their end.
Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
2020 Quarantine Killings And they ask, 'How do black boys write about their city? How do we know street if we don't know uncracked sidewalk?' They ask, 'How do these Black boys know anything about their city? How the buildings are sitting on corners where brothers' bodies are still learning how to rot?' There are small crosses placed in the grass where families cannot afford to bury their loved ones, reminds my brothers and I that we are early graves before we are anything else. We call those corners playgrounds. We call those corners the killing fields. We call our bodies bullets, even if we were never aimed in the right direction. We call the remnants of our mothers' family the disaspora tree. We make a catalog of prayers out of broken hands. We pray for our family tree to make its way back home to this soil. We use our hands to dig the graves we cannot afford. We are farmers of broken Black bodies. We have never know city, never known comfort, never know safe street in any city. We use our feet to walk streets paved by sunlight and ask our shadows if they meant to choose this skin. We make a catalyst of bodies our dinner menu and we eat with our eyes closed. We are fed lies so easily it tastes like medicine. Always conflicted between being Black and being people. I wish God could've given us a choice. For years, we have been told that there is something we need to scrub off this body, as if this dirt could go away. Working in the field make you realize how easily Black can cook in the sun, how easily we turn on each other for a little slice of the pie. We don't know this city, how it was built with our grandmothers' arthritic hands. How we couldn't have gotten a house or a bed when it was first built, when it was first settled, when it was first taken from the Indians, when our gods believed in the same beginning. We don't know home. We know how generations of our people could use these legs, could run miles on into the night, our faces bedazzled with the remnants of the stars. We will forever search for our forefathers' footsteps. We don't know home. We know run. We know this land has never been ours. We know how to fold ourselves into nothing. We know our sweat and tears tenderized this soil. Somehow we make fertilizer for the soil. We know how to make these hands be useful. We are the farmers of every revolution. No country was built without the piling up of dead bodies. This country just happens to be where our dead were dragged and hung up. America, the land of the free and home of the brave. We fought and died for that slogan, right beside our white brothers. And doesn't that make us worth something? Tonight, a riot is the language of the unheard. Playon Patrick
Playon Patrick
2020 Quarantine Killings by Playon Patrick And they ask: how do black boys write about their city? How do we know street if we don't know un-cracked sidewalk? They ask: how do these black boys know anything about their city? How the buildings are sitting on corners where brothers' bodies are still learning how to rot. There are small crosses placed in the grass where families cannot afford to bury their loved ones Reminds my brothers and I that we are early graves before we are anything else. We call those corners playgrounds, We call those corners the killing fields. We call our bodies bullets even if we were never aimed in the right direction We called the remnants of our mother's family the Diaspora tree. We make a catalog of prayers out of broken hands We pray for our family tree to make its way back home to this soil. We use our hands to dig the graves we cannot afford. We are farmers - our broken black bodies - We have never know city, never known comfort, Never known safe street in any city. We use our feet to walk streets paved by sunlight, And asked our shadows if they meant to choose this skin. We make a catalyst of bodies our dinner menu And we eat with our eyes closed. We are fed lies so easily it tastes like medicine. Always conflicted between being black and being people. I wish God could have given us a choice. For years we have been told that there is something we need to scrub off this body As if this dirt could go away Working in the field make you realize how easily black can cook in the sun. How easily we turn on each other for a little slice of the pie. We don't know this city - how it was built with our grandmother's arthritic hands. how we wouldn't have gotten a house or a bed when it was first built When it was first settled - when it was first taken from the Indians When our God believed in the same beginning. We don't know home. We don't know how generations of our people could use these legs Could run miles on end into the night Our faces bedazzled with the remnants of the stars We will forever search for our forefathers' footsteps We don't know home - we know run We know this land has never been ours We know how to fold ourselves into nothing We know our sweat and tears tenderize this soil Somehow we make fertilizer for the soil We know how to make these hands be useful We are the farmers of every revolution No country was built without the piling up of dead bodies This country just happens to be where our dead were dragged and hung up. America: the land of the free and home of the brave We fought and died for that slogan right beside our white brothers Doesn't that make us worth something? Tonight a riot is the language of the unheard
Playon Patrick
Space Boot Hill: The Urbane Frontier by Stewart Stafford Red hot, white hot, then what? Nostril fleas dancing at dawn, Creating Frankenstein rivals, Great Whites slumming as prawn. Melon farmers of the world unite! We like them big, ripe and juicy, See all the Vegans next Tuesday: Barbara, Doris, Amy and Lucy. And so we dodge the cosmic bullets, Of an Atraxis gunslinger, non-ritual dead, Playing possum, we slip away, Chiming life's aria, eternally spread. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford