Briefcase Quotes

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The lawyer with the briefcase can steal more money than the man with the gun.
Mario Puzo (The Godfather (The Godfather, #1))
Lawyers can steal more money with a briefcase than a thousand men with guns and masks.
Mario Puzo (The Godfather (The Godfather, #1))
Thirty--the promise of a decade of loneliness, a thinning list of single men to know, a thinning brief-case of enthusiasm, thinning hair.
F. Scott Fitzgerald (The Great Gatsby)
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
He dropped the phone back onto its cradle, began to turn around and felt a sudden ice-cold furrow open up in his side. Strength drained from his legs, and a moment later he sank to his knees. There was warmth now that ran over the initial and persistent cold. Mohammed was confused, and barely noticed the briefcase being removed from his grip. He heard the click of a cell phone opening, and a soft beeping as a number was dialed. 'The package is in my possession,' a female voice said, and the phone clicked shut.
R.D. Ronald (The Zombie Room)
Along with the standard computer warranty agreement which said that if the machine 1) didn't work, 2) didn't do what the expensive advertisements said, 3) electrocuted the immediate neighborhood, 4) and in fact failed entirely to be inside the expensive box when you opened it, this was expressly, absolutely, implicitly and in no event the fault or responsibility of the manufacturer, that the purchaser should consider himself lucky to be allowed to give his money to the manufacturer, and that any attempt to treat what had just been paid for as the purchaser's own property would result in the attentions of serious men with menacing briefcases and very thin watches. Crowley had been extremely impressed with the warranties offered by the computer industry, and had in fact sent a bundle Below to the department that drew up the Immortal Soul agreements, with a yellow memo form attached just saying: 'Learn, guys...
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Lost in my dreams, I somehow cross at the traffic signals, bumping into street lamps or people, yet moving onward, exuding fumes of beer and grime, yet smiling, because my briefcase is full of books and that very night I expect them to tell me things about myself I don't know.
Bohumil Hrabal (Too Loud a Solitude)
Kids chase the love that eludes them, and for me, that was my father's love. He kept it tucked away, like papers in a briefcase. And I kept trying to get in there.
Mitch Albom (For One More Day)
One lawyer with a briefcase can steal more than a hundred men with guns ...
Mario Puzo
If the love is true, then treat it the same way you would plant - feed it, protect it from the elements - you must do absolutely everything you can. But if it isn't true, then it's best to just let it wither on the vine.
Hiromi Kawakami (The Briefcase)
even a cracked pot has a lid that fits.
Hiromi Kawakami (The Briefcase)
I, on the other hand, still might not be considered a proper adult. I had been very grown-up in primary school. But as I continued through secondary school, I in fact became less grown-up. And then as the years passed, I turned into quite a childlike person. I suppose I just wasn't able to ally myself with time.
Hiromi Kawakami (The Briefcase)
I think this is a good start.” Alpine started collecting his notes and placing them into his briefcase. “I’ll meet with you again tomorrow morning and we’ll start plotting strategy. This is out of your hands, so just try to relax and let me do my job.
Behcet Kaya (Murder on the Naval Base)
He's become like that briefcase in the ground-full of gems yet void of light, so nothing sparkles, nothing shines.
Neal Shusterman (Unwind (Unwind, #1))
Business isn't about ties, suits and briefcases. It's about adventure.
Richard Branson
Summerset, don't you ever sleep?" "It's Lieutenant Dallas. She's--" Roarke dropped his briefcase, grabbed Summerset by the lapels. "Has she been hurt? Where is she?" "A nightmare. She was screaming." Summerset lost his usual composure and dragged a hand over his hair. "She won't cooperate. I was about to call your doctor. I left her in her private suite." As Roarke pushed him aside, Summerset grabbed his arm. "Roarke, you should have told me what had been done to her." Roarke merely shook his head and kept going. "I'll take care of her.
J.D. Robb (Immortal in Death (In Death, #3))
The things that don't happen to us that we'll never know didn't happen to us. The nonstories. The extra minute to find the briefcase that makes you late to the spot where a tractor trailer mauled another car instead of yours. The woman you didn't meet because she couldn't get a taxi to the party you had to leave early from. All of life is a series of nonstories if you look at it that way. We just don't know what they are.
Anita Shreve
Scratch the surface in a typical boardroom and we're all just cavemen with briefcases, hungry for a wise person to tell us stories.
Alan Kay
I don't know when they first had feeds. Like maybe, fifty or a hundred years ago. Before that, they had to use their hands and their eyes. Computers were all outside the body. They carried them around outside of them, in their hands, like if you carried your lungs in a briefcase and opened it to breathe.
M.T. Anderson (Feed)
She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
Bret Easton Ellis (American Psycho)
Forcing myself to make conversation felt like standing on a cliff, peering over the edge, about to tumble down headfirst.
Hiromi Kawakami (The Briefcase)
When I start reading I'm somewhere completely different, I'm in the text, it's amazing, I have to admit I've been dreaming, dreaming in a land of great beauty, I've been in the very heart of truth. Ten times a day, every day, I wonder at having wandered so far, and then, alienated from myself, a stranger to myself, I go home, walking the streets silently and in deep meditation, passing trams and cars and pedestrians in a cloud of books, the books I found that day and am carrying home in my briefcase.
Bohumil Hrabal (Too Loud a Solitude)
Those nights, I open Sensei’s briefcase and peer inside. The blank empty space unfolds, containing nothing within. It holds nothing more than an expanse of desolate absence.
Hiromi Kawakami (Strange Weather in Tokyo)
A lawyer with a briefcase can steal more than a thousand men with guns.
Mario Puzo (The Godfather)
In loneliness I have drifted this long way, alone. My torn and shabby robe could not keep out the cold. And tonight the sky was so clear it made my heart ache all the more.
Hiromi Kawakami (The Briefcase)
Practice calling people by their names. Every year shrewd manufacturers sell more briefcases, pencils, Bibles, and hundreds of other items just by putting the buyer’s name on the product. People like to be called by name. It gives everyone a boost to be addressed by name.
David J. Schwartz (The Magic of Thinking Big)
Would you like consider a relationship with me, based on a premise of love.
Hiromi Kawakami (The Briefcase)
Nobody believes that the man who says, 'Look, lady, you wanted equality,' to explain why he won't give up his seat to a pregnant woman carrying three grocery bags, a briefcase, and a toddler is seized with the symbolism of idealism.
Judith Martin (Common Courtesy: In Which Miss Manners Solves the Problem That Baffled Mr. Jefferson)
being in love makes people uncertain.
Hiromi Kawakami (The Briefcase)
I rode the bus alone, I walked around the city alone, I did my shopping alone, and I drank alone.
Hiromi Kawakami (The Briefcase)
A person can learn all manner of things, no matter where he finds himself, provided his spirit is determined.
Hiromi Kawakami (The Briefcase)
Up until now, I thought I had enjoyed my life alone, somehow.
Hiromi Kawakami (Strange Weather in Tokyo)
If not kept in check, night-time thoughts are prone to amplification.
Hiromi Kawakami (The Briefcase)
There is a reason people say being a mother is the hardest job in the world: You do not sleep and you do not get vacation time. You do not leave your work on your desk at the end of the day. Your briefcase is your heart, and you are rifling through it constantly. Your office is as wide as the world, and your punch card is measured not in hours but in a lifetime.
Jodi Picoult (Larger Than Life)
It’s the first thing I always say at our new employee training seminars. I gaze around the room, pick one person, and have him stand up. And this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
She stared up at him, and her eyes were so large they looked like blue mint candies. 'I get to stay?' 'You're damn right you're staying, and I don't want to hear another word of disrespect.' His voice broke. 'I'm your father, and you damn well better love me the same way I love you, or you'll be sorry.' The next thing he knew, he was grabbing her, and she was grabbing him, and all the bozos coming down the jerway trying to get past them were jabbing them with bags and briefcases, but he didn't care. He was holding tight to this daughter he loved so desperately, and he wasn't ever going to let her go.
Susan Elizabeth Phillips (Kiss an Angel)
We were always sincere with each other. Even when we were joking around, we were sincere.
Hiromi Kawakami (Strange Weather in Tokyo)
I remember a blue eye, A briefcase of tangerines.
Sylvia Plath (Plath: Poems)
Anything good in the briefcase?” he asked. I smiled back at him. “Everything’s good in the briefcase, Walter.
Mark Barkawitz (Full Moon Saturday Night)
Any weapons or drugs, Mr. Hepp?” she asked. “No. Of course not.” She continued to look inside the car at the back seat. “What’s in the briefcase?
Mark Barkawitz (Full Moon Saturday Night)
You see, here's my theory: Kids chase the love that eludes them, and for me, that was my father's love. He kept it tucked away, like papers in a briefcase. And I kept trying to get in there.
Mitch Albom (For One More Day)
People don’t want to listen. All they see is someone they think is trying to get a free ride. They don’t understand I’m working, I’m not begging. I was actually trying to make a living. Just because I wasn’t wearing a suit and a tie and carrying a briefcase or a computer, just because I didn’t have a payslip and a P45, it didn’t mean that I was freeloading.
James Bowen (A Street Cat Named Bob: And How He Saved My Life)
Along with the standard computer warranty agreement which said that if the machine 1) didn't work, 2) didn't do what the expensive advertisement said, 3) electrocuted the immediate neighbourhood, 4) and in fact failed entirely to be inside the expensive box when you opened it, this was expressly, absolutely, implicitly and in no event the fault or responsibility of the manufacturer, that the purchaser should consider himself lucky to be allowed to give his money to the manufacturer, and that any attempt to treat what had just been paid for as the purchaser's own property would result in the attentions of serious men with menacing briefcases and very thin watches.
Terry Pratchett
Eventually my dad got home from work and set his briefcase down. 'So. How was practice?' he asked 'It was good. Why? Did you hear it wasn't?' I said, trying to keep my cool. 'Son, no offense, but you play Little League. It's not the Yankees. I don't get daily reports about who's hitting the shit out of the ball
Justin Halpern (I Suck at Girls)
You don’t need an MBA, a certificate, a fancy suit, a briefcase, or an above-average tolerance for risk. You just need an idea, a touch of confidence, and a push to get started.
Jason Fried (Rework)
I felt a sudden rush of warmth in my body, and felt the tears well up once again. But I didn’t cry. It’s always better to drink than to cry.
Hiromi Kawakami (The Briefcase)
dogs sharing an interest in a spillage (I imagine the dogs are called Zak Briefcase and Lengthy Parsnips).
Bob Mortimer (The Satsuma Complex)
The Don sighed. “Well, then I can’t talk to you about how you should behave. Don’t you want to finish school, don’t you want to be a lawyer? Lawyers can steal more money with a briefcase than a thousand men with guns and masks.
Mario Puzo (The Godfather)
Her heart pounded as the door lifted and Hunter got out dressed in faded jeans, a gray and black v-neck sweater, and a black leather jacket, the man was drop-dead stunning. And that deadly stagger of his made her weak in the knees. "Oh baby," she heard Tammy whisper as he came around the car. Hunter stopped in front of Amanda and raked a hungry look over her body. "Hi, luscious," he said in that deep, evocative voice. "Sorry I'm late." Before Amanda knew what he was doing, he pulled her into his arms and gave her a sizzling hot kiss. Her body burned in response to his tongue tasting hers as he fisted his hands against her back. Then, he dipped down and picked her up in his arms. "Hunter!" she gasped as he carried her effortlessly toward the car. He gave her that devilish tight-lipped smile. His midnight eyes were warm and alive with humor and hunger. With the toe of his boot, he opened the passenger-side door and set her inside. He retrieved her briefcase and purse from the sidewalk where she had dropped them and handed them to her. Then, he turned and gave a knowing smile to Cliff. "You really have to love a woman who lives to see you naked.
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Wilder went into his sons' bedroom. Glad to see Wilder, they banged their empty feeding-bowls with their plastic machine-pistols. They were dressed in miniature paratroopers' camouflage suits and tin helmets -- the wrong outfit, Wilder reflected, in light of what had been taking place in the high-rise. The correct combat costume was stockbrokers' pin-stripe, briefcase and homburg.
J.G. Ballard (High-Rise)
I should not yield to it, he told himself once again as he walked along carrying the briefcase. Compulsion-obsession-phobia. But he could not free himself. It in my grip, I in its, he thought.
Philip K. Dick (The Man in the High Castle)
My dad's filthy rich, and even though we're Irish Catholic I'm an only child. I've got more money than you do so I'll work for free. No charge. A free law clerk for three weeks. I'll do all the research, typing, answering the phone. I'll even carry your briefcase and make the coffee. I was afraid you'd want to be a a law partner. No I'm a woman, and I'm in the South. I know my place.
John Grisham (A Time to Kill (Jake Brigance, #1))
This is a Lucent PBX with Audix voice mail, right? I used this kind at all of my old jobs, so I'm pretty familiar with them." Completely ignoring me, Pat continues to demonstrate every single one of the phone's features, half of which she describes incorrectly. I don't bother taking notes because I've used this system a thousand times. I have no need to transcribe an erroneous refresher course. "Hey, you should be writing this down." Like I said, I've used this system extensively and--" WRITE IT DOWN," Pat growls. "If you screw up the phone, Jerry's gonna be on my ass." No problem." I'm slowly learning to choose my battles and figure this isn't the hill I want to die on. I pull a portfolio out of my briefcase and begin to take notes. When the phone rings and Jerry isn't there to answer, you pick it up and hold it to your mouth like this. You say, 'Hello, Jerry Jenkins' office.'" I write: When phone rings, place receiver next to your word hole and not your hoo-hoo or other bodily aperature, and say, "Shalom.
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
Hearing him talk business made me so hot. "Okay," I said a bit breathlessly. "That was ridiculously sexy." He laughed. "Kitten, if you think that's sexy, I've got piles of quarterly earnings estimates in my briefcase that I'd be happy to read to you." "Tease." I thumped his chest. "I do love a good bedtime story.
Roxie Rivera (Yuri (Her Russian Protector, #3))
You might find yourself holding a baby instead of a briefcase and fearing that your colleagues are “getting ahead” and leaving you behind. Here’s what’s important: You are allowed to be disappointed when it feels like life’s benched you. What you aren’t allowed to do is miss your opportunity to lead from the bench. If you’re not a leader on the bench, don’t call yourself a leader on the field. You’re either a leader everywhere or nowhere.
Abby Wambach (WOLFPACK: How to Come Together, Unleash Our Power and Change the Game)
It grows because you plant it.
Hiromi Kawakami (The Briefcase)
He’s become like that briefcase in the ground—full of gems yet void of light, so nothing sparkles, nothing shines.
Neal Shusterman (Unwind (Unwind, #1))
A lawyer with his briefcase can steal more than a hundred men with guns.
Mario Puzo (The Godfather (The Godfather #1))
The foot would not fit in my briefcase, so I wrapped it in cloth and wrestled it into an old knapsack I sometimes carry with me on expeditions.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
For all those fellow commuters, he was the reader, the bizarre character who each weekday would read out, in a loud, clear voice, from the handful of pages he extracted from his briefcase.
Jean-Paul Didierlaurent (The Reader on the 6.27)
I still remember "the mighty Cros" visiting the ranch in his van. That van was a rolling laboratory that made Jack Casady's briefcase look like chicken feed. Forget I said that! Was my mic on?
Neil Young (Waging Heavy Peace: A Hippie Dream)
Prologue Summer, 1962 MARSH MCKITTRICK’S BUICK WAS passed through the gates of the vast Government complex outside Langley. He eased onto the turnpike, then sped toward Washington, touching his briefcase nervously and looking into the rearview mirror. Two cars filled with heavily armed guards followed closely. Sanderson Hooper beside him and Michael Nordstrom in the rear seat remained speechless.
Leon Uris (Topaz)
Physical intimacy is essential. No matter how old are you, it's extremely important.
Hiromi Kawakami (The Briefcase)
What sort of adventures?' I asked him, astonished. ‘All sorts, Monsieur. Getting on the wrong train. Stopping in an unknown city. Losing your briefcase, being arrested by mistake, spending the night in prison. Monsieur, I believe the word adventure could be defined: an event out of the ordinary without being necessarily extraordinary.
Jean-Paul Sartre (Nausea)
Human sympathy has its limits, and we were content to let all their tragic arguments fade with the city lights behind. Thirty — the promise of a decade of loneliness, a thinning list of single men to know, a thinning briefcase of enthusiasm, thinning hair.
F. Scott Fitzgerald (The Great Gatsby)
A memory flashed back at me, of his willy bobbing about while he wrestled with his briefcase - well dignity and nudity aren't often seen together.
Kate Saunders (Bachelor Boys)
She grabbed her briefcase and took a step toward him. “You don’t have a last name?” “Everyone has a last name.” His hand hovered in the air, waiting. He was forcing her to cross the marble floor to meet him, and like a Luna moth drawn to a midnight moon, she drifted toward him. When she reached him, she took his hand and looked up into his face. “Is it Jones? Smith? Or Brown?” His lips twitched. “None of the above.” “And you won’t tell me?” “It’s not necessary information.” She tilted her head, studying his angular features. “You don’t look like an Adrian.” His smile broadened. “Imagine that.” “More like a Carlos, or a Juan, or a Diego.” “Those are Hispanic names.” “Aren’t you Hispanic?” “I’m anything you want me to be.
Shelby Reed (The Fifth Favor)
Since then he had taken these photos out too many times to count, but each time he looked into the face of this woman he had felt something growing inside him. It took him a long time to realize what it was. Only recently had his wounded synapses allowed him to name it. He had been falling in love all over again. He didn't understand how two people who were married, who saw each other every day, could forget what each other looked like, but if he had had to name what had happened- this was it. And the last two photos in the roll provided the key. He had come home from work- I remember trying to keep my mother's attention as Holiday barked when he had heard the car pull into the garage. 'He'll come out,' I said. 'Stay still.' And she did. Part of what I loved about photography was the power it gave me over the people on the other side of the camera, even my own parents. Out of the corner of my eye I saw my father walk through the side door into the yard. He carried his slim briefcase, which, years before, Lindsey and I had heatedly investigated only to find very little of interest to us. As he set it down I snapped the last solitary photo of my mother. Already her eyes had begun to seem distracted and anxious, diving under and up into a mask somehow. In the next photo, the mast was almost, but not quite, in place and in the final photo, where my father was leaning slightly down to give her a kiss on the cheek- there it was. 'Did I do that to you?' he asked her image as he stared at the pictures of my mother, lined up in a row. 'How did that happen?' ~pgs 239-240; Mr. Salmon dealing with the three c's (for families of addicts)- Cause (you didn't cause it), Control (you can't control it), and Cure (you can't cure it)
Alice Sebold (The Lovely Bones)
If the love is true, then treat it the same way you would a plant—fertilize it, protect it from the elements—you must do absolutely everything you can. But if it isn’t true, then it’s best to just let it wither on the vine.
Hiromi Kawakami (The Briefcase)
Everything felt so far away.
Hiromi Kawakami (The Briefcase)
Do it because it needs to be done. Do it to make your world better…just a little at a time.
David Kahn (Cape, Spandex, Briefcase: Leadership Lessons from Superheroes)
You think I don’t know what I want? You think I love the idea of relying on my looks for life? No! It’s pathetic! In my head, I have a nice, quiet, normal job that involves me running my own business. I carry a briefcase around my office with important documents, I have a nice assistant who calls me boss, and people ask me questions—they ask for my advice because I matter! I’m important to them! I’m recognized as something more than a pretty face and a pair of legs. I have a brain and interests and thoughts about religion, and poverty, and economics. I’m not a miserable girl with a number attached to her chest, stripping her clothes off in a room full of people.
Elisa Marie Hopkins (A Diamond in the Rough (Diamond in the Rough series book 1))
Parents sat gloomy and still, like rows of turnips in a grocer's box. Their little criminals sat with them, tapping LOLs on their phones, or milled in the yard outside stinking of Lynx and taut nonchalance. Solicitors strode in and out in a twist of slacks and briefcases.
Lisa McInerney (The Glorious Heresies)
I had screwed up. Grown-ups didn’t go around blurting out troublesome things to people. You couldn’t just blithely disclose something that would then make it impossible to greet them with a smile the next day.
Hiromi Kawakami (Strange Weather in Tokyo)
He tells my parents how I took every class he taught. He tells them, “You have a special boy here.” Embarrassed, I look at my feet. Before we leave, I hand my professor a present, a tan briefcase with his initials on the front. I bought this the day before at a shopping mall. I didn’t want to forget him. Maybe I didn’t want him to forget me. “Mitch, you are one of the good ones,” he says, admiring the briefcase. Then he hugs me. I feel his thin arms around my back. I am taller than he is, and when he holds me, I feel awkward, older, as if I were the parent and he were the child. He asks if I will stay in touch, and without hesitation I say, “Of course.” When he steps back, I see that he is crying.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
I, on the other hand, still might not be considered a proper grown-up. I had been very much the adult when I was in elementary school. But as I continued on through junior high and high school, on the contrary, I became less grown-up. And then as the years passed, I turned into quite a childlike person. I suppose I just wasn't able to ally myself with time.
Hiromi Kawakami (The Briefcase)
Opening lines of The Great Indian Novel narrated as a modern day MahaBharata. They tell me India is an underdeveloped country. They attend seminars, appear on television, even come to see me, creasing their eight-hundred-rupee suits and clutching their moulded plastic briefcases, to announce in tones of infinite understanding that India has yet to develop. Stuff and nonsense, of course. “These are the kind of fellows who couldn’t tell their kundalini from a decomposing earthworm, and I don’t hesitate to tell them so. I tell them they have no knowledge of history and even less of their own heritage. I tell them that if they would only read the Mahabarata and the Ramayana, study the Golden Ages of the Mauryas and the Guptas and even of those Muslim chaps the Mughals, they would realize that India in not an underdeveloped country but a highly developed country in an advanced stage of decay.” They laugh about me pityingly and shift from one foot to the other, unable to conceal their impatience, and I tell them that, in fact, everything in India in over-developed, particularly the social structure, the bureaucracy, the political process, the financial system, the university network and, for that matter, the women. Cantankerous old man, I them thinking, as they make their several exists
Shashi Tharoor
I found this." He put the briefcase on the table and opened the locks. She saw a stack of papers, an evidence bag with a red seal. He pulled a college notebook with a blue plastic cover from one of the pockets. Black fingerprint powder spotted the cover. "I tried to clean it up," he said, wiping the grime on the front of his sweater. "I'm sorry. It was in Allison's car and I..." He flipped through the pages, showing her the scrawled handwriting. "I can't," he said. "I just can't." She realized that Will hadn't looked at her once since walking into the room. He had such an air of defeat about him, as if every word that came from his mouth caused him pain.
Karin Slaughter (Broken (Will Trent, #4))
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Donna Tartt (The Goldfinch)
Thirty - the promise of a decade of loneliness, a thinning list of single people to know, a thinning brief-case of enthusiasm, thinning hair. But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age. As we passed over the dark bridge her wan face fell lazily against my coat's shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand.
F. Scott Fitzgerald (The Great Gatsby)
He leans forward and his mouth brushes briefly against mine, and I feel... nothing. I was hoping our first kiss would trigger all sorts of memories or sensations, maybe a sudden image of Paris or our wedding, or our first snog. But as he draws away I feel totally, one hundred percent blank. I can see the anticipation in Eric's face and quickly search for something encouraging to say. "That was lovely! Very..." I trail off, unable to think of a single word other than quick, which I'm not sure hits the right note. "It didn't bring back any memories?" Eric is studying my face. "Well...no," I say apologetically. "But, I mean, that doesn't mean it wasn't really... I mean it was... I feel quite turned on!" The words come out before I can stop them. What the hell did I say that for? I don't feel turned on. "Really?" Eric lights up and he puts his briefcase down. Oh no. No no no. Nooo.
Sophie Kinsella (Remember Me?)
Just so we know where we stand, darling." "I'll tell you just where we stand, darling.I don't need your insulting offer.I'm running my life my way." "And that's been such a rousing success so far." "I know what I'm doing.Take that ridiculous smirk off your face." "I can't.It sticks there every time you say you know what you're doing." But he tucked all the papers back in his briefcase, closed it. "I'll say this,I don't think it's an entirely moronic idea-this place." "Well,I'll sleep easy now, knowing I have your approval." "Approval's a little strong.It's more like hopeful resignation." He gave the banister a last wiggle. "But I believe in you,Margo." Temper died into confusion. "Damn you, Josh.I can't keep up with you." "Good." He strolled over, flicked a finger down her cheek. "I think you're going to make something out of this shop that'll surprise everyone. Especially you." He leaned down,and when he kissed her this time it was light and friendly. "Got cab fare?" "Excuse me?" Grinning, he pulled keys out of his pocket. "Fortunately, I had a spare set to the Jag. Don't work too late, duchess." She didn't smile until he was well out of sight.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
For a six-year-old, she’s got some talent, and this drawing is among her better ones, in a way. The six figures actually resemble us—Patrick, Steven, the twins, me, and Sonia. We’re all standing in our garden, holding hands under a tree that’s blooming with white stars. She’s got the twins in matching outfits and she’s drawn something that looks more like a suitcase than a briefcase in Patrick’s free hand. Steven wears his new pin; my hair is pulled back into a ponytail. Around my wrist and Sonia’s are bracelets: red for her and black for me. We’re all smiling under a sun she’s decorated with orange hearts. “Beautiful,” I say, taking the drawing. But I don’t think it’s beautiful. I think it’s the ugliest fucking thing I’ve ever seen.
Christina Dalcher (Vox)
anything from smiling and saying good morning with gusto to leaving little notes in briefcases or lunchboxes; from going the extra mile on a project to doing an extra house chore without being asked; from leaving a thoughtful note of appreciation on a coworker’s desk to meeting your sweetheart at work with surprise tickets to an evening concert “just because.” Giving is the path for doing this. I believe that the only currency that truly matters in an uncertain world is the kindness and generosity passed from one human being to another.
Vishen Lakhiani (The Code of the Extraordinary Mind: 10 Unconventional Laws to Redefine Your Life and Succeed On Your Own Terms)
Men wore business suits and carried briefcases, while their wives, who were attractive but not sexy, stayed home, raised the kids, cleaned the house and had a meal on the table for the whole family when they arrived home. Both husband and wife knew their roles. The wife would only apply face cream after ‘congress’ was completed and the husband was asleep as it was considered that it could be shocking for a man to view his wife this way last thing at night. She would be compliant and forgiving if he suggested some of the more ‘unusual’ sexual practices, although she might register hesitancy by remaining silent. The Hippies rebelled against this, growing their hair long, burning their draft cards, taking hallucinogenic drugs and indulging in ‘free love,’ which in reality was just another term to describe the notion that all the girls were up for it.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
... television looks to be an absolute godsend for a human subspecies that loves to watch people but hates to be watched itself. For the television screen affords access only one-way. A psychic ball-check valve. We can see Them; They can’t see Us. We can relax, unobserved, as we ogle. I happen to believe this is why television also appeals so much to lonely people. To voluntary shut-ins. Every lonely human I know watches way more than the average U.S. six hours a day. The lonely, like the fictive, love one-way watching. For lonely people are usually lonely not because of hideous deformity or odor or obnoxiousness—in fact there exist today support- and social groups for persons with precisely these attributes. Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly. Let’s call the average U.S. lonely person Joe Briefcase. Joe Briefcase fears and loathes the strain of the special self-consciousness which seems to afflict him only when other real human beings are around, staring, their human sense-antennae abristle. Joe B. fears how he might appear, come across, to watchers. He chooses to sit out the enormously stressful U.S. game of appearance poker. But lonely people, at home, alone, still crave sights and scenes, company. Hence television. Joe can stare at Them on the screen; They remain blind to Joe. It’s almost like voyeurism.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
This actually did happen to a real person, and the real person is me. I had gone to catch a train. This was April 1976, in Cambridge, U.K. I was a bit early for the train. I’d gotten the time of the train wrong. I went to get myself a newspaper to do the crossword, and a cup of coffee and a packet of cookies. I went and sat at a table. I want you to picture the scene. It’s very important that you get this very clear in your mind. Here’s the table, newspaper, cup of coffee, packet of cookies. There’s a guy sitting opposite me, perfectly ordinary-looking guy wearing a business suit, carrying a briefcase. It didn’t look like he was going to do anything weird. What he did was this: he suddenly leaned across, picked up the packet of cookies, tore it open, took one out, and ate it. Now this, I have to say, is the sort of thing the British are very bad at dealing with. There’s nothing in our background, upbringing, or education that teaches you how to deal with someone who in broad daylight has just stolen your cookies. You know what would happen if this had been South Central Los Angeles. There would have very quickly been gunfire, helicopters coming in, CNN, you know… But in the end, I did what any red-blooded Englishman would do: I ignored it. And I stared at the newspaper, took a sip of coffee, tried to do a clue in the newspaper, couldn’t do anything, and thought, What am I going to do? In the end I thought Nothing for it, I’ll just have to go for it, and I tried very hard not to notice the fact that the packet was already mysteriously opened. I took out a cookie for myself. I thought, That settled him. But it hadn’t because a moment or two later he did it again. He took another cookie. Having not mentioned it the first time, it was somehow even harder to raise the subject the second time around. “Excuse me, I couldn’t help but notice…” I mean, it doesn’t really work. We went through the whole packet like this. When I say the whole packet, I mean there were only about eight cookies, but it felt like a lifetime. He took one, I took one, he took one, I took one. Finally, when we got to the end, he stood up and walked away. Well, we exchanged meaningful looks, then he walked away, and I breathed a sigh of relief and st back. A moment or two later the train was coming in, so I tossed back the rest of my coffee, stood up, picked up the newspaper, and underneath the newspaper were my cookies. The thing I like particularly about this story is the sensation that somewhere in England there has been wandering around for the last quarter-century a perfectly ordinary guy who’s had the same exact story, only he doesn’t have the punch line.
Douglas Adams
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.” Tsukuru gazed wordlessly at his old friend’s delicate face. “Each of us is given the freedom to choose,” Aka said, winking and smiling. “That’s the point of the story.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
We all travelled light, taking with us only what we considered to be the bare essentials of life. When we opened our luggage for Customs inspection, the contents of our bags were a fair indication of character and interests. Thus Margo’s luggage contained a multitude of diaphanous garments, three books on slimming, and a regiment of small bottles each containing some elixir guaranteed to cure acne. Leslie’s case held a couple of roll-top pullovers and a pair of trousers which were wrapped round two revolvers, an air-pistol, a book called Be Your Own Gunsmith, and a large bottle of oil that leaked. Larry was accompanied by two trunks of books and a brief-case containing his clothes. Mother’s luggage was sensibly divided between clothes and various volumes on cooking and gardening. I travelled with only those items that I thought necessary to relieve the tedium of a long journey: four books on natural history, a butterfly net, a dog, and a jam-jar full of caterpillars all in imminent danger of turning into chrysalids. Thus, by our standards fully equipped, we left the clammy shores of England.
Gerald Durrell
White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.
Donna Tartt (The Goldfinch)
Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.
Frederick Barthelme (Two Against One)
Michael, can I have the—” I burst into the kitchen, only to find that Michael and Sloane weren’t the only ones there. Judd was cooking, and Agent Briggs was standing with his back to me, a thin black briefcase by his feet. “—the bacon,” I finished hastily. Agent Briggs turned to face me. “And why does Michael have your bacon?” he asked. As if this whole situation wasn’t awkward enough, Lia chose that moment to come sauntering into the room. “Yes, Cassie,” she said with a wicked grin, “tell us why Michael has your bacon.” The way she said the phrase left very little question that she was using it as a euphemism. “Lia,” Judd said, waving a spatula in her general direction, “that’s enough.
Jennifer Lynn Barnes (The Naturals (The Naturals, #1))
Mostly, they were ashamed of us. Our floppy straw hats and threadbare clothes. Our heavy accents. Every sing oh righ? Our cracked, callused palms. Our deeply lined faces black from years of picking peaches and staking grape plants in the sun. They longed for real fathers with briefcases who went to work in a suit and tie and only mowed the grass on Sundays. They wanted different and better mothers who did not look so worn out. Can't you put on a little lipstick? They dreaded rainy days in the country when we came to pick them up after school in our battered old farm trucks. They never invited over friends to our crowded homes in J-town. We live like beggars. They would not be seen with us at the temple on the Emperor's birthday. They would not celebrate the annual Freeing of the Insects with us at the end of summer in the park. They refused to join hands and dance with us in the streets on the Festival of the Autumnal Equinox. They laughed at us whenever we insisted that they bow to us first thing in the morning and with each passing day they seemed to slip further and further from our grasp.
Julie Otsuka (The Buddha in the Attic)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
When Kojima was in elementary school, he was a child, of course. A suntanned kid with thin little shins. In high school, Kojima had seemed like a sprouting boy, on the verge of casting off his boyhood skin and becoming a young man. By the time he got to college, he must have been a full-fledged young man, the epitome of youth. I can just imagine. Now having reached his thirties, Kojima was a grown-up. No doubt about it. His behavior was commensurate with his age. The passage of time had been evenly distributed for Kojima, and both his body and mind had developed proportionately. I, on the other hand, still might not be considered a proper grownup. I had been very much the adult when I was in elementary school. But as I continued on through junior high and high school, on the contrary, I became less grown-up. And then as the years passed, I turned into quite a childlike person. I suppose I just wasn't able to ally myself with time.
Hiromi Kawakami (The Briefcase)
... television looks to be an absolute godsend for a human subspecies that loves to watch people but hates to be watched itself. For the television screen affords access only one-way. A psychic ball-check valve. We can see Them; They can’t see Us. We can relax, unobserved, as we ogle. I happen to believe this is why television also appeals so much to lonely people. To voluntary shut-ins. Every lonely human I know watches way more than the average U.S. six hours a day. The lonely, like the fictive, love one-way watching. For lonely people are usually lonely not because of hideous deformity or odor or obnoxiousness—in fact there exist today support- and social groups for persons with precisely these attributes. Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly. Let’s call the average U.S. lonely person Joe Briefcase. Joe Briefcase fears and loathes the strain of the special self-consciousness which seems to afflict him only when other real human beings are around, staring, their human sense-antennae abristle. Joe B. fears how he might appear, come across, to watchers. He chooses to sit out the enormously stressful U.S. game of appearance poker. But lonely people, at home, alone, still crave sights and scenes, company. Hence television. Joe can stare at Them on the screen; They remain blind to Joe. It’s almost like voyeurism.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Ladies and Gentlemen. I should like to inform you on behalf of the nation state of Guyana, that we are going to resign from being a country. We can't make it work. We have tried. We have done our best. It is not possible. The problems are insoluble. From midnight tonight, we shall cease trading. The country is now disbanded. We will voluntarily liquidate ourselves. The nation will disperse quietly, a little shamefaced but so what. We had a go. Different people have suggested different solutions. Do it this way. Try that. Let me have a go. Nothing works. We are at the mercy of the rich countries. A team of management consultants from the United States could not find the answer, and for not finding the answer, we had to pay them an amount that substantially increased our national debt. We give in, gracefully, but we give in." And then he imagined himself, quietly and with dignity, putting his papers in his briefcase, bowing to the hushed assembly, returning to clear out his office and going for a walk with his wife along the sea wall. (The Ventriloquist's Tale
Pauline Melville
Here was a temporary solution. Parole would get Mofokeng and Mokoena out of jail as quickly as possible. Other details could be sorted out later. I accompanied Nyambi to Kroonstad jail at the end of October and remember that as he told Mofokeng and Mokoena the news—that they would be home for Christmas—smiles slowly but surely transformed the sombre, cautious expressions on their faces. Big problem: it was discovered in December, a full two months after the judgment was made, that the court order does not mention the NCCS at all. Consequently, the NCCS interpreted the court's order as having removed the NCCS's jurisdiction to deal with any "lifers" sentenced pre-1994. The members of the NCCS packed their briefcases and went home. No one knows why the judgment didn't mention the NCCS; maybe the judge who wrote it, Justice Bess Nkabinde, simply didn't know how the parole system operates; but eight of her fellow judges, the best in the land, found with her. The Mofokeng and Mokoena families, who are from 'the poorest of the poor', as the ANC likes to say, are distraught. But the rest—the law men, the politicians and the government ministers—well, quite frankly, they don't seem to give a fig. Zuma has gone on holiday, to host his famous annual Christmas party for children. Mapisa-Nqakula has also gone on holiday. Mofokeng and Mokoena remain where they were put 17 years ago, despite not having committed any crime.
Jeremy Gordin
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)