Bridges Of Madison County Love Quotes

In a universe of ambiguity, this kind of certainty comes only once, and never again, no matter how many lifetimes you live.

It's clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty bumming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another.

I don't wanna need you because I can't have you.

The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable - it could not have been any other way-- a case of what I call the high probability of the improbable

I don't like feeling sorry for myself. That's not who I am. And most of the time I don't feel that way. Instead, I am grateful for having at least found you. We could have flashed by one another like two pieces of cosmic dust. God or the universe or whatever one chooses to label the great systems of balance and order does not recognize Earth-time. To the universe, four days is no different than four billion light years. I try to keep that in mind. But, I am, after all, a man. And all the philosophic rationalizations I can conjure up do not keep me from wanting you, every day, every moment, the merciless wail of time, of time I can never spend with you, deep within my head. I love you, profoundly and completely. And I always will. The last cowboy, Robert

Something I've never been able to adapt to, to understand is how they can lavish such love and care on the animals and then see them sold for slaughter. I don't dare say anything about it, though. Richard and his friends would be down on me in a flash. But there's some kind of cold, unfeeling contradiction in that business.

We have both lost ourselves and created something else, something that exists only as an interlacing of the two of us. Christ, we're in love. As deeply, as profoundly, as it's possible to be in love.

《Abbiamo perduto noi stessi e creato qualcos'altro, qualcosa che esiste in quanto ci unisce. Ci amiamo. Con tutta la profondità, l'intensità con cui è possibile amarsi.》

Something I've never been able to adapt to, to understand, is how they can lavish such love and care on the animals and then see them sold for slaughter.

I have noticed a curious bifurcation in outcome in the way romances are written by women et written by men - Love Story, The Bridges of Madison County, every James Bond tale ever penned, even the film named above - end with the woman either lost or dead. And the man free to love, or at least to have sex, again. Romances (in the modern genre sense) written by women end with the couple alive, together, and in a committed and at least potentially fertile relationship, ready to turn to the work of their world. In other words, men's romances are about love and death; women's romances are about love and life.

«Dobbiamo rinunciare a tutto, dunque?» Era serio, non sorrideva. «Non so neppure questo. Robert, in un certo senso ti appartengo. Non volevo che accadesse, non ne sentivo la necessità, e so che questo vale anche per te, ma è andata così. In realtà non sono seduta qui sull'erba, accanto a te. Mi hai dentro di te, come una prigioniera volontaria».

You never in your life think that love like this can happen to you

I don't want to need you, 'cause I can't have you.

Ecco perché sono su questo pianeta, in questo tempo, Francesca. Non per viaggiare o fare fotografie, ma per amarti. Adesso lo so. Per molti più anni di quanti non ne abbia vissuti, ho continuato a precipitare dall'orloo di un luogo immenso e altissimo. E in tutti questi anni precipitato verso di te

I want to keep it forever. I want to love you the way I do now the rest of my life. Don't you understand... we'll lose it if we leave. I can't make an entire life disappear to start a new one. All I can do is try to hold onto to both. Help me. Help me not lose loving you.

It seems right now that all I’ve ever done in my life is making my way here to you.’ I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused. ‘Don, what are you…what have you done to yourself?’ ‘I’ve made some changes.’ ‘Big changes.’ ‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’ Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care. ‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required. ‘I need a minute to think,’ she said. I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision. ‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead. 'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’ ‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter. ‘According to your definition, no.’ Rosie looked extremely unhappy. The evening had turned into a disaster. 'I thought my behaviour would make you happy, and instead it’s made you sad.’ ‘I’m upset because you can’t love me. Okay?’ This was worse! She wanted me to love her. And I was incapable. Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.

Como duas aves solitárias sobrevoando as imensas pradarias por vontade divina, todos estes anos e vidas avançámos ao encontro um do outro.

I gave my life to my family, I wish to give Robert what is left of me.

And then they watched The Bridges of Madison County,” Jillian added. Zed gasped. “That’s like The Notebook for old people!

Yet in a world where personal commitment in all of its forms seems to be shattering and love has become a matter of convenience, they both felt this remarkable tale was worth the telling.

E por fim descobria o significado de todas as pequenas pegadas em todas as praias desertas por onde alguma vez caminhara, e de todas as cargas secretas levadas por navios que jamais haviam navegado, de todos os rostos velados que o viram passar por ruas sinuosas de crepusculares cidades. E, como um grande caçador de outros tempos que tivesse viajado em terras distantes e agora visse o brilho das fogueiras da sua pátria, a sua solidão desvaneceu-se. Finalmente. (...) Vinha de tão longe...

September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.

I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia.

This is why I hated The Bridges of Madison County. Hated it. Here these two had an affair for a couple of weeks, and then for the rest of forever they’re all ‘He was the one’ or ‘She was the love of my life.’ But that’s too easy. Wait till you have to get right down to who’s gonna take out the trash on a night when the mercury dips into single digits. Once you get that worked out, I’ll believe you. I really tried to stay off your back about it before this. You