Brown Pelican Quotes

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On a clear day the Oregon coast is the most beautiful place on earth—clear and crisp and clean, a rich green in the land and a bright blue in the sky, the air fat and salty and bracing, the ocean spreading like a grin. Brown pelicans rise and fall in their chorus lines in the wells of the waves, cormorants arrow, an eagle kingly queenly floats south high above the water line.
Brian Doyle (Mink River)
She watched a serrated formation of brown pelicans slice the sky and leave no scar.
Dean Koontz (Final Hour (Ashley Bell, #0.5))
Having returned from their nests in whatever lagoons, brown pelicans glided effortlessly in formation, eternally silent, while shrieking crows darted
Dean Koontz (Elsewhere)
Blacks, women, immigrants, refugees, brown pelicans—all have cut ahead of you in line. But it’s people like you who have made this country great. You feel uneasy. It has to be said: the line cutters irritate you. They are violating rules of fairness. You resent them, and you feel it’s right that you do. So do your friends. Fox commentators reflect your feelings, for your deep story is also the Fox News deep story.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
I'm not lying, I was a killer Helen Burns. I stepped out on to that stage like I was the Great Esquimaux Curlew. When Jane Eyre came to look at my book-- which happened to be Our Town -- I handed it to her just right. When Miss Scatchard told me I never cleaned my nails, I was about as quiet and innocent as a Large-Billed Puffin. When she hit me a dozen times with a bunch of twigs, I was the Brown Pelican: I didn't bat an eye -- and you try getting hit a dozen times with a bunch of twigs. And when I had to die, people were crying. Really. And you know why? Because I was the Black-Backed Gull, and so people cried like Helen Burns was their best friend.
Gary D. Schmidt
Harold adds an important idea to that of Evans-Pritchard. "The state always seems to come down on the little guy," he notes. "Take this bayou. If your motorboat leaks a little gas into the water, the warden'll write you up. But if companies leak thousands of gallons of it and kill all the life here? The state lets them go. If you shoot an endangered brown pelican, they'll put you in jail. But if a company kills the brown pelican by poisoning the fish he eats? They let it go. I think they overregulate the bottom because it's harder to regulate the top.
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
So you don’t know about the bird names!” said Rose Ann. “It’s a Texas tradition. Edgar Kincaid started it—he calls himself the ‘World’s Oldest Cassowary,’ and he’s given bird names to lots of us. ‘Peli’ is short for ‘Pelican.’ People used to think her name was Suzanne Winckler, but Edgar re-identified her. ‘A wonderful bird is the pelican . . .’” “So I’m the Brown Pelican,” Peli interrupted. “Rosie is the Western Grebe, if she isn’t the Upland Plover instead.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
wondrous frolics of Brown Pelicans, sailing and surfing just inches above the crest of waves and maintaining tight flight formations, mesmerized me. When I was in my early teens, my dad and I took a momentous trip through Alaska. We began with a boat trip up the inland passageway, and I recall excitedly seeing my very first American Bald Eagle. The species was, at that time in the early 1970s, not doing very well. I kept a careful running tally of the Bald Eagles I saw (a remarkable number) over the course of those several weeks, and I will always associate these majestic birds with the time I spent with my father, exploring a place so exotic to both of us.
Timothy Beatley (The Bird-Friendly City: Creating Safe Urban Habitats)
Discuss the story of Lee Sherman—how does he represent “the Great Paradox through a keyhole”? How is it possible for an environmentalist whistle blower to also be a member of the Tea Party? (p. 33) 6.​When telling the story of Harold Areno, Hochschild quotes him as saying, “If you shoot an endangered brown pelican, they’ll put you in jail. But if a company kills the brown pelican by poisoning the fish he eats? They let it go. I think they overregulate the bottom because it’s harder to regulate the top.” Hochschild mentions the brown pelican throughout the book—how does the pelican function as an important motif in the book? (pp. 52, 138, 212) 7.​When spending time with the General, whom Hochschild calls an “empathy wall leaper,” she writes that Louisiana residents prize the freedom to do certain things but resent the freedom from things like gun violence or toxic pollution, even when such restrictions might improve their lives. How does the General deal with what he calls this “psychological program”? (p. 71) 8.​Hochschild provides overwhelming evidence that establishes a correlation between pollution and red states. She also discusses a report from the 1980s that helped identify communities that would not resist “locally undesirable land use.” Do you think she’s right to connect this profile of the “least resistant personality” with the General’s idea of the “psychological program”? (p. 81, Appendix B) 9.​In a moment of feeling stuck on her own side of the empathy wall, Hochschild asks Mike Schaff what the federal government has done that he feels grateful for. What do you make of his answer and the idea that the less you depend on the government, the higher your status? Do you feel one’s status is diminished by receiving government help of any sort? Do others you know feel this way—and why? Do you think people generally feel less gratitude to the government today than in the past? What are you grateful for from the government? (pp. 113–114)
Arlie Russell Hochschild (Strangers in Their Own Land: Anger and Mourning on the American Right)
They tumbled out of the van, eager to explore the docks. There were brown pelicans and sea lions, anemones and barnacles clinging to the planks and pilings, and silver flashes of schooling minnows in the shallows.
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
A squadron of brown pelicans flew overhead, their shape and wingspan so effortless in the morning air that their appearance seemed a quiet psalm in praise of flight itself. They passed over us like shadows stolen from the souls of other shadows.
Pat Conroy (Beach Music)