Brook Pants Quotes

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Why," he panted into Danny's neck, "why's it so goddamn good?" He was surprised at how full his voice sounded, so close to overflowing its steady banks. Danny stroked his hair, his lips warm against Miller's cheek. "Because it's us, Miller," he whispered. "Because it's us.
Brooke McKinley (Shades of Gray)
She trailed after him, admiring the line of his back. He began climbing the stairs, and she sighed with pleasure. Every bit of him was gorgeous. “Do you mind if I objectify you?” “Please do,” he said over his shoulder. “Particularly my knees, as they are oft-neglected.” “Maybe if you ever got your pants off, they wouldn’t be.” “It hardly matters, sweet; once they’ve come off, the attention isn’t likely to center on my absurdly handsome knees.
Meljean Brook (Demon Moon (The Guardians, #2))
People who could easily be mistaken as preteens just shouldn’t even try to pull off the look-at-me-I’m-so-serious-and-mysterious-and-sexy look. Especially while driving because, please, you look like you are twelve and a half and driving with a serious look. Most kids who get the opportunity to drive illegally are smiling so big that they look dyslexic and about to piss their pants with excitement because they are in operation of a vehicle that isn’t manufactured by PlayStation.
Chase Brooks
The heat of late afternoon closed in around us like an animate thing; you could feel it on your skin, warm and moist, like a great beast panting. The air was so dense it seemed to require a huge effort even to inhale it. It lay thick in the lungs and seemed to give no refreshment.
Geraldine Brooks (March)
His jean shorts started at his thighs and ended at his ankles. She had no idea why thugs liked this style of clothing, but it worked for her. It was hard to run with your pants falling down.
Kathleen Brooks (Bluegrass Undercover (Bluegrass Brothers, #1))
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
I love high heels and pretty dresses, but honestly, sometimes I want sweat pants
Emma Hart (Being Brooke (Barley Cross, #1))
Every morning they show off their funny T-shirts, awesome sneakers, and fad accessories. Me? I wear the same dorky thing every day. White shirt. Blue pants. Penny loafers. And a plaid tie. Plaid: for when it's more important to hide stains than to look good. At least there is one good thing to come from wearing a tie. It proves I’m a boy. Obviously, eggs don’t wear ties. My
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—
J.D. Salinger (The Catcher in the Rye)
If you were trying to startle us half to death, you succeeded,” she told him as she closed the distance between them. He responded with an angry growl, “The only thing I was trying to do was cool my a..., er, butt off.” “What?” Not the reply she had expected to get from him. “Those little shits,” he huffed, pointing in the direction of the boys’ cabins, “slipped Ex-Lax into my coffee this morning!” “How do you know it’s not just a stomach bug?” He grunted his impatience. “Because I discovered the laxative box in the boys’ bathroom garbage, alongside the empty jar of Icy Hot those delinquents thought would be funny to smear all over the toilet seat in the boys’ bathroom.” Water ran down his tanned face, spewing from his lips as he ranted angrily. No wonder Dalton had virtually flew, pants half undone, into the lake. Her lips began to twitch. This isn’t funny, she told herself. “Are you okay?” Was he okay? Dalton arched a wet brow. “My innards aren’t threatening to combust any longer, but my ass is still burning.
Lindsey Brookes (Kidnapped Cowboy (Captured Hearts, #1))
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
I haunted and interrogated the past even as it interrogated me. London, Skinner's Lane, Brook Street, the Sudan - how had we passed all that time? Why did we not burn up every moment of it, as we would if we could have it all again? The journey back to England surfaced in dreams and occupied my days, the train to Wadi Halfa panting across the desert, reading old newspapers in the white, shuttered carriages while Taha, alas, was obliged to travel with the guard; and the stops, which had no names, but only a number, painted on a little shelter beside the track; and the steamer to the first Cateract and the visionary beauty of Aswan.
Alan Hollinghurst (The Swimming-Pool Library)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
I had opened the obvious drawer, the top drawer of the room's only dresser, and found myself gazing into a masculine cache of compressed, crumpled things. Wash-worn Brooks Brothers white cotton shorts now a pale shade of gray. Snake-tangled, unpaired argyle socks, all in bright Easter colors like clover ad mauve which still showed fairly crisp near the tops, but down toward the heels were marred by thread pills and snags, and at the toes by the outright abjection of holes. To see laid bare in their entirety those socks, of which I'd heretofore glimpsed only brief merry stripes, when a pant cuff rose up from the rim of a shoe, was like seeing the man himself fully exposed to me--naked.
Susan Choi (My Education)
I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame; -- we have beaconed the world's night. A city: -- and we have built it, these and I. An emperor: -- we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming.... These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such -- The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns.... Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass; -- All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ---- Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers.... But the best I've known, Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, "All these were lovely"; say, "He loved.
Rupert Brooke
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
Ian rested his hands behind his head. “I’m already picturing myself in the Sterling luxury suite at Soldier Field, right above the fifty-yard line.” Both the lawyer and pragmatic woman in Brooke felt the need to manage her CEO’s expectations. “You’re getting way ahead of yourself here, Ian. In fact, I think you just lapped yourself.” “A man can dream, Brooke.” She chuckled. “Who are you kidding? You barely use our suites at Wrigley Field and the United Center.” He waved this off. “Yeah, but football’s different. If we get this deal with the Bears, you better believe my butt will be at Soldier Field for every home game.” He saw her fighting back a grin. “What?” “I just wonder what it is about men and football,” Brooke said. Sure, because of her job she could hold her own when it came to talking sports, but—wow—had her eyes been opened when she’d been down in Dallas, negotiating the Cowboys deal. Those men didn’t just love football, they lived football. “Is it a warrior-metaphor kind of thing? The idea that the strongest, toughest men of the region strap on their armor and step onto the battlefield to face off against the strongest, toughest opponents?” “As a matter of fact, that’s exactly what it is.” “I see. And remind me: in what century did it become customary for one’s army to be attended at the battle ground by hot girls with spanky pants and pom-poms? Was that a tradition Napoleon started?” Brooke pretended to muse. “Or maybe it was Genghis Khan.” “You scoff at America’s sport. I have fired people for less.” Brooke threw Ian a get-real look. “No, you haven’t. You don’t fire anyone without trotting down to my office and asking me first whether you’ll get sued. And then I’m always the one that has to fire them, anyway.” “Because you do it with such charm,” Ian said with a grin
Julie James (Love Irresistibly (FBI/US Attorney, #4))
Slowly, Kate ran her hand up his bare chest and felt the thunder of his heart. He closed his eyes, visibly savoring her touch. Her mesmerized gaze followed her hand as she inched a caress over the muscled swells of his chest, and lower, to his chiseled abdomen. She heard his ragged exhalation. Then he gripped her forearm with a touch that would brook no denial and drew her silently into his cabin. She thought again of refusing as he closed the door, but when she saw his thoroughly determined stare, she knew there was no point. She knew that look. The warrior. He was going to have her, and heaven help her, she wanted wholeheartedly to give in. God, had she no pride? She was wet for him before he even touched her, lifting her chin softly with his fingertips. She closed her eyes, parted her lips, and surrendered in his feverish seduction. The next thing she knew, she was in his arms, pinned against the wall. They were kissing roughly. She raked him with her nails, he nipped her with his teeth. She clutched his hair as he left her lips to ravish the curve of her neck, his hands working feverishly to wrench aside the bodice of her gown. He dropped to his knees with an animal moan and proceeded to suck on her nipples like he would pleasure her for an eternity. Kate thrust the tip of her pinky between her teeth to keep from crying out. Rohan was shaking as he rose again, freeing his rigid member from the placket of his black trousers. She skimmed her fingertips along his silken length, but his need overtook him. In no mood to play, he lifted her striped satin skirts. His breath was harsh and rasping by her ear, panting in the darkness. He picked her up and leaned her back against the wall; she wrapped her arms and legs around him and buried her blushing face against his neck as he penetrated her. The soft groan of sheer relief that escaped him once he was buried to the hilt inside her was the stuff of a harlot's dreams. Oh, to have the power to make him moan like that. It was beyond intoxicating. Perhaps he could corrupt her so she would just take his gold and his body and be content without his love. She caressed his powerful arms, and whispered, "Yes, I know what you need." There was barely room to move, but the cabin was just large enough for what they had to accomplish. His athletic body grew damp with sweat as he made glorious use of her, heaving her up and down as if she weighed nothing, impaling her fast and vigorously on his mighty shaft. The second she whimpered in pain when he went too deep and hurt her, he instantly slowed and withdrew a little, letting her set her feet on the wooden rail of the cot built into the opposite bulkhead. Kate shivered, poised between pleasure and pain. "Better?" She nodded, her eyes closed, all of her awareness absorbed in him completely.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
I have been so great a lover: filled my days So proudly with the splendour of Love's praise, The pain, the calm, and the astonishment, Desire illimitable, and still content, And all dear names men use, to cheat despair, For the perplexed and viewless streams that bear Our hearts at random down the dark of life. Now, ere the unthinking silence on that strife Steals down, I would cheat drowsy Death so far, My night shall be remembered for a star That outshone all the suns of all men's days. Shall I not crown them with immortal praise Whom I have loved, who have given me, dared with me High secrets, and in darkness knelt to see The inenarrable godhead of delight? Love is a flame:—we have beaconed the world's night. A city:—and we have built it, these and I. An emperor:—we have taught the world to die. So, for their sakes I loved, ere I go hence, And the high cause of Love's magnificence, And to keep loyalties young, I'll write those names Golden for ever, eagles, crying flames, And set them as a banner, that men may know, To dare the generations, burn, and blow Out on the wind of Time, shining and streaming . . . . These I have loved: White plates and cups, clean-gleaming, Ringed with blue lines; and feathery, faery dust; Wet roofs, beneath the lamp-light; the strong crust Of friendly bread; and many-tasting food; Rainbows; and the blue bitter smoke of wood; And radiant raindrops couching in cool flowers; And flowers themselves, that sway through sunny hours, Dreaming of moths that drink them under the moon; Then, the cool kindliness of sheets, that soon Smooth away trouble; and the rough male kiss Of blankets; grainy wood; live hair that is Shining and free; blue-massing clouds; the keen Unpassioned beauty of a great machine; The benison of hot water; furs to touch; The good smell of old clothes; and other such— The comfortable smell of friendly fingers, Hair's fragrance, and the musty reek that lingers About dead leaves and last year's ferns. . . . Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass;— All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ——Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers. . . . But the best I've known Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, 'All these were lovely'; say, 'He loved.
Rupert Brooke
On little evidence, Christopher Buckley assured us that Obama possessed “a first-class temperament and a first-class intellect.” For some, proof of Obama’s godhead became almost physical — a “perfectly creased pant” for David Brooks, a tingling leg for Chris Matthews. For Evan Thomas he was a “sort of God”; for one blue-chip historian he was the smartest man with the highest IQ ever running for the presidency. And on and on, as huge crowds acted as if they were watching Paul McCartney on tour in 1966. After the election, there was real apprehension that the country might not make it for the two and a half months until an elected Obama could take power.
Anonymous
one whose soul panted after God as the roe pants after the water brook, and the measure in which God revealed Himself to his seeking heart set the good man's whole life afire with a burning adoration rivaling that of the seraphim before the throne. His love for God extended to the three Persons of the Godhead equally, yet he seemed to feel for each One a special kind of love reserved for Him alone. Of God the Father he sings:
A.W. Tozer (The Pursuit of God)
Very good,” said Freddy to himself as he watched the animals go by. “Very good indeed. They’re learning.—But good gracious!” he exclaimed as a sound of trampling and crashing came from the cornfield. “That can’t be Mrs. Wiggins again. My, my! Mr. Bean will be mad!” He got up, just as the cow appeared in the lane, leaving behind her a broad path of trampled corn. “Where are they, Freddy?” she panted. “I’ve been shadowing that Robert, but I guess I lost him again.” She sat down heavily. “Whew! This is certainly trying work, being a detective! And hot! I’m going to pick a cool day next time I try it.” She looked back at the trail she had beaten down. “I’m afraid I’ve spoiled one or two stalks of Mr. Bean’s corn.
Walter Rollin Brooks (Freddy the Detective (Freddy the Pig))
spot near the food. I wished I was the type of woman that owned sexy sleepwear. Cute sexy pajamas that were hard to sleep in. Give me a t-shirt or tank and comfortable pajama pants. Most
McKenzie Hunter (Midnight Falls (Sky Brooks, #3))
Writing is a two-party democracy. To the left are those who write stories from their heart, or according to the other side of the aisle, from the seat of their pants. On the right are those who write stories from a meticulously constructed outline.
Larry Brooks (Story Engineering)
He who does not long to know more of Christ, knows nothing of Him yet. Whoever has sipped this wine will thirst for more, for although Christ does satisfy, yet it is such a satisfaction that the appetite is not choked, but whetted. If you know the love of Jesus as the hart pants for the water-brooks, so will you pant after deeper draughts of His love.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
dorky thing every day. White shirt. Blue pants.
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))
There is a wonderful little passage in the Confessions of Saint Augustine, written around the year 400. He starts by describing his insatiable cravings for success in the eyes of others: “I panted after honors . . . boiling with the feverishness of consuming thoughts.” (Every success addict can relate to this.) He then describes coming across a beggar in the streets of Milan, whom he secretly admired: “He was joyous, I anxious; he void of care, I full of fears.
Arthur C. Brooks (From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life)
While these chants were chilling, something else scared me even more. It wasn’t what was there that frightened me, but what wasn’t there. No KKK robes, Nazi-inspired uniforms, or white supremacist paraphernalia were evident. No T-shirts with neo-Nazi slogans were to be seen. Most of the marchers wore neatly pressed khaki pants and smart-looking shirts. Had they not carried flags with swastika-like and white supremacist symbols or the Confederate “stars and bars” and raised their arms in a Nazi-like salute, they might have looked as though they had just walked out of a J.Crew or Brooks Brothers catalog.
Deborah E. Lipstadt (Antisemitism: Here and Now)
that come from wearing a uniform, another downfall is the need for a highly efficient laundry system at home. There are five days of school per week. So I have five shirts, five pants and five pairs of socks that fit me. The key here is the part about them fitting me. About half of my entire wardrobe is made up of school-related stuff. I have some shirts from last year that fit, but are a little too snug. I have pants that are the same way.
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))
I have pants that are the same way.
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))
Every morning they show off their funny T-shirts, awesome sneakers, and fad accessories. Me? I wear the same dorky thing every day. White shirt. Blue pants. Penny loafers. And a plaid tie. Plaid: for when it's more important to hide stains than to look good. At least there is one good thing to come from wearing a tie. It proves I’m a boy. Obviously, eggs don’t wear ties.
Penn Brooks (A Diary of a Private School Kid (A Diary of a Private School Kid, #1))
Daniel belayed back down as I got into position. His feet hit the ground with a thump, then he looked over at me. “Ready?” “Always.” Nicole did the countdown from the top. I started fast, reaching the halfway mark head and shoulders above him. But that’s when things got tricky, the holds and grips a little farther apart, and he had the advantage. By the three-quarter mark, he’d caught up. “Better kick it up a notch,” he said, as he drew alongside me. “I know you really want those extra holds.” “And I’m sure you really don’t want to make them. But don’t forget the second part. You win, you gotta kiss me. Might be better to stick with the holds.” He laughed and heaved up to the next grip, pulling away now. I grabbed another and found toeholds first, shooting a couple inches above him, the advantage lost a second later when his longer arms found the next grips as I was still getting leverage. I kept my face forward now, climbing in earnest for the first time since we’d started. A hiss and boo from below told me I was in the lead. Then a grunt from beside me. A sharp intake of breath and I knew he was pulling up. The crowd cheered. I looked up to see Brooke leaning over the side, ropes in hand, urging me on. Only three feet to go. I could see Daniel out of the corner of my eye, his chin level with my nose, just a scant inch advantage, but I knew it was enough and as soon as he grabbed that top ledge and heaved himself up-- A grunt. Daniel wobbled and the grip slid out of his hand. He dropped only a few inches, but by the time he’d recovered, I was pulling myself over the top. Brooke and Nicole were cheering. The others below called up good-natured boos. I took a breather as I hung off the ledge. I could hear Daniel panting beside me, but I didn’t look over. There was no way he’d lost his hold on that grip. He’d let go. Given me the win at the last second as he realized what was coming if he’d won. A kiss he didn’t want.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Daniel wobbled and the grip slid out of his hand. He dropped only a few inches, but by the time he’d recovered, I was pulling myself over the top. Brooke and Nicole were cheering. The others below called up good-natured boos. I took a breather as I hung off the ledge. I could hear Daniel panting beside me, but I didn’t look over. There was no way he’d lost his hold on that grip. He’d let go. Given me the win at the last second as he realized what was coming if he’d won. A kiss he didn’t want. The ego bruise lasted only a moment. Was I surprised? No. How awkward would that have been? Neither of us wanted that kiss. As always, Daniel had done the right thing and, if I’d been in his place, I’d have done the same. After a moment, I grinned over at him. “Loser.” “The rope slipped,” he said, tugging at it, like he was testing the belay system. “You just keep telling yourself that. It’ll keep you busy while you’re building those new holds.” “You still need to beat everyone else. You haven’t won yet.” “Just keep telling yourself that, too.” He laughed and gave me a shove. I returned the favor, sending him swinging, then belayed down before he could retaliate.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Of course you can rest when you've reached the top of the mountain. That's what the battle is all about. When you've reached the top of the mountain you can lie back and rest till the end of your days. Every night you struggle and heave yourself up over the top of the highest ledge, to attain which you have been striving all day, and lie on your stomach panting in the darkness, your own breath tearing through your aching lungs, the only hot and living thing, filling your ears with noise. The noise subsides. Slowly you raise your head, and in the faint glimmer of morning light another ledge of black, shaly, crumbling rock stretches above you, blotting out the sky. Behind you the crack of the whip and the voice of the overseer unchanged. You have achieved nothing. Ledge after ledge, summit after summit stretch upwards. There is no end.
Dinah Brooke (Lord Jim at Home)