Buchanan Gatsby Quotes

Ah," she cried, "you look so cool." Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. You always look so cool," she repeated. She had told him that she loved him, and Tom Buchanan saw.

Unlike Gatsby and Tom Buchanan I had no girl whose disembodied face floated along the dark cornices and blinding signs and so I drew up the girl beside me, tightening my arms. Her wan scornful mouth smiled and I drew her up again, closer, this time to my face.

Gatsby and I may have been nothing to men like Tom Buchanan, but men like that did not know we were as divine as the heavens. We were boys who had created ourselves. We had formed our own bodies, our own lives, from the ribs of the girls we were once assumed to be.

They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in Grease when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too. My heart landslided. My legs earthquaked.

Tom Buchanan compelled me from the room as though he were moving a checker to another square.

You always look so cool," she repeated. She had told him that she loved him, and Tom Buchanan saw.

Then there was a boom as Tom Buchanan shut the rear windows and the caught wind died out about the room, and the curtains and the rugs and the two young women ballooned slowly to the floor.

What'll we do with ourselves this afternoon?' cried Daisy, 'and the day after that, and the next thirty years?' 'Don't be morbid,' Jordan said. 'Life starts all over again when it gets crisp in the fall.

She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago.

...we often imagined, as we drove, a fictional universe in which Fitzgerald's and Wodehouse's creations might visit one another. Bertie Wooster and Jeeves might have intruded on the rarefied world of the Eggs, silly-ass Bertie stepping into sensible Nick Carraway's shoes, and Reginald Jeeves the fish-eating Spinoza-loving gentleman's gentleman and genius finding a way to give Jay Gatsby the happy-ever-after ending with Daisy Buchanan for which he so profoundly longed.

I spent a great deal of my youth fantasizing about entertaining. In my early twenties I would spend hours poring over cookbooks at the Seventh Avenue Barnes & Noble in Park Slope, planning elaborate parties that I would throw when I was older and had money. Now I am older and have money, but I almost never entertain. I have yet to throw my Great Gatsby–themed Super Bowl viewing party, but when I do, it will be a big hit, as will be my Daisy Buchanan slow-cooker chicken enchiladas.

Every nation can be summed up by a single book or play, or by a particular author. America is perhaps perfectly encapsulated by F. Scott Fitzgerald’s The Great Gatsby. The Great Gatsby is a book about luxury, enchantment, glamour, magic spells, aspiration, a vulgar Wonderland, insecurity, pretentiousness, bluffing, soullessness, fakes, phonies, emptiness, desperation, regrets, and impossible dreams. “Her voice is full of money,” says the narrator about the beguiling muse Daisy Buchanan. Could this not serve as the epitaph for the American Dream itself as it is finally laid to rest?

He came back from France when Tom and Daisy were still on their wedding trip, and made a miserable but irresistible journey to Louisville on the last of his army pay. He stayed there a week, walking the streets where their footsteps had clicked together through the November night and revisiting the out-of-the-way places to which they had driven in her white car. Just as Daisy's house had always seemed to him more mysterious and gay than other houses so his idea of the city itself, even though she was gone from it, was pervaded with a melancholy beauty. He left feeling that if he had searched harder he might have found her—that he was leaving her behind. The day-coach—he was penniless now—was hot. He went out to the open vestibule and sat down on a folding-chair, and the station slid away and the backs of unfamiliar buildings moved by. Then out into the spring fields, where a yellow trolley raced them for a minute with people in it who might once have seen the pale magic of her face along the casual street. The track curved and now it was going away from the sun which, as it sank lower, seemed to spread itself in benediction over the vanishing city where she had drawn her breath. He stretched out his hand desperately as if to snatch only a wisp of air, to save a fragment of the spot that she had made lovely for him. But it was all going by too fast now for his blurred eyes and he knew that he had lost that part of it, the freshest and the best, forever.

Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw.

Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw.