Brooke Haven Quotes

We've searched our database for all the quotes and captions related to Brooke Haven. Here they are! All 80 of them:

Brooke?” I puff out a sigh. “For chrissake, Reid, who do you think it is? And haven’t you put me into your contacts yet?” “Yeah... It just says Satan, though, and I forgot I’d assigned that title to you.
Tammara Webber (Where You Are (Between the Lines, #2))
These women haven't shared their genes, but they have given freely of their memories. Their ideas. Their skills. There is more than one kind of legacy.
Lily Brooks-Dalton (The Light Pirate)
Let me tell you something you haven't learnt yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn't matter who you are or what you do, it happens. Experience, time, events - they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn't have given a second thought to when you were young. It happens gradually, a chipping away that you don't even notice at first, and then one day it's there. You wake up and you just don't have the fire anymore...Then you have a choice. You can either give in to what you're feeling, just say "okay, enough is enough" and be done with it, or you can fight it. You can accept that every day you're alive you're going to have to face it down, that you're going to have to say to yourself that you don't care what you feel, that it doesn't matter what happens anyway, that you're going to do what you have to because otherwise you're defeated and life doesn't have any real pupose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn't matter all that much - that those in here mattered more. You know something? It's not so hard really. You just have to get past the fear.
Terry Brooks
You have to trust in who and what you are. You have to trust in the dream you have been given. You have believed in it until now, haven’t you?
Terry Brooks (The Elves of Cintra (Genesis of Shannara, #2))
This is about us. This is about an intense, deep connection we have. I have loved you since I first laid eyes on you Fallon, and I haven’t stopped. I started to fall for you all over again Saturday night and even with how this afternoon went down, I still feel the same way. I am never going to hurt you. I will earn your trust again because I am only going to love you and our son for the rest of our lives.
Toni Aleo
... there are other proud people who have low self-esteem. They feel they haven't lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don't associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it's just that they are giving themselves a D- rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way.
David Brooks (The Road to Character)
Let me tell you something you haven’t learned yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn’t matter who you are or what you do, it happens. Experience, time, events—they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn’t have given a second thought to when you were young. It happens gradually, a chipping away that you don’t even notice at first, and then one day it’s there. You wake up and you just don’t have the fire anymore.” He smiled...
Terry Brooks (The Elf Queen of Shannara (Heritage of Shannara, #3))
Sometimes it's beautiful and we fall in love with all that story. Even after a thousand pages we don't want to leave the world the writer has made for us, or the make-believe people who live there. You wouldn't leave after two thousand pages, if there were two thousand. The Rings trilogy of J.R.R.Tolkien is a perfect example of this. A thousand pages of hobbits hasn't been enough for three generations of post-World War II fantasy fans; even when you add in that clumsy, galumphing dirigible of an epilogue, The Silmarillion, it hasn't been enough. Hence Terry Brooks, Piers Anthony, Robert Jordan, the questing rabbits of Watership Down, and half a hundred others. The writers of these books are creating the hobbits they still love and pine for; they are trying to bring Frodo and Sam back from the Grey Havens because Tolkien is no longer around to do it for them.
Stephen King (On Writing: A Memoir of the Craft)
I miss my best friend." And just like that, I knew. I would've gone to the ends of the earth for that man.
Brooke Blaine (A Little Bit like Love (South Haven, #1))
What crossroads are you at?” At any moment, most of us are in the middle of some transition. The question helps people focus on theirs. “What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back. “If you died tonight, what would you regret not doing?” “If we meet a year from now, what will we be celebrating?” “If the next five years is a chapter in your life, what is that chapter about?” “Can you be yourself where you are and still fit in?
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
A creator used to create' You got me young... You told what to want; you showed me in your movies and your shows. And I faithfully did your work. I created... I willingly clipped my wings and built myself a golden cage and you smiled and said, "well done." I let your fear tactics rule my actions until I could no longer hear my heart song. I took your medication and I ate your poison until my body was too sick to fight back. Ah, but I'm onto your game. I see it now and my only regret is that I didn't see it sooner. I made a life for myself only to realize it's never really what I wanted. My soul didn't want this hectic, materialistic life- your greed and your thirst for power wanted this. I don't belong here, but you've always known that, haven't you? You figured if you kept me caged long enough, kept me sick enough, kept me scared enough that I would eventually forget what I am. You slipped up with this one. So, hear me now. You had your fun with me, but I've had about enough of your bullshit for one lifetime. Watch me fly.
Brooke Hampton
These women haven’t shared their genes, but they have given freely of their memories. Their ideas. Their skills. There is more than one kind of legacy.
Lily Brooks-Dalton (The Light Pirate)
Do you always wear Malaysian imitations of Brooks Brothers blue oxford button-downs, Mr. Laney?" Laney had looked down at his shirt, or tried to. "Malaysia?" "The stitch-count's dead on, but they still haven't mastered the thread-tension." "Oh." "Never mind. A little prototypic nerd chic could actually lend a certain frisson, around here. You could lose the tie, though. Definitely lose the tie. And keep a collection of felt-tipped pens in your pocket. Unchewed, please. Plus one of those fat flat highlighters, in a really nasty fluorescent shade." "Are you joking?" "Probably, Mr. Laney. May I call you Colin?" "Yes." She never did call him "Colin," then or ever. "You'll find that humor is essential at Slitscan, Laney. A necessary survival tool. You'll find the type that's most viable here is fairly oblique." "How do you mean, Ms. Torrance?" "Kathy. I mean difficult to quote effectively in a memo. Or a court of law.
William Gibson (Idoru (Bridge, #2))
It's a gift, that's all. And when you get a gift, you feel good. Doesn't matter if you haven't got a gift ready to give in return. Something as fine as love from someone as nice as you—well, knowing about it means a lot. It can mean everything.
Bruce Brooks (What Hearts)
Life is a series of problems to be analyzed and addressed. How do we fix our failing schools? How do we reduce violence? These problem-centered questions are usually the wrong ones to ask. They focus on deficits, not gifts. A problem conversation tends to focus on one moment in time—the moment when a student didn’t graduate from high school, the moment when a young person commits a crime, the moment when a person is homeless. But actual lives are lived cumulatively. It takes a whole series of shocks before a person becomes homeless—loss of a job, breakdown in family relationship, maybe car problems or some transportation issue. It takes a whole series of shocks before a kid drops out of school. If you abstract away from the cumulative nature of life and define the problem as one episode, you are abstracting away from how life is lived. All conversations are either humanizing or dehumanizing, and problem-centered conversations tend to be impersonal and dehumanizing. The better community-building conversations focus on possibilities, not problems. They are questions such as, What crossroads do we stand at right now? What can we build together? How can we improve our lives together? What talents do we have here that haven’t been fully expressed?
David Brooks (The Second Mountain: The Quest for a Moral Life)
In a 2008 wedding toast to Cass Sunstein and Samantha Power, Leon Wieseltier put it about as well as possible: Brides and grooms are people who have discovered, by means of love, the local nature of happiness. Love is a revolution in scale, a revision of magnitudes; it is private and it is particular; its object is the specificity of this man and that woman, the distinctness of this spirit and that flesh. Love prefers deep to wide, and here to there; the grasp to the reach…. Love is, or should be, indifferent to history, immune to it—a soft and sturdy haven from it: when the day is done, and the lights are out, and there is only this other heart, this other mind, this other face, to assist in repelling one’s demons or in greeting one’s angels, it does not matter who the president is. When one consents to marry, one consents to be truly known, which is an ominous prospect; and so one bets on love to correct for the ordinariness of the impression, and to call forth the forgiveness that is invariably required by an accurate perception of oneself. Marriages are exposures. We may be heroes to our spouses but we may not be idols.
David Brooks (The Road to Character)
You don't give up on the people you love, even when they give up on themselves.
Alessia Dickson (The Crystal Chronicles)
Foolish man, the woman spat coldly. A stronger, smarter generation is coming. They will walk the earth as the ashes of your organization rain from the skies.
Alessia Dickson (The Crystal Chronicles)
In case you haven’t figured this out by now…” I whisper against her mouth. “I’m hopelessly in love with you.” “It’s about damn time. Only took you four years,” she deadpans.
Brooke Montgomery (Fall With Me (Sugarland Creek, #3))
Because, if you haven’t wrapped your head around this principle, chances are you’ll never sell a story.
Larry Brooks (Story Engineering)
You know, I can actually understand Kurt's logic. Why save an entire race of people when all they're doing is destroying? Starting wars. Destroying the environment. Destroying each other. Destroying what makes them human.
Alessia Dickson (The Crystal Chronicles)
You think I can control this worry? You think I can just stop thinking about you every second of every damned day? All of this would be so much easier if I could get you out of my head, Little Bird. Don’t think I haven’t tried.
Brooke Fast (To Cage a Wild Bird)
AT DAY’S END, when I leave the rectory for home, I prefer to walk through the orchard on the hill rather than go by the road and risk meeting people. After all we’ve been through together, it’s just not possible to pass with a polite, “Good night t’ye.” And yet I haven’t the strength for more. Sometimes, not often, the orchard can bring back better times to me. These memories of happiness are fleeting things, reflections in a stream, glimpsed all broken for a second and then swept away in the current of grief that is our life now. I can’t say that I ever feel what it felt like then, when I was happy. But sometimes something will touch the place where that feeling was, a touch as slight and swift as the brush of a moth’s wing in the dark. In the orchard of a summer night, if I close my eyes, I can hear the small voices of children: whispers and laughter, running feet and rustling leaves.
Geraldine Brooks (Year of Wonders)
So as soon as I tell myself I'm the first man ever to be dropped into the world, and as soon as I take that first flying leap into the frosty grass of an early morning when even birds haven't the heart to whistle, I get to thinking, and that's what I like. I go my rounds in a dream, turning at lane or footpath corners without knowing I'm turning, leaping brooks without knowing they're there, and shouting good morning to the early cow-milker without seeing him. It's a treat being a long-distance runner, out in the world by yourself with not a soul to make you bad-tempered or tell you what to do.
Alan Sillitoe
I did another commercial. Don't lose your loved ones, I wrote, because of excessive radioactivity. Don't be a wallflower at the dance because of strontium 90 in your bones. Don't be a victim of fallout. When the tart on Thirty-sixth Street gives you the big eye does your body stride off in one direction and your imagination in another? Does your mind follow her up the stairs and taste her wares in revolting detail while your flesh goes off to Brooks Brothers or the foreign exchange desk of the Chase Manhattan Bank? Haven't you noticed the size of the ferns, the lushness of the grass, the bitterness of the string beans, and the brilliant makings on the new breeds of butterflies? You have been inhaling lethal atomic waste for the last twenty-five years and only Elixircol can save you.
John Cheever (The Stories of John Cheever (Vintage International))
Believe me when I say, I don’t want any other woman but you. Don’t ask me why, because I can’t explain it. All I know is that you make me think things I haven’t thought about since Brooke’s mom died. You make me feel things I thought had died inside of me long ago. Now that you woke me up, babe, you’re gonna live life with me. I figure I can teach you how to pull that stick out of your ass to live wild and free. In return, you can teach me how to go from day to day havin’ someone in my life that I care about like this without worryin’ they’re gonna leave me again.
Chelsea Camaron (Ice (Regulators MC, #1))
The problem, Augustine came to believe, is that if you think you can organize your own salvation you are magnifying the very sin that keeps you from it. To believe that you can be captain of your own life is to suffer the sin of pride. What is pride? These days the word “pride” has positive connotations. It means feeling good about yourself and the things associated with you. When we use it negatively, we think of the arrogant person, someone who is puffed up and egotistical, boasting and strutting about. But that is not really the core of pride. That is just one way the disease of pride presents itself. By another definition, pride is building your happiness around your accomplishments, using your work as the measure of your worth. It is believing that you can arrive at fulfillment on your own, driven by your own individual efforts. Pride can come in bloated form. This is the puffed-up Donald Trump style of pride. This person wants people to see visible proof of his superiority. He wants to be on the VIP list. In conversation, he boasts, he brags. He needs to see his superiority reflected in other people’s eyes. He believes that this feeling of superiority will eventually bring him peace. That version is familiar. But there are other proud people who have low self-esteem. They feel they haven’t lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don’t associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it’s just that they are giving themselves a D– rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way. One key paradox of pride is that it often combines extreme self-confidence with extreme anxiety. The proud person often appears self-sufficient and egotistical but is really touchy and unstable. The proud person tries to establish self-worth by winning a great reputation, but of course this makes him utterly dependent on the gossipy and unstable crowd for his own identity. The proud person is competitive. But there are always other people who might do better. The most ruthlessly competitive person in the contest sets the standard that all else must meet or get left behind. Everybody else has to be just as monomaniacally driven to success. One can never be secure. As Dante put it, the “ardor to outshine / Burned in my bosom with a kind of rage.” Hungry for exaltation, the proud person has a tendency to make himself ridiculous. Proud people have an amazing tendency to turn themselves into buffoons, with a comb-over that fools nobody, with golden bathroom fixtures that impress nobody, with name-dropping stories that inspire nobody. Every proud man, Augustine writes, “heeds himself, and he who pleases himself seems great to himself. But he who pleases himself pleases a fool, for he himself is a fool when he is pleasing himself.”16 Pride, the minister and writer Tim Keller has observed, is unstable because other people are absentmindedly or intentionally treating the proud man’s ego with less reverence than he thinks it deserves. He continually finds that his feelings are hurt. He is perpetually putting up a front. The self-cultivator spends more energy trying to display the fact that he is happy—posting highlight reel Facebook photos and all the rest—than he does actually being happy. Augustine suddenly came to realize that the solution to his problem would come only after a transformation more fundamental than any he had previously entertained, a renunciation of the very idea that he could be the source of his own solution.
David Brooks (The Road to Character)
I follow you. So now you aim to get to a good college. In order to do justice to your talent.’ ‘Well, something like that. My mother and I both thought that maybe Atlas Brookings, being a generous and liberal college…’ ‘Sufficiently generous and liberal to be open to all students of high caliber, even some who haven’t benefited from genetic editing.’ ‘Exactly, sir.’ ‘And no doubt, Rick, you understand, because your mother will have told you, that I currently chair the college’s Founders’ Committee. That’s to say, the body that controls the scholarships.’ ‘Yes, sir. That’s what she told me.’ ‘Now, Rick. I’m hoping your mother hasn’t been implying that the selection procedure at Atlas Brookings is subject to any favoritism.’ ‘Neither my mother nor I would ask you to help me out of favoritism, sir. I’m only asking you to help if you think I’m worth a place at Atlas Brookings.’ ‘That’s well said. Okay, let’s take a look at what you have here.
Kazuo Ishiguro (Klara and the Sun)
Ian rested his hands behind his head. “I’m already picturing myself in the Sterling luxury suite at Soldier Field, right above the fifty-yard line.” Both the lawyer and pragmatic woman in Brooke felt the need to manage her CEO’s expectations. “You’re getting way ahead of yourself here, Ian. In fact, I think you just lapped yourself.” “A man can dream, Brooke.” She chuckled. “Who are you kidding? You barely use our suites at Wrigley Field and the United Center.” He waved this off. “Yeah, but football’s different. If we get this deal with the Bears, you better believe my butt will be at Soldier Field for every home game.” He saw her fighting back a grin. “What?” “I just wonder what it is about men and football,” Brooke said. Sure, because of her job she could hold her own when it came to talking sports, but—wow—had her eyes been opened when she’d been down in Dallas, negotiating the Cowboys deal. Those men didn’t just love football, they lived football. “Is it a warrior-metaphor kind of thing? The idea that the strongest, toughest men of the region strap on their armor and step onto the battlefield to face off against the strongest, toughest opponents?” “As a matter of fact, that’s exactly what it is.” “I see. And remind me: in what century did it become customary for one’s army to be attended at the battle ground by hot girls with spanky pants and pom-poms? Was that a tradition Napoleon started?” Brooke pretended to muse. “Or maybe it was Genghis Khan.” “You scoff at America’s sport. I have fired people for less.” Brooke threw Ian a get-real look. “No, you haven’t. You don’t fire anyone without trotting down to my office and asking me first whether you’ll get sued. And then I’m always the one that has to fire them, anyway.” “Because you do it with such charm,” Ian said with a grin
Julie James (Love Irresistibly (FBI/US Attorney, #4))
What crossroads are you at?” At any moment, most of us are in the middle of some transition. The question helps people focus on theirs. “What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Verity by Colleen Hoover and The Book of Accidents by Chuck Wendig.’ ‘Ooh, Verity is a bit disturbing but great. I haven’t read the other.
Helen Phifer (Silent Angel (Detective Morgan Brookes #7))
One song to the tune of another - a concept that is almost too simple for words. Without a trace of ostentation and offering no more than plain uncomplicated straightforwardness, the difficulty of the round lies only in finding the mode juste to describe its lack of pretention and complication or the ease and clarity, which embraces its artless elementalism. Indeed Its this very lack of convoluted ramification that makes excessive detail description not only unnecessary, but also superfluous to a point bordering on the tautological. It's impossible to describe its lack of advanced over contrived complex compound structure or its total avoidance of extravagantly woven sophistry in mere words. These conventional catalysts so expeditious to verbal facility that elucidate conceptual comprehension succinctly and without recourse to extraneous elaboration. If only everything in life was so simple!
Graeme Garden;Jon Naismith;Iain Pattinson;Tim Brooke-Taylor;Barry Cryer;Humphrey Lyttelton (I'm Sorry I Haven't A Clue)
It used to be us. Me and you, together.” “It still is us. I’m right here. I have been right. Fucking. Here.” Stepping up to her, I glare down. “I am not the fucking one who chose to leave in the first place, remember that?” “How could I forget?” she hisses. “You remind me every. Single. Day.” “Guess I haven’t gotten over it.” I shrug lazily. Being the resentful dick that I am. “Good.” Her venomous eyes narrow. “I suppose you never will either.” “How the fuck can I when you can’t tell the fucking truth to save your life, Ally?
Hannah Gray (Love, Ally (Brooks University, #1))
Brooke, listen to me.” Tim squeezes my hand as he looks me right in the eyes. “I haven’t seen you in ten years. In that time, I’ve dated a fair number of girls. But it never worked out—it couldn’t. And it was all because I couldn’t stop thinking about you. Anyone else I dated, it wouldn’t be fair to them.” His Adam’s apple bobs. “I’ll never feel about anyone else the way I feel about you.
Freida McFadden (The Inmate)
What crossroads are you at?” At any moment, most of us are in the middle of some transition. The question helps people focus on theirs. “What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back. “If you died tonight, what would you regret not doing?” “If we meet a year from now, what will we be celebrating?” “If the next five years is a chapter in your life, what is that chapter about?” “Can you be yourself where you are and still fit in?
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back. “If you died tonight, what would you regret not doing?” “If we meet a year from now, what will we be celebrating?” “If the next five years is a chapter in your life, what is that chapter about?” “Can you be yourself where you are and still fit in?
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
So, all I really want to say is: live your best life. Live it every single day. Don’t make bucket lists you won’t stick to. Don’t feel you need to jump out of a plane or bungee jump into a canyon. If living your best life is simply going for a walk with your dog every day – do that. If living your best life is drinking white wine that you haven’t bothered to chill. Do that. Hug your family. When you’re finished telling your family how much they annoy you, be sure to tell them how much you love them, too. And every morning when you wake up, take a big, deep breath and be grateful for the air in your lungs. Don’t just be alive. Live.
Brooke Harris (The Forever Gift: An utterly heartbreaking and emotional Irish novel)
Who was this guy who dressed like David Beckham, was built like the Rock, and quoted fucking Maya Angelou, anyway? And why couldn’t I seem to get him off my mind?
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
those for some new disease that most people haven’t even heard of? Look at what we’ve put into research during and after the war, and we still don’t have
Max Brooks (World War Z: An Oral History of the Zombie War)
No, I’d never been with this man before. I’d remember someone this mouthwatering.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
His arousal was evident at the head of his dick, and I painted my lips with his pre-cum, eliciting a moan from his mouth.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
When my fingers grazed against his prostate, the hitch in his breath and the jerk of his hips were the only warnings I got before his climax roared into my mouth. And like the greedy sonofabitch I was, I. Took. It. All.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
Straight men had never been my thing, because in my opinion, there were too many willing men in the world to waste my time chasing someone who only wanted to be with me in the dark. And there it is, I thought. Exactly why I was half flattered, half peeved at finding out it had been Trent that night. While it was hot as hell, in the light of day, it made me feel a bit…used.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
God. Damn. It was like the world suddenly exploded around us, a bomb blasting in my ears, my head swimming, my feet unsteady.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
I’ve got a birthmark that goes across the side of my neck. Looked like a rash, and didn’t exactly entice anyone to go near it, if you know what I’m sayin’.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
TRENT. KNOX. TRENT fucking Knox was in my chair. Former front man of one of my favorite bands, TBD, and a seriously sexy man to boot.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
Victims are not vulnerable. They just haven’t done their work. Do
Brooke Castillo (It Was Always Meant to Happen That Way)
With Ships the sea was sprinkled far and nigh,   Like stars in heaven, and joyously it showed;   Some lying fast at anchor in the road,   Some veering up and down, one knew not why.   A goodly Vessel did I then espy   Come like a Giant from a haven broad;   And lustily along the Bay she strode,   Her tackling rich, and of apparel high.   This Ship was nought to me, nor I to her,   Yet I pursued her with a Lover’s look;   This Ship to all the rest did I prefer:   When will she turn, and whither? She will brook   No tarrying; where she comes the winds must stir:   On went She, and due north her journey took.
William Wordsworth (The Complete Works of William Wordsworth: The Prelude, Lyrical Ballads, Poems Written In Youth, The Excursion and More)
Ancient Ways Considering their favorable strategic location, pleasant climate, and natural beauty, is it any wonder that the Greek Isles became the cradle of Western culture? For millennia, the Greek islands have exerted a powerful magnetic force on people around the world. Seafaring conquerors have long recognized the importance and beauty of these islands. Ancient Phoenician ships came ashore as early as the third millennium B.C.E., followed by would-be conquerors from mainland Greece, Rome, Venice, and Turkey. Invaders have laid claim to these islands from antiquity well into the modern era. Pleasure seekers have also been drawn to the area. Ancient Minoan kings built their luxurious palaces among the citrus groves and rugged hillsides that overlook the placid seas. Scenes depicted in ancient wall paintings and on decorated pottery suggest that the islands have been a center of hedonistic activity--dancing, drinking, and romance--for eons. Today, visitors from around the world indulge in these same activities, drawn to the beaches, tavernas, and discotheques that pepper the many island harbors. Contemporary travelers to the Greek Isles come for myriad reasons and find a dazzling array of unexpected delights, for each of the more than three thousand islands has its own particular character. From the larger, bustling islands of Crete, Rhodes, and the island nation of Cyprus to the quieter havens of Folegandros and Kárpathos, to the hundreds of tiny, uninhabited islets of the region, the Greek Isles present a collage of diverse landscapes and customs. Mykonos is fun-loving, with lively tavernas and populated beaches. Delos is stoic, protecting the ruins of its ancient sanctuaries in solemn dignity. Milos is magical, with its volcanic rock formations and stunning village vistas.
Laura Brooks (Greek Isles (Timeless Places))
Heather Fae Brooks believes love can find you anywhere, anytime, any age. If you haven't found your Happily Ever After yet, just keep opening yourself to the universe. But, remember, love yourself as well.
Heather Fae Brooks
Land sakes, don’t thank us yet!” said Mrs. Wiggins. “We haven’t done anything. Wait till Mr. Camphor
Walter Rollin Brooks (Freddy and Mr. Camphor (Freddy the Pig Book 11))
I haven’t ever attended a real high-up society affair,” said Mrs.
Walter Rollin Brooks (Freddy and the Bean Home News (Freddy the Pig Book 10))
Oh you are especially priceless, he said motioning to Haven and I, widening the expanse of his grin. First you two break into my office... Haven stiffened and we briefly made eye contact. And then all four of you break into my lab. Quite a nosey lot aren't you?
Alessia Dickson (The Crystal Chronicles)
Fear and paranoia are similair things, he interrupted. Both of them just so happen to be in your head.
Alessia Dickson (The Crystal Chronicles)
For a fleeting moment, I wondered how he turned out so untamed, so free, coming from such a refined and wealthy setting.
Alessia Dickson (The Crystal Chronicles)
Let me tell you something you haven’t learned yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn’t matter who you are or what you do, it happens. Experience, time, events — they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn’t have given a second thought to when you were young. It happens gradually, a chipping away that you don’t even notice at first, and then one day it’s there. You wake up and you just don’t have the fire anymore. Then you have a choice. You can either give in to what you’re feeling, just say ‘okay, enough is enough’ and be done with it, or you can fight it. You can accept that every day you’re alive you’re going to have to face it down, that you’re going to have to say to yourself that you don’t care what you feel, that it doesn’t matter what happens to you because sooner or later it is going to happen anyway, that you’re going to do what you have to because otherwise you’re defeated and life doesn’t have any real purpose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn’t matter all that much — that those in here mattered more. You know something? It’s not so hard really. You just have to get past the fear.
Terry Brooks (The Elf Queen of Shannara (Heritage of Shannara, #3))
To believe that you can be captain of your own life is to suffer the sin of pride. What is pride? These days the word “pride” has positive connotations. It means feeling good about yourself and the things associated with you. When we use it negatively, we think of the arrogant person, someone who is puffed up and egotistical, boasting and strutting about. But that is not really the core of pride. That is just one way the disease of pride presents itself. By another definition, pride is building your happiness around your accomplishments, using your work as the measure of your worth. It is believing that you can arrive at fulfillment on your own, driven by your own individual efforts. Pride can come in bloated form. This is the puffed-up Donald Trump style of pride. This person wants people to see visible proof of his superiority. He wants to be on the VIP list. In conversation, he boasts, he brags. He needs to see his superiority reflected in other people’s eyes. He believes that this feeling of superiority will eventually bring him peace. That version is familiar. But there are other proud people who have low self-esteem. They feel they haven’t lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don’t associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it’s just that they are giving themselves a D– rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way. One key paradox of pride is that it often combines extreme self-confidence with extreme anxiety. The proud person often appears self-sufficient and egotistical but is really touchy and unstable. The proud person tries to establish self-worth by winning a great reputation, but of course this makes him utterly dependent on the gossipy and unstable crowd for his own identity. The proud person is competitive. But there are always other people who might do better. The most ruthlessly competitive person in the contest sets the standard that all else must meet or get left behind. Everybody else has to be just as monomaniacally driven to success. One can never be secure. As Dante put it, the “ardor to outshine / Burned in my bosom with a kind of rage.
David Brooks (The Road to Character)
You don’t write such tripe to the women you hope to interest, do you?” “I should hope not,” he responded indignantly. “Good God, I have much more originality. These men clearly aren’t thinking about how best they can interest you.” “What does that mean?” “Quite simply, you’re not the type to be wooed with poetry or false compliments.” “I’m not?” Now she was interested. “But I like poetry.” His reply brooked no rebuttal. “No, you don’t. Not like this. They haven’t got it right at all.” “Enlighten me, Lord Blackmoor, how should I be wooed, as you put it? I am intrigued by your obvious expertise.” He was quick to respond, “You’re too vibrant for them. Too strong. You have a sharp mind and an exciting personality and an unexpected sense of humor. If these men were half the man you deserve, they would have already recognized all those things and they would be romancing you accordingly. They would be working to intrigue and amuse and inspire you—just as you do them. And they would know that only when they have won your mind will they even have a chance at winning your heart.” The room felt much warmer all of a sudden, and Alex resisted the urge to fan herself, trying to ignore the rapid increase in her pulse as color flooded her cheeks. In the silence that followed his impassioned speech, Gavin stood and walked over to her. A cocky grin spread across his face. “That’s how I write to the women I hope to interest, Alex.” She attempted a cool response. “Perhaps…” Her voice caught and she cleared her throat, beginning anew. “Perhaps you should consider holding classes. I am acquainted with quite a few men who could do with some training. More than forty of them, it seems. Lord save me.” He
Sarah MacLean (The Season)
Alex.” She couldn’t look up at him. “Alexandra. Look at me.” With a sigh, she did, meeting his gaze as he spoke firmly. “You don’t have to apologize for any of that. I incited you…I know that now as much as I knew it then. I’m sorry that I was boorish. I should have checked my behavior long before it came to our arguing in the middle of a ball.” He reached out and took the candle from her hands, setting it on a nearby table before taking her hands in his. “I’m the one who should be apologizing. I don’t know what got into me about Freddie. I’ve always quite liked him. But this season…seeing him flirting with you…it’s been…difficult to watch. And I know my behavior has been reprehensible.” “You have to stop thinking of me as your sister, Gavin.” He offered her a half smile. “That seems to be the singular problem.” Confusion clouded her emerald eyes as he continued, “You see, I haven’t been thinking of you as my sister. In fact, the way I’ve been thinking when it comes to you is the very opposite of brotherly.” The words hung in the air and Alex’s eyes widened as understanding dawned. He offered a self-deprecating smile. “I see you take my meaning.” He let go of her hands and ran his fingers through his hair as though he didn’t know what to do with them. “You needn’t worry. I’m not going to act on my feelings.” “Why?” Alex asked the question without thinking. “If only I knew why. It began at the start of the season, and at first I chalked it up to my missing you while I was in mourning. Which I did. But instead of the feelings dissipating as I spent time in your company”—he slashed a hand through the air in frustration—“they only seemed to grow stronger.” Alex looked up at him, meeting his frustrated grey eyes. “Not why are you feeling the way you are, Gavin. Why aren’t you going to act on those feelings?” He froze. Neither of them moved, each afraid to take the next step. The first step. The moment stretched out into what seemed like an eternity and Alex began to feel awkward, as though she had said the wrong thing. “I—I’m sorry. I—I don’t know what prompted me to ask such a thing.” She started to take a step backward. “No.” The word was soft, but brooked no refusal. She went still as he continued, “There are a dozen reasons why I shouldn’t act on them.” He lifted his hands to cradle her face between them. “A hundred reasons why I should turn around and walk out of this room.” He leaned down until he was a hairbreadth away from her. “But I’m through listening to them.” And, with that, he kissed her. The
Sarah MacLean (The Season)
Humanity wasn’t dying. It was already dead. The outside people—not all of them, but most—were more programmed than I was. I could still feel, still sense there was more to the world than myself. But these people existed in a bubble, shadowy figures in their own little haven where they could do what they wanted and say what they pleased with no thought to what it might do to someone else.
Brooke Beyfuss (After We Were Stolen)
Shaw Jennings,” he said solemnly, “I just wrote over a dozen fucking songs about you. You can’t break my heart until at least the second album.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
Waiting for you.” Jackson took a step toward me. “Just you.” Another step. “Always you. Even when you’re a fucking prick.
Brooke Blaine (A Little Bit like Love (South Haven #1))
Glancing at the name of the boat scrawled across the back, I laughed. “Hard and Full of Seamen.
Brooke Blaine (A Little Bit like Love (South Haven #1))
I’ve never done this before,” he said. “Played for a crowd of one?” He shook his head. “Played my songs for the person I wrote them for.” Speechless. I went completely, totally speechless.
Brooke Blaine (A Little Bit like Desire (South Haven, #2))
You asked me if I loved you. I do. I haven’t really thought about it in any deliberate way—I just always accepted it. I suppose I believed that you would always be there and so dismissed any further consideration as unnecessary. Why examine something that was so obvious? There seemed no need to do so. But I was wrong. I see that. I took you for granted without even realizing it. I thought that what we shared was sufficient as it was. I didn’t allow for change or doubts or complacency.
Terry Brooks (First King of Shannara (Shannara, #0))
meant something to me. Our friendship. You in my
Brooke Blaine (A Little Bit like Love (South Haven #1))
life. It meant everything. And I miss you every goddamn day, Lucas.
Brooke Blaine (A Little Bit like Love (South Haven #1))
Will Ticketmaster refund tickets ? Chat Free 7. Be Polite and Persistent (tfn (855)-771-8868): While it can be frustrating, maintaining a polite and respectful tone will likely lead to a more productive interaction. tfn (855)-771-8868 If your initial request is denied or you don't receive a satisfactory response, don't be afraid to politely follow up. tfn (855)-771-8868 Keep records of all communication, including dates, times, and the names of representatives you speak with. tfn (855)-771-8868 8. Escalate if Necessary (tfn (855)-771-8868): If you've followed the standard procedures and still haven't received a resolution, you may need to escalate your issue. tfn (855)-771-8868 Ask to speak with a supervisor or manager. tfn (855)-771-8868
Brook lesnaar
Stories aren't facts, Cait, they're not details. Stories are feelings. You've got your feelings, haven't you?" "Too many," I said. "Well, that's all you need." He put his hand on mine. "Cry yourself a story, love. It works. Believe me." So that's what I did, I cried myself a story. And this is it.
Kevin Brooks
Look at those women over there, Bella. They haven’t ceased staring at me all night. One would think they’d never seen a fictional character come to life before.” “They and everybody else,” Arabella said impatiently. “But not for— Jackie, are you listening to me?” “And that Baron whatever-his-name-is has winked at me six times. Six! Can you imagine? It is positively diverting.” “Jackie, look at me.” Arabella held a cheaply printed broadsheet. “Have you read this? Part III?” “I have. It is a very satisfying finale.” “Satisfying?” “Everybody ends up just as they should,” she forced herself to say. Arabella squeezed her hand. “This is not like you, darling. He hurt you terribly, and I understand that this ending satisfies that hurt. But you cannot like the stone princess’s fate. Do not tell me you have resigned yourself to it.” “I haven’t, of course. She goes willingly, while I—” “Willingly?” Arabella peered at her. “You haven’t read it, have you?” She pressed the page into her palm. Jacqueline cared nothing that at least a dozen pairs of eyes were on her as she uncreased the paper and yet again forced her misery behind the blockade of pride and confidence she had erected. If they must all see her read it to be satisfied she knew the ending— the ending she had written an hour after telling Duke Tarleton that she could not marry him or any other man— then so be it. But as her eyes scanned the words, she did not recognize them. This was not her writing. The king he swore in fury’s rage His daughter would be wed To warlike man through violent force, And chained to mortal bed. The princess wed; her husband learned The secret of the portal. With axe and club he broke it down, Entrapping her as mortal. The Sun Prince knew not this tragic fate; He waited at the feast. ’Midst song and dance he watched for her, Yet found in them no peace. In silv’ry light he stood upon The brook’s clear bank where once With hands entwined they’d spoke of joy, Yet now came still silence. Days passed to weeks, weeks into months. The princess did not come. He called his heartbreak to the stars, Beneath which they had loved. The trees whispered his sorrow’s grief, The Moon in solace shone, But the prince no comfort would he take Now his mortal maid was gone. His beauty waned; the prince grew weak. His golden luster faded. For it was she who’d brought him life; From her his beauty came. O’er song and feast the dark night crept Upon the desolate shore. Then sending forth his final breath, The Sun Prince was no more. Jacqueline blinked, shedding a tear and marring the freshly printed ink. She swiped a finger beneath her lashes. Before her appeared a linen kerchief. The hand that held it was masculine, strong and familiar. She lifted her head. The Earl of Bedwyr knelt before her upon one knee. His hair was tousled, his coat wrinkled, his cravat hastily tied, and his hand extending the linen was unsteady. His dark eyes spoke something she could not readily believe: hope. “Princess.” His voice was rough. “Don’t let me die.” -Jacqueline, Arabella, & Cam
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
Look at those women over there, Bella. They haven’t ceased staring at me all night. One would think they’d never seen a fictional character come to life before.” “They and everybody else,” Arabella said impatiently. “But not for— Jackie, are you listening to me?” “And that Baron whatever-his-name-is has winked at me six times. Six! Can you imagine? It is positively diverting.” “Jackie, look at me.” Arabella held a cheaply printed broadsheet. “Have you read this? Part III?” “I have. It is a very satisfying finale.” “Satisfying?” “Everybody ends up just as they should,” she forced herself to say. Arabella squeezed her hand. “This is not like you, darling. He hurt you terribly, and I understand that this ending satisfies that hurt. But you cannot like the stone princess’s fate. Do not tell me you have resigned yourself to it.” “I haven’t, of course. She goes willingly, while I—” “Willingly?” Arabella peered at her. “You haven’t read it, have you?” She pressed the page into her palm. Jacqueline cared nothing that at least a dozen pairs of eyes were on her as she uncreased the paper and yet again forced her misery behind the blockade of pride and confidence she had erected. If they must all see her read it to be satisfied she knew the ending— the ending she had written an hour after telling Duke Tarleton that she could not marry him or any other man— then so be it. But as her eyes scanned the words, she did not recognize them. This was not her writing. The king he swore in fury’s rage His daughter would be wed To warlike man through violent force, And chained to mortal bed. The princess wed; her husband learned The secret of the portal. With axe and club he broke it down, Entrapping her as mortal. The Sun Prince knew not this tragic fate; He waited at the feast. ’Midst song and dance he watched for her, Yet found in them no peace. In silv’ry light he stood upon The brook’s clear bank where once With hands entwined they’d spoke of joy, Yet now came still silence. Days passed to weeks, weeks into months. The princess did not come. He called his heartbreak to the stars, Beneath which they had loved. The trees whispered his sorrow’s grief, The Moon in solace shone, But the prince no comfort would he take Now his mortal maid was gone. His beauty waned; the prince grew weak. His golden luster faded. For it was she who’d brought him life; From her his beauty came. O’er song and feast the dark night crept Upon the desolate shore. Then sending forth his final breath, The Sun Prince was no more. Jacqueline blinked, shedding a tear and marring the freshly printed ink. She swiped a finger beneath her lashes. Before her appeared a linen kerchief. The hand that held it was masculine, strong and familiar. She lifted her head. The Earl of Bedwyr knelt before her upon one knee. His hair was tousled, his coat wrinkled, his cravat hastily tied, and his hand extending the linen was unsteady. His dark eyes spoke something she could not readily believe: hope. “Princess.” His voice was rough. “Don’t let me die.” -Jacqueline, Arabella, & Cam
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
According to The Dark History Of The Henbane Witches (the book Staten’d showed me) the Witches once utilised the catacombs as a safe haven to conduct ceremonies, brew potions and frig each other with their broomsticks. (Admittedly, the frigging part wasn’t mentioned, but if I was willing to start another rumour…) Anyway, my question was this: had the Mortifera (perhaps like I said, some secret ongoing club) set up HQ down there in the days after the witches had abandoned the place?
A.L. Brooks (Strangeworld: The Mortifera)
Mrs. Wiggins objected at first to the last sentence. “We haven’t been in business but a week,” she said.
Walter Rollin Brooks (Freddy the Detective (Freddy the Pig Book 3))
off a different lane entirely.” “Oh, right. Well, maybe we’ll get to see that another day,” Mia smiled, her heart rate rising. “Thanks!” The old lady nodded, then watched as the girls turned their ponies. Mia, Rosie and Charlie couldn’t keep the smiles from their faces as they headed through the trees and back across the brook onto the Dovecote estate. “So, there are hoof prints in the brook right opposite the most remote corner of Chestnut Grove,” Charlie said in a rush. “Which means that Freddie could easily have led Foxy from his paddock,” Mia figured, “across this brook, then hidden him in Dovecote Hall!” “We’d better hurry up, then,” Rosie said, starting to get excited. “We haven’t got long to check out the rest of the estate and find Foxy!
Belinda Rapley (Foxy: Rivalry at Summer Camp (The Pony Detectives, #5))
Daniel wobbled and the grip slid out of his hand. He dropped only a few inches, but by the time he’d recovered, I was pulling myself over the top. Brooke and Nicole were cheering. The others below called up good-natured boos. I took a breather as I hung off the ledge. I could hear Daniel panting beside me, but I didn’t look over. There was no way he’d lost his hold on that grip. He’d let go. Given me the win at the last second as he realized what was coming if he’d won. A kiss he didn’t want. The ego bruise lasted only a moment. Was I surprised? No. How awkward would that have been? Neither of us wanted that kiss. As always, Daniel had done the right thing and, if I’d been in his place, I’d have done the same. After a moment, I grinned over at him. “Loser.” “The rope slipped,” he said, tugging at it, like he was testing the belay system. “You just keep telling yourself that. It’ll keep you busy while you’re building those new holds.” “You still need to beat everyone else. You haven’t won yet.” “Just keep telling yourself that, too.” He laughed and gave me a shove. I returned the favor, sending him swinging, then belayed down before he could retaliate.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
I haven’t cried like that for Tony. I should have, the moment I received the news of his death. But I was afraid to give way to it. Remembering that day in Hebron, that complete lack of self-control, I knew that if I started, I mightn’t be able to stop. So I shut it down. And for the past two years, I haven’t been able to cry at all.
Geraldine Brooks (Memorial Days)
Big questions interrupt the daily routines people fall into and prompt them to step back and see their life from a distance. Here are some of my favorite questions that do that: “What crossroads are you at?” At any moment, most of us are in the middle of some transition. The question helps people focus on theirs. “What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back. “If you died tonight, what would you regret not doing?” “If we meet a year from now, what will we be celebrating?” “If the next five years is a chapter in your life, what is that chapter about?” “Can you be yourself where you are and still fit in?
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
What crossroads are you at?” At any moment, most of us are in the middle of some transition. The question helps people focus on theirs. “What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back. “If you died tonight, what would you regret not doing?” “If we meet a year from now, what will we be celebrating?
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
According to Leo Tolstoy, “The worst thing about death is the fact that when a man is dead it is impossible any longer to undo the harm you have done him, or to do the good you haven’t done him. They say: live in such a way as to be always ready to die. I would say: live in such a way that anyone can die without you having anything to regret.”[
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
Big questions interrupt the daily routines people fall into and prompt them to step back and see their life from a distance. Here are some of my favorite questions that do that: • “What crossroads are you at?” At any moment, most of us are in the middle of some transition. The question helps people focus on theirs. • “What would you do if you weren’t afraid?” Most people know that fear plays some role in their life, but they haven’t clearly defined how fear is holding them back. • “If you died tonight, what would you regret not doing?” • “If we meet a year from now, what will we be celebrating?” • “If the next five years is a chapter in your life, what is that chapter about?” • “Can you be yourself where you are and still fit in?” Peter Block is an author and consultant who writes about community development and civic engagement. He is a master at coming up with questions that lift you out of your ruts and invite fresh reevaluations. Here are some of his: “What is the no, or refusal, you keep postponing? ... What have you said yes to that you no longer really believe in? ... What forgiveness are you withholding? ... How have you contributed to the problem you’re trying to solve? ... What is the gift you currently hold in exile?” Mónica Guzmán, the journalist I quoted in the last chapter, asks people, “Why you?” Why was it you who started that business? Why was it you who felt a responsibility to run for the school board? A few years ago, I met some guys who run a program for gang members in Chicago. These young men have endured a lot of violence and trauma and are often triggered to overreact. One of the program directors’ common questions is “Why is that a problem for you?” In other words they are asking, “What event in your past produced that strong reaction just now?” We too often think that deep conversations have to be painful or vulnerable conversations. I try to compensate for that by asking questions about the positive sides of life: “Tell me about a time you adapted to change.” “What’s working really well in your life?” “What are you most self-confident about?” “Which of your five senses is strongest?” “Have you ever been solitary without feeling lonely?” or “What has become clearer to you as you have aged?
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)