Bride Related Quotes

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Whatever he believed, he believed. It didn’t matter to him whether it was really true or not. He just changed the truth till it fit him. He was a real white man.
James McBride (The Good Lord Bird)
ITS NOT FUNNY!" "You're right," agreed Sydney. "It's no funny. It's hilarious." We were back at Raymond's house, in the privacy of our room. It had taken forever for us to get away form the fireside festivities, particularly after learning a terrible fact about a Keeper custom. Well, I thought it was terrible, at least. It truned out that if someone wanted to marry domeone else around here, the prospectimve bride and groom each had to battle it out with the other's nearest relative of the same sex. Angeline had spotted Joshua's interest from the moment I'd arrived, and when she'd seen the bracelet, she'd assumed some sort of arragement has been made.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
OK, now let’s have some fun. Let’s talk about sex. Let’s talk about women. Freud said he didn’t know what women wanted. I know what women want. They want a whole lot of people to talk to. What do they want to talk about? They want to talk about everything. What do men want? They want a lot of pals, and they wish people wouldn’t get so mad at them. Why are so many people getting divorced today? It’s because most of us don’t have extended families anymore. It used to be that when a man and a woman got married, the bride got a lot more people to talk to about everything. The groom got a lot more pals to tell dumb jokes to. A few Americans, but very few, still have extended families. The Navahos. The Kennedys. But most of us, if we get married nowadays, are just one more person for the other person. The groom gets one more pal, but it’s a woman. The woman gets one more person to talk to about everything, but it’s a man. When a couple has an argument, they may think it’s about money or power or sex, or how to raise the kids, or whatever. What they’re really saying to each other, though, without realizing it, is this: “You are not enough people!” I met a man in Nigeria one time, an Ibo who has six hundred relatives he knew quite well. His wife had just had a baby, the best possible news in any extended family. They were going to take it to meet all its relatives, Ibos of all ages and sizes and shapes. It would even meet other babies, cousins not much older than it was. Everybody who was big enough and steady enough was going to get to hold it, cuddle it, gurgle to it, and say how pretty it was, or handsome. Wouldn't you have loved to be that baby?
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
Lothaire to Trehan: “You are related to me by blood and, like me, are a Dacian royal.” “So?” “So that means your ridiculous behavior reflects “upon me.” “What are you talking about? My ridiculous behavior?I’ve done nothing to warrant this summoning, Lothaire. I keep to my library—and to myself. “Exactly. You sit in your room and stroke off to memories of your Bride.
Kresley Cole (Shadow's Claim (Immortals After Dark, #12; The Dacians, #1))
She [the Virgin Mary] was normal. She had already had other children. The Bible tells us that Jesus had two brothers. Virginity, as it relates to Jesus, is based on a different thing: Mary initiated a new generation of grace. A new era began. She is the cosmic bride, Earth, which opens to the heavens and allows itself to be fertilized.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
He ain't gonna live long, child. He's crazy. He thinks the n***ers's equal to the white man.
James McBride (The Good Lord Bird)
...since I was a little boy, she had always wanted me to go. She was always sending me off on a bus someplace, to elementary school, to camp, to relatives in Kentucky, to college. She pushed me away from her just as she'd pushed my elder siblings away when we lived in New York, literally shoving them out the front door when they left for college.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Fact is, I never knowed a Negro from that day to this but who couldn't lie to themselves about their own evil while pointing out the white man's wrong, and I weren't no exception.
James McBride (The Good Lord Bird)
I can relate, since I grew up fairly sure that if I misbehaved, a Were would crawl up the toilet to eat my ass.
Ali Hazelwood (Bride)
A harem is not a brothel, as so many Westerners erroneously believe. It is merely the women's living quarters. Male relatives can join them -- but no male nonrelatives may do so. It is hardly a den of eroticism.
Phyllis Chesler (An American Bride in Kabul)
And in the background, the constant, high, whining mewl of local disapproval. Within the first few months of her return, to her parents' home, Ammy quickly learned to recognize and despise the ugly face of sympathy. Old female relations with incipient beards and several wobbling chins made overnight trips to Ayemenem to commiserate with her about her divorce. They squeezed her knee and gloated. She fought off the urge to slap them. Or twiddle their nipples. With a spanner. Like Chaplin in Modern Times. When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jeweled bride. Her silk sunset-colored sari shot with gold. Rings on very finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouths would twist into a small, bitter, smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile. Like polishing firewood. ....... Ammu knew that weddings were not something that could be avoided altogether. At least not practically speaking. But for the rest of her life she advocated small weddings in ordinary clothes. it made them less ghoulish, she thought.
Arundhati Roy (The God of Small Things)
Boys seem to have a different kind of relationship with Mother. Just about every daughter of a narcissistic mother has reported to me that her brother or brothers were better liked and more favored than she or her sisters were. Daughters consistently report how hurtful this has been. Typically, the mother appears not to notice the imbalance, or if confronted, denies it, but it does make some sense. Her sons are not threatening to her in relation to the father as another girl or woman is, because the boys are not as much an extension of her as is a daughter.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
Nobody asked the Negro what he thunk about the whole business, by the way, nor the Indian, when I think of it, for neither of their thoughts didn't count, even through most of the squabbling was about them on the outside, for at bottom the whole business was about land and money, something nobody who was squabbling seemed to ever get enough of.
James McBride (The Good Lord Bird)
There ain't nothing gets a Yankee madder than a smart colored person, of which I reckon they figured there was only one in the world, Mr. Douglass.
James McBride (The Good Lord Bird)
We could be at war with Eurasia and on the verge of cloning unicorns, and I’d have no clue. I’ve been busy. Searching. Scouring.
Ali Hazelwood (Bride)
You might recall that the Scriptures use a number of metaphors to describe our relationship with God. We are portrayed as clay, and he is the potter. We are sheep, and he the shepherd. Each metaphor is beautiful and speaks to the various seasons of our spiritual lives and to the various aspects of God’s heart toward us. But have you noticed they ascend in a stunning way? From potter and his clay to a shepherd and his sheep, there is a marked difference in intimacy, in the way they relate. It gets even better. From master and servant to father and child, there is a wonderful progression into greater intimacy. It grows more beautiful and rich when he calls us his friends. But what is most breathtaking is when God says he is our Lover (our Bridegroom, our Fiancé), and we his bride. That is the pinnacle, the goal of our redemption (used in the last chapter of the Bible, when Christ returns for his bride) and the most intimate and romantic of all.
John Eldredge (Captivating: Unveiling the Mystery of a Woman's Soul)
This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world, cheese so good it inspired a line every first Saturday of the month: mothers, daughters, fathers, grandparents, disabled in wheelchairs, kids, relatives from out of town, white folks from nearby Brooklyn Heights, and even South American workers from the garbage-processing plant on Concord Avenue, all patiently standing in a line that stretched from the interior of Hot Sausage’s boiler room to Building 17’s outer doorway, up the ramp to the sidewalk, curling around the side of the building and to the plaza near the flagpole.
James McBride (Deacon King Kong)
I am a foreigner in this place right now. Not just this empty house – a house that once held such joy and laughter, a house marked by family and faith. But this world too. It’s like I’m a refugee, always running, running, running. And every time I arrive somewhere, hoping for sanctuary, I’m met with rejection.
Brian McBride (Every Bright and Broken Thing)
Ellen sue always pale, surveyed herself in the glass in her mother's room. She was pale - but brides are always pale, aren't they? She knew she loved Liam, they were right for each other, and yet -- and yet -- she was scared. She was going away from the city she loved and the people who loved her, with Liam, wh wasn't even related to her few months back.
Katie Flynn (Rainbow's End)
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
It made me a bit sad, truth be to tell it, to watch them hundreds of white folks crying for the Negro, for there weren't hardly ever any Negroes present at most of them gatherings, and them that was there was doodied up and quiet as a mouse. It seemed to me the whole business of the Negro's life out there weren't no different than it was out west, to my mind. It was like a big, long lynching. Everybody got to make a speech about the Negro but the Negro.
James McBride (The Good Lord Bird)
When do you wish to go?” “Early to-morrow morning, sir.” “Well, you must have some money; you can’t travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?” he asked, smiling. I drew out my purse; a meagre thing it was. “Five shillings, sir.” He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: “Here,” said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. “I don’t want change; you know that. Take your wages.” I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said— “Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?” “Yes, sir, but now you owe me five.” “Come back for it, then; I am your banker for forty pounds.” “Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity.” “Matter of business? I am curious to hear it.” “You have as good as informed me, sir, that you are going shortly to be married?” “Yes; what then?” “In that case, sir, Adèle ought to go to school: I am sure you will perceive the necessity of it.” “To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.
Charlotte Brontë (Jane Eyre)
Following the death in 1874 of Prince Hamid ‘Ali, the heir apparent, the title passed to Farid-ud-din Qadr. He was now the eldest surviving son of Wajid ‘Ali Shah, born to Mashuq Mahal in about 1846. He had been first married when he was about six years old, to a daughter of the chief minister, ‘Ali Naqi Khan, who seemed to have an inexhaustible supply of female relatives as brides for the Awadh family. These complicated family intermarriages meant that the king’s second nikah wife, Akhtar Mahal, was also the sister-in-law of Farid-ud-din Qadr.
Rosie Llewellyn-Jones (The Last King in India: Wajid Ali Shah (1822-87))
Narcissistic traits that you unwittingly acquired will also haunt you in your relationships with other adults. Recognize these traits so that you can get control of them. This will be difficult, but that does not mean you are not a good person. Nor does it mean that you are not good enough. It means that you are human, and you have issues related to a painful, difficult childhood. As an adult, however, you want to become totally accountable, to take an honest look in the mirror. You can move past the pain and sadness and experience, and allow yourself to grow emotionally, and integrate the many complex parts of yourself.
Karyl McBride (Will I Ever Be Good Enough?: Healing the Daughters of Narcissistic Mothers)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
Western people today may have acquaintances, but few have relationships that even remotely approximate the honest, vulnerable, committed, covenantal relationships that weave the body of Christ together in the New Testament. Related to this, while the New Testament views the church as a community of people who unite around a mission, who spend significant amounts of time together in study, worship, and ministry, and who help one another become “fully mature in Christ” (Col. 1:28; cf. Eph. 4:13; James 1:4), most Westerners assume church is a place they go to once a week to sit alongside strangers, sing a few songs, and listen to a message before returning to their insulated lives. So too, whereas the New Testament envisions the bride of Christ as a community of people who convince the world that Jesus is for real by the way our unity reflects and participates in the loving unity of the Trinity (John 17:20–23), the Western church today has been reduced to little more than a brief gathering of consumers who are otherwise unconnected and who attend the weekend event with hopes of getting something that will benefit their lives. From a kingdom perspective, this individualistic and impoverished consumer-driven view of the church is nothing short of tragic, as is the perpetual immaturity of the believers who are trapped in it. If we are serious about our covenant with Christ, we have no choice but to get serious about cultivating covenant relationships with other disciples. There are no individual brides of Christ. Jesus is not a polygamist! There
Gregory A. Boyd (Benefit of the Doubt: Breaking the Idol of Certainty)
That exactly is how my father and mother met and became man and wife. There were no home ceremonials, such as the seeking and obtaining of parental consent, because there were no parent; no conferences by uncles and grand-uncles, or exhortations by grandmothers and aunts; no male relatives to arrange the marriage knot, nor female relations to herald the family union, and no uncles of the bride to divide the bogadi (dowry) cattle as, of course, there were no cattle. It was a simple matter of taking each other for good and or ill with the blessing of the ‘God of Rain’. The forest was their home, the rustling trees their relations, the sky their guardian and the birds, who sealed the marriage contract with the songs, the only guests. Here they stablished their home and names it Re-Nosi (We-are-alone). [41]
Sol T. Plaatje (Mhudi)
The home of the young bride and her widower groom lies in Travancore, at the southern tip of India, sandwiched between the Arabian Sea and the Western Ghats—that long mountain range that runs parallel to the western coast. The land is shaped by water and its people united by a common language: Malayalam. Where the sea meets white beach, it thrusts fingers inland to intertwine with the rivers snaking down the green canopied slopes of the Ghats. It is a child’s fantasy world of rivulets and canals, a latticework of lakes and lagoons, a maze of backwaters and bottle-green lotus ponds; a vast circulatory system because, as her father used to say, all water is connected. It spawned a people—Malayalis—as mobile as the liquid medium around them, their gestures fluid, their hair flowing, ready to pour out laughter as they float from this relative’s house to that one’s, pulsing and roaming like blood corpuscles in a vasculature, propelled by the great beating heart of the monsoon.
Abraham Verghese (The Covenant of Water)
There was a loud din, a drunken gaiety. Young people, adults, children were dancing. But I could feel the reality behind the appearance of festivity. The distorted faces of the bride’s relatives signaled a quarrelsome discontent. Especially the women. They had spent their last cent for the gift, for what they were wearing, had gone into debt, and now they were treated like poor relations, with bad wine, intolerable delays in service? Why didn’t Lila intervene, why didn’t she protest to Stefano? I knew them. They would restrain their rage for love of Lila but at the end of the reception, when she went to change, when she came back, dressed in her beautiful traveling clothes, when she handed out the wedding favors, when she had left, with her husband, then a huge fight would erupt, and it would be the start of hatreds lasting months, years, and offenses and insults that would involve husbands, sons, all with an obligation to prove to mothers and sisters and grandmothers that they knew how to be men.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.” “You shall walk up the pyramids of Egypt!” he growled. “At your peril you advertise! I wish I had only offered you a sovereign instead of ten pounds. Give me back nine pounds, Jane; I’ve a use for it.” “And so have I, sir,” I returned, putting my hands and my purse behind me. “I could not spare the money on any account.” “Little niggard!” said he, “refusing me a pecuniary request! Give me five pounds, Jane.” “Not five shillings, sir; nor five pence.” “Just let me look at the cash.” “No, sir; you are not to be trusted.
Charlotte Brontë (Jane Eyre)
A man who is the head of his wife is preaching all day about Christ and the Church—his obedience or disobedience will determine whether his preaching is full of lies or not, but the very nature of his relation to his wife means that he is preaching, like it or not. Picture Christ murmuring against His wife to the Father, “The woman Thou gavest . . .” Imagine Christ blaming the Church, pointing an accusing finger. Try to picture Christ wishing that He were with someone else. Every situation we might come up with piles absurdity on absurdity. When a man learns this and begins to treat his wife in a manner consistent with that insight, he soon sees the difference between sentimental attachments and covenantal identity. Christ loved His bride with an efficacious love; He loved the Church in a way which transformed her. In the same way a husband is to assume responsibility for his wife’s increasing loveliness. One man marries a pretty woman and hopes, fingers crossed, that she will manage to stay that way. But a federal husband marries a beautiful woman and vows before God and witnesses that he will nourish and cherish her in such a way that she flourishes in that beauty. Christ bestowed loveliness on His Church through His love. A Christian man is called to do the same. Covenant loving bestows loveliness. Federal commitment imparts beauty.
Douglas Wilson (Federal Husband)
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)
Your Creator knows that true transformation comes by a relationship— a powerful relationship with Christ where love’s torrent covers our sin and makes us lovely in His sight. Just as relationships in the past had the power to wound and scar our souls, downloading lies into our thinking, so a passionate pursuit of the Bridegroom holds the key for the deepest level of change in our personalities.   Jesus does not come to scare us into submission, but to woo us into friendship with Him. God delivered His transforming truth and the grace for change in a relational package; the person of His Son. Grace has a face; and His face is smiling.
Brian Simmons (Song of Songs: The Journey of the Bride)
Following the Soviet invasion, the Communists, to their credit, passed decrees making girls’ education compulsory and abolishing certain oppressive tribal customs—such as the bride-price, a payment to the bride’s family in return for her hand in marriage. However, by massacring thousands of tribal elders, they paved the way for the “commanders” to step in as the new elite. Aided by American and Saudi patronage, extremism flourished. What had once been a social practice confined to areas deep in the hinterlands now became a political practice, which, according to ideologues, applied to the entire country. The modest gains of urban women were erased. “The first time a woman enters her husband’s house," Heela “told me about life in the countryside, “she wears white”—her wedding dress—“and the first time she leaves, she wears white”—the color of the Muslim funeral shroud. The rules of this arrangement were intricate and precise, and, it seemed to Heela, unchanged from time immemorial. In Uruzgan, a woman did not step outside her compound. In an emergency, she required the company of a male blood relative to leave, and then only with her father’s or husband’s permission. Even the sound of her voice carried a hint of subversion, so she was kept out of hearing range of unrelated males. When the man of the house was not present, boys were dispatched to greet visitors. Unrelated males also did not inquire directly about a female member of the house. Asking “How is your wife?” qualified as somewhere between uncomfortably impolite and downright boorish. The markers of a woman’s life—births, anniversaries, funerals, prayers, feasts—existed entirely within the four walls of her home. Gossip, hopscotching from living room to living room, was carried by husbands or sons.
Anand Gopal (No Good Men Among the Living: America, the Taliban, and the War through Afghan Eyes)
What about you?” he asked, ready to take the focus off himself and his parents. “What kind of mom did you have?” She hesitated. Her hair was unraveled and lay in a glorious display of long dark curls around her face. The muscles in his hands tensed with the need to thread his fingers through the thick locks. Instead he grabbed his ax and poked the fire, sending more sparks flying. “I don’t remember much about my mother,” she said. He stared at the flames, trying to keep a rein on his thoughts about Lily. “She died giving birth to Daisy.” Her voice dipped. “I’m sorry.” He stilled and glanced at her again. Her forehead crinkled above eyes that radiated pain. “My father couldn’t take care of us, and for a few years we were shuffled between relatives. Until he got into an accident at work and died within a few days.” An ache wound around his heart. “After that, no one wanted us anymore. I suppose without the money my father had provided them, they couldn’t afford to take care of two more children—not when they struggled enough without us. So they dropped us off at the New York Foundling Hospital.” She paused, and he didn’t say anything, although part of him wished he could curse the family that gave up two girls with such ease. “We lived at the hospital in New York City until there was no longer room for us. Then we moved to other orphanages.” She turned to look at the fire, embarrassment reflected in her face. “I made sure they never separated Daisy and me. I kept us together all those years, no matter where we were. And finally we had the option of moving here to Michigan. They said families needed boys and girls. We’d get to live in real homes.” The grip on his heart cinched tighter. “When we got here, I thought I was doing the best thing for Daisy by giving her a real family to live with. The Wretchams seemed nice. They lived on a big farm. Needed some extra help—” “So you and Daisy didn’t stay together?” “There weren’t any families needing two almost-grown girls. But I consoled myself that it was only temporary, that we’d only be apart until I could find a good job and a place for us to live.” “That must have been hard on both of you.” “Letting her go was like ripping out a piece of my heart.” He wanted to reach for her, pull her into his arms, and comfort her. But everything within him warned him against even a move as innocent as that. “When I learned she’d run away from the Wretchams, she ripped out the rest of my heart, and it hasn’t stopped bleeding since.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Two years ago, she had inherited The Milked Duck Ice Cream Shoppe in downtown Bliss from Great Aunt Agnes. After getting her degree in sociology and then bouncing around the country, waffling from job to job and one relative’s couch to another, she’d finally found where she fit: creating and serving happiness to the locals and the destination wedding tourists in Bliss.
Jamie Farrell (Smittened (Misfit Brides, #3))
Everything in the Book of the Revelation relates to the Lamb. The throne is the throne of the Lamb (22:1) and the heavenly city is the temple of the Lamb (21:22). The light in the city is the Lamb: “The Lamb is its light” (21:23). The marriage is the marriage of the Lamb (19:7) and the bride is the wife of the Lamb (21:9). The book that has the names of the saved in it is the Lamb’s Book of Life (21:27), and the song that is sung by the victors is the song of Moses and the Lamb (15:3). When we get to heaven, we will not be able to escape the fact that Jesus Christ is God’s Lamb! What a tragedy that many religious people today don’t want to hear about Jesus Christ, the Lamb of God. They want Jesus the Teacher, Jesus the Healer, Jesus the Example; but they don’t want Jesus the Savior who shed his precious blood to save a sinful world.
Warren W. Wiersbe (The Names of Jesus)
CJ's peace was restored. Momentarily. "Oh shit shit shit," a woman said. Her voice rippled with the kind of panic CJ expected from the bride today, but her husky undertones were too low for her to be any of his female relatives. Perhaps the confessional hadn't been a gift from God after all. "If that's what you need to do, but not right now, please," CJ said. Her shriek splintered his last hopes for peace. "Ohmigod!" his intruder gasped. "Not generally, but hey, if that's what you want to call me, I'm game.
Jamie Farrell (Blissed (Misfit Brides, #1))
Pat and I felt rather insignificant in a throng that included not only England’s most important, famous, and titled citizens but also most of western Europe’s royalty and heads of state from all over the world. The marriage of the heir to the English throne was very much a grand state occasion, in contrast to the ball, which had been a private celebration. The relative intimacy of the ball and the chance to visit with Diana made the party the more dazzling experience for us that week. Nonetheless, our spirits were buoyed by the happy fact that we actually knew the bride. Given our lack of social or political stature, Pat and I had joked that our assigned seats were likely to be at the very back of the nave and behind a pillar. Silently, we gave each other wide-eyed looks of surprise as the usher led us slowly up and up the center aisle to seats under the famous crossing dome, less than a dozen rows from the very front of the nave. We were floored! We would have an unobstructed view of the ceremony taking place on the dais on the front edge of the choir. As we entered our row to the left, we noticed Mrs. Thatcher, somber in dark blue, on the aisle in the same row to the right. Once again, I regretted my timidity two nights earlier. Pat and I couldn’t understand how we had ended up so near to the front of the cathedral. We assumed some error had been made, but were grateful for the mistake. Years later, when I was in London for Diana’s funeral, I learned that she had been allowed only one hundred personal invitations to her own wedding. We must have been in that small group, fortunately placed near the front of the church. As we waited almost breathlessly for the ceremony to being, Pat and I gazed discreetly at our splendid surroundings and the other guests privileged to be inside the cathedral. Once again, we didn’t know a soul and we would only see Diana from a distance today.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Well, well, my dear, I’m sure I find your, ah, offer most tempting. I mean, you’re quite a lovely female for an alien but I am a mated male,” said a low voice in her ear. Sophie’s eyes flew open and she saw that Magistrate Licklow was frowning at her. “I’m sorry, what?” She looked at him uncertainly as she felt the sleeves of her tharp twitch again. “I’m just saying that while I appreciate your offer of, ah, intimate relations, I must politely decline.” He cleared his throat. “So please stop touching me.” “But I’m not!” Sophie was appalled. “What would make you think I was doing…doing something like that?” “Because you are.” He was beginning to look red in the face—clearly something was happening beneath the table but Sophie had no idea what. Her hands were still fisted in her lap with the long sleeves of her tharp hanging down almost to the ground. They still seemed to be twitching a little but it was hard to tell when she was itching so abominably. Her knees were together and her feet were up on the bottom rung of her chair, so it wasn’t like she was playing footsie with the Magistrate. What was he talking about? “I’m not,” she said earnestly. “I promise you. I would never—” “Oh, shocking!” Unfortunately Lady Whitethorn had picked up on what was going on—or what the Magistrate thought was going on, anyway—and she was glaring at Sophie. “No, really,” Sophie protested. “I don’t know what’s happening but I promise I have nothing to do with it. I’m not touching anybody, see?
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Where exactly do you think you’re taking Miss Waterhouse?” Kat demanded, her blue eyes flashing. “And on what grounds?” “Please step aside, Ma’am,” said the officer on the left with mechanical courtesy. “We are simply fulfilling the orders on the papers we have just served to Miss Waterhouse. And we’re taking her to the Human/Kindred Relations building for her claiming ceremony.” “Her what?” Sophia exclaimed, her green eyes wide with distress. “Her claiming ceremony, where she will meet the Kindred warrior who has chosen her as a bride,” the other officer explained patiently. “Miss Olivia Waterhouse has been drafted.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Just try not to scare her.” “How would I scare her?” Baird cast an annoyed glance at his half brother. Sylvan had his arms crossed over his broad chest and there was a look of doubt on his face that got on Baird’s nerves. All morning the other male had been giving unsolicited advice and he was getting sick of it. “To start with, the fact that you’re so much larger than the human males she’s used to is probably frightening,” Sylvan pointed out, nodding at the puny looking humans standing behind the counter at one end of the large drab room. They were waiting in the Human/Kindred Relations building for Baird’s bride to arrive with the draft officers and it was staffed mainly by humans. “Not to mention that hungry look in your eyes—you look like the big, bad wolf waiting to eat her up.” Baird frowned. “The big bad what?” “Wolf, the big bad wolf, threatening to eat her,” Sylvan clarified. Baird
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
the symbolism of the ketubah as it related to the bride of Christ—how the New Testament was a type of ketubah for believers. It described Yeshua’s love and commitment, as well as how he intended to provide for his bride in every contingency. The modern Jewish ketubah, in many ways, was a symbolic prenuptial agreement which served as a substitute for the traditional bride price.
William Struse (The 13th Symbol: Rise of the Enlightened One (The Thirteenth, #3))
The gossip shall start no matter what I do!” Leo stared at her in amazement. “You speak as though your future is already set.” “It is,” Miss Royce said ruefully. “The only way that the world knows how to talk about women is by describing them in relation to the men around them! Walter’s daughter, Isaac’s jilted bride, Leo’s mistress – do you think that I’m ever given a second thought, once they have put me in a box and labelled me?” “You
Emily E.K. Murdoch (A Harvest Passion (Seasons of Love #6))
To soften relations between the two groups and meet Philadelphia's fashionable young beauties, Arnold hosted a ball at the... City Tavern with a guest list that included Tories and neutralists, as well as patriots. Inevitably the 'disaffected' emerged triumphant, their beaded gowns gleaming in the candlelight, their two-feet--high hairdos towering over the caps of patriot woman in their crude clothes.
Nancy Rubin Stuart (Defiant Brides: The Untold Story of Two Revolutionary-Era Women and the Radical Men They Married)
Once a dragon takes a mate, they are bonded for all eternity. They can never have relations with another dragon or humans. Even death itself cannot break the bond. The two mates will eventually always be reunited.
Ann Drighton (Bride of the Dragon King)
Aye, well, technically he’s no’ in custody yet. He’s just had an unfortunate toilet-related mishap.
Stuart MacBride (Blind Eye (Logan McRae #5))
He Said EYE-RACK Relative to our plans for your country, we will blast your tree, crush your cart, stun your grocery. Amen sisters and brothers, give us your sesame legs, your satchels, your skies. Freedom will feel good to you too. Please acknowledge our higher purpose. Now, we did not see your bed of parsley. On St. Patrick's Day 2003, President Bush wore a blue tie. Blinking hard he said, "reckless aggression." He said, "the danger is clear." Your patio was not visible in his frame. Your comforter stuffed with wool from a sheep you knew. He said, "We are against the lawless men who rule your country, not you." Tell that to the mother, the sister, the bride, the proud boy, the peanut-seller, the librarian careful with her shelves. The teacher, the spinner, the sweeper, the invisible village, the thousands of people with laundry and bread, the ants tunneling through the dirt.
Naomi Shihab Nye (You & Yours)
When I went into the attic to find the veil for Rose, I discovered this painting,” she began. “This is your great-grandfather, the third Earl of Ashton.” He wasn’t certain what to make of it, but then the weight of her words struck him. She’d said it was his great-grandfather. “He had green eyes,” Moira whispered. “You can see it for yourself.” Iain accepted the portrait, and when he took a closer look at the man, his blood ran cold. It was like looking into a mirror. There was no doubt at all that he was a blood relation to this man. He set down the portrait, and the hair stood up on his arms. Moira spoke first. “You have to understand how broken I was after I was violated by a man who was not my husband. And because Aidan sought revenge, he died. I found myself with a living reminder of that night.” Tears rolled down her cheeks. “Every time I looked at you, I could only think of the violence. I couldn’t see that you were a gift that Aidan left to me, so I wouldn’t be alone.” Moira turned away, her shoulders slumped forward. He couldn’t answer her, though he knew what she was saying. She finished with, “There is nothing I can say to undo the years I mistreated you. I neglected the only son remaining to me. The last piece of my husband, because I was too blind to see the truth.” For a time, he was frozen, not knowing how to respond. He was the Earl of Ashton in truth. By blood and by birthright. “I will leave, if you ask it of me,” she whispered. “I deserve to be cast out for what I did.” A part of him wanted to lash out at her, for the years she’d made him feel like a shadow worth nothing at all. But what good would it do? She had aged into a fragile shell of a woman who had based her life upon misery and bitterness. He had Rose now, the woman he loved more than life itself. He had brought her here to help him rebuild Ashton . . . but perhaps she could help him rebuild more than the estate. With a heavy sigh, he placed his hand upon his mother’s shoulder. “Will you walk with me when I meet my bride?” Moira took his hand and pressed it to her forehead. Against his fingers, he felt the wetness of her tears. “I will, yes. Thank you.” It would take time to let go of the past. But it would begin with a single step.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Quinn's Theory of Relativity' The likelihood of the relationship ending in divorce is directly related to the number of arguments during rehearsals,obsessive preparation and teh bride's budget on self.
Hazel Edwards (Celebrant Sleuth: I Do ... or Die (#1 'Celebrant Sleuth' series.)
She couldn’t breathe, couldn’t think. Her primal instincts eliminated all extraneous functions not related to her immediate survival.
Michael McBride (Subhuman (Unit 51 #1))
The metaphorical habit of mind, one of the principal fruits of practicing poetry, allows us to penetrate walls of abstraction and arrive at truths accessible only by its means. Metaphor teaches us radical connectedness: that in this world of the five senses, all things bear meaning in relation to one another. Think, for instance, how richly and consistently biblical metaphors reaffirm our relationship to the natural world and in doing so teach us about our relationship to God. Images of water, rock, light, fire, and wind enable us to recognize the movement of the Spirit in all of creation. Images of food - bread and wine, milk and honey, meat and drink - offer particular insight into the radical intimacy of a God who enters into and participates in the most physical facts of life in the body. Animal images - the dove, the raven, the lion, the great fish - invite us to reflect on our likeness to other orders of being. And images drawn from human occupation - builder and shepherd, bridegroom and bride, warrior and king, father, mother, and child - not only mirror the rich diversity of relationship necessary to human community, but also show how all of those are gathered into relationship with a God who is more variously and persistently present than we think.
Marilyn Chandler McEntyre (Caring for Words in a Culture of Lies)
She had not been sure what to wear—a classic peach maid of honor dress or a black leather corset. Her compromise: peach leather with a fringed hem, sleeveless so as to display arms with the relative dimensions and consistency of marble columns on a Georgian mansion. Big Cyndi’s hair was done up in a mauve Mohawk and pinned on the top was a little bride-and-groom cake decoration.
Harlan Coben (Promise Me (Myron Bolitar, #8))
Discussing the wedding created a perplexing hollow in Veblen. She had picked up a copy of Brides magazine since the whole idea came into play; it wanted to fill her mind with wedding souvenirs and makeovers and cake toppers and what she would wear on her head, but none of that stuff captivated her the way she knew it was supposed to, and she wondered if she should make it an actual goal to start relating to all the bridal fanfare in a more happy-go-lucky way so she wouldn’t miss out on something important. How do you know if you’re stubbornly missing out, or if it’s just not for you and that’s perfectly okay?
Elizabeth Mckenzie (The Portable Veblen)
Some sources say that Imbolc means “in the belly of the Mother.” In either case of its meaning, this celebration is in direct relation to, and an extension of, the Winter Solstice – when the Birth of all is celebrated. Imbolc may be a dwelling upon the “originating power,” and that it is in us: a celebration of each being’s particular participation in this power that permeates the Universe, and is present in the condition of every moment. This Seasonal Moment focuses on the Urge to Be, the One/Energy deeply resolute about Being. She is in that way – and Self-centred. In the ancient Celtic tradition Great Goddess Bri wilful gid has been identified with the role of tending the Flame of Being, and with the Flame itself. Brigid has been described as: “… Great Moon Mother, patroness (sic … why not “matron”) of poetry and of all ‘making’ and of the arts of healing.” Brigid’s name means “the Great or Sublime One,” from the root brig, “power, strength, vigor, force, efficiency, substance, essence, and meaning.” She is poet, physician/healer, smith-artisan: qualities that resonate with the virgin-mother-crone but are not chronologically or biologically bound – thus are clearly ever present Creative Dynamic. Brigid’s priestesses in Kildare tended a flame, which was extinguished by Papal edict in 1100 C.E., and was re-lit in 1998 C.E.. In the Christian era, these Early Spring/Imbolc celebrations of the Virgin quality, the New Young One - became “Candlemas,” a time for purifying the “polluted” mother – forty days after Solstice birthing. Many nuns took their vows of celibacy at this time, invoking the asexual virgin bride. This is in contrast to its original meaning, and a great example of what happened to this Earth-based tradition in the period of colonization of indigenous peoples.
Glenys Livingstone (A Poiesis of the Creative Cosmos: Celebrating Her)
Also at Amazon, Nikki Sprinkle the marketing manager and Jessica Poore who deals with author relations deserve thanks
Helen Bryan (War Brides)
research about body dissatisfaction and body hatred shows us that the majority of us—up to 90 percent of those of us in Western culture and in communities touched by globalization, inclusive of women and men—loathe our bodies.1 Numbers this high and this pervasive among both men and women have led researchers to characterize the Western relationship with the body as “normative discontent,” so normal we can forget there is any other way to relate to our bodies individually and culturally.
Hillary L. McBride (The Wisdom of Your Body: Finding Healing, Wholeness, and Connection through Embodied Living)
We complete the stress cycle when we release our trauma response mechanisms by moving the stress-related energy out through the body.
Hillary L. McBride (The Wisdom of Your Body: Finding Healing, Wholeness, and Connection through Embodied Living)
KNIGHTS, KNAVES, POPES, AND PENTACLES: THE HISTORY OF THE HOLY GRAIL THROUGH TAROT “Not surprising,” Langdon said to Sophie. “Some of our keywords have the same names as individual cards.” He reached for the mouse to click on a hyperlink. “I’m not sure if your grandfather ever mentioned it when you played Tarot with him, Sophie, but this game is a ‘flash-card catechism’ into the story of the Lost Bride and her subjugation by the evil Church.” Sophie eyed him, looking incredulous. “I had no idea.” “That’s the point. By teaching through a metaphorical game, the followers of the Grail disguised their message from the watchful eye of the Church.” Langdon often wondered how many modern card players had any clue that their four suits—spades, hearts, clubs, diamonds—were Grail-related symbols that came directly from Tarot’s four suits of swords, cups, scepters, and pentacles. Spades were Swords—The blade. Male. Hearts were Cups—The chalice. Feminine. Clubs were Scepters—The Royal Line. The flowering staff. Diamonds were Pentacles—The goddess. The sacred feminine.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
I like weddings. They’re full of color and drama and joy.” “And drunken relatives.
Nora Roberts (Inheritance (The Lost Bride Trilogy, #1))
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Jana Ann Bridal Couture San Diego Wedding Dress Styles
As a result, when Rhea tried to look up anything related to “rhea” in the few books available to a miller’s daughter, all she could find were pictures of a probably mythical creature that looked like a giant, ill-tempered chicken with a very long neck.
T. Kingfisher (The Seventh Bride)
Staying married, therefore, is not mainly about staying in love. It is about keeping covenant. “Till death do us part” or “As long as we both shall live” is a sacred covenant promise—the same kind Jesus made with his bride when he died for her. Therefore, what makes divorce and remarriage so horrific in God’s eyes is not merely that it involves covenant-breaking to the spouse, but that it involves misrepresenting Christ and his covenant. Christ will never leave his wife. Ever. There may be times of painful distance and tragic backsliding on our part. But Christ keeps his covenant forever. Marriage is a display of that! That is the ultimate thing we can say about it. It puts the glory of Christ’s covenant-keeping love on display. The most important implication of this conclusion is that keeping covenant with our spouse is as important as telling the truth about God’s covenant with us in Jesus Christ. Marriage is not mainly about being or staying in love. It’s mainly about telling the truth with our lives. It’s about portraying something true about Jesus Christ and the way he relates to his people. It is about showing in real life the glory of the gospel.
John Piper (This Momentary Marriage: A Parable of Permanence)
I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old
Violet Howe (Diary of a Single Wedding Planner (Tales Behind the Veils, #1))
banns’. This is a weird English custom dating back to the twelfth century, where couples have to give official notice of their intention to marry several weeks in advance – presumably giving time for anyone to come forward if they know the bride and groom are secretly related.
Tony James Slater (Can I Kiss Her Yet?: A True Tale of Love, Marriage... and Camels)
It was a raucous affair—the two cultures meshing together on the dance floor in a riot of yarmulkes and kilts. A fine time was had by all, but a word of caution for anyone thinking of making a similar match: the Jewish tradition of dancing the hora with the bride and groom hoisted high on chairs is liable to clash, spectacularly, with the Scottish tradition of wearing kilts with no underwear, so be prepared for fainting relatives.
Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
Getting Rid of the Mud We have a custom at weddings. Before you go to the wedding canopy, there is the veiling of the bride. At the veiling of the bride, I usually gather together all the blood relatives into a room, to ask them each to forgive each other, because it’s impossible to grow up in a family, with siblings and parents, without having some secret anger. And you don’t want people to have to go into the next phase of life with all this karmic load. So that is why bringing in those people is so important. That way they can forgive each other and really bless each other. It is a very powerful thing. On one occasion, a young girl was present while we were doing this forgiveness, and she wanted to know how to do it. I tell you, it was a wonderful thing that she asked this question. She really wanted to know how to do it. It was as if nobody had ever shown her how to do forgiving. So I said to her, “Could you imagine that you have a beautiful shiny white dress on, and here comes this big clump of mud and dirties it? You would want to clean it off, wouldn’t you?” “Oh, yes,” she said. “Could you imagine then, instead of the mud being on the outside on your dress, the mud is on your heart?” “Uh huh.” “And being angry with people and not forgiving them is like mud on your heart.” “I sure want to get rid of that,” she said. “OK, how are you going to go about doing that?” I suggested that she close her eyes, raise up her hands in her imagination, and draw down some golden light and let it flow over that mud on her heart until it was all washed away. In this way she really understood forgiving. Do you understand how important it is, just as with this child, to respond decently when somebody says, “You ought to …,” and starts giving you advice and you want to say, “I’ve been trying to do it myself. You don’t have to scold me—show me how to do it”? This is the issue in all spiritual direction work. Rabbi Zalman Schachter-Shalomi
Dov Peretz Elkins (Rosh Hashanah Readings: Inspiration, Information and Contemplation)
The analogy between infertile heterosexuals and same-sex couples misses the point. The extension of marriage to infertile heterosexual couples serves not to deprecate same-sex couples, but to preserve the equal status of women in marriage. A test for fertility would be unfair to women because all women spend most of their adult lives in a state of infertility. Fertile women are infertile most days of a month, and postmenopausal women are always infertile. A fertility requirement would also render women susceptible to enormous abuse by men, providing a ready excuse for men who would trade in older women for nubile brides. The status of women in marriage would be intolerably diminished through this practice. Infertility is less common among men, as they can sire children into old age. Moreover, men, like women, typically do not discover that they are infertile until they attempt to sire children, at which time they ought already to be married. A measure that serves primarily to protect women and to preserve their equal status within the institution of marriage is not a measure that is an appropriate basis by which to judge that the same should go for same-sex couples. One of the great challenges men and women face in marriage is in coming to terms with their differences while respecting the status of the other as an equal. Acceptance of infertility is a measure promoting this end. A measure to accommodate the reality of sex-based difference in marriage is no reason to extend marriage to same-sex couples. Moreover, accommodation for infertility in no way diminishes the reality that the inequality of the parent-child relationship is what differentiates marriage from other contractual relationships. It is the parent-child relation, as it emerges from sexual difference and procreation, which elevates marriage above a mere contract, and renders it a sacred duty.
Jean Bethke Elshtain (The Meaning of Marriage: Family, State, Market, & Morals)
I’m relieved.” Ryder leveled his eyes with Michael. “I can’t live here . . . like this anymore.” Not the reaction Michael expected. “Your job?” “It’s almost summer. I’m out. I’ll find another job.” The words were easy to digest, but he didn’t believe them. “You love Utah.” “Love is a strong word. I’m used to Utah. I didn’t leave when I was eighteen. Most of you did, even if only for a little while.” Ryder refilled both their glasses and moved to the couch. Michael followed. “Do you know how many states gay marriage is legal?” “Twenty.” The answer came easy. If there was one thing easy to support and follow, it was any topic related to homosexuals. “Twenty. At least eleven more have appeals in the courts to add those states to the mix, Utah included.” Ryder set his glass aside and took Michael’s hand. “It’s going to take small towns like this forever to catch up even after it’s legalized. I don’t want to wait for them. I want to live, Mike.” This was that moment Michael knew was coming. Truth.
Catherine Bybee (Seduced by Sunday (The Weekday Brides, #6))
I’ve gotten about whether their relationship is “legal” since they are now “family.” It doesn’t seem odd at all to me because my mother’s brother and sister married a brother and sister, giving me nine “double” cousins. To make things even more complicated, both the “brides” had the same first name, so they basically traded last names. Are you scratching your head yet? It takes new members of our family quite some time, as well as diagrams, to fully understand how we’re all related!
Marie Force (Kisses After Dark (Gansett Island, #12))
A woman was not considered related to her own child by the bizarre laws of England. The man’s seed contained the whole of the baby, so they said, who nestled inside the woman for most of a year before she bore it. This made the child the father’s, not the mother’s.
Jennifer Ashley (The Devilish Lord Will (MacKenzies & McBrides, #10))