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There comes a time when you're losing a fight that it just doesn't make sense to keep on fighting. It's not that you're being a quitter, it's just that you've got the sense to know when enough is enough.
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Christopher Paul Curtis (Bud, Not Buddy)
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...that was Bud Caldwell's Rules and Things to Have a Funner LIfe and Make a Better Liar Out of Yourself Number 83...If a Adult Tells You Not to Worry, and You Weren't Worried Before, You Better Hurry Up and Start 'Cause You're Already Running Late.
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Christopher Paul Curtis (Bud, Not Buddy)
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A bud is a flower-to-be. A flower in waiting. Waiting for just the right warmth and care to open up. It's a little fist of love waiting to unfold and be seen by the world. And that's you.
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Christopher Paul Curtis (Bud, Not Buddy)
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Rules and Things Number 63: Never, Ever Say Something Bad About Someone You Don't Know--Especially When You're Around a Bunch of Strangers. You Never Can Tell Who Might Be Kin to That Person or Who Might Be a Lip-Flapping, Big-Mouth Spy.
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Christopher Paul Curtis (Bud, Not Buddy)
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No sir, I don't know why, but my eyes don't cry no more.
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Christopher Paul Curtis (Bud, Not Buddy)
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Just like when there's a time that a smart person knows enough is enough, there's a time when you know you've got to fight.
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Christopher Paul Curtis (Bud, Not Buddy)
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having someone who likes you so much that they think everything you say is the truth has got to be a liar’s paradise
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Christopher Paul Curtis (Bud, Not Buddy)
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The big steel wheels creaked a couple times, then started moving.
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Christopher Paul Curtis (Bud, Not Buddy)
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inside or the outside. I touched paper. I spread
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Christopher Paul Curtis (Bud, Not Buddy)
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As soon as I got into the library I closed my eyes and took a deep breath. I got a whiff of the leather on all the old books, a smell that got real strong if you picked one of them up and stuck your nose real close to it when you turned the pages. Then there was the the smell of the cloth that covered the brand-new books, books that made a splitting sound when you opened them. Then I could sniff the the paper, that soft, powdery, drowsy smell that comes off the page in little puffs when you're reading something or looking at some pictures, kind of hypnotizing smell.
I think it's the smell that makes so many folks fall asleep in the library. You'll see someone turn a page and you can imagine a puff of page powder coming up real slow and easy until it starts piling on a person's eyelashes, weighing their eyes down so much they stay down a little longer after each blink and finally making them so heavy that they just don't come back up at all. Then their mouths open and their heads start bouncing up and down like they're bobbing in a big tub of of water for apples and before you know it... they're out cold and their face thunks smack-dab on the book.
That's the part that makes librarians the maddest. They get real upset if folks start drooling in the books
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Christopher Paul Curtis (Bud, Not Buddy)
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God is great, God is good, Let us thank him For our food. Amen.
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Christopher Paul Curtis (Bud, Not Buddy)
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We were all standing in line waiting for breakfast when one of the caseworkers came in and tap-tap-tap
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Christopher Paul Curtis (Bud, Not Buddy)
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station and said, “Yup, there’s the gasoline filling station.
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Christopher Paul Curtis (Bud, Not Buddy)
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There comes a time when you're losing a fight and it just doesn't make sense to keep on fighting. It's not that you're bring a quitter, it's just that you've got the sense to know when enough is enough.
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Christopher Paul Curtis (Bud, Not Buddy)
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The floor went completely black when Mr. Amos pulled the door shut. I couldn’t see it now, but I’d rememorized the exact shape the stain was in. The padlock snapped shut with the loudest click I’d ever heard.
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Christopher Paul Curtis (Bud, Not Buddy)
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Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth.
You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly.
At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be.
You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you.
Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
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Christopher Paul Curtis (Bud, Not Buddy)
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If you didn't have a real good imagination you'd probably think those noises were the sounds of some kid blowing a horn for the first time, but I knew better than that. I could tell those were the squeaks and squawks of one door closing and another one opening.
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Christopher Paul Curtis (Bud, Not Buddy)
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Shucks, this is one of the bad things about talking to librarians, I asked one question and already she has us digging through three different books.
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Christopher Paul Curtis (Bud, Not Buddy)
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Something like hearing that your grandmother got her whole body pulled through the wringer on a washing machine, or something like hearing about a horse slipping on the ice and landing on some kid you went to school with.
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Christopher Paul Curtis (Bud, Not Buddy)
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All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
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Andrew Clements (The Losers Club)
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The next thing about the air in the library is that no other place smells anything like it. If you close your eyes and try to pick out what it is that you’re sniffing you’re only going to get confused, because all the smells have blended together and turned themselves into a different one. As soon as I got into the library I closed my eyes and took a deep breath. I got a whiff of the leather on all the old books, a smell that got real strong if you picked one of them up and stuck your nose real close to it when you turned the pages. Then there was the smell of the cloth that covered the brand-new books, the books that made a splitting sound when you opened them. Then I could sniff the paper, that soft, powdery, drowsy smell that comes off the pages in little puffs when you’re reading something or looking at some pictures, a kind of hypnotizing smell.
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Christopher Paul Curtis (Bud, Not Buddy)
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My mother loved giving me math challenges. At Kmart or Winn-Dixie, she’d have me pick out books and model cars and trucks and buy them for me if I was able to mentally add together their prices. Over the course of my childhood, she kept escalating the difficulty, first having me estimate and round to the nearest dollar, then having me figure out the precise dollar-and-cents amount, and then having me calculate 3 percent of that amount and add it on to the total. I was confused by that last challenge—not by the arithmetic so much as by the reasoning. “Why?” “It’s called tax,” my mother explained. “Everything we buy, we have to pay three percent to the government.” “What do they do with it?” “You like roads, buddy? You like bridges?” she said. “The government uses that money to fix them. They use that money to fill the library with books.” Some time later, I was afraid that my budding math skills had failed me, when my mental totals didn’t match those on the cash register’s display. But once again, my mother explained. “They raised the sales tax. Now you have to add four percent.” “So now the library will get even more books?” I asked. “Let’s hope,” my mother said.
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Edward Snowden (Permanent Record)
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I could tell those were the squeaks and squawks of one door closing and another one opening.
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Christopher Paul Curtis (Bud, Not Buddy)
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I closed my eyes and took in a big snort of air. It was like someone took a old pot and poured about a hundred gallons of hot apple cider and a hundred gallons of hot coffee into it, then stirred eight or nine sweet potato pies, crusts and all, into that, then let six big steamy meat loafs float on top of all that, then threw in a couple of handfuls of smashed potatoes, then boiled the whole thing on high. This must be exactly how heaven smells!
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Christopher Paul Curtis (Bud, Not Buddy)
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There was a real old smell that came out of it too, like dried-up slobber and something dead. It smelled great!
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Christopher Paul Curtis (Bud, Not Buddy)
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While the rest of the band was being a storm, she was the sun busting through thick, gray clouds. With the first thing she sang, you had to wonder why this band was called Herman E. Calloway and the Dusky Devastators of the Depression, or Herman E. Calloway and the Nubian Knights, it should be called Miss Thomas and the Dusky Devastators of the Depression and a Mean Old Guy on the Giant Fiddle.
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Christopher Paul Curtis (Bud, Not Buddy)
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A piercing cry came from the playroom. Preacher was on his feet at the same moment Chris came flying into the kitchen, holding his forearm with his other hand. He ran to his mother, with a look of pain and fear, his mouth open in a wail, tears on his face. Paige instantly drew him in, asking, “What’s wrong? What’s wrong?” Preacher leaned over, pulled Chris’s hand away, saw the perfect outline of a juvenile mouth and, with an expression of sheer horror and disbelief, leveled his gaze at Bud. “Someone bit him!” “Aw, kids. They’ll work it out,” Bud said, waving his hand, as though leaving them completely unsupervised had nothing to do with him. Gin said, “I’ll get something for that,” and jumped up. Dolores left the table saying, “Ice. I’ll get ice.” Preacher gently drew Chris away from Paige and lifted him up against his broad chest. Chris put his head on Preacher’s shoulder and cried. He met Paige’s eyes and he was sure that despite his greatest effort to remain calm, his were ablaze. Paige stood, regally, Preacher thought with a touch of pride, and said, “We’ll be going now.” “Sit down,” Bud said sharply, and Preacher was as close as he’d ever been to coming completely unhinged. He passed Chris back to his mother as calmly as he could, then leaned both hands on the table, pressed his face close enough to Bud’s so that Bud actually leaned back a little bit. Out of the corner of his eye, he saw that Paige had her bag over one shoulder and Chris lying against the other, headed for the front door. “We’re going to miss those steaks,” he said in a very menacing whisper. Then he picked up the fork he’d been squeezing and saw that it was a little bent. He bent it the rest of the way, folding it in half with one meaty hand. He dropped it on top of Bud’s salad. “Don’t get up.” By the time Preacher caught up with Paige, she was halfway down the walk toward the truck and already the women were fluttering out the door, calling after her. With no experience at this at all, having never before been in this position, Preacher knew what was going down. They were going to make excuses for Bud, maybe apologize for him, probably beg Paige to come back. He put a soft hand on her shoulder and she stopped, turning toward him. He reached for Chris. “Here,” he said, taking the boy tenderly. “Say goodbye. We’ll get settled.” He got Chris in the car seat while Paige and the other women were still on the walk. Each one of them took one of Paige’s hands, but she pulled out of their clutch. “Lemme see that arm, buddy,” Preacher said to Chris. “Aw, that’s going to be all right. Hey, how about pancakes? Breakfast for supper, huh?” He nodded and sniffed back tears. Preacher wiped a big thumb under each eye. “Yeah, pancakes. And chocolate milk.” Chris nodded again, a slight smile on his lips. Preacher
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Robyn Carr (Shelter Mountain (Virgin River, #2))
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You been the man of the family a while, Bud, but it’s your time to stop worrying. I told you earlier I got this. I had it. So did Mara. It’s done. Whatever you got in your head, you let it go. It is not you and Billie against the world anymore. You’ve got people at your back. You need to let that weight go, buddy. In a family, we all look out for each other. It is not up to you alone to take care of everybody. You need to let that weight go, give some to me, give some to Mara and just be Bud.
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Kristen Ashley (Law Man (Dream Man, #3))
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all the colors you could think of, black, white and brown, but the fire made everyone look like they were different shades of orange. There were dark orange folks sitting next to medium orange
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Christopher Paul Curtis (Bud, Not Buddy)
Christopher Paul Curtis (Bud, Not Buddy)
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STOP BUD OK IN FLINT STOP AT 4309 NORTH ST STOP RETURN 8PM WED STOP LEFTY STOP
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Christopher Paul Curtis (Bud, Not Buddy)
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There’s another thing that’s strange about a library, it seems like time flies when you are in one.
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Christopher Paul Curtis (Bud, Not Buddy)
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And when you are done with the book bring it back and I have something special for you!” She had a huge smile on her face.
I said, “Thank you, ma’am,” but I didn’t get too excited ‘ cause I know the kind of things librarians think are special.
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Christopher Paul Curtis (Bud, Not Buddy)