Buffet Funny Quotes

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Yeah, okay. You're right. I was having dinner with Zombie Carl the other night. You know, steak, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn't tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend's yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night-dinner buffet, because having organs is SO last year.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Are you suggesting I’m working with the zombies? That I paid them to pretend to attack me so that I’d trick you into letting me join you?”“Did you?” Mr. Holland demanded.“Yeah, okay,” I said in a sugar-sweet tone. “You’re right. I was having dinner with Zombie Carl the other night. You know, steaks, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn’t tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend’s yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night dinner buffet, because having organs is so last season.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
It's probably not easy for a woman to understand what it's like to be a man. Imagine you're starving, and someone puts a huge buffet in front of you. There's delicious, mouth-watering food all around you, and it's really really hard not to eat it all. That's what it's like to be a man around attractive women. The urge to want to hump everything that moves is part of a man's natural programming. It's a deep-seated hunger. To suppress that hunger takes civilization and a lot of willpower.
Oliver Markus (Why Men And Women Can't Be Friends)
Advice to explorers everywhere: if you would like to recieve due credit for your discoveries, keep a detailed account of your journeys as Columbus did. On Septemeber 28, 1492, after four weeks at sea, he writes: Dear diary...I means journal. Yes, dear journal. That's what I meant to say. Whew. Anyway, we have yet to discover America, and the crew has become increasingly rebellious. I have decided to turn back if we have not spotted it by Columbus Day. Will write again later if not killed by crew. P.S. Last night's buffet was fabulous, the ice sculptures magnificent.
Cuthbert Soup (Another Whole Nother Story (A Whole Nother Story))
The Hooligans had never intended to settle on Berk in the first place. Berk was not the most comfortable, the most luxurious, the most civilised place to live in the world. It was a funny, boggy, shaggy little heap of heather and rock, where the wind buffeted so strongly that you might as well be on the sea in a ship, and when it wasn't raining it was often snowing. But Berk was where they had grown up, where they had met their sweethearts and brought up their children, and when it came down to it, they found that they didn't want to leave.
Cressida Cowell (How to Break a Dragon's Heart (How to Train Your Dragon, #8))
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
When everyone is seated, Galen uses a pot holder to remove the lid from the huge speckled pan in the center of the table. And I almost upchuck. Fish. Crabs. And...is that squid hair? Before I can think of a polite version of the truth-I'd rather eat my own pinky finger than seafood-Galen plops the biggest piece of fish on my plate, then scoops a mixture of crabmeat and scallops on top of it. As the steam wafts its way to my nose, my chances of staying polite dwindle. The only think I can think of is to make it look like I'm hiccupping instead of gagging. What did I smell earlier that almost had me salivating? It couldn't have been this. I fork the fillet and twist, but it feels like twisting my own gut. Mush it, dice it, mix it all up. No matter what I do, how it looks, I can't bring it near my mouth. A promise is a promise, dream or no dream. Even if real fish didn't save me in Granny's pond, the fake ones my imagination conjured up sure comforted me until help arrived. And now I'm expected to eat their cousins? No can do. I set the fork down and sip some water. I sense Galen is watching. Out of my peripheral, I see the others shoveling the chum into their faces. But not Galen. He sits still, head tilted, waiting for me to take a bite first. Of all the times to be a gentleman! What happened to the guy who sprawled me over his lap like a three-year-old just a few minutes ago? Still, I can't do it. And they don't even have a dog for me to feed under the table, which used to be my go-to plan at Chloe's grandmother's house. One time Chloe even started a food fight to get me out of it. I glance around the table, but Rayna's the only person I'd aim this slop at. Plus, I'd risk getting the stuff on me, which is almost as bad as in me. Galen nudges me with his elbow. "Aren't you hungry? You're not feeling bad again, are you?" This gets the others' attention. The commotion of eating stops. Everyone stares. Rayna, irritated that her gluttony has been interrupted. Toraf smirking like I've done something funny. Galen's mom wearing the same concerned look he is. Can I lie? Should I lie? What if I'm invited over again, and they fix seafood because I lied about it just this once? Telling Galen my head hurts doesn't get me out of future seafood buffets. And telling him I'm not hungry would be pointless since my stomach keeps gurgling like an emptying drain. No, I can't lie. Not if I ever want to come back here. Which I do. I sigh and set the fork down. "I hate seafood," I tell him. Toraf's sudden cough startles me. The sound of him choking reminds me of a cat struggling with a hair ball. I train my eyes on Galen, who has stiffened to a near statue. Jeez, is this all his mom knows how to make? Or have I just shunned the Forza family's prize-winning recipe for grouper? "You...you mean you don't like this kind of fish, Emma?" Galen says diplomatically. I desperately want to nod, to say, "Yes, that's it, not this kind of fish"-but that doesn't get me out of eating the crabmeat-and-scallop mountain on my plate. I shake my head. "No. Not just this kind of fish. I hate it all. I can't eat any of it. Can hardly stand to smell it." Way to go for the jugular there, stupid! Couldn't I just say I don't care for it? Did I have to say I hate it? Hate even the smell of it? And why am I blushing? It's not a crime to gag on seafood. And for God's sakes, I won't eat anything that still has its eyeballs.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
A fruit basket would have been nice, but instead we found that a flyer had been slipped under the door. Dear Brainwashed Cowards, You are nothing but puppets of the corrupt Shah. We will teach you a lesson you will never forget. Death to the Shah. Death to you. My father crumpled the flyer and threw it away. “Let’s find out where they’re having the dinner buffet,” he said.
Firoozeh Dumas (Funny In Farsi: A Memoir Of Growing Up Iranian In America)
Change is terrifying when it isn't your choice. But here, with Brenna's funny little snores buffeting my chest, it hits me with calm certainty that music isn't the entirety of my heart and soul. It no longer owns me completely. She's there too, in my heart and soul. A touchstone in the darkness of uncertainty.
Kristen Callihan (Exposed (VIP, #4))
Rav, can I talk to you? […] I really have to tell you something. […] Sorry, but I really do need to talk to you. […] I love you, Rav. […] I love you. […] No. I mean, I love you. Actual heart-pounding, heart-aching, love-of-my-life, romantic love, heart beating out of my chest when I think about you, love you. […] I follow you on Twitter. And Instagram. […] I know you do park runs once a fortnight. I know you make a really good steak and kidney pie. I know you love funny cat videos. […] I know you really hate Paul Hollywood. […] I know that when you were fourteen you got your best mate Jonesy who was in my Business Studies class to put a note in my rucksack asking if I’d go out with you and I said yes and we went to Fat Mike’s All-You-Can-Eat Buffet for our first date and I was so nervous I hardly ate anything which kind of defeated the object of Fat Mike’s All-You-Can-Eat Buffet but I didn’t want you to think I was greedy and you had corn on the cob and it got all stuck between your teeth and all night all I could think of was that sweetcorn and how if you kissed me it was going to go in my mouth and I really wanted you to kiss me but I didn’t want all your sweetcorn in my mouth. […] That year we went out was honestly the happiest year of my life. […] We […] knew how we felt. Fifteen is a formative age. And if my parents hadn’t split up and Mam got a job down the country. […] What I felt for you I’ve never felt for anyone else. […] Nothing’s come close. Standing here with you now, it doesn’t matter how long it’s been. I feel the same fizzy butterflies in my stomach when you look at me. I feel awake. […] Maybe I shouldn’t say this but I’m glad there’s an asteroid, cos it’s the kick I needed. Seeing that announcement earlier, my life flashed before my eyes and it was… shit. And after, in the office on my own, your face just kept popping into my mind until you were all I could think about. I’ve wasted so much time but I’m here now. And I’m asking you – last-chance saloon. And I know I talk a lot but – […] Yeah. ‘She never says one word when she can say ten’ my gran used to say. Well, here’s three – I love you. I really do. Sorry, that was six. And that was another four. I just wanted to leave it at ‘I love you’ but I’ve spoiled it now. Are you going to say something? Sorry, that was another six.
Trilby James (Contemporary Monologues for Women: Volume 2 (The Good Audition Guides))