Broad Shoulders Quotes

We've searched our database for all the quotes and captions related to Broad Shoulders. Here they are! All 100 of them:

Jealous?' Luce asked. They were alone now. She threw her arms around his broad shoulders and looked deep into his violet eyes. 'Why would you be jealous?' 'Because,' he said, rubbing his hands across her back. 'Your dance card is full. For all eternity.
Lauren Kate (Torment (Fallen, #2))
You laugh, but you haven't seen me in a tux. Or maybe you don't like broad-shouldered guys with muscular chest and washboard abs?
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Black is the color that is no color at all. Black is the color of a child's still, empty bedroom. The heaviest hour of night-the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky. It is a road. A forgotten night sky broken up by faded stars. It is the barrel of a new gun, leveled at your heart. The color of Chubs's hair, Liam's bruises, Zu's eyes. Black is a promise of tomorrow, bled dry from lies and hate. Betrayal. I see it in the face of a broken compass, feel it in the numbing grip of grief. I run, but it is my shadow. Chasing, devouring, polluting. It is the button that should never have been pushed, the door that shouldn't have opened, the dried blood that couldn't be washed away. It is the charred remains of buildings. The car hidden in the forest, waiting. It is the smoke. It is the fire. The spark. Black is the color of memory. It is our color. The only one they'll use to tell our story.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
People who are rather more than six feet tall and nearly as broad across the shoulders often have uneventful journeys. People jump out at them from behind rocks then say things like, "Oh. Sorry. I thought you were someone else.
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
I wept bitterly, surrendering momentarily to my fear and heartbroken confusion, but slowly I began to quiet a bit, as Jamie stroked my neck and back, offering me the comfort of his broad, warm chest. My sobs lessened and I began to calm myself, leaning tiredly into the curve of his shoulder. No wonder he was so good with horses, I thought blearily, feeling his fingers rubbing gently behind my ears, listening to the soothing, incomprehensible speech. If I were a horse, I'd let him ride me anywhere.
Diana Gabaldon (Outlander (Outlander, #1))
So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
[Daniel] was still glowing, as if lit from within. She could still clearly see his violet-gray eyes and his full mouth. His strong hands and broad shoulders. She could reach out and fold herself into her love's light. He reached for her. Luce closed her eyes at his touch, expecting something too otherworldly for her human body to withstand. But no. It was simply, reassuringly, Daniel. She reached around his back to finger his wings. She reached for them nervously, as if they could burn her, but they flowed around her fingers, softer than the smoothest velvet, the plushest rug. The way she'd like to imagine that a fluffy, sun-drenched cloud would feel if she could cup it in her hands. "You're so...beautiful.
Lauren Kate (Fallen (Fallen, #1))
She clenched her fist in his T-shirt, put her other arm around those too-broad, too-real shoulders. When he tried to pull away, she held on tight. Kami felt the surrender in his mind a moment before he laid his face in the curve of her neck. The whole world was so real it hurt. Kami whispered into Jared's hair, "I'm always on your side.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
His breath caught, harsh enough that she looked over her shoulder. But his eyes weren't on her face. Or the water. They were on her bare back. Curled as she was against her knees, he could see the whole expanse of ruined flesh, each scar from the lashing. "Who did that to you?" It would have been easy to lie, but she was so tired, and he had saved her useless hide. So she said, "A lot of people. I spent some time in the Salt Mines of Endovier." He was so still that she wondered if he'd stopped breathing. "How long?" he asked after a moment. She braced herself for the pity, but his face was so carefully blank-no, not blank. Calm with lethal rage. "A year. I was there a year before... it's a long story." She was too exhausted, her throat too raw, to say the rest of it. She noticed then his arms were bandaged, and more bandages across his broad chest peeked up from beneath his shirt. She'd burned him again. And yet he had held her- had run all the way here and not let go once. "You were a slave." She gave him a slow nod. He opened his mouth, but shut it and swallowed, that lethal rage winking out. As if he remembered who he was talking to and that it was the least punishment she deserved. He turned on his heel and shut the door behind him. She wished he'd slammed it-wished he'd shattered it. But he closed it with barely more than a click and did not return.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He stands watching me, motionless in those drawstring pants, his legs braced in a fighting stance, his eyes bursting with need. His broad shoulders jerk with his breaths, and he curls his fingers into fists at his sides. The deep roughness of his voice scrapes my flesh. "Come here then.
Katy Evans (Real (Real, #1))
And Derek was... what? A pair of dark eyes that hid more than they revealed and some broad shoulders and a mouth that could be cold and thin and then suddenly widen into a generous grin just when you thought such a thing was impossible.
Claire LaZebnik (Epic Fail)
Kate seemed to have doubled in size. She had drawn back her broad shoulders and set her jaw, and something in the stance called to mind the contained ferocity of a lioness. But it was the fierceness in Kate's bright blue eyes that had the most striking effect. The sort of look that made you thankful she wasn't your enemy. "It's not going to be over," Kate said firmly "Until we say so.
Trenton Lee Stewart (The Mysterious Benedict Society and the Perilous Journey (The Mysterious Benedict Society, #2))
You can't carry the world on yer shoulders, broad as they are.
Jana Oliver (Forbidden (The Demon Trappers, #2))
He's really sweet, actually." "I don't think we're talking about the same Sed. Sedric Lionheart. Tall guy. Broad shoulders. Blue eyes. Short black hair. Body befitting a Greek god. Sings. La la la la.
Olivia Cunning (Rock Hard (Sinners on Tour, #2))
You’re not in this alone anymore. I’m not going anywhere, and if you’ll let me, I’ve got broad shoulders for you to lean on whenever you need me.
Lisa Kessler (Ice Moon (Moon, #5))
I prayed all the way up that hill yesterday,” he said softly. “Not for you to stay; I didna think that would be right. I prayed I’d be strong enough to send ye away.” He shook his head, still gazing up the hill, a faraway look in his eyes. “I said ‘Lord, if I’ve never had courage in my life before, let me have it now. Let me be brave enough not to fall on my knees and beg her to stay. He pulled his eyes away from the cottage and smiled briefly at me. "Hardest thing I ever did, Sassenach.” He turned in the saddle, and reined the horse’s head toward the east. It was a rare bright morning, and the early sun gilded everything, drawing a thin line of fire along the edge of the reins, the curve of the horse’s neck, and the broad planes of Jamie’s face and shoulders.
Diana Gabaldon (Outlander (Outlander, #1))
I swallowed the fear. It’s always there– fear– and if you don’t stay on top of it, you’ll drown. I swallowed again and stood tall, shoulders broad, arms loose. I was balanced, ready to move. My body said, “Yeah, you’re bigger and stronger, but if you touch this, I will hurt you.
Laurie Halse Anderson (The Impossible Knife of Memory)
One of the boringly human pair of boys, the obvious leader, was tall and broad-shouldered, with golden hair, as if Nature has said, 'No worries, buddy, I gotcha, no nasty tiring thinking will ever be necessary, also have a crown.
Sarah Rees Brennan (In Other Lands)
Perhaps if you were not a foot taller, or quite so broad across the shoulders.’ ‘It’s considerably less than a foot,’ said Damen. ‘Is it?’ said Laurent. ‘It feels like more when you argue with me on points of honour.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
He had golden-brown hair, the most vivid baby-blue eyes, and a body that belonged on the cover of Men’s Health magazine. Her gaze roamed over his broad shoulders and down his chest.
Lia Davis
Allison." I almost collapsed in relief. "Yeah," I whispered, forcing a pained smile as he stared at me as if I were a ghost. "It's me. Damn you, Kanin. You were a pain in the ass to find, you know that?" Kanin didn't answer. Without warning, his hands rose, pressing to either side of my face as I went rigid. His stare was awed, hopeful, as if he couldn't quite believe I was real and had to touch me to make sure I wasn't a phantom. "You're here." I barely caught the whisper, and Kanin's eyes closed again as he bowed his head. It was a broken sound, a man desperately grasping at the last thread of hope, when he had been in the darkness for so long. "You came." And, as I stood, shocked, against the wall of the cell, Kanin sank to his knees in front of me, holding the backs of my legs. The top of his bowed head pressed against my thighs. "You came," he repeated, a chant holding him to sanity. I swallowed the lump in my throat and touched his broad shoulders, biting my lips to keep the tears in check, as the cell door opened with a creak, and the Prince beckoned us both to freedom.
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
His stare shifted back over to Qhuinn. The guy's huge body was arching into the human woman, his broad shoulders and his tight hips and his long, powerful legs guaranteeing her one hell of a ride. He was amazing at sex. Not that Blay would know firsthand. He'd seen it and he'd heard it...and he'd imagined what it would be like. But when the opportunity had arisen, he'd been relegated to a small, special class: denied. Actually, it was more of a category than a class...because he was the only one who Qhuinn would not have sex with.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Sweet baby Jesus, Blue Eyes was… He was gorgeous in all the ways that made girls do stupid things. He was tall, a good head or two taller than me and broad at the shoulders, but tapered at the waist. An athlete’s body—like a swimmer’s. Wavy black hair toppled over his forehead, brushing matching eyebrows. Broad cheekbones and wide, expressive lips completed the package created for girls to drool over. And with those sapphire-colored eyes, holy moley…
J. Lynn (Wait for You (Wait for You, #1))
Rolling orange fire silhouetted him from behind, backlighting the warrior’s broad shoulders and casual, long-legged stride. As he strolled away from the inferno, the ends of his loose black coat winged out behind him like a cape befitting the prince of darkness himself. “Holy hell,” Brock murmured. “Tegan.
Lara Adrian (Midnight Awakening (Midnight Breed, #3))
If I marry: He must be so tall that when he is on his knees, as one has said he reaches all the way to heaven. His shoulders must be broad enough to bear the burden of a family. His lips must be strong enough to smile, firm enough to say no, and tender enough to kiss. Love must be so deep that it takes its stand in Christ and so wide that it takes the whole lost world in. He must be active enough to save souls. He must be big enough to be gentle and great enough to be thoughtful. His arms must be strong enough to carry a little child.
Ruth Bell
Tarquin turned from the table, just as the tent flaps parted for a pair of broad shoulders— Varian. He didn’t so much as look at his High Lord, his focus going right to where Amren sat at the head of the table. As if he’d sensed she was here—or someone had reported. And he’d come running. Amren’s eyes flicked up from the Book as Varian halted. A coy smile curved her red lips. There was still blood and dirt splattered on Varian’s brown skin, coating his silver armor and close-cropped white hair. He didn’t seem to notice or care as he strode for Amren. And none of us dared to speak as Varian dropped to his knees before Amren’s chair, took her shocked face in his broad hands, and kissed her soundly. ... None of us lasted long after dinner. Amren and Varian didn’t even bother to join us. No, she’d just wrapped her legs around his waist, right there in front of us, and he’d stood, lifting her in one swift movement. I wasn’t entirely sure how Varian managed to walk them out of the tent while still kissing her, Amren’s hands dragging through his hair, letting out noises that were unnervingly like purring as they vanished into the camp. Rhys had let out a low laugh as we all gawked in their wake. “I suppose that’s how Varian decided he’d tell Amren he was feeling rather grateful she ordered us to go to Adriata.” Tarquin cringed. “We’ll alternate who has to deal with them on holidays.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Take off your shirt," I said, sitting up and pulling at the hem of the garment. "Why?" he asked, but sat up and obliged. I knelt in front of him, admiring his naked body. "Because I want to look at you," I said. He was beautifully made, with long, graceful bones and flat muscles that flowed smoothly from the curves of chest and shoulder to the slight concavities of belly and thigh. He raised his eyebrows. "Well then, fair's fair. Take off yours, then." He reached out and helped me squirm out of the wrinkled chemise, pushing it down over my hips. Once it was off, he held me by the waist, studying me with intense interest. I grew almost embarrassed as he looked me over. "Haven't you ever seen a naked woman before?" I asked. "Aye, but not one so close." His face broke into a broad grin. "And not one that's mine.
Diana Gabaldon (Outlander (Outlander, #1))
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Despite his size and broad-shouldered build, there was a feline quality about him…he was like a lazy but potentially deadly tiger.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Rena?” I looked up as a figure emerged from the white void of snowfall. The snow dusted his broad shoulders as he took long, measured strides toward me, his black coat flapping in the wind. As he neared, I made out his startled features. “Wallace?” His gaze burned with indiscernible emotion. “Are you hugging the lamp post?
Carrie Butler (Strength (Mark of Nexus, #1))
Could I be your girl, too?" I asked quickly. The large, broad-shouldered man looked away before he answered. "Well, now," he said, as though he had given it deep thought, "I sure do think I would like that." "But," I said, concerned that he hadn't noticed, "I don't look like your other girls." "You mean because you white?" I nodded. "Abinia," he said, pointing toward the chickens, "you look at those birds. Some of them be brown, some of them be white and black. Do you think when they little chicks, those mamas and papas care about that?
Kathleen Grissom (The Kitchen House)
And having no fear of the devil before my eyes, I venture to call this a suggestion of reason, instead of resting my weakness on the broad shoulders of the first seducer of my frail sex.
Mary Wollstonecraft (A Vindication of the Rights of Woman)
Now they are empty, Ramon replied with a shrug of broad, muscled shoulders on his six-foot-three-inch frame....For the first time, a glint of humor touched Ramon Galverra's finely sculpted mouth and arrogant dark eyes.
Judith McNaught (Tender Triumph)
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
Lucien drew female eyes wherever he went. It wasn't just his height, or his Viking beauty, or his broad shoulders. The man exuded lust from his very bones: he emitted sexual charisma on a frequency that no woman could be expected to ignore.
Kitty French (Knight & Stay (Knight, #2))
Carter Reed was their obsession. He was gorgeous with wolf-like blue eyes, chiseled cheekbones, and broad shoulders that tapered to a thin waist.
Tijan (Carter Reed 2 (Carter Reed, #2))
[...] Some parts were totally inappropriate. The corded length of his arms. The broad shoulders and chest that stretched and molded the fabric. The deep bronze of his skin as if he had been lying in the sun for hours. The animal litheness of his movements. He had grown up, and he was no pretty boy. Nick Ryan was all hot-blooded man—and still looked at her as Maggie’s little playmate.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
The tides surged through the marsh and each wave that hit the beach came light-struck and broad-shouldered, with all the raw power the moon could bestow.
John Berendt (Midnight in the Garden of Good and Evil)
Broad shoulders fit snugly under his white shirt, and taut muscles flex in his arm as he grips a tray. He’s not a muscle-bound freak though, thank God. I don’t like that “I have boulders in my biceps” look that a lot of guys seem to favor these days.
Siobhan Davis ™ (Saven Deception (Saven #1))
No one had ever looked at her just like that before, and it had the effect upon her of making her feel, for perhaps the first time in her life, a strong desire to lay the burden of her cares upon other shoulders. Captain Staple’s were certainly broad enough to bear them.
Georgette Heyer (The Toll-Gate)
Her nausea increased, the dialect had become unfamiliar, the way our wet throats bathed the words in the liquid of saliva was intolerable. A sense of repulsion had invested all the bodies in movement, their bone structure, the frenzy that shook them. How poorly made we are, she thought, how insufficient. The broad shoulders, the arms, the legs, the ears, noses, eyes, seemed to her attributes of monstrous beings who had fallen from some corner of the black sky.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
The double doors separating the private dining room from the rest of Bernard’s swung open. A tall broad-shouldered body filled the doorway. Hugh d’Ambray strode into the room.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
Just the sight of him sent pleasure shooting through me. I might be reluctant to get emotionally involved with anyone right now, but I was still a wolf, and still capable of admiring a good-looking man. Kade was that, and a whole lot more. He was a horseshifter, and his coloring was that of a bay--a rich, mahogany bay that came complete with jet black hair and wicked, velvet-brown eyes. And he was built like a thoroughbred, with broad shoulders, slim hips, and those wonderfully long legs. Legs that could hold a girl just in the right place as she drove him deeper and harder inside. excert from Darkest Kiss
Keri Arthur
Swallowing hard, I shuffle over to him. “Listen…I’m sorry I’ve been such a dick lately. I was…distracted.” “Distracted,” he echoes skeptically. I nod. He keeps staring at me. “My head’s on straight now. Honest.” Garrett peers past me, and although I can’t see Hannah’s face, whatever passes between them causes his broad shoulders to relax. Then he grins and slaps me on the arm. “Well, thank God. Because I was seriously considering promoting Tuck to the number one best friend slot.” “Are you kidding? Big mistake, G. He’s a terrible wingman. Have you seen his beard?” “I know, right?” And just like that, we’re good again. Seriously, chicks need to take a lesson from dudes when it comes to burying the hatchet. We know our shit.
Elle Kennedy (The Mistake (Off-Campus, #2))
Black ia the color that is no color at all. Black is the color of a child’s still, empty bedroom. The heaviest hour of night—the one that traps you in your bunk, suffocating in another nightmare. It is a uniform stretched over the broad shoulders of an angry young man. Black is the mud, the lidless eye watching your every breath, the low vibrations of the fence that stretches up to tear at the sky.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
She watched him in the glow of the lamplight, his broad shoulders hunched over the piano, his hair flopping over his face, and knew she couldn't fight her feelings for him any longer. Denying him wasn't going to make them go away. And looking at him right at this moment, she didn't want them to.
Alexandra Potter (Going La La)
The way you’re talking right now, you’re aspiring to my fist in your face!’ I yelled over my shoulder. I reached the door but he was there in a flash, sliding in front of me. He was so tall. So broad. So immovable. ‘Move,’ I hissed. ‘Or I swear to every god and planetary system I will hit you in your smug face.
Catherine Doyle (Inferno (Blood for Blood, #2))
That day, instead, I saw clearly the mothers of the old neighbourhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swallen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts (...) they appeared to have lost those feminine qualities that were so important to us girls (...) They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
Elena Ferrante (The Story of a New Name)
Once upon a time... ...as a fair maiden lay weeping upon a cold tombstone, her heartfelt desire was suddenly made real before her: tall, broad of shoulder, attired in gleaming silver and gold, her knight in shining armor had come to rescue his damsel in distress....
Jude Deveraux (A Knight in Shining Armor (Montgomery/Taggert Family, #13))
From their midst a broad-shouldered man stepped forth, past Longwick, who tried vainly to motion him back. He ran three strides toward me, and I took a deep, unbelieving breath of his scent just before he enfolded me in a bear hug. Despite the pain to my shoulder, I didn't struggle. I dropped my head on his shoulder, and let him support me, feeling safer than I had in years. Suddenly, it seemed as if everything would be all right, as if everything could be mended. Heart of the Pack was here and he never let us come to harm.
Robin Hobb (Fool's Fate (Tawny Man, #3))
[Cade] hiked his broad shoulders. “My kind prefer tarts with a little more meat on their bones so they can take a demon’s lusts.” “Tarts?” [Holly's] jaw slackened. “My God, you’re the most misogynistic man I’ve ever met. I bet you also like your tarts barefoot and pregnant.” “Nah, I like them barefoot, on birth control, and always available in my bed.
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
If so, why has a naturally masculine shape (broad shoulders, no waist, narrow hips, flat belly) become the ideal for the female body? Why is it that those aspects of a woman’s body that are most closely related to her innate female power, the capacity of her belly, hips, and thighs to carry and sustain life, are diminished in our society’s version of a beautiful woman?
Anita A. Johnston (Eating in the Light of the Moon: How Women Can Transform Their Relationship with Food Through Myths, Metaphors, and Storytelling)
Broad-shouldered, with skin of the desert and eyes of silver and ash, he was the kind of boy who turned heads and never noticed. The faint shadow of hair that darkened his jaw served only to accentuate features hewn from stone by the hand of a master sculptor.
Renée Ahdieh (The Wrath & the Dawn (The Wrath and the Dawn, #1))
Coyotes move within a landscape of attentiveness. I have seen their eyes in the creosote bushes and among mesquite trees. They have watched me. And all the times that I saw no eyes, that I kept walking and never knew, there were still coyotes. When I have seen them trot away, when I have stepped from the floorboard of my truck, leaned on the door, and watched them as they watched me over their shoulders, I have been aware for that moment of how much more there is. Of how I have only seen only an instant of a broad and rich life.
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
She not no fool, Lilith tell herself. She not a sleeping princess and Robert Quinn is not no king or prince. He just a man with broad shoulders and black hair who call her lovey and she like that more than her own name. She don’t want the man to deliver her, she just want to climb in the bed and feel he wrap himself around her.
Marlon James (The Book of Night Women)
Understanding sank in as I realized I was hanging off someone. Particularly off someone’s shoulder—Aaron’s shoulder to be one hundred percent exact. What in the— Everybody seemed to be on board, if the clapping and cheering around us were any indication. Ignoring the little commotion behind us, Aaron rearranged me on his broad shoulder, gripping my waist gently but firmly. A complaint rose and died in my throat as he shot off, running. “Aaron,” I screeched with urgency. He was running with me hanging off him like a goddamn human-sized potato sack. With every stride, the symmetric and strained strings of muscle on his back moved. His backside too. Distracting me. Dammit, Lina, no. Focus. “Aaron,” I repeated, being ignored again. “What. Are. You. Doing?” My speech was interrupted with each bounce of his body. With each stomp of his long legs, guiding the ball in my sister’s direction. “Aaron Blackford!” He chuckled. Then, he patted the back of my thigh. “I couldn’t let my girlfriend fall to the floor now, could I?” the bastard said calmly, not sounding one bit out of breath.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Lee put his arm around the broad shoulders to comfort him. "You're growing up. Maybe that's it," he said softly. "Sometimes I think the world tests us most sharply then, and we turn inward and watch ourselves with horror. But that's not the worst. We think everybody is seeing into us. The dirt is very dirty and purity is shining white. Aron, it will be over. That's not much relief to you because you don't believe it, but it's the best I can do for you. Try to believe that things are neither so good nor so bad as they seem to you now.
John Steinbeck (East of Eden: Curriculum Unit (Center for Learning Curriculum Units))
no one can be strong all the time, no matter how broad their shoulders!
Ali Vali (The Devil Unleashed (Cain Casey, #2))
Gwen smiled and asked hopefully, "Is there coffee again this morning?" Silvan put his book down and glanced absently at Gwen. His gaze dropped to her cleavage, and a single white brow shot up. He blinked several times. "There certainly is," Nell said, circling the table. She stopped behind Gwen and draped a linen cloth over her shoulders, so it tumbled from her neck like a bib. "Peel yer eyes off the lass's breasts," Nell said sweetly to Silvan. Gwen turned twenty shades of red, sneaked a hand beneath the bib, and tugged at her bodice, trying to jiggle them back down a little. Mortified, she devoted her attention to eyeing the medieval dining ware-plates and goblets made of heavy silver, a fat spoon and broad knife, and heavy blue bowls. "She's the one who fluffed them up," Silvan protested indignantly. "I didn't mean to look, but they were ... so ... there. Like trying not to see the sun in the sky." Nell arched a brow and circled round the table again. "I hardly think 'twas ye she fluffed 'em for, was it lass?" Gwen glanced up and gave an embarrassed shake of her head.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
It was a bitch living with your old English teacher, especially when your old English teacher wasn’t old at all, and he had exactly the kind of body that most appealed to her, tall and lean, broad in the shoulder, narrow at the hip. Then there was his brain. It had taken her a lot of years to find that particular part of a man appealing, but she’d finally gotten in the habit, and she couldn’t seem to give it up.
Susan Elizabeth Phillips (Ain't She Sweet?)
Now because 18 months ago the first dawn, 3 months ago broad daylight but a very few days ago the full sun of the most highly remarkable spectacle has risen — nothing holds me back. I can give myself up to the sacred frenzy, I can have the insolence to make a full confession to mortal men that I have stolen the golden vessel of the Egyptians to make from them a tabernacle for my God far from the confines of the land of Egypt. If you forgive me I shall rejoice; if you are angry, I shall bear it; I am indeed casting the die and writing the book, either for my contemporaries or for posterity to read, it matters not which: let the book await its reader for a hundred years; God himself has waited six thousand years for his work to be seen.
Johannes Kepler (Harmonies of the World (On the Shoulders of Giants, Book 5))
Cal was dressed in a Hex Hall uniform. The blazer was a little tight on his broad shoulders, more so when he shrugged. "It was mine.Mrs. Casnoff brought it with her. I don't really, uh, do costumes. Figured this was a good compromise." I'd thought no one but Archer could make that uniform look good, but Cal proved me wrong. The bright blue was nice against his tan skin and golden hair, and he looked younger. There was a dimple in his cheek as he smiled at me-something I'd never noticed before. "You make a good Hecate," he said. I would have snorted and made a sarcastic comment, but there was something in his eyes that made me just say, "Thanks.
Rachel Hawkins (Demonglass (Hex Hall, #2))
The voice was low and smooth, almost hypnotizing, and a second later the shadow shifted and stepped forward, resolving into a man with broad shoulders and a wiry form, all lean muscle and long bone. The FTF fatigues fit him perfectly, and beneath his rolled sleeves, small black crosses circled both forearms. Above a chiseled jaw, fair hair swept down into eyes as black as pitch. The only imperfection was a small scar running through his left eyebrow—a relic from his first years—but despite the mark, Leo Flynn looked more god than monster.
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
Nathaniel Upchurch. Margaret couldn’t believe it. Gone were the pale features, the thin frame, the hesitant posture, the spectacles. Now broad shoulders strained against his cutaway coat. Form-fitting leather breeches outlined muscular legs. The unfashionable dark beard emphasized his sharp cheekbones and long nose. His skin was golden brown. His hair unruly, some escaping its queue. Even his voice sounded different—lower, harsher, yet still familiar.
Julie Klassen (The Maid of Fairbourne Hall)
I am banished from the patient men who fight. They smote my heart to pity, built my pride. Shoulder to aching shoulder, side by side, They trudged away from life's broad wealds of light. Their wrongs were mine; and ever in my sight They went arrayed in honour. But they died,-- Not one by one: and mutinous I cried To those who sent them out into the night. The darkness tells how vainly I have striven To free them from the pit where they must dwell In outcast gloom convulsed and jagged and riven By grappling guns. Love drove me to rebel. Love drives me back to grope with them through hell; And in their tortured eyes I stand forgiven.
Siegfried Sassoon (The War Poems)
Ghost?” I asked. Moon Man pointed to Valek. “Kiki’s name for him. It makes sense,” he said, seeing the look of confusion on my face. “To magical beings, we see the world through our magic. We see him with our eyes, but cannot see him with our magic. So he is like a ghost to us.” Valek listened to Moon Man. Although expressionless, I could tell by the rigid set to Valek’s shoulders that he was prepared to strike. “Another relative?” Valek asked. A broad smile stretched Moon Man’s lips. “Yes. I am her mother’s uncle’s wife’s third cousin.
Maria V. Snyder (Magic Study (Study, #2))
Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He thinks about Henry’s voice low in his ear over the phone at three in the morning, and suddenly he has a name for what ignites in the pit of his stomach. Henry’s hands on him, his thumbs braced against his temples back in the garden, Henry’s hands other places, Henry’s mouth, what he might do with it if Alex let him. Henry’s broad shoulders and long legs and narrow waist, the place his jaw meets his neck and the place his neck meets his shoulder and the tendon that stretches the length between them, and the way it looks when Henry turns his head to shoot him a challenging glare, and his impossibly blue eyes-
Casey McQuiston (Red, White & Royal Blue)
Looking up, I stare into the most unique and beautiful shade of blue that a pair of eyes has ever possessed. Of that I am certain. Blue just shouldn’t be that multi-faceted and twinkling. There should be a law or something. Or at least a warning label: Caution, these eyes may cause female knees to tremble. Looking up, I stare into the most unique and beautiful shade of blue that a pair of eyes has ever possessed. Of that I am certain. Blue just shouldn’t be that multi-faceted and twinkling. There should be a law or something. Or at least a warning label: Caution, these eyes may cause female knees to tremble. Before I can help it, I scan the rest of him. Sweet Mary. This guy had lucked out in the gene department. Tall, slender, beautiful. Honey colored hair that had natural highlights that could even catch the crappy airport light, broad shoulders, slim hips, long legs. He is tan and golden with a bright, white smile. I am surely staring at Apollo, the god of the sun.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
Karen Marie Moning (Feversong (Fever, #9))
This body belongs to me, Ms. Vitalio,” he murmured in a low voice, the whiskey and sin combining to make her head tip back over his broad shoulder as her stomach clenched. “This body is mine,” she retorted, unable to recognize her own voice dripping in sex. He continued, like she hadn’t spoken, cupping her ass. “I’m a territorial man. And this has been mine since the moment you locked that bathroom door.” “That was one time,” she informed him, even as she knew there was no stopping them now. “Then let’s make it a second, shall we?
RuNyx (The Predator (Dark Verse #1))
What plan of action? What can be done? We can't fight the whole society." "I was thinking we could use you as bait and draw them into a trap," Gregori said, straight-faced. Gary's eyes widened in alarm. "I'm not sure I like that plan.Sounds a little risky to me." He looked at Savannah for support. Gregori shrugged his broad shoulders in a casual shrug. "I do not see a risk." Savannah's small clenched fist thumped his stomach in retaliation. Gregori glanced down at her with surprise. "Is this when I am supposed to say ouch?" Savannah and Gary exchanged a long, mournful groan. "Why did I want him to have a sense of humor?" she wondered. Gary shook his head. "Don't be asking me. You created the monster.
Christine Feehan (Dark Magic (Dark, #4))
Well, that was quite a romantic sight, wasn't it? The rebel and the princess, together again in their mutual admiration." "And now I'm imagining his voice," she whispered. His jealous, angry voice. "I'll let it be your choice entirely, princess. Shall I kill him slowly or quickly?" Now Cleo frowned. He sounded so real - far more real than any fantasy. Cleo turned around slowly to see the tall, broad-shouldered figment of her imagination standing no more than three paces away from her. Scowling.
Morgan Rhodes (Immortal Reign (Falling Kingdoms, #6))
Anyone who is as good-looking as Jace is usually completely out of touch with reality. It's like they think their looks give them the right to just go around saying whatever they want to say, and doing whatever they want to do. As if the fact that they're six foot two and broad-shouldered with dark hair and gorgeous deep-blue eyes gives them the right to get away with anything.
Lauren Barnholdt (Right of Way)
If she’d had any doubts he was a real deal country boy, they disappeared when he unabashedly stripped down to nothing—the sun had kissed his arms to mid-bicep, although his torso wasn’t without a faint tan. She’d thought lazily that maybe he had a pond. She’d like to go skinny dipping with him. Leap onto his back and wrap her legs around his lean hips. Hold on to his broad shoulders and press her naked breasts into his back and drift into the cool water together. As he opened his button-fly jeans, revealing snug briefs underneath, she’d whispered for him to stop. He was hard and sinewy in all the right places, with shadows and valleys she wanted to explore with her mouth and hands and eyes, but her touch first went to the line where dark faded to light on his arm, neatly following the curve of his muscles. “Nice farmer’s tan.
Zoe York (Between Then and Now (Wardham, #0.5))
Understanding sank in as I realized I was hanging off someone. Particularly off someone’s shoulder—Aaron’s shoulder to be one hundred percent exact. What in the— Everybody seemed to be on board, if the clapping and cheering around us were any indication. Ignoring the little commotion behind us, Aaron rearranged me on his broad shoulder, gripping my waist gently but firmly. A complaint rose and died in my throat as he shot off, running. “Aaron,” I screeched with urgency. He was running with me hanging off him like a goddamn human-sized potato sack. With every stride, the symmetric and strained strings of muscle on his back moved. His backside too. Distracting me.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Cinder hurried to join her, eager to see what the boys had done. But when she stepped into the sitting room, it was not the decorations that caught her attention first, but Wolf, standing in front of the fireplace altar in his formal black-and-red tuxedo. Thought it had been made especially for him, the jacket still stretched across his broad chest and shoulders, and the red bow tie was almost humorous against his fierce features and lupine bone structure. Almost. Despite everything Levana had tried to do to him, Cinder had to admit that he was still handsome, with his olive skin and vivid green eyes and unkempt hair. Most of all, though, it was the look he was giving Scarlet, which would have taken away the breath of any girl. Kai and Thorne were there, too, each of them standing with their hands in their pockets, rocking back on their heels with supremely smug looks on their faces, like they were daring anyone to suggest it wasn't the most beautiful impromptu wedding ever created.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Passersby looked at us curiously. In the porch, Mr. Whitman held the church door open for us. “Hurry up, please,” he said. “We don’t want to attract attention.” No, sure, there was nothing likely to attract attention in two black limousines parking in North Audley Street in broad daylight so that men in suits could carry the Lost Ark out of the trunk of one of the cars, over the sidewalk, and into the church. Although from a distance the chest carrying it could have been a small coffin . . . The thought gave me goose bumps. “I hope at least you remembered your pistol,” I whispered to Gideon. “You have a funny idea of what goes on at a soiree,” he said, in a normal tone of voice, arranging the scarf around my shoulders. “Did anyone check what’s in your bag? We don’t want your mobile ringing in the middle of a musical performance.” I couldn’t keep from laughing at the idea, because just then my ringtone was a croaking frog. “There won’t be anyone there who could call me except you,” I pointed out. “And I don’t even know your number. Please may I take a look inside your bag?” “It’s called a reticule,” I said, shrugging and handing him the little bag. “Smelling salts, handkerchief, perfume, powder . . . excellent,” said Gideon. “All just as it should be. Come along.” He gave me the reticule back, took my hand, and led me through the church porch. Mr. Whitman bolted the door again behind us. Gideon forgot to let go of my hand once we were inside the church, which was just as well, because otherwise I’d have panicked at the last moment and run away.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
Next to the tree was a short, broad-shouldered Asian man in overalls and a straw hat, leaning on a spade. His face was weathered, and in a halting English difficult to follow, he told Alma that this moment was beautiful, but that it would last only a few days before the blooms fell like rain to the ground; much better was the memory of the cherry tree in bloom, because that would last all year, until the following spring.
Isabel Allende (The Japanese Lover)
But to Sonja, Ove was never dour and awkward and sharp-edged. To her, he was the slightly disheveled pink flowers at their first dinner. He was his father’s slightly too tight-fitting brown suit across his broad, sad shoulders. He believed so strongly in things: justice and fair play and hard work and a world where right just had to be right. Not so one could get a medal or a diploma or a slap on the back for it, but just because that was how it was supposed to be. Not many men of his kind were made anymore, Sonja had understood. So she was holding on to this one. Maybe he didn’t write her poems or serenade her with songs or come home with expensive gifts. But no other boy had gone the wrong way on the train for hours every day just because he liked sitting next to her while she spoke.
Fredrik Backman (A Man Called Ove)
St. Vincent. Her husband. He was naked, or at least the upper half of him was. He slept on his stomach, his smoothly muscled arms curved around the pillow beneath his head. The broad lines of his shoulders and back were so perfect that they seemed to have been carved from Baltic amber and sanded to a ghostly finish. His face was much softer in repose than it was in wakefulness... the calculating eyes were closed, and his mouth was relaxed into gentle, innocently sensuous lines.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Much. so there is free dessert involved here." I put my hand to my forehead. "oh, that i had discovered the job first!" Ryan laughs. "tragic." want to hear something tragic? my dad is going to a Christian singles' retreat." Ryan nearly spits out his coffee. "your dad?" he is shacking. Brandon wallops him on the back a few times. Ryan holds his hands up at him, coughing. "Stop," he croaks, standing. he inhales a few times and gets his voice back. "You would have to tell me this when my mouth was full, wouldn't you?" he sits again. I smile broadly. a Christian singles' retreat?" he repeats Yep," Brandon says. "Get the name: Marley's Michigan Marriage Makers." I cover my face Ryan's expression twists. " thats.... interesting," he says slowly Hallie frowns. "If its a Christian retreat, why is it called Marley's?" Its a denomination in Michigan," Brandon says. "Marlotist. I just call them Marley for fun." I double over until my head hits the table. There is not a denomination called Marlotist," Hallie says. Is too. I visited one of their churches when I went to Michigan to ski one time," Brandon says. My eyes blur with tears from laughing so hard and holding it all in. My shoulders start shaking. Brandon levels a good kick to my shin. Ow!" I reach for my leg. What is the name of it, Laurie?" Ryan asks. Meet Your Match in Michigan" Brandon scowls at me. " Spoilsport.
Erynn Mangum (Rematch (Lauren Holbrook, #2))
One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.
Kristen Ashley (Three Wishes)
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
The road looked as if no one had traveled on it in months. "It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder. The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar. As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
It’s clear that if we use the mind attentively, mental power is increased, and if we concentrate the mind in the moment, it is easier to coordinate mind and body. But in terms of mind and body unity, is there something we can concentrate on that will reliably aid us in discovering this state of coordination? In Japan, and to some degree other Asian countries, people have historically focused mental strength in the hara (abdomen) as a way of realizing their full potential. Japan has traditionally viewed the hara as the vital center of humanity in a manner not dissimilar to the Western view of the heart or brain. I once read that years ago Japanese children were asked to point to the origin of thoughts and feelings. They inevitably pointed toward the abdominal region. When the same question was asked of American children, most pointed at their heads or hearts. Likewise, Japan and the West have commonly held differing views of what is physical power or physical health, with Japan emphasizing the strength of the waist and lower body and Western people admiring upper body power. (Consider the ideal of the sumo wrestler versus the V-shaped Western bodybuilder with a narrow waist and broad shoulders.) However, East and West also hold similar viewpoints regarding the hara, and we’re perhaps not as dissimilar as some might imagine. For instance, hara ga nai hito describes a cowardly person, “a person with no hara.” Sounds similar to our saying that so-and-so “has no guts,” doesn’t it?
H.E. Davey (Japanese Yoga: The Way of Dynamic Meditation)
Do you want to know my favorite?” My grip tightened on the railing. In. Out. “Andromeda.” Allister moved closer. “An autumn constellation, forty-four light-years away.” His steps were smooth and indifferent, but his voice was dry, as though he found my panic attack positively boring. His attitude brought a small rush of annoyance in, but it was suddenly swayed as my lungs contracted and wouldn’t release. I couldn’t keep a strangled gasp from escaping. “Look up.” It was an order, carrying a harsh edge. With no fight in me, I complied and tilted my head. Tears blurred my vision. Stars swam together and sparkled like diamonds. I was glad they weren’t. Humans would find a way to pluck them from the sky. “Andromeda is the dim, fuzzy star to the right. Find it.” My eyes searched it out. The stars weren’t often easy to see, hidden behind smog and the glow of city lights, but sometimes, on a lucky night like tonight, pollution cleared and they became visible. I found the star and focused on it. “Do you know her story?” he asked, his voice close behind me. A cold wind touched my cheeks, and I inhaled slowly. “Answer me.” “No,” I gritted. “Andromeda was boasted to be one of the most beautiful goddesses.” He moved closer, so close his jacket brushed my bare arm. His hands were in his pockets and his gaze was on the sky. “She was sacrificed for her beauty, tied to a rock by the sea.” I imagined her, a red-haired goddess with a heart of steel chained to a rock. The question bubbled up from the depths of me. “Did she survive?” His gaze fell to me. Down the tear tracks to the blood on my bottom lip. His eyes darkened, his jaw tightened, and he looked away. “She did.” I found the star again. Andromeda. “Ask me what her name means.” It was another rough demand, and I had the urge to refuse. To tell him to stop bossing me around. However, I wanted to know—I suddenly needed to. But he was already walking away, toward the exit. “Wait,” I breathed, turning to him. “What does her name mean?” He opened the door and a sliver of light poured onto the terrace. Black suit. Broad shoulders. Straight lines. His head turned just enough to meet my gaze. Blue. “It means ruler of men.” An icy breeze almost swallowed his words before they reached me, whipping my hair at my cheeks. And then he was gone.
Danielle Lori (The Maddest Obsession (Made, #2))
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
In the center of the room Elizabeth stood stock still, clasping and unclasping her hands, watching the handle turn, unable to breathe with the tension. The door swung open, admitting a blast of frigid air and a tall, broad-shouldered man who glanced at Elizabeth in the firelight and said, “Henry, it wasn’t necess-“ Ian broke off, the door still open, staring at what he momentarily thought was a hallucination, a trick of the flames dancing in the fireplace, and then he realized the vision was real: Elizabeth was standing perfectly still, looking at him. And lying at her feet was a young Labrador retriever. Trying to buy time, Ian turned around and carefully closed the door as if latching it with precision were the most paramount thing in his life, while he tried to decide whether she’d looked happy or not to see him. In the long lonely nights without her, he’d rehearsed dozens of speeches to her-from stinging lectures to gentle discussions. Now, when the time was finally here, he could not remember one damn word of any of them. Left with no other choice, he took the only neutral course available. Turning back to the room, Ian looked at the Labrador. “Who’s this?” he asked, walking forward and crouching down to pet the dog, because he didn’t know what the hell to say to his wife. Elizabeth swallowed her disappointment as he ignored her and stroked the Labrador’s glossy black head. “I-I call her Shadow.” The sound of her voice was so sweet, Ian almost pulled her down into his arms. Instead, he glanced at her, thinking it encouraging she’d named her dog after his. “Nice name.” Elizabeth bit her lip, trying to hide her sudden wayward smile. “Original, too.” The smile hit Ian like a blow to the head, snapping him out of his untimely and unsuitable preoccupation with the dog. Straightening, he backed up a step and leaned his hip against the table, his weight braced on his opposite leg. Elizabeth instantly noticed the altering of his expression and watched nervously as he crossed his arms over his chest, watching her, his face inscrutable. “You-you look well,” she said, thinking he looked unbearably handsome. “I’m perfectly fine,” he assured her, his gaze level. “Remarkably well, actually, for a man who hasn’t seen the sun shine in more than three months, or been able to sleep without drinking a bottle of brandy.” His tone was so frank and unemotional that Elizabeth didn’t immediately grasp what he was saying. When she did, tears of joy and relief sprang to her eyes as he continued: “I’ve been working very hard. Unfortunately, I rarely get anything accomplished, and when I do, it’s generally wrong. All things considered, I would say that I’m doing very well-for a man who’s been more than half dead for three months.” Ian saw the tears shimmering in her magnificent eyes, and one of them traced unheeded down her smooth cheek. With a raw ache in his voice he said, “If you would take one step forward, darling, you could cry in my arms. And while you do, I’ll tell you how sorry I am for everything I’ve done-“ Unable to wait, Ian caught her, pulling her tightly against him. “And when I’m finished,” he whispered hoarsely as she wrapped her arms around him and wept brokenly, “you can help me find a way to forgive myself.” Tortured by her tears, he clasped her tighter and rubbed his jaw against her temple, his voice a ravaged whisper: “I’m sorry,” he told her. He cupped her face between his palms, tipping it up and gazing into her eyes, his thumbs moving over her wet cheeks. “I’m sorry.” Slowly, he bent his head, covering her mouth with his. “I’m so damned sorry.
Judith McNaught (Almost Heaven (Sequels, #3))
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
My hypothesis is mimetic: because humans imitate one another more than animals, they have had to find a means of dealing with contagious similarity, which could lead to the pure and simple disappearance of their society. The mechanism that reintroduces difference into a situation in which everyone has come to resemble everyone else is sacrifice. Humanity results from sacrifice; we are thus the children of religion. What I call after Freud the founding murder, in other words, the immolation of a sacrificial victim that is both guilty of disorder and able to restore order, is constantly re-enacted in the rituals at the origin of our institutions. Since the dawn of humanity, millions of innocent victims have been killed in this way in order to enable their fellow humans to live together, or at least not to destroy one another. This is the implacable logic of the sacred, which myths dissimulate less and less as humans become increasingly self-aware. The decisive point in this evolution is Christian revelation, a kind of divine expiation in which God through his Son could be seen as asking for forgiveness from humans for having revealed the mechanisms of their violence so late. Rituals had slowly educated them; from then on, humans had to do without. Christianity demystifies religion. Demystification, which is good in the absolute, has proven bad in the relative, for we were not prepared to shoulder its consequences. We are not Christian enough. The paradox can be put a different way. Christianity is the only religion that has foreseen its own failure. This prescience is known as the apocalypse. Indeed, it is in the apocalyptic texts that the word of God is most forceful, repudiating mistakes that are entirely the fault of humans, who are less and less inclined to acknowledge the mechanisms of their violence. The longer we persist in our error, the stronger God’s voice will emerge from the devastation. […] The Passion unveiled the sacrificial origin of humanity once and for all. It dismantled the sacred and revealed its violence. […] By accepting crucifixion, Christ brought to light what had been ‘hidden since the foundation of the world,’ in other words, the foundation itself, the unanimous murder that appeared in broad daylight for the first time on the cross. In order to function, archaic religions need to hide their founding murder, which was being repeated continually in ritual sacrifices, thereby protecting human societies from their own violence. By revealing the founding murder, Christianity destroyed the ignorance and superstition that are indispensable to such religions. It thus made possible an advance in knowledge that was until then unimaginable. […] A scapegoat remains effective as long as we believe in its guilt. Having a scapegoat means not knowing that we have one. Learning that we have a scapegoat is to lose it forever and to expose ourselves to mimetic conflicts with no possible resolution. This is the implacable law of the escalation to extremes. The protective system of scapegoats is finally destroyed by the Crucifixion narratives as they reveal Jesus’ innocence, and, little by little, that of all analogous victims. The process of education away from violent sacrifice is thus underway, but it is going very slowly, making advances that are almost always unconscious. […] Mimetic theory does not seek to demonstrate that myth is null, but to shed light on the fundamental discontinuity and continuity between the passion and archaic religion. Christ’s divinity which precedes the Crucifixion introduces a radical rupture with the archaic, but Christ’s resurrection is in complete continuity with all forms of religion that preceded it. The way out of archaic religion comes at this price. A good theory about humanity must be based on a good theory about God. […] We can all participate in the divinity of Christ so long as we renounce our own violence.
René Girard (Battling to the End: Conversations with Benoît Chantre)