Buffalo Bills Quotes

We've searched our database for all the quotes and captions related to Buffalo Bills. Here they are! All 100 of them:

Buffalo Bill's defunct who used to ride a watersmooth-silver stallion and break onetwothreefourfive pigeonsjustlikethat Jesus he was a handsome man and what i want to know is how do you like your blueeyed boy Mister Death
E.E. Cummings
You still wake up sometimes, don’t you? Wake up in the iron dark with the lambs screaming?” “Sometimes.” “Do you think if you caught Buffalo Bill yourself and if you made Catherine all right, you could make the lambs stop screaming, do you think they’d be all right too and you wouldn’t wake up again in the dark and hear the lambs screaming? Clarice?” “Yes. I don’t know. Maybe.” “Thank you, Clarice.” Dr. Lecter seemed oddly at peace.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
When it's too hard for them it's just right for us!
Marv Levy
En este extraño mundo, esta mitad del mundo que ahora está a oscuras, tengo que perseguir a un ser que se alimenta de lágrimas
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Nobody cirlces the wagons like the Buffalo Bills.
Chris Berman
People in the West like to shoot things. When they first got to the West they shot buffalo. Once there were 70 million buffalo on the plains and then the people of the West started blasting away at them. Buffalo are just cows with big heads. If you've ever looked a cow in the face and seen the unutterable depths of trust and stupidity that lie within, you will be able to guess how difficult it must have been for people in the West to track down buffalo and shoot them to pieces. By 1895, there were only 800 buffalo left, mostly in zoos and touring Wild West shows. With no buffalo left to kill, Westerners started shooting Indians. Between 1850 and 1890 they reduced the number of Indians in America from two million to 90,000. Nowadays, thank goodness, both have made a recovery. Today there are 30,000 buffalo and 300,000 Indiands, and of course you are not allowed to shoot either, so all the Westerners have left to shoot at are road signs and each other, both of which they do rather a lot. There you have a capsule history of the West.
Bill Bryson
What, the Star Wars?” Mapp said. “If the aliens are trying to control Buffalo Bill’s thoughts from another planet, Senator Martin can protect him—is that the pitch?” Starling nodded. “A lot of paranoid schizophrenics have that specific hallucination—alien control. If that’s the way Bill’s wired, maybe this approach could bring him out. It’s a damn good shot, though, and she stood up there and fired it, didn’t she?
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
I can tell him what you’ve said.” “He’ll ignore it. And Buffalo Bill will go on and on. Wait until he scalps one and see how you like it. Ummmm … I’ll tell you one thing about Buffalo Bill without ever seeing the case, and years from now when they catch him, if they ever do, you’ll see that I was right and I could have helped. I could have saved lives. Clarice?
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
William Frederick ‘Buffalo Bill’ Cody, hunter, Indian-fighter and showman, joined the Pony Express – the West’s legendary mail service – at the age of fourteen, in response to an ad which ran: ‘WANTED young skinny wiry fellows not over eighteen. Must be expert riders willing to risk death daily. Orphans preferred. Wages $25 a week.
John Lloyd (The Noticeably Stouter Book of General Ignorance)
How do you like your blue-eyed boy Mr Death?
E.E. Cummings
The way she always stared at Leo was kind of disturbing. She twirled a lock of her wavy hair around a finger and batted her long, curly eyelashes at him. Once, in Chem class, Leo’s Chap Stick dropped out of his pocket and rolled across the floor without him noticing. Carrie picked it up. Later, I saw her pop the lid off, sniff it, and then rub it over her lips. She had this weird look on her face, a bit like when Buffalo Bill tossed the bottle of Jergens down to his victim in Silence of the Lambs. I half expected her to moan, “It rubs the Chap Stick on its lips.
Leah Marie Brown (Faking It (It Girls, #1))
She delivered the paper to the night duty officer and fell into her grateful bed, the voices of the day still whispering, softer than Mapp’s breathing across the room. On the swarming dark she saw the moth’s wise little face. Those glowing eyes had looked at Buffalo Bill. Out of the cosmic hangover the Smithsonian leaves came her last thought and a coda for her day: Over this odd world, this half of the world that’s dark now, I have to hunt a thing that lives on tears.
Thomas Harris (Silence Of The Lambs)
Show business imposes its own strict temporality: no matter how many CDs or DVDs we own, it would still have been better to have been there, to have seen the living performers in the richness of their being and to have participated, however briefly, in the glory of their performance.
Larry McMurtry (The Colonel and Little Missie: Buffalo Bill, Annie Oakley, and the Beginnings of Superstardom in America (includes 16 pages of B&W photographs))
York paper from Paris, cable rates had been reasonable.
Jill Jonnes (Eiffel's Tower: And the World's Fair Where Buffalo Bill Beguiled Paris, the Artists Quarreled, and Thomas Edison Became a Count)
The people of Cody like you to think that Buffalo Bill was a native son. In fact, I’m awfully proud to tell you, he was an Iowa native, born in the little town of Le Claire in 1846. The people of Cody, in one of the more desperate commercial acts of this century, bought Buffalo Bill’s birthplace and re-erected it in their town, but they are lying through their teeth when they hint that he was a local. And the thing is, they have a talented native son of their own. Jackson Pollock, the artist, was born in Cody. But they don’t make anything of that because, I suppose, Pollock was a complete wanker when it came to shooting buffalo.
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
Darkness fell, revealing a sparkling night sky so beautiful that we decided to sleep out under the stars. At gray dawn, Phyllis woke me with an urgent voice. “Bill, Bill,” she said, “when I woke up I saw this huge boulder beside me, but it wasn’t there last night. Look! Look!” she said and pointed next to her. It was the huge buffalo bull! He had come back during the night and lay down beside us to sleep. I was awestruck. I felt so honored, so grateful, so loved. I loved that buffalo with all my heart and soul. I felt like he knew it, and that was why he had come back to sleep with us. But maybe there’s a different reason. Judith Niles, a wise spiritual friend of mine recently told me that the spontaneous melody is “the voice of the soul.” The minute she said it I knew she was right. Now I feel sure that the creatures responded to “the voice of the soul” amplified through my body. When we human beings finally get it together the natural world is going to respond to us in more wonderful ways than we can ever begin to imagine.
William "Billy" Packer
With the canal, the cost of shipping a ton of flour from Buffalo to New York City fell from $120 a ton to $6 a ton, and the carrying time was reduced from three weeks to just over one. The effect on New York’s fortunes was breathtaking. Its share of national exports leaped from less than 10 percent in 1800 to over 60 percent by the middle of the century; in the same period, even more dazzlingly, its population went from ten thousand to well over half a million.
Bill Bryson (At Home: A Short History of Private Life)
I am and always have been a friend of the Indian. I have always sympathized with him in his struggle to hold the country that was his by right of birth. But I have always held that in such a country as America the march of civilization was inevitable, and that sooner or later the men who lived in roving tribes, making no real use of the resources of the country, would be compelled to give way before the men who tilled the soil and used the lands as the Creator intended they should be used.
William F. Cody (An Autobiography of Buffalo Bill (Colonel W. F. Cody))
In concluding, I want to express the hope that the dealings of this Government of ours with the Indians will always be just and fair. They were the inheritors of the land that we live in. They were not capable of developing it, or of really appreciating its possibilities, but they owned it when the White Man came, and the White Man took it away from them. It was natural that they should resist. It was natural that they employed the only means of warfare known to them against those whom they regarded as usurpers. It was our business, as scouts, to be continually on the warpath against them when they committed depredations. But no scout ever hated the Indians in general.
William F. Cody (An Autobiography of Buffalo Bill (Colonel W. F. Cody))
The Indian makes a good citizen, a good farmer, a good soldier. He is a real American, and all those of us who have come to share with him the great land that was his heritage should do their share toward seeing that he is dealt with justly and fairly, and that his rights and liberties are never infringed by the scheming politician or the short-sighted administration of law.
William F. Cody (An Autobiography of Buffalo Bill (Colonel W. F. Cody))
The White Man has taken most of our land. He has paid us nothing for it. He has destroyed or driven away the game that was our meat. In 1868 he arranged to build through the Indians' land a road on which ran iron horses that ate wood and breathed fire and smoke. We agreed. This road was only as wide as a man could stretch his arms. But the White Man had taken from the Indians the land for twenty miles on both sides of it. This land he had sold for money to people in the East. It was taken from the Indians. But the Indians got nothing for it.
William F. Cody (An Autobiography of Buffalo Bill (Colonel W. F. Cody))
the first half. TEXANS 23, BILLS 17 J. J. Watt had a highlight-reel play to help Houston overcome a tough day offensively for a win over visiting Buffalo. Houston (3-1) was trailing by 3 in the third quarter, and Texans quarterback Ryan Fitzpatrick had just thrown a second interception. Then the 6-foot-5, 289-pound Watt returned an interception 80 yards to put the Texans ahead by 14-10. Watt, a defensive end, caught a touchdown pass in Week 2, giving him more touchdowns this year than Arian Foster and Andre Johnson combined. Under heavy pressure all afternoon, E J Manuel finished with 225 yards passing with two touchdowns and two interceptions for the Bills (2-2). The
Anonymous
there would have been no warfare. One of the great Indian warriors of history was Red Cloud of the Oglala Dakota Sioux tribe, who had a reputation for daring and ferocity. In June of 1866, Sherman called Red Cloud and several other Lakota Sioux leaders to Fort Laramie to discuss a new treaty to permit a new road to be built through Sioux territory. Even before an agreement had been reached, however, a battalion
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Colonel Carrington was able to construct three forts in the Powder River country: Fort C.F. Smith in Montana and Forts Reno and Phil Kearny in Wyoming. But Lakota and Cheyenne warriors raided the forts again and again, seizing supply wagons, attacking the men
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
affinity for William F. Cody, who lived most of his adult life in Nebraska. My father, George W. Carter, could have seen Buffalo Bill's Wild West when it came to Omaha in August 1908.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
and biographies of him have appeared at irregular intervals ever since. A search of "Buffalo Bill Cody
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
biography much easier. On a personal note, I should like to thank Stanley R. Moore, Dr. Michael Rostafinski, and John Tebbel for advice and information; my wife and "first reader," Reade Johnson; and my editor at John Wiley, Hana Lane, for
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
the lives of the Codys in North Platte, Nebraska. Two other volumes have been especially helpful:
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Clearly, the earl was a first-rate reporter, with an excellent memory. Dunraven accompanied
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
friends easily and apparently kept them for years; it seems that virtually everyone he ever encountered liked him, unlikely as this seems. A skeptic might suspect that some of those friends were drawn to him by his generosity, which was legendary; he spread money around lavishly wherever he went. Many
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
with such skill that he approached the Indian camp within fifty yards before he was noticed. The Indians fired immediately upon Mr. Cody and Sergeant Foley. Mr. Cody killed one Indian; two
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Some twenty-five thousand people toiled up the mountainside to pay their respects. Three thousand automobiles (which included some Sells-Floto circus wagons) also climbed the mountain that day, not without
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
born there on February 22, 1841. Meanwhile, Isaac built a four-room log cabin on his claim, and there his first daughter in his marriage to Mary Ann, Julia Melvina, was born on March 28, 1843. It is altogether
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
a brigadier
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
present counties of Clare, Galway, and Mayo, whence came the family name, in a contraction of Connaught-Galway to Connelly, Conly, Cory, Coddy, Coidy, and, finally, "Cod " Y• All this almost makes sense. However, it is only one of the legends Mrs. Wetmore offers up as fact in her book, despite her disclaimer in the preface that "embarrassed with riches of fact, I have had no thought of fiction." For the truth about William Cody's lineage, we must turn to Don Russell's authoritative biography, The Lives and Legends of Buffalo Bill. Russell's research was thorough and exemplary; the notes for his book in the Buffalo Bill Historical Center in Cody, Wyoming, are proof of that. According to Russell, "Buffalo Bill's most remote definitely known ancestor was one Philip, whose surname appears in various surviving records as Legody, Lagody, McCody, Mocody, Micody ... as well as Codie, Gody, Coady, and Cody." Russell traces Philip to Philippe Le Caude of the Isle of Jersey, who married Marthe Le Brocq of Guernsey in the parish of St. Brelades, Isle of Jersey, on September 15, 1692. Although the family names are French, the Channel Islands have been British possessions since the Middle Ages. No Irish or Spanish in sight; just good English stock. The Cody Family Association's book The Descendants of Philip and Martha Cody carries the line down to the present day. Buffalo Bill was sixth in descent from Philip. Philip and Martha purchased a home in Beverly, Massachusetts, in 1698, and occupied it for twenty-five years, farming six acres of adjacent land. In 1720 Philip bought land in Hopkinton, Massachusetts, and he and his family moved there, probably in 1722 or 1723. When he died in 1743, his will was probated under the name of Coady. The spelling of the family name had stabilized by the time Bill's father, Isaac, the son of Philip and Lydia Martin Cody, was born on September 15, 1811, in Toronto Township, Peel County, Upper Canada. It is Lydia Martin Cody who may have been responsible for the report of an Irish king in the family genealogy; she boasted that her ancestors were of Irish royal birth. When Isaac Cody was seventeen years old, his family moved to a farm near Cleveland, Ohio, in the vicinity of what is today Eighty-third Street and Euclid Avenue. That move would ultimately embroil William Cody in a lawsuit many years later, one of several suits he was destined to lose. Six years after arriving in Ohio, Isaac married Martha Miranda
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
After the services, the many flower offerings sent in Cody's memory were taken to the headquarters of the Denver Flower Girls Association, where they were dismantled, so that each of the several thousand children in the grade schools of Denver could be given a souvenir flower.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Fifth
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
famous monarch whose three sons, Heber, Heremon, and Ir, founded the first dynasty in Ireland about the beginning of the Christian era." The Cody family, Mrs. Wetmore asserted, came down from the line of Heremon. Their original name was Tireach, which signifies "The Rocks." Murdeach Tireach, one of the first of this line, was crowned king of Ireland in the year 320. Another of the line became king of Connaught
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
cherished his Nebraska
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
By 1849, when news of the discovery of gold in California reached the East, Isaac Cody was a solid citizen of his community. In 1847 he contracted with William F. Brackenridge to clear a six-hundred-acre farm on the Wapsipinicon River.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Buffalo Bill. In this context, Cody was often called "the last of the great scouts." Some are also aware that he was an enormously popular showman, creator and star
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
cynical. As his latest biographer, I believe his life has a valuable contribution to make in this new millennium-it provides a sense of who we once were and who we might be again. He was a commanding presence in our American history, a man who helped shape the way we look at that history. It was he, in fact, who created the Wild West, in all its adventure, violence, and romance.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
enormously
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
June 2: Filming of Niagara begins in Buffalo, with Marilyn playing Rose Loomis, the femme fatale murdered by her co-star, Joseph Cotten. Marilyn stays at the General Brock Hotel in Niagara Falls. Joseph Cotten arranges a cocktail party for cast and crew in his hotel room. Marilyn arrives in a terry cloth robe and drinks orange juice. When a guest observes that “Sherry Netherlands Hotel, New York” is embroidered on the robe, Marilyn replies, “Oh, that. I thought I had stolen this robe, until I paid my bill.” Cotten is amused with her and calls her a “pretty clown, beguiling and theatrically disarming.” On this occasion she is charming. On weekends Marilyn goes to New York City to be with DiMaggio.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Driving toward Gillette on Route 59 north of Bill, Wyoming, Tom Carson felt alien in the rolling landscape. Pronghorn antelope appeared here and there in the hills, grazing in herds, strung out along a stream drinking. Buffalo grazed too in the gently undulant pastures. They weren’t wild herds, he knew. They were ranch buffalo, healthful, destined to be slaughtered and sold in specialty stores. He’d never been anywhere very much until he moved to Wyoming. Lived all his life in Paradise, and his parents too. His mother taught seventh grade at Paradise Junior High. His father ran the Gulf station. The only gas station in the downtown area. He had no military experience. He hadn’t gone to college. He’d joined the cops after working three years for his father. The
Robert B. Parker (Night Passage: The first Jesse Stone novel (A Jesse Stone Mystery Book 1))
Initially the driver asked the passengers to stay seated and remain on the bus, but after a half hour of conferring with his supervisors, he informed the passengers that another bus was being sent to their location to take them to Los Angeles. The driver gave them an hour and reiterated that the journey would resume on the new bus at ten thirty, and to please be prompt so they wouldn’t be left behind. He gave them a quick tour-guide style run-down of the available restaurants and sites to see in Primm, including a huge Buffalo shaped pool at Buffalo Bills Hotel, and the roller coaster that Finn was suddenly determined to ride. But when the bus driver mentioned that the bullet riddled car of the infamous outlaws, Bonnie and Clyde, was on display at Whiskey Pete’s Hotel and Casino, he and Bonnie looked at each other in wide-eyed wonder. Finn had started to laugh, almost choking on his disbelief. “Now that, Infinity, is a sign,” Bonnie drawled, and immediately scowled. “William’s sign is still in Bear’s car. I’ve got to get it back. If I only come out of this trip with one souvenir, that’s the one I want. A cardboard sign and a big, blond husband. That’s all I ask.
Amy Harmon (Infinity + One)
Everybody saw them, and anger and revenge mounted all day long as people filed past or remained
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Scholars have now concluded that Buffalo Bill’s famous ride never happened, and in fact he was not a Pony Express rider at all.
Rinker Buck (The Oregon Trail: A New American Journey)
Tho was Buffalo Bill Cody? Most people know, at the very least, that he was a hero of the Old West, like Daniel Boone, Davy Crockett, and
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
that she looked upon a future career as a stage shot, and she went to her first performance with the assurance of one who had been doing it always.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
and he adopted her into his Hunkpapa Sioux tribe, giving her the name "Watanya cicilia," which means "Little Sure Shot." At the time, Annie was only twenty-four years old.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The show played Montreal in August, where the reviews were raves, both in English and in French, especially for "le fameux chef indien." On October 5 the St. Louis Republican reported that "Buffalo Bill's Wild West attracted an immense crowd to Sportsman's Park yesterday afternoon.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
choosing sites for the Wild West to play-began to show up in greatly diminished receipts. Losses mounted as the decrepit old tub chugged south. By the time they neared New Orleans, Cody decided that he'd better go on ahead and look into Pony Bob's arrangements himself. At the site of the exposition, he hired a hack and headed through a pouring rain for the show grounds. The first man he saw there was traveling across the arena in a rowboat. Fortunately, Cody was
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Tom Mix was born in Pennsylvania, and when he was ten years old his parents took him to see Buffalo Bill Cody’s Wild West. It changed young Tom forever. He took his mother’s clothesline and taught himself rope tricks. He took scraps from around the house and made his own “cowboy outfit.” And when he was finally old enough, he lit out for the rapidly vanishing West, ready to leave a mark as distinctive as Buffalo Bill or Wyatt Earp before it was gone forever.
Scott McCrea (Savage Mesa: A Western Adventure Novel (Tales of Tom Mix Book 2))
BY 1876, THE YEAR THE Battle of the Little Bighorn was fought, the United States had become a nation of some forty million people, the vast majority of whom had never seen a fighting Indian—not, that is, unless they happened to glimpse one or another of the powerful Indian leaders whom the government periodically paraded through Washington or New York, usually Red Cloud, the powerful Sioux diplomat, who made a long-winded speech at Cooper Union in 1870. Or, it might be Spotted Tail, of the Brulé Sioux; or American Horse, or even, if they were lucky, Sitting Bull, who hated whites, the main exceptions being Annie Oakley, his “Little Sure Shot,” or Buffalo Bill Cody, who once described Sitting Bull as “peevish,” surely the understatement of the century. Sitting Bull often tried to marry Annie Oakley, who was married; he did not succeed.
Larry McMurtry (Custer)
during that 1882-1883 season, his last with a combination,
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
Turner, Frederick J. "The Significance of the Frontier in American History." Annual Report of the American Historical Association for the Year 1893. Washington, D.C.: Government Printing Office, 1894.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Cossacks, and Arabs huddled in nearby fields while the cowboys rounded
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Where the first trembling rays of the morning sun gleam upon the flowers and crags and snow of Mount
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
flooded the lot, a thousand spectators were in danger. Cody and
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
We hope so much that you will be able to come and have tea with us on Wednesday, as we would be much disappointed not to see you. Yours sincerely,
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
fighting for their existence." Deloria also notes that
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
exhibition, moreover, is not merely entertaining,
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Cody, Wyoming, 1977. Buffalo Bill Museum. Buffalo Bill Historical Center, Peter H. Hassrick, Director, N.D. "Buffalo Bill's Wild West." Wyoming Horizons. August 1983. Buffalo Bill's Wild West and Congress of the Rough Riders of the World, show programme. Copyrighted by Cody and Salsbury, Chicago, IL, 1893. Doherty, Jim. "Was He Half Hype or Sheer Hero? Buffalo Bill Takes a New
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The show is worth seeing-if it is worth
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
of English and Americans at Dresden, who support a very respectable English daily newspaper. Governor Francis18 and family, of Missouri, visited with Colonel Cody while we were at Dresden.
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
William F. Cody the man as distinguished from Buffalo Bill the public figure that we
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
In the New York Herald, people who had been following the progress of The Scouts of the Prairie read this notice:
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
...James looks up to see Stanley Hewitt leaning though. He doesn't like Stan-a florid ham hock of a man who talks to him loudly and slowly, as if he's hard of hearing, who makes stupid jokes that start 'George Washington, Buffalo Bill, and Spiro Agnew walk into a bar…
Celeste Ng (Everything I Never Told You)
His job was to take the boat down the Mississippi, booking the show and renting show grounds along the way. The idea was to earn money on the trip south, arriving in New Orleans in time to open just before Christmas and play through the spring. Haslam, though
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
Lyceum Theatre. The reviewer for the Times noted that the redskins had been "greatly scared at its horror" as they watched the show unfold from their boxes. Henry Irving played Mephistopheles,
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
precipitously, and can probably be attributed to
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
trial as more of a circus than a serious legal action. One of the many journalists
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
very least, that he was a hero of the Old
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
showed pictures of Otto Floto and all four Sells Brothers. The Brothers Ringling were
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
that more than a billion words were written by or about William Frederick
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
shown up in movies and television shows,
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
field he sought was the sawdust. In short,
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
determined to fight to the last ditch, for she
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
He may not be the most well-known killer in this book, but he may well be the most influential in pop culture. No other killer has inspired as many movie franchises as the story of the Butcher of Plainfield. Norman Bates from Psycho, Leatherface from The Texas Chainsaw Massacre, and Buffalo Bill from The Silence of the Lambs were all inspired by his story. The account of the life of Ed Gein is so strange, and what they found in his barn was so macabre, it has influenced the way we think about modern horror.
Jeffrey Ignatowski
Champion of the Sioux. Boston: Houghton Mifflin Company, 1932; Norman: University of Oklahoma Press, 1957. Wallis, Michael. The Real Wild West: The 101 Ranch and the Creation of the American West. New York: St. Martin's Press, 1999. Walsh, Richard J., with Milton Salsbury. The Making of Buffalo Bill. Indianapolis: Bobbs- Merrill, 1928. Ward, Geoffrey C. The West: An
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
I don’t want to go, Blue,” she said. “I wish people would just leave me alone. I just want to stay here with my friends and be buried near Bill Hickok when I die.” Blue, of course, immediately changed his tack. He was looking a little more like his frisky self, and when he was frisky he would argue with a stump; whichever side of an argument the stump took, Blue would take the other.
Larry McMurtry (Buffalo Girls)
Crockett, and Kit Carson-one of those larger-than-life
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
prairie boys. Tangle foot gets away with you. And I will have no one with
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
that history. It was he, in fact, who created the Wild
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
completed that year, cost Cody and Dillon
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
and Capt. Jack all busted flat before
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
was
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
decade later. And it was McDonald himself who recalled that M. C. Keefe had a small herd of buffalo and suggested that perhaps they should be used.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
At the same time, the uncomfortable truth is that the person standing in front of us at Starbucks could be a serial killer and we would never know. The reason why “Jack the Ripper” was never caught, I believe, is precisely because he was able to walk away from those horrific crime scenes and instantly blend in with everyone else in 1880s London. “Jack the Ripper” was successful precisely because he wasn’t Buffalo Bill.
Matt Murphy (The Book of Murder: A Prosecutor's Journey Through Love and Death)
I looked for years, but I couldn’t find Buffalo Bill. Instead, I kept encountering defendants who were pretty much exactly the same as the serial rapists I had been prosecuting in Sexual Assault for the previous four years. Instead of sad, lonely outcasts, serial rapists tend to be arrogant, narcissistic, cruel, and entitled. They typically have jobs, steady relationships with consenting sexual partners, no shortage of academic ability, and social success. In my experience, most of them have no misconceptions regarding their moral compass. They know their actions are wrong—they just don’t care.
Matt Murphy (The Book of Murder: A Prosecutor's Journey Through Love and Death)
III Buffalo Bill's defunct         who used to         ride a watersmooth-silver                                 stallion and break onetwothreefourfive pigeonsjustlikethat                                         Jesus he was a handsome man                     and what i want to know is how do you like your blueeyed boy Mister Death
E.E. Cummings (The Early Works of E.E. Cummings)
miles per hour, eighty-five, and still the sedan stayed behind
Margaret Coel (Buffalo Bill's Dead Now (Wind River Reservation #16))
You really think stopping here is a good idea?” Lex asked her uncle, eyeing the buffalo. A strange decoration for a small-town deli, to be sure, but then again Lex wasn’t really up to date on the interior design trends of small-town upstate New York. “Of course,” Uncle Mort said, counting out a stack of bills and placing them on the counter. “Don’t you think a cross-country run-for-our-lives road trip just screams ‘time for a picnic’?” “I would not have thought that, no.” “Well, that’s because you’re a total noob.” The girl reappeared behind the counter with two bagfuls of wrapped sandwiches. “That’ll be sixty-seven dollars and two cents,” she said, smiling sweetly at Uncle Mort. “Thanks,” he said, giving her a wink as he handed her the bills. “Keep the change, hon.” She giggled. Lex rolled her eyes. “Smooth move, Clooney,” Lex said as they exited the deli. “Do we need to pencil in some time for a sexy rendezvous? I think there’s a motel down the street that rents rooms by the hour.” “Pop quiz, hotshot: Let’s say someone shows up in this town and starts asking questions about a hooligan band of teenagers accompanied by two ghosts, an ancient woman, and a devastatingly attractive chaperone. Which one do you think that girl will be more likely to remember?” Lex grumbled. “The chaperone.” “You seem to have forgotten a couple of key adjectives there.” “Oh, I didn’t forget.” “Believe me, that girl won’t dream of ratting us out. Especially now that I’ve bestowed upon her the Wink of Trust.” Lex snorted. “The Wink of Trust?” “Has gotten me out of more trouble than you can imagine. I suggest you try it some time. Add it to your already overflowing arsenal of charm.
Gina Damico (Rogue (Croak, #3))
she might have died in the accident. But there was nothing—nothing—a priest could offer her.
Margaret Coel (Buffalo Bill's Dead Now (Wind River Reservation #16))
cả đều bị lột da phải không? - Đúng, nhưng chỉ một phần thôi. - Báo chí chưa hề cắt nghĩa cái biệt danh đó. Cô có biết tại sao người ta lại đặt cho hắn cái tên Buffalo Bill không? - Biết. - Nói cho tôi xem nào. - Tôi sẽ nói chỉ khi nào ông chấp nhận đọc qua bản câu hỏi của tôi. - Tôi sẽ đọc. Thế nào, tại sao vậy? - Nó xuất phát từ một trò đùa xấu của Ban Trọng án ở Kansas City. - Vì sao? - Người ta đặt cho hắn cái tên Buffalo Bill bởi vì hắn
Anonymous