Brooks Running Quotes

We've searched our database for all the quotes and captions related to Brooks Running. Here they are! All 100 of them:

When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth...... But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself." But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (Le Prophète)
And this our life, exempt from public haunt, finds tongues in trees, books in the running brooks, sermons in stones, and good in everything. I would not change it.
William Shakespeare (As You Like It)
But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.
Kahlil Gibran
Life without love is like a tree without blossoms or fruit.” “Love has no other desire but to fulfill itself. To melt and be like a running brook that sings its melody to the night. To wake at dawn with a winged heart and give thanks for another day of loving
Kahlil Gibran (The Prophet)
Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head; And this our life, exempt from public haunt, Find tongues in trees, books in the running brooks, Sermons in stones, and good in everything.
William Shakespeare (As You Like It)
Acquainted with the Night I have been one acquainted with the night. I have walked out in rain—and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain. I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, One luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.
Robert Frost (West-Running Brook)
When love beckons to you, follow him, Though his ways are hard and steep. And When his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And When he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden... But if in your fear you would seek only love’s peace and love’s pleasure, Then it is better for you that you cover your nakedness and pass out of love’s threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears... But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
Kahlil Gibran (The Prophet)
Instead of a river, God often gives us a brook, which may be running today and dried up tomorrow. Why? To teach us not to rest in our blessings, but in the blesser Himself.
Arthur W. Pink (The Life of Elijah)
Say to them, say to the down-keepers, the sun-slappers, the self-soilers, the harmony-hushers, "Even if you are not ready for day it cannot always be night." You will be right. For that is the hard home-run. Live not for battles won. Live not for the-end-of-the-song. Live in the along.
Gwendolyn Brooks (Selected Poems)
Love has no other desire but to fulfill itself. But if to love and must needs have desires, let these be your desires: to melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; and to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; to rest at noon and meditate love's ecstasy; to return home at eventide with gratitude; and then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
Don’t waste a minute not being happy. If one window closes, run to the next window—or break down a door.
Brooke Shields
Fear is a fire to temper courage and resolve. Use it so.
Terry Brooks (Running with the Demon (Word & Void, #1))
Perhaps, after all, our best thoughts come when we are alone. It is good to listen, not to voices but to the wind blowing, to the brook running cool over polished stones, to bees drowsy with the weight of pollen. If we attend to the music of the earth, we reach serenity. And then, in some unexplained way, we share it with others.
Gladys Taber
Song of a Second April APRIL this year, not otherwise Than April of a year ago Is full of whispers, full of sighs, Dazzling mud and dingy snow; Hepaticas that pleased you so Are here again, and butterflies. There rings a hammering all day, And shingles lie about the doors; From orchards near and far away The gray wood-pecker taps and bores, And men are merry at their chores, And children earnest at their play. The larger streams run still and deep; Noisy and swift the small brooks run. Among the mullein stalks the sheep Go up the hillside in the sun Pensively; only you are gone, You that alone I cared to keep.
Edna St. Vincent Millay
MY river runs to thee: Blue sea, wilt welcome me? My river waits reply. Oh sea, look graciously! I ’ll fetch thee brooks From spotted nooks,— Say, sea, Take me!
Emily Dickinson
and a most curious country it was. There were a number of tiny little brooks running straight across it from side to side, and the ground between was divided up into squares by a number of little green hedges, that reached from brook to brook. I declare it's marked out just like a large chessboard!' Alice said at last. 'There ought to be some men moving about somewhere--and so there are!' she added in a tone of delight, and her heart began to beat quick with excitement as she went on. 'It's a great huge game of chess that's being played--all over the world--if this is the world at all, you know. Oh, what fun it is!
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
Our life runs down in sending up the clock. The brook runs down in sending up our life. The sun runs down in sending up the brook. And there is something sending up the sun. It is this backward motion toward the source, Against the stream, that most we see ourselves in, The tribute of the current to the source. It is from this in nature we are from. It is most us.
Robert Frost
An Ass put on a Lion's skin and went About the foreset with much merriment, Scaring the foolish beasts by brooks and rocks, Till at last he tried to scare the Fox. But Reynard, hearing from beneath the mane That Raucous voice so petulant and vain, Remarked. O' Ass, I too would run away, But that I know your old familiar bray'. That's just the way with asses, just the way.
Aesop
From the very first, I knew you’d be dangerous to me. I should have run.” “I’d have caught you.
Meljean Brook (The Iron Duke (Iron Seas, #1))
Smooth runs the water where the brook is deep; And in his simple show he harbours treason.
William Shakespeare
You can’t be miserable when you’re running. It’s such a simple and pure way to feel alive.
Veronica Rossi (Brooke (Under the Never Sky, #2.5))
Find tongues in trees, books in the running brooks, sermons in stones, and good in everything.
William Shakespeare (As You Like It)
I’ve only imagined seeing you again. That you’d come to my home. That I’d run into you on the street. That I’d look up, and you’d be there, and you’d be well . . . and I’d tell you that I love you.
Meljean Brook (The Iron Duke (Iron Seas, #1))
Tongues in trees, books in running brooks, sermons in stones, and good in everything.
William Shakespeare
It’s a lot easier to blow up trains than to make them run on time.
Max Brooks (World War Z: An Oral History of the Zombie War)
A baseball manager recognizes a nonphysical talent, hustle, as an essential gift of great players and great teams. It is the characteristic of running faster than necessary, moving sooner than necessary, trying harder than necessary. It is essential for great programming teams, too.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there’s a clue? What if there’s a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody’s big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she’s under there? What if she’s crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there’s nowhere to go from here. Home is home is home.
Carol Rifka Brunt (Tell the Wolves I'm Home)
If we are indeed contending for truth and righteousness, let us not tarry till we have talent, or wealth, or any other form of visible power at our disposal; but with such stones as we find in the brook, and with our own usual sling, let us run to meet the enemy.
Charles Haddon Spurgeon
He tries to picture how it will end, with an empty baseball field, a dark factory, and then over a brook in a dirt road, he doesn’t know. He pictures a huge vacant field of cinders and his heart goes hollow.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
In fetid darkness still to live and run-- And all for nothing it had ever done Except forget to go in fear perhaps. No one would know except for ancient maps That such a brook ran water.
Robert Frost (The Road Not Taken and Other Poems)
If the thirsty stag runs to the brook, it's only because he isn't aware of the cruel bow...If the unicorn runs to its chaste nest, it's only because he doesn't see the noose prepared for him.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
Once in a lifetime, if one is lucky, one so merges with sunlight and air and running water that whole eons, the eons that mountains and deserts know, might pass in a single afternoon without discomfort. ... You have probably never experienced in yourself the meandering roots of a whole watershed or felt your outstretched fingers touching, by some clairvoyant extension, the brooks of snow-line glaciers at the same time you were flowing toward the Gulf over the eroded debris of worn-down mountains.
Loren Eiseley
My river runs to thee: Blue sea, wilt welcome me? My river waits reply. Oh sea, look graciously! I'll fetch thee brooks From spotted nooks, — Say, sea, Take me!
Emily Dickinson (Poems by Emily Dickinson, Series One)
It was the nature of things, of course. Life went on. The best you could do was to hold on to the memories that were important to you, so that even if everyone else forgot, you would remember.
Terry Brooks (Running with the Demon (Word & Void, #1))
When love beckons to you, follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth. Like sheaves of corn he gathers you unto himself. He threshes you to make you naked. He sifts you to free you from your husks. He grinds you to whiteness. He kneads you until you are pliant; And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself. Love possesses not nor would it be possessed; For love is sufficient unto love. When you love you should not say, "God is in my heart," but rather, "I am in the heart of God." And think not you can direct the course of love, for love, if it finds you worthy, directs your course. Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
They managed to describe fifteen different weapons you’re an expert in, but they couldn’t even mention that I’m running for prom queen?” Brooke moaned.
Ada Adams (ReAwakened (Angel Creek, #2))
lets run away, cross state lines.
Brooke Taylor (Undone)
It’s a lot easier to blow up trains than to make them run on time. What is it that Mister Churchill used to say? “Democracy is the worst form of government, except for all the others.
Max Brooks (World War Z: An Oral History of the Zombie War)
Like ghosts the children walked across the lawn on their bare feet. The moon was full. Above the damp grass hung a veil of mist, luminous with moonlight and spangled with fireflies. There was no wind, and the sound of the brook was very distinct, tinkling, splashing, running softly. It made Mona think of an ancient fountain, shaped like a shell, covered with moss, and set in a secluded garden. Something she half remembered, or imagined.
Elizabeth Enright (The Four-Story Mistake (The Melendy Family, #2))
Sometimes it’s letting them in that helps you feel whole again. Even if you feel like a mess yourself. Maybe it’s not meant to last, but maybe it is. You’ll never know if all you do is run away.
Brooke Cumberland (Pushing the Limits)
The destruction of the world depends on the willingness of the people in it to harm each other in any way necessary to achieve their own ends and to further their own causes. And we got that part down pat, don’t we? We know how to hurt each other and how to think up whatever excuses we need to justify it. We’re victims and executioners both.
Terry Brooks (Running with the Demon (Word & Void, #1))
Tree At My Window Tree at my window, window tree, My sash is lowered when night comes on; But let there never be curtain drawn Between you and me. Vague dream-head lifted out of the ground, And thing next most diffuse to cloud, Not all your light tongues talking aloud Could be profound. But tree, I have seen you taken and tossed, And if you have seen me when I slept, You have seen me when I was taken and swept And all but lost. That day she put our heads together, Fate had her imagination about her, Your head so much concerned with outer, Mine with inner, weather.
Robert Frost (West-Running Brook)
Creation seemed to come about in a sort of chain reaction. He did not worry about it; he was determinedly pursuing his task in all its simplicity; but as we went back towards the village I saw water flowing in Brooks that had been dry since the memory of man. This was the most impressive result of chain reaction that I had seen. These dry streams had once, long ago, run with water.
Jean Giono (The Man Who Planted Trees)
The lesson in running brooks is that motion is a great purifier and health-producer. When the brook ceases to run, it soon stagnates. It keeps in touch with the great vital currents when it is in motion, and unites with other brooks to help make the river. In motion it soon leaves all mud and sediment behind. Do not proper work and the exercise of will power have the same effect upon our lives?
John Burroughs (The Gospel of Nature)
We have thousands and thousands of people living homeless on the streets of our cities at the same time that we have men and women earning millions of dollars a year running companies that make products whose continued usage will ruin our health, our environment, and our values. The irony is incredible. It’s obscene.
Terry Brooks (A Knight of the Word (Word & Void, #2))
In the stock market, however, as de la Vega points out, “the news [as such] is often of little value;” in the short run, the mood of the investors is what counts.
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
We do not always recognize the thing that comes to destroy us.
Terry Brooks (Running with the Demon (Word & Void, #1))
Sometimes it is better not to speak of what we see in our dreams. Sometimes our dreams belong only to us.
Terry Brooks (Running with the Demon (Word & Void, #1))
People say that Jesus speaks through our pastor. But I never knew Jesus to show anyone so much hatred.
Russell Brooks (Jam Run - (Eddie Barrow 2) - An International Crime Thriller (The Eddie Barrow Series))
...his eyes were exactly the color of that gleaming golden-brown moss you see on stones under the clear water of running brooks.
Eleanor Cameron (A Spell Is Cast)
But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. TO be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving. TO rest at the noon hour and meditate on love's ecstacy; To return home at eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
The Prophet
Under your shelter all things come and go. Children are violent and valiant, they run and they shout like the winners of impossible victories, but before long now, even like me, they will be brought into their sleep. Those who are grown great talk with confidence and are at all times skillful to serve and to protect, but before long now they too, before long, even like me, will be taken in and put to bed. Soon come those hours when no one wakes. Even the locusts, even the crickets, silent shall be, as frozen brooks In your break sheltering. [sic]
James Agee (A Death in the Family)
His jean shorts started at his thighs and ended at his ankles. She had no idea why thugs liked this style of clothing, but it worked for her. It was hard to run with your pants falling down.
Kathleen Brooks (Bluegrass Undercover (Bluegrass Brothers, #1))
Thus, to give an obvious instance, if I have once enjoyed the cool shade of a tree, and been lulled into a deep repose by the sound of a brook running at its feet, I am sure that wherever I can find a tree and a brook, I can enjoy the same pleasure again. Hence, when I imagine these objects, I can easily form a mystic personification of the friendly power that inhabits them, Dryad or Naiad, offering its cool fountain or its tempting shade. Hence the origin of the Grecian mythology.
William Hazlitt
Love has no other desire but to fulfill itself. But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To
Kahlil Gibran (The Prophet)
Water runs down hill concisely. There is no quibbling about it. It does not have to run up hill in order to be entertaining. Man has always followed its course with fascination. The soul of man may reveal its mysteries through direct expression, simple speech, simple gesture, simple painting, just as the soul of the brook is expressed in full simplicity and economy.
Robert Henri
Llanfair - home if Saint Gelert's grave. We should call ourselves that, like that other Llanfair.' 'You mean the other Llanfair over the Anglesey; the one that claims to have the longest name in the world?' Barry-the-Bucket asked. 'That's exactly what I mean', Evans-the-Meat said grandly. 'If they can call themselves Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch, which we all know means nothing more important than Saint Mary's church in the hollow of white hazel near the rapid whirlpool and Saint Tisilio's church near the red cave, then why shouldn't we start calling ourselves Llanfair-up-on-the-pass-with-the-brook-running-through-it-and-Saint-Gelert's-grave-right-above-it?
Rhys Bowen (Evan Help Us (Constable Evans, #2))
Feminists frequently debate which elements of systemic and internalized sexism most need to change in order for more women to run for political office or rise to the top of their companies or colonize professions from which they’ve been historically excluded. Undoubtedly, there are many. But maybe not expecting and encouraging women to worry about every fucking thing that happens in their household might be a solid place to start.
Kim Brooks (Small Animals: Parenthood in the Age of Fear)
The country through which we had been travelling for days has an original beauty. Wide plains were diversified by stretches of hilly country with low passes. We often had to wade through swift running ice-cold brooks. It has long since we had seen a glacier, but as we were approaching the tasam at Barka, a chain of glaciers gleaming in the sunshine came into view. The landscape was dominated by the 25,000-foot peak of Gurla Mandhata; less striking, but far more famous, was the sacred Mount Kailash, 3,000 feet lower, which stands in majestic isolation apart from the Himalayan range.
Heinrich Harrer (Seven Years in Tibet)
All the times, all the very many times, I had been forced to thwart and stifle my own nature seemed to gather together then, in that hot and dismal corridor. I heard a rushing sound in my head and felt a pressure in my breast, like floodwaters rising behind a flimsy dike. Before I knew I did it, the soup bowl was rising in my hand as if elevated by some supernatural force. Then, its yellow-gray contents were running down the nurse’s pudgy face.
Geraldine Brooks (March)
I am the running brook that soothes your soul.
Julia Cameron (Answered Prayers)
To Autumn" Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, Where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.
John Keats (To Autumn)
Crayfish,” I said. I dumped out a tin of water. “Really?” I nodded. “Big ones?” “Not these. You can find them, though.” “Can I see?” She dropped down off the bank just like a boy would, not sitting first, just putting her left hand to the ground and vaulting the three-foot drop to the first big stone in the line that led zigzag across the water. She studied the line a moment and then crossed to the Rock. I was impressed. She had no hesitation and her balance was perfect. I made room for her. There was suddenly this fine clean smell sitting next to me. Her eyes were green. She looked around. To all of us back then the Rock was something special. It sat smack in the middle of the deepest part of the brook, the water running clear and fast around it.
Jack Ketchum (The Girl Next Door)
The longer I live here, the better satisfied I am in having pitched my earthly camp-fire, gypsylike, on the edge of a town, keeping it on one side, and the green fields, lanes, and woods on the other. Each, in turn, is to me as a magnet to the needle. At times the needle of my nature points towards the country. On that side everything is poetry. I wander over field and forest, and through me runs a glad current of feeling that is like a clear brook across the meadows of May. At others the needle veers round, and I go to town--to the massed haunts of the highest animal and cannibal.
James Lane Allen (A Kentucky Cardinal)
Whether the nostalgia of the Edsel boys for the Edsel runs to the humorous or to the tragic, it is a thought-provoking phenomenon. Maybe it means merely that they miss the limelight they first basked in and later squirmed in, or maybe it means that a time has come when—as in Elizabethan drama but seldom before in American business—failure can have a certain grandeur that success never knows.
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street: The New York Times bestseller Bill Gates calls 'the best business book I've ever read')
If we allow ourselves to be misled by the heresy of paraphrase, we run the risk of doing even more violence to the internal order of the poem itself. By taking the paraphrase as our point of stance, we misconceive the function of metaphor and meter. We demand logical coherences where they are sometimes irrelevant, and we fail frequently to see imaginative coherences on levels where they are highly relevant.
Cleanth Brooks (The Well Wrought Urn: Studies in the Structure of Poetry)
If I longed for destruction it was merely that this eye might be extinguished. I longed for an earthquake, for some cataclysm of nature which would plunge the lighthouse into the sea. I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. (I wanted that eye extinguished so that I might have a change to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget. I wanted something of the earth which was not of man's doing, something absolutely divorced from the human of which I was surfeited. I wanted something purely terrestrial and absolutely divested of idea. I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and the light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night, so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think. To be englobed and encompassed and to encompass and to englobe at the same time. No more pity, no more tenderness. To be human only terrestrially, like a plant or a worm or a brook. To be decomposed, divested of light and stone, variable as the molecule, durable as the atom, heartless as the earth itself.
Henry Miller (Tropic of Capricorn (Tropic, #2))
All peoples think they are forever," he growled softly. "They do not believe they will ever not be. The Sinnissippi were that way. They did not think they would be eradicated. But that is what happened. Your people, Nest, believe this of themselves. They will survive forever, they think. Nothing can destroy them, can wipe them so completely from the earth and from history that all that will remain is their name and not even that will be known with certainty. They have such faith in their invulnerability. Yet already their destruction begins. It comes upon them gradually, in little ways. Bit by bit their belief in themselves erodes. A growing cynicism pervades their lives. Small acts of kindness and charity are abandoned as pointless and somehow indicative of weakness. Little failures of behavior lead to bigger ones. It is not enough to ignore the discourtesies of others; discourtesies must be repaid in kind. Men are intolerant and judgmental . They are without grace. If one man proclaims that God has spoken to him, another quickly proclaims that his God is false. If the homeless cannot find shelter, then surely they are to blame for their condition. If the poor do not have jobs, then surely it is because they will not work. If sickness strikes down those whose lifestyle differs from our own, then surely they have brought it on themselves. Look at your people, Nest Freemark. They abandon their old. They shun their sick. They cast off their children. They decry any who are different. They commit acts of unfaithfulness, betrayal, and depravity every day. They foster lies that undermine beliefs. Each small darkness breeds another. Each small incident of anger, bitterness, pettiness, and greed breeds others. A sense of futility consumes them. They feel helpless to effect even the smallest change. Their madness is of their own making, and yet they are powerless against it because they refuse to acknowledge its source. They are at war with themselves, but they do not begin to understand the nature of the battle being fought." -pages 96-97
Terry Brooks (Running with the Demon (Word & Void, #1))
If there is a place in heaven for Labrador Retrievers (and I trust there is or I won't go) it'll have to have a brook right smack in the middle - a brook with little thin shoals for wading and splashing; a brook with deep, still pools where they can throw themselves headlong from the bank; a brook with lots of small sticks floating that can be retrieved back to shore where they belong; a brook with muskrats and muskrat holes; a brook with green herons and wood ducks; a brook that is never twice the same with surprises that run and swim and fly; a brook that is cold enough to make the man with the dog run like the devil away from his shaking; a brook with a fine spot to get muddy and a sunny spot or two to get dry.
Gene Hill
But fear was something to be overcome, an enemy of a different sort, not something from which to run away but something to confront. He had done so many times in his life, and each time it made him a little stronger, a little more self-assured. The
Terry Brooks (The Gypsy Morph (Genesis of Shannara, #3))
My mind is desperately trying to formulate the words to let him know, to show him that my feelings run so much deeper than what those three little words can describe. I need to make him feel the way he's just made me feel, and 'I love you' just doesn't seem adequate anymore.
Elle Brooks (Promises Hurt (Promises, #1))
But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; To rest at the noon hour and meditate love's ecstasy; To return home in the eventide with gratitude; And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
Kahlil Gibran (The Prophet)
I'll stay if you want," he offered. "No, of course not," Amy said quickly, her hand flying to her temples as they resumed their throbbing. "You've been great, Ty. Go home." "Everything's done. The horses are all watered and the stalls are clean." He stepped toward her, his eyes anxious. "Now, you're sure you'll be OK?" "Sure." Looking up into his worried face, she smiled, words leaping impulsively out of her. "Thanks for everything, Ty," she said. "You've been a real friend." There was a pause. Ty's eyes searched hers and then suddenly, without warning, he reached out and brushed his hand against her cheek. At the tender touch of his warm hand, Amy felt a shock run through her. It was over in a couple of seconds, and Ty stepped back. "See you tomorrow," he muttered as he strode quickly away. Amy stared after him for a few seconds, not knowing how to react.
Lauren Brooke (Coming Home (Heartland, #1))
So as soon as I tell myself I'm the first man ever to be dropped into the world, and as soon as I take that first flying leap into the frosty grass of an early morning when even birds haven't the heart to whistle, I get to thinking, and that's what I like. I go my rounds in a dream, turning at lane or footpath corners without knowing I'm turning, leaping brooks without knowing they're there, and shouting good morning to the early cow-milker without seeing him. It's a treat being a long-distance runner, out in the world by yourself with not a soul to make you bad-tempered or tell you what to do.
Alan Sillitoe
Brook trailed a gloved hand along the door, cast one glance over her shoulder, and let herself in. She couldn't stop the grin as she gripped the wheel of the Rolls-Royce. And why should she? Only a fool would leave such a car running right outside her door and not except her to do something about it.
Roseanna M. White (The Lost Heiress (Ladies of the Manor, #1))
Carl was an immediate and intuitive foil and partner, feeding off my energy and adding to it. I once took Scotch tape and attached my nose to my cheek, my lower lip to my chin, and an eyebrow to my forehead. I looked cruelly disfigured. I burst into the writers’ room, and Carl immediately nurtured the bit: Carl: How did it happen? Who did that to you? Mel: The Nazis! They did it to me. Threw me in a ditch and did it! Carl: You mean they beat you? Disfigured you? Mel: Oh no. They took Scotch tape and stuck it all over my face. Carl broke up and hit the floor, clutching his belly and laughing like crazy. For me that was a home run. Anytime I could make Carl laugh, I knew I had a winner.
Mel Brooks (All About Me!: My Remarkable Life in Show Business)
I still can’t believe it.” Daniel ran a hand through his locs. “Yeah. Right.” She caught the thin wedge of anger in his voice. “Well. I can’t.” “He couldn’t, either. Whereas I—we—all his friends—can believe it, no problem. Who does that? Go help some White girl. In a park. In Northwest DC. At night.” He shook his head and dropped another book into the box. “What else could he have done?” Daniel straightened. “Girl, he should have sped up, kept on running right to a well-lit road, and called some White folk to help her. He just didn’t know how he needed to be if he was going to live in this country.” He sighed. “We tried. Gave him ‘the talk,’ like our parents did when we were little kids.” He shook his head. “He thought he knew about cops. But the cops he knew in England, ninety percent of them weren’t carrying guns. No, make that a hundred percent, the bougie ’hoods where he came up. Art historian, Lord Fauntleroy accent, Yale and Georgetown—none of it was ever going to keep him safe. Like I said, we tried to warn him. But seems like it never sank in.
Geraldine Brooks (Horse)
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
Pepusch had a melancholy and irritable temperament; in every pleasure he was too conscious of the bitter aftertaste which comes, indeed, from the black Stygian brook that runs through the whole of our life. This made him grim, introverted, and often unjust to people around him. You may imagine, therefore, that Pepusch was not disposed to go running after pretty girls.
E.T.A. Hoffmann (The Golden Pot and Other Tales)
Later on, towards the middle of my life, I grew more and more opposed to alcoholic drinks: I, an opponent of vegetarianism, who have experienced what vegetarianism is, — just as Wagner, who converted me back to meat, experienced it, — cannot with sufficient earnestness advise all more spiritual natures to abstain absolutely from alcohol. Water answers the purpose. . . . I have a predilection in favour of those places where in all directions one has opportunities of drinking from running brooks. In vino Veritas: it seems that here once more I am at variance with the rest of the world about the concept 'Truth' — with me spirit moves on the face of the waters. . . . Here are a few more indications as to my morality. A heavy meal is digested more easily than an inadequate one. The first principle of a good digestion is that the stomach should become active as a whole. A man ought, therefore, to know the size of his stomach. For the same reasons all those interminable meals, which I call interrupted sacrificial feasts, and which are to be had at any table d'hôte, are strongly to be deprecated. Nothing should be eaten between meals, coffee should be given up — coffee makes one gloomy. Tea is beneficial only in the morning. It should be taken in small quantities, but very strong. It may be very harmful, and indispose you for the whole day, if it be taken the least bit too weak. Everybody has his own standard in this matter, often between the narrowest and most delicate limits. In an enervating climate tea is not a good beverage with which to start the day: an hour before taking it an excellent thing is to drink a cup of thick cocoa, feed from oil. Remain seated as little as possible, put no trust in any thought that is not born in the open, to the accompaniment of free bodily motion — nor in one in which even the muscles do not celebrate a feast. All prejudices take their origin in the intestines. A sedentary life, as I have already said elsewhere, is the real sin against the Holy Spirit.
Friedrich Nietzsche (Ecce Homo)
Time will say nothing but I told you so. Time only knows the price we have to pay; If I could tell you I would let you know. If we should weep when clowns put on their show, If we should stumble when musicians play, Time will say nothing but I told you so. There are no fortunes to be told, although Because I love you more than I can say, If I could tell you I would let you know. The winds must come from somewhere when they blow, There must be reasons why the leaves decay; Time will say nothing but I told you so. Perhaps the roses really want to grow, The vision seriously intends to stay; If I could tell you I would let you know. Suppose the lions all get up and go, And all the brooks and soldiers run away; Will Time say nothing but I told you so? If I could tell you I would let you know.
W.H. Auden (Selected poetry of W.H. Auden)
Yet already their destruction begins. It comes upon them gradually, in little ways. Bit by bit their belief in themselves erodes. A growing cynicism pervades their lives. Small acts of kindness and charity are abandoned as pointless and somehow indicative of weakness. Little failures of behavior lead to bigger ones. It is not enough to ignore the discourtesies of others; discourtesies must be repaid in kind. Men are intolerant and judgmental. They are without grace. If one man proclaims that God has spoken to him, another quickly proclaims that his God is false. If the homeless cannot find shelter, then surely they are to blame for their condition. If the poor do not have jobs, then surely it is because they will not work. If sickness strikes down those whose lifestyle differs from our own, then surely they have brought it on themselves.
Terry Brooks (Running with the Demon (Word & Void #1))
AT DAY’S END, when I leave the rectory for home, I prefer to walk through the orchard on the hill rather than go by the road and risk meeting people. After all we’ve been through together, it’s just not possible to pass with a polite, “Good night t’ye.” And yet I haven’t the strength for more. Sometimes, not often, the orchard can bring back better times to me. These memories of happiness are fleeting things, reflections in a stream, glimpsed all broken for a second and then swept away in the current of grief that is our life now. I can’t say that I ever feel what it felt like then, when I was happy. But sometimes something will touch the place where that feeling was, a touch as slight and swift as the brush of a moth’s wing in the dark. In the orchard of a summer night, if I close my eyes, I can hear the small voices of children: whispers and laughter, running feet and rustling leaves.
Geraldine Brooks (Year of Wonders)
Truth was, you shared an uneasy sense of kinship with even the most unfortunate, disaffected souls; you felt you had known at least a few of them during your life. You had been children together, with children's hopes and dreams. The dark future that had claimed those few was never more than an arm's length away from everyone else. You knew that. You knew that a single misfortune could change your life forever, that you were vulnerable, and to protect yourself you wanted to know everything you could about why it had touched another and passed you by.


Terry Brooks (Running with the Demon (Word & Void, #1))
The first days of January 1942 brought enormous amounts of snow. The reader already knows what snow meant for the clergy. But this time the torture surpassed the bounds of the endurable. At the same time the thermometer hovered between 5 and 15 degrees below zero. From morning till night we scraped, shoveled, and pushed wheelbarrow after wheelbarrow of snow to the brook. The work detail consisted of more than 1,000 clergymen, forced to keep moving by SS men and Capos who kicked us and beat us with truncheons. We had to make rounds with the wheelbarrows from the assembly square to the brook and back. Not a moment of rest was allowed, and much of the time we were forced to run. At one point I tripped over my barrow and fell, and it took me a while to get up again. An SS man dashed over and ordered me to turn with the full load. He ran beside me, beating me constantly with a leather strap. When I got to the brook I was not allowed to dump out the heavy snow, but had to make a second complete round with it instead. When the guard finally went off and I tried to let go of the wheelbarrow, I found that one of my hands was frozen fast to it. I had to blow on it with warm breath to get it free.
Jean Bernard (Priestblock 25487: a Memoir of Dachau)
Her last words have been the law of my life: Andrew, if I should not see you again, I wish you to remember and treasure up some things I have already said to you: in this world you will have to make your own way. To do that you must have friends. You can make friends by being honest, and you can keep them by being steadfast. You must keep in mind that friends worth having will in the long run expect as much from you as they give to you. To forget an obligation or be ungrateful for a kindness is a base crime-not merely a fault or a sin, but an actual crime. Men guilty of it sooner or later must suffer the penalty. In personal conduct be always polite but never obsequious. None will respect you more than you respect yourself. Avoid quarrels as long as you can without yielding to imposition. But sustain your manhood always. Never bring a suit in law for assault and battery or for defamation. The law affords no remedy for such outrages that can satisfy the feelings of a true man. Never wound the feelings of others. Never brook wanton outrage upon your own feelings. If you ever have to vindicate your feelings or defend your honor, do it calmly. If angry at first, wait until your wrath cools before you proceed.
Jon Meacham
13. No good life is possible unless it is organized around a vocation. If you try to use your work to serve yourself, you’ll find your ambitions and expectations will forever run ahead and you’ll never be satisfied. If you try to serve the community, you’ll always wonder if people appreciate you enough. But if you serve work that is intrinsically compelling and focus just on being excellent at that, you will wind up serving yourself and the community obliquely. A vocation is not found by looking within and finding your passion. It is found by looking without and asking what life is asking of us. What problem is addressed by an activity you intrinsically enjoy?
David Brooks (The Road to Character)
Everything that exists has a counterpart. The Word is only half of the equation, Nest. The Void is the other half. The Word and the Void — one a creator, one a destroyer, one good, one evil. They’re engaged in a war and they’ve been fighting it since the beginning of time. One seeks to maintain life’s balance; the other seeks to upset it. We’re all a part of that struggle because what’s at risk is our own lives. The balance isn’t just out there in the world around us; it’s inside us as well. And the good that’s the Word and the evil that’s the Void is inside us, too. Inside us, each working to gain the upper hand over the other, each working to find a way to overcome the other.
Terry Brooks (Running with the Demon (Word & Void, #1))
Tomorrow his friends would gather at Josie's for coffee and doughnuts, and in his absence they would talk of [her] in the same way they had talked of that postal worker in the gorilla suit or the fellow who killed all those children. They would not do so maliciously, but because they had thought her curious and now found her death somehow threatening. After all, she had died here, in Hopewell––not in some other town in some other state. She had died here, where they lived, and she was someone they knew. Yes, she was odd, and it wasn't really any surprise that she had died of a heart attack blasting away at shadows with a shotgun, because [she] had done stranger things. But in the back of their minds was the conviction that she really wasn't so different than they were, and that if it could happen to her, it could happen to them. Truth was, you shared an uneasy sense of kinship with even the most unfortunate, disaffected souls; you felt you had known at least a few of them during your life. You had been children together, with children's hopes and dreams. The dark future that had claimed those few was never more than an arm's length away from everyone else. You knew that. You knew that a single misfortune could change your life forever, that you were vulnerable, and to protect yourself you wanted to know everything you could about why it had touched another and passed you by.


Terry Brooks (Running with the Demon (Word & Void, #1))
BY THE END OF MY JUNIOR YEAR, SCHOOL SHOOTINGS WERE MAKING their way into the news. The first one I heard about was in 1997, when Luke Woodham killed two students and wounded seven others in Pearl, Mississippi. Two months later, in West Paducah, Kentucky, Michael Carneal killed three students at a high school prayer service. In March of 1998, Mitchell Johnson and Andrew Golden of Jonesboro, Arkansas—one aged thirteen, the other eleven—set off a fire alarm to make their fellow students run outside, then opened fire from the trees. They killed four students and a teacher. Finally, Kip Kinkel went on a rampage in Springfield, Oregon in May of 1998. He murdered both of his parents at home, then went to school, killed two students, and wounded twenty-two others.
Brooks Brown (No Easy Answers: The Truth Behind Death at Columbine)
They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
George MacDonald (The Princess and Curdie (Princess Irene and Curdie, #2))
Just outside of Greater Los Angeles, in a town called Claremont, are five colleges—Pomona, Pitzer, Scripps, Harvey Mudd, and Claremont Mckenna. At the start of the Great Panic, when everyone else was running, literally, for the hills, three hundred students chose to make a stand. They turned the Women’s College at Scripps into something resembling a medieval city. They got their supplies from the other campuses; their weapons were a mix of landscaping tools and ROTC practice rifles. They planted gardens, dug wells, fortified an already existing wall. While the mountains burned behind them, and the surrounding suburbs descended into violence, those three hundred kids held off ten thousand zombies! Ten thousand, over the course of four months, until the Inland Empire could finally be pacified.
Max Brooks (World War Z: An Oral History of the Zombie War)
On the first day of his duel with the bears, Saunders, operating behind his mask of brokers, bought 33,000 shares of Piggly Wiggly, mostly from the short sellers; within a week he had brought the total to 105,000—more than half of the 200,000 shares outstanding. Meanwhile, ventilating his emotions at the cost of tipping his hand, he began running a series of advertisements in which he vigorously and pungently told the readers of Southern and Western newspapers what he thought of Wall Street. “Shall the gambler rule?” he demanded in one of these effusions. “On a white horse he rides. Bluff is his coat of mail and thus shielded is a yellow heart. His helmet is deceit, his spurs clink with treachery, and the hoofbeats of his horse thunder destruction. Shall good business flee? Shall it tremble with fear? Shall it be the loot of the speculator?” On Wall Street, Livermore went on buying Piggly Wiggly.
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
The Broken Beauty I see compassion in your eyes, And I wonder, What agony has taught you such tenderness? I see kindness in your soul, And I wonder, What grief has taught you such gentleness? I see light in your eyes, And I wonder, What suffering has broken into light? I see wholeness rising in your heart, And I wonder, What brokenness has taught you such healing in life? I see smiles blooming in your face, And I wonder, What bruise has brought you such beauty? I smell fragrance of your soul. And I wonder, What murk has taught you to unfold? I see kindness in your face, And I wonder, What severity has taught you such softness? I see gratitude lighting your cheeks, And I wonder, What loss has taught you such humbleness? I sense peace in your soul, And I wonder, What struggles have taught you to surrender? I see shimmer in your eyes, And I wonder, What darkness has brought you to such light? I sense peace in your heart, And I wonder, What defeat has taught you such a submission? I see humility in your face, And I wonder, What trials have taught you such a gratitude? I sense freedom in your breath, And I wonder, What restraint has brought such a release? I see soaring of your wings, And I wonder, What confinement has taught you to fly in sky? I see the ocean in your eyes, And I wonder, What grief has brought such an oceanic vastness? I hear the splashing in your laughter, And I wonder, What sorrow has brought this dancing madness? I hear the brook babbling in your heart, And I wonder, What moss was gathered on the way that taught you to flow again? I sense the delight in your soul, And I wonder, What sadness came with such wisdom, to release the running river again? I see stars in your eyes, And I wonder, What darkness has given rise to the galaxy in you? I see the sun rising in your soul, And I wonder, What night has brought such a glory in rise? .....Jayita Bhattacharjee Copyright 2019 Jayita Bhattacharjee
Jayita Bhattacharjee
The California Board of Education provides, through its virtual libraries, a book intended for kindergarten teachers to read to their students: Who Are You? The Kid’s Guide to Gender Identity by Brook Pessin-Whedbee.19 The author begins with a familiar origin story: “Babies can’t talk, so grown-ups make a guess by looking at their bodies. This is the sex assigned to you at birth, male or female.”20 This author runs the gamut of typical kindergarten gender identity instruction. Who Are You? offers kids a smorgasbord of gender options. (“These are just a few words people use: trans, genderqueer, non-binary, gender fluid, transgender, gender neutral, agender, neutrois, bigender, third gender, two-spirit….”) The way baby boomers once learned to rattle off state capitals, elementary school kids are now taught today’s gender taxonomy often enough to have committed it to memory. And while gender ideologues insist they are merely presenting an objective ontology, it is hard to miss that they seem to hope kids will pick a fun, “gender-creative”21 option for themselves.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
Is the Word the same as God, do you think?" Pick looked at her some more. "Well, you don't think there's more than one God, do you?" Nest began to rush her words. "I mean, you don't think that the Word and God and Mother Nature are all different beings? You don't think they're all running around making different things--like God makes humans and the Word makes forest creatures and Mother Nature makes trees? Or that Allah is responsible for one race and one part of the world and Buddha is responsible for some others? You don't think that, do you?" Pick stared. "Because all these different countries and all these different races have their own version of God. Their religions teach them who their God is and what He believes. Sometimes the different versions even hold similar beliefs. But no one can agree on whose God is the real God. Everyone insists that everyone else is wrong. But unless there is more than one God, what difference does it make? If there's only one God and He made everything, then what is the point of arguing over whether to call him God or the Word or whatever? It's like arguing over who owns the park. The park is for everyone.
Terry Brooks (Running with the Demon (Word & Void, #1))
Today, if a landowner feels the urge, he can put a backhoe into his hillside pasture and disembowel it. He can set his plow against the contours and let his wealth run down into the brook and into the sea. He can sell his topsoil off by the load and make a gravel pit of a hayfield. For all the interference he will get from the community, he can dig through to China, exploiting as he goes. With an ax in his hand he can annihilate the woods, leaving brush piles and stumps. He can build any sort of building he chooses on his land in the shape of a square or an octagon or a milk bottle. Except in zoned areas he can erect any sort of sign. Nobody can tell him where to head in—it is his land and this is a free country. Yet people are beginning to suspect that the greatest freedom is not achieved by sheer irresponsibility. The earth is common ground and we are all over-lords, whether we hold title or not; gradually the idea is taking form that the land must be held in safekeeping, that one generation is to some extent responsible to the next, and that it is contrary to the public good to allow an individual, merely because of his whims or his ambitions, to destroy almost beyond repair any part of the soil or the water or even the view.
E.B. White (E.B. White on Dogs)
Through the buzzing in her ears, she heard new sounds from outside, shouting and cursing. All of a sudden the carriage door was wrenched open and someone vaulted inside. Evie squirmed to see who it was. Her remaining breath was expelled in a faint sob as she saw a familiar glitter of dark golden hair. It was Sebastian as she had never seen him before, no longer detached and self-possessed, but in the grip of bone-shaking rage. His eyes were pale and reptilian as his murderous gaze fastened on Eustace, whose breath began to rattle nervously behind the pudgy ladder of his chin. “Give her to me,” Sebastian said, his voice hoarse with fury. “Now, you pile of gutter sludge, or I’ll rip your throat out.” Seeming to realize that Sebastian was eager to carry out the threat, Eustace released his chokehold on Evie. She scrambled toward Sebastian and took in desperate pulls of air. He caught her with a low murmur, his hold gentle but secure. “Easy, love. You’re safe now.” She felt the tremors of rage that ran in continuous thrills through his body. Sebastian sent a lethal glance to Eustace, who was trying to gather his jellylike mass into the far end of the seat. “The next time I see you,” Sebastian said viciously, “no matter what the circumstances, I’m going to kill you. No law, nor weapon, nor God Himself will be able to stop it from happening. So if you value your life, don’t let your path cross mine again.” Leaving Eustace in a quivering heap of speechless fear, Sebastian hauled Evie from the vehicle. She clung to him, still trying to regain her breath as she glanced apprehensively around the scene. It appeared that Cam had been alerted to the fracas, and was keeping her two uncles at bay. Brook was on the ground, while Peregrine was staggering backward from some kind of assault, his beefy countenance turning ruddy from enraged surprise. Swaying as her feet touched the ground, Evie turned her face into her husband’s shoulder. Sebastian was literally steaming, the chilly air striking off his flushed skin and turning his breath into puffs of white. He subjected her to a brief but thorough inspection, his hands running lightly over her, his gaze searching her pale face. His voice was astonishingly tender. “Are you hurt, Evie? Look up at me, love. Yes. Sweetheart… did they do you any injury?” “N-no.” Evie stared at him dazedly. “My uncle Peregrine,” she whispered, “he’s very p-powerful—” “I’ll handle him,” he assured her, and called out to Cam. “Rohan! Come fetch her.” The young man obeyed instantly, approaching Evie with long, fluid strides. He spoke to her with a few foreign-sounding words, his voice soothing her overwrought nerves. She hesitated before going with him, casting a worried glance at Sebastian. “It’s all right,” he said without looking at her, his icy gaze locked on Peregrine’s bullish form. “Go.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Over To Candleford Chapter XXVIII: Growing Pains "This accumulated depression of months slid from her at last in a moment. She had run out into the fields one day in a pet and was standing on a small stone bridge looking down on brown running water flecked with cream-coloured foam. It was a dull November day with grey sky and mist. The little brook was scarcely more than a trench to drain the fields; but overhanging it were thorn bushes with a lacework of leafless twigs; ivy had sent trails down the steep banks to dip in the stream, and from every thorn on the leafless twigs and from every point of the ivy leaves water hung in bright drops, like beads. A flock of starlings had whirred up from the bushes at her approach and the clip, clop of a cart-horse's hoofs could be heard on the nearest road, but these were the only sounds. Of the hamlet, only a few hundred yards away, she could hear no sound, or see as much as a chimney-pot, walled in as she was by the mist. Laura looked and looked again. The small scene, so commonplace and yet so lovely, delighted her." It was so near the homes men and yet so far removed from their thoughts. The fresh green moss, the glistening ivy, and the reddish twigs with their sparkling drops seemed to have been made for her alone and the hurrying, foam-flecked water seemed to have some message for her. She felt suddenly uplifted. The things which had troubled her troubled her no more. She did not reason. She had already done plenty of reasoning. Too much, perhaps. She simply stood there and let it all sink in until she felt that her own small affairs did not matter. Whatever happened to her, this, and thousands of other such small, lovely sights would remain and people would come suddenly upon them and look and be glad. A wave of pure happiness pervaded her being, and, although it soon receded, it carried away with it her burden of care. Her first reaction was to laugh aloud at herself. What a fool she had been to make so much of so little.
Flora Thompson (Over to Candleford)
Then she cried quickly, "Stay, brother, stay! do not drink, or you will become a wild beast, and tear me to pieces." Thirsty as he was, the brother conquered his desire to drink at her words, and said, "Dear sister, I will wait till we come to a spring." So they wandered farther, but as they approached, she heard in the bubbling spring the words— "Who drinks of me, a wolf will be." "Brother, I pray you, do not drink of this brook; you will be changed into a wolf, and devour me." Again the brother denied himself and promised to wait; but he said, "At the next stream I must drink, say what you will, my thirst is so great." Not far off ran a pretty streamlet, looking clear and bright; but here also in its murmuring waters, the sister heard the words— "Who dares to drink of me, Turned to a stag will be." "Dear brother, do not drink," she began; but she was too late, for her brother had already knelt by the stream to drink, and as the first drop of water touched his lips he became a fawn. How the little sister wept over the enchanted brother, and the fawn wept also. He did not run away, but stayed close to her; and at last she said, "Stand still, dear fawn; don't fear, I must take care of you, but I will never leave you." So she untied her little golden garter and fastened it round the neck of the fawn; then she gathered some soft green rushes, and braided them into a soft string, which she fastened to the fawn's golden collar, and then led him away into the depths of the forest. After wandering about for some time, they at last found a little deserted hut, and the sister was overjoyed, for she thought it would form a nice shelter for them both. So she led the fawn in, and then went out alone, to gather moss and dried leaves, to make him a soft bed. Every morning she went out to gather dried roots, nuts, and berries, for her own food, and sweet fresh grass for the fawn, which he ate out of her hand, and the poor little animal went out with her, and played about as happy as the day was long. When evening came, and the poor sister felt tired, she would kneel down and say her prayers, and then lay her delicate head on the fawn's back, which was a soft warm pillow, on which she could sleep peacefully. Had this dear
Hamilton Wright Mabie (Fairy Tales Every Child Should Know)