Built In Wardrobe Quotes

We've searched our database for all the quotes and captions related to Built In Wardrobe. Here they are! All 11 of them:

He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face. She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that. He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on. She said, Better to get it over with when she's young. He said, All right but don't let me see it. She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell. He said, I guess we're safe.
Margaret Atwood (The Female Body)
Just below them a dam had been built across this river; and when they saw it everyone suddenly remembered that of course beavers are always making dams and felt quite sure that Mr. Beaver had made this one. They also noticed that he now had a sort of modest expression on his face--the sort of look people have when you are visiting a garden they’ve made or reading a story they’ve written. So it was only common politeness when Susan said, “What a lovely dam!” And Mr. Beaver didn’t say “Hush” this time but “Merely a trifle! Merely a trifle! And it isn’t really finished!
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
A lone figure lies motionless in his bed as the street below him is still and silent, until a sudden sound shatters the relative calm. The noise comes from out of nowhere, is high-pitched and repetitive and is starting to get louder and louder; what could it be? A light breeze stirs the cold air as it makes its way down the long passages of the street, sweeps down and picks up the yet unknown noise and lifts it high in the air, spreading the sound all around before taking it up into a darkened room above: Paul’s room. The room is a simple one with a double bed and bedside table, a built-in wardrobe, a chest of drawers and a few shelves scattered with books being the only other furniture: it is a single man’s room.
Ross Lennon (The Long Weekend)
For a moment, I feel a twinge of sympathy. The rest of the world sees the money, the glamour, the flawless hair and wardrobe. Without seeing the inside view, they never realize that Dee is caged. The fame Is like a dream house – it’s a picture perfect from the outside, and it’s some thing Dee built herself. But now that she lives here, a tall fence runs around the border of her life, keeping others out and barricading her in
Emery Lord (Open Road Summer)
When we reached his door, he went inside, leaving it open for me to follow. I stepped across the threshold and closed out the hall, then surveyed what lay before me: a lavish main room much like mine in Hytanica, with a fireplace; a rich, comfortable sofa upon which Narian settled; several armchairs; a carved wooden table scattered with papers; and two bookshelves stocked with volumes. Heavy drapes covered one wall, and when I crossed the thick rug that blanketed the floor to push the fabric aside, I learned the reason--they hid a set of large windows. I turned around and saw that an expansive mural covered the wall above and to the sides of the door. It combined horses, a sunrise and sunset, stars in a deep blue sky, noblewomen and men, creatures of myth and a Cokyrian flag into a single stunning piece of artwork. Intricate tapestries were common in Hytanica, but I had never seen anything approaching the beauty of this painting before. Narian was content to let me explore, so I approached the table, skimming the papers atop it, which ranged from correspondence and scrawled notes to maps and battle strategies. Spying his bedroom beyond, which was open to the main room but secluded by a wall, I glanced at him for approval, and went inside upon his nod. His bed was built into a corner, on a raised platform, permitting access from only one side by what appeared to be a climbing net. Practical for a military man--and fun for a child. He followed me, stopping in the archway to watch me explore his private space. “May I?” I asked, crossing to his wardrobe, for I was curious about the style of his attire here in Cokyri, and he again motioned me ahead. I glanced between Narian and the clothing inside the wardrobe several times, trying to understand the disparity. The Narian I knew dressed practically, ever a soldier, thinking of comfort and of blending into his surroundings. Yet he possessed a collection of rich clothing, the fabrics similar to what I would have expected to find in Steldor’s or my father’s wardrobe, not in his. Mounted on the inside of one of the doors were dress swords, and on the other, shelves that held jewels far more valuable than anything we had in Hytanica. “Narian, this is…” I started, then shook my head in wonder. “Ridiculous, I know.” He crossed to his bed and leaned against the netting. “No!” I exclaimed. “It’s unbelievably beautiful.” I pointed to an exquisite ruby ring and flashed him a smile. “This could have been my betrothal ring.
Cayla Kluver (Sacrifice (Legacy, #3))
I bought a few books on color theory, and sure enough, brown sparks the smallest neurological response of any color in the spectrum. It also elicits feelings of reliability and security, traits that are critical to gaining access and trust. So I built my wardrobe around this pillar of blandness, never straying too far. Brownish gray, brownish green, brownish black, etc. All of these colors are easily found in the sale rack of every department store because people do not intentionally buy clothing that will erase them from the universe.
Shane Kuhn (The Intern's Handbook (John Lago Thriller, #1))
Opposite the bed is a cabinet built in to the wall, taking the whole length of it. It has a painted clock face on the front, with constellations instead of numbers. The arms of the clock are pointed toward a configuration of stars prophesying a particularly amorous lover. Inside, it appears merely a wardrobe overstuffed with Cardan's clothes. I pull them out, letting them fall to the floor in a pile of velvet cuffs, satin, and leather. From the bed, Cardan makes a sound of mock distress.
Holly Black (The Wicked King (The Folk of the Air, #2))
So what is a conscious closet? A conscious closet is a wardrobe built with greater attention and awareness of our clothes, where they come from, what they're made out of, and why they matter.
Elizabeth L. Cline (The Conscious Closet: The Revolutionary Guide to Looking Good While Doing Good)
Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.
Madison Styles (How to dress for women: How To Look Elegant, Classy, Stylish, Charming Chic, And Beautiful Every Day (Dressing With Madison Styles))
Finding a situation that catches the key competitor or competitors with conflicting goals is at the heart of many company success stories. The slow Swiss reaction to the Timex watch provides an example. Timex sold its watches through drugstores, rather than through the traditional jewelry store outlets for watches, and emphasized very low cost, the need for no repair, and the fact that a watch was not a status item but a functional part of the wardrobe. The strong sales of the Timex watch eventually threatened the financial and growth goals of the Swiss, but it also raised an important dilemma for them were they to retaliate against it directly. The Swiss had a big stake in the jewelry store as a channel and a large investment in the Swiss image of the watch as a piece of fine precision jewelry. Aggressive retaliation against Timex would have helped legitimize the Timex concept, threatened the needed cooperation of jewelers in selling Swiss watches, and blurred the Swiss product image. Thus the Swiss retaliation to Timex never really came. There are many other examples of this principle at work. Volkswagen’s and American Motor’s early strategies of producing a stripped-down basic transportation vehicle with few style changes created a similar dilemma for the Big Three auto producers. They had a strategy built on trade-up and frequent model changes. Bic’s recent introduction of the disposable razor has put Gillette in a difficult position: if it reacts it may cut into the sales of another product in its broad line of razors, a dilemma Bic does not face.4 Finally, IBM has been reluctant to jump into minicomputers because the move will jeopardize its sales of larger mainframe computers.
Michael E. Porter (Competitive Strategy: Techniques for Analyzing Industries and Competitors)
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))