Broader Shoulders Quotes

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I ask not for a lighter burden, but for broader shoulders. Jewish Proverb (p. 117)
Jenny Sanford (Staying True)
Ask not for a lighter load but for broader shoulders
Jewish Proverb
Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote “Max from Rebecca” on the flyleaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca. Perhaps
Daphne du Maurier (Rebecca)
Cadfael hastened towards his workshop with a lightened heart, having shifted his worries to broader shoulders,
Ellis Peters (Saint Peter's Fair (Chronicles of Brother Cadfael, #4))
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
I worry that our nation today suffers from a deficit of empathy, and this is especially true of many in positions of national leadership. It is a phenomenon that is born from, and that exacerbates, the broader divisions tearing at our republic. We see a rising tribalism along cultural, ethnic, economic class, and geographic lines. And the responsibility for these divisions should fall more squarely on the shoulders of the powerful, those who need to be empathetic, than on those who need our empathy. When we live in a self-selected bubble of friends, neighbors, and colleagues, it is too easy to forget how important it is to try to walk in the shoes of others.
Dan Rather (What Unites Us: Reflections on Patriotism)
He looked, well, sturdier than he used to. His shoulders were square and, naturally, broader than before. His neck, a bit thicker. He probably had an Adam’s apple now too, like any man did. If he turned, would she see it starkly in profile, protruding awkwardly? And, then, he did turn, just a smidge, as he stifled a yawn, and there was nothing awkward about him.
Victoria Kahler (Luisa Across the Bay)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote ‘Max from Rebecca’ on the fly-leaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca.
Daphne du Maurier
As you flail, knowing you’re not supposed to panic – panicking will drain your strength – your mind pulls away as it does so easily, so often, without your even noticing sometimes, leaving Robert Freeman Jr. to manage the current alone while you withdraw to the broader landscape, the water and buildings and streets, the avenues like endless hallways, your dorm full of sleeping students, the air thick with their communal breath. You slip through Sasha’s open window, floating over the sill lined with artifacts from her travels: a white seashell, a small gold pagoda, a pair of red dice. Her harp in one corner with its small wood stool. She’s asleep in her narrow bed, her burned red hair dark against the sheets. You kneel beside her, breathing the familiar smell of Sasha’s sleep, whispering into her ear some mix of I’m sorry and I believe in you and I’ll always be near you, protecting you, and I will never leave you, I’ll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!
Jennifer Egan (A Visit from the Goon Squad)
First Cassian and Azriel appeared in the doorway. The High Lord's general and shadowsinger- and the most powerful Illyrians in history. They were not the males I had come to know. Clad in battle-black that hugged their muscled forms, their armour was intricate, scaled- their shoulders impossibly broader, their faces a portrait of unfeeling brutality. They reminded me, somehow, of the ebony beasts carved into the pillars they passed. More siphons, I realised, glimmered in addition to the ones atop each of their hands. A Siphon in the centre of their chest. One on either shoulder. One on either knee. For a moment, my knees quaked, and I understood what the camplords had feared in them. If one Siphon was what most Illyrians needed to handle their killing power... Cassian and Azriel had seven each. Seven. The courtiers had the good sense to back away a step as Cassian and Azriel strolled through the crowd, toward the dais. Their wings gleamed, the talons at the apex sharp enough to pierce air- like they'd honed them.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Very well-why don't you make your case?" And perhaps if she listened and closely observed, she might get some hint of what, beneath the words, behind his so often impassive mask, was really going on inside him. "Your case beyond the obvious social imperatives, that is." "Difficult given my case is based on the obvious social imperatives." "Nevertheless, you might at least try to find a broader foundation." From the corner of her eye, she saw him look up as if imploring divine aid-or perhaps more prosaically asking why me?-and had to hide a smile. Eventually he lowered his head and leveled his hazel gaze at her. "All right-let's try for a broader perspective. You're a Cynster, well bred, well connected, well dowered, and more than passably attractive." She inclined her head. "Thank you, kind sir." "Don't thank me yet. You're also opinionated, willful to a fault, argumentative, and at times irrationally stubborn. Be that as it may, for some reason I don't comprehend, we managed to run along reasonably well through the last week or so, when we had a common goal. I take that as an indication that, were we to marry and jointly take on the common goal of managing my father's estate, the estate that will in time be ours, we would again find ourselves on common ground, enough at least to make a marriage work." He'd surprised her. Leaning back, she looked at him. He'd angled his shoulders into the curve of the wall, stretching one arm along the upper edge, long legs stretched out so that his boots brushed her hems. At ease, relaxed and debonair, he appeared the epitome of the sophisticated London rake, which, of course, he was. He was also an enigma. At some point during their hike through the mountains, she'd realized that no matter what he allowed her to see, there was something different, something even more attractive, beneath his polished veneer. "You'd share the responsibilities of running the estate?" She hasn't expected him to speak of such matters. "If you wished to involve yourself with it.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.” Elizabeth swung around at the scathing tone of Ian’s voice, and her fantasy of seeing him fall to his knees in remorse the moment he set eyes on her collapsed the instant she saw his face; it was as hard and forbidding as a granite sculpture. He did not bother to come forward but instead remained where he was, his shoulder propped negligently against the door frame, his arms folded across his chest, watching her through narrowed eyes. Until then Elizabeth had thought she remembered exactly what he looked like, but she hadn’t. Not really. His suede jacket clung to wide shoulders that were broader and more muscular than she’d remembered, and his thick hair was almost black. His face was one of leashed sensuality and arrogant handsomeness with its sculpted mouth and striking eyes, but now she noticed the cynicism in those golden eyes and the ruthless set of his jaw-things she’d obviously been too young and naïve to see before. Everything about him exuded brute strength, and that in turn made her feel even more helpless as she searched his features for some sign that this aloof, forbidding man had actually held and kissed her with seductive tenderness. “Have you had an edifying look at me, Countess?” he snapped, and before she could recover from the shock of that rude greeting his next words rendered her nearly speechless. “You are a remarkable young woman, Lady Cameron-you must possess the instincts of a bloodhound to track me here. Now that you’ve succeeded, there is the door. Use it.” Elizabeth’s momentary shock gave way to a sudden, almost uncontrollable burst of wrath. “I beg your pardon?” she said tightly. “You heard me.” “I was invited here.” “Of course you were,” Ian mocked, realizing in a flash of surprise that the letter he’d had from her uncle must not have been a prank, and that Julius Cameron had obviously decided to regard Ian’s lack of reply as willingness, which was nothing less than absurd and obnoxious. In the last months, since news of his wealth and his possible connection to the Duke of Stanhope had been made public, he’d become accustomed to being pursued by the same socialites who had once cut him. Normally he found it annoying; from Elizabeth Cameron he found it revolting.
Judith McNaught (Almost Heaven (Sequels, #3))
What the hell are you doing here?” Brad glared meanly. “Nice to see you, too, Jack,” he said. “You don’t belong here,” Jack said too loudly. “You left her. You’re done with her.” “Hey,” he said, bristling. “I never stopped caring about Brie. Never will. I’m going to see her.” “I don’t think so,” Jack said. “She’s in no shape to have to deal with you right now.” “You’re not in charge of the guest list, Jack. That’s up to Brie.” “Come on,” Mike said sternly. “Let’s not do this here.” “Ask him if he wants to take it outside,” Jack snapped back. “Yeah, I’ll—” “Whoa,” Mike said yet again, widening the space between the two men. “This isn’t happening here!” Brad moved closer, pushing up against Mike, but lowered his voice cautiously. “I know you’re angry, Jack. In general and at me. I don’t blame you. But if you get tough with me, it’s going to be worse for Brie. And this officer is just going to hook you up.” Jack ground his teeth, pushing up against the other side of Mike. Mike was having some trouble holding them apart. “I really want to hit someone,” Jack said through clenched teeth. “Right now, you’d do as well as anyone. You walked out on your marriage. You left her while she was building a case against that son of a bitch. Do you have any idea what you did to her?” Oh, boy, Mike thought. It was going to happen between these two any second, right in the hospital hallway. Mike was a good six feet and pretty strong, but Brad and Jack were both taller, broader, angrier and not a shoulder injury between them. Mike was going to get hammered when they lost it and started pummeling each other. “Yeah,” Brad said. “Yeah, I do! And I want her to know that I still care about what happens to her. We’re divorced, but we have history. A lot of it good history. If I can do anything now…” “Hey!” Mike said to the cop. “Hey! Come on!” The police officer finally got in it, putting himself between Brad and Jack along with Mike. “All right, gentlemen,” the cop said. “I have my orders. No scuffling outside Ms. Sheridan’s door. If you want to talk this over calmly, I’d like you to move down the hall.” Oh, that was not a good suggestion, Mike thought. If they moved down the hall, they wouldn’t be talking. Mike cautiously backed Jack up a few steps. “Take a breath,” he said quietly. “You don’t want to do this.” Jack glowered at Mike. “You sure about that?” “Back
Robyn Carr (Whispering Rock (Virgin River, #3))
He recognized her deft hand and eye for detail immediately. He flipped through the pages, past vignettes of the dairymaid and her vague-featured gentleman engaged in a courtship of sorts: a kiss on the hand, a whisper in the ear. By the book’s midpoint, the chit’s voluminous petticoats were up around her ears, and the illustrations comprised a sequence of quite similar poses in varying locales. Not just the dairy, but a carriage, the larder, in a hayloft lit with candles and strewn with…were those rose petals? I’ll be damned. Gray was fast divining the true source of the French painting master’s mythic exploits. More unsettling by far, however, as he perused the book, he noted a subtle alteration in the gentleman lover’s features. With each successive illustration, the hero appeared taller, broader in the shoulders, and his hair went from a cropped style to collar length in the space of two pages. The more pages Gray turned, the more he recognized himself. It was unmistakable. She’d used him as the model for these bawdy illustrations. She’d sketched him in secret; not once, but many times. And here he’d nearly gone mad with envy over each scrap of foolscap she’d inked for once crewman or another. His emotions underwent a dizzying progression-from surprised, to flattered, to (with the benefit of one especially inventive situation in an orchard) undeniably aroused. But as he lingered over a nude study of this amalgam of the real him and some picaresque fantasy, he began to feel something else entirely. He felt used. She’d rendered his form with astonishing accuracy, given that it must have been drawn before she’d any opportunity to actually see him unclothed. Not that she’d achieved an exact likeness. Her virgin’s imagination was rather generous in certain aspects and somewhat stinting in others, he noted with a bitter sort of amusement. But she’d laid him bare in these pages, without his knowledge or consent. God, she’d even drawn his scars. All in service of some adolescent erotic fantasy. And now he began to grow angry. He had been handling the leaves of the book with his fingertips only, anxious he might smudge or rip the pages. Now he abandoned all caution and flipped roughly through the remainder of the volume. Until he came to the end, and his hand froze. There they were, the two of them. He and she fully clothed and unengaged in any physical intimacies-yet intimate, in a way he had never known. Never dreamed. Sitting beneath a willow tree, his head in her lap. One of her hands lay twined with his, atop his chest. The other rested on his brow. The sky soared vast and expansive above, gauzy clouds spinning into forever. The hot fist of desire that had gripped his loins loosened, moved upward through his torso, churning the contents of his gut along the way. Then it clutched at his heart and squeezed until it hurt. Somehow, this illustration was the most dismaying of all. So naïve, so ridiculous. at least the bawdy situations were plausible, if sometimes physically improbable. This was utterly impossible. To her, he'd never been more than a fantasy. It occurred to Gray that more secrets might be packed within these trunks. If he sorted through her belongings, he might find the answers to all his questions. Perhaps answers to questions he'd never thought to ask. In spite of this, he let the lid of the trunk clap shut and fastened the strap with shaking fingers. He'd suffered as many of her fantasies as he could bear for one day. It was time to acquaint her with reality.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
And why are you naked, then?” “Because I was…Grounding you, helping you. It requires skin-to-skin contact.” His mouth curves. “And you would not have accepted me wearing clothes.” “What? Why not?” He shakes his head, one of his long plaits falling forward over his shoulder. “You really are a different person when you’re lost to the Haze, Michael. The feral cat is replaced by an incredibly sweet man whose sexual preferences are somewhat broader.
Kat Silver (Dark Flame (Flame Born, #1))
Isometric contraction: Eccentric and concentric contractions fall into a broader category called isotonic contractions—where muscle length is changed by force applied. An isometric contraction occurs when force is generated without the muscle length changing. A classic example is pushing against a wall. You may not move the wall, but you can still exert a massive amount of force against it. Isometric contractions can occur at any point throughout a movement’s range of motion. If you hold the bottom position of a push-up with your chest off the ground, that is an isometric contraction that challenges your chest muscles in a fully lengthened position. Holding the top position of a push-up with your arms extended will create an isometric contraction in your shoulders and triceps as they tense up to keep your body from falling to the ground.
Scott H Hogan (Built from Broken: A Science-Based Guide to Healing Painful Joints, Preventing Injuries, and Rebuilding Your Body)
Based on the parts of this... this scene that are not covered in refuse, and the drawings you have done for me, I know you are an artist with talent. Maybe I have old-fashioned views, but I simply don't understand why you would spend your time creating something like this." He shrugged his shoulders. "The sort of art I am used to seeing is more..." I raised an eyebrow. "More what?" He bit his lip, as though searching for the right words. "Pleasant to look at, I suppose." He shrugged again. "Scenes from nature. Little girls wearing filly white dresses and playing beside riverbanks. Bowls of fruit." "This piece shows a beach and a lake," I pointed out. "It's a scene from nature." "But it's covered in refuse." I nodded. "My art combines objects I find with images I paint. Sometimes what I find and incorporate is literal trash. But I also feel that my art is more than just trash. It's meaningful. These pieces aren't just flat, lifeless images on canvas. They say something." "Oh." He came even closer to the landscapes, kneeling so he could peer at them up close. "And what does your art... say?" His nose was just a few inches from an old McDonald's Quarter Pounder wrapper I'd laminated to the canvas so it looked like it was rising out of Lake Michigan. I'd meant for it to represent capitalism's crushing stranglehold on the natural world. Also, it just sort of looked cool. But I decided to give him a broader explanation. "I want to create something memorable with my art. Something lasting. I want to give people who see my works an experience that won't fade away. Something that will stay with them long after they see it." He frowned skeptically. "And you accomplish that by displaying ephemera others throw away?" I was about to counter by telling him that even the prettiest painting in the fanciest museum faded from memory once the patrons went home. That by using things other people throw away, I took the ephemeral and make it permanent in a way no pretty watercolor ever could.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
A disagreement about what?” The voice belonged to Frost, Doyle’s second in command. Other than the fact that they were both tall, physically they were almost opposites. The hair that fell in a glimmering curtain to Frost’s ankles was silver, a shimmering metallic silver like Christmas tree tinsel. The skin was as white as my own. The eyes were a soft grey like a winter sky before a storm. His face was angular and arrogantly handsome. His shoulders were a touch broader than Doyle’s, but other than that they were both very alike and very unalike. He
Laurell K. Hamilton (A Kiss of Shadows (Merry Gentry, #1))
You think this Hunter of yours’ll like me?” Loretta set her trencher aside and gave her aunt a hard hug. “Oh, Aunt Rachel, I love you. It makes me so glad to have your blessing.” Suddenly Rachel stiffened. “Speak of the devil, there he comes.” Joy surged through Loretta. She leaped to her feet and ran toward the gate. Up on the rise she could see horses and riders outlined against the darkening sky. The Comanches reined in, forming a sparse front rank, a few others pulling in behind them. Loretta’s footsteps dragged to a stop. Even at this distance and with poor light, she could see the men wore war paint. Her heart plummeted. Surely Hunter didn’t believe she had willingly left with his people’s murderers? “Go into the house, Aunt Rachel,” Loretta called. “Why? What is it?” “I’m not sure. He comes in anger.” “You come with me, then!” Loretta swallowed an upsurge of fear. One Indian was taller on horseback than all the rest, broader across the shoulders and chest. Hunter. She kept her gaze on him. A month ago she would have fled in panic. She would never run from him again.
Catherine Anderson (Comanche Moon (Comanche, #1))
One Indian was taller on horseback than all the rest, broader across the shoulders and chest. Hunter. She kept her gaze on him. A month ago she would have fled in panic. She would never run from him again.
Catherine Anderson (Comanche Moon (Comanche, #1))
Go into the house, Aunt Rachel,” Loretta called. “Why? What is it?” “I’m not sure. He comes in anger.” “You come with me, then!” Loretta swallowed an upsurge of fear. One Indian was taller on horseback than all the rest, broader across the shoulders and chest. Hunter. She kept her gaze on him. A month ago she would have fled in panic. She would never run from him again. “Go to the house, Aunt Rachel. Pull the shutters. Do as I say!” Loretta began walking again, afraid yet not afraid. A war party of Comanches was an intimidating spectacle, even to her, but the man she loved rode with them. Before she reached the gate, the warriors urged their horses forward. Instead of attacking, though, as she had feared they might, they rode the perimeters of the property, driving lances into the earth every few feet. Once again Hunter had come to mark her home. Loretta no sooner realized that than she also realized that Hunter wouldn’t mark the property if he intended to take her with him. He was leaving her. She bolted into a run. “Hunter! Hunter, please…” She gained the gate and watched in helpless despair as the warriors sped past on their mounts, sending up such a cloud of dust that she couldn’t tell which man was Hunter. “Hunter, at least talk to me!” If Hunter heard her, he paid her no heed. Moments later the war party withdrew and rode over the rise. Loretta stood there, staring. Was Hunter divorcing her because of the tosi tivo attack? As hurt as she was, Loretta could muster no anger. It was her own fault he was leaving her. The night before the attack, she had vowed to leave him if he wouldn’t go away with her. She had insisted he choose between her and the People. He had done just that. His father and countless others had been killed. His honor demanded that he avenge them. She pressed her hand to her chest, over the medallion that bore his mark. Throwing back her head, she screamed his name, praying he would hear her and return. She waited, and she prayed. But he didn’t come.
Catherine Anderson (Comanche Moon (Comanche, #1))
Go into the house, Aunt Rachel,” Loretta called. “Why? What is it?” “I’m not sure. He comes in anger.” “You come with me, then!” Loretta swallowed an upsurge of fear. One Indian was taller on horseback than all the rest, broader across the shoulders and chest. Hunter. She kept her gaze on him. A month ago she would have fled in panic. She would never run from him again. “Go to the house, Aunt Rachel. Pull the shutters. Do as I say!” Loretta began walking again, afraid yet not afraid. A war party of Comanches was an intimidating spectacle, even to her, but the man she loved rode with them. Before she reached the gate, the warriors urged their horses forward. Instead of attacking, though, as she had feared they might, they rode the perimeters of the property, driving lances into the earth every few feet. Once again Hunter had come to mark her home. Loretta no sooner realized that than she also realized that Hunter wouldn’t mark the property if he intended to take her with him. He was leaving her.
Catherine Anderson (Comanche Moon (Comanche, #1))
As a self-confessed Pre-Raphaelite - a term that by the 1880s was interchangeable with ‘Aesthete’ - Constance was carrying a torch whose flame had ben lit in the 1850s by a group of women associated with the founding Pre-Raphaelite Brotherhood painters. Women such as Elizabeth Siddal and Jane Morris, the wives respectively of the painter Dante Gabriel Rossetti and the poet, designer and socialist William Morris, had modelled for the Pre-Raphaelite artists, wearing loose, flowing gowns. But it was not just their depiction on canvas that sparked a new fashion among an intellectual elite. Off canvas these women also establised new liberties for women that some twenty years later were still only just being taken up by a wider female population. They pioneered new kinds of dresses, with sleeves either sewn on at the shoulder, rather than below it, or puffed and loose. While the rest of the female Victorian populace had to go about with their arms pinned to their bodies in tight, unmoving sheaths, the Pre-Raphaelite women could move their arms freely, to paint or pose or simply be comfortable. The Pre-Raphaelite girls also did away with the huge, bell-shaped crinoline skirts, held out by hoops and cages strapped on to the female undercarriage. They dispensed with tight corsets that pinched waists into hourglasses, as well as the bonnets and intricate hairstyles that added layer upon layer to a lady’s daily toilette. Their ‘Aesthetic’ dress, as it became known, was more than just a fashion; it was a statement. In seeking comfort for women it also spoke of a desire for liberation that went beyond physical ease. It was also a statement about female creative expression, which in itself was aligned to broader feminist issues. The original Pre-Raphaelite sisterhood lived unconventionally with artists, worked at their own artistic projects and became famous in the process. Those women who were Aesthetic dress in their wake tended to believe that women should have the right to a career and ultimately be enfranchised with the vote. […] And so Constance, with ‘her ugly dresses’, her schooling and her college friends, was already in some small degree a young woman going her own way. Moving away from the middle-class conventions of the past, where women were schooled by governesses at home, would dress in a particular manner and be chaperoned, Constance was already modern.
Franny Moyle (Constance: The Tragic and Scandalous Life of Mrs. Oscar Wilde)
Now you’ve brought him in for a burglary that, unless I’m mistaken, didn’t actually take place.” “He was in the process of breaking into the building,” she said. “We caught him in the act.” Somehow, his smile grew even broader. “Really? He was in the building? Was he even in the parking lot? One of your colleagues says he wasn’t.” “How did you—” “Did my client have any burglary tools in his possession? Lockpicks? A crowbar hidden up his sleeve, perhaps?” “No, but—” “So he had no way of accessing the property he was supposedly there to burglarize, and he wasn’t even apprehended on said property. Very disappointing, Agent Black. A rookie police officer on his first beat wouldn’t make that arrest, and you know it. Your zeal to imprison my client speaks to the prejudicial nature of your so-called ‘task force.’ This isn’t a lawful inquiry; it’s a witch hunt.” I could almost hear Harmony’s teeth grating. “You have two choices.” Perkins ticked them off on his fingers. “One, release my client at once, and we can pretend this never happened. Two, you can proceed with this travesty, I’ll have the case dismissed before you can say ‘wrongful arrest,’ and my next call will be to your deputy assistant director to discuss a lawsuit against you, her, and the entire Federal Bureau of Investigation.” Harmony leaned against the table with one hand. Her shoulders sagged. “You want him?” she said. “Fine. Take him and leave.” Perkins opened the door, ushering me toward it with a grand sweep of his arm like he was rolling out a red carpet.
Craig Schaefer (A Plain-Dealing Villain (Daniel Faust, #4))
Oh, boy, Mike thought. It was going to happen between these two any second, right in the hospital hallway. Mike was a good six feet and pretty strong, but Brad and Jack were both taller, broader, angrier and not a shoulder injury between them. Mike was going to get hammered when they lost it and started pummeling each other. “Yeah,
Robyn Carr (Whispering Rock (Virgin River, #3))
I do not want you to go, but I know you must, just as I knew you had to go with Houston. I'm not going to leave you, Cade. We're bound together for the rest of our lives, no matter what is thrown our way. I know the words were never said, but in marrying you, I agreed to be your wife until 'death do us part,' Just don't go getting killed on me. This brat of yours will need a man's handling." Cade smiled at the roof over their head. He had never owned more than a horse and a saddle, and he knew he didn't own Lily, but she was his, just the same, by her own admission. He liked the notion of having a companion for life, one who wouldn't walk out when she got bored or irritated. He sure as hell was tired of talking to four walls. And it wasn't just an end to loneliness, the beginning of something more. Remembering Lily's heated arguments and equally heated lovemaking, Cade's smile grew broader. "I think I'll bring a priest back with me. I want to hear those words said before a man of the cloth. I think I will feel much better if I can produce a witness when you start throwing things at me again." Lily laughed against his shoulder. "I'll hold you to that promise. I don't want you disclaiming this child when he starts screaming all night. If you think Ricardo is a formidable foe, you've never tended an infant." *
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
He leaned forward and placed his forehead against hers, smiling as he spoke in low, liquid tones. “I adore you. I adore your laugh and your wit and your intelligence and your confidence. I cannot think of another woman I would rather have by my side than you. You are as brilliant as you are beautiful and I probably should have realized it years ago, but I seem to be rather dull-witted.” She shook her head, “I think that, at this particular moment, you are rather a genius.” “Oh, you do?” he said teasingly. “And what else are you thinking?” She smiled softly at his obvious attempt to entice her into revealing her feelings. “I’m thinking you have the most beautiful eyes in the world. And that your shoulders have grown exponentially broader since last year. And that your smile is the only thing able to make me forget myself and do things that are thoroughly inexcusable. “Mostly, however, I’m thinking that you’ve been my savior for years…since before I can remember…my friend for the same length of time. And I honestly believe that there is nothing that could have stopped me from falling in love with you. It was only a matter of time.” “Say the words,” he prodded. “I love you, Gavin. I love the boy you were and the man you have become.” She had never been so certain of anything in her life. “Capital,” he pronounced, and kissed her roundly, threading his fingers through her hair, scattering her hairpins and setting her heart racing. After
Sarah MacLean (The Season)
Ask not for a lighter burden, but for broader shoulders.
Jenny Sanford (Staying True)
Her smile grows even broader, and my heart is filled with such emotion that I stop and grab her by the shoulders, bending down and kissing her hard. F’lor blinks up at me in surprise. “W-what was that for?” “I wanted to kiss you.” Her cheeks color with a hint of emotion, and she leans up and gives me a quick peck on the lips. “I’m glad,” she whispers. “I like kissing you, too.” I have been chasing after the wrong female all along. Truly, my khui is far wiser than me.
Ruby Dixon (Flor's Fiasco (Icehome, #16))
They were just passing the Evanses’ house, Rose making gruesome faces in case they were spying out their windows, when Abby felt someone take her elbow, and she turned to find Zander Burley, his arm now linked with hers. “Happy Valentine’s Day,” he said, “one day late.” He withdrew his arm and loped ahead of Abby and Rose, along the sidewalk and across the lawn to his front door. Abby watched him, thinking that he moved very gracefully for a boy, and noticing that his jaw had grown squarer and his shoulders broader. “Abby has a boyfriend!” Rose chanted when Zander was out of earshot. “No, I don’t.
Ann M. Martin (Better to Wish (Family Tree #1))
Her voice has given me a headache. I can feel the heat of her body through our clothes. It’s reminded me of just after Hannah was born, of those late-night phone calls where my sister cried and told me that she wished she had terminated the pregnancy. I don’t know why I wanted this. I didn’t know what to say. It’ll be all right. Women have babies all the time. I ask Hannah to get me water but Donato volunteers. “Silvia,” he calls out. “Come downstairs with me.” I feel every cell bristle. Of course, they are together, and why should that matter to me anyway? Hannah puts her head on my shoulder. “Do you think Silvia is very pretty?” Tiny lights strung across the terrace turn on and I can see her watery eyes. Below I hear Donato’s laugh. “She’s a lot older than him,” I say. “Only by five years.” Her body starts to shake, tears fall on my shoulder. “Hush,” I tell her. “Hush.” Instinctively I look around to see if any of their friends are watching. “Come on.” I pull her up from the settee. “Call us a ride, and I’ll get your backpack. We can pick up a pizza on the way home.” I wipe the smeared mascara from under her eyes and point her toward the stairs. I say goodbye to her friends, making up an excuse that Paul wants us home. He’s made dinner. I can tell Donato doesn’t believe this, but he doesn’t say so. When he kisses my cheek, I cannot help it, I press him against me. He feels broader than I thought he would, and that liquid fire at the center of me rejoices. In the cab Hannah gives in. She is bawling. “I miss Mom,” she chokes out. “I miss her so much.” Letting her drink was probably a bad idea, but isn’t she old enough to know her limit? Or at least learn what it is?
Liska Jacobs (The Worst Kind of Want)
The memory of Will the boy was so fresh that it was something of a shock to see Will himself now, older, broader of shoulder, but still with the same tousled black hair and laughing blue eyes. He looked just as handsome as he had ever been—more so perhaps, since he seemed so much happier. Magnus saw more marks of laughter than of time on his face, and found himself smiling. It was true what Will had said, he realized. They were friends.
Cassandra Clare (The Bane Chronicles (The Bane Chronicles))
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Her skin is moon-luster white, but with undercurrents of blue, like an entire network of split, broken veins. It stretches like old parchment over the amalgam of enlarged muscles that she presumably calls arms or legs; the bulk is such that I can’t tell if she has only arms and no legs, or vice versa. If she wanted to, she could easily pursue an enemy on all fours, or else wield a freezeshot weapon in every one of her clawed hands. Or feet. My brain spins from trying to process. Wings, too, arch powerfully from her shoulder blades, their span broader than my height. They look like aged leather. I have the strangest urge to, if I were closer, run my fingers across the membrane, see if it feels as strong and solid as it looks. “Better?” the monster says, sardonic. She draws her arm back, the ball of false flame now illuminating her face. My breath catches in my throat. She looms above me, even as I rise up on my toes, her height terminating at perhaps eight feet. That arch of jawline could’ve been carved from glass, and likewise the curves of her cheeks, the solid line of her brow—her face is more bones than skin, a skeleton animated, a corpse confused at its own continued breath.
Laura Genn (Between Sun and Shadow)
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