Brown Envelope Quotes

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I had never before been a special fan of that great comedian Phyllis Diller, but she utterly won my heart this week by sending me an envelope that, when opened, contained a torn-off square of brown-bag paper of the kind suitable for latrine duty in an ill-run correctional facility. Duly unfurled, it carried a handwritten salutation reading as follows: Money's scarce Times are hard Here's your f****** Xmas card I could not possibly improve on the sentiment, but I don't think it ought to depend on the current austerities. Isn't Christmas a moral and aesthetic nightmare whether or not the days are prosperous?
Christopher Hitchens
Immediately after the race, even as he sat gasping for air in the Husky Clipper while it drifted down the Langer See beyond the finish line, an expansive sense of calm had enveloped him. In the last desperate few hundred meters of the race, in the searing pain and bewildering noise of that final furious sprint, there had come a singular moment when Joe realized with startling clarity that there was nothing more he could do to win the race, beyond what he was already doing. Except for one thing. He could finally abandon all doubt, trust absolutely without reservation that he and the boy in front of him and the boys behind him would all do precisely what they needed to do at precisely the instant they needed to do it. He had known in that instant that there could be no hesitation, no shred of indecision. He had had no choice but to throw himself into each stroke as if he were throwing himself off of a cliff into a void, with unquestioned faith that the others would be there to save him
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
It is simplistic and naive to explain jihadism merely as an inevitable growth from Islam’s ‘violent’ scripture, or as no more than a miscarried interpretation triggered solely by some tragic misreading. It cannot be separated from economic discontent, the enveloping context of US global power, America’s influence and military actions in the Muslim world and, most of all, the gaping sore of the Israel–Palestine conflict.
Jonathan A.C. Brown (Misquoting Muhammad: The Challenge and Choices of Interpreting the Prophet's Legacy)
The Correspondence-School Instructor Says Goodbye to His Poetry Students Goodbye, lady in Bangor, who sent me snapshots of yourself, after definitely hinting you were beautiful; goodbye, Miami Beach urologist, who enclosed plain brown envelopes for the return of your very “Clinical Sonnets”; goodbye, manufacturer of brassieres on the Coast, whose eclogues give the fullest treatment in literature yet to the sagging breast motif; goodbye, you in San Quentin, who wrote, “Being German my hero is Hitler,” instead of “Sincerely yours,” at the end of long, neat-scripted letters extolling the Pre-Raphaelites: I swear to you, it was just my way of cheering myself up, as I licked the stamped, self-addressed envelopes, the game I had of trying to guess which one of you, this time, had poisoned his glue. I did care. I did read each poem entire. I did say everything I thought in the mildest words I knew. And now, in this poem, or chopped prose, no better, I realize, than those troubled lines I kept sending back to you, I have to say I am relieved it is over: at the end I could feel only pity for that urge toward more life your poems kept smothering in words, the smell of which, days later, tingled in your nostrils as new, God-given impulses to write. Goodbye, you who are, for me, the postmarks again of imaginary towns—Xenia, Burnt Cabins, Hornell— their solitude given away in poems, only their loneliness kept. Galway Kinnell
Galway Kinnell (Three Books: Body Rags; Mortal Acts, Mortal Words; The Past)
Alex had returned home to find a most unwelcome development, which had arrived through the letterbox in the superficially innocent form of a brown envelope. It might as well have been a letter bomb for its explosive impact on Alex’s day. It contained his school report.
Martin Dukes (Caught in a Moment)
As the postwoman waited, she dreamed of all the things she liked….Tiny postal stamps with colourful pictures. Thick postcards with exotic fragrances. Brown envelopes with whispers and secrets. Red postboxes with little doors. But most of all, she thought about letters, filled with words of love
Priyadarshini Panchapakesan (The Postwoman and Other Stories)
Badger had been waiting with ever increasing certainty for that brown, government stamped envelope, to hit the floor with the impact of several atomic bombs; the shockwaves hitting him before the sound could penetrate his ears.
Paul Howsley (The Year of the Badgers)
I am not so much fun Anymore; Couldn’t carry the role of ingenue In a bucket, you say, laughing. And I want to punch you. I was never innocent, but Thanks to you I know things I wish I did not remember. You don’t like it When I talk to the man myself, Specifying quantities and Give him the money Instead of giving it to you And letting you take care of it. You keep asking me, Where’s the dope? Until I finally say, I hid it. The look you give me is Pure bile. Well, fuck you. This isn’t like Buying somebody a drink. You don’t leave your stash out Where I might find it. Finally I think I’ve made you wait Long enough, So I get out the little paper envelope And hand it to you. You are still in charge of This part, so you relax. Performing your junky ritual with Your favorite razor blade, until I ask you how to calculate my dose So I won’t O.D. when I do this And you’re not around. Then you really flip. You tell me it’s a bad idea For me to do this with other people. ** Was it such a good idea For me to do it with you? Do you wait for me to turn up Once every three months So you can get high? Is this our version of that famous Lesbian fight about Nonmonogamy? Let me tell you what I don’t like. I don’t like it when you Take forever to cut up brown powder And cook it down and Suck it up into the needle And measure it, then take Three times as much for yourself AS you give me. I don’t like it when you Fuck me After you’ve taken the needle Out of my arm. You talk too much And spoil my rush. All I really want to do Is listen to the tides of blood Wash around inside my body Telling me everything is Fine, fine, fine._ And I certainly don’t want to Eat you or fuck you Because it will take forever To make you come, If you can come at all, And by then the smack will have worn off And there isn’t any more. I’m trying to remember What the part is that I do like. I think this shit likes me A lot more than I like it. Now you’re hurt and angry because I don’t want to see you again And the truth is, I would love to see you, As long as I knew you were holding. So you tell me Is this what you want? I bet it was what you wanted All along.
Patrick Califia
I lingered a bit longer. The tug of kinship held me there, bound me to the place and to a man I had never known, but without whom I would never have been. I conjured up his image one more time, and then laid back to rest. The late summer darkness drifted down from the sky like a warm mist, enveloping me and the graves before me,uniting us in its soft embrace. The world spun eastward beneath me, and the darkness deepened and spread over Hinckley, over Minnesota, over the American countryside, covering all of us in the same black shroud, tenants in common, tenants of time.
Daniel James Brown (Under a Flaming Sky: The Great Hinckley Firestorm of 1894)
Your witness,” the attorney snapped to Roark. “No questions,” said Roark. Dominique left the stand. The attorney bowed to the bench and said: “The plaintiff rests.” The judge turned to Roark and made a vague gesture, inviting him to proceed. Roark got up and walked to the bench, the brown envelope in hand. He took out of the envelope ten photographs of the Stoddard Temple and laid them on the judge’s desk. He said: “The defense rests.
Ayn Rand (The Fountainhead)
In a valley shaded with rhododendrons, close to the snow line, where a stream milky with meltwater splashed and where doves and linnets flew among the immense pines, lay a cave, half, hidden by the crag above and the stiff heavy leaves that clustered below. The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
He held up a DVD in a blue cardboard envelope, which bore Pete’s distinctive scrawl. “Can’t believe the technology.” “If I have a good Christmas I’ll buy myself a DVD player. Still have a year of car payments left.” She paused. “Prices keep coming down.
Rita Mae Brown (Cat's Eyewitness (Mrs. Murphy, #13))
Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation.
James Joseph Sylvester
Jett said, barely noticing his friend’s half full glass. Kenny didn’t blink. “How urgent is it?” “Major deal.” “A good hookup and can’t find her number?” Kenny grinned. He had no idea how close he was to the truth. “Something like that,” Jett remarked dryly as he retrieved a brown Manila envelope
J.C. Reed (Conquer Your Love (Surrender Your Love, #2))
   Two men appeared.    One came from the Bastille, the other from the Jardin des Plantes. The taller of the two, in a linen costume, walked with his hat pushed back, waistcoat undone and cravat in hand. The smaller one, whose body was enveloped in a brown frock-coat, had a peaked cap on his bent head.    When they came to the middle of the boulevard they both sat down at the same moment on the same seat.    Each took off his hat to mop his brow and put it beside him; and the smaller man noticed, written inside his neighbour's hat, Bouvard; while the latter easily made out the word Pécuchet, in the cap belonging to the individual in the frock-coat.
Gustave Flaubert (Bouvard and Pécuchet with The Dictionary of Received Ideas)
It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance lanced down to the forest floor between bars and pools of brown-green shade; and the light was never still, never constant, because drifting mist would often float among the treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with moisture that glistened when the mist lifted. Sometimes the wetness in the clouds condensed into tiny drops half mist and half rain, which floated downward rather than fell, making a soft rustling patter among the millions of needles. There was a narrow path beside the stream, which led from a village-little more than a cluster of herdsmen's dwellings - at the foot of the valley to a half-ruined shrine near the glacier at its head, a place where faded silken flags streamed out in the Perpetual winds from the high mountains, and offerings of barley cakes and dried tea were placed by pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of the valley in perpetual rainbows.
Philip Pullman
It was then that Brown took his revenge upon the world which, after twenty years of contemptuous and reckless bullying, refused him the tribute of a common robber’s success. It was an act of cold-blooded ferocity, and it consoled him on his deathbed like a memory of an indomitable defiance. . . . Thus Brown balanced his account with the evil fortune. Notice that even in this awful outbreak there is a superiority as of a man who carries right—the abstract thing—within the envelope of his common desires. It was not a vulgar and treacherous massacre; it was a lesson, a retribution—a demonstration of some obscure and awful attribute of our nature which, I am afraid, is not so very far under the surface as we like to think.
Joseph Conrad (Lord Jim)
Emily could hardly believe her luck. She had gotten the job! She gazed at the gray envelope containing the contract. She was so happy she almost jumped up and down like a little girl. She was a pert and pretty young woman with deep brown eyes and curly, dark hair. Even on a normal day, Emily’s smile and warmth could light up a small room; today she was positively radiant.
Catherine Shepherd (Fatal Puzzle (Zons Crime #1))
SVR GOLUBTSI Blanche cabbage leaves, cook rice. Sauté chopped onions, carrots, and peeled and seeded tomatoes until soft, incorporate with the rice and ground beef. Fold cabbage leaves around two spoons of mixture to form large square envelopes. Fry in butter until brown, then simmer for one hour in stock, tomato sauce, and bay leaves. Serve with reduced sauce and sour cream.
Jason Matthews (Red Sparrow (Red Sparrow Trilogy #1))
I released a breath I didn’t remember holding. Turned to Ben. Found him looking at me, face inches from mine on Sewee’s deck. Panic flared, white hot, paralyzing me as I lay beside him. Our gazes met. I saw fear in his dark brown eyes. Indecision. Doubt. Ben went rigid, his chest rising and falling like a bellows. Then something changed. His face relaxed, a small smile playing on his lips. Before I could blink, his mouth covered mine. We shared a breath. A tingle ran my spine. Then I pulled back, breathing hard, unsure what either my mind or body were doing. Ben’s unsure look returned. Then vanished. He pulled me near again, his lips melting into mine. Strong, calloused fingers stroked the side of my face. His smell enveloped me. Earthy. Masculine. Ben. Fire rolled through my body. So this is what it’s like. I broke away again, gasping slightly for breath. Reality crashed home. I sat up and scooted a few feet away, rubbing my face with both hands. What was I doing? “Ben, I—” His hand rose to cut me off. He leaned against the bench, face suddenly serious. “I’m not going to pretend anymore. One way or another, I’m going to say how I feel.” Ben snorted softly. “Make my case.” We sat still in the darkness, Sewee rocking gently, the scene dream-like and surreal. “You don’t have to make a case.” I stared at my shoes, had no idea where I wanted this conversation to go. “It’s just, things are—” “YO!” Our heads whipped in the voice’s direction. Ben scrambled to a crouch, scanning the silent bulk of Tern Point, as if just now recalling we were adrift at sea. The voice called down again, suddenly familiar. “What, are you guys paddling around the island? I don’t have a boat license, but that seems dumb.” “Shut up, Hi!” Ben shouted, with more heat than was necessary. Scowling, he slid behind the controls and fired the engine. I scurried to the bow, as far from the captain’s chair as I could manage and stay dry. You’ve done it now, Tory Brennan. Better hope there’s a life preserver somewhere. A glance back. Ben was watching me, looking for all the world like he had more to say. I quickly turned away. Nope. Nope nope nope. I needed some time to think about this one. Perhaps a decade? “Where are we?” I asked, changing the subject. Ben must’ve sensed that my “personal” shop was closed for business.
Kathy Reichs (Terminal (Virals, #5))
Once he raised his arm to show his friends the back of his hand, where the veins were laid out in the shape of a tree, and he broke out in the following improvisation: “Here,” he said, “is the tree of life. Here is a tree that tells me more about life and death than the flowering and fading of tree gardens. I don’t remember when exactly I discovered that my wrist was blooming like a tree…but it must have been during that wonderful time when the flowering and fading of trees still spoke to me not of life and death but of the end and beginning of the school year! It was blue then, this tree, blue and slender, and the blood, which at the time I thought of not as a liquid but as light, rose like the dawn over it and turned my metacarpus’s entire landscape into a Japanese watercolor… “The years passed, I changed, and the tree changed, too. “I remember a splendid time; the tree was spreading. The pride I felt, seeing its inexorable flowering! It became gnarled and reddish brown—and therein lay its strength! I could call it my hand’s might rigging. But now, my friends! How decrepit it is, how rotten! “The branches seem to be breaking off, cavities have appeared…It’s sclerosis, my friends! And the fact that the skin is getting glassy, and the tissue beneath it is squishy—isn’t this a fog settling on the tree of my life, the fog that will soon envelop all of me?
Yury Olesha (Envy (New York Review Books Classics))
During this hour in the waking streets I felt at ease, at peace; my body, which I despised, operated like a machine. I was spaced out, the catchphrase my friends at school used to describe their first experiments with marijuana and booze. This buzzword perfectly described a picture in my mind of me, Alice, hovering just below the ceiling like a balloon and looking down at my own small bed where a big man lay heavily on a little girl I couldn’t quite see or recognize. It wasn’t me. I was spaced out on the ceiling. I had that same spacey feeling when I cooked for my father, which I still did, though less often. I made omelettes, of course. I cracked a couple of eggs into a bowl, and as I reached for the butter dish, I always had an odd sensation in my hands and arms. My fingers prickled; it didn’t feel like me but someone else cutting off a great chunk of greasy butter and putting it into the pan. I’d add a large amount of salt — I knew what it did to your blood pressure, and I mumbled curses as I whisked the brew. When I poured the slop into the hot butter and shuffled the frying pan over the burner, it didn’t look like my hand holding the frying-pan handle and I am sure it was someone else’s eyes that watched the eggs bubble and brown. As I dropped two slices of wholemeal bread in the toaster, I would observe myself as if from across the room and, with tingling hands gripping the spatula, folded the omelette so it looked like an apple envelope. My alien hands would flip the omelette on to a plate and I’d spread the remainder of the butter on the toast when the two slices of bread leapt from the toaster. ‘Delicious,’ he’d say, commenting on the food before even trying it.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
The air was steeped with the heady fragrance of roses, as if the entire hall had been rinsed with expensive perfume. "Good Lord!" she exclaimed, stopping short at the sight of massive bunches of flowers being brought in from a cart outside. Mountains of white roses, some of them tightly furled buds, some in glorious full bloom. Two footmen had been recruited to assist the driver of the cart, and the three of them kept going outside to fetch bouquet after bouquet wrapped in stiff white lace paper. "Fifteen dozen of them," Marcus said brusquely. "I doubt there's a single white rose left in London." Aline could not believe how fast her heart was beating. Slowly she moved forward and drew a single rose from one of the bouquets. Cupping the delicate bowl of the blossom with her fingers, she bent her head to inhale its lavish perfume. Its petals were a cool brush of silk against her cheek. "There's something else," Marcus said. Following his gaze, Aline saw the butler directing yet another footman to pry open a huge crate filled with brick-sized parcels wrapped in brown paper. "What are they, Salter?" "With your permission, my lady, I will find out." The elderly butler unwrapped one of the parcels with great care. He spread the waxed brown paper open to reveal a damply fragrant loaf of gingerbread, its spice adding a pungent note to the smell of the roses. Aline put her hand over her mouth to contain a bubbling laugh, while some undefinable emotion caused her entire body to tremble. The offering worried her terribly, and at the same time, she was insanely pleased by the extravagance of it. "Gingerbread?" Marcus asked incredulously. "Why the hell would McKenna send you an entire crate of gingerbread?" "Because I like it," came Aline's breathless reply. "How do you know this is from McKenna?" Marcus gave her a speaking look, as if only an imbecile would suppose otherwise. Fumbling a little with the envelope, Aline extracted a folded sheet of paper. It was covered in a bold scrawl, the penmanship serviceable and without flourishes. No miles of level desert, no jagged mountain heights, no sea of endless blue Neither words nor tears, nor silent fears will keep me from coming back to you. There was no signature... none was necessary. Aline closed her eyes, while her nose stung and hot tears squeezed from beneath her lashes. She pressed her lips briefly to the letter, not caring what Marcus thought. "It's a poem," she said unsteadily. "A terrible one." It was the loveliest thing she had ever read. She held it to her cheek, then used her sleeve to blot her eyes. "Let me see it." Immediately Aline tucked the poem into her bodice. "No, it's private." She swallowed against the tightness of her throat, willing the surge of unruly emotion to recede. "McKenna," she whispered, "how you devastate me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
As their white blood cell counts collapsed, infection crawled across the skin of the young operators and firemen: Thick black blisters of herpes simplex encrusted their lips and the inside of their mouths. Candida rendered their gums red and lacy, and the skin peeled back, leaving them the color of raw meat. Painful ulcers developed on their arms, legs, and torsos, where they had been burned by beta particles. Unlike thermal burns caused by heat alone, which heal slowly over time, radiation burns grow gradually worse—so their external beta burns expanded outward in waves from wherever radioactive material had touched them and ate into the tissue below. The men’s body hair and eyebrows fell out, and their skin darkened—first red, then purple, before finally it became a papery brown-black and curled away in sheets. Inside their bodies, the gamma radiation ate away the lining of their intestines and corroded their lungs. Anatoly Kurguz, who had fought to close the airlock door to the reactor hall in the moments after the explosion and was enveloped in steam and dust, had so much cesium inside his body that he became a dangerous source of radiation. He
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
When he was very young, Auberon had begun a collection of postmarks. On a trip with Doc to the post office in Meadowbrook, he had begun idly examining the wastebaskets, having nothing else to do, and had immediately come up with two treasures: envelopes from places that seemed fantastically distant to him, and looking remarkably crisp for having come so far. It soon developed into a small passion, like Lily's for bird's nests. He insisted on accompanying whoever was traveling near a post office; he conned his friends' mail; he gloated over distant cities, far states whose names began with I, and, rarest of all, names from across the sea. Then one day Joy Flowers, whose granddaughter had lived abroad for a year, gave him a fat brown bag full of envelopes sent her from every part of the world. He could hardly find on the map a place which had not stamped its name on one of these pieces of blue flimsy. Some of them came from places so distant they weren't even in the alphabet he knew. And at a stroke his collection was complete, and his pleasure in it over. No discovery he could make in Meadowbrook's post office could add to it. He never looked at it again.
John Crowley (Little, Big)
Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.
Emily Kimelman (Unleashed (Sydney Rye, #1))
Very convenient. Anything else?’ ‘Not really. I’m sure, for instance, that you haven’t the slightest interest in a Berger International flight into the Isle of Man, carrying one Marco Rossi.’ Dillon laughed. ‘Well, imagine that.’ ‘If it’s a sea voyage he’s planning, he’s in for a rough ride. Tomorrow and tomorrow night, there’ll be rain squalls and high seas. You’ll know you’re out there!’ ‘Should be interesting.’ ‘Do you have a game plan, Sean?’ ‘Yeah, the game plan is to blow the hell out of the Mona Lisa and deposit two million quid’s worth of arms on the floor of the Irish Sea.’ ‘What about the crew? I’ve got a Captain Martino listed here and five others: Gomez, Fabio, Arturo somebody, an Enrico, a Sancho. You’re going to kill them all, Sean?’ ‘Why not? They’re a reasonable facsimile of scum. They’ve run everything from heroin to human beings, I’m told, and now arms. They shouldn’t have joined if they didn’t want the risk.’ ‘Fine by me. I’ll stay in touch. Speak to you tomorrow.’ ‘Good, but stay on the Berger case. I’m convinced Rossi was responsible for Sara Hesser’s death.’ ‘I’ll see what I can do.’ Oban was enveloped in mist and rain. Beyond Kerrera, the waters looked disturbed in the Firth of Lorn, and clouds draped across the mountain tops. ‘I’ve said it before,’ Billy moaned. ‘What a bloody awful place. I mean, it rains all the bleeding time.’ ‘No, Billy, it rains six days a week.’ Dillon turned to Ferguson. ‘Am I right, General?’ ‘You usually are, Dillon.’ ‘Good. Please join me in the wheelhouse.’ There was a flap to one side of the instrument panel and he pressed a button. Inside was a fuse box and some clips screwed into place. He opened one of the weapons bags, took out a Browning with a twenty-round magazine protruding from its butt. He clipped it into place and added a Walther in the other clips. ‘Ace in the hole.’ He closed the flap. ‘My goodness, you do mean business,’ Ferguson said. ‘I always did, Charles. Now let’s go ashore and eat.’ The early darkness of the far north was against them
Jack Higgins (Bad Company (Sean Dillon #11))
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
Shirley A. Martin (Bloodline Gypsy: Jook and Gypsies vol. 1)
the room was enveloped in copious amounts of smoke,
T.W. Brown (Midnight Movie Creature Feature)
Performance II Two Women Dreaming Landmarks Angatja, July, 1993 Each morning we open our eyes to an ever changing sky through patterns of feathery mulga leaves from an envelope of green canvas, a fire of mulga at our feet, and curved mulga branches at our head. The camp is a clump of mulga trees beside a little hill, a huge pile of reddish brown rocks, puli.
Margaret Somerville (Body Landscape Journals)
Gram placed the box on the table in front of Carly. On top of the box there was an envelope addressed to her, and she could tell it was Grampa's handwriting. The box looked to be about 12" x 12", and maybe 8" high, and was made out of a dark brown piece of wood. On the envelope beneath her name was written, 'Only to be opened if something happens to me.
Glynnis Rogero (MIDDLE SCHOOL: YOUNGTIMER: ADVENTURES IN TIME SERIES - BOOK 1 (Middle School Books Girls, Middle Grade Books Girls, Adventure Books Girls, Time Travel Books, Friendship Books, Fun Books, Funny Books)
Brushing a pile of papers aside, Keelin sat at her table and looked at the package. Rectangular-shaped and wrapped in butcher paper, it wasn't the typical international envelope found at the post office. Twine wove around the package and what looked like an honest-to-God wax seal closed the twine. Keelin's name and address were written in a deep brown ink, the handwriting a beautiful old calligrapher style. Keelin squinted at the return address and remembered her reading glasses tucked in her shirt.
Tricia O'Malley (Wild Irish Heart (Mystic Cove, #1))
in terms that ignored the claims of the Dickinson camp: she had been painstaking in her scholarship, re-copying from manuscript instead of relying on her mother’s transcriptions, but in the many instances of poems jotted illegibly on cast-off scraps (on the inside of used envelopes—a favourite source of paper—on tiny bits of stationery pinned together, on discarded bills, on invitations and programmes, on leaves torn from old notebooks, on brown paper bags, on soiled, mildewed subscription blanks, on drugstore bargain flyers, on a wrapper of Chocolat Menier, on the reverse of recipes, on shopping lists and on the cut-off margins of newspapers), the editor had been daunted for a long time and it was only in the last three years that she had brought herself to decipher these.
Lyndall Gordon (Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds)
Shelves were jam-packed with orange and brown packaged treats: chocolate-covered Cheerios, chocolate-covered cornflakes, chocolate-covered raisins and pretzels and espresso beans. Chocolate malt balls, chocolate almonds, and giant 2.2-pound "Big Daddy" chocolate blocks. There was caramel corn, peanut brittle, mudslide cookie mixes, and tins of chocolate shavings so you could try replicating Jacques's über-rich hot chocolate at home- anything the choco-obsessed could dream was crammed in the small space. An L-shaped counter had all manner of fresh, handcrafted temptations: a spread of individual bonbons with cheeky names like Wicked Fun (chocolate ganache with ancho and chipotle chilies), Love Bug (key lime ganache enveloped in white chocolate), and Ménage à Trois (a mystery blend of three ingredients). Platters of double chocolate chip cookies and fudge brownies. And there were his buttery croissants and pain au chocolat, which duked it out in popularity with the French bakery across the street, Almondine.
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
she had been painstaking in her scholarship, re-copying from manuscript instead of relying on her mother’s transcriptions, but in the many instances of poems jotted illegibly on cast-off scraps (on the inside of used envelopes—a favourite source of paper—on tiny bits of stationery pinned together, on discarded bills, on invitations and programmes, on leaves torn from old notebooks, on brown paper bags, on soiled, mildewed subscription blanks, on drugstore bargain flyers, on a wrapper of Chocolat Menier, on the reverse of recipes, on shopping lists and on the cut-off margins of newspapers),
Lyndall Gordon (Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds)
Triple Crown winner. This,” Riley said, pulling a legal-looking brown envelope out of a kitchen desk drawer, “will explain it all. First, we’re going to watch the race.” Cole Tanner smacked both his hands, palms down on the kitchen table. “We’re teetering on the edge of a black hole where we could all literally lose our shirts, and you want to watch a horse race on television. I-don’t-think-so.” “You always were a goddamn hothead, Cole.
Fern Michaels (Kentucky Rich (Kentucky, #1))
Q: What did the stamp say to the envelope? A: Stick with me and we will go places! Q: Why was the belt arrested?
Wally Brown (Seriously Silly Jokes for Kids: Joke Book for Boys and Girls ages 7-12)
Drive to the expired home, take a photo. Have a unique letter saved in your computer that you can print out that morning.  This letter will have the home owner’s name at the top of the page with the words “Your listing expired at midnight last night.”  Include a copy of the expired MLS sheet.  Hi-lite the date it expired.  In your letter state they’ll be receiving a box from you in the mail in a few days. Insert this letter into a unique mailing envelope.  I use white bubble wrap envelopes (9x12) and brown craft envelopes (9x12).  Write the owner’s name on the front of the envelope and directly below that write “Confidential”.  That’s all. Don’t write their address on the card. Then, back at the office or your home, enter the owner and address in the SOC contact manager.  Upload photo of home to the SOC system.  Send a custom greeting card with box of cookies or brownies. Follow up 3-5 days after you’ve sent the package with either a phone call, knock at the door or another drop off letter.  They will remember you because they just received a custom card with brownies or cookies.  It turns a cold call into a warm call every time.  It works!
Jim McCord (A Revolution in Real Estate Sales: How to Sell Real Estate)
Eyes on me,” I told Gabe just as he’d instructed me many times. I pushed inside him once his seductive brown eyes were on me. “Jesus, Gabe,” I said when his tight heat enveloped me. I was once again worried that my inexperience would show when I lasted a whole two seconds in the saddle so to speak. Hotter than his ass’s grip on my cock was the look in his eyes. Gabe
Aimee Nicole Walker (Dyed and Gone to Heaven (Curl Up and Dye Mysteries, #3))
All right there, mate?’ Clark jumped and turned round. He straightened up and looked at Billy, recognition taking a few seconds. Billy’s hair was shorter now, and his face was tanned. ‘Christ, you startled me,’ he said. ‘What have you got there?’ Clark held up the jar by a piece of tatty string. ‘Sticklebacks!’ For a moment his blue eyes shone with excitement, then they clouded over. He ran a wet hand through his red hair and swept it off his face. His freckles were more pronounced than usual, and for a moment Billy saw him as an eleven-year-old again. He felt his throat constrict, which made his next sentence a strangled croak. ‘We had fun, didn’t we, Clark?’ Clark snorted and set the jar of fish down on a large stone. He waded out of the water and sat down heavily on the bank. Billy edged closer and then tentatively sat down next to him. ‘Don’t get too comfortable,’ said Clark. ‘Look, Clark. Can’t we be friends again?’ ‘Can’t we be friends again?’ mimicked Clark. ‘We’re not in the school playground now, Billy.’ ‘Why did you come here?’ asked Billy. Clark thought for a moment. ‘To reflect.’ He reached inside his jacket and pulled out a brown envelope. ‘Here,’ he said, thrusting it into Billy’s hands. Billy opened the envelope and stared at the contents. ‘You’ve been called up?’ ‘Military training,’ explained Clark. Billy knew it was only a matter of time. Since Parliament had passed the Act in April, all men aged twenty and twenty-one were required to undertake six months’ military training. He didn’t know what to say. ‘Clark, look …’ He passed the envelope back. ‘How’s Chrissie?’ asked Clark, looking Billy directly in the eye. Billy was taken by surprise at the sudden mention of her name and picked at a blade of grass. ‘She’s fine, thanks. In fact she’s with me now, over there.’ Clark looked in the direction of Billy’s finger and Chrissie slid out sheepishly from behind a tree.
Kathryn Hughes (The Letter)
Hunter slipped from the bed and grabbed his breeches to pull them on. Bathed in moonlight, the planes of his body were gilded with silver, its contours cast into delineative shadow. Clutching a fur to her chest, Loretta sat up, pretending not to notice. She did, though, and what she saw set her pulse to skittering. Perhaps beautiful wasn’t an appropriate adjective for a man, but it was the only word that came to her. Watching him, she was, for the first time in her life, appreciative of the male form, the smooth play of muscle in motion, the subtle grace in strength. Lean tendons roped his buttocks and thighs. When he turned slightly she glimpsed his manhood, jutting forth, hard and proud from a mahogany nest of short curly hair. Her throat tightened, and deep within her there welled feelings she could scarcely credit, longing, tenderness, delicious excitement--and fierce pride. That such a man loved her and wanted her was nothing short of incredible. He could have had any girl in the village, someone supple and dark with liquid brown eyes, a dozen such someones if he chose, but instead he had picked her, a skinny, pallid farm girl. Cinching the drawstring of his pants, he tied a quick bowknot and extended a hand to her. For an instant Loretta was swept back in time to that first afternoon, when he had commanded she place her palm across his. She had been so terrified then, but no longer. His arm was her shield, just as he had promised. “Come, wife. My cousin brings a gift, eh?” “Hunter, I’m not dressed!” Chuckling, he grabbed a buffalo robe and draped it around her shoulders. After enveloping her in the fur, he drew her from the bed and to the door, untying the flap to sweep it aside.
Catherine Anderson (Comanche Moon (Comanche, #1))
Too late for that now,” the Eldest Leprechaun said. “The damage is done. Give the thing a name, and it takes shape. They gave a name and a shape to the force that’s always hated us. It’s everything we’re not. It’s New Ireland, it’s money for money’s sake, brown paper envelopes stuffed full of bribes—the turn of mind that says that the old’s only good for theme parks, and the new is all there needs to be. It’s been getting stronger and stronger all this while.And now that it’s more important to the people living in the city than we are, it’s become physically real.
Andrew M. Greeley (Emerald Magic: Great Tales of Irish Fantasy)
There glimmering white and snowy, enveloped in a delicate rose-coloured mist, rose the glistening pinnacle.
Agatha Christie (Agatha Christie: Five Books: The Mysterious Affair at Styles, The Secret Adversary, The Murder on the Links, The Man in the Brown Suit, and Poirot Investigates)
In Boat 6, Margaret Brown had doffed her sables to free her up for rowing. She had encouraged the other women to row as well, defying the quartermaster who railed at her from the stern. But Robert Hichens had chosen the wrong group of women to bully. In addition to the forceful Mrs. Brown, the plucky Mrs. Candee, and the voluble Berthe Mayné, there were two English suffragettes on board, Elsie Bowerman and her mother, Edith Chibnall. Both were active members of Sylvia Pankhurst’s Women’s Social and Political Union, the most militant of Britain’s votes-for-women organizations. Edith was one of ten women who had accompanied Mrs. Pankhurst on a 1910 deputation to Parliament that had resulted in arrests after a scuffle with police. She had also donated a banner for a Hyde Park demonstration that read “Rebellion to tyrants is obedience to God.” A full-scale rebellion against one male tyrant was soon under way in Boat 6. The women tried to taunt the quartermaster into joining them at the oars, but Hichens refused, preferring to stand at the tiller shouting out rowing instructions and doom-filled warnings that they could be lost for days with no food or water. Eventually Boat 16 came near and the two lifeboats tied up together. Margaret Brown spotted a chilled, thinly clad stoker in the adjoining boat and after he jumped over into Boat 6 to help with the rowing, she wrapped him in her sables, tying the tails around his ankles. She then handed him an oar and instructed Boat 16 to cut them loose so they could row to keep warm. Howling curses in protest, Hichens moved to block this but an enraged Mrs. Brown rose up and threatened to throw him overboard. The fur-enveloped stoker reproached Hichens for his foul language in the broadest of Cockney accents: “Soy, don’t you know you are talking to a loidy!
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Daily" These shriveled seeds we plant, corn kernel, dried bean, poke into loosened soil, cover over with measured fingertips These T-shirts we fold into perfect white squares These tortillas we slice and fry to crisp strips This rich egg scrambled in a gray clay bowl This bed whose covers I straighten smoothing edges till blue quilt fits brown blanket and nothing hangs out This envelope I address so the name balances like a cloud in the center of sky This page I type and retype This table I dust till the scarred wood shines This bundle of clothes I wash and hang and wash again like flags we share, a country so close no one needs to name it The days are nouns: touch them The hands are churches that worship the world
Naomi Shihab Nye
The number one question people ask writers is: Where do you get your ideas from? I've given up saying my imagination. Now I say I meet a person of restricted height named Eric in an alleyway once a month and hand him a brown envelope of cash, and he gives me the ideas. Then I tell him I'll see him the following month. People get excited when they hear this and say: 'Really???' And I say no. They hadn't noticed that I'd used my imagination again.
Stewart Stafford
French fries (often dusted with flour before freezing) fried vegetables/tempura fruit fillings and puddings gravy hot dogs ice cream imitation crabmeat, bacon, etc. instant hot drinks ketchup malt/malt flavoring malt vinegar marinades mayonnaise meatballs/meatloaf non-dairy creamer oat bran (unless certified gluten-free) oats (unless certified gluten-free) processed cheese (e.g., Velveeta) roasted nuts root beer salad dressings sausage seitan soups soy sauce and teriyaki sauces syrups tabbouleh trail mix veggie burgers vodka wheatgrass wine coolers The following are miscellaneous sources of gluten: cosmetics lipsticks/lip balm medications non-self-adhesive stamps and envelopes Play-Doh shampoos/conditioners vitamins and supplements (check label) The following ingredients are often code for gluten: amino peptide complex Avena sativa brown rice syrup caramel color (frequently made from barley) cyclodextrin dextrin fermented grain extract Hordeum distichon Hordeum vulgare hydrolysate hydrolyzed malt extract hydrolyzed vegetable protein maltodextrin modified food starch natural flavoring phytosphingosine extract Secale cereale soy protein Triticum aestivum Triticum vulgare vegetable protein (HVP) yeast extract
David Perlmutter
How much longer can I get away with being so fucking cute? Not much longer. The shoes with bows, the cunning underwear with slogans on the crotch — Knock Here, and so forth — will have to go, along with the cat suit. After a while you forget what you really look like. You think your mouth is the size it was. You pretend not to care. When I was young I went with my hair hiding one eye, thinking myself daring; off to the movies in my jaunty pencil skirt and elastic cinch-belt, chewed gum, left lipstick imprints the shape of grateful, rubbery sighs on the cigarettes of men I hardly knew and didn’t want to. Men were a skill, you had to have good hands, breathe into their nostrils, as for horses. It was something I did well, like playing the flute, although I don’t. In the forests of grey stems there are standing pools, tarn-coloured, choked with brown leaves. Through them you can see an arm, a shoulder, when the light is right, with the sky clouded. The train goes past silos, through meadows, the winter wheat on the fields like scanty fur. I still get letters, although not many. A man writes me, requesting true-life stories about bad sex. He’s doing an anthology. He got my name off an old calendar, the photo that’s mostly bum and daisies, back when my skin had the golden slick of fresh-spread margarine. Not rape, he says, but disappointment, more like a defeat of expectations. Dear Sir, I reply, I never had any. Bad sex, that is. It was never the sex, it was the other things, the absence of flowers, the death threats, the eating habits at breakfast. I notice I’m using the past tense. Though the vaporous cloud of chemicals that enveloped you like a glowing eggshell, an incense, doesn’t disappear: it just gets larger and takes in more. You grow out of sex like a shrunk dress into your common senses, those you share with whatever’s listening. The way the sun moves through the hours becomes important, the smeared raindrops on the window, buds on the roadside weeds, the sheen of spilled oil on a raw ditch filling with muddy water. Don’t get me wrong: with the lights out I’d still take on anyone, if I had the energy to spare. But after a while these flesh arpeggios get boring, like Bach over and over; too much of one kind of glory. When I was all body I was lazy. I had an easy life, and was not grateful. Now there are more of me. Don’t confuse me with my hen-leg elbows: what you get is no longer what you see.
Margaret Atwood
January 2013 Continuation of Andy’s Message (part two)   …It was great to skinny dip in such a beautiful environment. It was difficult not to fall prey to these two attractive, brown-skinned boys with their enticing brown eyes, exotic smiles and seductive charms. In turn, they found my masculinity irresistible. That evening we frolicked under the silvery moon.               Amidst the gentle rolling waves, we lay on the shoreline. I was in heaven when they enveloped me in a dizzying spell of unbridled resignation. Both of them took turns lapping at the fiber of my existence, teasing and caressing my engorgement with agile dexterity. I could no longer hold off my essence and sprayed on their faces. We shared my dripping rivulets in a passionate three-way kiss. When they continued suckling my penis, I was steered back to life. I had to possess their tenderness. I took turns pleasuring their puckering fissures as they begged for my stiffness with irrepressible gusto. Boy, did they love my proclivity! The louder their groans, the harder I pounded. When I withdrew from one, the other was poised for insertion. They couldn’t get enough of my onslaught. I was in ecstasy as I whisked back and forth between these two insatiable accomplices.               The more acute my plundering, the more uncontrollable their hardness throbbed. Anak, no longer able to withhold his enthusiasm, spewed into Taer’s throat while I plucked away at his friend’s rucking furrow. Taer’s twitching tightness had me deposit my fill into his receiving orifice. Anak wasted no time in devouring the oozing drippage around my pulsating phallus, still enshrouded within his buddy’s tunnel.               To pleasure himself, the unquenchable Taer wanted my bobbing organ down his throat. I obliged. In a trancelike delirium, the Filipino released jets of potent effusions onto his slender abdomen. Our tongues swirled in erotic kisses as we shared our libations in frantic elation.               Unwilling to relinquish this enchanted evening, we dove into the shimmering ocean, only to emerge rejuvenated, ready to resume the sequel of our sexcapade.
Young (Turpitude (A Harem Boy's Saga Book 4))
The economists were talking about their alma maters (Dartmouth, William & Mary, MIT, Princeton), and Peter asked if Gibbs or I ever felt out of place because we didn't go to an Ivy League school. I could feel my face getting hot- remembering that awful day when I got skinny envelopes from Cornell, Brown, and Georgetown saying "Thanks, but no thanks." "Well, we all ended up at the same table, didn't we?" Gibbs - who went to North Carolina State - shot back. "Seems like we got a bargain!" Um, true.
Alyssa Mastromonaco (Who Thought This Was a Good Idea?: And Other Questions You Should Have Answers to When You Work in the White House)
Then Eaten Alive came into the tipi with a five-or six-year-old child. The boy’s brown skin was broken with sores and lacerations, he was thin and shivering and dressed in a piece of bed-ticking that nearly enveloped him. You see here, said Toshana. We just got him from the Apache, see how they treat them. If you want to take him with you, you can. I will not ask you to pay. “Where did he come from?” Samuel held his hand out to the boy and felt an anguish in his heart at the sight of the child. The boy ducked his head and shrank away. We don’t know. The Apaches didn’t say where he came from. “I will contact the military in Santa Fe. Maybe they have a report of a missing child.” Toshana was silent for a while, and then he said, But there are thousands. Samuel nodded. Thousands. Jiles, Paulette. The Color of Lightning: A Novel (pp. 294-295). HarperCollins e-books. Kindle Edition.
Paulette Jiles (The Colour Of Lightning)
Nature sometimes mingles her effects and her spectacles with our actions with sombre and intelligent appropriateness, as though she desired to make us reflect. For the last half-hour a large cloud had covered the heavens. At the moment when Jean Valjean paused in front of the bed, this cloud parted, as though on purpose, and a ray of light, traversing the long window, suddenly illuminated the Bishop’s pale face. He was sleeping peacefully. He lay in his bed almost completely dressed, on account of the cold of the Basses-Alps, in a garment of brown wool, which covered his arms to the wrists. His head was thrown back on the pillow, in the careless attitude of repose; his hand, adorned with the pastoral ring, and whence had fallen so many good deeds and so many holy actions, was hanging over the edge of the bed. His whole face was illumined with a vague expression of satisfaction, of hope, and of felicity. It was more than a Free eBooks at Planet eBook.com 179 smile, and almost a radiance. He bore upon his brow the indescribable reflection of a light which was invisible. The soul of the just contemplates in sleep a mysterious heaven. A reflection of that heaven rested on the Bishop. It was, at the same time, a luminous transparency, for that heaven was within him. That heaven was his conscience. At the moment when the ray of moonlight superposed itself, so to speak, upon that inward radiance, the sleeping Bishop seemed as in a glory. It remained, however, gentle and veiled in an ineffable half-light. That moon in the sky, that slumbering nature, that garden without a quiver, that house which was so calm, the hour, the moment, the silence, added some solemn and unspeakable quality to the venerable repose of this man, and enveloped in a sort of serene and majestic aureole that white hair, those closed eyes, that face in which all was hope and all was confidence, that head of an old man, and that slumber of an infant. There was something almost divine in this man, who was thus august, without being himself aware of it. Jean Valjean was in the shadow, and stood motionless, with his iron candlestick in his hand, frightened by this luminous old man. Never had he beheld anything like this. This confidence terrified him. The moral world has no grander spectacle than this: a troubled and uneasy conscience, which has arrived on the brink of an evil action, contemplating the slumber of the just.
Victor Hugo
He interrupted me by taking two strides to close the distance between us and before I could say anything his arms wrapped around my back, enveloping me, and he pressed his lips to mine. My eyes closed; the touch was magnificent, warm and sweet, and he pulled away just as I felt the first stirrings of my power start to work. I took a breath and opened my eyes, and his were staring back at me, brown and big and with his smile reflected in them.
Robert J. Crane (Alone, Untouched, Soulless (The Girl in the Box, #1-3))
Nate watched her wash her lithe body, white scars crisscrossing her ribs, ballet calves flexing as she rotated under the water. He got out of bed and joined her in the shower. Nate was muscular and thin with unruly black hair and brown eyes that missed little. “Can you see what I wrote?” asked Dominika, soaping his chest, tracing his own scars, the brown one across his belly, the angry red furrows on his arms. They were stitched mannequins, the two of them. Nate did not answer, but kissed her, holding her head in his hands, enveloping her in his red cloud. “Ti moy,” she said, wrapping her arms around his neck. “You are mine.
Jason Matthews (The Kremlin's Candidate (Red Sparrow Trilogy, #3))