Bucks Show Quotes

We've searched our database for all the quotes and captions related to Bucks Show. Here they are! All 100 of them:

Focusing your life solely on making a buck shows a poverty of ambition. It asks too little of yourself. And it will leave you unfulfilled.
Barack Obama
Focusing your life solely on making a buck shows a certain poverty of ambition. It asks too little of yourself. Because it's only when you hitch your wagon to something larger than yourself that you realize your true potential.
Barack Obama
Look,’ I say. ‘It’s weird enough having a semisentient sword without being in the middle of an argument between you two. Can you please just let it go?’ ‘What did she show you?’ He holds up his hand. ‘Wait. Don’t tell me. I don’t want to know that you’ve seen me dancing in my underwear to my favorite music.’ ‘Angels wear underwear?’ Oh, man, I wish I hadn’t said that. I’m just digging myself in deeper and deeper today. ‘No.’ He shakes his head. ‘Figure of speech.’ ‘Oh.’ I nod, trying to get the image out of my head of Raffe dancing to some rock song, possibly buck naked.
Susan Ee (End of Days (Penryn & the End of Days, #3))
As a rider, you must slowly and methodically show your horse what is appropriate. You also have to discourage what's inappropriate, not by making the inappropriate impossible, but by making it difficult so that the horse himself chooses appropriate behavior. You can't choose it for him; you can only make it difficult for him to make the wrong choices. If, however, you make it impossible for him to make the wrong choices, you're making war.
Buck Brannaman (The Faraway Horses: The Adventures and Wisdom of One of America's Most Renowned Horsemen)
Long ago she had learned that to seem to yield is always stronger than to show resistance, and to acknowledge a fault quickly is always to show an invincible rectitude.
Pearl S. Buck (Pavilion of Women)
Now, as they were all looking at the new moth, she, too, went to look at it. It was of a creamy yellow color, like the yellow of the lemon called Buddha's Hand, and it had long black antennae. These quivered as it felt itself impaled. The wide wings fluttered and dark spots upon them showed green and gold for a moment. Then the moth was still. "How quickly they die!" Ch'iuming said suddenly.
Pearl S. Buck (Pavilion of Women)
Ada: "Dude, nothing matters. You’re going to go to that Christmas party looking like a million bucks and you’re going to show that stupid whore who’s the boss
Karina Halle (Lying Season (Experiment in Terror, #4))
Buck up. Fake it till you feel it. The show must go on. This was the way they did things - These people in the world she'd grown up in.
Kate Greathead (Laura & Emma)
When I return to that house it will be with my son in my arms. I shall have a red coat on him and red-flowered trousers and on his head a hat with a small gilded Buddha sewn on the front and on his feet tiger-faced shoes. And I will wear new shoes and a new coat of black sateen and I will go into the kitchen where I spent my days and I will go into the great hall where the Old One sits with her opium, and I will show myself and my son to all of them.
Pearl S. Buck (The Good Earth (House of Earth, #1))
Now it’s my turn. I am going to birth myself. I am going to be a better mother to me than she ever was. I’m going to stay faithful and stand up for myself. I am going to do more than send me fifty bucks on my birthday, and if I ever call myself on the phone, I’m going to act like I care, just a little, because I’m aware that I might need it. I will comb my own hair gently and never make myself get into bathwater that’s too hot. I am going to be the kind of mother who shows warmth.
A.S. King (Please Ignore Vera Dietz)
This cook, Preacher? He's unbelievable. I had some of his venison chili when I first got to town and it almost made me pass out, it was so good." Hi slips curved in a smile. "You at venison, Marcie?" "I didn't have a relationship with the deer," she explained. "You don't have a relationship with my deer either," he pointed out. "Yeah, but I have a relationship with you--you've seen me in my underwear. And you have a relationship with the deer. If you fed him to me, it would be like you shot and fed me your friend. Or something." Ian just drained his beer and smiled at her enough to show his teeth. "I wouldn't shoot that particular buck," he admitted. "But if I had a freezer, I'd shoot his brother." "There's something off about that," she said, just as Jack placed her wine in front of her. "Wouldn't it be more logical if hunters didn't get involved with their prey? Or their families? Oh, never mind--I can't think about this before eating my meat loaf. Who knows who's in it?" -Ian and Marcie
Robyn Carr (A Virgin River Christmas (Virgin River, #4))
A receptionist is a lazy dame that can’t do anything on earth, and wants to sit out front where everybody can watch her do it. She’s the one in the black silk dress, cut low in the neck and high in the legs, just inside the gate, in front of that little one-position switchboard, that she gets a right number out of now and then, mostly then. You know, the one that tells you to have a seat, Mr Doakes will see you in just a few minutes. Then she goes on showing her legs and polishing her nails. If she sleeps with Doakes she gets twenty bucks a week, if not she gets twelve. In other words, nothing personal about it and I don’t want to hurt your feelings, but by the looks of this card I’d say that was you.’ ‘It’s quite all right. I sleep fine.
James M. Cain (Mildred Pierce)
People who have never canoed a wild river, or who have done so only with a guide in the stern, are apt to assume that novelty, plus healthful exercise, account for the value of the trip. I thought so too, until I met the two college boys on the Flambeau. Supper dishes washed, we sat on the bank watching a buck dunking for water plants on the far shore. Soon the buck raised his head, cocked his ears upstream, and then bounded for cover. Around the bend now came the cause of his alarm: two boys in a canoe. Spying us, they edged in to pass the time of day. ‘What time is it?’ was their first question. They explained that their watches had run down, and for the first time in their lives there was no clock, whistle, or radio to set watches by. For two days they had lived by ‘sun-time,’ and were getting a thrill out of it. No servant brought them meals: they got their meat out of the river, or went without. No traffic cop whistled them off the hidden rock in the next rapids. No friendly roof kept them dry when they misguessed whether or not to pitch the tent. No guide showed them which camping spots offered a nightlong breeze, and which a nightlong misery of mosquitoes; which firewood made clean coals, and which only smoke. Before our young adventurers pushed off downstream, we learned that both were slated for the Army upon the conclusion of their trip. Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense. Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.
Aldo Leopold (A Sand County Almanac; with essays on conservation from Round River)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
The books show the world not just as it is but as it could be, should be. They connect me to everything that has ever happened and to everyone who has ever lived.
M.K. Asante (Buck: A Memoir)
To use an example frequently offered by Masters, imagine if someone continually showed up at car dealerships and asked to buy $500,000 worth of cars. This mystery person doesn’t care how many cars, mind you, he just wants a half million bucks’ worth. Eventually, someone is going to sell that guy one car for $500,000. Put enough of those people out there visiting car dealerships, your car market is going to get very weird very quickly. Soon enough, the people who are coming into the dealership looking to buy cars they actually plan on driving are going to find that they’ve been priced out of the market.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
Did anyone tell you what the MRI showed?” I asked. “No.” The buck had been passed, as it often was with difficult news. Oftentimes, we’d have a spat with the oncologist over whose job it was to break the news.
Paul Kalanithi (When Breath Becomes Air)
Not that kind of proof, Kyber. Come on, Buck Rogers got a ride in a flying car, and all I get is a slide show and a history lesson? It’s going to take more than this to convince me that I slept for almost two centuries.
Susan Grant (The Legend of Banzai Maguire (2176 Series, #1))
In times of crisis, you get a public reaction that is incoherence on stilts. On the one hand, most people know that the government is not in the oil business. They don't want it in the oil business. They know there is nothing a man in Washington can do to plug a hole a mile down in the gulf. On the other hand, they demand that the president 'take control.' They demand that he hold press conferences, show leadership, announce that the buck stops here and do something. They want him to emote and perform the proper theatrical gestures so they can see their emotions enacted on the public stage. They want to hold him responsible for things they know he doesn't control. Their reaction is a mixture of disgust, anger, longing and need. It may not make sense. But it doesn't make sense that the country wants spending cuts and doesn't want cuts, wants change and doesn't want change.
David Brooks
Brummel was a man somewhere in his thirties, single, a one-time hotshot city cop with a big buck lifestyle that belied his policeman’s salary. He always came on like a likable guy, but Marshall never really trusted him. Come to think of it, he didn’t like him that much either. Too much teeth showing for no reason.
Frank E. Peretti (This Present Darkness (Darkness, #1))
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
J.D. Salinger (The Catcher in the Rye)
In a 2006 speech then-senator Barack Obama gave to a group of college students, he offered these sage words about success: “Focusing your life solely on making a buck shows a certain poverty of ambition. It asks too little of yourself. Because it’s only when you hitch your wagon to something larger than yourself that you realize your true potential.
T.D. Jakes (Destiny: Step into Your Purpose)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
In May, just before the cereal had hit the fan, he sent Vic and Roger a postcard showing a Boston T-bus going away. On the back were four lovely ladies, bent over to show their fannies, which were encased in designer jeans. Written on the back of the card, tabloid style, was this message: IMAGE-EYE LANDS CONTRACT TO DO BUTTS FOR BOSTON BUSES; BILLS BIG BUCKS. Funny then. Not such a hoot now.
Stephen King (Cujo)
I went around to four finance companies and borrowed a hundred bucks from each one so we could get married. Then when the collectors came around I persuaded them that they couldn’t find me. One of them that I convinced had my case taken over by his supervisor, who decided not to cooperate with my disappearance and showed up one night at Wagner’s looking for Frank Sheeran. He didn’t know it was me at the door. I said to follow me and I’d take him in to see Mr. Sheeran. He followed me into the bathroom and I gave him a shot to the body and a shot to the jaw and down he went. I didn’t give him the boot or anything. I just wanted to make sure he understood that Mr. Sheeran was too busy to see him that night or any other night. He got the message. Mary had a good job with the Philadelphia
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
It was the Die Trying promotion tour, and I wasn't mugged. In fact, I mugged the other guy. Promotion tours are hard work, but the compensation is freebie visits to places you might not otherwise go, so I always make a habit, when the day is done, of taking a stroll, usually about midnight. I was in San Francisco, so figured I'd go look at the Tenderloin part of town, which is rough. This guy stepped out and basically said, "Give me your money." ... I was amazed how quickly I snapped back through almost 40 years and suddenly became that tough city kid again. I got right in the guy's face and told him he had to give me his money or I'd break his arms. Just a purely instinctive reaction from long ago. Never back down. Never show fear. He only had five bucks. I gave it to the next homeless person I saw.
Lee Child
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
How very like Zen is this from Whitman: “Is it lucky to be born? It is just as lucky to die.” In summarizing his pages on Whitman, Bucke makes, among others, the following statements: In no man who ever lived was the sense of eternal life so absolute. Fear of death was absent. Neither in health nor in sickness did he show any sign of it, and there is every reason to believe he did not feel it. He had no sense of sin.
Henry Miller (The Books in My Life (New Directions Paperbook))
Have you ever been fucked?” I ask her, removing my fingers and pushing them into her again while twisting them to where they turn inside her and reach upward slowly. I’m taking my time because I don’t want to hurt the poor girl. Not yet. But once she’s my chosen, all bets are off. This is what the oath is for—restraint. It’s about thinking things through and outliving our opponent. Wear them down. Show no mercy. We are stronger than them. “No.” She bucks her hips.
Shantel Tessier (The Ritual (L.O.R.D.S., #1))
It may feel awkward at first, and there may be any number of obstacles. In addition to the obstructions that arise as we inch into this inner mothering, we may be stopped before we start by a discounting voice (a critical parent or protector most likely) saying, “This is ridiculous.” Its tactic is to deny the need. “You’re making a mountain out of a molehill.” “It wasn’t that bad. Just buck up.” Here is where being aware of parts comes as an advantage. Only if we can recognize that this is a part speaking up—a part that has an agenda—will we have a choice to bracket these thoughts and move forward with our intention. One of the next barriers we may face is a feeling of inadequacy. If you were not well mothered, you can easily feel that you haven’t a clue how to do it. You’re uncomfortable, you don’t know what to say or do, and you feel phony trying what doesn’t come naturally. This is enough to stop you right here. If you succeed in making an authentic connection with the undermothered parts within yourself, you may be struck by a sense of guilt that you have inadvertently continued the abandonment by not showing up earlier. No one likes to feel the sharp pain of causing harm to another. And just as I’ve mentioned earlier that a mother may unconsciously keep a distance from a child so as not to arouse her own hurt, you may feel that opening up the locked-away pain in your heart is too high a price to pay for reconnecting with child parts inside you.
Jasmin Lee Cori (The Emotionally Absent Mother, Second Edition: How to Recognize and Cope with the Invisible Effects of Childhood Emotional Neglect (Second): How to Recognize ... Effects of Childhood Emotional Neglect)
I’m speechless. But my dick has plenty to say. I’m already hard at the idea of Wes being prepped and ready for me. I drop my mouth onto his and he moans again. My tongue glides across his piercing and we’re off to the horny dog races. We kiss as if there’s a meteor heading straight for the Toronto metropolitan area. Wes’s eager hands roam my ass while I suck on his tongue. His eagerness is like a drug, and I want hit after hit. I can feel how hard he is, even through all of our clothes. He wants me to fuck him, and he’s all primed and ready? “Mmm,” I moan into his mouth. Sexiest fucking thing I ever heard. That’s when the doorbell rings. “Hold that thought,” I say, pushing up on one arm. “Nooooo!” Wes lifts both his legs to trap me in them. “No.” Kiss. “No.” Kiss. “Don’t even think about it.” Pinning his hands to the quilt is easy, because he’s horny to the point of distraction. “Stop it, baby. It’s the couch delivery. We’re paying seventy-five bucks for them to show up on a Saturday.
Sarina Bowen (Him (Him, #1))
It is said that science has presented humans with three hammer blows to its sense of self-importance. Copernicus taught us that the Earth was not at the centre of the universe; Freud showed us that our instincts are emotional and sexual rather than rational and godly; and Darwin demonstrated that we were descended not from angels but from apes. To this we might add the gene-centred view of life which shows that in many cases we are not the final beneficiaries of our own behaviour; the buck stops not with us but our genes.
Lance Workman (Evolutionary Psychology: An Introduction)
If you want success and longevity for your business, earning a reputation for integrity is crucial. People want to work with people and companies they can trust. Trying to hide a mistake and hope nobody notices or passing the buck does not inspire confidence or respect—from anyone, employees, vendors, or customers alike. Owning up shows integrity and whatever embarrassment you may feel is worth it because in the end people will likely trust you more going forward. It’s not the mistake that is a deal-breaker, it’s being dishonest about it.
Ziad K. Abdelnour
A brick could be used to show you how to live a richer, fuller, more satisfying life. Don’t you want to have fulfillment and meaning saturating your existence? I can show you how you can achieve this and so much more with just a simple brick. For just $99.99—not even an even hundred bucks, I’ll send you my exclusive life philosophy that’s built around a brick. Man’s used bricks to build houses for centuries. Now let one man, me, show you how a brick can be used to build your life up bigger and stronger than you ever imagined. But act now, because supplies are limited. This amazing offer won’t last forever. You don’t want to wake up in ten years to find yourself divorced, homeless, and missing your testicles because you waited even two hours too long to obtain this information. Become a hero today—save your life. Procrastination is only for the painful things in life. We prolong the boring, but why put off for tomorrow the exciting life you could be living today? If you’re not satisfied with the information I’m providing, I’m willing to offer you a no money back guarantee. That’s right, you read that wrong. If you are not 100% dissatisfied with my product, I’ll give you your money back. For $99.99 I’m offering 99.99%, but you’ve got to be willing to penny up that percentage to 100. Why delay? The life you really want is mine, and I’m willing to give it to you—for a price. That price is a one-time fee of $99.99, which of course everyone can afford—even if they can’t afford it. Homeless people can’t afford it, but they’re the people who need my product the most. Buy my product, or face the fact that in all probability you are going to end up homeless and sexless and unloved and filthy and stinky and probably even disabled, if not physically than certainly mentally. I don’t care if your testicles taste like peanut butter—if you don’t buy my product, even a dog won’t lick your balls you miserable cur. I curse you! God damn it, what are you, slow? Pay me my money so I can show you the path to true wealth. Don’t you want to be rich? Everything takes money—your marriage, your mortgage, and even prostitutes. I can show you the path to prostitution—and it starts by ignoring my pleas to help you. I’m not the bad guy here. I just want to help. You have some serious trust issues, my friend. I have the chance to earn your trust, and all it’s going to cost you is a measly $99.99. Would it help you to trust me if I told you that I trust you? Well, I do. Sure, I trust you. I trust you to make the smart decision for your life and order my product today. Don’t sleep on this decision, because you’ll only wake up in eight hours to find yourself living in a miserable future. And the future indeed looks bleak, my friend. War, famine, children forced to pimp out their parents just to feed the dog. Is this the kind of tomorrow you’d like to live in today? I can show you how to provide enough dog food to feed your grandpa for decades. In the future I’m offering you, your wife isn’t a whore that you sell for a knife swipe of peanut butter because you’re so hungry you actually considered eating your children. Become a hero—and save your kids’ lives. Your wife doesn’t want to spread her legs for strangers. Or maybe she does, and that was a bad example. Still, the principle stands. But you won’t be standing—in the future. Remember, you’ll be confined to a wheelchair. Mushrooms are for pizzas, not clouds, but without me, your life will atom bomb into oblivion. Nobody’s dropping a bomb while I’m around. The only thing I’m dropping is the price. Boom! I just lowered the price for you, just to show you that you are a valued customer. As a VIP, your new price on my product is just $99.96. That’s a savings of over two pennies (three, to be precise). And I’ll even throw in a jar of peanut butter for free. That’s a value of over $.99. But wait, there’s more! If you call within the next ten minutes, I’ll even throw in a blanket free of charge. . .
Jarod Kintz (Brick)
I mean to taste you, mo chridhe. Try not to kick me in the head this time." Despite the warning, her hips still bucked when he laid his tongue to her most intimate place. Oh, he was good. Verra... verra... verra good. Within moments he had her writhing beneath him. He explored every fold and hollow with his tongue, circling her bud before sliding down to dip his tongue inside her. "Logan, please. I'm too close to-" He showed no signs of stopping. Or even acknowledging her pleas. To the contrary, he redoubled his efforts, nuzzling and licking her to a fierce, sudden climax.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Which meant it was time for the centerpiece of the celebration, the reason they were all gathered on Saturday, the weekly episode of what, as far as many of the Davidsons including Jody were concerned was the greatest television show ever made. Hee Haw. While Roy and Buck sang the opening song, everyone would bicker and talk back and forth, what was better about the show, the music or the humor, what have you, the natural result of 40 people crowded around one rabbit eared television set. But once Hee Haw started, the talking was over. After that, it was all about the love. And so was everything before, really.
Brian Holers (Doxology)
My mother left us when I was twelve. She found a man who was not as parsimonious as my father and moved to Las Vegas, Nevada which is two thousand five hundred miles away. She doesn't visit. She doesn’t call. She sends me a card on my birthday with fifty dollars in it, which my father nags me about until I finally go to the bank and deposit it. And so, for all six years she’s been gone, I have $337 to show for having a mother. Dad says that thirty-seven bucks is good interest. He doesn't see the irony in that. He doesn't see the word interest as anything not connected to money because he’s an accountant and to him, everything is a number. I think $37 and no other and no visits or phone calls is shitty interest.
A.S. King
Violet felt so free. She could hear Jay laughing from behind her as he held on tight. She spun the craft first sharply to the right and then quickly to the left. He knew she was trying to buck him free, testing him to see how long he could hold on to her before being tossed into the frigid water of the lake as she maneuvered the miniature speedboat back and forth. But he was stronger now than ever before, and his reflexes were sharper. He seemed to know which way she was going to go even before she did. After a while, Violet slowed down near a floating dock in the lake and parked the Wave Runner. “Do you want to jump in?” she asked as she pulled the key from the ignition without waiting for an answer, making it more of a statement than a question. Jay stood up and hopped from the Wave Runner onto the dock. Violet joined him and instead of diving into the water, she sat down and dangled her feet in. “It’s quiet here,” he commented absently. He sat down beside her. “Mm-hmm,” she sighed, kicking her feet and splashing up water. “How are your knees?” He reached out and brushed his fingers across the damp bandages. Violet shrugged. “They’re fine . . .” and then she added with mock adoration, “. . . thanks to you, of course.” And to show her gratitude, she kicked water in his direction. He nudged her with his shoulder but didn’t say anything. They stayed like that for a while, enjoying the silence of being alone and enjoying each other’s presence. It was easy . . . and comfortable.
Kimberly Derting (The Body Finder (The Body Finder, #1))
And meanwhile we decayed. When I was born, when I grew up in the fifties, we believed our country was the land of opportunity, where nobody was doomed to remain poor, where every person of goodwill had a chance to rise. By the time my child was born in the nineties, beggars were crowding the streets of every city, accosting shoppers in the malls. There were camps of homeless in the parks and empty lots, young people going to war with each other for drugs and booze and a few bucks. Our compassion eroded faster than the topsoil, and when we began to notice the earth changes, the droughts and the warming and the die-offs of the animals, the hole in the ozone layer and the epidemics of strange diseases that showed our own immune systems faltering, when we still had a chance to save so much and avert the worst of what followed, we continued to distract ourselves with war.
Starhawk (The Fifth Sacred Thing (Maya Greenwood #1))
My point though is the totem pole of paychecks, with school as one thing that gets you up there, and another one being where you live, country or city. But the main thing is, whatever you’re doing, who is it making happy? Are you selling the cheapest-ass shoes imaginable to Walmart shoppers, or high-class suits to business guys? Even the same exact work, like sanding floors, could be at the Dollar General or a movie star mansion. Show me your paycheck, I’ll make a guess which floor. If you are making a rich person happy, or a regular person feel rich, aka better than other people, the money rolls. If it’s lowlifes you’re looking after, not so much. And if it’s kids, good luck, because anything to do with improving the life of a child is on the bottom. Schoolteacher pay is for the most part in the toilet. I gather this is common knowledge, but I had no idea, the day Miss Barks said, So long sucker, I’m chasing the big bucks now. Schoolteacher!
Barbara Kingsolver (Demon Copperhead)
But this was America, the land of opportunists, and here it wasn’t enough to want something. You had to fight for what you wanted and fight hard, fight through your own resistance and the jeers of others and physical adversity, which was what the Pilgrims had done vis-à-vis the whole Thanksgiving situation, and after them the colonists, who had bucked the most powerful empire on earth even though they were basically just a bunch of underfed tax evaders. And then the pioneers. No, you couldn’t forget the pioneers, who had traversed vast prairies and mountains, and battled Indians and grizzly bears and inclement weather and various kinds of pox, and some had even starved and had to eat each other to survive, which, by the way, would make a terrific film treatment, Billy thought, because it said so much about the indomitable spirit that had built the country. Not that cannibalism was part of the indomitable American spirit, but it showed how far some people would go to find good property.
Steve Almond (God Bless America: Stories)
From A Deadly Shade of Gold, a Travis McGee title: “The only thing in the world worth a damn is the strange, touching, pathetic, awesome nobility of the individual human spirit.” From the stand-alone thriller Where Is Janice Gantry?: “Somebody has to be tireless, or the fast-buck operators would asphalt the entire coast, fill every bay, and slay every living thing incapable of carrying a wallet.” These two angles show up everywhere in his novels: the need to—maybe reluctantly, possibly even grumpily—stand up and be counted on behalf of the weak, helpless, and downtrodden, which included people, animals, and what we now call the environment—which was in itself a very early and very prescient concern: Janice Gantry, for instance, predated Rachel Carson’s groundbreaking Silent Spring by a whole year. But the good knight’s armor was always tarnished and rusted. The fight was never easy and, one feels, never actually winnable. But it had to be waged. This strange, weary blend of nobility and cynicism is MacDonald’s signature emotion. Where did it come from? Not, presumably, the leafy block where he was raised in quiet and comfort. The war must have changed him, like it changed a generation and the world.
John D. MacDonald (The Deep Blue Good-By)
Richard Durham was a black writer whose credits in radio would run a gamut from Irna Phillips serials to prestige plays for such as The CBS Radio Workshop. But in Destination Freedom Durham wrote from the heart. Anger simmers at the foundation of these shows, rising occasionally to a wail of agony and torment. On no other show was the term “Jim Crow” used as an adjective, if at all: nowhere else could be heard the actual voices of black actors giving life to a real black environment. There were no buffoons or toadies in Durham’s plays: there were heroes and villains, girlfriends and lovers, mothers, fathers, brutes; there were kids named Joe Louis and Jackie Robinson, who bucked the tide and became kings in places named Madison Square Garden and Ebbets Field. The early historical dramas soon gave way to a more contemporary theme: the black man’s struggle in a modern racist society. Shows on Denmark Vesey, Frederick Douglass, and George Washington Carver gave way to Richard Wright’s Black Boy and the lives of Louis Armstrong, Fats Waller, and Nat King Cole. The Tiger Hunt was a war story, of a black tank battalion; Last Letter Home told of black pilots in World War II. The stories pulled no punches in their execution of the common theme, making Destination Freedom not only the most powerful but the only show of its kind.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I saw five squaws under a bank for shelter. When the troops came up to them they ran out and showed their persons to let the soldiers know they were squaws and begged for mercy, but the soldiers shot them all. I saw one squaw lying on the bank whose leg had been broken by a shell; a soldier came up to her with a drawn saber; she raised her arm to protect herself, when he struck, breaking her arm; she rolled over and raised her other arm, when he struck, breaking it, and then left her without killing her. There seemed to be indiscriminate slaughter of men, women, and children. There were some thirty or forty squaws collected in a hole for protection; they sent out a little girl about six years old with a white flag on a stick; she had not proceeded but a few steps when she was shot and killed. All the squaws in that hole were afterwards killed, and four or five bucks outside. The squaws offered no resistance. Every one I saw dead was scalped. I saw one squaw cut open with an unborn child, as I thought, lying by her side. Captain Soule afterwards told me that such was the fact. I saw the body of White Antelope with the privates cut off, and I heard a soldier say he was going to make a tobacco pouch out of them. I saw one squaw whose privates had been cut out. … I saw a little girl about five years of age who had been hid in the sand; two soldiers discovered her, drew their pistols and shot her, and then pulled her out of the sand by the arm. I saw quite a number of infants in arms killed with their mothers.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
she feels lucky to have a job, but she is pretty blunt about what it is like to work at Walmart: she hates it. She’s worked at the local Walmart for nine years now, spending long hours on her feet waiting on customers and wrestling heavy merchandise around the store. But that’s not the part that galls her. Last year, management told the employees that they would get a significant raise. While driving to work or sorting laundry, Gina thought about how she could spend that extra money. Do some repairs around the house. Or set aside a few dollars in case of an emergency. Or help her sons, because “that’s what moms do.” And just before drifting off to sleep, she’d think about how she hadn’t had any new clothes in years. Maybe, just maybe. For weeks, she smiled at the notion. She thought about how Walmart was finally going to show some sign of respect for the work she and her coworkers did. She rolled the phrase over in her mind: “significant raise.” She imagined what that might mean. Maybe $2.00 more an hour? Or $2.50? That could add up to $80 a week, even $100. The thought was delicious. Then the day arrived when she received the letter informing her of the raise: 21 cents an hour. A whopping 21 cents. For a grand total of $1.68 a day, $8.40 a week. Gina described holding the letter and looking at it and feeling like it was “a spit in the face.” As she talked about the minuscule raise, her voice filled with anger. Anger, tinged with fear. Walmart could dump all over her, but she knew she would take it. She still needed this job. They could treat her like dirt, and she would still have to show up. And that’s exactly what they did. In 2015, Walmart made $14.69 billion in profits, and Walmart’s investors pocketed $10.4 billion from dividends and share repurchases—and Gina got 21 cents an hour more. This isn’t a story of shared sacrifice. It’s not a story about a company that is struggling to keep its doors open in tough times. This isn’t a small business that can’t afford generous raises. Just the opposite: this is a fabulously wealthy company making big bucks off the Ginas of the world. There are seven members of the Walton family, Walmart’s major shareholders, on the Forbes list of the country’s four hundred richest people, and together these seven Waltons have as much wealth as about 130 million other Americans. Seven people—not enough to fill the lineup of a softball team—and they have more money than 40 percent of our nation’s population put together. Walmart routinely squeezes its workers, not because it has to, but because it can. The idea that when the company does well, the employees do well, too, clearly doesn’t apply to giants like this one. Walmart is the largest employer in the country. More than a million and a half Americans are working to make this corporation among the most profitable in the world. Meanwhile, Gina points out that at her store, “almost all the young people are on food stamps.” And it’s not just her store. Across the country, Walmart pays such low wages that many of its employees rely on food stamps, rent assistance, Medicaid, and a mix of other government benefits, just to stay out of poverty. The
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
Then she bent her head over at the waist and tossed her head around to separate the curls. The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell. She looked at them, her mouth watering. Yep. Enrique’s. The best in town. He whirled around to punch the door-close button. “Hey,” she said. “I’m getting off here.” Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.” Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops. He grabbed her up off her feet and bent his head. Found her mouth with his. “Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!” Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides. And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before. The door slid closed. The girls began banging on it. “We know your room number, Chase, honey,” they yelled. “See you there.” Loud giggles. “We’ll show you a real good time.” The elevator moved up, the voices faded away. But Chase kept on kissing her. She had to make him stop it. Right now. Who did he think he was, anyway? Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes. He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . . When he finally let her go she pulled back and away, fighting to get a handle on her breathing. “What’s the matter?” he demanded. Her blood rushed through her so fast it made her dizzy. “You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?” She touched her lips. They were still on fire. “You have got a helluva nerve, Chase Lomax.” He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted. “I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.” “I was drying my hair.” He stared, then burst out laughing. “Oh, well, then.” His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good. “Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?” He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?” He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat. “You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.” Something flashed deep in his brown eyes. “Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
Genell Dellin (Montana Gold)
So who else?” “Who else what?” With his mouth full, he says, “Who else got letters?” “Um, that’s really private.” I shake my head at him, like Wow, how rude. “What? I’m just curious.” Peter dips another fry into my little ramekin of ketchup. Smirking, he says, “Come on, don’t be shy. You can tell me. I know I’m number one, obviously. But I want to hear who else made the cut.” He’s practically flexing, he’s so sure of himself. Fine, if he wants to know so bad, I’ll tell him. “Josh, you--” “Obviously.” “Kenny.” Peter snorts. “Kenny? Who’s he?” I prop my elbows up on the table and rest my chin on my hands. “A boy I met at church camp. He was the best swimmer of the whole boys’ side. He saved a drowning kid once. He swam out to the middle of the lake before the lifeguards even noticed anything was wrong.” “So what’d he say when he got the letter?” “Nothing. It was sent back return to sender.” “Okay, who’s next?” I take a bite of sandwich. “Lucas Krapf.” “He’s gay,” Peter says. “He’s not gay!” “Dude, quit dreaming. The kid is gay. He wore an ascot to school yesterday.” “I’m sure he was wearing it ironically. Besides, wearing an ascot doesn’t make someone gay.” I give him a look like Wow, so homophobic. “Hey, don’t give me that look,” he objects. “My favorite uncle’s gay as hell. I bet you fifty bucks that if I showed my uncle Eddie a picture of Lucas, he’d confirm it in half a second.” “Just because Lucas appreciates fashion, that doesn’t make him gay.” Peter opens his mouth to argue but I lift up a hand to quiet him. “All it means is he’s more of a city guy in the midst of all this…this boring suburbia. I bet you he ends up going to NYU or some other place in New York. He could be a TV actor. He’s got that look, you know. Svelte with fine-boned features. Very sensitive features. He looks like…like an angel.” “So what did Angel Boy say about the letter, then?” “Nothing…I’m sure because he’s a gentleman and didn’t want to embarrass me by bringing it up.” I give him a meaningful look. Unlike some people is what I’m saying with my eyes. Peter rolls his eyes. “All right, all right. Whatever, I don’t care.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Inside the Mousery the smell was overpowering, but it is doubtful if any of the three noticed it. Down the center of the single long room ran a brick path on either side of which were shelves three deep, divided into roomy sections. The admiral stopped before one of them, ‘Golden Agouti’, he remarked. He took hold of a rectangular box, the front of which was wired; very slyly he lifted a lid set into the top panel, and lowered the cage so that the children might look in. Inside, midway between floor and lid was a smaller box five inches long; a little hole at one end of this inner box gave access to the interior of the cage, and from it a miniature ladder slanted down to the sawdust strewn floor. In this box were a number of little heaving pink lumps, by the side of which crouched a brownish mouse. Her beady eyes peered up anxiously, while the whiskers on her muzzle trembled. The admiral touched her gently with the tip of his little finger. ‘She’s a splendid doe’, he said affectionately; ‘a remarkably careful mother and not at all fussy!’ He shut the door and replaced the cage. ‘There’s a fine pair here’, he remarked, passing to a new section; ‘what about that for color!’ He put his hand into another cage and caught one of the occupants deftly by the tail. Holding the tail between his finger and thumb he let the mouse sprawl across the back of his other hand, slightly jerking the feet into position. The children gazed. ‘What color is that?’ they inquired. ‘Chocolate’, replied the admiral. ‘I rather fancy the Self varieties, there’s something so well-bred looking about them; for my part I don’t think a mouse can show his figure if he’s got a pied pelt on him, it detracts. Now this buck for instance, look at his great size, graceful too, very gracefully built, legs a little coarse perhaps, but an excellent tail, a perfect whipcord, no knots, no kinks, a lovely taper to the point!’ The mouse began to scramble. ‘Gently, gently!’ murmured the admiral, shaking it back into position. He eyed it with approbation, then dropped it back into its cage, where it scurried up the ladder and vanished into its bedroom. They passed from cage to cage; into some he would only let them peep lest the does with young should get irritable; from others he withdrew the inmates, displaying them on his hand. ‘Now this’, he told them, catching a grey-blue mouse. ‘This is worth your looking at carefully. Here we have
Radclyffe Hall (Radclyffe Hall: The Complete Novels)
When I swung open the door, there he was: Marlboro Man, wearing Wranglers and a crisp white shirt and boots. And a sweet, heart-melting smile. What are you doing here? I thought. You’re supposed to be in the shower. You’re supposed to be with the sex kitten. “Hey,” he said, wasting no time in stepping through the door and winding his arms around my waist. My arms couldn’t help but drape over his strong shoulders; my lips couldn’t help but find his. He felt soft, warm, safe…and our first kiss turned into a third, and a sixth, and a seventh. It was the same kiss as the night before, when the phone call alerting him to the fire had come. My eyes remained tightly closed as I savored every second, trying to reconcile the present with the horror movie I’d imagined just moments earlier. I had no idea what was going on. At that point, I didn’t even care. “Ummmmm!!! I’m t-t-t-ttellin’!” Mike teased from the top of the stairs, just before running down and embracing Marlboro Man in a bear hug. “Hi, Mike,” Marlboro Man said, politely patting him on the back. “Mike?” I said, smiling and blinking my eyes. “Will you excuse us for a couple of minutes?” Mike obliged, giggling and oooo-ing as he walked toward the kitchen. Marlboro Man picked me up and brought my eyes to the level of his. Smiling, he said, “I’ve been trying to call you this afternoon.” “You have?” I said. I hadn’t even heard the phone ring. “I, um…I sort of took a nine-hour nap.” Marlboro Man chuckled. Oh, that chuckle. I needed it badly that night. He set my feet back down on the floor. “So…,” he teased. “You still cranky?” “Nope,” I finally answered, smiling. So, who is that woman in your house? So…what did you do all day? “Did you ever get any sleep?” So, who is that woman in your house? “Well,” he began. “I had to help Tim with something this morning, then I crashed on the couch for a few hours…it felt pretty good.” Who was the woman? What’s her name? What’s her cup size? He continued. “I would’ve slept all day, but Katie and her family showed up in the middle of my nap,” he said. “I forgot they were staying at my house tonight.” Katie. His cousin Katie. The one with the two young kids, who had probably just gone to bed when I’d called earlier. “Oh…really?” I said, my chest relaxing with a long, quiet exhale. “Yeah…but it’s a little crowded over there,” he said. “I thought I’d come over here and take you to a movie.” I smiled, stroking his back with my hand. “A movie sounds perfect.” The busty, bronze mystery girl slowly faded into oblivion. Mike came barreling out of the kitchen, where he’d been listening to every word. “Hey--if you guys are goin’ to the movie, c-c-c-can you drive me to the mall?” he yelled. “Sure, Mike,” Marlboro Man said. “We’ll drive you to the mall. It’ll cost you ten bucks, though.” And as the three of us made our way outside to Marlboro Man’s diesel pickup, I had to bite my lip to keep myself from articulating the only seven words in the English language that were in my vocabulary at that moment: God help me--I love that man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I was getting my knife sharpened at the cutlery shop in the mall,” he said. It was where he originally bought the knife. The store had a policy of keeping your purchase razor sharp, so he occasionally brought it back in for a free sharpening. “Anyway, it was that day that I met this Asian male. He was alone and really nice looking, so I struck up a conversation with him. Well, I offered him fifty bucks to come home with me and let me take some photos. I told him that there was liquor at my place and indicated that I was sexually attracted to him. He was eager and cooperative so we took the bus to my apartment. Once there, I gave him some money and he posed for several photos. I offered him the rum and Coke Halcion-laced solution and he drank it down quickly. We continued to drink until he passed out, and then I made love to him for the rest of the afternoon and early evening. I must have fallen asleep, because when I woke up it was late. I checked on the guy. He was out cold, still breathing heavily from the Halcion. I was out of beer and walked around the corner for another six-pack but after I got to the tavern, I started drinking and before I knew it, it was closing time. I grabbed my six-pack and began walking home. As I neared my apartment, I noted a lot of commotion, people milling about, police officers, and a fire engine. I decided to see what was going on, so I came closer. I was surprised to see they were all standing around the Asian guy from my apartment. He was standing there naked, speaking in some kind of Asian dialect. At first, I panicked and kept walking, but I could see that he was so messed up on the Halcion and booze that he didn’t know who or where he was. “I don’t really know why, Pat, but I strode into the middle of everyone and announced he was my lover. I said that we lived together at Oxford and had been drinking heavily all day, and added that this was not the first time he left the apartment naked while intoxicated. I explained that I had gone out to buy some more beer and showed them the six-pack. I asked them to give him a break and let me take him back home. The firemen seemed to buy the story and drove off, but the police began to ask more questions and insisted that I take them to my apartment to discuss the matter further. I was nervous but felt confident; besides, I had no other choice. One cop took him by the arm and he followed, almost zombie-like. “I led them to my apartment and once inside, I showed them the photos I had taken, and his clothes neatly folded on the arm of my couch. The cops kept trying to question the guy but he was still talking gibberish and could not answer any of their questions, so I told them his name was Chuck Moung and gave them a phony date of birth. I handed them my identification and they wrote everything down in their little notebooks. They seemed perturbed and talked about writing us some tickets for disorderly conduct or something. One of them said they should take us both in for all the trouble we had given them. “As they were discussing what to do, another call came over their radio. It must have been important because they decided to give us a warning and advised me to keep my drunken partner inside. I was relieved. I had fooled the authorities and it gave me a tremendous feeling. I felt powerful, in control, almost invincible. After the officers left, I gave the guy another Halcion-filled drink and he soon passed out. I was still nervous about the narrow escape with the cops, so I strangled him and disposed of his body.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
serious cash to free April? And there was no word yet from the kidnapper. Usually, as Theo remembered from television, the family gets word pretty soon that the bad guys have the child and would like a million bucks or so for a safe return. Another report from the morning news showed Mrs. Finnemore crying in front of their home. The police were tight-lipped, saying only that they were pursuing all leads. A neighbor said his dog started barking around midnight, always a bad sign. As frantic as the reporters seemed to be that morning, the truth was that they were finding very little to add to the story of a missing girl. Theo’s homeroom teacher was Mr. Mount, who also taught Government. After Mr. Mount got the boys settled, he called the roll. All sixteen were present. The conversation quickly got around to the disappearance of April, and Mr. Mount asked Theo if he’d heard anything. “Nothing,” Theo said, and his classmates seemed disappointed.
John Grisham (Theodore Boone: The Abduction: Theodore Boone 2)
were married. We hadn’t been together long enough for me to explain, or demonstrate, to her that every hunting trip is not a killing trip—and that more often than not you don’t get anything. Nope, I intended to show her that I was a predator machine. So I didn’t feel sad at all when the deer simply disappeared from view at the crack of the rifle. I am certain that it did not feel a thing. When I hiked down to it, I learned that I was still a decent shot, at least. I had aimed for a spot right between the buck’s eyes, and that’s where I had placed the bullet. It took me ten minutes of rooting around in the brush to find the three-point side of its antler, which had been separated from the rest of the skull by the 180-grain Silvertip. Before I started field dressing the deer, I sat down next to it in the brush, with my feet pointed straight down the hill and my hand holding my Buck knife resting on the buck’s gray coat. I needed to do some introspection for a second, on a deep level, to consider and ponder why and how I am able and supposed to kill deer, and on a more pragmatic level, to remember how to gut one of these things out. In my more-or-less educated opinion, it’s morally acceptable and
Ben Walters (November Below Heart Mountain: A Hunting Story)
One day, Sara is at home alone and the doorbell rings. She opens the door and a guy says, “Hi, I’m Chris. Is Tony home?” “No, he went to the store, but you can wait here if you want.” So they sit down and after a few moments of silence Chris says, “You know, Sara, you have the greatest breasts. I’d give you a hundred bucks just to see one.” Sara thinks about it for a second and figures, what the hell—a hundred bucks! She peels back her robe and shows one to him for a few seconds. He promptly thanks her and throws a hundred bucks on the table. They sit there a while longer and Chris says, “That was so amazing! I’ve got to see both of them. I’ll give you another hundred dollars if I can just see them both together.” Sara, amazed by the offer, decides, what the hell, why not? So she opens her robe and gives him a nice, long look. A while later, after Chris has gone, Tony comes home from the store. The wife says, “You know, your friend Chris came over.” “Did he drop off the two hundred bucks he owes me?
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
Do you fancy catching a movie at the Sturbridge Theater tonight? That new Robert Pattinson movie is showing,” I ask her, the phone cradled against my chest. “Definitely sign me up for that!” Ari replies, chuckling as I mock scowl. Her easy laugh warms my soul. “We’re in,” I tell Gil, arranging to meet him and his date in the diner later. “So, who is it this time?” Ari asks, resting her chin in her hands. “Anyone we know?” Considering I can count the girls on one hand who have enjoyed more than one date with Gil, I doubt it’ll be someone familiar. “I didn’t ask; guess we’ll find out soon enough.” “Five bucks says it’s a blonde,” Ari quips. “That’s one bet I’m not taking,” I admit, twirling a lock of her hair around my finger. “Gil’s penchant for blondes is world-renowned.
Siobhan Davis ™ (Light of a Thousand Stars (True Calling #2.5))
You don’t have your car?” “Why would I drive? Everything is within a five-block radius.” “Gee, I don’t know. Maybe because I fell off a ladder, tore all the tendons in my ankle, and walking on crutches means I’m effectively walking on my hands!” She held her hands out and showed him Band-Aid–covered blisters. “Want a piggyback ride?” “No. I want a cab ride.” “Aw, come on, buck up. It’s just a block and a half.” “Sure. Okay. No problem.” She took her crutch and aimed for Richie’s foot, crushing a toe under the rubber-tipped crutch and scarring the Italian brown leather. It felt good to know that she wouldn’t be the only one bucking up because she was in pain.
Robin Kaye (Too Hot to Handle (Domestic Gods, #2))
It is not my province to show how brave it was for a great, strong nation to quell a riot caused by the dancing of a few 'bucks' – for civilized soldiers to slaughter indiscriminately, Indian women and children. Doubtless it was brave, for so public opinion tells us, and it cannot err.
Sophia Alice Callahan (Wynema: A Child of the Forest)
What works: Stories about undocumented immigrants killing Americans Stories about citizens standing up to the government bureaucracy Stories about college students disrespecting the flag Stories about hate crime hoaxes Stories about liberal media outlets suppressing the truth And, whenever possible, stories involving attractive women (They could be the hero or the villain, it didn’t matter, but they had to be attractive.) “Job one is to titillate the audience,” the former producer said. “For celebrity stories, I had to pick the sexiest photos. And then I’d still hear, ‘Can you find hotter photos of her?’ Sigh. Okay, we’ll spend another thousand bucks on three photos from Getty.” It got to the point where the producer knew, without being told, which specific photos of Angelina Jolie the execs would expect to see. This sexualized approach spilled over to other parts of the show. If it was a quiet news day and the producers needed to fill a spare block, “we would look and see, what are the locals doing?” Fox tapped into its network of stations in big cities all across the country. “Then we would Google around to find the hottest reporter.” Workers striking in Detroit or rush hour flooding in Houston? Sometimes that’s how the editorial call was made.
Brian Stelter (Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth)
The email arrived less than two minutes later. Harland had tried to make the girl as presentable as possible. The photo showed her head resting on a blue sheet. The dirt had been brushed off her face. If he didn’t know better, Buck would have thought she was sleeping. After taking his crime scene photos Harland had done his best to smooth out Carol’s expression to ease the horror from her face. He did an admiral job. Buck studied the photo long and hard. “Sleeping Beauty, I promise you I will find your killer,” he murmured, wiping his eyes. Beside him, Bud whined. Attaching the phone to the printer, Buck ran off the photo. He reached down and patted the dog. “Bud, stay with Bertie. I’m about to destroy this man life I feel sick inside.” Taking a deep breath, he stepped back into his office.
Darrell Case (The Secret of Killer's Knob: A Christian mystery)
State wants the alleged techniques, presumably.” “I’ve been wondering about that,” Norman said. “I wonder if we do want them.” “How do you mean?” “It’s a bit difficult to explain … Look, have you been following television at all since you came home?” “Occasionally, but since the Yatakang news broke I’ve been much too busy to catch more than an occasional news bulletin.” “So have I, but—well, I guess I’m more familiar with the way trends get started here nowadays, so I can extrapolate from the couple or three programmes I have had time for.” Norman’s gaze moved over Elihu’s head to the far corner of the room. “Engrelay Satelserv blankets most of Africa, doesn’t it?” “The whole continent, I’d say. There are English-speaking people in every country on Earth nowadays, except possibly for China.” “So you’re acquainted with Mr. and Mrs. Everywhere?” “Yes, of course—these two who always appear in station identification slots, doing exotic and romantic things.” “Did you have a personalised set at any time, with your own identity matted into the Everywhere image?” “Lord, no! It costs—what? About five thousand bucks, isn’t it?” “About that. I haven’t got one either; the basic fee is for couple service, and being a bachelor I’ve never bothered. I just have the standard brownnose identity on my set.” He hesitated. “And—to be absolutely frank—a Scandahoovian one for the shiggy half of the pair. But I’ve watched friends’ sets plenty of times where they had the full service, and I tell you it’s eerie. There’s something absolutely unique and indescribable about seeing your own face and hearing your own voice, matted into the basic signal. There you are wearing clothes you’ve never owned, doing things you’ve never done in places you’ve never been, and it has the immediacy of real life because nowadays television is the real world. You catch? We’re aware of the scale of the planet, so we don’t accept that our own circumscribed horizons constitute reality. Much more real is what’s relayed to us by the TV.” “I can well understand that,” Elihu nodded. “And of course I’ve seen this on other people’s sets too. Also I agree entirely about what we regard as real. But I thought we were talking about the Yatakangi claim?” “I still am,” Norman said. “Do you have a homimage attachment on your set? No, obviously not. I do. This does the same thing except with your environment; when they—let’s see … Ah yes! When they put up something like the splitscreen cuts they use to introduce SCANALYZER, one of the cuts is always what they call the ‘digging’ cut, and shows Mr. and Mrs. Everywhere sitting in your home wearing your faces watching the same programme you’re about to watch. You know this one?” “I don’t think they have this service in Africa yet,” Elihu said. “I know the bit you mean, but it always shows a sort of idealised dream-home full of luxy gadgetry.” “That used to be what they did here,” Norman said. “Only nowadays practically every American home is full of luxy gadgetry. You know Chad’s definition of the New Poor? People who are too far behind with time-payments on next year’s model to make the down-payment on the one for the year after?” Elihu chuckled, then grew grave. “That’s too nearly literal to be funny,” he said. “Prophet’s beard, it certainly is! I found time to look over some of Chad’s books after Guinevere’s party, and … Well, having met him I was inclined to think he was a conceited blowhard, but now I think he’s entitled to every scrap of vanity he likes to put on.
John Brunner (Stand on Zanzibar)
-- and since I was bound to screw them up, my only hope was to screw them up in a sufficiently dramatic way, a way that led to a best-selling memoir, so they could make big bucks in the psychological freak show circuit.
Leah Stewart (Husband and Wife)
I am not interested in you or in your servant!' snapped Miss Taverner. 'That is what I like in you,' he agreed, and sprang lightly up into the curricle, and stepped across her to the box-seat. 'Now let me show you how to hit me.
Georgette Heyer (Regency Buck (Alastair-Audley, #3))
A man shows up. For himself and others. He doesn’t run, he doesn’t pass the buck, he shows up. And when he is hurt, or when he has done wrong, or has made his own mistake — a man shows up. For himself and others.
Drue Grit
I probably did come off as an arrogant asshole,” he said. “But you had to be. We were bucking a system. And the reason I slept fine at night, despite having all these terrible wars and knowing how resentful they must have been, was that it was in the show’s best interest and, ultimately, the network’s best interest. I always felt that part of my job was protecting them from themselves.
Brett Martin (Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad)
I was in charge of decisions and marketing, and Sean was in charge of research and operations. When we were trying to identify our target customer, he spent a ton of time putting together spreadsheets comparing all the different markets we should consider. When he showed them to me and asked me what I thought, I replied, “Yoga.” Huh? “We could easily do multiple products serving people who do yoga,” I told him. “It’s an emerging trend. And I know a ton of those people; I can ask them what they want. Let’s start a yoga business.” Sean’s initial response was, “That’s not a quantitative analysis, Ryan!” I’ve never been one to overthink things—most people spend way too much time in the research period. I make decisions fast and adjust later. With our target customer identified, we made a list of possible products and chose our gateway product—a yoga mat. With that, we began the process of product development. We looked up the top-selling yoga mats on Amazon and read through the reviews; we asked questions on Facebook groups, subreddits, and Instagram influencer accounts. It didn’t take long before we had an idea of the main pain points we needed to address with our first product. I remembered Don’s advice and began looking for people to make the product. With a quick scroll and a click, we could choose between a wholesaler in China, a private label supplier out of India, or a contract manufacturer in Vietnam. For about fifty bucks, we were able to order a set of yoga mat samples that had the exact features we were looking for. It was that easy. Samples in hand, we needed to refine our product idea to make sure we were really hitting the pain points we’d identified. At that time, I’d done yoga maybe two or three times in my life, and I wasn’t nearly the right demographic for our mats anyway. That forced me to ask questions. We were targeting yoga-loving millennials, so I went where they often congregate: Starbucks. There, I did the kind of tough field work that really makes an entrepreneur sweat: asking young women questions over coffee. “Which yoga mat do you prefer? Why?” “What makes the difference between a bad yoga mat and a good one?” “What’s wrong with your current yoga mat?” “What do you think of this one? And what about this one?” Next, I headed over to local yoga studios to see how our samples stacked up against the strenuous demands of a yoga class. A few classes later, Sean and I had everything we needed to narrow down our product development. Armed with all our data, we went back to the manufacturers. From a couple yoga-clueless guys, we’d become knowledgeable enough to know not just what a good yoga mat looked like, but how it had to feel and perform. We knew what we needed our yoga mat to do. Now we just had to find the manufacturer to supply it.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
What I admired most about A Few Good Men was the originality Aaron Sorkin and Rob Reiner showed by not having my character and Tom’s get involved in anything romantic, or even unprofessional. There was an expectation at that time on the part of studios and audiences that if an attractive woman showed up on film, it was only a matter of time before you saw her in bed with the leading man, or at least half naked. But Rob and Aaron had the nerve to buck that convention: they thought this story was about something else, and they were right. Years later Aaron told a film school class: “The whole idea of the movie was that these young lawyers were in way over their heads and two Marines were on trial for their lives, so if Tom Cruise and Demi Moore take time out to roll in the hay, I just didn’t think we would like them as much for doing that.” Sorkin said he wrote to an exec who had been lobbying hard for a sex scene. “I’ll never forget what the executive wrote back, which was, ‘Well if Tom and Demi aren’t going to sleep together why is Demi a woman?’ and that completely stumped me.” I loved that my character didn’t rely on her sex appeal, which was certainly something I hadn’t encountered very often in my roles. They presented a woman who was valuable to her colleagues—and to the story itself—because of her competence.
Demi Moore (Inside Out)
That was one hell of a fireworks show,” someone whoops out. “I’m five hundred bucks richer!” Fucking Garrett.
Becka Mack (Consider Me (Playing For Keeps, #1))
Sure, Raoul, but let’s see your money.’ ‘Fuck you, Zachery Blubber.’ But he slapped twenty bucks down. Zak opened a beer, banged it on to the counter and sauntered back for the bourbon. ‘So how’s LA, man? You get all that fancy gear there?’ Raoul shrugged. His nose was running and he sniffed as Zak leaned against the bar, sliding the bourbon glass forwards. ‘Cool, it’s cool.’ ‘You look like you need to chill out.’ Raoul knocked back the bourbon and reached for the beer. ‘Your brothers are workin’ out back.’ ‘Uncle Fryer around?’ ‘Sleepin’, like always at this time. Place was jumpin’ last night, he played so much he got his big old lips swollen up, but he sure as hell can play that beat-up bugle o’ his.’ Raoul sniffed again, wiping his nose with his shirt cuff. He took out a thick roll of notes and peeled off another twenty. ‘Same again, have one yourself.’ Zak eyed the wad, and slowly moved back along the bar. ‘Don’t mind if I do, brother, don’t mind if I do.’ Raoul had to wait a while as a couple of customers needed refills. He was beginning to get the shakes and wondered why the hell he’d come back. He’d get more than the shakes when he showed his face back home. What had seemed like a good idea was now beginning to pale. Zak passed another beer and bourbon along, holding up a glass to indicate he’d taken his drink and started to chinwag with two old boys huddled at the far end of the bar. ‘Zak, eh, Zak man, come on down here a second, will ya?’ Raoul said loudly, gulping down his beer. ‘What you want?’ said Zak, handing out beers and tossing the empties into a crate beneath the bar. He kind of knew, so he opened a drawer under the till and took out a packet. ‘This what you want, bro?’ Raoul put his hand over the plastic bag. Zak leaned forward, whispering that it was good home-grown gear, he could vouch for it. ‘You got any skins?’ Raoul asked, peeling off fifty dollars. ‘Shit, man, what you want me to do, smoke it for you?’ He reached into the back pocket of his pants and tossed down a squashed pack of rolling
Lynda La Plante (Cold Blood (Lorraine Page, #2))
Schoolteacher pay is for the most part in the toilet. I gather this is common knowledge, but I had no idea, the day Miss Barks said, So long sucker, I’m chasing the big bucks now. Schoolteacher! I’ve had friends in places high and low since then, and some of the best were people that taught school. The ones that showed up for me. Outside of school hours they were delivery drivers
Barbara Kingsolver (Demon Copperhead)
Rachel giggled and hugged her arms to his sides. “Look, Richard.” She put a foot out toward him, showing off a shoe. “Chase brought down a buck. He said it was a mistake, because it was too big, so he traded it to a man, but all the man had to trade were these shoes, and this cloak. Aren’t they wonderful? And Chase says I can keep them.
Terry Goodkind (Wizard's First Rule (Sword of Truth #1))
But Walter Mondale was so disgusted by what the Church Committee had uncovered that he questioned whether the United States should engage in covert action at all. “The record shows that there is an almost uncontrollable tendency to play God with other societies,” Mondale said during the hearings. It is naive to believe, he added, “that we can manipulate, control, and direct another society secretly with a few dollars or a few guns or a few bucks or a few lives in a way that we know we would never be controlled by another society that attempted the same tactics on us.
James Risen (The Last Honest Man: The CIA, the FBI, the Mafia, and the Kennedys—and One Senator's Fight to Save Democracy)
The first thing he needed was a backpack. He chose the largest, not the cheapest. Eight-gallon capacity. Sixty bucks. He had $160 in cash and needed to keep $50 for cab fare. No way did he want any of these purchases showing up on his bank account. Next on his list was a roll of trash bags, a carton of disposable latex gloves, and two three-gallon bottles of strong bleach. A hooded sweater, jeans, underwear, socks, and sneakers. He put all of it in the backpack, paid in cash.
Steve Cavanagh (Kill for Me, Kill for You)
The Little Cowboy That Could" Once upon a time, in a dusty, sunbaked town, there was a little cowboy named Cody. Unlike the other cowboys who rode tall in the saddle, Cody was just a young buck with a small pony. Every day, he watched the seasoned cowboys and wished he could wrangle and ride as well as they did. One evening, as the sun dipped low, Old Man Moon peered down and saw Cody looking downhearted. "Why the long face, little cowboy?" asked the Moon. "I'm not as skilled as the others. I want to be a great cowboy too," Cody replied. The Moon chuckled softly and said, "Every cowboy has his day to shine. You've got a special spirit within you, and one day, it'll show." Bolstered by the Moon's words, Cody decided to try harder. He started by helping a lost calf find its way back to the herd. Then, he practiced lassoing as best as he could to help round up the steers. With every good deed, he felt a proud warmth inside. Days turned into weeks, and Cody kept on working hard. One night, as he helped a little lost pup find its way back to the ranch, he felt a sudden glow. Cody looked down and saw the pup wagging its tail, looking up at him with grateful eyes. The pup barked as if to say, "Thank you, little cowboy, for guiding me home." At that moment, Cody felt a burst of happiness and, to his surprise, he found himself riding and roping better than ever before. All the other cowboys noticed and cheered, "Look, Cody is riding like a true cowboy!" From that day on, Cody became known as the cowboy who rode the brightest, not just with his skills, but with his kindness and heart. And he learned that it's not just about how well you ride, but about the help you bring to others' lives. And so, Cody continues to ride, reminding everyone that even the smallest cowboy can make a big difference.
James Hilton-Cowboy
I think you don’ know who you’re talkin’ to, halal. Now back the fuck up before I show you.
Mateo Askaripour (Black Buck)
Just last month Frodo showed up with Marissa and told me they’re having a baby. Life is weird as fuck. I would have never guessed Frodo knew what a vagina looked like. Even Brian has a girlfriend—the French woman he picked up at the bar during his sales training.
Mateo Askaripour (Black Buck)
THE MEN WHO STOP and inquire blur to one after a week. The only thing that shines clear when they hesitate before me is that which tells their cruelty. A riding crop rapped against a leg. A quick grin when one of the women falls to her knees on the paving stones, borne down from long hours standing. The hard glaze of an eye as another inspects and questions, as he demands we open our mouths and show him our teeth. The digging fingers of another as he assesses us for mating, brags about his bucks, about the fine ’ninnies we can make, about how much each would fetch, his words a steady bad wind carrying the stench of an animal carcass slaughtered and left to rot in the woods.
Jesmyn Ward (Let Us Descend)
Sam had come over from the fireplace to stand beside us. My heart began bucking like a stallion and I looked at Cecelia, then up at Sam, the proud father beaming down at his boy, his face full of love. Everything went dim. For seven years, I’d hunted this man the length and breadth of our Republic, and now I stood up, putting a hand on the table top to steady myself, knocking over my stool in the process. “Are you poorly?” Sam asked. He nodded at the far side of the room to a sunken bed—likely the very bed where he and Cecelia had conceived this baby boy—and said, “Lie down a minute.” Well, that was the last feather. I turned and stumbled out the door. Outside, the autumn sun was blinding. My mare grazed in a patch of grass, and I walked her down and mounted up. I felt old of a sudden, very old. Sam was in the doorway now and he called something to me. I wouldn’t look at him, wouldn’t show my pitiful face. I walked my horse back along the cow path and pushed up to a trot. Directly, we commenced to burn the breeze, the leaves blurring by. I did not feel betrayed: let me say that right out. Rather, I felt that the hard hand of the Lord had swung down to swat me a final blow. And I deserved it. I’d done everything to beg Him for such a slap—all my lust and foolishness—and for some strange reason, I began to laugh. Or, it was laughter that came out of me. It didn’t seem to be me who was doing it—certainly, there was nothing amusing. I felt like He had borrowed my mouth, just like He’d borrowed that of Balaam’s ass, that the Lord Himself was laughing, and I thought of my father all those years ago, riding Young Roger through the Kentucky forest to find me and Tom Yarbrough bached up together. The laughter died away, and I began weeping as my father had wept decades before, and now I understood. It hadn’t been out of shame as I’d supposed, but rather, my father had seen this very moment coming for me. He’d known if I pursued my heart’s desire, I’d find myself galloping through a wilderness in an unfamiliar land, an old man without home or family, learning at long last how all things end in judgment.
Aaron Gwyn (All God's Children)
I’m proud of you, son. And I’m happy you’ve finally found somethin’ that makes you want more outta life. You have so much to give, and now’s the chance to show the world. I know your father would be happy too.
Mateo Askaripour (Black Buck)
Most superheroes don’t know they’re superheroes until they get caught up in a moment, just like you. Something either overcomes them, showing them a glimpse of their hidden powers, or they’re pushed so far past their limitations that they have no choice but to succumb to whatever makes them most special.
Mateo Askaripour (Black Buck)
HDFC Bank was the first of the private lenders to go public— even before it completed a full year. 'It was a mistake,' Deepak told me. The RBI required the new banks to go public within a year but all other lenders went back to the regulator and got extensions. 'We didn't ask for it. We were too naive,' Deepak said. 'Everybody took time as they wanted to get a premium. We sold at par, ₹10. But I have no regrets.' Deepak pushed for a par issue as the bank had nothing to show. And the disaster of parent HDFC's listing was still haunting him, though that had happened a decade and a half ago. In 1978, India's capital market was in a different shape and mortgage was a new product, not understood by many. HDFC put the photograph of its first borrower on the cover of its balance sheet, a D. B. Remedios from Thane, who took a loan of ₹35,000 to build his house. The public issue of HDFC bombed. In an initial public offering (IPO) of ₹10 crore, the face value of one share was ₹100. ICICI, IFC (Washington) and the Aga Khan Fund took 5% stakes each in the mortgage lender and the balance 85% equity was offered to the public, but there were few takers. The stock quoted at a steep discount on listing. For the bank, Deepak did not want to take any chance. So portions of the issue were reserved for the shareholders and employees of HDFC as well as the bank's employees. HDFC decided to own close to a 26% stake in the bank and NatWest 20%. Satpal was offered about 5% and the public 25%. The size of the public issue was ₹50 crore. 'We didn't know whether it would succeed. Our experience with HDFC had been a disaster,' Deepak said. But Deepak had grossly underestimated investors' appetite for the new bank. The issue, which opened on 14 March 1995, was subscribed a record fifty-five times. The stock was listed on the Bombay Stock Exchange (now known as BSE Ltd) on 26 May that year at ₹39.95, almost at a 300% premium.
Tamal Bandopadhyaya (A Bank for the Buck)
Suddenly there was a month to kill. I decided I wanted to spend it in warmth, so with a hundred bucks in my show (good place to hide it), I stuck out my thumb and arrived in Miami two days later.
Carter Alan (The Decibel Diaries: A Journey through Rock in 50 Concerts)
I walked away and went up to the counter to get a donut. I would show them that I could afford a donut. I ordered a chocolate cake donut and handed the lady behind the counter a brown dollar food stamp. She lowered her glasses just below her eyes so she could stare at me intently, “You can’t use food stamps for those sweetie, cash only.
Jennifer Buck (DANDELIONS)
You ate venison, Marcie?” “I didn’t have a relationship with the deer,” she explained. “You don’t have a relationship with my deer either,” he pointed out. “Yeah, but I have a relationship with you—you’ve seen me in my underwear. And you have a relationship with the deer. If you fed him to me, it would be like you shot and fed me your friend. Or something.” Ian just drained his beer and smiled at her enough to show his teeth. “I wouldn’t shoot that particular buck,” he admitted. “But if I had a freezer, I’d shoot his brother.” “There’s something off about that,” she said, just as Jack placed her wine in front of her. “Wouldn’t it be more logical if hunters didn’t get involved with their prey? Or their families? Oh, never mind—I can’t think about this before eating my meat loaf. Who knows who’s in it?” Ian
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Porter’s aerial palace, complete with twenty-six windows, a long exhaust pipe for steam sticking out the rear, and a giant American flag fluttering over the rudders, was designed to ride beneath an immense cigar-shaped dirigible. The engineering was lunacy, but Porter’s marketing was brilliant. He proposed dispensing entirely with the notorious jumping-off hassles along the Missouri River by launching his “aerial locomotive” from New York. The coast-to-coast trip, Porter’s calculations showed, could be made in just three days—five days if the prevailing headwinds were particularly bad that week. Porter aggressively advertised his “Air Line to California” in eastern newspapers and magazines. Amazingly, over two hundred suckers paid a subscription price of $50, which included three-course meals and wine, for the inaugural balloon hop to the gold fields. That winter, a large crowd gathered in a Long Island cornfield to watch Porter test a model of his airship. But the craft never left the ground because the steam engines were far too heavy for the balloon. The would-be Porter aeronauts, however, were the lucky ones—they never had to leave in the first place. The 125 paying passengers on the first Turner and Allen Pioneer Train were not so fortunate. The Turner and Allen expedition of 1849
Rinker Buck (The Oregon Trail: A New American Journey)
MILD HYPOTHERMIA Mild hypothermia has been termed by some experts as “a case of the umbles”: the patient typically first stumbles, then fumbles, grumbles, and later, mumbles. As gross motor skills are affected a stumbling gait begins. Fine motor skills decrease and give rise to fumbling. The patient begins to draw inward, becoming less and less sociable. Designed to function optimally at approximately 98.6 degrees F (37 degrees C), the brain will begin to malfunction when its temperature drops below the ideal. In the case of hypothermia, normal thought processes become impaired. Mild hypothermia could be termed “mild stupidity.” Patients begin to make poor decisions, such as not putting on rain gear when rain begins to fall. Patients typically show increasing confusion and apathy. Fine shivering, relatively controllable by the patient, begins. A healthy sign, shivering is the body’s involuntary form of exercise to increase core heat. But mild hypothermia is insidious, affecting the ability of the patient to think, to be aware of its onset, to take care of self. When the brain first senses heat loss is gaining on heat production, it stimulates the primary defense mechanism against further heat loss—vasoconstriction of the peripheral circulation (shrinking of the blood vessels in the skin). This vasoconstriction dramatically slows blood flow to the surface of the skin, where it will lose heat into the surrounding environment. The lack of blood causes the skin to become pale and cool. BMR will increase in response to the threat of cold, with an accompanying increase in heart rate and respiratory rate.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Along the way, though, I was always careful not to get greedy or to go for the quick buck--despite the temptations in the early days. Financially, it was hard saying no to big appearance fees from TV shows like I’m a Celebrity…Get Me Out of Here or Survivor--but I always had the long goal in mind and tried to keep the main thing the main thing. And not get distracted by fluff. Instead, know your strengths. I also tended instinctively to shy away from both TV and the whole concept of fame--partly, I am sure, because I didn’t have the self-belief to feel I deserved either fame or money. (Time and experience have since taught me that fame and money very rarely go to the worthy, by the way--hence we shouldn’t ever be too impressed by either of those imposters. Value folk for who they are, how they live, and what they give--that’s a much better benchmark.) So I resisted TV quite heavily--even ironically spurning the offers of the original Man vs. Wild producer, Rob MacIver, some three times, before finally agreeing to do a pilot show. But what a dope I was. Bear, didn’t you listen to your grandma when she wrote: “When the ball rolls your way grab it. We so rarely get a second chance. (Although miraculously, this does sometimes happen, too.)”? But I just didn’t want to be pushed into TV, I wanted to keep focused on my strengths, and trust those skills. My father always used to say that if you focus on doing your job well, then money will often follow. But chase the money and it has a habit of slipping through your fingers. I always liked that. But learning that I could do both things--TV, as well as my core skills--was a big lesson. Maybe it would be possible to do programs without having to be a smiley media person. I wondered. Grandma? “Indeed--when the ball rolls your way--grab it.
Bear Grylls (Mud, Sweat and Tears)
1. Winning too much: The need to win at all costs and in all situations—when it matters, when it doesn’t, and when it’s totally beside the point. 2. Adding too much value: The overwhelming desire to add our two cents to every discussion. 3. Passing judgment: The need to rate others and impose our standards on them. 4. Making destructive comments: The needless sarcasms and cutting remarks that we think make us sound sharp and witty. 5. Starting with “No,” “But,” or “However”: The overuse of these negative qualifiers which secretly say to everyone, “I’m right. You’re wrong.” 6. Telling the world how smart we are: The need to show people we’re smarter than they think we are. 7. Speaking when angry: Using emotional volatility as a management tool. 8. Negativity, or “Let me explain why that won’t work”: The need to share our negative thoughts even when we weren’t asked. 9. Withholding information: The refusal to share information in order to maintain an advantage over others. 10. Failing to give proper recognition: The inability to praise and reward. 11. Claiming credit that we don’t deserve: The most annoying way to overestimate our contribution to any success. 12. Making excuses: The need to reposition our annoying behavior as a permanent fixture so people excuse us for it. 13. Clinging to the past: The need to deflect blame away from ourselves and onto events and people from our past; a subset of blaming everyone else. 14. Playing favorites: Failing to see that we are treating someone unfairly. 15. Refusing to express regret: The inability to take responsibility for our actions, admit we’re wrong, or recognize how our actions affect others. 16. Not listening: The most passive-aggressive form of disrespect for colleagues. 17. Failing to express gratitude: The most basic form of bad manners. 18. Punishing the messenger: The misguided need to attack the innocent who are usually only trying to help us. 19. Passing the buck: The need to blame everyone but ourselves. 20. An excessive need to be “me”: Exalting our faults as virtues simply because they’re who we are.
Marshall Goldsmith (What Got You Here, Won't Get You There)
Draw a line in the sand As you get going, keep in mind why you’re doing what you’re doing. Great businesses have a point of view, not just a product or service. You have to believe in something. You need to have a backbone. You need to know what you’re willing to fight for. And then you need to show the world. A strong stand is how you attract superfans. They point to you and defend you. And they spread the word further, wider, and more passionately than any advertising could. Strong opinions aren’t free. You’ll turn some people off. They’ll accuse you of being arrogant and aloof. That’s life. For everyone who loves you, there will be others who hate you. If no one’s upset by what you’re saying, you’re probably not pushing hard enough. (And you’re probably boring, too.) Lots of people hate us because our products do less than the competition’s. They’re insulted when we refuse to include their pet feature. But we’re just as proud of what our products don’t do as we are of what they do. We design them to be simple because we believe most software is too complex: too many features, too many buttons, too much confusion. So we build software that’s the opposite of that. If what we make isn’t right for everyone, that’s OK. We’re willing to lose some customers if it means that others love our products intensely. That’s our line in the sand. When you don’t know what you believe, everything becomes an argument. Everything is debatable. But when you stand for something, decisions are obvious. For example, Whole Foods stands for selling the highest quality natural and organic products available. They don’t waste time deciding over and over again what’s appropriate. No one asks, “Should we sell this product that has artificial flavors?” There’s no debate. The answer is clear. That’s why you can’t buy a Coke or a Snickers there. This belief means the food is more expensive at Whole Foods. Some haters even call it Whole Paycheck and make fun of those who shop there. But so what? Whole Foods is doing pretty damn well. Another example is Vinnie’s Sub Shop, just down the street from our office in Chicago. They put this homemade basil oil on subs that’s just perfect. You better show up on time, though. Ask when they close and the woman behind the counter will respond, “We close when the bread runs out.” Really? “Yeah. We get our bread from the bakery down the street early in the morning, when it’s the freshest. Once we run out (usually around two or three p.m.), we close up shop. We could get more bread later in the day, but it’s not as good as the fresh-baked bread in the morning. There’s no point in selling a few more sandwiches if the bread isn’t good. A few bucks isn’t going to make up for selling food we can’t be proud of.” Wouldn’t you rather eat at a place like that instead of some generic sandwich chain?
Jason Fried (ReWork)
Focusing your life solely on making a buck shows a poverty of ambition. It asks too little of yourself. And it will leave you unfulfilled” Barack Obama, US President
Martin H. Manser (Time Management (Collins Business Secrets))
My father invited all the neighbors over for coffee and cake and a special viewing of “Buck’s slides.” Dutifully, I stood at the slide projector, savoring the darkness, listlessly clicking the advance button and describing the pyramids, the Temple of Nike, but I wasn’t there. I was at the pyramids, I was at the Temple of Nike. I was wondering about my shoes. Four months after the big meeting at Onitsuka, after I’d connected with those executives, and won them over, or so I thought—and still the shoes hadn’t arrived. I fired off a letter. Dear Sirs, Re our meeting of last fall, have you had a chance to ship the samples . . . ? Then I took a few days off, to sleep, wash my clothes, catch up with friends. I got a speedy reply from Onitsuka. “Shoes coming,” the letter said. “In just a little more days.” I showed the letter to my father. He winced. A little more days? “Buck,” he said, chuckling,
Phil Knight (Shoe Dog)
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Mechanical Bull Rental Orlando
Rough night on the town?” “Yeah. Angela and I took the kids to a grandstand show at the State Fair. I spent two hundred bucks on deep-fried food, visited a walk-in cooler to look at a bunch of sculptures carved out of butter, then capped off the night listening to some pre-pubescent boy band whine about girl problems they can’t even begin to imagine yet. Five hours after the show was over, we finally got out of the parking lot.” “And you had the time of your life.” Gino got a goofy look on his face, just like he always did when his family was the topic of conversation. “Pretty much.
P.J. Tracy (The Guilty Dead (Monkeewrench, #9))
Delta Airlines Customer Service Number +1-855-653-0615 Delta Airlines Customer Service book a Flight procedure, it is important to know about the tips and tricks to fetch the air tickets at a budget-friendly price. There are several ways through which you can easily make Delta bookings without emptying the bank balance. Check them out here. Use Incognito Window to Make the Flight Search The best way to book the flight tickets at the wallet-friendly price is to use the incognito window so that the airline and browser cannot save your search history. It generally happens that the airline saves your search results and then will show you high airfares whenever you return back on the official site. Turn the Incognito mode on and then initiate the flight search. Use the official site to book the flight ticket Believe it or not but there is a difference between airfare shown by Delta Airlines official site and on any third-party site. Booking through the official site is the best and the least expensive way to get the flight tickets. Moreover, you can also apply promo code and discount coupons at the time of making bookings to save a few bucks. Book early-morning or late-night flights to get the best fare It is always said that booking flight tickets during the offbeat timing will surely fetch you the best fare. It is because a lesser number of people prefer traveling this time and thus airlines lower the fare to fill the vacant seats on the aircraft. Book tickets in advance You are advised to book the Delta Airlines tickets Booking well in advance to avoid the last-minute rush and to enjoy the early-bird discounts. Advance booking is the best way to book Delta Airlines cheap flights.
WIPAP M
However much Grant enjoyed his Parisian rambles and glimpses of quotidian life, he was mystified about the charms American expatriates found there. "I have walked over the city so thoroughly that the streets are quite familiar to me," he told Buck, his provincial roots showing. "The city is beautiful, but I do not see the inducements for so many Americans remaining here year after year who are not engaged in business. I certainly should prefer any of our large cities as a residence."p871
Ron Chernow (Grant)
May 9, 1989 Again this year I made Mom a Mother's Day card. It reads: M is for the Morbid things you showed me, O is for the Other things you did T is for the Thousand bucks you owe me H is for things you found I Hid E is for the Error of my caring R is for the Ranch house you call home Mother dear, I wish that you had shown me How to shave and how to use a comb.
David Sedaris (Theft by Finding: Diaries 1977-2002)
Dex’s eyes met his, a stunning smile coming onto his face, and his cheeks flushed. The affection in his eyes squeezed Sloane’s heart, and he brought their lips together again, doing his best to show Dex how he made Sloane feel through his kiss, even if he had trouble finding the words to go with it. He lined himself up with one hand and lifted Dex’s leg with the other before he tenderly pushed himself inside. His lover inhaled sharply and Sloane paused, allowing Dex to adjust around him. A heartbeat later, Dex nodded, and Sloane pushed through until he was buried deep, the tight heat both excruciating and exhilarating. Sloane rocked against Dex, his muscles pulled and tensed as he moved, drawing out, and then pushing in. He kept a steady pace, his eyes never leaving Dex’s as he moved. Dex reached down between them to stroke his cock, and Sloane bucked his hips at the sight, making Dex gasp. With a wicked grin, Sloane pulled out, grabbed a pillow from beside Dex’s head and tapped Dex’s flank, receiving a naughty smile when Sloane slipped the pillow underneath Dex’s lower back. “Hold on tight?” Dex asked with a knowing grin. “Hold on tight,” Sloane growled playfully. He lined his cock up against Dex’s hole once again, thrusting inside him, and Dex clamped a hand over his mouth to stifle his cry, his other hand thrown up against the headboard. Sloane snapped his hips, thrusting hard inside Dex. He held Dex’s legs up against him, his arms around them as he fucked him, his breath ragged, and his pulse soaring. “Oh
Charlie Cochet (Blood & Thunder (THIRDS, #2))
He’d showed up at my apartment buck naked under a trench coat, and it was the single most romantic thing anyone had ever done for me. “So
Megan Erickson (Mature Content (Cyberlove, #4))
But no matter how tough a filming day can be, I’m grateful, and I look at it as getting paid to have dinner with my family. I am blessed. I’ve also realized, now that I’ve been blessed with a good paycheck, that I think I’m like my dad, and I really don’t care about money so much. It doesn’t make you happy. I had a great childhood, and I never even had my own bedroom. What does make you happy is doing for other people. Whether it’s taking fresh deer meat or ducks to some neighbors in need down the road or flying down to the Dominican Republic to help build an orphanage, it’s people that matter, not money. When I went to the Caribbean with Korie a while back to help build the orphanage, I came with bags full of new Hanes underwear and T-shirts. When I handed out those little packages, worth just a few bucks each, the kids literally fell to the ground, crying with happiness. They were the happiest, funniest little kids, grabbing my beard and smiling big. They have nothing, and some free underwear made them happy. It was a big wake-up call for me as I realized how much I have and how a little inconvenience like the Internet going out can ruin my day. I don’t want to live like that, like the world owes me a comfortable life and I’m not happy unless I have all the conveniences. I want to live a fulfilled life, and I want my kids to live a fulfilled life too. I want more for my kids. I want to show my kids how to have faith in Jesus, how to use the Bible as their guide to life, and when they grow up, I want my kids to change the world. I also want Jess and me to continue to learn how to love each other, and I want us to grow old together and be just like my mom and dad. My idea of happiness is being with my family in a cabin in the woods or at a campout, sitting around a campfire telling stories, roasting marshmallows, and watching the fireflies.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
Brit, this is Perry Landis,” Doug says, pointing to the Colin look-alike. “The artist.” “Omigod, your work is amazing!” Brittany says, gushing at him. She said “omigod” as if she really is an airhead. Is she kidding me? The guy looks over her shoulder at his painting. “What do you think of this one?” he asks her. Brittany clears her throat. “I think it shows great insight to the relationship between man, animal, and Earth.” Oh, please. What bullshit. Perry puts his arm around her and I’m tempted to pick a fight in the middle of the gallery. “I can tell you’re very deep.” Deep, my ass. He wants to get into her pants…pants he’s never going near if I have anything to say about it. “Alex, what do you think?” Brittany asks, turning to me. “Well…” I rub my chin as I stare at the painting. “I think the entire collection is worth a buck fifty, two tops.” Sierra’s eyes go wide and her hand covers her mouth in shock. Doug is coughing up his drink. And Brittany? I look at my “let’s see what happens” girlfriend. “Alex, you owe Perry an apology,” Brittany says. Yeah, right after he apologizes for asking me about wasabi. Not a chance in hell. “I’m outta here,” I say, then turn my back on all of them and walk out the gallery door. Me voy.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))